Muse (2019)

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("QUATTROPORTE" BY CRAIG GANNON)

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(CAR CRASHES WITH A BANG)

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(TENSE MUSIC)

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In all the years that I've
been your literary agent,

5
00:02:15,270 --> 00:02:17,920
this is the first time you've
ever missed a deadline.

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00:02:19,100 --> 00:02:22,419
Twenty two best
selling crime thrillers

7
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and murder mysteries and
now you've hit the wall.

8
00:02:26,270 --> 00:02:28,839
I know you've suffered
writers block in the past,

9
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but you've always come through it.

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And I know that it's
been a terrible year,

11
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it's been hard on
you, I can't imagine.

12
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We'd been divorced ten
years, Richard.

13
00:02:41,170 --> 00:02:43,703
Plus, you know, I've had
time to get used to it.

14
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Three years, she battled it.

15
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Gilda.

16
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Strong woman.

17
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I liked her.

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Fierce cow.

19
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You know after twenty
years of being together,

20
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we really didn't like each
other all that much at the end

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but we loved each other.

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You know what I mean?

23
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Plus, she gave me
Ethel, my princess.

24
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She idolizes you.

25
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She's my world.

26
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Look, about the book, I
don't know what to tell you.

27
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Give me a few weeks, a month maybe?

28
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I mean, it's all up here,

29
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I mean, you know how I work, I just,

30
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this time I just can't
seem to get it out.

31
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Take your time.

32
00:03:29,750 --> 00:03:31,779
But you know how
this business works,

33
00:03:31,780 --> 00:03:33,680
I have to give the
partners something.

34
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Just write it down on
the back of a napkin

35
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and I'll get Tiffany to type it up.

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I just need to get in
the right frame of mind.

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It's not easy, you know.

38
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Why don't you, why don't you go

39
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to your place in France,
blow away the cobwebs?

40
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I don't think
Ethel's ready for that.

41
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She hasn't been there since we were

42
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last there with Gilda.

43
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She can cope for a
couple of weeks on her own.

44
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I mean, I can always pop round and

45
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you know, make sure that she's okay.

46
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You call me if you need me Harry,

47
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I'm only a phone call away.

48
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Thank you,
you know I appreciate it.

49
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(GLASSES CLINK)

50
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(SOMBER MUSIC)

51
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(DOORBELL RINGS)

52
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The great Detective Rawle.

53
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How may I be of service?

54
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Can I get you a drink?

55
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Sit down, Harry.

56
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I'm so sorry to have
to tell you this.

57
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I insisted on being
the one to come here

58
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and inform you myself.

59
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It's about Ethel that I'm
here to talk to you about.

60
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Ethel?

61
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Why, what's the matter with Ethel?

62
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Oh, I see.

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(SOMBER MUSIC)

64
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I have this friend back in
I.A, Dennis, he's an ex cop.

65
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24 years he put in.

66
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Deathograms, that's what
he used to call this.

67
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This is what he calls it, this
is what you're doing, right?

68
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Like I said, I had to be the one

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to come here and tell you.

70
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I had to be,
I couldn't ask anyone else.

71
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What happened, David?

72
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She was involved in a car
accident a couple of hours ago.

73
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She was pronounced

74
00:06:17,210 --> 00:06:19,437
she was pronounced
dead at the scene.

75
00:06:23,987 --> 00:06:25,323
I'm really sorry, Harry.

76
00:06:26,576 --> 00:06:28,509
I'm so, so sorry, mate.

77
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It's never easy, things
like this, you know?

78
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What happened?

79
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She was crossing the road
when she was hit by a car.

80
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The driver, he said he
didn't stand a chance

81
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of stopping in time,
she just stepped

82
00:06:43,540 --> 00:06:44,829
right out in front of him.

83
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I want to see her,
I need to see her.

84
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Yeah, of course, of course, yeah.

85
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I'll drive you myself.

86
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Is there someone you
want me to call...

87
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No, no.

88
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No, there's no-one else.

89
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Just me now.

90
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Just me.

91
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("IN PARADISUM" BY FAURE)

92
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MR. WILLIAMS: Harry, I just
don't know what to say to you.

93
00:10:23,540 --> 00:10:25,123
There's nothing you can say.

94
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There's nothing anyone can say.

95
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I just want to help
you to get through this.

96
00:10:32,960 --> 00:10:35,223
We want to help you
to get through this.

97
00:10:37,690 --> 00:10:40,273
I keep having this nightmare.

98
00:10:43,250 --> 00:10:47,250
I have the same nightmare,
every night ever since she...

99
00:10:49,560 --> 00:10:52,213
My beautiful princess,
my darling and she's,

100
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she's lying there in
the mortuary, all alone.

101
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She's cold and she's alone.

102
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No-one there to tuck her in,

103
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no-one there to kiss her goodnight.

104
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Look, about...

105
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The book?

106
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I can't even think
about that right now.

107
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My mind, the thoughts
are going through there

108
00:11:25,546 --> 00:11:27,349
at a hundred miles an hour.

109
00:11:27,350 --> 00:11:28,409
No, of course.

110
00:11:28,410 --> 00:11:32,399
The partners have already
agreed to delay the launch,

111
00:11:32,400 --> 00:11:36,023
to put back the press
junket and all that.

112
00:11:38,740 --> 00:11:41,700
But this might be a good time to

113
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To what?

114
00:11:45,040 --> 00:11:48,429
Well, the agency was
wondering, you know,

115
00:11:48,430 --> 00:11:53,430
if well, to be very frank,
if you would reconsider

116
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the offer to start on your memoirs.

117
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With your fan base, Harry,
it would fly off the shelves.

118
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I don't know,

119
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I don't know if this is a good
time to be starting anything.

120
00:12:08,090 --> 00:12:11,423
Well, I just wanted
you to think about that.

