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| 1 | >Have trouble sleeping at night. | |
| 2 | >Sign up for the MGC Daki service. | |
| 3 | >As a customer, not employee. | |
| 4 | >They have a roster of men and monsters they send out to customers to be used as Dakis. | |
| 5 | >Strict no sex rule but it's still basically a glorified dating service. | |
| 6 | >The monsters are mostly weresheep and dormice and things of that nature. | |
| 7 | >Doorbell rings at 10:30, you go answer it. | |
| 8 | >It's a demon. Blue skin, slitted eyes glowing yellow, evil looking black horns. | |
| 9 | >She's wearing some kind of skin-tight leather catsuit that shows off an absurdly hourglass-shaped figure. | |
| 10 | >She's tall as well; with her high heels she's almost as tall as you. | |
| 11 | >Her cold glare freezes you in place when you open the door. This can't possibly be the girl you're waiting for. | |
| 12 | >"Are you Anon?" Her voice is emotionless and commanding. | |
| 13 | >You say that you are. | |
| 14 | >She nods and marches into your home. | |
| 15 | >"I'm Verina. I'm from the Daki service. Are you ready for bed? I don't mind waiting a bit if you need some time." | |
| 16 | >You immensely regret signing up. You're feeling awkward and a little afraid but you don't want to make this any worse so you decide to go along with it for now. | |
| 17 | >You say you're ready and quickly show her around the house. | |
| 18 | >In short order you are lying in bed with only the dim light of your bedside lamp to see by and Verina is in your bathroom 'preparing'. | |
| 19 | >She comes out a few minutes later wearing a modest white linen nighty with a flower print. | |
| 20 | >She's carrying one of those special pillows meant to accommodate horns. It's shaped like a cartoon sheep and kind of looks like a teddy bear. | |
| 21 | >She places it next to you and silently slips under the covers, turning the light off on the way in. | |
| 22 | >She laid down facing you; you can see her eyes glowing faintly in the darkness. | |
| 23 | ||
| 24 | >After a few moments of silence she inches closer and nudges you. | |
| 25 | >Taking the hint, you roll onto your side and hesitantly wrap your arms around her, holding her like you would a daki and silently freaking the fuck out. | |
| 26 | >She calmly snuggles into you, wrapping her spade tail around one of your legs and resting her face lightly against yours. | |
| 27 | >She's out like a light within seconds. | |
| 28 | >You wake up in the morning in the exact same position, with her staring at your face. | |
| 29 | >You lock eyes with her and - not knowing what to do - end up stuck like that. | |
| 30 | >You spend fifteen minutes staring at each other with her tail drawing lazy circles on the top of your foot. | |
| 31 | >After which she wordlessly gets up and leaves the room. | |
| 32 | >You find her in the kitchen, still in her pajamas, making pancakes. | |
| 33 | >After the two of you have breakfast together she changes back into her normal clothes, gives you a cool but polite goodbye, then leaves. | |
| 34 | >She left her pillow on your bed though. | |
| 35 | - | >All you can think is 'what the actual fuck just happened?' |
| 35 | + | >All you can think is 'what the actual fuck just happened?' |
| 36 | ||
| 37 | >This repeats the next day with two small variations. | |
| 38 | >First, she plays the little spoon that night instead of going face to face, which is a huge relief. That shit was disturbing. | |
| 39 | >Second, it's waffles in the morning instead of pancakes. | |
| 40 | >Made from scratch, with an antique waffle press she left in your kitchen the night before. | |
| 41 | >They're covered in blackberry syrup (also homemade), strawberry slices, and cream. | |
| 42 | >The two of you are sitting side by side at the kitchen table. You don't know why; she waited for you to sit down then sat to your immediate left. | |
| 43 | >Halfway through the meal you notice her staring at you. Not at your eyes like usual though, her gaze is a little lower. Your lips? | |
| 44 | ||
| 45 | >When you pause in your eating she gently cups your chin with one hand and leads your face toward hers. | |
| 46 | >She leans across your body, her breasts pressing against your arm and shoulder, and licks the left side of you face. | |
| 47 | >And I mean she REALLY licks it. | |
| 48 | >A slow, firm lick with her whole tongue that starts at the corner of your mouth and trails halfway across your cheek. | |
| 49 | >She backs away a few inches afterward, still staring at your mouth. You can hear her tongue moving in her mouth and see her swallowing, like she's savoring the flavor. | |
| 50 | >Then she goes in again. | |
| 51 | >A much slower and harder lick this time, catching more of your lips. | |
| 52 | >Her tongue is wiggling around and rubbing back and forth against your skin like it's made of candy. | |
