Advertisement
Not a member of Pastebin yet?
Sign Up,
it unlocks many cool features!
- ********************
- Dawn Of The Planet Of The Apes Full Movie Download
- http://urllio.com/qyalm
- (Copy & Paste link)
- ********************
- Some years after his escape from captivity Caesar heads a vast colony of apes and chimps living a self-sufficient life in the woods outside San Francisco. In the city itself a depleted group of Simian Flu survivors struggle to exist, their best hope being to revitalise a hydro-electric dam which will restore their power. However to reach it they must pass through Caesar's domain. Group leader Malcolm and Caesar have a mutual respect which allows the restoration to take place but Caesar's embittered lieutenant Koba, a victim of animal experimentation, has no such faith in humans and usurps Caesar, leading a full-scale attack on the city, most of whose inhabitants regard the apes as savages and a fierce battle takes place. It is down to Caesar and Malcolm to join the voices of reason together to re-establish a peace which will benefit both camps.
- Ten years after the worldwide pandemic of the deadly virus ALZ-113, human civilization is completely destroyed. In San Francisco, Caesar has become the leader of evolved apes and has a son, Blue Eyes. When Blue Eyes and his friend Ash stumble upon a group of humans under the command of Malcolm, there is a friction between them. However, Caesar orders the human to return to the derelict San Francisco City. Then he goes with a group of apes to the city to tell them to stay there since they do not want war against the human, despite the hatred of his second in command Koba against humans. However Malcolm returns alone to the woods to meet Caesar to explain that they need to repair the hydroelectric dam to recover power in the city to save the survivors. Caesar accepts his argument and let him work with his family and a few technicians in the dam. Meanwhile the leader of the humans Dreyfus decides to arm the survivors since he does not believe in the apes. However Koba wants the war against mankind and he provokes a situation of intolerance and consequent confrontation.
- No one expected great things from RISE OF THE PLANET OF THE APES, the 2011 reboot of a sci-fi franchise that nobody asked for. There just seems to be something faintly camp about its premise: a monkey acquires human intelligence - from James Franco, no less - and leads his simian brethren in a rebellion against mankind?!? And yet, surprising critics and audiences, RISE made its alternate universe terrifyingly, beautifully credible through its mix of sincere character work, lofty sci-fi and ground-breaking CGI. Miraculously, DAWN OF THE PLANET OF THE APES is even better - it blends even more stunning animation and heart- pounding action with huger ideas and bigger emotions, finding within its fiercely-fought battles the metaphor and menace of every conflict and war that has ever plagued mankind.<br/><br/>A decade after Earth has been ravaged by the simian virus unleashed in RISE, Caesar (Serkis) has settled his well-evolved community of apes high atop a mountain. But, one day, their idyll is rudely interrupted by the arrival of a band of human survivors led by the kindly, open-minded Malcolm (Clarke). As it turns out, the apes have settled upon a non-functioning hydro-electric dam - the last chance a nearby human colony has of restoring its power supply for good. Caesar and Malcolm forge a tentative alliance - one that rests on a powder-keg of tension and mistrust. Dreyfus (Oldman) urges the human settlers to build up their stockpile of weapons in case they have to take the ape stronghold by force; while Koba (Kebbell) first tries to warn, before he tries to manipulate, his fellow apes against the human menace in their midst.<br/><br/>DAWN carries over one element from its predecessor: the increasingly urgent identity crisis and soul-searching that come when man and ape try to figure out how to live with one another. What is humanity? And what is base, animalistic behaviour? Humans can make music, as we see in a heartrendingly sweet moment when the human survivors hear music again for the first time in years. But they also make weapons. The growth of understanding and respect between Caesar and Malcolm is balanced against the sheer hatred of humanity that runs through Koba in the film's second half, and the suspicions and doubt experienced by Caesar's own son Blue Eyes (Nick Thurston) about his father's 'human-loving tendencies'.<br/><br/>All the more impressive is the fact that the film takes no sides: every character feels real, and even the antagonists have perfectly logical reasons for behaving in the way they do. As Koba regresses ever more into a spitting, irrational animal, we can never forget what he suffered at the hands of human scientists: the scars and anger he bears are the legacy of human neglect and cruelty. The same goes for Dreyfus: as he readies the humans for war, we're allowed a peek into the heart of the man when the return of electricity gives him glimpses of a past that he can never forget. In these moments of insight, the film goes from good to great.<br/><br/>DAWN is also one of the finest movies made in recent memory that focuses so squarely on the outbreak and tragic inevitability of war. The film explores in intelligent, sensitive detail how conflicts can begin - and lays out in excruciating fashion how having right-minded individuals on both sides of a divide is no guarantee of peace. Director Matt Reeves handles the descent into battle beautifully: every step towards war is a small one, whether deliberate or unintentional, and builds to a crescendo of mutually-assured destruction. The parallels with real-world conflicts, from guerrilla warfare to nuclear destruction, are rife, and will strike you in ways you'd never expect from a sci-fi blockbuster about apes taking over the world.