121
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It might help,

122
00:12:15,530 --> 00:12:19,289
be like therapy, a catharsis.

123
00:12:19,290 --> 00:12:21,109
With everything that's happened,

124
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you know, the emotions are so raw,

125
00:12:26,610 --> 00:12:29,609
but the first thing,
the most important thing

126
00:12:29,610 --> 00:12:33,383
is you, Harry,
you're a friend first.

127
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("REQUIEM IN D MINOR" BY MOZART)

128
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I'll be fine from here,
je marche d'où je suis.

129
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("REQUIEM IN D MINOR" BY MOZART)

130
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("VA, PENSIERO" BY VERDI)

131
00:17:16,860 --> 00:17:19,860
(TYPEWRITER CLICKS)

132
00:18:11,020 --> 00:18:14,187
(WOLVES HOWL OUTSIDE)

133
00:18:15,735 --> 00:18:17,045
ETHEL: Daddy.

134
00:18:17,046 --> 00:18:19,796
(OMINOUS MUSIC)

135
00:18:42,327 --> 00:18:43,660
SARAH: Louie?

136
00:18:45,314 --> 00:18:49,025
Come on boy, Louie?

137
00:18:49,026 --> 00:18:54,026
Louie!

138
00:19:04,610 --> 00:19:05,610
Louie, here!

139
00:19:08,620 --> 00:19:09,620
Louie!

140
00:19:10,807 --> 00:19:12,566
Louie, come on.

141
00:19:12,567 --> 00:19:13,567
Come on!

142
00:19:14,720 --> 00:19:19,053
(THE YOUNG WOMEN CONTINUE TO SHOUT)

143
00:19:36,460 --> 00:19:37,460
Excuse me.

144
00:19:41,500 --> 00:19:42,410
Can I help you?

145
00:19:42,411 --> 00:19:44,639
Oh, I'm sorry, we were
looking for our dog, Louie,

146
00:19:44,640 --> 00:19:46,457
have you seen him,
he's a King Charles.

147
00:19:46,458 --> 00:19:50,719
No, I haven't, probably
because this is private property.

148
00:19:50,720 --> 00:19:51,660
What's your name?

149
00:19:51,661 --> 00:19:54,084
I'm Sarah, and this
is my sister, Eloise.

150
00:19:54,085 --> 00:19:57,585
("UN BEL DI" BY PUCCINI)

151
00:20:09,090 --> 00:20:12,139
I am so sorry, we're staying
next door for a few weeks.

152
00:20:12,140 --> 00:20:13,409
Our dog got in here
a couple of times

153
00:20:13,410 --> 00:20:16,249
but we didn't realize
anyone was living here.

154
00:20:16,250 --> 00:20:18,129
Hang on, you're him, aren't you?

155
00:20:18,130 --> 00:20:18,963
The author.

156
00:20:18,964 --> 00:20:21,399
Well, our dad, he's a writer
too, he's read all your stuff.

157
00:20:21,400 --> 00:20:22,711
Dead Man Walking, Fifteen...

158
00:20:22,712 --> 00:20:25,999
You have to excuse
me, I have to get back.

159
00:20:26,000 --> 00:20:27,473
I hope you find your dog.

160
00:20:28,940 --> 00:20:30,316
The main entrance is back that way,

161
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you can see yourselves out.

162
00:20:33,550 --> 00:20:35,643
Please see to it that you do.

163
00:20:36,966 --> 00:20:40,633
("LE CYGNE" BY SAINT-SAENS)

164
00:22:09,942 --> 00:22:13,025
(TENSE, EERIE MUSIC)

165
00:22:23,463 --> 00:22:26,463
(FLOORBOARDS CREAK)

166
00:23:02,820 --> 00:23:05,737
(LOUD BANG ECHOES)

167
00:23:08,275 --> 00:23:11,358
(TENSE, EERIE MUSIC)

168
00:23:36,913 --> 00:23:39,996
(HARRY CRIES SOFTLY)

169
00:23:49,923 --> 00:23:54,256
(MELANCHOLY ORCHESTRAL OPERA MUSIC)

170
00:25:21,850 --> 00:25:23,709
Hey,
you're the man from next door.

171
00:25:23,710 --> 00:25:25,129
Harry, yeah, right.

172
00:25:25,130 --> 00:25:25,963
Right, hello.

173
00:25:25,964 --> 00:25:27,819
Eloise,
that man from next door's here.

174
00:25:27,820 --> 00:25:29,209
What can I get for you?

175
00:25:29,210 --> 00:25:30,180
You work here?

176
00:25:30,181 --> 00:25:32,996
I'm just helping out, my
dad knows the owners, so.

177
00:25:32,997 --> 00:25:34,199
Oh, right, yes.

178
00:25:34,200 --> 00:25:38,419
Uh, well I'll have a
glass of red wine, please.

179
00:25:38,420 --> 00:25:39,783
Thank you, Eloise.

180
00:25:40,860 --> 00:25:42,083
I wanted to thank you.

181
00:25:43,410 --> 00:25:45,909
I wanted to thank you for the food.

182
00:25:45,910 --> 00:25:47,559
Well, a man can't
live on red wine alone.

183
00:25:47,560 --> 00:25:49,647
Well, I've done all right so far.

184
00:25:50,877 --> 00:25:54,229
And I wanted to
apologize for the dog.

185
00:25:54,230 --> 00:25:57,009
Look,
we got off on the wrong foot.

186
00:25:57,010 --> 00:25:58,119
It's fine.

187
00:25:58,120 --> 00:25:59,209
I just hope that you ate.

188
00:25:59,210 --> 00:26:01,639
I did, oh I ate, yes.

189
00:26:01,640 --> 00:26:03,359
I really appreciate it,
you didn't have to do that.

