Writefag_Roulette

Anon Tried to Kill Himself, Act III

Dec 8th, 2016
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  1. ACT III: Flowers for Anon
  2. Part 1: Anon is on His Own
  3.  
  4. >you look up, and see a wooden carriage, lit up by moonlight from the sky and reflected off of the crystalline surface of the city
  5. "Yeah… yeah, okay."
  6. >somehow you rise up to your feet
  7. >the stallion looks up at you
  8. >"Hm, I didn't realize you'd be so big. It might be a bit uncomfortable for you."
  9. "It'll be fine."
  10. >he shrugs
  11. >"Okay."
  12. >you shuffle slowly toward the carriage as your driver hooks himself up to it
  13. >your head turns nearly of its own accord to look upon the castle
  14. >your eyes flit from window to window, trying to see if they can get one last glimpse of Twilight Sparkle
  15. >all the windows are dark, it doesn't look like anyone is even awake
  16. >not taking your eyes off of the castle, you manage to open the door and get inside the carriage
  17. >it's a little bit cramped, your knees are pressed up near your chest
  18. >"Going up!"
  19. >the carriage speeds forward and takes off into the air, dragged on by the pegasus stallion's wings into the night
  20. >the Crystal Empire is beautiful in the moonlight
  21. >the soft, gentle, white light reflects, refracts, diffuses, and takes on the color of thousands of crystal surfaces, resulting in an aerial view unlike anything possible back on Earth
  22. >you don't notice that though
  23. >you keep your eyes glued to the castle, waiting for Twilight to come look through a window
  24. >the castle gets smaller
  25. >the windows shrink to little pinpricks of darkness against the brilliant crystal
  26. >you're not sure if you could even make out Twilight looking out through one at this distance even if she was
  27. >she's not looking though
  28. >you know in your mind that she doesn't care
  29. >that she's glad to be rid of you
  30. >the carriage passes over the clouds
  31. >everything below is lost behind the puffy curtain
  32. >you tear your eyes from the window and look up at the roof of the carriage
  33. >at some point you must have fallen asleep
  34. >because you're awoken by a rough landing in a grassy courtyard
  35. >the pegasus calls out
  36. >"All right, here we are, Mr. Nonermous."
  37. >you open the door and step outside
  38. >where did he say this was?
  39. >Canterlot
  40. >Canterlot's a beautiful city too
  41. >everything is white marble, just barely reflecting the firey red rays of the Sun, which is just starting to peek over the horizon
  42. >before you can take in the view, however, you're bumped in the leg by a huge earth pony in a white jacket
  43. >"Get a move on, you're going inside."
  44. >an identical partner to this stallion appears at your other side
  45. "Y-yeah… okay."
  46. >the walk inside is a messy haze, its only distinctions being the regular intervals when the hospital guards shove you to change your direction
  47. >at some point you stop at a door
  48. >"This is your room. Be sure to say hi to your roommate."
  49. >one of them opens the door
  50. >the other pushes you inside
  51. >you stumble and hit the floor as the door slams behind you
  52. >you look up
  53. >staring irritadedly at you is your roommate
  54. >she's a massive, bloated, teal unicorn
  55. "H-h-hi, Tumble Hooves."
  56.  
  57. >Tumble Hooves' eyes roll from within their lipidous craters
  58. >"Ugh."
  59. >she rolls over on her bunk, away from you
  60. >"Your bed is on the other side."
  61. >you go over and plop down into a sitting position on the bunk she references
  62. "S-s-so, uh, what's up, uh, babe?"
  63. >Tumble Hooves groans
  64. "O-oh, come on! Why you gotta be so cold? W-w-w-we, w-we made love!"
  65. >the whale-like unicorn bolts upright in a flabby, teal lightning bolt and glares steak knives at you
  66. >"No, you came in your pants and passed out!"
  67. >she flits her short, straw-colored mane with her wide, jiggling hoof
  68. >"Hmph. As if I'd ever let a skinny monkey like you get some of ''my'' hot ass!"
  69. "B-b-b-but the lint! B-b-bellybutton!"
  70. >Tumble Hooves is staring at you with complete and utter disgust
  71. >"That's. Your problem."
  72. >she falls back down onto her mattress with a whumph and rolls away from you
  73. >"Creep."
  74. >you lean against the wall, look up, and sigh
  75. >you feel relieved
  76. >it's the relief of a burden you didn't even know you had
  77. >it feels like something that's been missing has been restored to you
  78. >specifically, your virginity
  79. >funny how something like that can become a part of your identity
  80. >it's like you're you again
  81. >of somewhat less importance, the hooved whale in the room with you is a lot less intimidating now
  82. "Well, okay. What are you even in for?"
  83. >"Total bullshit. They said I have an 'eating disorder'. Can you believe that? Me? An eating disorder?"
  84. "Heh, well, that sure is unfortunate."
  85. >"Yeah. Don't bother telling me what you're in for."
  86. >last night flashes before your eyes
  87. "I-I-I, I d-don't think I was going to."
  88. >"Good. Because everyone already knows you bitchslapped the princess."
  89. >GEEZ-O-SHIT
  90. "Everyone knows about that?!"
  91. >she laughs gelatinously
  92. >"Oh yeah, it was all over the morning news."
  93. >you slump over and your side impacts the mattress
  94. "I didn't realize she'd go to the press about it."
  95. >you roll over onto your back
  96. "I didn't realize she'd go to the press about it this quickly."
  97. >Tumble Hooves belches
  98. >"Fuck 'er."
  99. "What?"
  100. >"I thought it was pretty cool."
  101. "That's fucked up."
  102. >"Yeah, most of the folks around here think you're a fucking sack of shit."
  103. "Fuck."
  104. >Tumble Hooves chuckles
  105. >"Yeah, you're fucked."
  106. >the door to your cell slams open, revealing one of the guards from earlier
  107. >"All right, you two, sleep time is over, come on, get up, get up! Breakfast isn't gonna wait all day!"
  108.  
  109. Part 2: Day One
  110.  
  111. >breakfast
  112. >if you can call it that
  113. >you'd honestly prefer to call it "shit"
  114. >the tray in your hands bears a glistening, gloppening glob of something you'd like to believe is plant matter of some sort
  115. >now all that remains is to find a table to consume it at
  116. >ideally, you'd prefer a table that's unoccupied
  117. >you look and you look and you do a little awkward shuffle around the hospital galley in search of a table that meets your seemingly low criteria
  118. >unfortunately, your wishes simply aren't meant to be fulfilled
  119. >this place is packed
  120. >so you lower your criteria further
  121. >just a table without a lot of horses sitting at it
  122. >and with that, you lock onto a a table in a corner with only one occupant
  123. >she's a mare, no wings or horn, light brown coat, dark brown mane done up in a black bow, and sitting in the corner of the table
  124. >perfect, you'll just sit in the opposite corner of the table and not speak to her
  125. >you make your way over and claim your seat as quietly as possible
  126. >you're normally a fairly fast eater
  127. >it's just one bite after another; the fact that other folks eat so slowly is a mystery to you
  128. >you'll be out of here in short time
  129. >or at least, that's your assumption, until the mare you share your table with speaks to you
  130. >"Hey, you're the guy who slapped the princess, right?"
