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Not_Polybius

ATannie- this is the end chapter 9/9

Jan 12th, 2018
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  1. >She closes the heavy door behind her and walks towards you
  2. >you don't really manage to analyze her very well
  3. >partly because you are scared and partly because you're tired
  4. >You hold the rifle pointing left in front of you, hanging from straight arms, since it looked unthreatening and your arms were pretty tired at this point
  5. >Her dark brown eyes narrow as she gets closer to you
  6. >You were a little scared already, and her rather menacing look didn't help much
  7.  
  8. “Traveler. What are you doing here”
  9. >”She got h-hubris i think”
  10.  
  11. >Your tired arms lift the rifle up so she can see it properly
  12. >It looked really, really bad with all the damage it had endured
  13. >As if it was about to fall apart if you set it down
  14. >The mother almost cringes at the sight
  15.  
  16. “And you fired her”
  17. >”Th-that was her last words. “it's my time to protect you. One clip, make it count””
  18.  
  19. >Annie did say “I love you” after that, but it felt wrong to say that now. Boasting almost
  20.  
  21. “So you say. I assume you came here for me to help her?”
  22. >”For anything at all you can do for… Her”
  23. “Her name?”
  24. >”Annie. Her name is Annie”
  25. “So it is. You will stay outside, and I will take her inside to my workshop. There is clean water in the fountain. Anyone who has gone this far has deserved that at least”
  26.  
  27. >The mother takes Annie from you
  28. >You would like to have held it a little, showing her you loved Annie
  29. >But you were genuinely scared at this point, and you let the rifle be taken from your hands
  30.  
  31. >She turns around without a word and heads into the Villa, which was really a castle
  32. >And so, you had let your beloved PTRS-41 go
  33. >It so gives you an opportunity to look at the mother somewhat
  34. >She had long, dark brown hair
  35. >Her uniform was distinctively WWI or something like that, but it was actually hard to tell where exactly it came from
  36. >It definitely had Germanic touches to it, but it wasn't quite there either
  37. >within a minute she is back through the door
  38. >you're left standing outside
  39. >A line of tanks on one side and a row of artillery and antitank pieces on the other
  40.  
  41. >That water fountain did look very appealing, and you stumble over to it
  42. >you lower your hands into the cold, crystal clear water and lean in to drink a little
  43. >it tastes almost indescribably good, clear cool and oh so refreshing after a very long night
  44. >After slaking your thirst and gathering a little more strength, you walk over to a nothing short of gigantic gun, an artillery piece running on stubby looking tracks
  45. >You thump down on the gravel and rest your tired legs for a moment
  46. >In some surreal way the ancient track seems soft against your back
  47. >Just as the calm air lulls you into a state of safety
  48.  
  49. >It was all so tranquil
  50. >The big castle, the neverending green alps, the light breeze, the warming sun
  51. >it seemed so lasting. Like it had looked like this for a hundred years and will keep doing it for another hundred years
  52. >Despite resting on what actually was a Soviet 203mm siege howitzer, you got a feeling of safety
  53. >you were almost lulled into it, listening to the soft, warm wind and the clouds passing by
  54. >your eyelids started feeling heavy
  55. >it was probably inappropriate to fall asleep on sacred grounds
  56. >was this sacred grounds?
  57. >to a Geist, probably. To you? You were unsure
  58.  
  59. >After 10 minutes of being worried about Annie, you thoughts wandered to home. Wonder what the others were doing?
  60. >sleeping, probably. It was 2 am or something there
  61.  
  62. “Okaaay~ that's that!”
  63. >Amanda shuffled around a little in her seat, reading the chat log on the computer screen
  64. >Next to her, Lala was tied up in a rather restricting and very revealing position
  65. >Overlooking the two, a little webcam
  66.  
  67. “Now for the next of our Tip-requests!”
  68.  
  69. >Amanda's voice was lined with excitement and lust
  70.  
  71. “Wow, fifty dollars! Thank you soooo much for the super generous gift! Now, let's see what you want…”
  72.  
  73. >Lala clicks a few buttons on the computer before getting the message up
  74.  
  75. “Ohh, more ears! They seem to be popular tonight? Right, my little kitty?”
  76. “Mmmpf!”
  77.  
  78. >whatever Lala tried to say, it was greatly muffled
  79.  
  80. “Let’s make you purr, little kitty!”
  81.  
  82. >Amanda’s hand found its way towards Lala’s Head and started stitching the eyes, provoking very interesting reactions from her
  83. >Amanda was biting her lower lip, seeing Lala shiver at the attention she is given
  84. >minutes pass by and Lala starts making a low, vibrating, rumbling noise
  85. >The chat messages were flying past at an amazing speed
  86.  
  87. “That's more ears, you guys happy?”
  88.  
  89. >the chat explodes once again, and much of it was in all caps
  90.  
  91. “Wooow, ok at that viewer count!”
  92.  
  93. >Amanda is beyond amazed at the number in Red at the bottom right of the screen
  94.  
  95. “Tell your friends, people, we get another zero on the viewer count there and I'm gonna give the kitty her toys!”
  96.  
  97. >Half an hour later, Doll tosses her 6th cigarette butt for tonight on the ground
  98. >The infernal noise from upstairs hasn’t ended when she thought she would
  99. >it was almost 3 in the goddamn morning and the Amanda and Lala still were making noises so she couldn’t sleep
  100. >...
  101. >They done now? doll thought to herself. They had been quiet a few minutes now
  102. >And then, a long, bone piercing… sound which could have been a howl just as much as a moan
  103. >Doll slams her face in the table, walks out to the garage and heads for somewhere else
  104. >literally anywhere else that wasn’t here would be good
  105.  
  106. >Meanwhile, on a swiss alp-top you figured they would behave well at home
  107. >you are in a state of proper exhaustion
  108. >the jetlag, lack of sleep on the flight, lack of sleep during the night, not eating properly and the long walk was really taking its toll on you
  109. >you were tired
  110. >oh so tired
  111. >and the Serenity of the place, even while resting on a siege howitzer was incredible
  112.  
