Shen Zhou | Bing Image Creator Chinese Painting Style Prompt

1. BING IMAGE CREATOR STYLE PROMPT FOR SHEN ZHOU'S SHEN-PAI CHINESE PAINTING

The style prompt was generated using a summary of the artist's characteristics from ChatGPT's answers and with the help of ChatGPT, the summary was rewritten into a concise and sensible single sentence using an attributive adjectives ordered, defining terms, and references relevant to the art style, with fewer than 400 characters of short-form language.
Then grouped in coding-brackets, super-concept (abstract terms) brackets its executing sub-concepts (technical terms), hierarchical-ordered where all lower concepts must fulfill its upper concepts, making upper concepts more prioritized, and lower concepts needs to be supportive/complements upper concepts. The referenced artists' design elements need to be specified by associating their names with the correct precise terms and scope.

artist's name and their specific art style + key concepts of the messages conveyed, state of mind + the artist's design language (artistic approach to each design elements, its purpose and source of influence): design principles; visual elements, genre, rules, and patterns; composition; mood and tone; branding/visual identity; medium and format; techniques used; artist's influences (illustration style/era, who and how other artists influences significantly or have collab. with) + other artists with near identical style


**Style Prompt**

```
;in Shen-Pai chinese-painting styliztn{Wu-School[(Shen-Zhou,Zhao-Mengfu),express-nature-harmony,scholar-self-cultivation,individuality-amidst-tradition,tranquil-contemplate],Xieyi/写意[wild-cursive(Zhang-Xu,Chen-Hongshou,Xu-Beihong),Gongbi{Jiehua,Mi,Cun,Sansui,Liubai,xiaobitu},Mogu/没骨{(Zhang-Daqian,Qi-Baishi),serene-hinted-depth(Ni-Zan),Deng-guang,mo-xie}],culture-philosoph-depth[natural-symbolsm,literary-allusion,moral-allegory]}
```


**Indented Code Format For Easy Editing**

;in Shen-Pai chinese-painting styliztn{
    Wu-School[
        (Shen-Zhou,Zhao-Mengfu),
        express-nature-harmony,
        scholar-self-cultivation,
        individuality-amidst-tradition,
        tranquil-contemplate
    ],
    Xieyi/写意[
        wild-cursive(Zhang-Xu,Chen-Hongshou,Xu-Beihong),
        Gongbi{
            Jiehua,Mi,Cun,
            Sansui,
            Liubai,
            xiaobitu
        },
        Mogu/没骨{
            (Zhang-Daqian,Qi-Baishi),
            serene-hinted-depth(Ni-Zan),
            Deng-guang,
            mo-xie
        }
    ],
    culture-philosoph-depth[
        natural-symbolsm,
        literary-allusion,
        moral-allegory
    ]
}


**Unabbreviated Prompt for Verifying ChatGPT's Interpreted Sequential Steps of Tasks**

```
;in Shen-Pai chinese-painting stylization{
    Wu-School / Wu-Li[
        (Shen-Zhou,Zhao-Mengfu),
        express-nature-harmony,
        scholar-self-cultivation,
        individuality-amidst-tradition,
        tranquil-contemplate
    ],
    Xieyi/写意 = brushwork-symbolism(subtle yet powerful)[
        wild-cursive(Zhang-Xu,Chen-Hongshou,Xu-Beihong),
        Gongbi{
            Jiehua,Mi,Cun,
            Sansui,
            Liubai,
            xiaobitu
        },
        Mogu/没骨{
            (Zhang-Daqian,Qi-Baishi),
            serene-hinted-depth(Ni-Zan),
            Deng-guang,
            mo-xie
        }
    ],
    rich cultural and philosophical depth[
        natural-symbolism,
        literary-allusions,
        moral-allegories
    ]
}
```

**Old Prompt**

```
;in the style of Shen Zhou;influence:Zhao Mengfu,Ni Zan,wild cursive;philosophy:gongbi,restraint;thin colors:harmonious,limited palette,subtle w/ vivid accents&moderate ink rubbing;techniques used:moderate'blurred outlines',deng-guang,sansui;linear repetitive spaced ink dotting only w/ dense small brushstrokes for intricate precise detailed texture;composition:harmony&naturalism;influence:Zhao Mengfu,Ni Zan,wild cursive;philosophy:gongbi,restraint;thin colors:harmonious,limited palette,subtle w/ vivid accents&moderate ink rubbing;techniques used:moderate'blurred outlines',deng-guang,sansui;linear repetitive spaced ink dotting only w/ dense small brushstrokes for intricate precise detailed texture;composition:harmony&naturalism
```

