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Linkzelda

Image Streaming Feb 3 - 59 minutes

Feb 4th, 2015
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  1. I can visualize Eva wearing a black dress. I can see that it’s glittering with several diamonds and other tpyes of gems. I can see she’s wearing a purple dragonstone stone amulet of some kind. I can see her black scarf around her neck, and the rest of it draping over to the back of her body. I can see that she’s in a dark room, and I can see that the walls are made of turquoise. I can see there’s a black strip along the wall that’s about one to two feet tall in length, and spreads across most of this section that looks like a kitchen of some sort. I can see Eva’s long blonde hair, and I can also see there’s a light behid her. I can see that she’s ready to turn around, but she turns around back to the original angle from the beginning of this session, and proceeds to look around the sink, and other areas in the kitchen. I see that she’s taking her hand to feel the metal pots right beside of her. I can see the overally shape of the metal pot, and I can also see the metal horizontal markings placed onto the pot as well. I can see the psecular nature of the pot shining light from behind Eva and it, and emitting a glossy look to it. I can see the black top, and the hexagon shape that it consists of. I can see that this ais a pressure cooker of some sort. I can see the top has been taken off by Eva. I can see her take her hands to go towards the top, and I can sense her weight as she’s pulling it out of the pressure cooker. I can see her slowly putting the cookier top down onto the counter. The counter itself oconissts of a j vanilla like color mixed in with specks of rborwn colored dorts and other bland and milky brown colors.
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  3. I can see that Eva turns around to navigate the rest of this house, and she realizes that this is one of the few houses I used to be in waking life. I can sense the overall form of this house, and I can sense my excitement as how my mind started out painting this visualization of this house in full detail. I can see Eva wanting to run to the bedroom, but she turns around to look at the patoo outside that leadls to the backyward of the house. I can see the enivroment completely in all of its detail and overall composition. I can see that the setting seems to take place where there are clouds veering the sun and most of the blue sky. I can see the clouds forming dark gray colors, and I can also see that it creates this overally of a very vivid detail in the color being expressed that it might rain very soon in this environment.
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  5. I can see that Eva takes her left hand, and I can hear the sound of the patio opening with the screeching and swooomp sound being emited from my ears I can feel the pressure of the opening of the patio glass door as Eva proceeds to move her way out of the house, and finaly back into the backyard. Eva notices ther’s a white beach chair for her to sit on, and taeks the chance to sit down or a bit while I navigate through this environment and describe it to the best of my abilities. I can see Eva resting on the beach chair, and is in a mummy kind of position with her arms straightened out, and her legns and the rest of her body as if she was a stick still in motion. I can see the purple mascara on her eyelids, and I can see the black masara running around the rimmings of her eylids as well. I can see her wearing a white sparkly diamond set of wearings as well. I can see her breathing, and I can feel her chest moving up and down, aup and donw more and more the more I pay attention to this. I can see myself nvagiaton the rest of the enivroment through a first person view that shifts in and out of a third person view as well. I can see the leaves on the ground that range from various contours, shapes, colors, and textures. I can imagine myself being projected into thie enivorment. I can sense Eva’s reaction of me suddenly pitching in to be inside of this virtual experiential reality.
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  7. I can see myself bending down to observe the contours of the lea that’s appearing right in front of me in midoair. I can see that the ceamera angle disrots and blurs the rest of the area around me, and fixates on the details of this brown leaf. It seems that this lea in particular has a consisteny of a ace of spacedes, except that its brown and has some parts of a leaf you would see stemming from what was its root being cut off.
  8. I can see the leaf rotating, and I can see the realism in viewing it as well. I can feel the hard but delicate texture of the leaf in analysis, and I can see that Eva stands up next to me to try and feel it as well. I can see her right hand rubbing against the delicate and hard surface of the brown ace of spades composed leaf. I can sense how smooth her skin must feel as she’s gliding her fingers through and out while trying to grasp more of the sense of what it means to hold a delicate and fragile leaf in her hand. I can see her beginning to put the leaf inside of her plam, and she starts to crush the leaf by folding her hands into a fist, and usings the ends of her fingers to contue grinding the leaf.