  113. >and just as you were about to surrender to the sandman, gravel crunches under boots towards the castle
  114. >The same uniformed figure is walking towards you
  115. >And thank God, with that big rifle in her hands
  116. >You stand up as she approaches, to show respect
  117. >anything to help Annie
  118.  
  119. “Your name is Anon, is it not?”
  120. >”Yes, yes it is”
  121. “I heard so. I listened a little to Annie”
  122. >”She's out?”
  123.  
  124. >You said that with way more excitedness than you would have wanted
  125.  
  126. “No. Just a friendly look through her thoughts”
  127.  
  128. >She lifts the rifle up, almost without effort and puts it down on the track of the artillery piece you had been resting on
  129.  
  130. “This, Anon, is a destroyed rifle. It's a miracle the bolt didn't seize up inside it and got stuck. But due to my experience, and probably a lot of resilience from her, I managed to get the bolt out”
  131.  
  132. >She takes it up from a pocket in her jacket and hands it over to you
  133. >it is in a very, very bad condition
  134. >cracks, scratches, rust and discolored metal all over it
  135. >The bolt handle wasn't far of being snapped off completely
  136.  
  137. >”Th-that’s…”
  138. “Yes. Her soul is still in there, but as you might have guessed, it is extremely painful for her to be in that”
  139.  
  140. >It was very hard to look tough right now
  141.  
  142. >”Is… Is th-there anything-”
  143. “Shh. Now comes the part where you listen to me and not say a word. Understood?”
  144.  
  145. >Doing your very best to hold back tears, with limited success, you simply nod to her
  146. “Annie is stuck in the bolt, and she can't stay in there because of how painful it is. There is three ways to fix it. First way is to set her free. Most hammers, my vassals, so to say, can do this. You met Angela. She gave you directions here. They will shatter the bolt against a special anvil, and her soul will return to the… Let's call it a well”
  147. >”Well?”
  148. “Say a well of souls. Every time a new firearm needs a Waffengeist, the bolt gets infused with a soul from the well”
  149. >”She… Wouldn't be the same, would she?”
  150. “That's the least of your concerns. First off, even I would have extreme difficulties finding her specific soul in the well. And even if you out of blind luck found her new gun, as near as makes no difference all of her personality is gone. Memories, feelings, ideas, gone. However, you made the journey to me. I could help you further, in two ways”
  151. >”Whatever you can do for her, anything, please…”
  152. “The second method, is that I can bypass the well. I Shatter the old bolt, but keep her soul close long enough to get a new bolt to put her in. However, all new metal means lots of her memories will be lost”
  153.  
  154. >Somehow, that didn't feel much better at all
  155. >Would you be able to see her in her eyes
  156. >and know she can't remember you?
  157.  
  158. >”Will she remember…?”
  159. “You? I can't promise anything”
  160.  
  161. >You can't really say anything in response to that
  162. >You pick the bolt up and hold it in your hands for a moment
  163. >she was in there somewhere
  164. >could she feel you being lifting her?
  165. >would she hear you if you spoke?
  166.  
  167. >“Annie, I'm…”
  168.  
  169. >what were you going to say?
  170. >was there a point of saying it?
  171.  
  172. >”I'm-”
  173. “Stop! Argh…”
  174.  
  175. >She turned around, her fists clenched and eyes narrowed
  176.  
  177. “Ich hasse diesen Teil von mir”
  178.  
  179. >She mumbles that before turning back to you
  180. “You. You're in a bit of a special place right now. Not only because you helped those of my kind but because Annie had a few good things to say about you, I'm going to offer you a third option, for the bolt itself. This requires a deed and a sacrifice. You've done the deed already. Can you do a sacrifice?”
  181. >”Will I get her back?”
  182. “I will repair the old bolt. It will take time and some very precious resources. But she won't forget anything”
  183. >”I'll do it”
  184. “I haven't told you what has to be done”
  185. >”So tell me. I'll still do it”
  186.  
  187. >She nods at the rifle, hinting you to pick it up
  188. >you take it, and she takes the bolt and walks towards the castle
  189. >However, she doesn't enter through the front door, but walks around to a smaller door near a little patio
  190. >she opens a door and you follow, trying to get the 7 foot rifle through some doorways and passages
  191. >And then, the workshop
  192.  
  193.  
  194. ===================
  195.  
  196.  
  197.  
  198. >The workshop itself was situated below the sleeping quarters
  199. >This way, the fire from the furnace kept the rooms above warm in the biting cold winter through clever use of waste heat
  200.  
  201. >you were led down by the massive main staircase
  202. >this were probably where the raw materials were delivered
  203.  
  204. >on the far wall was a smelter and a sizeable furnace, being fed by a unending, ethereal flame
  205.  
  206. >a little closer were the heavy machinery
  207. >Grinders, lathes, mills, a massive cold hammer forging machine and a few stamp presses with their dies
  208.  
  209. >Closer still were the fine machinery
  210. >rifling machines, several of them
  211. >There were polishers, and machines for deburring and inspection tools
  212.  
  213. >and in the corner just to the right of the big staircase was equipment for parkerizing and bluing
  214.  
  215. >a little path to the left led to a narrow staircase and the carpentry
  216. >There were a few big saws, grinding stones and sharpening tools, but more importantly, all manner of hand tools, far more than most even knew existed
  217. >An entire wall in this room was filled with oils for wood treatment, and the opposing wall has blocks of raw wood, of at least three dozen different sorts, all waiting for a metal tool and a masters touch
  218.  
  219. >in the corner of the carpentry were a few injection molding machines, for making polymer components. Rarely used, but still there
  220.  
  221. >on the opposing side from the carpentry, to the right from the main staircase was another door
  222. >But what happened in there was not for human eyes
  223.  
  224. >The entire workshop was breathing in a hot, heavy atmosphere breathing of iron, oil and fire
  225. >the floor was limestone, once polished and shining but now it had scars from the test of time
  226. >The wall over the furnace was black with soot
  227. >everywhere else there was just a light coating, but that could have been metal flakes as well
  228. >It felt like nothing else you had ever been
  229. >It was equally difficult to put your finger on what it actually was
  230. >Too large to be a workshop, too small to be a factory
  231. >There was a lot of machines, but most, if not all, required skilled hands to operate
  232. >The machines themselves were clearly old, very old, but they all had an aura of quality
  233. >that lasting feeling really old buildings has
  234. >When they were made by a heavy material, dug up from deep within the earth by large men in chequered shirts and hardhats and not made in a laboratory by people in white coats and slim spectacles
  235. >Everything here was rock and steel, and a little wood
  236.  