190
00:26:03,360 --> 00:26:04,360
Well, I'm glad.

191
00:26:05,960 --> 00:26:06,960
Look, um,

192
00:26:10,390 --> 00:26:13,609
you don't have a pool at
yours, do you?

193
00:26:13,610 --> 00:26:14,610
No.

194
00:26:15,489 --> 00:26:17,409
Well,
if it's okay with your parents,

195
00:26:17,410 --> 00:26:18,519
you're welcome to come over

196
00:26:18,520 --> 00:26:20,170
and have a swim in mine any time.

197
00:26:21,840 --> 00:26:22,840
What's so funny?

198
00:26:22,841 --> 00:26:24,819
We kind of already did when we

199
00:26:24,820 --> 00:26:26,389
didn't realize that
anyone was living there.

200
00:26:26,390 --> 00:26:29,595
Obviously, we wouldn't
have if we had known.

201
00:26:29,596 --> 00:26:33,799
That's okay,
the offer still stands.

202
00:26:33,800 --> 00:26:34,633
SARAH: Can we?

203
00:26:34,633 --> 00:26:35,490
We'll ask Dad.

204
00:26:35,491 --> 00:26:36,513
Maybe tomorrow?

205
00:26:37,860 --> 00:26:38,860
Thank you.

206
00:26:44,910 --> 00:26:46,333
Mr Williams, please.

207
00:26:47,840 --> 00:26:48,980
Yes, I'll hold.

208
00:26:51,330 --> 00:26:53,523
Richard, Richard, it's Harry.

209
00:26:55,660 --> 00:26:57,433
Good, yeah, good, how about you?

210
00:26:59,834 --> 00:27:04,109
Oh, it's coming along nicely,
the first chapter anyway.

211
00:27:04,110 --> 00:27:06,633
Much easier to think down here.

212
00:27:08,690 --> 00:27:10,749
Yeah, okay, all right.

213
00:27:10,750 --> 00:27:11,829
Sure.

214
00:27:11,830 --> 00:27:12,830
Yeah, okay.

215
00:27:13,740 --> 00:27:15,549
Right, take care.

216
00:27:15,550 --> 00:27:16,550
Right, bye.

217
00:27:19,042 --> 00:27:22,765
(GENTLE PIANO MUSIC)

218
00:27:22,766 --> 00:27:25,766
(DOG BARKS OUTSIDE)

219
00:27:40,527 --> 00:27:43,360
(FOOTSTEPS SOUND)

220
00:27:44,623 --> 00:27:47,206
(TENSE MUSIC)

221
00:27:51,912 --> 00:27:55,981
(SOMETHING CREAKS SLOWLY)

222
00:27:55,982 --> 00:27:58,482
(TENSE MUSIC)

223
00:28:00,395 --> 00:28:01,728
ETHEL: Daddy?

224
00:28:02,653 --> 00:28:05,153
(TENSE MUSIC)

225
00:28:07,291 --> 00:28:08,916
Daddy?

226
00:28:08,917 --> 00:28:11,417
(TENSE MUSIC)

227
00:29:13,664 --> 00:29:17,081
("UN BEL DI" BY PUCCINI)

228
00:29:40,567 --> 00:29:42,709
ELOISE: God, I love it down here.

229
00:29:42,710 --> 00:29:43,969
You've been before?

230
00:29:43,970 --> 00:29:45,819
ELOISE: Last year, yeah.

231
00:29:45,820 --> 00:29:47,220
It's a very special place.

232
00:29:49,500 --> 00:29:52,459
So, what do you want to
do with your life, Eloise?

233
00:29:52,460 --> 00:29:53,939
Me?

234
00:29:53,940 --> 00:29:54,940
Let me guess.

235
00:29:55,690 --> 00:29:57,119
An actress.

236
00:29:57,120 --> 00:30:00,799
Well yeah, but probably
not what you're thinking.

237
00:30:00,800 --> 00:30:01,800
Musical theater.

238
00:30:02,980 --> 00:30:03,813
Good for you.

239
00:30:03,813 --> 00:30:04,813
I mean, it's hard work.

240
00:30:05,610 --> 00:30:07,989
Sometimes I just, I think the odds

241
00:30:07,990 --> 00:30:09,949
are just stacked against me.

242
00:30:09,950 --> 00:30:12,322
Youth is wasted on the young.

243
00:30:12,323 --> 00:30:13,479
Have you heard that?

244
00:30:13,480 --> 00:30:15,329
My dad says it all the time.

245
00:30:15,330 --> 00:30:17,780
Well, there's always
someone worse off, Eloise.

246
00:30:18,870 --> 00:30:20,289
You talk about defying odds,

247
00:30:20,290 --> 00:30:23,249
a very good friend of
mine, a fellow author,

248
00:30:23,250 --> 00:30:27,053
about five years ago,
he had it all going on.

249
00:30:28,520 --> 00:30:33,520
And then he had some
crazy obsessed with him.

250
00:30:33,930 --> 00:30:36,489
I mean,
we're talking Play Misty For Me

251
00:30:36,490 --> 00:30:38,619
meets Fatal Attraction.

252
00:30:38,620 --> 00:30:43,286
Long story short, a nut with a crush

253
00:30:43,287 --> 00:30:45,249
completely screwed him,

254
00:30:45,250 --> 00:30:48,550
sold some fake story to the tabloids

255
00:30:49,700 --> 00:30:51,449
and this is in England, mind you,

256
00:30:51,450 --> 00:30:54,099
where they lap that shit up.

257
00:30:54,100 --> 00:30:57,433
They have it for breakfast
on their crumpets.

258
00:30:58,620 --> 00:30:59,770
What happened to him?

259
00:31:00,796 --> 00:31:04,619
Well, you know,
he got on with his life,

260
00:31:04,620 --> 00:31:06,593
he wrote another book.

