Fillydelphian

Table For Two 5: Minestra

Jun 3rd, 2012
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  1. >Work on Thursday is nothing but stress
  2. >Restaurant Week is wrapping up and many ponies are coming in for a last minute pre-fix meal
  3. >This sort of thing happens all the time
  4. >It's just your bad luck that it had to happen today
  5. >There's a run on eggs one hour and a run on salad the next
  6. Table Seventeen: Two salad, one soup, one hay-fritte!
  7. >”Yes, Chef!”
  8. >You can't seem to get yourself into a good rhythm today either
  9. >Every little thing is setting you on edge
  10. >Your temper starts to mount as brunch makes the transition to lunch and the real rush starts
  11. >By 1 there's a line next to the door and the kitchen is starting to get backed up
  12. >This is unacceptable. Your kitchen should be able to handle this
  13. >You grit your teeth and take a deep breath before giving more orders to the cooks
  14. Table Thirty: Two bay-BLT, one salad, one soup!
  15. >”Yes, Chef!”
  16. Table Twelve: up!
  17. >You look at the clock
  18. >2:00
  19. >You're annoyed with yourself for not being able to enjoy work today
  20. >A loud yell followed by the sound of a cascade of broken dishes comes from behind you
  21. >Annoyance turns to anger and you turn around to see the new kitchen-colt hastily sweeping up the debris, spewing apologies
  22. >Your Sous sees you about to go into the kitchen to chew the colt out and stops you
  23. >”Not now, Chef. Last thing we need is you flying off the handle on top of this mess
  24. >You pinch the bridge of your nose and let out an exasperated sigh
  25. Right. I'll put the fear of Tartarus in him later
  26. >”Yes, Chef”
  27. Now get back to work. We've got to deal with this rush before we can even think about dinner service
  28. 1/x
  29.  
  30. >The next couple hours drag on
  31. >Your cooks are able to pick up the pace enough to keep the kitchen from backing up, but it's still a gauntlet service
  32. Table Six: Three hay-BLT, one soup, one salad!
  33. >”Yes, Chef!”
  34. Table Fourteen: One soup, one salad, one hay-fritte!
  35. >”Yes, Chef!”
  36. I need Table One's soup, where is it?
  37. >”One minute, Chef!”
  38. It'd better be! Table Seven: up! Table Ten: One salad, one hay-fritte, one hay-BLT!
  39. >”Yes, Chef!”
  40. I need that soup NOW
  41. >”Coming, Chef!”
  42. Table Twenty six: Three soup, one salad!
  43. >”Yes, Chef!”
  44. Table One: up! Table Thirty two: One hay-fritte, one soup!
  45. >”Yes, Chef!”
  46. >The line at the door hasn't gotten any longer, thankfully, but it certainly hasn't gotten much shorter either
  47. Table Six: up! Where is Table Fourteen?
  48. >”Two minutes, Chef!”
  49. Make it one!
  50. >”Yes, Chef!”
  51. Table Seventeen: One soup, one hay-fritte, one portabella!
  52. >”Yes, Chef!”
  53. >The restaurant is packed. The murmur coming from the tables mixes with the lively clatter and hiss from the kitchen
  54. >If you weren't so stressed out, it'd be music to your ears, but today that just isn't the case.
  55. Table Fourteen: up!
  56. >You put the plates up on the counter and wipe some sweat from your forehead before moving on to the next plate
  57. >At least your shift is almost up
  58. >You look at the clock
  59. >2:30
  60. >...
  61. >Goddamnit...
  62. 2/x
  63.  
  64. >You lean on the counter and shut your eyes to give yourself a break from the constant barrage of input from the kitchen and tables
  65. >It has been a long day
  66. >And it's not like it's going to get any less stressful after work is done
  67. >You've still got to go to Em's house for that demo, plus you've got to figure out what the hell you're going to do regarding the two of you
  68. >She's clearly into you, you're into her; it should be simple
  69. >BUT, she's a client, and if you want the restaurant to be able to have that fundraiser contract for the future, it'd be unprofessional to pursue anything with her
  70. >This isn't a career that gives you the freedom to get involved with anyp0ny who wants to hire you for a contract deal
  71. >...even if you'd like it to be
  72. >On top of that, there's Rarity. The way she's been acting lately it's pretty obvious-
  73. >You slap your hands on the counter and look back up
  74. >Now's not the time to get distracted
  75. >You're in the middle of a rush
  76. >You can think about your social life later
  77. Table Thirty two: up! Table Fifteen: Three soup, one salad!
  78. >”Yes, Chef!”