  237. >She steps down the stairs and fills her lungs with the heavy air inside
  238. >as if she was returning to where she belonged
  239.  
  240. >She puts down the rifle on a workbench with something like forty drawers for tools underneath, all neatly marked
  241. >and then turn around to look at you
  242.  
  243. “This is where the craftsmanship happens. Magic is over there. But before all that, the sacrifice”
  244. >”I'm ready for whatever”
  245.  
  246. >She leaves, and comes back
  247. >in her hands is a bowl and a little wooden box
  248.  
  249. “I need iron. A special kind of iron. Not much, but it's hard to get”
  250. >”How much?”
  251. “About half a gram should be enough”
  252.  
  253. >She nods at the little box, wanting you to open it
  254. >inside, a long, thin metal object.
  255. >It was hollow at closer inspection
  256. >And incredibly sharp in one end
  257.  
  258. “A liter of blood”
  259. >”What?”
  260. “I need the iron from blood to fix the bolt. And I imagine you don't want anyone else's blood in her. Fill the bowl to the brim”
  261.  
  262. >The metal object was a needle
  263. >You get incredibly cold all of a sudden
  264.  
  265. “One liter is about the upper limit of what a healthy adult can lose. You wanted to save her, didn't you?”
  266. >”Y-yeah i did. So to fix the bolt...”
  267. “Yes. I will get something from the armory. Get to work”
  268. >And so you were alone with a stool, a big needle and a bowl
  269. >you pull the sleeve up, revealing your left arm
  270. >you've always had quite prominent veins, so finding somewhere to get it from wouldn't be difficult
  271. >was the arm even the right place to do it?
  272. >leg was better?
  273. >you had absolutely no idea
  274.  
  275. >and so, with zero medical knowledge, the needle slowly gets pushed into your arm, letting the red, clear liquid pour into the bowl
  276. >it's just a little stream, and it pours slowly slowly
  277. >watching the blood pour out of you was surreal
  278. >this was your flowing force of life, and it was leaving you
  279.  
  280. >It was so agonizingly slow
  281. >but what could you do?
  282. >This was for Annie
  283. >She would have done the same for you
  284. >...right?
  285.  
  286. >A could of heavy, dark thought approaches you
  287. >It clings to you like a warm, sticky fog
  288. >it was a seed of doubt
  289. >Lots of very very bad thoughts start filling your head
  290. >questioning
  291. >if it all was worth it
  292. >This could kill you after all
  293.  
  294. >no
  295. >This was about Annie
  296. >for Annie
  297. >The one you loved
  298. >the best god damned girl in the world
  299. >And while things undeniably looked pretty right now, you would spend a lot of time regretting things if you pussied out now
  300.  
  301. >so you simply returned to watching the blood flow out of you
  302. >it felt like hours
  303. >As the bolt got closer and closer to being filled
  304. >Your eyelids were heavy
  305. >There was a feeling of almost feeling out of breath from just sitting down
  306. >That was the effect of blood loss
  307. >exhaustion, light headedness, drowsiness and being thirsty
  308.  
  309. >What feels like another few hours pass by as the bowl fills up
  310. >At long last, you can get the damned needle out of you, and put some pressure on the little cut to stop the bleeding
  311. >It was only a little hole, and you could quickly stop the leak
  312. >Sitting in front of you was almost 20% of the blood you had in you an hour ago
  313. >And as if she had been watching you, she returns a moment later
  314. >She looks at you, probably looking very weak after the ordeal, and then the bowl
  315.  
  316. “I’ve seen many complain less, but few with your determination”
  317. >”Th-thanks…”
  318.  
  319. >She sighs a little and looks you straight in your eyes
  320.  
  321. “Regrettable as it is to say, I've withheld information from you”
  322. >”Wh-”
  323. “Shh. You have done a deed and a sacrifice for her soul. But, you cannot put the repaired into the old gun. Not only would it be incredibly painful, but the bolt is in risk of seizing up again. And I will not help you a second time”
  324. >”I have to… find another rifle”
  325. “Yes. Sadly, it was in remarkably good condition before you ruined it, so if you do get your hand on another one in the US, which I very much doubt, she will sadly be far from the beauty she was”
  326.  
  327. >She was right. Anti tank rifles back home were not only as rare as rocking horse shit, but also soul-crushingly expensive, especially one in good condition
  328. >further thoughts were interrupted by her voice again
  329.  
  330. “Don't look crushed. I'm going to offer you something. For her now body…”
  331.  
  332. >She heaves up another PTRS on the workbench
  333.  
  334. >This example was nothing short of perfect
  335. >Beautiful black steel all over, well polished
  336. >And it didn't show the crude workmanship or machining marks that the old one did
  337. >All little parts were perfectly machined and fit with precision rivaling match grade target rifles
  338. >Not one single scratch or mark anywhere on the vast gun
  339. >And it was so clean
  340. >So perfectly clean you doubted it had ever been fired
  341. >The wood was much lighter in colour than on any other PTRS you had seen
  342. >probably made from beech or birch
  343. >And gazing over the receiver, it had a serial number consisting of nothing but zeroes
  344.  
  345. >You probably had your mouth open a little
  346. “What do you think?”
  347. >”Hand on my heart, gun to my temple, it's the most beautiful rifle I've ever seen”
  348. “Of course it is. I made it with my own hands, in this very workshop”
  349. >”Practice makes perfect. And that is as far as my untrained can see, just that”
  350. “A deed and a sacrifice for the soul. What about trial for the body?”
  351.  
  352. >The ordeal wasn’t over
  353.  
  354. >”What…”
  355.  
  356. >Even speaking proved difficult in your weakened state
  357. >You take a deep breath and try again
  358.  
