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  4. Man On Fire Full Movie In Hindi 720p Download
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  43. In Mexico City, a former assassin swears vengeance on those who committed an unspeakable act against the family he was hired to protect.
  44. A wave of kidnappings has swept through Mexico, feeding a growing sense of panic among its wealthier citizens, especially parents. In one six-day period, there were twenty-four abductions, leading many to hire bodyguards for their children. Into this world enters John Creasy, a burned-out ex-CIA operative/assassin, who has given up on life. Creasy's friend Rayburn brings him to Mexico City to be a bodyguard to nine-year-old Pita Ramos, daughter of industrialist Samuel Ramos and his wife Lisa. Creasy is not interested in being a bodyguard, especially to a youngster, but for lack of something better to do, he accepts the assignment. Creasy barely tolerates the precocious child and her pestering questions about him and his life. But slowly, she chips away at his seemingly impenetrable exterior, his defenses drop, and he opens up to her. Creasy's new-found purpose in life is shattered when Pita is kidnapped. Despite being seriously wounded during the kidnapping, he vows to kill anyone involved in or profiting from the kidnapping. And no one can stop him.
  45. There&#39;s a reason so many critics panned this movie (and many of those who didn&#39;t, were tepid in their endorsements) -- it ponders itself far too seriously, when in fact it is not much more than a poorly-mishmashed combination of paint-by-the-numbers elements.<br/><br/>The man who&#39;s hit rock bottom.<br/><br/>The cute child who gives him reason to believe again.<br/><br/>The &quot;shocking&quot; irony that caring about the child leads to her getting kidnapped (since she runs back into the danger).<br/><br/>The cold brutal revenge arc.<br/><br/>Redemption via narrative demand for it (because one self sacrificing act completely wipes out any other considerations).<br/><br/>Furthermore, the pacing is painfully slow; each act of the movie drags on until the inevitable transition to the next act is clearly telegraphed. When even the brutal action revenge segment is lethargic and dull, it&#39;s a sign of how little editing has taken place to tighten up the storytelling.<br/><br/>I can&#39;t give a movie credit for just trying to have a message when its storytelling credentials are so utterly lacking.
  46. Trust me, this is one let down movie that you want to avoid and this comes from one huge Denzel Washington fan. The frustrating part is that it&#39;s 1/3 of a GREAT film. The first part of this movie does an exceptional job of setting up the characters and the new relationship between Creasy and the girl he&#39;s paid to protect. The trailers to this movie all mention that she is kidnapped. So, I&#39;m giving nothing away when I say that the film degenerates into an almost unwatchable mess after she&#39;s kidnapped. Whatever the director was trying to accomplish, all he succeeds in doing is making the audience literally nauseous. Rapid, frantic and choppy cuts follow for the next half-hour as Creasy tracks down the perpetrators. These cuts are so unnatural and nauseating that all they do is to jolt you out of the story. I&#39;m sure the director thought that this unsettling way to present the story signified a change in Creasy&#39;s character and signified that a different movie was to follow. Well, he was right. The movie that followed was complete and unsatisfying crap. The result of which is a depressing ending that ruins even the quality first forty minutes of the movie.
  47. Despite its high craft level and Washington's participation in it, this movie's showy violence is finally as deadening as the over-emphatic violence in these kinds of films generally is.
  48. Some viewers complain that this is a plot hole, but there is a likely explanation that is implied in the movie, though not outright stated. &#39;The Voice&#39; said &quot;I&#39;m a business man. A dead girl is worth nothing. She is alive.&quot;. This means he lead the family to believe she was dead so they wouldn&#39;t try to get her back. As The Voice&#39;s nephew was killed in the ambushed exchange, it&#39;s likely he wanted a form of revenge. He considers himself a businessman, so killing Pita wouldn&#39;t gain him any profit. So The Voice likely would have sold Pita. Either as slave labour or in to child trafficking.<br/><br/>The dvd special features with commentary by Lucas Foster, Brian Helgeland, and Dakota Fanning this issue comes up in discussion and they state that the original idea was to increase the ransom amount but it never made it into the film due to time. Creasy needed Aurelio as insurance to Pita&#39;s safety. It is made clear at the beginning of the film that 75% of the victims do not survive, and those that do will likely have body parts mutilated even if the ransoms are paid (the victim shown during the opening titles had his ear cut off before La Hermandad released him). So the circumstances for the final trade were: (1) Creasy in exchange for Pita, and (2) Aurelio in exchange for Pita being returned unharmed and all in one piece.<br/><br/>La Hermandad could not harm Pita in retribution for Creasy buckshooting Aurelio&#39;s hand off because Creasy had already done so before The Voice revealed to him that Pita was still alive. If The Voice did proceed to harm Pita, then Creasy would&#39;ve done even more to Aurelio as well, and it would&#39;ve been a lose-lose situtation for both men.<br/><br/>Creasy is willing, in the end, to sacrifice himself for the sake of Pita. Creasy undergoes a transformation early in the film; in the beginning he was an alcoholic loner who even attempts suicide but the round misfires. Pita manages to rouse feelings of compassion in Creasy and he develops a friendship with her, giving him a new found sense of life. When Pita is kidnapped and believed to be killed that is taken from him, and being a man with nothing to lose he is prepared to burn down the world till justice is served.<br/><br/>Upon the revelation that she is alive, Creasy must decide how valuable she is to him. Throughout the film, he shows he is prepared to do whatever is necessary for her (in getting justice), and for Creasy, to give up his own life for her is the ultimate sacrifice. Creasy would have likely never have done that for anyone in the past, and being a killer sees himself beyond redemption (if you recall his talk with Christopher Walken&#39;s character) and his sacrificing himself for Pita is his act of redemption and absolution. He was also critically wounded, and he probably didn&#39;t see himself making it past the day alive anyway, so he was more than happy to trade places with Pita, who was at the beginning of her life. November 12, 2017: Deleted the QA &quot;Is Mexico City Really Like That?&quot; because it was an opinion piece written in the first person. FAQ pages are compiled by many contributors; they are not the places for editorials and personal opinions. There is no &#39;I&#39; on a FAQ page.<br/><br/>November 14, 2017: Re-worded and tightened up &quot;Why did &quot;The Voice&quot; lead Pita&#39;s family to believe she was dead?&quot; slightly. a5c7b9f00b
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