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Jan 29th, 2018
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  1. NOTE: "Orin" and "Prisoner" are custom, original characters. They are not from any Dragon Age game.
  2.  
  3. ==========
  4.  
  5. (01; Black screen. Music fades in first, dark and ominous. Next: the sound of air cycling through a stoney room; the soft flickering of a torch; the occasional hard, echoing footstep; the reverberating occasional drip of water; the idle chattering of chains. Over this soft introduction, the title and Milly's voice credit fade onto the screen, before fading out and returning to total blackness )
  6.  
  7. (02; A sudden cut from black, with no pretext, to a close-up of TRAITOR'S hand being slammed hard into a wooden table, ORIN's hand gripping it tight by the wrist as he slams it down.)
  8. *ORIN grunts in exertion*
  9. *PRISONER clamps his lips down on a grunt of pain*
  10.  
  11. (03; A close-up of ORIN reaching for an unsheathing a pearing knife from his belt)
  12. ORIN (snarling): "I'm about to start cutting fucking fingers off..."
  13.  
  14. (04; A close-up of the PRISONER's cloth-bagged head, writhing as he savagely shakes his head and gives frantic, closed-mouth denial)
  15. *PRISONER making frantic negative "no" sounds, with his mouth closed: "Mmm! Mmm!"*
  16. ORIN (snarling, continuing from previous as all one line): "You traitorous piece of shite!"
  17.  
  18. (05; A close-up of the pearing knife pressing lighting against one of PRISONER's fingers. PRISONER's hand flinches and squirms at the contact, and PRISONER redoubles his negative sounds)
  19. *PRISONER continues making frantic negative sounds*
  20. *PRISONER redoubles his negative sounds when knife blade touches his hand*
  21. ORIN (booming, loud, commanding): "What did you tell the Venatori?!"
  22. LELIANA (calmly, but projected to be heard): "That's enough, Orin."
  23.  
  24. (06; Camera is situated such that, when ORIN stands up from being hunched over PRISONER's hand, his face is framed squarely. He stands up mild surprise on his face.)
  25.  
  26. (07; Close-up of his face as he implicitly turns around to face her, speaking humbly as he does so)
  27. ORIN (humbly, a bit nervous): "Spymaster Leliana. I didn't hear you enter."
  28.  
  29. (08; A full-body shot of LELIANA standing in front of ORIN, hips cocked, arms folded beneath her breasts. Her cowl is down, and a serious, unamused expression is on her face.)
  30. *LELIANA gives a subtle, unimpressed "Hmmp," waiting for ORIN to explain himself*
  31. ORIN (nervously): "I was just interrogating this..."
  32. ORIN (quickly changes tone to the more familiar booming, angry voice we were introduced to him with): "shitebag traitor!"
  33. ORIN (almost as quickly, returns to his nervous, timid tone): "as you requested, ma'am."
  34.  
  35. (09; A close-up of LELIANA wrinkling her nose and lowering her eyebrow in a scowl. Afte a moment, she speaks)
  36. LELIANA (coldly, matter-of-factly): "I *ORDERED* you to get me *INFORMATION*, Orin."
  37.  
  38. (10; A shot of the PRISONER, bound to his rickety wooden chair, bag over his head, trembling in terror)
  39. *PRISONER whimpers softly*
  40. LELIANA (same as before): "All you've gotten me is a terrified man, willing to say anything to make you stop."
  41.  
  42. (11; A close-up of LELIANA again. She is gazing directly at ORIN with a hard stare)
  43. LELIANA (harshly, coldly): "Give me the room, Orin. I'll do this myself."
  44.  
  45. (12; ORIN raises his hands hopelessly, pleading with LELIANA, before he is cut short)
  46. ORIN (pleading): "Please, ma'am, give me another-"
  47. LELIANA (harshly, emphatically): "Get out. Now."
  48.  
  49. (13; Close-up of LELIANA as she turns her head around to speak to the guards behind her)
  50. LELIANA (emphatically): "All of you. Out."
  51.  
  52. (14; A close-up of the bottom of the heavy metal door into the room, as pairs of feet shuffle out. After a few moments, the door slams close with an echoing screech of metal on stone.)
  53.  
  54. (15; Close-up of PRISONER, still bound, trembling, and whimpering. The camera slowly pans down, before resting on his crotch, as LELIANA speaks and the sounds of her boots clapping on the stone floor implies her walking toward him)
  55. LELIANA (coyly, smugly): "Men and their brutish ways can only take you so far. Sometimes, you need a..."
  56.  
  57. (16; LELIANA's gloved hand begins rubbing over PRISONER's crotch. As she says 'touch', she gently squeezes, and PRISONER gives a soft, shocked gasp)
  58. LELIANA (coyly): "Woman's touch."
  59.  
  60. (17; A close-up of LELIANA's lower-back, slowly panning up as sounds of her undoing his pants plays. As his crotch comes into view, his cock is out, and she is slowly stroking it, balls to head, while looking up at him. He is still bound and bagged. She speaks as she undoes his pants)
  61. LELIANA (in a sweetly-lecturing tone): "Men like Orin will pour entire bottles of vinegar, in hopes of catching a single little fruit fly."
  62.  
  63. (18; A POV shot from PRISONER's perspective [ignoring the fact he has a big over his head and can't see anything], as LELIANA is slowly stroking his cock and looking up at him, a smug expression on her face.