  359. >”What do I have to do”
  360. “Prove you can discard the old for the new. And make sure no one ever ends up in the old rifle. Cut it up”
  361. “Wh-”
  362. “Shh. Barrel in 10 centimeter pieces, 12 in total, there are metal saws in the appropriate drawer. Same for the receiver. I want any and all of the moving parts in the weapon to be cut up in 3 pieces for the small parts, for the bigger ones, 10 centimeter rule applies. I'll leave you to that while I care for the bolt”
  363.  
  364. >before anything could be asked she had taken the bowl and the bolt and headed of
  365. >You were left with the once gorgeous looking PTRS you found in someone else's garage quite a while ago
  366. >How pretty Annie was…
  367. >But then again, Annie was pretty before. What kind of beauty would she be if she was worked by the hands of the mother herself?
  368. >Annie deserved this
  369. >Sadly you were as weak as you've ever been
  370. >You had through a transatlantic flight, a whole night of driving, the fight in the tunnel, a very bad lack of sleep and you were now feeling the effects of quite heavy blood loss
  371.  
  372. >The second drawer from the top and the third one from the left contained saws for cutting iron
  373. >they all looked well taken care of. But not new
  374. >they beautifully crafted wooden handles you rarely saw on anything nowadays
  375. >you pick up one of the larger ones, and gently rest it on the barrel
  376.  
  377. >”S-sorry”
  378. >And with a single draw, the saw's teeth cut in and start digging deeper into the steel
  379. >It was an almost physical pain to see the rifle with little metal flakes pouring out of the cut in the barrel
  380. >You had done a little bit of woodworking, but cutting steel took a lot more time and t effort
  381. >All idea of time was gone
  382. >By the time the muzzle brake hits the workbench with a dull thud, you had no idea if it had taken five minutes or an hour
  383. >But there was no time to waste
  384. >And you put the saw up on the barrel again
  385. >Just as before, the saw dug into the barrel with that godawful, hoarse metallic sound
  386.  
  387. >The entire barrel was cut to bits, eventually
  388. >Your arm was tired, and hurt, but it wasn't anything to the lump in your throat or whatever you felt in your stomach
  389. >That hurt more
  390. >way more
  391.  
  392. >You took off the furniture, and cut that up
  393. >the wood prover rather soft after sawing through steel
  394.  
  395. >And then opened it up
  396. >The internals were very, very badly worn, and there was residue everywhere
  397.  
  398. >There was nothing to do but to keep going
  399.  
  400. >more time passes by. More sawing, even more. Endless sawing
  401. >Most light in the workshop was artificial, but the sky probably had a touch of red to it
  402. >You sat on your knees inside a steaming hot, oily workshop far from pretty much everything
  403. >many hours had passed since the saw first met steel
  404. >all that remained was almost 50 lbs of jigsaw puzzle
  405. >all cuts were rough, and badly done due to your fatigue
  406. >Your whole right hand was a mess after all the sawing and repeatedly hitting it into things
  407. >before you lay a rifle broken into a hundred pieces
  408. >before it kneeled a man broken into a hundred pieces
  409. >You were only less broken than Annie in a physical sense
  410. >And that was diminishing quickly
  411. “That took a while”
  412.  
  413. >What must have been pretty dead eyes look back up at her
  414.  
  415. “But so, there is a bit to cut”
  416.  
  417. >You nod a little and stand up, didn’t feel dignified for anyone to have a discussion when you were kneeling
  418. >But the ordeal finally took its toll on you
  419. >The grip you had on the table leg wasn’t as strong as you thought
  420. >Your hand slip, and you fall
  421. >Tumbling down, your head hits the stone floor and everything goes black for a second
  422.  
  423. “You’re not sleeping on the workshop floor”
  424.  
  425. >A half irritated voice tells you
  426. >The other half had something softer feeling behind it, but you couldn’t really tell what it was
  427.  
  428. >”S-sorry”
  429.  
  430. >She hands you an old metal bottle
  431.  
  432. “Drink. Most of what you have lost is just liquid, and you will have it back by tomorrow if you drink properly. The red blood cells, however will take months to get back”
  433.  
  434. >You flail around a little, reaching for the bottle
  435. >It contained that godlike fresh water
  436. >you gulped it down like it was nothing, your body was practically screaming for water
  437.  
  438. >”Not making a good impression, am I?”
  439. “Had it been normal circumstances, you would have looked pretty bad, yes. But it isn't. Stand up, Traveler”
  440. >”Yeah, sorry”
  441.  
  442. >You manage to to get up, legs parley carrying you
  443.  
  444. “Come with me”
  445.  
  446. >She leads you out of the workshop, outside and then in again, through a much smaller door and up a winding staircase
  447. >There is a corridor upstairs with a few rooms
  448. >She points at a rather small wooden door
  449.  
  450. “Wash, drink and sleep”
  451. >”Sorry i don-”
  452. “Shush. You’re a mess. Rest”
  453.  
  454. >This was really not someone to argue with
  455. >So you stumbled into the little room, and fell face first into the bed
  456. >And slept
  457. >And slept
  458.  
  459.  
  460. ===================
  461.  
  462.  
  463. >You hear something
  464. >Wait, where are you?
  465. >where is this?
  466. >And Annie?
  467.  
  468. >It takes you a few moments to regain your sense of direction
  469. >Up is… that way
  470.  
  471. >You’re in a little room
  472. >A window overlooking mountains
  473. >Right, the alps
  474. >Switzerland
  475. >Rifle mother
  476.  
  477. >There was another series of knocks on the door
  478.  
  479. >”Wha..?”
  480. “Annon?”
  481. >”Yeah”
  482. “Are you decent?”
  483.  
  484. >You never took your clothes off… whenever you went to bed
  485.  
  486. >”Ye-”
  487.  
  488. >You’re wearing neither boots, jeans or a shirt
  489. >It’s quickly fixed by pulling up the blanket up to your neck
  490.  
  491. >”Yeah, i’m decent”
  492.  
  493. >The door opens and a woman steps in
  494. >Her skin is cocoa brown, as are her eyes
  495. >Her hair is neatly tied up in a bun
  496. >She’s dressed in a long, black dress with a white apron covering up most of the front
  497.  