261
00:31:07,860 --> 00:31:11,679
One day, you know, everyone
thought he was a great guy

262
00:31:11,680 --> 00:31:13,929
and then he woke up and realized

263
00:31:13,930 --> 00:31:16,573
his name and reputation
meant nothing.

264
00:31:18,170 --> 00:31:22,079
Not that that was relevant to
him, it didn't mean anything.

265
00:31:22,080 --> 00:31:25,259
I mean,
he made the decision that getting

266
00:31:25,260 --> 00:31:27,609
another book published
being so much more harder,

267
00:31:27,610 --> 00:31:30,479
this new founded situation,

268
00:31:30,480 --> 00:31:32,623
wasn't a reason to give up on it.

269
00:31:34,900 --> 00:31:37,949
He thought that if people eventually

270
00:31:37,950 --> 00:31:40,993
thought he wasn't such a bad
guy after all well then, great.

271
00:31:41,840 --> 00:31:44,680
But that's nothing that
he had any control over.

272
00:31:45,610 --> 00:31:48,169
And he reminded himself
daily that if that

273
00:31:48,170 --> 00:31:52,617
ever became his aim he'd be
fighting a losing battle.

274
00:31:52,618 --> 00:31:54,439
Where is he now?

275
00:31:54,440 --> 00:31:57,133
Well, we talk every now
and then on the, you know,

276
00:31:58,679 --> 00:32:00,879
the email. (LAUGHS)

277
00:32:00,880 --> 00:32:03,423
Sorry, I'm old fashioned.

278
00:32:05,460 --> 00:32:09,023
Every book I ever wrote, I
wrote it on my trusty rusty.

279
00:32:10,370 --> 00:32:11,929
Anyway, I digress.

280
00:32:11,930 --> 00:32:13,033
Defying the odds.

281
00:32:14,600 --> 00:32:16,629
Trying to make people
think better of you

282
00:32:16,630 --> 00:32:19,089
that don't like you just keeps them

283
00:32:19,090 --> 00:32:22,169
in your life, Eloise, and
you know what that means.

284
00:32:22,170 --> 00:32:24,159
That brings them back into your life

285
00:32:24,160 --> 00:32:29,160
in your life, your life, Eloise,

286
00:32:29,480 --> 00:32:30,879
is too short

287
00:32:30,880 --> 00:32:33,203
and too precious to waste on that.

288
00:32:34,760 --> 00:32:37,919
My dad said something
similar but in fewer words.

289
00:32:37,920 --> 00:32:40,649
What expression
does your father have?

290
00:32:40,650 --> 00:32:43,719
If they don't like
it, fuck 'em! (LAUGHS)

291
00:32:43,720 --> 00:32:44,720
I think he would

292
00:32:47,100 --> 00:32:49,893
probably summarize it
better himself now too.

293
00:32:50,860 --> 00:32:52,099
How so?

294
00:32:52,100 --> 00:32:56,509
Well, he would say
to anyone who said no,

295
00:32:56,510 --> 00:32:59,981
you can't do it,
you're not good enough,

296
00:32:59,982 --> 00:33:02,980
it can't be done, he'd simply say

297
00:33:04,650 --> 00:33:05,803
don't get in my way.

298
00:33:08,930 --> 00:33:11,583
But after,
when it's all said and done,

299
00:33:13,350 --> 00:33:16,529
I mean, when everything is
just, you know,

300
00:33:16,530 --> 00:33:20,259
you could be the best actress,

301
00:33:20,260 --> 00:33:21,439
your father could
be the best author,

302
00:33:21,440 --> 00:33:23,497
I could be the best artist,

303
00:33:23,498 --> 00:33:26,463
anybody can be the best whatever
the hell they want to be.

304
00:33:28,090 --> 00:33:29,523
When it's all said and done,

305
00:33:32,450 --> 00:33:34,349
you're only going to
be asked one thing

306
00:33:34,350 --> 00:33:35,593
when you get up there.

307
00:33:38,542 --> 00:33:40,792
Were you good to your kids?

308
00:33:50,132 --> 00:33:53,215
(GENTLE OPERA MUSIC)

309
00:34:09,537 --> 00:34:12,245
What are you writing?

310
00:34:12,246 --> 00:34:13,329
My memoirs.

311
00:34:14,856 --> 00:34:17,005
This one's not fiction?

312
00:34:17,006 --> 00:34:20,089
(GENTLE OPERA MUSIC)

313
00:34:29,703 --> 00:34:31,363
Looks like it's coming along nicely.

314
00:34:31,364 --> 00:34:33,248
Remarkably.

315
00:34:33,249 --> 00:34:34,916
For the first draft.

316
00:34:36,660 --> 00:34:39,528
It's all about finding your muse.

317
00:34:39,529 --> 00:34:42,696
(GENTLE OPERA MUSIC)

318
00:34:53,275 --> 00:34:54,275
Sante.

319
00:34:54,960 --> 00:34:55,936
Sante.

320
00:34:55,937 --> 00:34:59,019
(GENTLE OPERA MUSIC)

321
00:35:03,936 --> 00:35:05,936
Goodnight, Harry Newman.

322
00:35:10,619 --> 00:35:13,702
(GENTLE OPERA MUSIC)

323
00:36:02,067 --> 00:36:04,567
(TENSE MUSIC)

324
00:36:31,441 --> 00:36:34,858
(DRAMATIC, URGENT MUSIC)

325
00:36:42,450 --> 00:36:44,470
HARRY: Ethel!

326
00:36:44,471 --> 00:36:47,888
(DRAMATIC, URGENT MUSIC)

327
00:36:50,074 --> 00:36:51,344
Ethel!