  131. >the sudden addressing makes you jump slightly, and you pause before deciding to pretend that you hadn't heard her and continue eating
  132. >unfortunately, the poor deception doesn't throw her off
  133. >"Hey, hello? Did you hear me?"
  134. >during a brief cringe, you reconsider and decide to answer her question
  135. "Y-yeah."
  136. >"Yeah you heard me or yeah you slapped the princess?"
  137. >goodness fuck
  138. >you'd just like to eat your flavorless not-prison food in peace
  139. "I-I, uh, yeah, I d-did… hit… the princess."
  140. >"What?"
  141. "I slapped the fucking princess right in the fucking face."
  142. >there, that oughtta make her let you chew your plant matter
  143. >"So how was it?"
  144. >you find that you're unable to chew your plant matter, and in fact all you can do is sort of half spit it out and half drool it out while half choking on it
  145. >once your throat is cleared, you stare at the mare
  146. "What?"
  147. >"What was it like when you slapped Princess Twilight?"
  148. >what the fuck
  149. "I-it was… it was… I-I dunno."
  150. >"You dunno?"
  151. "I dunno!"
  152. >"So I heard you tried to kill yourself?"
  153. >geez-o-shit the morning news really had all the fucking details, didn't they?
  154. >"Uh-huh. That's why I'm here too. You can still kinda see the cuts on my forelegs. You wanna see?"
  155. "N-n-not particularly."
  156. >on that note, the mare jumps down from her seat and makes as if to leave
  157. >"When's your doctor appointment scheduled?"
  158. >doctor appointment?
  159. >what, like a therapy session?
  160. >they didn't give you any sort of schedule
  161. >do you need one?
  162. "I-I dunno."
  163. >"Perfect. You're coming with me."
  164. "Uh, why?"
  165. >"You wanna get out of here quickly, don't you?"
  166. "L-l-l-like an escape or something?!"
  167. >"No, not like an escape. Much more legitimate than that. More like, uh, like playing the system."
  168. "Oh."
  169. >"Are you coming?"
  170. "Uh…"
  171. >you eye the half-eaten glop of plant matter on your tray
  172. "Sure."
  173.  
  174. >you follow your companion through the hospital passageway
  175. >apparently you'd been holed up in the depressives ward
  176. >other doors that you passed by indicated other wards within the mental hospital
  177. >manics
  178. >delusionals
  179. >a scream wafts out as you pass by the door labeled "dangerous"
  180. >your eyes linger a bit on the door labelled "criminally insane"
  181. >you think for a moment that you're lucky you weren't shoved in there
  182. >"So, uh, if you don't mind me asking, how'd you do it?"
  183. "Do what?"
  184. >"You know. Try to off yourself."
  185. "I kind of mind you asking."
  186. >"Oh sure, sure. Let's start somewhere else then. You're pretty obviously not a pony. What are you?"
  187. >for a moment, you feel like you don't even know
  188. >but you figure she's asking for the name of your species
  189. "Human. I guess it's sort of like an ape."
  190. >"'Human'… I don't think I've ever heard of that. Where are you from?"
  191. "I called it "Earth". Relative to here, I have no idea where that is. I don't even know how I got here."
  192. >"You don't?"
  193. "Well, I just sort of, fell asleep one night, in my bed, in my tiny, shitty apartment, and the next thing I knew I was on a bench in the middle of, uh, Ponyville."
  194. >"And that must be when you met Princess Twilight."
  195. "Uh, n-not exactly. I didn't really make her acquaintance til about a year later, a little over a week ago, when she found me, uh, at the… at the end of a rope."
  196. >"So that's how you did it."
  197. "Yeah."
  198. >"Huh. She just decided to drop by after a year of not even looking at you, at that exact moment?"
  199. "I guess so."
  200. >"That's unlucky. I'm still here because I made a mistake."
  201. "A mistake?"
  202. >"Yeah. Apparently cutting is a slow way to do it. I got found hours afterwards."
  203. "Isn't that a… a lucky mistake?"
  204. >"Eh, I guess so."
  205. >silence
  206. >awkward silence
  207. >you don't think…
  208. "S-say, doesn't it bother you that I'm… uh, a-apparently the kind of guy who hits mares?"
  209. >"Huh?"
  210. "I-I-I mean, I hit Princess Twilight and all."
  211. >the mare rolls her head around in thought
  212. >"Those burn marks on your face. Did you get those before or after you smacked her?"
  213. "Uh, before, I guess."
  214. >she meets your gaze with something that feels a little dangerous lurking in her eyes and a little smile dancing upon her lips
  215. >"Maybe she deserved it then."
  216. >whoah
  217. >now it's your turn to stop speaking and think for a moment
  218. >the notion that Twilight might have been in the wrong herself actually hadn't crossed your mind until now
  219. >you become a little bit mad
  220. >how the hell couldn't she see that you hadn't started it?
  221. >maybe you had rights just the same as anyone else
  222. >wait a second
  223. "What would you have said if I'd said 'after'?"
  224. >she looks at you again, with that sly smile slowly expanding its borders across her face
  225. >"Well then, you'd have already gotten what you deserved, now wouldn't you?"
  226. >suddenly you find yourself much more relaxed for some reason
  227. >"Besides, it's not like she's defenseless or anything. She's an alicorn princess; she could have vaporized you without even thinking about it."
  228. >a few moments more of silence, marked by frequent, expectant glances from your guide
  229. >what could she possibly want?
  230. >"So, uh, the news said your name was Anonymous, right?"
  231. >oh
  232. >oh!
  233. >it suddenly dawns on you that you haven't about her name
  234. >or anything else about her for that matter
  235. "Y-y-y-yeah. A-and, uh… y-you must be, uh…"
  236. >seeing you realize your social blunder makes her smirk a little as she stops in front of a door labelled "children" and prompts you to do the same
  237. >"I'm Amber Ember, and I'm going to show you how to get out and stay out of the insane asylum."
  238.  
  239. >Amber places her hoof on the handle of the childrens' ward
  240. >wait a second
  241. >images of FBI ponies dragging you away to a black van cross your mind
  242. "Uh, what are we going in there for?"
  243. >"Arts and crafts."
  244. "What?"
  245. >"Anonymous, can I call you Anon or something?"
  246. "S-sure."
  247. >she smiles
  248. >"Anon, we're both here for being depressive recluses, right?"
  249. "I feel like my case may be a bit more political than that."
  250. >"Whatever. At some point the question of letting you out is gonna pop up, and they're gonna look at your behavior since you got here to figure that out. The more like a sociable and and well-adjusted pon- er, human, right- or whatever you act like, the better things are going to look."
  251. "And, arts and crafts…?"
  252. >the smile grows a little wider
  253. >"Anon, what could possibly be more sociable and well-adjusted than helping some cute, troubled, little colts and fillies make macaroni art?"
  254. >with that, she turns the handle and opens the door
  255. >or are they called hoofdles here?