  498. “I am Yvonne”
  499.  
  500. >She says as enters the room with a little tray
  501.  
  502. “The madame insists you eat”
  503.  
  504. >Yvonne storms into the room and sets the tray down on the nightstand
  505.  
  506. “I have washed your clothes since you failed to do so on your own”
  507.  
  508. >Just as she said, the clothes you’ve had… for a little too long were neatly folded and put on a chair
  509.  
  510. >“I thought she was alone here” you say, fighting the blood loss induced headache
  511. “Tsk tsk. This is a castle and there are many things to do”
  512. >”Do you work here?”
  513. “For the moment. I don’t think anyone apart from the madame works here permanently. But many work here for shorter periods of time”
  514. >”Why?”
  515. “Several different reasons”
  516.  
  517. >She has a rather thick french accent
  518.  
  519. “Sometimes a shooter cannot give what the mother demands, or an agreement is made to stay here and work a debt off”
  520.  
  521. >”So someone is coming to pick you up?”
  522. “No”
  523. >”Oh. So why are you here”
  524.  
  525. >You take and eat a piece of the food she has brought you as you await her reply
  526. “It is a great honor to work on sacred grounds. It is something many of us wants to do, to assist the madame once in our life”
  527. >”Ah. I see. And, are-”
  528. “Nono, enough chatter. Madame is waiting. Eat, was and get dressed. I will take you to her when you are ready”
  529.  
  530. >Yvonne bows politely and walks out of the room with a brisk pace
  531. >You’re left with your food and clothes
  532. >Figuring these are people that shouldn't be kept waiting, you ate the little collection of foods quickly and washed yourself as best you could, considering the lack of a shower
  533. >There was a bathtub and a tap, but it was a little late now
  534. >the clothes were warm
  535. >had they been ironed?
  536.  
  537. >You're out less than ten minutes later, looking for something you recognize
  538. >Yvonne makes an appearance soon after
  539. >She looks at you, nods a little and asks you to follow her
  540. >her steps are brisk, elegant and somehow dignified at the same time
  541. >You descend the same you ascended yesterday
  542. >The pathways, the winding stairs
  543. >Eventually, you stand in front of the black workshop door
  544. >Yvonne knocks three times, with quite some power
  545. >Some voice is heard from inside, but it wasn’t Annie, you could tell that much
  546. >Yvonne opens the door for you, and follows you down into the workshop
  547.  
  548. >The mother stands by a table but doesn't look up to you until you’ve gotten a bit closer
  549. >Yvonne curtsies politely and then leaves the workshop
  550.  
  551. >The mother looked a little worn
  552. >But not a bad worn, as after a long march or a battle
  553. >But a comfortable worn
  554. >Like after long hours at the gym
  555. >And she was riding a wall of endorphins, a light coating of sweat on her forehead
  556. >She was for the first time since you arrived, smiling
  557. >“Uhm…”
  558. “Your Annie-”
  559. >“Is she okay?!”
  560. “-is not a pushover, i’ll tell you that much”
  561. >”Oh. I’m well aware”
  562. “She resisted and fought. A lot”
  563. >”Sh-she fought you?”
  564. “Not physically. I’m not mad”
  565. >”Phew”
  566. “A bit of resisting is hardly unreasonable considering what i did. But as much as she did...”
  567. >”P-please, is she…”
  568.  
  569. >The mother snickers a little
  570.  
  571. “Yes. She is”
  572.  
  573. ~ ~ ~
  574.  
  575. >Back home, Gnevny ran around the house
  576. >The one she trusted most, after Annie of course, was Doll
  577. >Gnevny puts all of her almost 65 pounds of body weight behind her shoulder and slams into Dolls bedroom door
  578.  
  579. “Doll wake up you have to come right now!!”
  580.  
  581. >Gnevny runs up and leaps into Doll with considerable force for a 14 year old girl
  582.  
  583. “Wake up! wake up! wake up!
  584.  
  585. >Gnevny pushes her head, pulls her hair
  586. >To no good at all
  587. >Doll had a vibrator in one hand and a bottle of Absolut in the other
  588. >She wasn’t going to get up for at least another hour
  589. >Gnevny runs out of the room, heading towards Lala and Amanda's room
  590. >She’s running as fast as her legs carry her
  591. >Sliding down the rails of the flights of stairs, her red hair flowing in the wind
  592. >She flies is to the loving couple’s room
  593. “Lala! Amanda! Wake Up, th-AAAHHHHH I DIDN’T SEE ANYTHING SORRY”
  594. >Gnevny’s third pick was Cassie, the PTRD
  595. >She once again ran into the door, but bounced harmlessly off it
  596. >She was a small girl, and not a battering ram after all
  597. >Gnevny fell back at the floor
  598.  
  599. >It kinda hurt....
  600.  
  601. >Gnevny pouts, and whimpers a little
  602. >she blinks rapidly, her lower lip trembles
  603. >her inhalations become irregular and her exhalations became faster and faster
  604. >Water was building up in the bottom of her eyes
  605. >She was shaking slightly
  606. >Cassie opens the door having just stepped out of bed, and looks at the sobbing little thing in front of her
  607.  
  608. “What’s happening?”
  609. “w-wake up…”
  610.  
  611. >Cassie bends down and picks up the sobbing little thing in front of her
  612.  
  613. “You scream like there are gooks in the wire, do i have to get the pig?”
  614. “n-no”
  615. “That what is it, little one?”
  616.  
  617. >Gnevny lowers her voice to almost inaudible
  618.  
  619. “It’s sunday…”
  620. “As much as i like you, little one, if you mention John Cena i will throw you out the window”
  621.  
  622. >Gnevny looks confused
  623.  
  624. “It's monster trucks on TV and I can't reach the remote”
  625.  
  626. >Cassie laughs a little to herself and carries the little one to the living room and sets her down in a pile of pillows
  627. >The remote is taken down from the tall shelf and put into Gnevny’s hands
  628. >Within 20 seconds, the screen is filled with big trucks jumping, sliding and roaring
  629. >Cassie also makes sure to make the little one a cup of chocolate, and afterwards fall asleep on the couch
  630. >Sunday mornings are pointless and should be slept away anyway
  631.  