328
00:36:51,345 --> 00:36:54,762
(DRAMATIC, URGENT MUSIC)

329
00:37:06,716 --> 00:37:10,216
(TENSE, MELANCHOLY MUSIC)

330
00:37:31,202 --> 00:37:32,202
Ethel!

331
00:37:36,668 --> 00:37:37,668
Ethel!

332
00:37:41,162 --> 00:37:42,162
Ethel!

333
00:37:49,548 --> 00:37:53,131
(SOMBER, MELANCHOLY MUSIC)

334
00:39:58,848 --> 00:40:03,848
("AIR ON THE G STRING"
BY JOHANN SEBASTIAN BACH)

335
00:41:02,369 --> 00:41:04,869
(TENSE MUSIC)

336
00:42:04,114 --> 00:42:05,959
ETHEL: Daddy.

337
00:42:05,960 --> 00:42:06,960
Daddy.

338
00:42:09,134 --> 00:42:10,134
Daddy.

339
00:42:11,492 --> 00:42:12,492
Daddy.

340
00:42:14,130 --> 00:42:15,130
Daddy.

341
00:42:16,998 --> 00:42:17,998
Daddy.

342
00:42:19,442 --> 00:42:20,442
Daddy.

343
00:42:23,137 --> 00:42:24,137
Daddy.

344
00:42:25,156 --> 00:42:27,739
(JOYFUL MUSIC)

345
00:42:59,734 --> 00:43:01,310
Harry.

346
00:43:01,311 --> 00:43:02,311
Harry.

347
00:43:05,173 --> 00:43:06,389
Ethel.

348
00:43:06,390 --> 00:43:08,623
No, Harry, it's Eloise.

349
00:43:10,380 --> 00:43:11,380
Harry.

350
00:43:12,074 --> 00:43:13,069
It's Eloise.

351
00:43:13,069 --> 00:43:14,030
Ethel.

352
00:43:14,031 --> 00:43:16,009
You've had a bump on your
head, Harry.

353
00:43:16,010 --> 00:43:17,810
How long have you been out here for?

354
00:43:19,110 --> 00:43:21,889
Come on, come on,
let's try get you up.

355
00:43:21,890 --> 00:43:22,890
Come on.

356
00:43:26,419 --> 00:43:27,923
Easy, easy.

357
00:43:29,130 --> 00:43:30,130
Easy.

358
00:43:40,113 --> 00:43:42,613
(DOOR CREAKS)

359
00:43:52,830 --> 00:43:56,150
Why don't you take a seat

360
00:43:59,290 --> 00:44:01,129
in the drawing room?

361
00:44:01,130 --> 00:44:02,472
Harry,
you might need to see a doctor.

362
00:44:02,473 --> 00:44:05,939
I'll live to see another day.

363
00:44:05,940 --> 00:44:08,719
Just sit down,
I'll make us some coffee.

364
00:44:08,720 --> 00:44:09,929
Are you sure?

365
00:44:09,930 --> 00:44:12,072
You can barely stand, you're
holding on to the wall.

366
00:44:12,073 --> 00:44:15,403
Yeah, no, I think I'm,

367
00:44:16,350 --> 00:44:19,089
I just need to walk
around a little bit,

368
00:44:19,090 --> 00:44:21,143
get the blood circulating again.

369
00:44:22,320 --> 00:44:24,409
Trust an old man, will you?

370
00:44:24,410 --> 00:44:28,163
Go ahead, go and sit down,
I can get things started.

371
00:44:29,020 --> 00:44:30,419
I'll be there in a few minutes.

372
00:44:30,420 --> 00:44:32,759
Okay, if you're sure.

373
00:44:32,760 --> 00:44:34,409
I'm sure.

374
00:44:34,410 --> 00:44:35,659
I've been through worse.

375
00:44:35,660 --> 00:44:36,660
Okay.

376
00:44:43,584 --> 00:44:44,667
Here we go.

377
00:44:45,766 --> 00:44:46,766
Thank you.

378
00:44:49,830 --> 00:44:50,883
How are you feeling?

379
00:44:51,970 --> 00:44:52,970
I'll be okay.

380
00:44:56,370 --> 00:44:58,280
I wanna thank you for

381
00:45:00,590 --> 00:45:03,053
well, you know.

382
00:45:04,150 --> 00:45:06,493
What was you doing up a
ladder, for goodness sake?

383
00:45:07,890 --> 00:45:12,819
I was just, uh,
there was this ribbon,

384
00:45:12,820 --> 00:45:14,333
it was stuck in the tree.

385
00:45:15,560 --> 00:45:17,093
I don't know how it got there.

386
00:45:18,720 --> 00:45:20,063
It was bothering me.

387
00:45:22,420 --> 00:45:23,870
It shouldn't have been there,

388
00:45:25,010 --> 00:45:27,229
it wasn't supposed to be there.

389
00:45:27,230 --> 00:45:28,244
She...

390
00:45:28,245 --> 00:45:29,453
Hey, hey.

391
00:45:30,520 --> 00:45:31,520
You okay?

392
00:45:32,966 --> 00:45:34,469
Yeah, yeah, I'm fine.

393
00:45:34,470 --> 00:45:37,480
It's just my,
just my head, you know.

394
00:45:39,617 --> 00:45:40,617
I'll be fine.

395
00:45:41,360 --> 00:45:43,060
Harry, I'm sorry you're hurting.

396
00:45:44,340 --> 00:45:45,340
Thank you.

397
00:45:49,100 --> 00:45:51,573
No, I mean,

398
00:45:52,860 --> 00:45:54,733
I'm sorry you're hurting.

399
00:45:56,730 --> 00:45:59,113
My dad, he read about it.

400
00:46:01,210 --> 00:46:02,210
About what happened.

401
00:46:06,960 --> 00:46:11,132
No parent should ever
have to bury a child.