  256. >since horses don't use hands to turn them
  257. >you're distracted from your distraction by a sonic wall of squeaky voices
  258. >"GOOD MORNING MISS AMBER"
  259. >so she's a regular around these parts
  260. >the aloof, blunt attitude that you've known Amber Ember for in these past ten minutes since you met her vanishes in the face of the baby horses
  261. >"Why hello there! How are you all?"
  262. >a cacophony of about two dozen voices carries about two dozen replies
  263. >"Okay everyone, I'd like you all to meet my good friend Anon here. Everyone say hello!"
  264. >they obey in perfect unison
  265. >"GOOD MORNING MR. ANON"
  266. >except for one chubby boy pony
  267. >that's called a colt, right?
  268. >he stares and points at you
  269. >"You hit Princess Twilight."
  270. >even
  271. >the fucking
  272. >children
  273. >the observation rapidly turns you into the cause of some controversy among the tiny ponies
  274. >Amber protectively steps out in front of you
  275. >"N-now, now, now, no… well, yes, Anon did hit the princess."
  276. >your blood runs cold as the adorable baby ponies shoot death rays of pure venom out of their eyes and directly into your soul
  277. >"B-but, but, but, he-he's very sorry, and he's here to make up for it by helping us with our arts and crafts."
  278. >Amber looks up at you, conveying in her eyes the nature of the delicate tightrope you must now tread to maintain the peace
  279. >"Anon, you're a big guy, would you mind reaching up to that high shelf and getting our arts and crafts box for us?"
  280. "S-sure."
  281. >you need to watch the way you stumble over your words
  282. >displays of weakness are probably unwise right now
  283. >you locate the box and set it down on a table
  284. >"Great. Now just lay it all out there."
  285. >you remove paper, markers, macaroni, glue, glitter, and other tools of the trade from the box and lay it all out on the table
  286. >the little horses come to claim their livelihood from the table
  287. >as they do so, they make a point of not looking at you and of getting out of your presence as quickly as possible
  288. >as the last little pony hobbles over to a table, Amber canters over toward you and flashes another smile
  289. >"Thanks Anon."
  290. "Uh huh."
  291. >a filly cries out from across the room
  292. >"Miss Amber!"
  293. >"Oh, let me just go, and, yeah."
  294. >and with that, you're left to your own devices
  295. >you decide to glance over the shoulders of the kids to see how their art is going along for now
  296. >the first filly you check glares at you and pulls her paper under her body to let you know that your help is unwanted
  297. >as does the second
  298. >and the third
  299. >your eyes lock onto a solitary, pale, pink filly who's taller and much skinner than the other little ponies, sitting without any paper, just a grumpy expression on her face and black makeup caked under her eyes
  300. >this must be the equine equivalent of a teenager
  301. >if nothing else, her unwarranted elitism should make her somewhat immune to the mob mentality that's causing the younger children to aggressively exclude you
  302. >you grab a paper and a marker and tentatively place yourself across from her
  303. >the filly harrumphs and looks away from you
  304. >at least there's no righteous hatred in this one
  305. "Uh, hey there, uh, kiddo. What's your name?"
  306. >she gives you a look that was probably meant to intimidate you, the otherworldly being who's over three times her weight and lived to tell of slapping an alicorn princess in the face
  307. >"Blackened Heart."
  308. >Blackened Heart?
  309. >not even in ponyland
  310. >that's way too edgy
  311. "I mean your real name, kid."
  312. >she smacks the table with her skinny hooves
  313. >"That is my real name!"
  314. >a strangely smug nurse who seemingly just so happened to be passing by sticks her head next to yours
  315. >"I think it's Sweet Heart or something like that."
  316. >Sweet Heart glares daggers at the smirking interjector, who retreats at a relaxed pace
  317. "Well, okay then. Why don't you try drawing something, Sweet Heart?"
  318. >you slide the paper and marker over to her and wait for her to give you some sort of angsty reasoning
  319. >surprisingly, she doesn't
  320. >instead she thinks for a moment, picks up the marker, and begins marking paper with it
  321. >a few minutes of silence, apart from the noisy room-full of kids around you, ensues
  322. >upon finishing, Sweet Heart inspects her work, makes a satisfied facial expression, and slides the paper over to you
  323. >"It symbolizes the black darkness of my soul."
  324. >this kid
  325. >the picture is of a unicorn skull flying across a night sky on bat wings
  326. >it's weirdly well-detailed
  327. "That's… very good. It's a little disturbing, but-"
  328. >you never finish your sentence
  329. >a glob of something smacks the back of your head and lodges itself there
  330. >you turn to view your assailant
  331. >but all you see is brightly-colored linoleum, only this, and nothing more
  332. >a mighty, squeaky, battle cry sounds from above you as a four tiny hooves collide with your shoulders and wrap themselves around your head
  333. "OH, F-"
  334. >wait a second
  335. >you can't swear in front of all these small children
  336. "OH, GOLLY"
  337. >you get up and try to pry the scrambling baby horse from your head
  338. >when another latches itself onto your leg
  339. >and a set of teeth buries itself into your ankle
  340. "GOLLY GEE"
  341. >before long you're covered in a mass of angry baby horses, hell-bent on avenging their dishonored princess
  342. "OH GOODNESS GOLLY GEE WILLICKERS I'M COVERED IN HORSES PLEASE HELP ME"
  343. >it doesn't take too long for Amber to take notice
  344. >"Oh, Anon, I'm so sorry! Children, please, please get off of him!"
  345. >the shakey demand goes unheeded
  346. >you make it to the door
  347. >no sooner do you get it open than you lose your balance and pitch forward
  348. >you hit the floor hard
  349. >the horses at last get off of you and scatter
  350. >Amber gallops out after you and helps you to your feet
  351. >"Anon, I'm so, so, so sorry! Are you okay?"
  352. >"I should hope so, Ms. Ember. Mr. Nonermous here is over 30 minutes late for his first meeting with me, and I'm rather anxious to get started."
  353. >the intruder is a unicorn mare with a clipboard and wire-frame glasses
  354. >her mane is just starting to look grey, and her body is just starting to look fat
  355. >"D-Doctor Lectra! A-A-Anon told me here he didn't know his schedule, a-and I didn't know you were his doctor, s-s-so I figured-"
  356. >"That you'd take him with you to help the foals. That's very nice of you, Ms. Ember. Everything is fine, just don't expect your own meeting with me today to be any sooner than 40 minutes late."
  357. >she grabs your wrist in her bluish magic and pulls you back to your own ward
  358. >"Come along, Mr. Nonermous."
  359. >Amber calls out after you
  360. >"You'll do great, Anon. Dr. Lectra is my doctor too. She's the best!"
  361. >and you don't think that she thinks that you see this next part
  362. >but she looks down
  363. >and looks away
  364. >and claws at the floor with her hoof
  365.  
  366. Part 3: The Lectra Complex
  367.  
  368. >the office walls are simply adorned with coffee-colored paint and neutral, unobtrusive decorations, set in place over an earthen brown carpet
  369. >atop the shaggy carpet rests a big oak desk, which Dr. Lectra promptly takes a seat behind
  370. >across from the desk is a couch which might appear roomy to a five-foot quadruped whose natural tendency when lying down is to curl up
  371. >that's where the doctor directs you to lie
  372. >"Now, Mr. Nonermous… am I saying that right?"