| 53 | >She's salivating like crazy, you can feel it drenching your cheek and lip for a moment before she licks it up. | |
| 54 | >When she finishes she grabs a napkin from the table and uses it to delicately dry off the spot she licked. | |
| 55 | >Satisfied, she meets your eyes briefly then goes back to her meal. | |
| 56 | >Too stunned to follow suit, you sit there watching her. | |
| 57 | >A minute or two go by and her movements suddenly slow. She gets a spaced out look in her eyes like she's thinking about something. | |
| 58 | >Then she starts to look worried. You can't say how exactly - her face is the same as before - but her eyes come back into focus suddenly and she looks tense. | |
| 59 | >She peeks in your direction and freezes when she sees you staring at her. | |
| 60 | >She gives a little start then goes back to eating. | |
| 61 | >The rest of the morning goes as normal. You finish breakfast, she helps clean up then goes on her way. She does seem a touch off when she leaves though. | |
| 62 | ||
| 63 | >This goes on for about a week. | |
| 64 | >One morning you notice she seems interested in the entertainment center in your room. | |
| 65 | >You aren't sure why, none of the equipment is particularly nice. You've still got a DVD/VHS combo hooked up under your blu-ray. | |
| 66 | >That night she shows up a couple hours earlier than usual. | |
| 67 | >Asks if you want to watch a movie. | |
| 68 | >Yeah sure, why not. | |
| 69 | >She hands you a bag. | |
| 70 | >You open it and see 3 VHS cassettes. | |
| 71 | >Alien, Sleepless in Seattle, The Lion King. | |
| 72 | >She asks you to pick one. | |
| 73 | ||
| 74 | >You go for Alien. | |
| 75 | >Turns out she's never seen it. | |
| 76 | >Her parents thought it was too scary for her when she was younger. | |
| 77 | >Ask her why she never watched it when she was older. | |
| 78 | >She says she didn't want to watch a scary movie alone. | |
| 79 | >"You could have watched it with friends or something." | |
| 80 | >She cocks her head to the side with a frown. | |
| 81 | >Either that idea never occurred to her before, or she doesn't have friends. | |
| 82 | >The previews start rolling and you two climb into bed. You make your customary pillow recliner/fortress for maximum comfy, she settles in on the other side. | |
| 83 | >By the end of the movie she has joined you in your fortress and pulled one of your arms around her like a scarf. You get the impression she's a little scared but her face doesn't show it. | |
| 84 | >You get up to return the movie to it's case. She follows you. | |
| 85 | >"Do you need to go to the bathroom, Anon?" | |
| 86 | >"Hm? No, I'm alright." | |
| 87 | >"Oh." | |
| 88 | >She follows you around silently for a bit. | |
| 89 | >"I think I heard water, Anon." | |
| 90 | >"Water?" | |
| 91 | >"You should check to make sure your toilet isn't running. You could run up your water bill like that." | |
| 92 | >"...I see. I guess I'll do that, then." | |
| 93 | >"I'll come with you, to make sure you don't slip." | |
| 94 | >"Right..." | |
| 95 | >You take a quick look around the bathroom, nothing is running. | |
| 96 | >Verina nods. "I guess I must have been hearing things. Well, since we're here anyways, we might as well use it." | |
| 97 | >You try not to roll your eyes. "Of course. I'll just step outside, you can go ahead." | |
| 98 | >"Wait!" | |
| 99 | >You watch tiny changes pass over her face as she processes the current situation. Careful weighing of options. A desperate search for an excuse to keep you in the room without giving away how scared she is. Reluctant, unwilling acceptance. | |
| 100 | >"Hey," her eyes look fall away from yours and look into the distance, "do you want to watch me pee?" | |
| 101 | ||
| 102 | >You can see her pride crumbling as she says the words. | |
| 103 | >"You want me to watch you pee?" | |
| 104 | >"Yeah, it'll be fun." Her voice is even more emotionless than usual. "It's one of those things, right? A fetish?" The life is gone from her eyes. "I'm a pervert. A hopeless pervert who enjoys men watching me pee. Please watch me pee." | |
| 105 | >She bunches up and lifts the long skirt of her nightie revealing childish white cotton underwear. | |
| 106 | >"Don't you think it would be better to just admit that you're sca-" at that moment your circuit breaker trips and the lights go out. | |
| 107 | >Verina grabs onto you full-force and between her, her skirt tangled around both of you, and the darkness, you can't keep on your feet. | |
| 108 | >You land in the most awkward position possible, pressed against the back of the toilet with Verina in your lap facing you. | |
| 109 | >There's dead silence except for two people panting and the very characteristic sound of a stream of liquid trickling into the toilet. | |
| 110 | >You feel something warm on the inside of one of your thighs. | |
| 111 | >"...Hey." | |
| 112 | >"Yeah?" | |
| 113 | >"Can I borrow of pair of your underwear?" | |
| 114 | >"Yeah." |