  79. >You'll talk to Rose about Em later today, then do your demo at Em's house, lock down the fundraiser menu, and that will be that
  80. Table Seventeen: up! Table Thirty: One hay-BLT, one salad, one soup!
  81. >”Yes, Chef!”
  82. >You look out into the sea of tables
  83. >Alright, you can do this
  84. >Just get through service, then sort your shit
  85. >You look at the clock
  86. >2:40
  87. >...It's never that easy, is it?
  88. 3/x
  89.  
  90. >The rush starts to die down around 3
  91. >The line at the door is gone by 3:15
  92. >You're able to take a short breather as orders stop coming in at such a rapid pace
  93. >It's almost the end of your shift and you start cleaning up your station
  94. >You're glad; you're not sure you could really deal with a rush that like for much longer
  95. >The kitchen is quieter now that the barrage of orders has slowed down as well
  96. >You head to your office and grab a glass of water before writing down the shift notes
  97. >The restaurant had upwards of 230 covers for lunch alone
  98. >Service got backed up slightly for a little while, but it wasn't anything too major
  99. >You've cooled down enough to decide not to chew out the kitchen-colt for dropping those dishes during service
  100. >You'll save the yelling for when he really screws something up
  101. >With the shift notes done and no meetings scheduled, you take off your coat and hat and walk out into the Ponyville streets
  102. >It's been a long day, but it's not over yet
  103. >After 10 minutes of walking in the crisp fall air you're home
  104. >You take a seat in the living room with a cold drink to decompress before seeing if Rose is home
  105. >Work might be done today, but you still have business to take care of
  106. >You sit back and relax for a little while, sipping your drink and trying your best to keep your mind off of the stresses of the day
  107. >At least you've got your work done and your dishes ready to make for The Mayor tonight
  108. >There's a little bit of comfort there, knowing that you don't have to scramble at the last minute to do anything
  109. 4/x
  110.  
  111. >You look at the clock and see that it's probably a good time to head to Rose's to have a talk with the red-maned mare
  112. >The big town clock strikes 5 as you close your front door behind you and start the walk over to Rose's house
  113. >The flower-seller lives near her shop on Mane Street, making her easy to find
  114. >When you come up the street you see her at her flower stall chatting with a pink pony who wears a lily in her mane
  115. >Rose looks up from her conversation when she hears you coming
  116. >She quickly whispers something to her friend and turns to greet you with a warm smile on her face
  117. >”Well, if it isn't our storied Chef Anonymous? What can I do for you? Need some flowers for somep0ny?”
  118. >The last question she asks with the biggest grin you've ever seen
  119. >You realize that Rose may not be the pony to talk to
  120. >But you're already here and it's not like you have time to track down somep0ny else to consult about Em
  121. Very funny, Ms. Rose
  122. >”You can just call me Rose, Anon. No need to be so formal”
  123. Okay, Rose. I need to talk to you
  124. >You look at the pink pony with the flowered mane
  125. Alone
  126. >She shrugs at Rose and walks away, leaving the two of you to talk
  127. >”So what do you need to talk to little old me about?”
  128. >She motions for you to come inside
  129. >As she closes the door behind you, you can sense her coy grin growing ever wider
  130. >She knows something
  131. >She thinks she knows something you don't
  132. >But she's wrong, and you're in no mood for games
  133. No need to play coy, Rose, we both know why I'm here
  134. >”...No fun...”
  135. 5/x
  136.  
  137. >Rose looks at you as you sit down in her living room
  138. >She crosses behind you and you can almost feel her gaze on your back
  139. >”You want to know about Em. You want to know exactly how much of a hole the two of you have dug for yourselves. Am I wrong?”
  140. No, go on. I can tell you were expecting this, so please, continue
  141. >”You certainly are morose today, Anon. Long day at work? Stressed about something? What happened to the enthusiasm you had when I had dinner at your restaurant a few days ago?”
  142. Some things came up
  143. >”Like the fundraiser? Yeah, I can see how that could be stressful. Hopefully your dinner with Em tonight can lift some of that stress though, right?”
  144. >She's got that grin on her face again
  145. Rose...
  146. >You're getting agitated again
  147. >”Hey now, no need to get defensive. It's no crime, Anon, to like somep0ny”
  148. That's not the p-
  149. >”That IS the point, Chef”
  150. >Suddenly she's serious. She's staring right at you now
  151. >”I know you professional types. You're afraid of getting involved because she's a client and you need to keep it businesslike if you're going to keep a multi-year contract and even though you both CLEARLY are interested, you're too terrified to make a real move because you know that you're not going to be able to stop once you get this ball rolling. I know, Anon”
  152. >Damn it to Tartarus, she's dead-on. But why does she sound mad about it?