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  10. I can see an after image of what looks like a laptop that appears randomly in my perecetion of this vritual experiential reality. I can see the after-image slowly fading away. I can see that Eva decides to throw away the remnants of the leaf from her awareness, and I can sense heer trails of the leaves falling slowly onto the ground right beneath us. I can see the indivduals pices going by slowly in motion as they collide against the ground that seems to be consisted of a brick like structure with colors ranging from a drity light milky pink color to the fillings being consisted of a dark and mustard yellow type of color as well. I can see the leafs making a slight thudding sround, and I can hear the cracking sound as the leaves are scraping against the cemented brick like structured flooring outside n this backyard. I can see there’s a wall outside obviousl that’s bordering the house that Eva’s still within proximity in. I can visualize the white painted texture of the wood that I’m sure is a n outer layer for a much sturdier and solid texture than what was being visualized before with the leaf. I can see Eva closing her eyes, and she’s moving her hands in a motion where she feels like there should be a lowering of volume control with the current session at hand. I tell her that it isn’t needed until the later courses throughout this session. She rubs her forehead, and I can see her moving her hand slowly donwawards as it quickly hits the side of her fancy new black dress with sparkly diamodns and other gems around her neck as well.
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  12. I can see Eva taking her right hand, and moving it towards her nose to take a wiff of what’s going on. She explains to me that it smells wrally werid; there seems to be an array of dirty dirt along with some natural occurences from animals along with the scent of the leaf itself that was once a blossimng leaf in probably an oak tree or something to that effect.
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  14. I can see Eva taking a seat on the white bench that I metnioend once more. I take the time to visualize and really get into imagining this white beach chair that she’s sitting on. I can see that the chair itself is very sturfy and made to last mos of the ponds I’m seeing in my ehad as well. Eva rests in the same psoiton once more before I go back to imagining her moving again.
  15. Contracting in some way. I can feel the soles of my feet constantly being shifted into the proper location to maintain balance. I can see myself taking both of my hands to touch the sesantion of the metal bar that was in question for someone a quite some time now. I can feel the coldness of the beach cahir, and I can also feeling the cheap plastic leathery feel to it that ends up being very durable for some reason. And even though this is just a virtual experineital reality, I begin to imagine myself taking out my ellphone, and then proceeding as plan to save nothing more but time that can be used for something else.
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  18. I can see myself bending down, and I can feel the tightness of myj jeans ---
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  20. I can see myself taking the cellphone out, and it seems to be shaped like a Nokia cellphone that as my first cellphone ever a few years, or should I say more than a few years. I can sense the birkc like weight to it; almost as if I’m carrying a doorbell with me or something of that nature. I can visualize myself smashing the phone onto the concrete area of the backyard, and proceeding to move my right hand inside the same jeans I’m wearing at the moment during the observation. I can visualize something vert random occurring where I see someone that looks like Fuji or some reason that’s falling unconscious on the wooden and waxed floor of a random environment, and I canThere’s a lemon right next to the both of them. I can visualize the contours of the half cut lemon, and I can see the seeds that are stuck in between the insides of the lemon as well. I can see myself touching the lemon while inui and fuui are still there unconscious and immovable for some reason.
  21. see Inui from the Prince of Tennis showing up as well and I can see him resting on to of fuji like it’s some weird fantasy of some kind.
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  23. I can see some kind of commercial being played out in my head of some lady that looks like the pine sol lady you would normally see in most pine sol commercial. I can hear her voice as she’s continuing to advertise the regular pine sol lady would act. I can see this has distracted me ino another scenario where I’m visualizing someone that has a face in relation that looks like Snada from Prince of Tennis as well. I can see he’s a much nicer person than I thought with th original being apparent in my head apparently. I can see myself synching back to the virtual experiential erality of having to crush myf to see if I can have a better life without
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  25. I can some random number on the phone, and I can automatically realize it was being directed to some kind of Best buy hotline of some sort. So I wait through the automated message, and wake Eva up to tell her that she’s going to take the call now that I;n going to transfer my attention mostly towards her existence as well. I can see her quickly picking up the phone ot as who it was that was calling. I tlel her that she’s going ot be led to a reperesnsetive really soon since the call was really fast, but at the same time tick ticking arway before someone decided to quit for her. I can see Eva sititng back on her bench once more, and se proceeds to state her name and other random details as well. The moment she starts saying that they’ll be finalizing her own order, she cuts of the hone.
  26. I can see that she’s uting the phone inside of the light vanilla colroedp urse, and she’s also proceeding to open other sections of her purse as well. I can hearing the zipping sound of the pruse along with the click clack sound of the buttons being tightended and unloosed as well. I can see myself fixating more on Eva’s existence, and I can sense her depth of realism in my perception of this virtual experinetil reality. I can see that Eva wants to go ahead and prepare to make a drive to Best Buy from this area that I used to live in. She goes back inside of the house, and then turns off the switch that came on only to turn it back once more with her left hand. She notices how the lgith illminates the rest of the house easily. It makes it more descriptive and easiler to follow as well. I can sense there’s a small section that could be the living room that’s right beside the kings bedroom. Unforatnely most of these diesns didn’t cover much distance or dinstciton ebtwee nthe living and dining room as well. I can see Eva going more inside of the house, and I pase everything a little bit before proceeding forward. Ic an see the wakxed wooden polish on the floor that seems to have bene odne by real professionals that leaves no room foru necessary and superlfous language and technique to get the job done. I can see there’s an entrance to the house right in front of me, but I don’t pay attention to it just yet. I can see that the entrance itself is also the exit of the house.