  632. ~ ~ ~
  633.  
  634. >You sat in the workshop, all alone
  635. >the mother had gone up the stairs opposite to the carpentry
  636. >That was the only place she had outright forbade you to enter
  637. >She was in there, with Annie
  638. >the two of them probably needed a little time alone before you got mixed in
  639.  
  640. >you had gone up to the door several times to see if you could hear her voice, but to no avail
  641. >it was silent as a grave in there
  642. >You looked up the stairs
  643. >looking for any movement at all
  644. >any sound at all
  645. >anything
  646.  
  647. >to your disappointment, the steps approached from behind when you finally heard them
  648.  
  649. “I will take you to the nursery”
  650.  
  651. >Yvonne was smiling
  652. >The next few minutes were a blur
  653. >halls, stairs, corridors
  654. >Yvonne stops outside a room marked “1-4”
  655. >She points at the door, smirks and heads away
  656. >you knock on the door lightly, and get an immediate response from inside
  657.  
  658. “Come in”
  659.  
  660. >It still wasn't Annie
  661. >Not that it stopped you going in
  662. >Another geist (presumably) dressed the same way Yvonne was dressed stood in a little little room that led onto a short corridor
  663.  
  664. “The mother is inside with her now. You can see her when the mother leaves the room. Until then, please be patient”
  665.  
  666. >She leaves as well
  667. >which leaves you on the stone floor in the little room
  668. >at least it was heated
  669. >a few eternal minutes later the mother exits and you fly up to your feet, filled to the brim with excitement
  670.  
  671. “You will be careful, and you will be very easy with her. She's been through a lot of unpleasant things, and if you ruin everything now-”
  672. >”I'll never be able to see myself in the mirror again, I know”
  673.  
  674. >She scoffs and slowly shakes her head, but with a smile
  675.  
  676. “Room 4, first on the right. Go”
  677.  
  678. >And from that moment on, the rest of the world was irrelevant
  679. >whatever they did, you didn't care
  680. >It was just this door now
  681. >The handle falls and the door opens an inch
  682.  
  683. Da?
  684.  
  685. >That was Annie
  686. >You push the door open all the way
  687. >You have no idea what the room looks like, apart from a bed in front of you and a little stool
  688.  
  689. >”Hey Annie”
  690.  
  691. >you tried really hard to control yourself and it mostly ended up with smiling like the fat kid riding the short bus to school, just after gulping down the last of the cherry flavored crayon
  692.  
  693. >Her calm face lit up
  694. >First shock, surprise
  695.  
  696. >”Remember me?”
  697. A-anon…
  698.  
  699. >tears are becoming increasingly troublesome to hold back, so you push the door closed, and sit down on the bed
  700. >Annie couldn't speak
  701. >Her eyes were wet
  702. >you lean down onto her and wrap your arms tight around her
  703. >slowly afterwards you feel hers closing around your back
  704. >It was really her
  705. >You had Annie in your arms
  706. >everything in the world was good
  707.  
  708. You…
  709. >”It's okay Annie, don't worry. You're okay
  710. You s-saved me
  711. >”A few hours behind the wheel is nothing for the best girl in the world. Nothing”
  712.  
  713. >Her grip around you tightens
  714.  
  715. Again
  716.  
  717. >You simply hold each other a little while, before you carefully ease her back down on the bed again
  718. >but you still held her right hand with both your hands
  719.  
  720. I owe you-
  721. >”Nope. You don't. I could have stopped at any point on the way if I didn't think you were worth it. But you are. So I didn't. Just don't run off?”
  722.  
  723. >Her warm blue eyes look back up at you
  724.  
  725. Never. I will never go. I will never-
  726. >Her voice was breaking up more and more
  727. >And this from someone who really didn’t cry
  728.  
  729. >”Shhh. It’s okay”
  730.  
  731. >You didn’t notice it all, but all worries about everything got washed away as her arms reached around you
  732. >You didn’t feel sore in your legs anymore
  733. >Was it even there?
  734. >it doesn't matter much
  735. >she was here
  736. >That was all
  737.  
  738. >”Hey Annie?”
  739. Mhm…
  740. >”My sweet, lovely, beautiful Annie?”
  741.  
  742. >Her breathing flutters a little
  743.  
  744. Yes, Anon?
  745. >”Are you feeling well?”
  746. Yes
  747.  
  748. >her reply comes immediately, she didn’t even give the answer a second of thought
  749.  
  750. I think…? The mother gave me a new body
  751. >”She did, after a bit of persuasion. A rifle she made with her own hands”
  752. I… know
  753.  
  754. >She takes another breath and creates some distance
  755.  
  756. You’ve said i was pretty before
  757.  
  758. >She’s worried now, looking back up at you
  759. >She just covered up chest with the blanket she had been lying under
  760.  
  761. >”First off, that doesn’t matter at all, and second…”
  762. >You take a calm moment to just look at her
  763. >The biggest and most obvious change to her was her hair
  764. >Away was the magic pearlescent black hair
  765. >Annie now had very light blonde, almost white hair
  766. >Still as long as it was earlier, though
  767.  
  768. >Her eyes were the same deep, warm blue
  769. >But they had the life back, something they didn't have a few days ago
  770. >Physically, she was not the shrunken down, weakened and starving Annie she had been
  771. >No, this is what she was like when you met
  772. >She was strong and well fed
  773. >All in all…
  774.  
  775. >”Ehem, and second of all, you are eye wateringly beautiful, and i’ve only seen your face and shoulders
  776.  
  777. >She embraces you again, with force this time
  778.  
  779. That will be all for now, because you might get those hungry eyes, and then… it's not proper here
  780. >”Dirty, dirty girl… but did they not give you any clothes?”
  781. My old body came with clothes. This one didn't. But they said they would make me something to get home in.
  782. >”Doesn't it feel a little strange, a new body?”
  783. It feels like normal. Maybe something tiny I can't put my finger on.
  784.  
  785. >You take one finger and slowly poke it on a breast, just above where she held the blanket to cover herself up
  786.  