  153. >”I'm going to tell you what I told Em yesterday, Anon”
  154. Em talked to you yesterday?
  155. >You knew this was a bad idea the second you saw that grin
  156. >But it's WAY too late to go back now
  157. 6/x
  158.  
  159. >”Em's my best friend, Anon. I might pull some of my punches with her, because I love her, but you I don't have to hold back on. I'm telling you right now that Em is interested”
  160. I know she is, Rose; I'm not stupid. I can read the signs when I see them
  161. >”No, I don't think you DO know, Anon. I've known that mare long enough to know that she is way more into you than she wants to admit.”
  162. How do you know that?
  163. >”I told you when we last talked that you'd made an impression with your risotto, no? That she'd never raved about food like that since she went to Hoofington? Remember that?”
  164. Of course
  165. >”Well, I wasn't entirely honest at the time. I wanted to see what kind of po- er, person you were first. It would have been more accurate for me to say that she hadn't raved about a Chef like that since Hoofington.”
  166. >You realize you're staring wide-eyed, more at Rose's sudden shift in attitude than the information she's giving you
  167. >”What? You're the one who wanted me to 'stop playing coy,' I'm being frank now, that's your fault”
  168. Fair enough. Doesn't change facts though, she's a client. It'd be unprofessional to get involved
  169. >”You sound so unsure, Anon. I'm right about what I said earlier, aren't I?”
  170. Dead-on
  171. >Her tone seems to soften, if only a little
  172. >She sits next to you as you look at the floor
  173. Anyone ever tell you you're intuitive?
  174. >”To a fault, they say. I grow flowers for a living, Anon. You know how many young lovers I have come to my stall? You learn to read ponies, especially on things like this”
  175. So what am I supposed to do here?
  176. 7/x
  177.  
  178. >”You already know. You just want me to say something like 'Your career is more important, as is keeping up your professionalism' right? Well it's not going to happen. I'll tell you what I told Em: Go for it. A special somep0ny would do you both well, from what I know about you”
  179. >She gets up and walks to her back room
  180. >”Now I think you've got an appointment with The Mayor, Anon. Wouldn't want to be late for that, would you?”
  181. No, no, I guess not
  182. >You get up to leave when she comes back out holding a bunch of red roses
  183. What are these for?
  184. >”Who, you mean. I thought you said you weren't stupid?”
  185. >She gives the roses to you and trots into the kitchen
  186. Right...
  187. >You walk out the door back into the fall air
  188. >The town clock strikes 6 as you come to your front yard
  189. >You decide to go to Em's house around 7
  190. >That will give you enough time to get ready
  191. >You're still wearing your work pants and shoes
  192. >Should you change?
  193. >Are your black pants too formal? Maybe the kakhis...
  194. >You stop as you look through the closet
  195. What the hell am I doing?
  196. >You put on a fresh pair of chef pants and a clean pair of shoes and go back downstairs
  197. >You're going over to Em's to cook on business and you're going to keep it that way
  198. >Rose's advice did nothing to help resolve your problem
  199. >Of course, from a strict point of view, you should just break off whatever...this is, as a conflict of interest
  200. >But you can't bring yourself to do it
  201. >...or won't
  202. >You go into the kitchen and get everything ready to take over to Em's
  203. 8/x
  204.  
  205. >Before you know it, the clock strikes 7
  206. >You get up and make sure your clothes are presentable
  207. >The supplies for the demo sit neatly in bags on the counter
  208. >On the kitchen table lies the bunch of flowers that Rose gave you
  209. >You walk into the kitchen and look at the roses before going to the cupboard and taking out the Prancian wine
  210. >The bottle goes in one of the bags and you gather the supplies up to leave
  211. >After another bout of hesitation, you change your mind and decide to take the roses
  212. >You manage to work them under your arm and leave the house, a sense of determination taking hold of you
  213. >The air has a reinvigorating chill to it that keeps you focused on walking and not on what you're walking towards
  214. >You're so preoccupied that you very nearly miss Em's house entirely
  215. >With a short deep breath you stop at the door and set the bags down to knock
  216. >An arm raised to rap at the door, you look down at the roses under your other arm
  217. No, that's a bit much, Rose
  218. >The bushel drops into one of the bags and you cover it with some of the light ingredients
  219. >Then you raise your arm again and rap on the door with your knuckle
  220. >From inside a voice comes, sounding slightly nervous
  221. >”Coming, coming! Just a minute!”
  222. 9/x
  223.  
  224. >”I'll be right there, don't you worry!”