  64. LELIANA (same as before): "Sometimes, all you need is just a single..."
  65. *LELIANA leans in slowly to give a slow, emphatically loud peck kiss to the head of PRISONER's cock*
  66. *LELIANA looks back up at him*
  67. LELIANA (same): "...drop of honey."
  68.  
  69. (19; A close-up of PRISONER's bagged head. He gives a startled jump and soft gasp as LELIANA begins giving him a slow, sloppy, and emphatically loud blowjob)
  70.  
  71. (20; A medium side-shot of LELIANA sucking away at his cock; PRISONER's fingers are curling, and his arms are gently fighting against the constraints holding them down to the arms of the chair; he sorely wants to hold her head as she blows him)
  72.  
  73. (21; A close-up of his arm struggling. LELIANA's still sucking)
  74.  
  75. (22; Close-up of LELIANA sucking. After a few sucks, she goes all the way down his shaft and holds there. After a moment, she opens her eyes and tries her best to look up at him, while still balls-deep down his cock. A moment longer, she begins to slowly and emphatically pull off, giving a long, deep moan as she does so. She pulls off his cock with a mouth-pop, before looking up at him again [he's still bagged])
  76. *LELIANA gives a soft chuckle*
  77. LELIANA (sweetly, coyly): "You like it when I slide your thick, hard cock balls-deep down my throat, don't you?"
  78.  
  79. (23; Close-up of LELIANA's face, looking up at him with a smug smile. After a moment, PRISONER gives a half-hearted grunt in agreement. LELIANA's smile falls away, and her sweet expression is replaced with a scowl.)
  80.  
  81. (24; A close-up of LELIANA sliding her gloved hand up his cock quickly, before wrapping her index finger and thumb around the rim of his head and squeezing, shaking his cock slightly as she does so.)
  82. *PRISONER gasps, in shock more than pain*
  83. LELIANA (coldly): "Speak."
  84.  
  85. (25; Another close-up of LELIANA's scowling face. As the PRISONER responds, her sweet expression returns)
  86. PRISONER (gasping, still in shock): "Yes! Yes, I do."
  87. *LELIANA gives a soft, closed-mouth chuckle*
  88.  
  89. (26; Another POV shot, as LELIANA leans forward and rests his cock against her face, covering an eye. She begins gently rubbing her face up and down the shaft, while looking up at him and cooing sweetly)
  90. LELIANA (cooing sweetly, obviously enjoying her position of power): "'Yes, I do, *MISTRESS*.'"
  91. PRISONER (stammering, quickly realizing he isn't in heaven, but this is very much still an interrogation): "Y-yes, I do. M-Mistress."
  92.  
  93. (27; Side-shot of LELIANA pulling back and standing up, and then bringing her hands in to implicitly begin undoing her trousers)
  94. LELIANA (sweetly): "You want to be balls-deep in more than just my throat, don't you?"
  95.  
  96. (28; Close-up of PRISONER's still-bagged face, as he swallows audibly, and breathes unsteadily, feeling trapped)
  97. LELIANA (sweetly): "I can always bring Orin back in..."
  98.  
  99. (29; Side-shot of LELIANA, now straddling PRISONER, slowly lowering himself onto him)
  100. LELIANA (sweetly): "...If you'd prefer his company to mine."
  101.  
  102. (30; Close-up of PRISONER's cock, as LELIANA brings her pussy down onto it, sliding just the tip of his cock in.)
  103. LELIANA (sweetly): "Should I call Orin back in?"
  104. PRISONER (stammering): "N-no, ma'am."
  105. PRISONER (after a brief pause, quickly catching himself): "M-Mistress."
  106.  
  107. (31; Close-up as LELIANA brings her lips close to PRISONER's bagged ear. With a sweet smile and closed eyes, she whispers into his ear)
  108. LELIANA (whispering sweetly): "Then tell me everything."
  109.  
  110. (32; Sudden cut to black)
  111.  
  112. (33; Sudden cut from black, to ORIN waiting outside the interrogation room. He's leaning against the wall, arms crossed, looking down at his feet.)
  113.  
  114. (34; A close-up of the bottom of the door, as it suddenly opens and LELIANA's feet walk out briskly.)
  115.  
  116. (35; A close-up of LELIANA handing ORIN a bound notebook)
  117. LELIANA (calmly, professionally): "Everything the traitor reported to the Venatori, as well as a comprehensive update on their current operations and plans."
  118.  
  119. (36; A close-up of ORIN's surprised face, as he's looking down at LELIANA)
  120. LELIANA (same as before): "Pass this along to the Inquisitor at once."
  121. ORIN (shocked at what he's seeing): "O-Of course, ma'am."
  122.  
  123. (37; A close-up of LELIANA, with strings of cum on her face. She pays them no mind. She nods curtly.)
  124. LELIANA (same as before): "Excellent. He has nothing more of value for us."
  125.  
  126. (38; Another close-up of ORIN's surprised face, as he blinks a few times)
  127. LELIANA (same): "He's been milked dry."
  128.  
  129. (39; Rear-facing shot as LELIANA casually walks off. She waves a hand dismissively as he speaks)
  130. LELIANA (professionally, projecting her voice slightly to be heard as she walks off): "Dispose of him as you will, Orin."
  131.  
  132. (40; Medium-shot of ORIN, holding the notes dumbly, staring after her. After a long moment, he blinks his eyes twice.)
  133.  
  134. (41; Immediate cut to black. Credits.)
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