  373. "It's, uh, Anonymous, not Nonermous."
  374. >"A… non… ner… miss?"
  375. "Nih-miss."
  376. >"A… non.. Anonymous. Mr… Anoner-nimit-nymous… Anonymous. Oh my goodness that's hard to pronounce. Is that your full name? Do you have something like a surname?"
  377. >a surname?
  378. >you're pretty sure you have a surname
  379. >uh
  380. >you know, after a year of not speaking, it's a miracle you even remembered your first name
  381. >wait, why not just tell her to call you Anon?
  382. >"Ah, here's your file."
  383. >Dr. Lectra produces a beige folder from her desk and flips through it
  384. >"And your full name is… Anonymous Faggot. Aha! Mr. Faggot. That's much easier to pronounce, don't you think, Mr. Faggot?"
  385. >oh
  386. >right
  387. "Uh…"
  388. >"Come again, Mr. Faggot?"
  389. "Please… please don't call me Mr. Faggot."
  390. >"Just Faggot?"
  391. "My last name is weird, and I don't like it when people refer to me by it. It's uncomfortable."
  392. >"Hmph. Well, I suppose if it's for the comfort of my patient, I'll just have to get used to pronouncing 'Anonymous.' Even if the patient in question is guilty of first-degree lese majeste."
  393. >you sigh
  394. "Th-thanks."
  395. >"Of course. Now, let's get started. I hope you don't me asking, but what exactly are you? Where are you come from?"
  396. >wierd, most days you don't introduce yourself even once, but today you're doing it twice
  397. >multiplying from your usual 0, that's an improvement of more than infinity
  398. "Well, I'm called a human, and the place I'm from is called Earth."
  399. >"Earth? I haven't heard of it. Is that one of those distant, exotic lands? You speak Equestrian very well."
  400. "Relative to here? I don't know where it is. I don't know if it's even on this planet, or in this same universe."
  401. >"… Oh?"
  402. >the look on her face tells you that she's wondering if you don't belong in the delusionals ward
  403. >hopefully the fact that you're an unidentifiable monster will help convince her that you don't
  404. >"And I take it you don't know how you ended up in Equestria."
  405. "No."
  406. >"When did you arrive?"
  407. "A little over a year ago. I just… I fell asleep in my apartment, and I woke up on a park bench in Ponyville."
  408. >"Apartment? So I take it that this Earth wasn't terribly different from Equestria?"
  409. "No."
  410. >"So, you're familiar with concepts like friendship, childhood, feelings and what not?"
  411. "Yeah."
  412. >"But you'd never seen a pony before, correct?"
  413. "No."
  414. >"That must have been quite the experience. Would you say your problems started there? You know, with waking up in a brand new world and being isolated from others of your kind?"
  415. >isolated from others of your kind?
  416. >heh, no, that goes back much further than a year
  417. "Uh, I don't think so. Maybe… before that."
  418. >"Okay, so, tell me a little something."
  419. "Like what?"
  420. >"Uh, well somethimes patients opt to give me a sort of life story, starting from their childhood."
  421. "Just… childhood?"
  422. >"Yeah, you know. Like, you went to some sort of school, right? How was it?"
  423. "Well, I guess most of it was pretty easy for me. I sort of glided through near the top without trying very hard, but near the end not knowing how to try kind of ended up hurting my grades."
  424. >the doctor jots down some jottings on her clipboard
  425. >"That's… interesting, Mr. Anonymous. But… I was looking for something a bit more personal than that."
  426. "Personal?"
  427. >"Yeah. You know, stories involving persons. Anything about any friends, girlfriends, stuff like that. You know?"
  428. "N-not really."
  429. >"What do you mean, 'not really'?"
  430. "I mean, there's, there's nothing to tell."
  431. >"What? Like you didn't have any friends?"
  432. "Uh… I guess so."
  433. >"Never fell in love? Met a nice mare- er… humaness?"
  434. "No."
  435. >"Bullies?"
  436. "Nope."
  437. >more jottings
  438. >"Okay, so, school clearly wasn't very exciting for you. What about after?"
  439. "After school?"
  440. >"Mhm. Tell me about your first foray into the world of adulthood."
  441. "Well, I didn't want to be a burden on my parents, so I started working as soon as I could."
  442. >"Ooh! And how was work?"
  443. "Are you asking about the people again?"
  444. >"Yes."
  445. "Well… there's still nothing to tell."
  446. >"No work buddies, workplace drama, or anything like that?"
  447. "No."
  448. >"Mr. Anonymous, did you ever come to a point in your life where your situation with people changed?"
  449. "Uh, yeah. As soon as I could afford it I moved out of my parents' home and rented a little apartment downtown."
  450. >"So, that's less interaction, right?"
  451. "I guess so."
  452. >jot, jot, jot, jot
  453. >"Now, Mr. Anonymous, most patients would have given me some sort of story by now."
  454. "A story?"
  455. >"Yes. You know, a sort of short story about something you did or something that happened to you. Something that you feel was an important event."
  456. "Uh… I guess I don't really have anything like that."
  457. >"No… defining moments? No life-changing realizations or happenings or anything of the sort?"
  458. "No."
  459. >"Well, what about since coming to Equestria? I know last night at least must have been fairly eventful. Why don't you tell me about that?"
  460. >spindly fingers from your chest muscles wrap themselves around your lungs
  461. "Uh… I-I-I-I'm n-not ready to discuss that."
  462. >"What about anything else from your relationship with Princess Twilight? Or her friends?"
  463. "I-I dunno. I think I need some more time to think about that."
  464. >Dr. Lectra's pen scrapes at the paper upon her clipboard for a few moments more
  465. >"Okay, Mr. Anonymous. That will be all for today."
  466. "Th-that's it?"
  467. >"Yes, I'm afraid you haven't given me very much to work with. I'm not willing to simply write you off as a boring person just yet, so for now I just don't feel like I've got a very good look at your personality yet."
  468. "Oh."
  469. >"Now, you didn't do anything wrong; it was fine for a first session. Besides, I'm still behind schedule. You're free to go."
  470. >and so, you push yourself up
  471. >and you walk out the door
  472.  
  473. Part 4: Anon Fucking Hates Bingo
  474.  
