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| 1 | Originally pasted Project Mayhem 2012 Artistic Disclaimer | |
| 2 | By and thnx²: a guest on Oct 1st, 2011 | syntax: None | size: 24.82 KB | views: 7,091 | expires: Never | |
| 3 | ||
| 4 | ||
| 5 | -----BEGIN PGP SIGNED MESSAGE----- | |
| 6 | Hash: SHA1 | |
| 7 | ||
| 8 | | |
| 9 | ||
| 10 | ||
| 11 | ||
| 12 | <!-- | |
| 13 | The Secret is there is NO Secret. | |
| 14 | - --> | |
| 15 | ||
| 16 | <!-- | |
| 17 | ALL contents, artwork, software and ideas submitted and released by PM2012, | |
| 18 | including these files, are released into the Public Domain. | |
| 19 | http://en.wikipedia.org/wiki/Public_domain | |
| 20 | ||
| 21 | Have we enrichened your life if only a little beet? | |
| 22 | ||
| 23 | Feeling grateful and wanna say 'Thank You!'? | |
| 24 | ||
| 25 | ALL donations will be put towards keeping Project Mayhem 2012 strong. | |
| 26 | PM2012 team Bitcoin: 1PQFLihJDNC8axSPS3qWFmvd9eKyD4YfvC | |
| 27 | - --> | |
| 28 | ||
| 29 | <!-- | |
| 30 | "Art is now the only evolutionary-revolutionary power. | |
| 31 | Only art is capable of dismantling the repressive social system to build | |
| 32 | a SOCIAL ORGANISM AS A WORK OF ART." | |
| 33 | Joseph Beuys, 1921-1986 | |
| 34 | - --> | |
| 35 | ||
| 36 | <!-- | |
| 37 | ||
| 38 | ******************************************************* | |
| 39 | ******************************************************* | |
| 40 | ***** ***** | |
| 41 | ***** ARTISTIC Disclaimer in CAPITAL LETTERS: ***** | |
| 42 | ***** ***** | |
| 43 | ******************************************************* | |
| 44 | ******************************************************* | |
| 45 | ||
| 46 | PM2012, as *** A SOCIAL SCULPTURE OF PANIC ART *** is | |
| 47 | SUPPORTED BY NOBEL PRIZE FINALIST FERNANDO ARRABAL. | |
| 48 | ||
| 49 | CURRICULUM VITAE OF FERNANDO ARRABAL by Ante Glibota: | |
| 50 | WHO'S WHO IN THE WORLD 2000 17th Edition: | |
| 51 | http://www.arrabal.org/cure.html | |
| 52 | ||
| 53 | By many estimates, Arrabal is probably | |
| 54 | THE MOST PERFORMED LIVING DRAMATIC AUTHOR WORLDWIDE. | |
| 55 | ||
| 56 | How and Where has Fernando Arrabal shown his support | |
| 57 | for Project Mayhem 2012 as a Social Sculpture of Panic Art? | |
| 58 | ||
| 59 | At his personal blog. | |
| 60 | ||
| 61 | HERE: | |
| 62 | ||
| 63 | …ἀνάγκη … desperados…rats d’égout… autre arrabalesque… Project Mayhem 2012… | |
| 64 | http://laregledujeu.org/arrabal/2011/09/05/2643 | |
| 65 | ||
| 66 | http://en.wikipedia.org/wiki/Fernando_Arrabal | |
| 67 | http://en.wikipedia.org/wiki/Panic_Movement | |
| 68 | http://en.wikipedia.org/wiki/Pan_(god) | |
| 69 | ||
| 70 | - --> | |
| 71 | ||
| 72 | <!-- | |
| 73 | DISCLAIMER: | |
| 74 | ************************************************************************* | |
| 75 | ************************************************************************* | |
| 76 | *** WE, PM2012 team members and PM2012 mirror owners *** | |
| 77 | *** TOTALLY REFUSE TO SUPPORT ANY KIND OF VIOLENT *** | |
| 78 | *** AND/OR ILLEGAL ACTIONS TOWARDS ACHIEVING *ANY* KIND OF GOALS. *** | |