  225. >Pinkie Pie's voice is full of her usual mirth and levity as Rarity stands outside Sugar Cube Corner
  226. >It took her all day to get her work done so that she'd have time to talk to her friend about Anon
  227. >The door opens and Pinkie steps out, her mane full of flour from a day of baking
  228. >”Oh hi, Rarity! What's up? Do you want some cupcakes? I just made a batch!”
  229. Actually, I came because I need some advice, Pinkie, but cupcakes couldn't hurt...
  230. >Pinkie squints at the white mare upon hearing her tone, but quickly switches back to her bubbly attitude
  231. >”Okie dokie, lokie! Come on in!”
  232. >The two mares walk into the shop and Pinkie disappears into the kitchen for a minute
  233. >Rarity takes a seat at one of the tables and sighs heavily
  234. >She's been working since early in the morning, but hasn't made much progress on the commission
  235. >Too busy thinking about her sister's words the previous night
  236. >”Are you sure you like Anon for the right reasons?”
  237. I don't know, Sweetie Bell, I just don't know...
  238. >”Don't know what?”
  239. >Pinkie emerges from the kitchen bearing a large plate of brilliantly-colored cupcakes
  240. >She sets them down on the table and takes a seat with her friend
  241. Can we wait until after I've had some cupcakes, Pinkie? I think I need a pick-me-up...
  242. >Pinkie cocks her head to the side, worried
  243. >”Is everything okay, Rarity? You don't seem happy for somep0ny who's got a big-time commission in the works”
  244. >Rarity takes a cupcake and slowly unwraps it before taking an uncharacteristically large bite
  245. I need advice about Anon, Pinkie... I don't know who else to go to...
  246. >”Well, ask away. I'm great at resolving problems with friends!”
  247. 10/x
  248.  
  249. >Em's house is well-kept
  250. >You walk in with your bags of supplies and look around at the interior
  251. >Everything is very understated and dignified-looking
  252. >Well befitting an official of her stature
  253. Thanks for having me over this late, Madam Mayor, I know it must be awkward on such short notice
  254. >You purposely use her title and not her name. You want to keep up the veneer of professionalism, having lost whatever courage you'd found on the way over
  255. >”Now what have I said about using my title, Anon? Much too formal”
  256. Sorry, force of habit
  257. >You lie
  258. Shall we get set up? Where's your kitchen?
  259. >She seems to become a bit more nervous at the mention of her kitchen
  260. >You follow the tan mare through the house to a gleaming clean kitchen that puts the one at your own house to shame
  261. >”I'm sure it's nothing compared to the one at your restaurant, but it serves me well”
  262. It'll do just fine, Em. This is an impressive kitchen you have here
  263. >She perks up when you use her name and you feel a slight smile cross your lips as she does
  264. >You quickly turn to the counter before she can see it
  265. Alright, let's get started. I've got a few choice items I'll make for you to try, and I've got the full list of menu options to look over as well. We can do either one first, whichever suits you best
  266. >”Well, I don't want you to just have to start working the minute you come in...”
  267. It's no trouble, really
  268. >”Ok, why don't you fix those dishes then, and we can look at the menu options over dinner?”
  269. Sounds like a plan. I can have this done and ready in an hour
  270. >”Wonderful”
  271. 11/x
  272.  
  273. >Pinkie Pie looks on as Rarity eats cupcake after cupcake, a dismally unhappy look on her face
  274. >From what she's said, Rarity certainly needs something to cheer her up
  275. >”So your date didn't go so well, then?”
  276. Sweet Celestia, what an understatement...Oh Pinkie, it was dreadful! An utter calamity!
  277. >”What happened?”
  278. >Rarity sighs heavily and puts her sixth cupcake down on a plate
  279. He was so preoccupied the whole time...like he wasn't all there or something...and he acted like it wasn't even a date!
  280. >”Did HE know it was?” Pinkie knots her brow. She knows how dramatic her friend can be
  281. Well, he MUST have! I did everything somep0ny's supposed to do!
  282. >”But did he know it was a date date and not just a friendly dinner? You two have been friends for like a year. It's not like one dinner equals a date automatically...”
  283. >Rarity's face plummets
  284. Ohhh, Pinkie, you're right! And I was so judgmental, too! Giving him grief for his order, what was I thinking??
  285. >She buries her face in her hooves and falls forward to the table
  286. No wonder he didn't stay for tea afterward! He probably wanted to get away from me as fast as he could! Oh, this is the worst possible thing!
  287. >The pink mare sits next to her friend and puts a hoof out to comfort her
  288. >”Come on now, Rar, it's not THAT bad. You like Anon a lot, don't you?”