  475. >dinner
  476. >much like breakfast, you feel that "shit" is a more accurate descriptor
  477. >actually, exactly like breakfast, it's a slimy scoop of unidentifiable plant matter
  478. >judging by the meals alone, you could believe that the hospital was trying to drive you to try to kill yourself again
  479. >but the meals were likely an executive decision, made higher than any of the staff who interacted with the patients of the depressives ward
  480. >it's interesting to see just how many events they have planned for the week which are geared at prompting social interaction
  481. >but the real beauty of it is that it's all voluntary
  482. >the beauty in this lies in the fact that you're going to bed right after the meal instead of sitting through tonight's "movie night"
  483. >you hadn't observed any evidence of the harnessing of electricity in this world up til now, and would have assumed that movies didn't exist here if you had thought about it
  484. >yet you caught a glimpse of some staffers carrying an old-fashioned film reel projector though the passageway just the same
  485. >whatever
  486. >you're tired
  487. >in the corner of your eye, you spot Amber, balancing a tray full of plant matter of her own in her teeth
  488. >you approach her
  489. >you're sort of unsure how to proceed from here
  490. >so you keep walking
  491. >and you pass each other right by
  492. >huh
  493. >she didn't even acknowledge you
  494. >oh well
  495. >the way you got your ass kicked by foals was kind of pathetic
  496. >not to worry, there's an empty table in sight
  497. >you place yourself there and begin to eat
  498. >between spoonfuls of plant matter, you can see Amber Ember glancing this way and that, looking around for an empty table
  499. >whatever
  500. >if she wants to sit with you, she can
  501. >this isn't fucking high school; you're not concerned with social bullshit
  502. >actually, you weren't all that concerned with it back then either
  503. >that might not have been entirely by choice
  504. >for some reason, you decide to pretend not to notice as she draws nearer to your table
  505. >you definitely stop caring, however, when a gelatinous bullhorn goes off in your ear
  506. >"HOW'S IT GROOVIN', ROOMIE?"
  507. >Tumble Hooves squeezes herself into the seat across from yours and proceeds to bury her face into her pile of plant matter
  508. >it's gone in mere seconds
  509. >"You gonna eat that?"
  510. "Uh, n-no. I'm just gonna go to bed now."
  511. >"Coolio."
  512. >Tumble Hooves leans over to bury her face in your meal
  513. >you get up and walk away
  514. >you notice that Amber Ember is nowhere to be seen
  515. >whatever
  516. >you're tired
  517.  
  518. >the next few days proceed in a manner you can only describe as "logical"
  519. >which is to say, just barely at all
  520. >you basically only left your room for meal times and therapy sessions
  521. >you tried to make a few exploratory outings, but nothing you're allowed to do in the hospital really interests you
  522. >besides, you did stumble across Amber Ember in a few of those outings, upon which you felt compelled to play an uncomfortable and autistic game called "pretend she doesn't exist" for some reason
  523. >maybe it was because she was clearly playing the same game with you
  524. >regardless, it served as another motivation to stay in your room
  525. >the problem with this is that Tumble Hooves rarely leaves the room either
  526. >she spends most of her time sleeping, sending off foghorn snores which ensure that you can't do the same
  527. >it's on the third day of this that you decide being an autist isn't worth suffering the stench and sounds of obese pony all day
  528. >so you head out
  529. >you promptly discover a poster advertising a rousing game of bingo
  530. >in an amazing turn of luck for you, the game is in just a few minutes
  531. >perfect
  532. >you find your way to the room where the game is to be played
  533. >a smiling nurse hands you a bingo card and a bag of chips
  534. >it's funny how nobody seems to care that you're a six foot biped who was publicly outed for assaulting a princess
  535. >nobody except the foals anyway
  536. >folks are either a lot less observant than you expect them to be, or they just care a lot less than you expect them to
  537. >didn't Tumble Hooves say you were hated already though?
  538. >maybe they just don't confront you about it
  539. >whatever, either way, it's easier this way
  540. >a small group of patients is already seated and waiting for the game to begin
  541. >you take the seat closest to the door, in the back
  542. >your finger presses down onto a chip, shakes it off over the free square, and proceeds to play and fiddle with it
  543. >the chair next to yours is yanked out with a scraping noise
  544. >a teenage filly you recognize as Sweet Heart climbs up onto it
  545. >why?
  546. >she looks up at you
  547. >you look down at her
  548. >she harrumphs and looks away
  549. >…
  550. >sure
  551. >a grumpy-looking bird-cat thing makes its way to the front of the room and spins the bingo cage with a gnarled talon
  552. >is that a griffon?
  553. >griffons exist here?
  554. >and they're people?
  555. >you wonder what other mythological creatures could be citizens of Equestria, and decide that there might be a reason why nobody questions your appearance
  556. >the griffon opens its beak to speak in a deep, rough voice and silence the already awkwardly silent room
  557. >"Awright, awright. Let's get this thing out of the way."
  558. >he, judging by the voice, sticks his talon into the bingo cage and plucks out a ball
  559. >"B, 27"
  560. >a few clicks of chips on cards from around the room signal that a few of the ponies have this square
  561. >examining your own card, you see that you do not
  562. >the griffon doesn't waste time in grabbing another ball
  563. >"G, 19"
  564. >a single chip taps down somewhere in the room
  565. >unfortunately, it's not yours
  566. >"O, 16"
  567. >"Oh!"
  568. >Sweet Heart places a chip down
  569. >she looks at your empty card, and then looks up at you with a winning smile
  570. >lel, getting competitive over bingo
  571. >"I, 12"
  572. >oh shit you have that one
  573. >you slam that chip down and project your smuggest expression into Sweet Heart's face, which transforms into a pout
  574. >you're tempted to tell her to suck your dick
  575. >but you remember that she is in fact an underaged, mentally-ill horse and you don't particularly want that to be taken the wrong way
  576. >"BINGO!"
  577. >a sky-blue mare with a scarlet mane waves her hoof around in the front row
  578. >no way
  579. >voices from around the bingo room sound off their disbelief
  580. >"A bingo in only four turns!"
  581. >"I-Impossible!"
  582. >"A perfect game!"
  583. >"She must be the most powerful bingo player in the entire hospital!"
  584. >"Oh no! I lost!"
  585. >the owner of this last voice, a pegasus mare with a coat the color of cotton candy and a mane the color of butter, proceeds to unleash body-racking sobs and pound on her table
  586. >nurses run into the room to administer soothing words
  587. >the griffon at the front of the room sighs
  588. >"Okay, everyone. Take ten. We'll have another round as soon as this is all cleared up."
  589. >Sweet Heart leans back in her chair and looks at the ceiling with a painfully bored expression
  590. >this is dumb
  591. >you push out of your seat, leave the room, and find your way back to your quarters
  592. >you don't leave it again except for your daily therapy session with Dr. Lectra
  593. >the next day is Sunday, and the doctors all have Sundays off
  594. >you don't leave your room at all
  595. >you wake up on Monday when an envelope slaps you in the face
  596. >Tumble Hooves is standing over you
  597. >"Anon, you've got mail."
  598. >having done her roommately duties, she promptly jumps into her bed in a manner that reminds you of an animate bag of pudding
  599. >you've got mail?
  600. >it's been exactly one week since that ill-fated expedition to the Crystal Empire began
  601. >maybe it's Twilight writing to inform you that she's decided to worsen your condition somehow
  602. >your hand fumbles around until it lands on the envelope that hit you
  603. >the envelope tears open with some effort, and the letter it contains is carried to your eyes on sweaty fingers
  604. >"Dear Anonymous,
  605. >"There's a big apple convention in starting in Canterlot tomorrow. I figured on my way there I'd come and pay you a visit.
  606. >"Regards,
  607. >Applejack"
  608.  