| 79 | ************************************************************************* | |
| 80 | ************************************************************************* | |
| 81 | ||
| 82 | ************************************************************************************ | |
| 83 | ************************************************************************************ | |
| 84 | *** IF YOU INTERPRET *** ANYTHING *** YOU READ ON THE FOLLOWING PAGES AS *** | |
| 85 | *** BEING ILLEGAL/forbidden IN YOUR COUNTRY or in your local jurisdiction, then *** | |
| 86 | *** DO NOT DO IT | DO NOT DO IT | DO NOT DO IT *** | |
| 87 | ************************************************************************************ | |
| 88 | ************************************************************************************ | |
| 89 | ||
| 90 | Also, | |
| 91 | ||
| 92 | |=-----------------------------------------------------------------------=| | |
| 93 | |=-----------------------------------------------------------------------=| | |
| 94 | |=--------=[ ]=--------=| | |
| 95 | |=--------=[ « Never do anything against Conscience even ]=--------=| | |
| 96 | |=--------=[ if the State demands it. » ]=--------=| | |
| 97 | |=--------=[ Albert Einstein ]=--------=| | |
| 98 | |=-----------------------------------------------------------------------=| | |
| 99 | |=-----------------------------------------------------------------------=| | |
| 100 | - --> | |
| 101 | ||
| 102 | And always, | |
| 103 | ||
| 104 | Remember: we will NEVER ever suggest you to do anything ILLEGAL and/or anything against your own Consciousness. | |
| 105 | Remember: we will NEVER ever DO anything ILLEGAL and/or against our own Consciousness. | |
| 106 | ||
| 107 | http://projectmayhem2012.org/00README-001.txt | |
| 108 | ||
| 109 | *************************************************************************************** | |
| 110 | *** We LIVE by these words and WE TOTALLY REFUSE TO SUPPORT ANY KIND OF VIOLENT *** | |
| 111 | *** AND/OR ILLEGAL ACTIONS TOWARDS ACHIEVING ANY KIND OF GOALS. *** | |
| 112 | *************************************************************************************** | |
| 113 | ||
| 114 | If some entity wants to link Project Mayhem 2012 with calling for illegal deeds to be committed, | |
| 115 | then KNOW that they are simply DISINFORMING you. | |
| 116 | ||
| 117 | ALWAYS demand that "journalists" or other corporate/governmental institutions | |
| 118 | PROVE their assertions about PM2012 and back them up with FACTUAL DATA | |
| 119 | found inside the cryptographically signed -for, if it is not cryptographicall signed | |
| 120 | with the PM2012 team key, it is NOT ours- literature found at Project Mayhem 2012 site, | |
| 121 | for they will find NONE. | |
| 122 | ||
| 123 | Each object served by PM2012 has got an associated cryptographic signature: a .sig file. | |
| 124 | Append that to the end of the filename to cryptographically verify its authenticity and integrity. | |
| 125 | ||
| 126 | i.e.: | |
| 127 | ||
| 128 | http://projectmayhem2012.org/hivemind10001001.gif -> http://projectmayhem2012.org/hivemind10001001.gif.sig | |