  289. >Rarity looks up, calming down a bit
  290. Well, yes, of course I do...but...
  291. >”But? There's no buts when it comes to special somep0nies, Rarity- well, not THOSE buts”
  292. >She giggles. Rarity does not
  293. But I'm not sure why anymore...
  294. >Pinkie stops her giggling
  295. >”Well, why did you at first?”
  296. 12/x
  297.  
  298. >Steam billows up from the pan as you pour vegetable broth into it to get a roux going
  299. >You decided to make the stuffed mushrooms, rigatoni with an artichoke cream sauce, and an assorted berry plate for dessert
  300. >Just an example of a combination that can be chosen at the fundraiser
  301. >With three or four options for each course, it would be impossible to show them all to Em to pick and choose here
  302. >You opted for the easier option
  303. >This way she can get an idea of your cooking and pare down the options into a finalized menu for her event
  304. >Em sits at the kitchen table behind you, looking through a cooking magazine
  305. >It's a little awkward having her just sitting there, but you can't think of anything to talk about
  306. >A few minutes pass in silence, the only sound coming from the bubbling pots
  307. >You're busy chopping garlic for the sauce when you remember to ask
  308. So I never actually asked you, Em: where did you learn about food? Surely you didn't just pick it up from those magazines?
  309. >Silence
  310. Did you study food ever?
  311. > More silence
  312. Em?
  313. >You turn around to see if she's even still there
  314. >”Yes? Sorry, I was...thinking about something...What was your question?”
  315. Where did you learn about food? You've got a very well-developed palette and I'm curious
  316. >”That's a bit of a story...”
  317. You listened to my long story, I should be able to listen to yours, shouldn't I?
  318. >She laughs a little
  319. >”I suppose you're right. Okay...”
  320. 13/x
  321.  
  322. >Rarity looks up at Pinkie. Concern is evident on the pink mare's face
  323. Why did I...I don't know...he just seemed so high-class when he came here, and he stayed with my parents when he first arrived, and he was so nice to me; a perfect gentleman...and I heard about his credentials, how he's such a success in the big cities, and I wanted to be successful like that...
  324. >”Is that the only reason you liked him then?”
  325. No, no, not at all. I asked him about his work and he just lit up, taught me all about fine food, cooking, dining, everything. It was marvelous, Pinkie. Like a whole new part of the Canterlot Life had opened up for me and I had him to thank...I know it sounds so shallow saying it now, but I really did think I liked him for it...
  326. >”And now?”
  327. >Pinkie is listening intently now, concentrating on her friend's words as much as her own thoughts on them
  328. Now...I just don't know...I realized that he's not all glamor and upper-crust living; in fact, he doesn't seem to care for any of that sort of thing at all, but I can't help being drawn in, Pinkie...and now I've gone and done something silly like I did last night and he probably hates me...
  329. >”Hey now, silly filly, why would he hate you? Anon knows you, Rarity. He's your friend. He's not going to start hating you over one bust dinner”
  330. >She raps her hoof against the table as she speaks
  331. >”Besides, it sounds to me like you don't like Anon anymore anyway, Rarity”
  332. Pinkie, don't be silly. This is se-
  333. >”It sounds like you're in love with him”
  334. >Pinkie looks on softly as her friend stares at her in shock
  335. 14/x
  336.  
  337. >The sauce bubbles away in the pot as you listen to Em talk about her culinary experience
  338. >”It was a long time ago; I was just a filly. I'd just recently gotten my cutie mark and I was working for my father at his publishing office. Do you know what my cutie mark means?”
  339. I've been wondering actually, every time I see it
  340. >Em raises an eyebrow and grins a little
  341. >”See it a lot, do you?”
  342. Not what I meant and you know it
  343. >You both laugh
  344. >Once it subsides she continues. You feel relaxed but tense at the same time as she speaks
  345. >You decide to start on the mushrooms to take your mind off it
  346. >”My cutie mark symbolizes my talent for interp0ny relations; delegation, to put it simply”
  347. Delegation?
  348. >”Yes. I got it when I interceded in a quarrel between friends over a dish they were both trying to prepare. They were in culinary school, you see. Very competitive, as I'm sure you're aware. I offered to judge their cooking in a contest and managed to resolve their conflict. They walked away still friends and I walked away with my cutie mark
  349. And that led to you learning about food? I'm not sure I follow
  350. >”Given the circumstances of my cutie mark, we were left with a sort of open interpretation as to its meaning. For a long time we thought that it meant I had a natural talent with food, so eventually my father enrolled me at Academie de Selle”
  351. >You stop working and turn around
  352. YOU went to de Selle? I don't believe it! I was a guest professor there for a year! Did you know Professo-
  353. >Your excitement is tempered when you see her face fall
  354. Em?
  355. 15/x
  356.  