  787. Hey!
  788. >”Sorry, couldn't resist. Jokes aside, this is a lot better than when you were starving. You looked so fragile…”
  789. No more
  790. >”No more. Oh, and excuse me. I almost forgot to say i love you”
  791.  
  792. >Her grip around you tightens even more
  793.  
  794. >”Actually, that didn’t feel right”
  795.  
  796. >You break yourself free from her embrace
  797.  
  798. w-what, Anon?
  799.  
  800. >You clear your throat
  801.  
  802. >”That wasn’t quite right”
  803.  
  804. >You get off the stool you were sitting on, get up on the bed
  805. >Straddling her, sitting just by her hips
  806. >You get a firm grip on her shoulders, making sure she isn’t going anywhere
  807. >She’s looking up at you with worried eyes
  808. >You look down into two deep blue wells, smiling
  809.  
  810. >”Annie”
  811.  
  812. >”My sweet, sweet, beautiful Annie. I love you”
  813.  
  814.  
  815. ========
  816.  
  817.  
  818. >You spend the rest of the day with her
  819. >Annie was well, if a little confused
  820. >You told all what happened to her, and she held your hand very tightly during all of it
  821. >Later in the afternoon, Annie is provided with clothes
  822. >an elegantly simple blue and white sundress sown by one of the other Geists working in the castle
  823. >She also needed a shoulder to hold onto for about half an hour when she learned how to walk again
  824. >Not like you had any objections to helping her with that
  825. >It just felt so good to have her with you again
  826. >Evening fell, and despite Annie's sulking objections, the mother insisted she slept in a room of her own
  827. >For a good reason, most likely
  828. >The three of you met for breakfast the next morning, and soon found yourself standing outside the main gate, ready to go back down the mountain
  829.  
  830. I can't thank you enough, mom. For everything
  831. >”You have my deepest, most sincere gratitude as well”
  832. “It's quite okay. I'll probably speak to you again, rather soon. But I still have to make my mind up”
  833. As much time as you need
  834. “Yes. And I'd like to say, I don't want you to do this ag-”
  835.  
  836. >She stopped herself mid sentence, sighed heavily and then looked straight into you
  837.  
  838. ”I've made a stunning rifle, and you would do best in appreciating it, as well as her”
  839. >”I swear I will”
  840.  
  841. “So that's it. Goodbye”
  842. >”Goodbye. And once again, thank you so much”
  843.  
  844. Wait… Mom, one more thing?
  845. “It's amusing how everyone else says Mother, Madame, Mam and so on. No one calls me mom”
  846. Oh, sor-
  847. “Shh. It's not a problem. But you had something to say?”
  848. Yes. Would you know where Dasjenka is?
  849. “I couldn't tell straight away. But I will speak to you again. Sooner rather than later. Good bye”
  850. >Annie nods, takes your hand and walks away from the castle
  851. >It would take a few hours to get back to the car, if it was there after 3 days later
  852. >It was also technically a stolen car, even if the owners might be dead
  853. >so it would be driven to Zurich, where you would spend the night before finding a plane home
  854. >You left the car at a big parking lot quite a bit from the center of the city and walked the rest of the way
  855. >Annie had a firm grip on your right left hand, intertwining her fingers with yours, while happily humming as you walk through the city
  856. >You looked at the buildings, the cars, Annie, the people, the parks, the trams, and Annie again
  857. >Her new hair really draw attention to it
  858. >It wasn’t quite white
  859. >But it wasn’t very far off either, with just a touch of yellow
  860.  
  861. >”It has to be the new furniture that does that”
  862.  
  863. >You said that out loud
  864.  
  865. Hmm?
  866. >”On the rifle. Your new furniture is birch… or was it beech? Unusually light color actually”
  867. You will have to show me, i can’t see those things
  868. >”Of course. But for now, your hair…”
  869.  
  870. >Annie smikred a little
  871.  
  872. What about it~
  873. >”It’s beautiful. Who’d have thought”
  874.  
  875. >She wore a big smile
  876. >But it somehow wasn’t a “pure” smile, one of happines
  877. >it was a smirk
  878. >Something telling you her intentions weren’t quite pure
  879.  
  880. >”So, we will find a hotel, i’ll treat you to a nice dinner out, and-”
  881.  
  882. >She doesn’t look entirely happy
  883.  
  884. >”No?”
  885. Uhm… think we can find some half shabby hole in the wall with cheap and greasy food of questionable quality?
  886. >”Sure, we could do that if you want to”
  887. It’s for the best. And find a flight tomorrow
  888. >”We might have to catch a train first”
  889. That’s okay
  890. >you spend another hour walking around in the city before finding a hotel
  891. >Annie made sure to get a room with a “big, soft bed”, because she had “a sore back”
  892. >You just had a rucksacks worth of stuff with you, so it wasn't more to it that tossing that in the room, washing up, and then hurrying out as Annie’s eyes got hungry by just seeing the vast bed
  893. >So much so you got in your new clothes before leaving the bathroom
  894. >Annie didn't seem to mind too much however, but she claimed she had found a place to eat among the information brochures
  895. >It was a bit of a walk, again
  896. >Not that you mind much, it was all time spent with Annie
  897. >Good time
  898.  
  899. >She stops before what is apparently a hole in the wall
  900.  
  901. >”Here?”
  902.  
  903. >Annie nods
  904.  
  905. >It wasn’t much more than a little window with a rather slim looking guy
  906.  
  907. “Guten abend”
  908. >”Uhh, english?”
  909.  
  910. >The man shakes his head
  911. >Annie tries russian as well, to no avail
  912. >But it wasn’t that hard to figure things out
  913. >Money goes in one direction, greasy food goes the other
  914. >A 10 euro note goes into the window, and a few minutes later, some food comes back the other way
  915. >You had a burger, and Annie has something that looked vaguely like a kebab but had a name starting with “G”
  916. >It was a little disturbing how Annie managed to consume the entirety of it at a pace that would make a starved hyena lift its eyebrows and frown
  917. >Annie looked very slightly down at you and attempted puppy eyes
  918. >She tried her best, but she really didn’t do cute very well
  919. >But she did get a second “gyros” as they were called
  920. >the second one disappears at the same incredible speed
  921. >As does the third
  922. >The man in the counter was visibly uncomfortable at this point
  923. >Annie orders a fourth one and doesn’t break eye contact with him once as the fourth one is consumed
  924. >She neatly wiped of a little smudge of Tzatziki from her cheek, still not breaking eye contact and demanding a drink by simply saying “cola”
  925. >It was clear that dominance had been asserted over the slim man in the window, and he handed out a little can of bully, sugary drink and handed it to Annie
  926.  