<br/><br/>As for the outer trappings of the film, these are truly spectacular - the animation is astounding, especially considering that the motion- capture performed for many of the ape characters took place outside of a conventional studio setting. Soundtracked by Michael Giacchino's bitingly tense score, the action sequences are fantastic: they thrum with action and inventiveness, as the apes storm the human settlement, or tumble through the air in a storm of fire. The cast is uniformly excellent: Serkis, Kobbell and Thurston, in particular, are shrouded by CGI but nevertheless turn in performances bursting with spirit and soul. Clarke plays his one-note "sensible, good man" very well, and Keri Russell gets more to do as the medically-trained Ellie than most female leads in such blockbusters typically would.<br/><br/>The question is whether audiences can buy completely into the universe created by the film. As was the case with RISE, Reeves and his entire cast and crew have committed wholly to this fiction: DAWN takes itself deadly seriously, never once winking at the audience in acknowledgement of its slightly campy premise. That is, arguably, necessary for the film to reach the heights that it does. If it weren't completely earnest, DAWN's emotional moments - of which there are many - would not be as successful, or as well-earned.<br/><br/>However, viewers who remain detached from it all would find it easier to spot the film's draggier moments, or to take note of its odd collapsing of time when the apes attack the human colony. They might also sorely feel the lack of levity in the film; there's only a brief moment of comic clowning by Koba which, unfortunately, shades very quickly into horror and tragedy. <br/><br/>Nevertheless, it's hard to deny that DAWN is a powerful, thought- provoking entry into the Apes canon. In making a war between man and ape so chillingly plausible, it easily becomes one of the boldest, darkest and smartest sci-fi films yet to be constructed on a possibly rather hokey premise. Best of all, whether you're here for its philosophy or its explosions, DAWN pays off in spades: giving you plenty to think about even as it teases, pleases and confounds your senses.
- Fair enough, people are slating this movie for not having much of a story line... What else do you expect? It's about apes rising against the human race.<br/><br/>What I can say is that the director hits the right spots with the 'limited' storyline.<br/><br/>This review is probably gonna appeal to the old school of viewers, where the small details matter - not so much the story line or lack of twists etc.<br/><br/>IMO.. The camera work is superb throughout - you always get the full sense/tension of the story.<br/><br/>I always feel that, along with camera work, the music is vital in setting a scene. This film excels in that department.<br/><br/>Throughout this movie the focus is always on the feelings encountered by the humans/apes. We see the feelings of each character emerge in every scene. Something that I particularly applaud. I can always sense the inner feeling of each character on each scene.<br/><br/>We get to feel that the apes are not simply apes. They share every possible trait that a human has from love, respect, anger, you name it, its in there.<br/><br/>To me personally, this is nothing short of a masterpiece playing with a lot of our emotions.
- An altogether smashing sequel to 2011′s better-than-expected “Rise of the Planet of the Apes,” this vivid, violent extension of humanoid ape Caesar’s troubled quest for independence bests its predecessor in nearly every technical and conceptual department.
- Between the events of Rise of the Planet of the Apes and Dawn of the Planet of the Apes, the Simian flu decimates humankind. You can see this in this series of short films from Motherboard and Dawn of the Planet of the Apes here. The film picks up 10 years after Rise of the Planet of the Apes as stated by director Matt Reeves and stars Jason Clarke, Keri Russell and Andy Serkis at San Diego Comic-Con 2013. So the film is set in 2028. Though the trailer says 8 years later, Dreyfus who says the 8 years may have been skipping the first two years and talking about the 8 years that followed. The film's official Website says that the film will take place in 2026 not 2028 like predicted. Also, in the beginning of the movie, a clip is shown of U.S. President Obama making a short statement during the spread of the virus. He would have been President up to 2016 and early 2017, thereby confirming that the movie takes place 10 years after 2016, in 2026. Dreyfus says early in the movie, "We spent 4 years fighting that virus. Another 4 fighting each other...", and Maurice mentions that it's been "Ten winters" since the outbreak and there's been no sign of humans for the last two. So that suggests there's been 2 years of peace among humans. Their exact fate is unknown. It would appear that Will (James Franco) and Caroline (Freida Pinto) from Rise are dead. At one point Caesar returns to Will's house and finds it still decorated as he left it meaning that Will did not move away before it was abandoned. There is a FEMA sign on the front door (the large, orange X) indicating that either one or both became sick. Only Will is seen in the film and just in recorded footage. During the closing credits there's nothing. At the end of the closing credits, the sounds of apes howling can be heard along with the sound of shifting rubble and another ape gasping for air, which may imply that Koba survived. a5c7b9f00b
Advertisement
Add Comment
Please, Sign In to add comment
Advertisement