  357. LOVE? Pinkie, what are you talking about?
  358. >”I know these things when I see them, Rarity. Remember who you're talking to”
  359. >Rarity's heart is racing
  360. But- how- I don't-
  361. >”How did you feel after he left last night? Like everything had a little less shine? Like you were under a weight suddenly?”
  362. Yes...how did you know that?
  363. >”I've been there. I know what it's like to see somep0ny you love walk away without knowing how you feel about them”
  364. >Rarity composes herself a bit for her friend
  365. So what am I supposed to do now?
  366. >She looks pleadingly at her friend
  367. >Pinkie unwraps a cupcake and takes a slow, deliberate bite
  368. >”You tell him, duh. This isn't something you can let stew, Rar-rar. If you really love Anon, then you've gotta let him know”
  369. But what if he doesn't feel the same, Pinkie? What if I tell him and he doesn't say it back and it breaks up our friendship?
  370. >The fear and anxiety in Rarity's voice is palpable
  371. I don't think I could take it if that happened...
  372. >”Rarity, if something like that were enough to break apart a friendship, it wasn't a very strong one in the first place. If you hold this in, I promise you it won't go away and it'll just eat at you and eat at you until it comes out on its own. You don't want it coming out on its own. That only leads to trouble...trust me...”
  373. Alright...
  374. >”You still don't seem happy. Is something else wrong?”
  375. Well...I think he's been seeing a lot of The Mayor lately...They went to lunch a few days ago and I thought I saw her last night near the restaurant as well...
  376. >”And you think something's up?”
  377. Maybe...I don't know...
  378. 16/x
  379.  
  380. >Em looks down as she continues the story
  381. >”I lasted a semester there. I never made it past the introductory courses...”
  382. What happened?
  383. >She seems almost ashamed...
  384. >There's a long pause
  385. >”I-it just wasn't for me, culinary school. It wasn't the right place...”
  386. >You catch the reluctance in her voice. She's hiding some detail
  387. >It's best not to pry, though
  388. >”After I came back from school I did some traveling and made a living as a critic of restaurants. I developed a keener sense of taste as a result”
  389. >That would explain it. Not only does she have a developed palette, she's able to articulate it as well. That's a rare skill
  390. >”I did that for a number of years and built a reputation for myself. My talent for diplomacy and delegation served me quite well in that business. I could write reviews and keep from getting many ponies upset even if my review wasn't glowing. Eventually I got tired of the business though, and I moved here, ran for Mayor, and now here I am.”
  391. I'm glad everything worked out for you in the end. It's a shame though; I bet you would have made a fine chef
  392. >She blushes and turns away, smiling
  393. >You get back to cutting vegetables to stuff the mushrooms with
  394. >The sauce is nearly ready as you heat the saute pan
  395. >The aroma of cooking food has filled the kitchen and the two of you bask in it
  396. >The smell of simmering garlic, artichoke, and cooking pasta take the place of words
  397. >That is, until Em speaks up again
  398. >”...is there...something going on with you and that young unicorn...Rarity?...”
  399. >The knife slips in your hand, nearly nicking your finger
  400. 17/x
  401.  
  402. >Rarity looks out the window blankly
  403. I don't know what I think...He told me he was having lunch with her on Monday, told me Wednesday that he'd gotten a contract with her for a fundraiser...he seemed so excited about it...
  404. >”And you think it's because he likes her? Come on, Rarity, you can't jump to that conclusion. You'll drive yourself crazy”
  405. You didn't see how he looked when he was talking about her, Pinkie...
  406. >Rarity puts her head down on the table again
  407. If only I'd done something sooner, or said something, or-
  408. >Pinkie cuts her off
  409. >”Stop it, Rarity”
  410. >Her bubbly voice is replaced by sternness
  411. >”You can't help how you feel or when you start feeling it. Do you have any evidence there's something going on?”
  412. Well, no, but you should have seen-
  413. >”Rarity, you've got to stop thinking like that. You're never going to have the courage to act on your feelings if you just assume he's taken”
  414. >Rarity looks up again
  415. You think so?
  416. >”I know so”
  417. >The white mare takes a deep breath
  418. Alright. Thank you, Pinkie. I feel a little better now
  419. 18/x
  420.  
  421. >You turn around again to face her
  422. >She's looking at you intently, her eyes searching for an answer
  423. You think...Rarity and I-... No. Celestia, no. She's like a little sister to me, Em
  424. >”...I saw you yesterday at that expensive new restaurant...I saw how she was looking at you”
  425. >You turn back to the counter and flick the vegetables around the saute
  426. >”Are you sure she feels like that?”