| 129 | http://projectmayhem2012.org/hivemind11001010010.html -> http://projectmayhem2012.org/hivemind11001010010.html.sig | |
| 130 | ||
| 131 | If it hasn't got an .sig that correctly verifies with the PM2012 public key, | |
| 132 | then the file has either been corrupted on download or it's been forged or it simply is NOT coming from PM2012 team. | |
| 133 | ||
| 134 | PM2012 GnuPG public key: http://projectmayhem2012.org/pm2012-publickey.asc | |
| 135 | ||
| 136 | pm2012-publickey.asc backup: http://pastebin.com/LFB7LywF | |
| 137 | ||
| 138 | pub 4096R/C085EDF7 2011-08-01 [valid until: 2012-12-21] | |
| 139 | Fingerprint: 4FF0 9759 2A91 DFBF A8B3 66FF B9EA 8E8E C085 EDF7 | |
| 140 | sub 4096R/7E78969A 2011-08-01 [valid until: 2012-12-21] | |
| 141 | ||
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| 194 | =ov96 | |
| 195 | - -----END PGP PUBLIC KEY BLOCK----- | |
| 196 | ||
| 197 | - --> | |
| 198 | ||
| 199 | <!-- | |
| 200 | ******************************** | |
| 201 | ***** ARTISTIC DISCLAIMER: ***** | |
| 202 | ******************************** | |
| 203 | ||
| 204 | *********************** | |
| 205 | *** *** | |
| 206 | *** We are *** FAKE *** | |
| 207 | *** REPEAT *** | |
| 208 | *** We are *** FAKE *** | |
| 209 | *** *** | |
| 210 | *** it's ONLY ART *** | |
| 211 | *** REPEAT *** | |
| 212 | *** *** | |
| 213 | *** it's ONLY ART *** | |
| 214 | *** REPEAT *** | |
| 215 | *** *** | |
| 216 | *** INOFFENSIVE ART *** | |
| 217 | *** REPEAT *** | |
| 218 | *** *** | |
| 219 | *** INOFFENSIVE ART *** | |
| 220 | *** *** | |
| 221 | *** DO NOT BELIEVE *** | |
| 222 | *** ANYTHING YOU *** | |
| 223 | *** READ @PM2012 *** | |
| 224 | *** FOR IT IS *** | |
| 225 | *** TOTALLY FAKE *** | |
| 226 | *** *** | |
| 227 | *** ALL PM2012 IS *** | |
| 228 | *** MEANT AS A JOKE *** | |
| 229 | *** *** | |
| 230 | *** INNOCENT JOKE! *** | |
| 231 | *** INNOFENSIVE JOKE!** | |
| 232 | *** INNOCENT JOKE! *** | |
| 233 | *** INNOFENSIVE JOKE!** | |
| 234 | *** *** | |
| 235 | *********************** | |
| 236 | ||
| 237 | N01ZᴚƎVNI | |
| 238 | REI UNIUS | |
| 239 | ᴚƎI VN10Z | |
| 240 | VNIᴚƎZ10N | |
| 241 | ||
| 242 | is | |
| 243 | the | |
| 244 | name | |
| 245 | of | |
| 246 | the | |
| 247 | game | |
| 248 | ||
| 249 | ZENx. | |
| 250 | ||
| 251 | http://twitpic.com/6pwozc/full | |
| 252 | ||
| 253 | http://www.youtube.com/watch_popup?v=xhohcQ6Tqv0&hl=en | |
| 254 | ||
| 255 | you want REAL CHAOS?: | |
| 256 | ||
| 257 | http://www.worldometers.info/ | |
| 258 | http://www.usdebtclock.org/ | |
| 259 | http://www.stopthehunger.com/ | |
| 260 | - --> | |
| 261 | ||
| 262 | <!-- | |
| 263 | ||
| 264 | ||
| 265 | .' '. __ | |
| 266 | B'zzzzzzzzzzz. . . (__\_ | |
| 267 | . . . -{{_(|8)
| |
| 268 | ' . . ' ' . . ' (__/` | |
| 269 | ||
| 270 | _ _ | |
| 271 | _ | |
| 272 | /_/_ .'''. | |
| 273 | =O(_)))) ...' `. | |
| 274 | \_\ `. .'''B'zzzzzzzzzzz | |
| 275 | `..' | |
| 276 | ||
| 277 | /| __ | |
| 278 | / | ,-~ / | |
| 279 | Y :| // / | |
| 280 | | jj /( .^ | |
| 281 | >-"~"-v" | |
| 282 | / Y | |
| 283 | jo o | | |
| 284 | ( ~T~ j | |