  609. Part 5: Anon Still Hates Apples
  610.  
  611. >well fuck
  612. >you allow your arm to flop away from your face and hang off the bed
  613. >your hand allows the letter to flutter down to the floor
  614. >Applejack?
  615. >why does she give a shit?
  616. >and why her in particular?
  617. >you reckon that if you hurry, you can probably write her a letter telling her to shove her hat up her cunt
  618. >no, mail's not instant; it probably wouldn't get there until tomorrow, which would be too late
  619. >wait
  620. >mail's not instant
  621. >this had to have been sent yesterday
  622. >and tomorrow from the point of view of yesterday is today
  623. >the wording on that letter is straightforward, to-the-point, and simple
  624. >you're pretty sure you're interpreting this correctly
  625. >you're having a visitor today!
  626. >well fuck
  627. >but what fucking time?
  628. >fuck
  629. >you get out of your room to stalk the halls
  630. >eyes downcast, hands clasped behind your back, you prowl about in search of nothing
  631. >occasionally your head and eyes flick to your peripherals, noting your location every few seconds
  632. >wait a second
  633. >you take a few steps backward and examine a piece of paper taped to a door
  634. >"Patient Kitchen - Feel free to use what you like, just CLEAN UP after you're done."
  635. >huh
  636. >you've never noticed this before
  637. >the door creaks open at your touch
  638. >it's a kitchen all right
  639. >there's a fridge, an open pantry full of dry goods, an oven, sinks, counters, and hooks carrying various cooking tools
  640. >on the other side of the kitchen there's a big open window set over a long countertop and facing into a passageway, probably for serving a line
  641. >hmmm
  642. >i-it's not that you particularly care about Applejack or anything
  643. >but somehow, an idea pops into your head just the same
  644. >you move about the kitchen just to see if they have what you have in mind
  645. >hmmm
  646. >flour
  647. >sugar
  648. >apples
  649. >uh
  650. >eggs?
  651. >it's all there
  652. >this could probably work
  653. >you find a bowl and a spoon and set them down on the counter
  654. >how much flour sounds reasonable for pie crust?
  655. >three cups?
  656. >into the bowl it goes
  657. >now for the sugar…
  658. >probably… one cup?
  659. >you mix it in with the flour
  660. >now the question you have is
  661. >will one egg be enough?
  662. >there's one way to find out
  663. >you crack an egg open and hold it over the bowl
  664. >as you watch its contents ooze down, someone addresses you from the window
  665. >"Uh, hey, Anon."
  666. >you look over and behold Amber Ember, resting her upper body on the counter to get a better view
  667. "Oh, uh, hello."
  668. >she cranes her neck a bit
  669. >"Wat'cha doing?"
  670. "I'm just, uh, baking a pie here."
  671. >her ear twitches
  672. >"You're… making a pie?"
  673. "Uh-huh."
  674. >"With… eggs?"
  675. "What?"
  676. >"Anon, you don't make pie crust with eggs. Or, I never would. Hang on, did you stir that thing in yet? Don't move!"
  677. >the sound of galloping hooves moves away from the window
  678. >and finds its way around to the door
  679. >Amber flings it open and strides in
  680. >"Okay. Let's see about that egg."
  681.  
  682. >Amber wastes no time in getting her upper body on top of the counter with a measuring cup clenched between her teeth
  683. >she dips the cup into the bowl and resurfaces with the remains of an egg in tow
  684. >"There. Some of it soaked into the flour, but it should be fine."
  685. "Uh."
  686. >she sniffs the air above the mixing bowl
  687. >"Oh, so you've already got the sugar in too. It smells kind of… bland, how much did you use?"
  688. "A… cup?"
  689. >"And how much flour?"
  690. >"Three cups."
  691. >"Whoah! That is way too much flour. Let's just start over on this."
  692. >she promptly takes the mixing bowl to the trash and pours its contents in
  693. >what the hell
  694. >this horse ignores you all week
  695. >and now all of the sudden she has the right to shit on your pie crust?
  696. >she grabs the bag of flour, and pours a little in the bowl
  697. >"So what kind of pie are we baking, Anon?"
  698. "It's, uh, apple."
  699. >"Oh great! Are there apples?"
  700. "Uh huh."
  701. >"Perfect! You make the filling, and it's probably better if I handle the crust."
  702. >Amber promptly sets about acquiring various components and tools
  703. >she buries her head into a low cabinet
  704. >and in the process of doing so sticks her ass way up in the air
  705. >what the hell is that picture on it?
  706. >it's like brown… chunks?
  707. >is it shit?
  708. >you lean in to get a better look
  709. >the social implications of your actions don't occur to you until Amber clambers out of the cabinet and sees what you're doing
  710. >she spits out a pie tin onto the floor, jumps back, and flits her saucer-sized eyes around before finally setting her pinprick-sized pupils upon you
  711. >"Anon! Wh-wh-what are you doing?!"
  712. >you're still in your bent-over butt-staring position as you try to explain your intentions
  713. "I was- I was- I-I-I was just looking at-at-at-at your-your butt, your butt, your-your-your-your butt… your butt picture!"
  714. >the mare before you turns dark red as she tries to make sense of your half-comprehensible explanation
  715. >"M-my butt?!"
  716. "Y-your butt picture!"
  717. >she pauses before relaxing a bit, and looking back at her own butt
  718. >"My… my cutie mark?"
  719. "Yeah!"
  720. >Amber gradually stands up straight, which prompts you to do the same
  721. >finally, she gives a sincere smile
  722. >"It's… caramels. I make sweets for a living. Sorry, I maybe should have explained that before barging in on your baking. I do this sort of thing for a living."
  723. "Oh."
  724. >her smile turns snarky
  725. >"Now. Are you just about ready to make that filling?"
  726. "Uh, n-no, I'm not really sure how."
  727. >Amber frowns
  728. >"You went to bake an apple pie without knowing how?"
  729. "I-it was sort of a… a spur of the moment thing."
  730. >"Right. Get about eight apples. Peel, core, and slice them into itty bitty pieces. Then mix it with, say, a teaspoon of cinnamon, a teaspoon of brown sugar, and a quarter cup of water. Then stir it up in a saucepan. Don't heat it too long, mind you, it'll heat up enough in the oven."
  731. "You want fries with that?"
  732. >she struts past you and flicks you with her tail as she does so
  733. >"Don't sass me."
  734.  
  735. >peeling, coring, and slicing apples into itty bitty pieces is a bit of a long process
  736. >fortunately, Amber doesn't have you beaten with the crust yet
  737. >she had the dough mixed and the tin lined with it a good number of minutes ago
  738. >but she's doing the basket-weave thing with the top crust, which is an even longer process for a pony who has to use hooves
  739. >at last, you pour your expertly sliced apples into the saucepan
  740. >on top of them you sprinkle the other ingredients
  741. >you turn on the stove and begin to stir
  742. >it's funny how magical horse land is selectively primitive
  743. >like, lighting is all done through candles and music is still played on mechanical record players, but for some reason they've got modern stovetops and refrigerators
  744. >you should have learned something about electrical engineering back home
  745. >it would have come in handy here
  746. >the scent of apples permeates the air and creeps into your senses
  747. >bellissimo
  748. >a fuzzy pony head nudges you in the side
  749. >"Anon, that smells great! Is the water mostly gone?"