- Prompt also on [Pastebin post](https://pastebin.com/ZEVHtb1t) [/ folder](https://pastebin.com/u/ExcitingDesign/1/64JCy6fQ)
- [ChatGPT session](https://chat.openai.com/share/7db8c3e4-ea04-4ad4-affd-14c8f260bc0d)


**Shen Zhou (1427-1509)**

Shen Zhou was a prominent Chinese painter and poet who is considered one of the "Four Masters of the Ming Dynasty." He was known for his skillful use of ink and brush, as well as his expressive and realistic depictions of nature. Shen Zhou's work reflected his deep appreciation for Chinese culture and history, and he often incorporated traditional themes and motifs into his paintings. His influence on Chinese art and calligraphy was significant and enduring, and his works continue to be admired and studied to this day.

**Original Works**
- https://www.wikiart.org/en/shen-zhou
- https://www.khanacademy.org/humanities/art-asia/imperial-china/ming-dynasty/a/shen-zhou-a-spring-gathering
- https://smarthistory.org/shen-zhou-spring-gathering/
- https://en.wikipedia.org/wiki/Poet_on_a_Mountaintop


2. TECHNICAL TERMS

- Wu Li or "literati painting": a style of painting that emphasizes individual expression and spontaneity, and Shen Zhou's work is often associated with this style.
- Wild cursive: distinctive cursive script, which was inspired by the work of the Tang dynasty calligrapher Zhang Xu.
- Deng-guang: a term commonly used in Chinese calligraphy and refers to the radiance or luminosity of the ink strokes.
- mo-xie / "blurred outlines" : blending colors and textures to create a soft, misty effect.
- xiaobitu: a technique where an artist uses a small brush to apply ink or paint in a controlled and precise manner, creating fine details and textures in the artwork.
- Gongbi and fineline: traditional Chinese painting styles that emphasize precision and detail, and Shen Zhou's work demonstrates a mastery of these techniques.
- Sansui / Boneless painting : a technique used in Chinese painting to create a sense of depth and movement, and Shen Zhou was known for his skill in using this technique.
- Jiehua / Detail-Painting: the use of fine, delicate strokes to create intricate details in a painting, such as the fur on an animal, the veins on a leaf, or the intricate patterns on a piece of fabric. This technique requires a high level of skill and precision, as the artist must carefully control the size, direction, and intensity of each brush stroke to achieve the desired effect. Jiehua is often used in combination with other techniques such as "Mi" (ink dotting) and "Cun" (ink rubbing) to create a richly textured and detailed painting. It is particularly common in traditional Chinese painting styles such as Gongbi (meticulous) and Fineline painting.
- Liubai: a technique in Chinese painting where spaced and fineline brushstrokes are used to create patterns or textures. It is often employed in Gongbi painting.
- "Mogu" (没骨) painting: a general term for "Boneless painting" in Chinese art. "Mogu" literally means "boneless" or "without bones," and refers to a style of painting where the lines and contours of the subject are not defined by outlines or contours. Instead, the artist uses washes of ink or color to create the shapes and forms of the subject in a more fluid and expressive manner. This technique is often associated with the Southern School of Chinese painting, particularly the literati artists of the Ming and Qing dynasties, who valued spontaneity and expressiveness in their art.


3. INFLUENCES

[Ni Zan](https://www.bing.com/images/search?q=Ni%20Zan%20art)
[Chen Hongshou (1598-1652)](https://www.bing.com/images/search?q=Chen+Hongshou+(1598-1652)+art)
[Wu Li (1632-1718)](https://www.bing.com/images/search?q=Wu%20Li%20(1632-1718)%20art)