| 285 | >._-' _./ | |
| 286 | / "~" | | |
| 287 | Y _, | | |
| 288 | /| ;-"~ _ l | |
| 289 | / l/ ,-"~ \ | |
| 290 | \//\/ .- \ | |
| 291 | Y / Y* | |
| 292 | l I ! | |
| 293 | ]\ _\ /"\ | |
| 294 | (" ~----( ~ Y. )
| |
| 295 | ~~~~~~~~~~~~~~~~~~~~~~~~~~ | |
| 296 | ||
| 297 | - --> | |
| 298 | ||
| 299 | ||
| 300 | <!-- | |
| 301 | ||
| 302 | "International, regional and national standards also recognize that | |
| 303 | freedom of speech, as the freedom of expression, includes any medium, be | |
| 304 | it orally, in written, in print, | |
| 305 | THROUGH THE INTERNET OR THROUGH *** ART FORMS ***. | |
| 306 | ||
| 307 | THIS MEANS THAT THE PROTECTION OF FREEDOM OF SPEECH AS A RIGHT | |
| 308 | INCLUDES NOT ONLY THE CONTENT, BUT ALSO THE MEANS OF EXPRESSION." | |
| 309 | ||
| 310 | Source: http://en.wikipedia.org/wiki/Freedom_of_Speech | |
| 311 | ||
| 312 | ___________________________________________________________________________________________ | |
| 313 | ||
| 314 | Under the Miller test, A WORK IS OBSCENE IF: | |
| 315 | ||
| 316 | (a)...‘the average person, applying contemporary community standards’ would find the work, as a whole, appeals to the prurient interest, | |
| 317 | (b)...the work depicts or describes, in a patently offensive way, sexual conduct specifically defined by the applicable state law, and | |
| 318 | (c)...the work, taken as a whole, lacks serious ***** LITERARY, ARTISTIC, ***** political, or scientific value. | |
| 319 | ||
| 320 | http://en.wikipedia.org/wiki/First_Amendment_to_the_United_States_Constitution#Obscenity | |
| 321 | ___________________________________________________________________________________________ | |
| 322 | ||
| 323 | ******************************** | |
| 324 | ***** ARTISTIC DISCLAIMER: ***** | |
| 325 | ******************************** | |
| 326 | ||
| 327 | ||
| 328 | the stories and inforMAtion posted here are artistic works of http://en.wikipedia.org/wiki/Panic_Movement social art, fiction and *** falsehood ***. | |
| 329 | only a looɟ such as http://en.wikipedia.org/wiki/Fernando_Arrabal would publicly show his support for Project Mayhem 2012 | |
| 330 | and/or take anythinG posted here as fact. | |
| 331 | ||
| 332 | …autre arrabalesque: | |
| 333 | ||
| 334 | “…le Pape danse avec Zarathoustra car son célibat est de moins en moins héréditaire…” | |
| 335 | “…el Papa baila con Zaratustra , ya que su solteri’a es cada vez menos hereditaria…” | |
| 336 | ||
| 337 | http://laregledujeu.org/arrabal/2011/09/05/2643/ | |
| 338 | ||
| 339 | u IrK, bros? | |
| 340 | ||
| 341 | ||
| 342 | ****************************************************** | |
| 343 | ||
| 344 | "In 1962 Arrabal co-founded the Panic Movement with Alejandro Jodorowsky | |
| 345 | and Roland Topor, inspired by the god Pan, and was elected Transcendent | |
| 346 | Satrap of the Collège de Pataphysique in 1990. Forty other Transcendent | |
| 347 | Satraps have been elected over the past half-century, including Marcel | |
| 348 | Duchamp, Eugène Ionesco, Man Ray, Boris Vian, Dario Fo, Umberto Eco and | |
| 349 | Jean Baudrillard. | |
| 350 | ||