  750. "Yeah."
  751. >"It's done. Go ahead and pour it in the crust."
  752. >carrying the pan over to the counter, you see a complete, baket-weaved crust sitting next to the tin
  753. >damnit, it looks like she did beat you
  754. >as you pour your apples in her crust, Amber attempts to lift up the crust top with her hooves
  755. >"Anon, can you get this crust on there? You've got those, uh… claw things."
  756. "Fingers?"
  757. >"Yeah."
  758. >in short time, the pie is covered, and you're crimping the top down over the bottom crust with Amber
  759. >"Okay, the oven's pre-heated. Just pop it in, Anon."
  760. >Amber digs out a small-ish hourglass and flips it upside down
  761. >there's that selective technology shit again
  762. >"Okay. 15 minutes."
  763. >you stand together, watching the sand fall through the glass
  764. >maybe about five minutes pass in silence
  765. >"So, what were you baking a pie for?"
  766. >the pie?
  767. >oh
  768. "A, uh, friend is visiting me today."
  769. >Amber averts her gaze a bit
  770. >"A friend?"
  771. "Or, uh, one of Princess Twilight's friends anyway."
  772. >"Oh. Which one?"
  773. "Her name is Applejack."
  774. >"Element of Honesty?"
  775. "What?"
  776. >"You know, from the Elements of Harmony."
  777. "The what?"
  778. >"The magical thingies that Princess Twilight and her friends used to save Equestria."
  779. "To do what?!"
  780. >"Anon, do you seriously not know that Princess Twilight and her friends have saved Equestria, like, seven times over the past five years?"
  781. "W-well I'm new in this world."
  782. >she laughs out loud
  783. >"You were living with her!"
  784. "Y-yeah, well…"
  785. >the amber-coated mare giggles and smiles
  786. >"It's fine."
  787. >you sigh
  788. >"So, uh, if Applejack is coming to visit you, that's gotta be a good sign, right? Maybe they'll let you out soon. Any word on that?"
  789. "Man, I doubt I'm getting out of here soon."
  790. >"Oh, well…"
  791. >you see she's giving you that expectant look again
  792. >oh
  793. "Do you know when you're getting out of here?"
  794. >she smiles, the looks away, then she looks back up at you and frowns a little before smiling again
  795. >"Today!"
  796.  
  797. "Today?"
  798. >"Uh huh! I'm just waiting on the office to finish up some paperwork, and then I can pick it up and go."
  799. "Oh."
  800. >"Yeah. I… I saw you in here, and I-I know you're mad at me for what happened with the foals, but…"
  801. "Mad at you?"
  802. >"W-well, you weren't talking to me, so I figured…"
  803. "No, it's just… I thought you thought I was pathetic. The way I got beat up by those foals and all."
  804. >"What? No, I…"
  805. >the pause that ensues more pregnant than a Mexican rabbit on welfare
  806. >Amber cuts it open it with a slight smile
  807. >"Well that's dumb."
  808. "What is?"
  809. >"We've been avoiding each other and being alone all week long for no good reason. We could have been friends the whole time!"
  810. "Uh, yeah, I guess so."
  811. >Amber glances at the hourglass
  812. >"Just about there."
  813. "So, where are you going?"
  814. >"Oh, I don't know. I might have to stay in the city for a little while, but really, I wanna get out of Canterlot as soon as possible. There's no one in this town who gives a darn about me; I just wanna start over somewhere else."
  815. "All right."
  816. >"What about you? Are you going back to Ponyville after you get out?"
  817. >somehow you knew she would reply with that
  818. >but you haven't thought that far ahead at all
  819. "Man, I have no idea. I dunno, maybe if this meeting with Applejack goes well. Otherwise… I don't know if I'd be welcome there."
  820. >a crackling sound accompanied by an echoing voice interrupts the conversation
  821. >"Amber Ember, administrative office. Amber Ember, administrative office."
  822. >Amber gasps a little
  823. >"Well, those are my papers. I guess I've got to… go now. G-good luck with Applejack!"
  824. "Y-you too."
  825. >she turns around and begins walking toward the door
  826. >before she gets there, she looks back a little and addresses you
  827. >"I'd really like to meet you again, Anonymous."
  828. "Yeah, me too."
  829. >she pushes the kitchen door open and begins walking out
  830. "Uh, hey Amber?"
  831. >"Uh huh?"
  832. "Why did you, uh, why did you try to help me the other day anyway?
  833. >she pulls her head back in and gives you what may actually be the warmest smile you've ever seen in your life
  834. >it's not saying much, but it's probably still warmer than what most people in general get
  835. >"Because you sat next to me."
  836. >her tail disappears beyond the door, which clicks shut behind her
  837. >the last grain of sand falls to the bottom of the hourglass
  838. >the crackling voice resonates through the hospital once more
  839. >"Anonymous Faggot, visitors' center. Anonymous Faggot, visitors' center."
  840.  
  841. Part 6: Mr. Nonermous, We Need to Talk
  842.  
  843. >your hand gets scalded a bit as you attempt to move the hot pie from two hands to one hand
  844. "Shit."
  845. >you hold still for a moment until you're sure that the pie is balanced securely on the hotpad on your hand
  846. >it's too bad fucking oven mitts don't exist
  847. >these hotpads are probably designed to go in horse mouths
  848. >satisfied that you're not going to drop the pie, you use your free hand to open the door to the room marked "visitors' center"
  849. >Applejack is looking out a window
  850. >and the window is looking down at her, casting a ray of sunlight upon the orange mare and making her golden mane glow bright white
  851. "Uh."
  852. >Applejack turns her head to look at you
  853. >"Oh, hey there, Anonermous."
  854. >she sniifs the air, looks up to the pie in your hand, and trots over to you with a predatory smile
  855. >"Is that what I think it is?"
  856. "Oh, uh, the… pie? Probably."
  857. >"Fer me?"
  858. "Yeah."
  859. >"Well. lemme see it!"
  860. >you lower your arm and present the pie at pony eye-level
  861. >Applejack greedily inhales the steamy aroma floating off of the pastry
  862. >"Well don't that just beat all? Did you make that yerself?"
  863. "No, I, uh, had some help."
  864. >that phrase gets her to look you straight in the eye
  865. >"What? Like, from a friend?"
  866. "Uh, I guess."
  867. >"Well, ain't that something? Twilight'll be mighty pleased to hear about that!"
  868. >Twilight?
  869. "You really think she'd care?"
  870. >Applejack's lower eyelid raises as she cocks her head
  871. >"She… would. Eh… you know what, Anon? Just go set yerself down at that table over there. I don't wanna talk about stuff like that til I've had a slice of that pie."
  872. >oh
  873. "Uh, sure. I didn't bring any plates though."
  874. >"Aw, that's fine. I found some while I was waitin' for ya."
  875. "Oh."
  876. >you make your way over to the table and have a seat
  877. "Were you waiting a while?"