  427. >The mushrooms sit on the cutting board waiting to be cleaned and stuffed
  428. ...Does it make you jealous?
  429. >Silence
  430. >You could cut the tension with a knife
  431. >The vegetables finish cooking and you turn off the heat before cleaning the mushrooms
  432. >In a bowl you mix the rice and vegetables to make the simple stuffing
  433. >”...Would it be horrible of me to say yes?”
  434. >You keep your back turned to the tan mare
  435. >Your heart is pounding and your hands are shaking
  436. >It's difficult to stuff the mushrooms, but you do it anyway
  437. We're both professionals, Em. You should know I can't get involved with clients
  438. >The oven door opens and you slide the sheet of mushrooms in before setting the timer for twenty minutes
  439. >You look at the pots on the burners. The sauce is simmering, the pasta will be finished in a minute, just waiting on the mushrooms
  440. >”You say that, but then I smell the roses in that bag you brought over...”
  441. Well...that-
  442. >”-So I'm not so sure that's how you really feel, Anon”
  443. Em...
  444. >You feel a pair of hooves wrap around your waist
  445. >”You're trouble, Anonymous the Chef”
  446. Look who's talking
  447. >You turn around and look the bespectacled mare in the eye
  448. >A smile grows between the two of you and you kneel down to return her embrace
  449. 19/x
  450.  
  451. >Rarity stays at Sugar Cube Corner a little while longer sharing the remaining cupcakes with Pinkie Pie
  452. >Her mind is a little more at ease now that her friend has talked some sense into her
  453. >She was just overreacting and jumping to conclusions
  454. >Yes...of course
  455. >Just her imagination running wild between her work-stress and her own feelings
  456. >It's a good thing Sweetie Bell told her to talk to Pinkie
  457. >Cupcakes and a good friend were just what she needed
  458. >The two mares laugh together over an inside joke and Rarity looks at the time
  459. >8:00
  460. >She really should be getting back home
  461. Thank you again, Pinkie. I needed somep0ny to hear my little drama and make sense of it
  462. >”Don't mention it, Rarity. Or do! As long as you follow what I told you!”
  463. >Rarity laughs and walks off happily
  464. >”There's a smile. Take care, Rar!”
  465. You too, Pinkie darling
  466. >Pinkie turns and goes inside
  467. >As she closes the door her Pinkie Sense kicks in
  468. >”Leg twitch, mane shake, leg twitch, eye flutter, tail jerk...”
  469. >Her face falls
  470. >”Oh no...”
  471. >She looks back out the window at Rarity's receding form
  472. >”Looks like you spoke too soon, Pinkie...”
  473. >Rarity disappears into the Ponyville streets
  474. >”You're gonna need more than cupcakes to fix this”
  475. >She rushes out to the market to buy supplies
  476. 20/x
  477.  
  478. This is a bad idea...
  479. >”It's a terrible idea...”
  480. >You've lifted Em into your arms
  481. I shouldn't get involved with a client...
  482. >”It's a conflict of interest”
  483. >Her face is level with yours
  484. >”It could cause a scandal...”
  485. The tabloids would eat it up
  486. >You've got her against the wall in your arms
  487. >“That's not going to stop us...is it?”
  488. Not even a little
  489. >Em pokes her face forward and pecks you on the cheek
  490. >She moves her head back to where it was, looking at you sheepishly
  491. >There's a beat that goes by like a century where neither of you move an inch
  492. >Then you feel your head tilting to the side, slowly, inexorably
  493. >Your eyes narrow and you see her face coming closer...and closer...until your eyes are closed and you feel a pair of lips on your own
  494. >Another century passes
  495. >You don't know how long, really
  496. >Your mind is set on the mare in your arms, pressing her satin-like lips against yours
  497. >The smell of the food cooking behind you mixes with hers
  498. >She smells like books. It's a mellow, earthy smell
  499. >Another smell comes in; acrid, almost like-
  500. >Your eyes snap open and you whip your head around, breaking the kiss
  501. >The sauce is black and smoke is rising from the pot as you set Em back down and run to the stove
  502. >Em slowly raises a hoof to her mouth and blushes a deep red
  503. >You turn off the burner and open a window to let the smoke out of the kitchen, cursing under your breath
  504. I'm sorry, I should have paid better attention
  505. >”Looks like you're not the perfect chef I thought you were...”
  506. >Em sighs over-dramatically before you walk over and scoop her up in your arms
  507. 21/x
  508.  