| 351 | A friend of Andy Warhol and Tristan Tzara, Arrabal spent three years as | |
| 352 | a member of André Breton’s surrealist group." | |
| 353 | ||
| 354 | In 2001, he was runner-up for the Premio Cervantes, nominated by Nobel | |
| 355 | Prize in Literature Camilo José Cela and José Hierro. | |
| 356 | ||
| 357 | He was reportedly a FINALIST FOR THE NOBEL PRIZE IN 2005, | |
| 358 | a prize which several institutions and personalities solicited for him. | |
| 359 | On July 14, 2005, he was named to France’s Légion d'honneur. | |
| 360 | ||
| 361 | http://en.wikipedia.org/wiki/Fernando_Arrabal | |
| 362 | http://en.wikipedia.org/wiki/Panic_Movement | |
| 363 | ||
| 364 | ______________________________________ | |
| 365 | ||
| 366 | And always, | |
| 367 | ||
| 368 | Remember: we will NEVER ever suggest you to do anything ILLEGAL and/or anything against your own Consciousness. | |
| 369 | Remember: we will NEVER ever DO anything ILLEGAL and/or against our own Consciousness. | |
| 370 | ||
| 371 | http://projectmayhem2012.org/00README-001.txt | |
| 372 | ______________________________________ | |
| 373 | ||
| 374 | We LIVE by these words and WE TOTALLY REFUSE TO SUPPORT ANY KIND OF VIOLENT | |
| 375 | AND/OR ILLEGAL ACTIONS TOWARDS ACHIEVING ANY KIND OF GOALS. | |
| 376 | We LIVE by these words and WE TOTALLY REFUSE TO SUPPORT ANY KIND OF VIOLENT | |
| 377 | AND/OR ILLEGAL ACTIONS TOWARDS ACHIEVING ANY KIND OF GOALS. | |
| 378 | We LIVE by these words and WE TOTALLY REFUSE TO SUPPORT ANY KIND OF VIOLENT | |
| 379 | AND/OR ILLEGAL ACTIONS TOWARDS ACHIEVING ANY KIND OF GOALS. | |
| 380 | We LIVE by these words and WE TOTALLY REFUSE TO SUPPORT ANY KIND OF VIOLENT | |
| 381 | AND/OR ILLEGAL ACTIONS TOWARDS ACHIEVING ANY KIND OF GOALS. | |
| 382 | We LIVE by these words and WE TOTALLY REFUSE TO SUPPORT ANY KIND OF VIOLENT | |
| 383 | AND/OR ILLEGAL ACTIONS TOWARDS ACHIEVING ANY KIND OF GOALS. | |
| 384 | We LIVE by these words and WE TOTALLY REFUSE TO SUPPORT ANY KIND OF VIOLENT | |
| 385 | AND/OR ILLEGAL ACTIONS TOWARDS ACHIEVING ANY KIND OF GOALS. | |
| 386 | We LIVE by these words and WE TOTALLY REFUSE TO SUPPORT ANY KIND OF VIOLENT | |
| 387 | AND/OR ILLEGAL ACTIONS TOWARDS ACHIEVING ANY KIND OF GOALS. | |
| 388 | We LIVE by these words and WE TOTALLY REFUSE TO SUPPORT ANY KIND OF VIOLENT | |
| 389 | AND/OR ILLEGAL ACTIONS TOWARDS ACHIEVING ANY KIND OF GOALS. | |
| 390 | We LIVE by these words and WE TOTALLY REFUSE TO SUPPORT ANY KIND OF VIOLENT | |
| 391 | AND/OR ILLEGAL ACTIONS TOWARDS ACHIEVING ANY KIND OF GOALS. | |
| 392 | We LIVE by these words and WE TOTALLY REFUSE TO SUPPORT ANY KIND OF VIOLENT | |
| 393 | AND/OR ILLEGAL ACTIONS TOWARDS ACHIEVING ANY KIND OF GOALS. | |
| 394 | ||
| 395 | ************************************************************************************ | |
| 396 | ************************************************************************************ | |
| 397 | *** IF YOU INTERPRET *** ANYTHING *** YOU READ ON THE FOLLOWING PAGES AS *** | |
| 398 | *** BEING ILLEGAL/forbidden IN YOUR COUNTRY or in your local jurisdiction, then *** | |