  927. >The two of you shared the drink on the way back to the hotel
  928. >You laughed, sang and skipped
  929. >Just being happy with each other
  930. >Following the streets and alleys to the hotel
  931. >up three stairs
  932. >along the corridor
  933. >fidget back and forth with a troublesome key
  934. >And then you were alone
  935.  
  936. Anon sweetie, could you check if there is anything for us in the fridge?
  937. >”Oh, sure”
  938.  
  939. >You wander over to the little mini fridge
  940. >It wasn’t to exciting
  941. >Some candy bars, snacks, some soda cans and… a small bottle of wine
  942. >You stand up, trying to get the bottle open while pushing the door shut with your foot
  943. >Naturally, since it had been here for a while the damn cap wouldn’t come of
  944. >The irritating little shit of a cap absorbed all you attention for a good 30 seconds
  945. >Probably the 30 seconds you really shouldn’t have looked elsewhere
  946.  
  947. >”I can’t get this ca-”
  948. >You look up and see Annie by the door, making sure it is properly shut
  949. >her dress lies on the floor
  950. >Her beautiful pale skin is lit up by the reddish hue of setting late-summer sun
  951. >She turned around with that devious grin she had had earlier today
  952. >Then again, it was a little hard to look at her face
  953. >Physically she was pretty much the same
  954. >But due to the impeccable condition of the rifle, her complexion was nothing short of perfect
  955. >No marks, scars, moles
  956. >You couldn't even tell if there was a strand of hair anywhere that wasn’t her head
  957. >Sure, she had a little broad shoulder for a woman, but it led down down to a delightfully slim waist and wide, sturdy hips
  958. >Not to forget two sizeable mounds, that seemed to defy gravity, both topped by a little patch of (apparently excited) crown
  959. >From there, two pale, strong and absolutely gorgeous legs
  960. >And between that…
  961.  
  962. I love it when you look at me like that~
  963.  
  964. >Annie takes a step forwards and gives you firm push, making you stumble towards the bed
  965.  
  966. The two last things you will forget, my love, is me and this night
  967.  
  968. >She grinned
  969. >A lot
  970.  
  971. >Many, many hours later you wake up
  972. >The sun is already high in the sky
  973. >your everything hurts
  974. >very much like having spent a night in a tumble dryer at 1200 rpm
  975. >But a love tumble dryer
  976. >And even more like something that had spend the in a tumble drying, you were drained of most liquids
  977. >Annie peacefully rested on your shoulder, with the most innocent of smiles and the messiest of hairs
  978. >It was a long, long time ago since you laughed and she giggled as much as that morning
  979. >All mixed with groaning from some some or another sore part of the body
  980. >Neither of you could keep a straight face when checking out
  981. >Especially when you let out a little yelp to fish out the wallet in your back pocket, since your arm was not happy at all with that angle
  982. >Annie was wheezing for air, all while making the situation from anyone in the room incredibly awkward
  983.  
  984. >An hour later, Annie whimpered as she sat down on the train taking you off, sending you into uncontrollable chuckling
  985. >A favor she returned tenfold as you picked up the bag at the airport que and groaned heavily
  986. >She had to put her hands on her knees not to fall over from laughing
  987. >That all calmed down on the flight home
  988. >You cuddled up at the side, Annie resting on you
  989. >Sleep came quickly
  990.  
  991. >Until two hours later when Annie’s attack sense all went to defcon 1
  992. >She pokes her head above the row of seats
  993. >Looking and listening
  994. >And there, three rows ahead of her is the soccermom that terrorized her with the reclining chairs on the way over
  995. >A flame sparks in her
  996. >Annie quietly leaves her chair, following the woman
  997. >Just as she opens the bathroom door, Annie pushes her in, locks the door and has one hand over her mouth and other on her throat, ready to restrict airflow at any second
  998.  
  999. Listen here you little shit. You almost killed with me with your endless cuntery on the flight here Not because you had to, just because you are an asshole
  1000.  
  1001. >She squirms a little, trying to shake Annie off
  1002. >But as she soon tried that, a knee and more pressure on her throat very clearly signals
  1003.  
  1004. No, going after you will be a bad idea, but if i put enough effort into it, i can ruin your children to the point where they call me “mommy” and have forgotten about you
  1005.  
  1006. >the woman had tears pouring from her eyes
  1007. Or you can admit to being the little bitch you are
  1008.  
  1009. >The woman nods
  1010.  
  1011. Good. It’s not anything you are not used to though. On your knees
  1012.  
  1013. >this means Annie has to let go of her throat
  1014. >But a closed fist was held low, ready to meet any resistance with my force
  1015.  
  1016. We’re switching seats. Did you bitch for the flight attendant that you needed the bulkhead seats with more space?
  1017.  
  1018. >the woman nods
  1019.  
  1020. Good. And a deal is solved with a handshake. Well, you are filthy, meaning it’s not our hands, but more like your lips and my boot
  1021. “w-what”
  1022. Kiss. My. Boots
  1023.  
  1024. ~ ~ ~
  1025.  
  1026. >half an hour later you sit with an emergency exits worth of legroom, and a happy Annie resting on your shoulder
  1027. >You never really did figure out why someone would trade these seats with you
  1028. >Not that you complained much
  1029. >somehow, at 35000 feet, and at 550 mph there was a certain serenity
  1030. >right here, right now it felt as if things would slow down from here
  1031. >Settle down
  1032. >no more weird stuff
  1033. >No more close to death scenarios
  1034.  
  1035. >Just as Neville chamberlain believed in “peace in our time”
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