[Qi Baishi](https://www.bing.com/images/search?q=Qi%20Baishi%20art)
Qi Baishi and Shen Zhou were both influential Chinese painters, but they belonged to different time periods and had distinct art styles. While there may not be direct relationships between their art styles, we can explore some points of comparison and contrast:
1. Time Period: Shen Zhou lived during the Ming Dynasty (1368-1644), while Qi Baishi was active during the late Qing Dynasty and early Republic of China era (late 19th to mid-20th century). There is a significant time gap between their artistic practices, resulting in distinct artistic contexts and influences.
2. Subject Matter: Shen Zhou primarily focused on landscapes, flowers, and birds, often depicting serene and contemplative scenes. Qi Baishi, on the other hand, was known for a wide range of subjects, including flowers, animals, insects, landscapes, and still life. Qi Baishi's subjects were often imbued with a playful and whimsical quality.
3. Brushwork and Style: Shen Zhou's brushwork was precise, refined, and influenced by classical traditions. He utilized intricate details, controlled brushstrokes, and subtle shading to create depth and convey a sense of tranquility. Qi Baishi, on the other hand, had a more spontaneous and expressive style. He employed bold, loose brushwork and experimented with different techniques, creating a sense of liveliness and energy in his paintings.
4. Approach to Tradition: Shen Zhou revered and followed the artistic traditions of earlier dynasties, particularly the Song and Yuan dynasties. He sought to emulate their techniques and capture their essence in his works. Qi Baishi, while also influenced by traditional Chinese painting, embraced a more innovative and individualistic approach. He blended traditional techniques with personal interpretations, creating a unique style that resonated with the modern era.
In summary, while Shen Zhou and Qi Baishi were both prominent Chinese painters, they had different art styles, subject matter preferences, and approaches to tradition. The relationships between their art styles are more rooted in the broader historical and cultural context of Chinese painting rather than direct influences or similarities between their individual artistic practices.

[Zhang Daqian](https://www.bing.com/images/search?q=Zhang+Daqian+art)
Zhang Daqian and Shen Zhou were both influential Chinese painters, but they belonged to different time periods and had distinct art styles. While there may not be direct relationships between their art styles, we can explore some points of comparison and contrast:
1. Time Period: Shen Zhou lived during the Ming Dynasty (1368-1644), while Zhang Daqian was active during the 20th century. There is a significant time gap between their artistic practices, resulting in different artistic contexts, influences, and cultural environments.
2. Subject Matter: Shen Zhou primarily focused on landscapes, flowers, and birds, often depicting serene and contemplative scenes. Zhang Daqian, on the other hand, had a diverse range of subjects, including landscapes, figures, flowers, animals, and historical themes. He was known for his versatility and ability to paint in various styles and genres.
3. Ink and Color: Shen Zhou's paintings predominantly employed ink and subtle use of color, reflecting the traditional Chinese ink painting style. Zhang Daqian, on the other hand, was known for his mastery of both ink and color. He skillfully used vibrant colors and bold brushwork to create dynamic and expressive compositions.
4. Technique and Innovation: Shen Zhou followed the artistic traditions of earlier dynasties and aimed to capture their essence in his works. Zhang Daqian, while also influenced by traditional Chinese painting, was more experimental and innovative. He incorporated elements of different painting traditions, such as the splashed ink technique and freestyle brushwork, while also developing his own unique approaches.
In summary, while Zhang Daqian and Shen Zhou were both significant Chinese painters, they had different art styles, subject matter preferences, and approaches to technique. The relationships between their art styles are more rooted in the broader historical and cultural context of Chinese painting rather than direct influences or similarities between their individual artistic practices.

[Xu Beihong](https://www.bing.com/images/search?q=Xu%20Beihong%20art)
Xu Beihong and Shen Zhou were both influential Chinese painters, but they belonged to different time periods and had distinct art styles. While there may not be direct relationships between their art styles, we can explore some points of comparison and contrast:
1. Time Period: Shen Zhou lived during the Ming Dynasty (1368-1644), while Xu Beihong was active during the early to mid-20th century. There is a significant time gap between their artistic practices, resulting in different artistic contexts, influences, and cultural environments.
2. Subject Matter: Shen Zhou primarily focused on landscapes, flowers, and birds, often depicting serene and contemplative scenes. Xu Beihong, on the other hand, was known for his portraits, horses, and historical themes. He often portrayed powerful and dynamic subjects, imbuing his works with a sense of strength and vitality.
3. Brushwork and Style: Shen Zhou's brushwork was precise, refined, and influenced by classical traditions. He utilized intricate details, controlled brushstrokes, and subtle shading to create depth and convey a sense of tranquility. Xu Beihong, on the other hand, had a more expressive and gestural style. He employed bold brushwork and emphasized the dynamic movement and energy of his subjects.
4. Influence and Modernization: Xu Beihong played a significant role in the modernization of Chinese art. He incorporated Western artistic techniques and perspectives into his works, combining traditional Chinese ink painting with elements of realism. Shen Zhou, on the other hand, was more rooted in the traditional Chinese painting style of his time, following the artistic traditions of earlier dynasties.
In summary, while Xu Beihong and Shen Zhou were both important Chinese painters, they had different art styles, subject matter preferences, and approaches to technique. The relationships between their art styles are more rooted in the broader historical and cultural context of Chinese painting, with Xu Beihong representing a bridge between traditional Chinese painting and modern influences.