402
00:46:11,133 --> 00:46:13,716
(SOMBER MUSIC)

403
00:46:19,080 --> 00:46:21,333
You're an old soul, aren't you?

404
00:46:24,660 --> 00:46:25,960
You miss her, don't you?

405
00:46:35,790 --> 00:46:36,793
So much.

406
00:46:39,270 --> 00:46:40,753
I'll see her again one day.

407
00:46:45,150 --> 00:46:47,403
She was a dancer, a singer.

408
00:46:50,370 --> 00:46:51,383
Just like you.

409
00:46:54,360 --> 00:46:55,813
She got it from her mother.

410
00:46:58,420 --> 00:46:59,833
What a woman!

411
00:47:03,030 --> 00:47:06,963
She did it all; Broadway,
West End, you name it.

412
00:47:17,670 --> 00:47:19,293
I've never known anyone who's,

413
00:47:21,700 --> 00:47:22,700
anyone who's died.

414
00:47:26,940 --> 00:47:28,340
What do you think it's like?

415
00:47:29,294 --> 00:47:31,877
(SOMBER MUSIC)

416
00:47:38,260 --> 00:47:39,653
One minute you're there,

417
00:47:42,480 --> 00:47:43,480
then nothing.

418
00:47:46,890 --> 00:47:47,890
After,

419
00:47:49,280 --> 00:47:50,280
there's nothing.

420
00:47:52,715 --> 00:47:55,632
(MELANCHOLY MUSIC)

421
00:48:00,700 --> 00:48:03,350
Oh Harry, I'm sorry, he
must have gotten out again.

422
00:48:05,110 --> 00:48:07,119
I hope that gets better.

423
00:48:07,120 --> 00:48:09,386
I'll be back tomorrow
to check on you, okay?

424
00:48:09,387 --> 00:48:12,304
(MELANCHOLY MUSIC)

425
00:48:17,820 --> 00:48:21,269
Harry, Harry, it's me.

426
00:48:21,270 --> 00:48:24,849
Now, don't forget that
I'm gonna be on my way

427
00:48:24,850 --> 00:48:28,849
back from that meeting in
Avignon tomorrow morning.

428
00:48:28,850 --> 00:48:32,229
And well,
I just thought that I'd pop by,

429
00:48:32,230 --> 00:48:34,530
and see if the old place
is still standing up.

430
00:48:36,340 --> 00:48:38,609
Look,
we can do lunch in the village.

431
00:48:38,610 --> 00:48:40,839
Well, it's good to hear.

432
00:48:40,840 --> 00:48:42,483
Well, it's finished.

433
00:48:43,400 --> 00:48:45,223
At least the first two chapters.

434
00:48:46,410 --> 00:48:47,913
Hot off the press.

435
00:48:48,840 --> 00:48:53,753
Yeah, well this is all new to
me, this self-portrait but uh,

436
00:48:55,933 --> 00:48:58,709
yeah, yes, good.

437
00:48:58,710 --> 00:49:01,646
Okay, I'll see you then.

438
00:49:01,647 --> 00:49:02,647
Bye.

439
00:49:28,326 --> 00:49:31,576
(TENSE, OMINOUS MUSIC)

440
00:50:12,817 --> 00:50:14,150
ETHEL: Daddy.

441
00:50:15,991 --> 00:50:19,241
(TENSE, OMINOUS MUSIC)

442
00:50:29,449 --> 00:50:32,449
(FLOORBOARDS CREAK)

443
00:51:49,123 --> 00:51:52,373
(TENSE, OMINOUS MUSIC)

444
00:52:08,180 --> 00:52:11,180
(FLOORBOARDS CREAK)

445
00:52:12,301 --> 00:52:14,625
(SOMETHING CLATTERS IN THE DISTANCE)

446
00:52:14,626 --> 00:52:17,626
(FLOORBOARDS CREAK)

447
00:52:19,494 --> 00:52:22,327
(FOOTSTEPS SOUND)

448
00:52:24,438 --> 00:52:26,938
(TENSE MUSIC)

449
00:53:02,592 --> 00:53:05,425
(FOOTSTEPS SOUND)

450
00:53:08,457 --> 00:53:11,790
(RECORD STARTS PLAYING
AN OLD-TIME SONG)

451
00:53:14,908 --> 00:53:19,908
♪ I see you ♪

452
00:53:20,574 --> 00:53:25,574
♪ For there is no-one else but you ♪

453
00:53:27,811 --> 00:53:32,811
♪ To make me feel this way ♪

454
00:53:35,212 --> 00:53:40,212
♪ Can you remain with me ♪

455
00:53:43,595 --> 00:53:48,595
♪ Through the times ahead ♪

456
00:53:49,543 --> 00:53:54,543
♪ Can you detect
sadness in my heart ♪

457
00:53:56,598 --> 00:54:01,598
♪ When you leave me for a day ♪

458
00:54:03,580 --> 00:54:08,580
♪ Into the light shines
from your heart ♪

459
00:54:10,142 --> 00:54:13,588
♪ I'd walk through the night ♪

460
00:54:13,589 --> 00:54:18,589
♪ To see we don't part ♪

461
00:54:19,920 --> 00:54:24,859
♪ Rain leaves my soul ♪

462
00:54:24,860 --> 00:54:26,389
Daddy!

463
00:54:26,390 --> 00:54:27,513
There you are!

464
00:54:30,357 --> 00:54:31,357
Ethel!

465
00:54:33,320 --> 00:54:34,153
You're here.

466
00:54:34,154 --> 00:54:35,259
I couldn't sleep.

467
00:54:35,260 --> 00:54:38,266
The wolves are fighting again.

468
00:54:38,267 --> 00:54:39,267
No, I mean

469
00:54:41,260 --> 00:54:42,369
you're here.