  509. >Rarity walks home with renewed optimism
  510. >That talk with Pinkie and those cupcakes were exactly what she needed to get her head back on straight
  511. >On top of that, she's not so confused about her own feelings now as she had been earlier that day
  512. >She finds herself humming contentedly on her way down the street
  513. >Pinkie was right. She should tell Anon how she feels tomorrow before he goes to work
  514. >She's got to get it off her chest or she'll lose her nerve, and probably the chance to tell him her feelings
  515. >In fact, she could probably do to go over there right now
  516. Yes, now. Before I have time to think of a reason not to...
  517. >Nervousness sets in and mixes with a sense of excitement as Rarity turns and walks towards Anon's house
  518. >She reaches her destination and stops, trying to work up her nerve
  519. Okay, darling, you can do this. Just go up and be honest. Just go up, tell him how you feel. Simple as that
  520. >She looks at the door and takes a few deep breaths before walking, determined, up the front path and knocking
  521. >A minute passes
  522. >Rarity's heart is beating fast and a knot tightens itself in her chest
  523. >Is he home?
  524. >He has to be. It's a Thursday night. Where else could he be?
  525. >She knocks again
  526. >No answer
  527. >Maybe he's at work? No, he mentioned something about nights off this week...
  528. >She looks in the window to see that the lights are all off
  529. >A pit forms in her stomach and the little needling doubt creeps back into her head
  530. >Rarity turns and walks back to Carousel Boutique disheartened
  531. >She'll try again tomorrow...
  532. 22/x
  533.  
  534. >Em breaks off the long second kiss with a gasp for air as the timer goes off for the mushrooms
  535. >You sigh and turn your head to the kitchen
  536. >Everything is upside down
  537. >You look up at the mare lying on top of you and smile
  538. I guess I should get that before we throw another black mark on my record tonight, huh?
  539. >”Might be for the best”
  540. >You both laugh and Em rolls off of you and lets you get up
  541. >The smell of roasted mushrooms fills the house
  542. >You take the container of reduction out of the bag and pour it into a pot to heat while you let the mushrooms cool
  543. Well, we've still got the mushrooms and the pasta, even if the sauce is ruined
  544. >”I'd say it was worth it, wouldn't you?”
  545. >Em's voice comes from the other room and you smile to yourself
  546. >Definitely worth it
  547. Why don't you take a seat at the table? I'll have the food out in a minute or two
  548. >”Sounds lovely, Anon”
  549. >You uncork the wine and pour the now warm reduction over the mushrooms before putting everything on a platter and carrying it out to the dining room
  550. >Em closes her eyes and takes a deep breath, taking in the smell of the food as it comes out
  551. >The two of you eat and you explain the processes and ingredients for each of the dishes
  552. >Then you take out the list of options and go over that, though both of you are only half-concentrating on the business part of the evening at this point
  553. >Once you've finished and Em has chosen her menu items, you start cleaning up
  554. >She comes in and wraps her hooves around you again while you're washing
  555. 23/x
  556.  
  557. >”...You know you're infuriating, don't you, Chef?”
  558. How do you mean?
  559. >”Coming here like this with wine and roses, acting like you don't have them...”
  560. >You look down at her. She's putting on an angry face, but you can tell she's loving every second of this
  561. >”...makes a mare anxious”
  562. From the look of it, a mare didn't mind
  563. >She hits you lightly
  564. >You lay a hand on her head and she sighs softly, snuggling up to it
  565. You sure about...this?
  566. >Em looks up at your with serious eyes
  567. >”Are you?”
  568. It's unprofessional, it's asking for trouble, and it's a scandal waiting to happen
  569. >She looks anxious
  570. But I'd be lying if I said that any of that was going to stop me now. No more indecision
  571. >You lean down and plant a kiss on Em's forehead, brushing her mane out of her face
  572. We'll take it slow and keep it on the down-low. No need to get the whole town involved, am I right?
  573. >”You have an interesting definition of the word 'slow,' but other than that, Anon, my thoughts exactly”
  574. >She tightens her grip on your waist and you take a seat on the floor to return the embrace
  575. >Cleaning can wait
  576. >Right now you've got your hands full
  577. >You pull the roses down from the table and give them to the mare in your arms
  578. I maybe got the order of events wrong here
  579. >”I'll forgive you this one time; even if you DID burn the pasta sauce
  580. I blame you. You're distracting
  581. >”Excuses. But hey, even if this demo didn't go completely as-planned, I'd say it made a pretty good date, don't you?”
  582. I couldn't agree more
  583. >Rose was right: you're not going to be able to stop now
  584. >Not that you mind
  585. End
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