[Ni-Zan](https://www.bing.com/images/search?q=Ni-Zan%20paintings)

4. CHATGPT SUMMARY

One of the most famous illustrators in Chinese ornamentation is Shen Zhou, a Ming dynasty painter and calligrapher known for his skilled depictions of flowers, birds, and landscapes. Another notable illustrator is Wu Daozi, a Tang dynasty artist famous for his masterful brushwork and ability to bring mythical creatures to life in his paintings. Other prominent Chinese illustrators include Qi Baishi, Zhang Daqian, and Xu Beihong, among others.

The following keywords are relevant to Shen Zhou's illustration style:
- Zhao Mengfu: Zhao Mengfu was a famous Chinese calligrapher and painter who lived during the Yuan Dynasty, and his influence can be seen in Shen Zhou's work.
- Ni Zan: Ni Zan was a renowned painter from the Yuan Dynasty, and his style of painting, which emphasized simplicity and minimalism, had a significant influence on Shen Zhou's work.
- Ming Dynasty: Shen Zhou was a prominent painter who lived during the Ming Dynasty, and his style of painting was deeply influenced by the artistic traditions of this period.
- Zhang Xu: Zhang Xu was a famous calligrapher from the Tang Dynasty, and his work was an important source of inspiration for Shen Zhou's calligraphy.
- Wu School: The Wu School was a group of painters who were active during the Ming Dynasty, and they were known for their innovative techniques and emphasis on individual expression, which had a significant influence on Shen Zhou's work.
- Chinese calligraphy: Shen Zhou was known for his skillful use of calligraphy in his paintings, and his work demonstrates a deep appreciation for the art form.
- Wild cursive: Wild cursive, or "crazy script," is a type of calligraphy that emphasizes spontaneity and expressiveness, and Shen Zhou's calligraphy often incorporates this style.
- Simplicity: Shen Zhou's style of painting is known for its simplicity and understated elegance, which is influenced by the minimalistic style of painters like Ni Zan.
- Minimalism: Like other painters of his time, Shen Zhou's work emphasizes minimalism and simplicity, with a focus on capturing the essence of a subject with a few well-placed brushstrokes.
- Foreshortening: Foreshortening is a technique used in painting to create the illusion of depth and perspective, and Shen Zhou was skilled in using this technique in his work.
- Boneless painting: Boneless painting, or "sansui," is a technique used in Chinese painting to create a sense of depth and movement, and Shen Zhou was known for his skill in using this technique.
- Harmony with ornamentation, negative space, and subtle brushstroke: Shen Zhou's paintings often incorporate ornamentation and negative space, which are used to create a sense of balance and harmony in the composition. He also uses subtle brushstrokes to create texture and depth in his work.
- Bold, expressive, and gestural brushstrokes: Shen Zhou's brushwork is known for its boldness, expressiveness, and gestural quality, which gives his paintings a sense of movement and energy.
- Jiehua and Liubai: Shen Zhou was skilled in using the Jiehua and Liubai techniques to create intricate details in his paintings.
- Gongbi and fineline: Gongbi and fineline are traditional Chinese painting styles that emphasize precision and detail, and Shen Zhou's work demonstrates a mastery of these techniques.
- Vibrant color and limited palette: Shen Zhou's paintings often incorporate vibrant colors, but he is also known for his skill in using a limited palette to create a subtle and harmonious color scheme.
- Wu Li: Wu Li, or "literati painting," is a style of painting that emphasizes individual expression and spontaneity, and Shen Zhou's work is often associated with this style.

