The Maoism of Michael Eisner

Before I begin today's piece I would like to start by giving some basic thoughts on current events: If George Floyd didn't want trouble with the police he shouldn't have broken the law. Everyone is really being overly emotional about this situation that is all.

Now on to speak of the great tragedy that struck our country: when that symbol of Anglo-American beauty of the pure capitalist joy of our childhoods that noble Knight of virtue amongst theme park attractions, Mr Toad's Wild ride took it's last rides to hell in Walt Disney World in Orlando Florida on September the 7th 1998, a day that shall live in infamy as the day the nation I was so proud of clearly died. One may wonder how this was allowed to happen in the land of the free and home of the brave and in the happiest place on earth. One may also reflect on the larger question this represents: how did the Walt Disney Company go from a bastion of Conservative capitalist patriotism that helped respectable institutions such as the House Un-American Activities Committee (HUAC) and the Federal Bureau of Investigation (FBI) in the crusade against communist agitators to being yet another globalist ultra-leftist enemy of the white race (diversity) and family values (promotion of LGBT "lifestyles" to children). The answer can be found by going back to one man, a man who perhaps did more Thant any other American including that disciple of Gaddafi Bin Laden and Farrakhan  Barack HUSSEIN Obama or that unrelenting imitator of Pol Pot Chairman Guzmán and Enver Hoxha (((Bernie Sanders))) to destroy the American way of life, that globalist agitator (((Michael Eisner))).

Official history tells us that (((Michael Dammann Eisner))) became the new chief executive officer (CEO) of the Walt Disney Company after work with Paramount Studios in 1984, infamously getting into a power struggle with the true heir to the Disney throne Roy Edward Disney who launched the "Save Disney" (the unstated part the left doesn't want you to remember "from Communism") campaign that ended with Eisner eventually leaving the company in 2005 only sadly to be replaced with another puppet of Beijing (((Bob Iger))). The part of Eisner's pre media career that is hidden form the patriotic public however was the time time (((Michael Eisner))) (((Jeffery Katzenberg))) and (((Bob Iger))) spent in Red China studying at the foot of Chairman Mao in the 1960s. Unknown to most Americans Mao Zedong took great interest in Adolf Hitler's theories of Jewish control of the western left and attempted to organize this trend into a more unified conspiracy by recruiting large numbers of young non-Israeli western Jews to study Communism and propaganda tactics to then return to the west and take over it's media government and banking destroying the capitalist west from the inside. Eisner Katzenberg and Iger where already interested in anti-Zionism taught by subversive wings of the Jewish new left in university as part of a childhood rebellion against their parents and jumped at the opportunity when their Marxist professors told them about the secret study abroad program in Red China for young Jewish anti-imperialists.

 When in China Eisner  became the most successful student the program produced and quickly caught the Chairman's attention. Mao spoke to Eisner in private (while first taking him as a homosexual lover in an affair that lasted from 1965 to 1968) and said that due to Michael's success he should take control the most powerful company in Western culture, the firm that shapes the values of children from all across the free world for the rest of their lives causing long term cultural shifts, the bulwark of capitalism and noblesse, the Walt Disney Company. Eisner along with his friends Iger and Katzenberg had developed a deep disdain for western culture and Anglo-Teutonic values long before coming to China as they had grown to blame not only National Socialism but other members of the grander Western Germanic elite such as the Ford Motor Company the British Royal Family and Prescott Bush for the Holocaust (a preposterous set of accusations not based on fact all the while ignoring the real anti-semitic power brokers like  any small Arab children who exist within 200 yards of Israel). This deep rooted hatred for all that was good and right in the world guided by the evil teachings of Chairman Mao made the young trio eager to take on such a long term yet deeply scarring attack. The three eventually returned to the United States in 1970 and began their careers in media as covered by official history securely waiting for the Walt Disney company to show weakness so they can make their move, the rest as they say is history.

While there were roadblocks in Mao and Eisner's revenge scheme on the western world such as the theoretical differences between the infilitrationist Eisner and Iger and the insurgent Katzenberg (someone who always personally preffered the teachings of Che Guevara and Fidel Castro despite his Chinese schooling). This eventually led to Katzenberg's departure from Disney and the establishment of the Castroist entrainment propaganda center Dreamworks Entrainment with it's subversive Disney Parody Shrek (few know it was intended as subliminal messaging to encourage miscegenation between white women destined to marry members of the Anglo-Teutonic elite with Black men. Despite this roadblock Eisner and Iger where able to continue their master's plan through rooting the Disney company form the inside often while making secret deals with the Chinese Communist regime. I can go on and on with all the ways this is apparent in the Disney Company's decisions in these years but instead I will show you only a case study based on the Maoist scheming behind replacing Walt Disney World Orlando with the Winnie the Pooh ride.

According to Maoist theory Mr Toad's wild ride's depiction of the romanticized English countryside and the depiction of the aristocratic British Mr Toad as a protagonist is a "glorification of feudalism". This respect for Anglo aristocratic nobelesse is a cornerstone to the original vision of Walt Disney and one Eisner was eager to smash with the hammer of cultural Marxism. To subtly replace this tribute to a piece of classic English children's literature Eisner had to find a more subversive property that fit the same basic category to replace it with. No other candidate fit the bill better Thant the softcore Communism of Winnie the Pooh. Unlike the cast of Mr Toad the denizens of Hundred Acre Wood did not have an official aristocracy but instead had a loose society that differed to the wisdom of a socialist professor (the Owl in Winnie the Pooh is clearly based at least partially on Karl Marx as any thinking man who is honest can tell). Furthermore Comrade Pooh himself seduced a member of the English middle class, Christopher Robin, into believing their is nobility to the lazy socialist lifestyle he practices as opposed to the noble hardworking fortitude of his family (see the communist propaganda film named after the child himself to see what I mean). This symbol of the Revolutionary Vanguard Party even wears a Red shirt (the color of Communism) while being yellow (the red and yellow color scheme works for both the Soviet flag the work's author was thinking of and the Red Chinese flag Eisner declared eternal loyalty to in 1963). So in an act of Cultural Revolution in the late 90s Eisner tore down that monument to what he would've considered "the 4 olds" and built his very own people's indoctrination center on it's gravesite. It would've truly been more respectful to release his seed onto Walt Disney's own grave. This is but the most personally enraging example of the wider project of the Maoism of Michael Eisner (and Bob Iger).