  878. >"Nah. There ain't no wait too long for fresh apple pie."
  879. >Applejack clenches the edges of two paper plates with plastic forks balanced on them between her teeth and takes her seat opposite you
  880. "Uh, do we need a knife?"
  881. >Applejack somehow gives you an "I-apple-on-a-level-much-higher-than-that,-mortal" kind of look
  882. >"Nah."
  883. >with that, she flings the pie into the air by her hoof
  884. >she does a perfect backflip straight over her seat, and in the process deals the pie tin a precise kick with her back hoof
  885. >in an instant, Applejack is back in her seat, and the apple pie sits on the table divided neatly into eight perfect slices
  886. >impressive
  887. >"Come on now, let's get some pie in us, and then we'll get talkin'."
  888.  
  889. >Applejack wipes a few crumbs off of her face with her hoof
  890. >"That's good pie. Thanks for makin' it, Anon."
  891. "Thanks."
  892. >her foreleg extends over the table and swipes the pie off to the side
  893. >"All right now, Mr. Nonermous. We need to talk."
  894. >since you don't verbally respond, Applejack scans your face for comprehension before continuing
  895. >"First thing's first, Anon. I don't think what ya did was okay. No, sir. I don't like violence and I don't like it when it's applicated to my friends. Am I right?"
  896. "Y-yeah. You're right."
  897. >"Good. 'Cause I didn't come here to lecture ya or yell atcha or anythin' like that. Twilight Sparkle is one of my closest friends, and I love her like my own sister, but I reckon there's more to the story than what she told me. That's just the way this sorta thing works."
  898. "So…"
  899. >"So, get talkin'."
  900. "Well, uh, about…"
  901. >"Yep, about that night."
  902. "Uh, well, I, I went to bed early. I got into an, uh, sort of an argument, I guess, with Twilight, so-"
  903. >"What was the argument about?"
  904. "Well, I-I told her that Sombra couldn't be fixed. I said I couldn't be fixed either. She didn't like it and I think she… ran off to the library."
  905. >"But that weren't the fight?"
  906. "No."
  907. >"So you woke up later."
  908. >your hand gingerly strokes at your face
  909. "Yeah. To a face-full of boiling water."
  910. >"What?!"
  911. "Yeah. Sombra."
  912. >"Twilight didn't mention… Did she know?"
  913. "I don't know. She never asked."
  914. >"Well did ya tell her?"
  915. "I-I tried, I think. I don't know, she was mad, she wasn't listening. I guess she should have been able to figure out by looking at my face."
  916. >she scratches her head
  917. >"I just don't get it. What could she have been so mad about?"
  918. "I don't know. Everything. You said she told you about it; I'm sure she gave you the laundry list."
  919. >Applejack sighs
  920. >"Eh, you could say that. So she ran in all yellin' and angry and unreasonable, right?"
  921. "Uh, I guess she wasn't so angry til she got knocked down on accident."
  922. >"You hit her on accident?"
  923. "No, I mean, the first time. I was getting Sombra off of me, and he sort of fell onto Twilight."
  924. >"So that's when she breaks out the angry princess routine?"
  925. "Yeah."
  926. >"And she was yellin' at you for everything you'd done that vexed her?"
  927. "Yeah."
  928. >"And you said somethin' back to her."
  929. "I… I guess so."
  930. >Applejack leans in as close to you as she can, her emerald eyes locked onto you like missiles
  931. >"Anonymous. What did you say?"
  932. >what did you say?
  933. >you open your palm and look at it
  934. "I said… I said she was full of shit. I said she didn't give a shit. I said friendship was bullshit."
  935. >Applejack's eyes grow, just a little
  936. >"And how'd she like that?"
  937. "She caught on fire. Actually caught on fire."
  938. >Applejack winces
  939. >"I've seen that. But I know that's not all she did."
  940. >it wasn't quite a week ago
  941. >it's not difficult to remember
  942. >the exact words, the exact sound, the look on her face
  943. "She said I'd rather kill myself."
  944. >Applejack widens the uncomfortably short gap between herself and you
  945. >"And then…"
  946. "Yeah."
  947. >the room is silent
  948. >"Anon. I don't think you're a bad person. But I do think you're dangerous."
  949. "D-dangerous?"
  950. >"That's right. Anon, friendship is basically the definin' trait of Twilight Sparkle. It's what she is. It's her job, it's her greatest power, and it's been the focus of her life since she came to Ponyville. And I've seen it with my own eyes; friendship's a real powerful thing. I've seen a simple friendly gesture turn ponies who were downright nasty into folks who're quite amicable. It's been right helpful to Twilight and me and our friends over the years."
  951. >Applejack scratches at her head
  952. >"And I don't really understand it, but it's also the source of some real powerful magic stuff. That's probably the important part. Sometimes, we get a real nasty fella tryin' to make Equestria not such a nice place. Ya know, tryin' to kidnap the Princess or take over the world or steal all our magic. Stuff like that. Somehow, the friendship that Twilight has with the rest of us girls is always able to come through and zap bad guys like that 'til they're no harm no more. And sometimes we're able to show 'em the error in their ways and turn 'em into nice folks after that, which is nice."
  953. >she frowns
  954. >"And then you come along. A creature that acts like it's impervious to friendship and sets about disprovin' all of Twilight's friendship theories. Can ya see how that might be a bad thing?"
  955. "And how is that my fault? If I prove Twilight's 'friendship theories' wrong, then maybe they're just wrong."
  956. >"Anonymous, I might not be real sciencey, but it seems to me that ya coulda chosen to prove her right."
  957. "It's not that easy."
  958. >"Twilight's still up in the Crystal Empire, tryin' to get through to Sombra. She's not doin' so great. The letter she sent back to Ponyville was all covered in little stains from teardrops."
  959. >is it getting hot in here?
  960. "And… and what does that have to do with me?"
  961. >"Anon, the most hurtful thing you did to Twilight wasn't the slap. It was what ya said about friendship bein' baloney. She sees you as a failure on her part now. She couldn't get through to you. Maybe because friendship just ain't for ya. And if friendship ain't for you, maybe it ain't for Sombra either. She doesn't have no confidence in herself since that night. She doesn't have no confidence in friendship since that night! And if the Princess of Friendship don't have confidence in friendship, well…"
  962. "What?"
  963. >"Things could get bad."
  964. >Applejack pushes out of her seat and stretches on her hooves
  965. >"Well, I got business to take care of at the apple convention. I'll mention some of what ya told me to Twilight next I see her, particularly about the hot water and the friend ya made. I don't know if that'll endear ya to her, but I hope it'll put her in a better way, which is all I wanted outta this visit in the first place."
  966. >ah
  967. >so it was all for Twilight's benefit
  968. >you suppose that shouldn't be surprising, considering that Applejack is Twilight's friend and not yours
  969. >Applejack makes her way to the door
  970. >"Anon, I don't think you're a bad person."
  971. >and she nudges it open with her head
  972. >"I just don't know if you think that."
  973. "What?"
  974. >she leaves through the visitors' door without answering
  975. >fucking apple horse
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