| 399 | *** DO NOT DO IT | DO NOT DO IT | DO NOT DO IT *** | |
| 400 | ************************************************************************************ | |
| 401 | ************************************************************************************ | |
| 402 | ||
| 403 | (enough?) | |
| 404 | ||
| 405 | ||
| 406 | Article 19 of the Universal Declaration of Human Rights, adopted in 1948, states that: | |
| 407 | ||
| 408 | "Everyone has the right to freedom of opinion and expression; THIS RIGHT | |
| 409 | INCLUDES FREEDOM TO HOLD OPINIONS WITHOUT INTERFERENCE AND TO SEEK, | |
| 410 | RECEIVE AND IMPART INFORMATION AND IDEAS THROUGH ANY MEDIA AND | |
| 411 | REGARDLESS OF FRONTIERS." | |
| 412 | ||
| 413 | Today freedom of speech, or the freedom of expression, is recognized in | |
| 414 | international and regional human rights law. The right is enshrined in | |
| 415 | Article 19 of the International Covenant on Civil and Political Rights, | |
| 416 | Article 10 of the European Convention on Human Rights, Article 13 of the | |
| 417 | American Convention on Human Rights and Article 9 of the African Charter | |
| 418 | on Human and Peoples' Rights. Based on John Milton's arguments, | |
| 419 | freedom of speech is understood as a multi-faceted right that includes | |
| 420 | not only the right to express, or disseminate, information and ideas, | |
| 421 | but three further distinct aspects: | |
| 422 | ||
| 423 | THE RIGHT TO SEEK INFORMATION AND ***** IDEAS *****; | |
| 424 | THE RIGHT TO RECEIVE INFORMATION AND ***** IDEAS *****; | |
| 425 | THE RIGHT TO IMPART INFORMATION AND ***** IDEAS *****. | |
| 426 | ||
| 427 | International, regional and national standards also recognize that | |
| 428 | freedom of speech, as the freedom of expression, includes any medium, be | |
| 429 | it orally, in written, in print, THROUGH THE INTERNET OR THROUGH ART | |
| 430 | FORMS. | |
| 431 | ||
| 432 | THIS MEANS THAT THE PROTECTION OF FREEDOM OF SPEECH AS A RIGHT | |
| 433 | INCLUDES NOT ONLY THE CONTENT, BUT ALSO THE MEANS OF EXPRESSION. | |
| 434 | ||
| 435 | Source: http://en.wikipedia.org/wiki/Freedom_of_Speech | |
| 436 | - --> | |
| 437 | ||
| 438 | ||
| 439 | <!-- | |
| 440 | ||
| 441 | DISCLAIMER in disGUISE: | |
| 442 | ||
| 443 | We would like to add that Project Mayhem 2012 is NOT in ANY way related to any other group that have been calling themselves "Project Mayhem", | |
| 444 | or that have called themselves "Project Mayhem" in the past or that will ever be called "Project Mayhem" or any phonetical/grammatical variations of it. | |
| 445 | ||
| 446 | We would like to state that we have NO Facebook group or page anywhere else other than at http://projectmayhem2012.org and that our ONLY and exclusive presence in social media is | |
| 447 | the Twitter account: http://twitter.com/#!/pm2012org | |
| 448 | ||
| 449 | As you can imagine, ANYBODY can pretend to be us, as anybody can pretend to be anyone: that's disinformation tactics 101, of course. | |
| 450 | ||
| 451 | The ONLY artwork that we will ever produce will be published in this page. Obviously other people can feel free to post it anywhere else. | |