470
00:54:42,370 --> 00:54:43,370
Oh shush.

471
00:54:45,196 --> 00:54:46,196
Come.

472
00:54:46,980 --> 00:54:47,980
Come sit with me.

473
00:54:57,090 --> 00:54:58,969
What are you listening to?

474
00:54:58,970 --> 00:55:00,473
Some of your old records.

475
00:55:02,590 --> 00:55:03,840
Do you remember this one?

476
00:55:05,060 --> 00:55:06,301
You and Mom used to...

477
00:55:06,302 --> 00:55:07,385
I remember.

478
00:55:10,464 --> 00:55:11,464
Oh, Ethel.

479
00:55:13,200 --> 00:55:14,483
My princess.

480
00:55:18,010 --> 00:55:19,293
I love you so much.

481
00:55:22,069 --> 00:55:27,069
So very much.

482
00:55:30,471 --> 00:55:33,388
(MELANCHOLY MUSIC)

483
00:56:03,905 --> 00:56:06,463
DETECTIVE RAWLE: I'm so sorry
to have to tell you this.

484
00:56:06,464 --> 00:56:07,472
I insisted on being
the one to come here

485
00:56:07,473 --> 00:56:08,923
and inform you myself.

486
00:56:11,130 --> 00:56:14,220
It's about Ethel that I'm
here to talk to you about.

487
00:56:14,221 --> 00:56:15,869
HARRY: Ethel?

488
00:56:15,870 --> 00:56:18,259
Why, what's the matter with
Ethel, what?

489
00:56:18,260 --> 00:56:19,563
Oh, I see.

490
00:56:22,600 --> 00:56:26,693
I have this friend back in
I.A, Dennis, he's an ex cop.

491
00:56:28,129 --> 00:56:30,811
24 years he put in.

492
00:56:30,812 --> 00:56:33,700
Deathograms, that's what
he used to call this,

493
00:56:34,590 --> 00:56:37,699
this is what he called it,
this is what you do, right?

494
00:56:37,700 --> 00:56:40,729
DETECTIVE RAWLE:
Like I said, I had to

495
00:56:40,730 --> 00:56:42,580
be the one to come
here and tell you.

496
00:56:43,960 --> 00:56:46,383
I had to be,
I couldn't ask anyone else.

497
00:56:47,450 --> 00:56:49,315
HARRY: What happened, David?

498
00:56:49,316 --> 00:56:50,149
DETECTIVE RAWLE: She was involved

499
00:56:50,150 --> 00:56:53,482
in a car accident a
couple of hours ago.

500
00:56:54,325 --> 00:56:55,908
She was pronounced,

501
00:56:57,981 --> 00:57:01,233
she was pronounced
dead at the scene.

502
00:57:01,234 --> 00:57:04,817
(SOMBER, MELANCHOLY MUSIC)

503
00:58:00,069 --> 00:58:01,256
Bonjour.

504
00:58:01,257 --> 00:58:02,257
Bonjour.

505
00:58:03,589 --> 00:58:06,654
The girl, Eloise?

506
00:58:06,655 --> 00:58:07,655
Monsieur?

507
00:58:08,640 --> 00:58:11,029
There was a young
girl here the other day.

508
00:58:11,030 --> 00:58:12,303
Blonde, young?

509
00:58:13,463 --> 00:58:14,400
Eloise?

510
00:58:14,400 --> 00:58:15,354
Eloise?

511
00:58:15,355 --> 00:58:17,747
Yes, Eloise.

512
00:58:17,748 --> 00:58:20,559
I'm sorry, monsieur,
there's no Eloise here.

513
00:58:20,560 --> 00:58:21,393
Eloise!

514
00:58:21,393 --> 00:58:22,393
Oui.

515
00:58:23,151 --> 00:58:24,883
I do not understand.

516
00:58:25,780 --> 00:58:27,899
But I think I'm only
here a few weeks.

517
00:58:27,900 --> 00:58:31,531
I'm new so maybe I do not meet
all of the other girls yet?

518
00:58:31,532 --> 00:58:32,615
No, no, no.

519
00:58:35,351 --> 00:58:38,934
(SOMBER, MELANCHOLY MUSIC)

520
00:58:51,850 --> 00:58:53,186
Harry.

521
00:58:53,187 --> 00:58:56,349
Harry, it's me, Richard.

522
00:58:56,350 --> 00:59:01,350
I'm, uh, I'm about 20 minutes
out, according to the GPS.

523
00:59:02,410 --> 00:59:04,429
Just passed St. Saturnin.

524
00:59:04,430 --> 00:59:05,730
I can't wait to see you.

525
00:59:06,770 --> 00:59:09,639
Anyway, I've left you 15 messages

526
00:59:09,640 --> 00:59:12,319
but I haven't heard
anything from you.

527
00:59:12,320 --> 00:59:17,259
But either way, well I'll
be with you in a few.

528
00:59:17,260 --> 00:59:19,590
And then we can get that rose open.

529
00:59:21,050 --> 00:59:23,269
Call me back when you get this.

530
00:59:23,270 --> 00:59:27,197
I think this is the magnum
opus you've been hoping for.

531
00:59:28,106 --> 00:59:30,606
(TENSE MUSIC)

532
00:59:33,979 --> 00:59:34,979
Louie!

533
00:59:36,146 --> 00:59:37,229
Come on, boy.

534
00:59:38,805 --> 00:59:39,805
Louie?

535
00:59:41,177 --> 00:59:43,594
(FLIES BUZZ)

536
00:59:47,002 --> 00:59:50,252
(TENSE, OMINOUS MUSIC)

537
00:59:56,616 --> 00:59:57,616
Harry?

538
01:00:11,821 --> 01:00:12,821
Harry?