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  28. I can feel that there’s ceraly wrong with what’ they’re doing. I can see Eva magically warindg a Nascar outit with a white base and light blue color as well. I can see masters and winnings from several sports. I can see Eva wondering why she’s doing all of this. I can see Eva putting her hands to gettingoether in order to enjoy what it means to be in that kind of perecetion. I can see myself going back to Eva’s existence once more. I can see myself going back to Eva being inside of the house to prepare to go to Best Buy. I can see myself getting more energy after iamge streaming without typing the experience down for a few minutes. I can see myself gaining an understanding of how I can sssess myself during these sessions as well. I can see that Eva is finally getting her keys to the behicle ,and proceeds to open th exit, and then locks it immediately. I pause the moment for a moment, and I can see that Eva is busy figuring out which key is the right one to use to lock. I can hear the sound of the kys jingling, and I can hear the subtle sounds of the bag and her purse pressing against her dress and her skin, and each other as well. I can visualize Eva finally making a licking sound. I can hear the locking side that’s grazigng against the other series of locks that are arruounded by white colored wooding styel compsoion as well. I can see myself seeing Eva going around to open the ehicle right in front of her. I can see that the enveiroment is somewhat the same as in real life of the neighborhood of where I used to be years ago. I can see Eva getting inside of the vehicle and having ot remove some kind of weird looking things that look like expandable pans or bands or something like that of a resting place that she maybe could’ve used for something. She moves it, or them to the right side of the behicle on the floor. She gets, up on top of the behicle by taking her right foot inside, and spreading it along aiwht using her erear as support for getting the left side in with ease. I can visualize Eva from the back of her head and the top region of her shoulder and other parts of her body as well.
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  30. I can visualize her starting the vehicle with ease / I can hear the vehicle making that crk crk crkvroom sound, and the behicle has finally been intiated. I can see Eva proceeding to move around the neihboorhod. She starts off by slowly reversring from the drive way all the way down to the roadside. I can see that this area is fairy;l quiet, and Eva is able to turn the behicle around in othr to have it facing forward in the direction she wants ot go. I can already visualize a map of what will be going on during this trip, and I immediatle fixate into Eva’s awareness once more. I can expand y vision wthin this perception of a vritual experiential reality, and I can also see ym vision expanding more than just linear vision where pierpheral vision would be blurring things if you didn’t bother paying attention to them. I can see that I’m experineicng a dream like threed sixty vision of some sort. I can see myself seeing the windows of the behicle ,and I can also see myself looking around the nehgiborhoood through this windows as well. I can see that my mind is a rendering a really decent, or near perfect projection of this specific region in the nehigohood I used ot reside in years back.
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  32. I can see Eva taking things slowly and slowly moving her head side to side by swaying it ina a ddleicate motion while also paying attention to the roadways, highways, and potential paths she’ll have to take just ot get to Best Buy. I can visualize Eva taking her right hand to turn up the volume on the Radio. She notices there’s this faint random noise being played out, and it’s abppareltny on a Beta bunaral wave length as well. Similar to the Beta weavelnegeth that I’m hearing in my ears for the time being.
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  34. I can see Eva using her left hand to indicate that she wants to go to the left while drivin this vvehicle. I pause this for a moment to really extract as much visualization information as I can from this already vivid and hd like moment right now. I can See Eva looking to the left, and I can see her black dress stetching a bit, but not by too much as she’s looking to the left to see if there’s any behicles coming her way. I can see the environment surrounding her, and the setting surrounding the car she’s in as well. I can see the black and dull gray color of the tarred floor that’s where all the behicles come in and drive by. I can also see the pasty like milky brown colored sidewalk that’s color having a n overlay of a gray colr as well to it. I can see myself exerinecing more visualizations occurring, and I can see that Eva is back to her regular driving. I can see the radio itself on the section in the behicle where Eva could also control the A/c or the heater without worrying too much about it. I can visualize some weird looking man that shows up out o nowhere to proivie us this description of isualizations in my head. I can see the man itself, or himself I should say that’s looking a bit like an Asian indian. He looks like he’s in his forties or some kin,d or at least in his fifties or something like that. I can see he’s wearing this black tuxedo suit with some park magenta like dress shirt that’s buttoned up by blac buttons that have a small specular nature to them.
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