| 452 | ||
| 453 | We haven't uploaded ANY video to ANY site, such as YouTube or any other. | |
| 454 | ||
| 455 | If and when we do, you will know for certain that we take responsibility of | |
| 456 | its authorship because the url address will be CRYPTOGRAPHICALLY SIGNED by us. | |
| 457 | ||
| 458 | ||
| 459 | And always, | |
| 460 | ||
| 461 | Remember: we will NEVER ever suggest you to do anything ILLEGAL and/or anything against your own Consciousness. | |
| 462 | Remember: we will NEVER ever DO anything ILLEGAL and/or against our own Consciousness. | |
| 463 | ||
| 464 | As stated here http://projectmayhem2012.org/00README-001.txt | |
| 465 | ||
| 466 | We LIVE by these words and we totally refuse to support ANY kind of violent and/or illegal actions towards achieving ANY kind of goals. | |
| 467 | ||
| 468 | If some entity wants to link Project Mayhem 2012 with calling for illegal deeds to be committed, | |
| 469 | then KNOW that they are simply DISINFORMING you. | |
| 470 | ||
| 471 | ALWAYS demand that they PROVE their assertions and back them up with FACTUAL DATA found inside the literature found at Project Mayhem 2012 site, | |
| 472 | for they will find NONE. | |
| 473 | ||
| 474 | Our Public GnuPG can be found here: | |
| 475 | ||
| 476 | http://projectmayhem2012.org/pm2012-publickey.asc | |
| 477 | ||
| 478 | We will be cryptographically signing special communications to prove our identity whenever we deem it necessary. | |
| 479 | ||
| 480 | If the site is taken down and/or our GnuPG key is compromised | |
| 481 | and we wish to communicate any more information, we will include | |
| 482 | the poem which will prove that the new information came from PM2012. | |
| 483 | ||
| 484 | Also, if anyone else tries to write and pretend to be PM2012, they will | |
| 485 | not have the GnuPG key or know the poem, so don't believe them. | |
| 486 | ||
| 487 | If anyone presents a poem as the key, be sure to check that it returns the | |
| 488 | below value with the SHA-512 algorithm: | |
| 489 | ||
| 490 | (truncated in 2 lines for ease of reading): | |
| 491 | ||
| 492 | 973b954648ce93a86dbe9e50dfcb4bb092f7724a2e89155fbe4e044779d753e2 | |
| 493 | 655c3020cc03376338286d67c0816113553d6edb5fda93decd53d402d25d66eb | |
| 494 | ||
| 495 | - --> | |
| 496 | ||
| 497 | ||
| 498 | <!-- | |
| 499 | ||
| 500 | *********************** | |
| 501 | *** *** | |
| 502 | *** We are *** FAKE *** | |
| 503 | *** REPEAT *** | |
| 504 | *** We are *** FAKE *** | |
| 505 | *** *** | |
| 506 | *** it's ONLY ART *** | |
| 507 | *** REPEAT *** | |
| 508 | *** it's ONLY ART *** | |
| 509 | *** REPEAT *** | |
| 510 | *** *** | |
| 511 | *** INOFFENSIVE ART *** | |
| 512 | *** REPEAT *** | |
| 513 | *** INOFFENSIVE ART *** | |
| 514 | *** DO NOT BELIEF *** | |
| 515 | *** ANYTHING YOU *** | |
| 516 | *** READ @PM2012 *** | |
| 517 | *** FOR IT IS *** | |
| 518 | *** FAKE *** | |
| 519 | *********************** | |
| 520 | ||
| 521 | N01ZᴚƎVNI | |
| 522 | REI UNIUS | |
| 523 | ᴚƎI VN10Z | |
| 524 | VNIᴚƎZ10N | |
| 525 | ||
| 526 | is | |
| 527 | the | |
| 528 | name | |