Shen Zhou's signature brush paintings convey several messages and themes:
1. Reverence for the Past: Shen Zhou was deeply influenced by the artistic traditions of earlier dynasties, particularly the Song and Yuan dynasties. His paintings often pay homage to the classical styles and techniques of these periods, showcasing his admiration for the past and the masters who came before him.
2. Connection to Nature: Shen Zhou had a profound appreciation for the natural world and often depicted landscapes, birds, flowers, and other elements of nature in his paintings. His works convey a sense of harmony and interconnectedness with the natural environment, reflecting his spiritual connection to the world around him.
3. Expressions of Scholarly Ideals: Shen Zhou was part of the literati or scholar-painter class, which valued personal expression, intellectual pursuits, and moral virtue. His paintings often reflect the scholarly ideals of self-cultivation, inner spirituality, and the pursuit of artistic refinement.
4. Emphasis on Individuality: Shen Zhou's paintings showcase his individual style and artistic voice. While he was influenced by earlier masters, he sought to express his own unique perspective and creative vision. His works emphasize the importance of personal expression and the cultivation of one's own artistic identity.
5. Contemplation and Tranquility: Shen Zhou's paintings often evoke a sense of tranquility and contemplation. Through his masterful brushwork, use of negative space, and attention to composition, he creates a serene and meditative atmosphere that invites viewers to reflect and find solace in the beauty of the natural world.
Overall, Shen Zhou's signature brush paintings convey messages of respect for tradition, reverence for nature, scholarly ideals, individual expression, and a sense of tranquility and contemplation.

Here's a concise sentence that encapsulates the key messages conveyed in Shen Zhou's signature brush paintings using technical terms, adjectives, and references:
"Shen Zhou's brush paintings, inspired by classical Song and Yuan dynasties, eloquently express the harmony of nature, the scholar's pursuit of self-cultivation, individuality amidst tradition, and evoke contemplative tranquility through masterful brushwork and serene compositions."

Shen Zhou's approach to symbolism in his signature brush art style was rooted in his deep appreciation for Chinese literary and cultural traditions. He incorporated symbolic elements in his paintings to convey deeper meanings and evoke specific emotions or ideas. Here are some aspects of Shen Zhou's approach to symbolism:
1. Natural Symbolism: Shen Zhou often used natural elements, such as flowers, birds, and landscapes, to symbolize various concepts. For example, plum blossoms could represent resilience and perseverance, while bamboo might symbolize strength and integrity. By carefully selecting and depicting these natural symbols, Shen Zhou infused his paintings with layers of meaning and metaphor.
2. Literary and Historical References: Shen Zhou drew inspiration from classical Chinese literature and historical events, incorporating symbolic references into his paintings. He would allude to famous poems, stories, or historical figures, using them as symbols to convey specific ideas or themes. These references added depth and cultural resonance to his artworks, inviting viewers to engage with the rich literary and historical traditions of China.
3. Cultural and Moral Symbolism: Shen Zhou's paintings often carried moral and philosophical messages. He employed symbolic imagery and visual metaphors to express virtues such as filial piety, loyalty, humility, and the pursuit of scholarly ideals. Through these symbolic elements, Shen Zhou sought to convey ethical principles and guide viewers toward a deeper understanding of moral values.
4. Subtle Symbolism in Brushwork: Shen Zhou's brushwork itself could carry symbolic significance. The direction, thickness, and texture of his brushstrokes were carefully chosen to convey emotions, create depth, or suggest certain qualities. For example, a flowing, delicate brushstroke might symbolize grace or elegance, while a bold, energetic stroke could represent strength or vitality.
Overall, Shen Zhou's approach to symbolism in his signature brush art style was multi-layered and nuanced. His choice of subjects, use of literary references, incorporation of natural elements, and careful brushwork all worked together to create a rich tapestry of symbolic meanings. Through his paintings, Shen Zhou invited viewers to explore the deeper layers of Chinese culture, literature, and moral values.
Shen Zhou's brush art style seamlessly integrates natural symbols, literary allusions, moral allegories, and nuanced brushwork to create a profound tapestry of symbolism, inviting viewers to explore the rich cultural and philosophical layers of his paintings.