| 529 | of | |
| 530 | the | |
| 531 | game | |
| 532 | ||
| 533 | ZENx. | |
| 534 | ||
| 535 | http://twitpic.com/6pwozc/full | |
| 536 | ||
| 537 | http://www.youtube.com/watch_popup?v=xhohcQ6Tqv0&hl=en | |
| 538 | ||
| 539 | you want REAL CHAOS?: | |
| 540 | ||
| 541 | http://www.worldometers.info/ | |
| 542 | http://www.usdebtclock.org/ | |
| 543 | http://www.stopthehunger.com/ | |
| 544 | - --> | |
| 545 | ||
| 546 | ||
| 547 | <!-- | |
| 548 | ||
| 549 | ******************************************************************** | |
| 550 | ******************************************************************** | |
| 551 | *** *** | |
| 552 | *** FOLLOW THE WHITE RABBIT = *** | |
| 553 | *** TRUST YOUR ~♥~, INTUITION, SYNCRONICITIES & COINCIDANCES *** | |
| 554 | *** *** | |
| 555 | ******************************************************************** | |
| 556 | ******************************************************************** | |
| 557 | ||
| 558 | Rabbit as Symbol: The Significance of Rabbits in Dreams and Art, by Sandy Koi. | |
| 559 | ||
| 560 | "One of the most important archetypes is that of the Psychopomp. A Psychopomp is a god or goddess (energy form) that | |
| 561 | acts as a liaison, and guide, between the three worlds-the physical earthly level that we dwell upon, the Underworld and | |
| 562 | the Heavens. In classical mythology, the Roman God Mercury was a Psychopomp, for example. | |
| 563 | ||
| 564 | HE GUIDED THE ANCIENT HEROES TO AND THROUGH THE UNDERWORLD, | |
| 565 | AND HE ALSO BROUGHT MESSAGES FROM ABOVE TO THE MERE MORTALS HERE ON EARTH. | |
| 566 | ||
| 567 | Symbolically, Rabbit in the Underworld is therefore representative of USING ONE'S INTUITION: knowing how to get around | |
| 568 | "in the dark" and being comfortable traveling in "unmarked territory." By default, it can also denote having or | |
| 569 | DEVELOPING TRUST IN THE "INNER LIGHT." | |
| 570 | ||
| 571 | RABBIT DOES NOT NEED AN OUTSIDE SOURCE TO ILLUMINATE HIS WAY. | |
| 572 | ||
| 573 | His connection to the Collective Energy maintains his pathway. | |
| 574 | ||
| 575 | They teach us Unconditional Love, and Compassion for Life, by virtue of eliciting those things within us. | |
| 576 | ||
| 577 | And one important symbolical meaning that Rabbit should elicit in us is that of PLAYFULNESS AND JOY. | |
| 578 | Their nonsense displays of happiness are part of the Dance of Life-which is nothing more than a Cosmic Binkie." | |
| 579 | ||
| 580 | http://www.rabbit.org/journal/4-11/symbol.html | |
| 581 | - --> | |
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| 651 | ||
| 652 | <!-- | |
| 653 | / \ / \ | |
| 654 | { } { }
| |
| 655 | { { } }
| |
| 656 | \ \ / / | |
| 657 | \ Y / | |
| 658 | .-"`"`"-. | |
| 659 | ,` `. | |
| 660 | / 12.21.2012 \ | |
| 661 | / 11:11 \ | |
| 662 | { ;"";, }
| |
| 663 | { /";`'`,; }
| |
| 664 | \{ ;`,'`;. /
| |
| 665 | { }`""` } /}
| |
| 666 | { } { //
| |
| 667 | {||} { /
| |
| 668 | `"' `"' | |
| 669 | - --> | |
| 670 | <!-- | |
| 671 | Or maybe yes... | |
| 672 | - --> | |
| 673 | </html> | |
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