539
01:00:14,333 --> 01:00:16,833
(TENSE MUSIC)

540
01:00:56,393 --> 01:00:58,976
What are you doing with that?

541
01:01:00,804 --> 01:01:02,804
I'm sorry, I was just.

542
01:01:04,634 --> 01:01:06,384
You were just what?

543
01:01:07,823 --> 01:01:08,823
Put it down.

544
01:01:09,931 --> 01:01:10,931
Put it down!

545
01:01:13,980 --> 01:01:15,079
Didn't your father ever tell you

546
01:01:15,080 --> 01:01:17,793
not to touch things that
don't belong to you?

547
01:01:19,060 --> 01:01:20,103
That's mine!

548
01:01:21,530 --> 01:01:22,833
My finest work.

549
01:01:24,420 --> 01:01:26,423
Do you know how long that took?

550
01:01:28,560 --> 01:01:30,123
It's a masterpiece.

551
01:01:34,892 --> 01:01:37,939
I made a terrible
mistake, I need to go.

552
01:01:37,940 --> 01:01:39,590
My dad's expecting me home.

553
01:01:41,546 --> 01:01:43,029
What are you going to do with that?

554
01:01:43,030 --> 01:01:46,303
What needs to be done.

555
01:01:47,840 --> 01:01:49,409
Harry, stop!

556
01:01:49,410 --> 01:01:50,920
You're hurting yourself!

557
01:01:50,921 --> 01:01:55,189
You don't know what pain is!

558
01:01:55,190 --> 01:01:56,607
You have no idea.

559
01:02:01,720 --> 01:02:05,137
(DRAMATIC, URGENT MUSIC)

560
01:02:47,507 --> 01:02:48,507
Dad?

561
01:02:49,266 --> 01:02:53,279
Daddy, I don't have time to
explain but I'm at Harry's.

562
01:02:53,280 --> 01:02:54,613
He's gone crazy.

563
01:02:55,669 --> 01:02:59,233
Please, just come as soon
as you get this message.

564
01:02:59,234 --> 01:03:01,651
(DOOR BANGS)

565
01:03:18,338 --> 01:03:20,838
(TENSE MUSIC)

566
01:03:43,565 --> 01:03:48,565
(QUATTROPORTE (REPRISE)
BY CRAIG GANNON)

567
01:04:09,746 --> 01:04:10,866
("SWAN LAKE" BY TCHAIKOVSKY)

568
01:04:32,300 --> 01:04:33,550
I had it all.

569
01:04:36,026 --> 01:04:37,109
I had it all.

570
01:04:41,088 --> 01:04:41,921
You've no idea.

571
01:04:41,922 --> 01:04:43,042
("SWAN LAKE" BY TCHAIKOVSKY)

572
01:05:10,385 --> 01:05:14,117
The pain will never leave me, Ethel.

573
01:05:16,511 --> 01:05:19,924
Every time I close my
eyes, princess.

574
01:05:19,925 --> 01:05:21,045
("SWAN LAKE" BY TCHAIKOVSKY)

575
01:06:21,807 --> 01:06:25,390
(SOMBER, MELANCHOLY MUSIC)

576
01:06:26,984 --> 01:06:29,566
HARRY: Stop, stop, wait.

577
01:06:29,567 --> 01:06:30,567
Stop, wait.

578
01:06:32,283 --> 01:06:35,200
(MELANCHOLY MUSIC)

579
01:06:47,183 --> 01:06:48,183
Harry?

580
01:06:50,117 --> 01:06:51,117
Harry?

581
01:06:54,057 --> 01:06:55,173
You inspired me.

582
01:06:56,540 --> 01:06:57,963
Everything you did.

583
01:06:59,030 --> 01:07:00,343
You built me up.

584
01:07:01,800 --> 01:07:03,133
You were my everything!

585
01:07:04,270 --> 01:07:05,943
Everything you did.

586
01:07:07,617 --> 01:07:08,873
You were my world.

587
01:07:09,777 --> 01:07:12,694
(MELANCHOLY MUSIC)

588
01:07:47,783 --> 01:07:48,783
Oh shit.

589
01:07:49,751 --> 01:07:52,629
I'm not her, Harry,
I'm not your daughter.

590
01:07:52,630 --> 01:07:53,919
You built me up!

591
01:07:53,920 --> 01:07:56,050
Ethel, the thing of it is

592
01:07:59,819 --> 01:08:02,833
I don't want to forget you.

593
01:08:02,834 --> 01:08:03,746
Harry!

594
01:08:03,746 --> 01:08:04,746
Stop!

595
01:08:07,220 --> 01:08:08,797
I'm afraid I'll forget you.

596
01:08:10,300 --> 01:08:11,300
It'll be okay.

597
01:08:13,690 --> 01:08:14,690
Love.

598
01:08:16,270 --> 01:08:17,713
True love.

599
01:08:18,840 --> 01:08:23,763
True love is the only thing
that surpasses all of time.

600
01:08:24,821 --> 01:08:27,404
(SOMBER MUSIC)

601
01:08:36,288 --> 01:08:40,038
(DRAMATIC, MELANCHOLY MUSIC)

602
01:08:43,500 --> 01:08:44,777
ETHEL: Daddy.

603
01:08:44,778 --> 01:08:48,528
(DRAMATIC, MELANCHOLY MUSIC)

604
01:09:37,507 --> 01:09:39,680
MR. WILLIAMS:
"My grief lies all within

605
01:09:42,717 --> 01:09:44,836
"and these external
manners of laments

606
01:09:44,837 --> 01:09:48,296
"are merely shadows
to the unseen grief

607
01:09:48,297 --> 01:09:52,909
"that swells with silence
in the tortur'd soul."

608
01:09:52,910 --> 01:09:55,000
It isn't easy to contemplate

609
01:09:56,010 --> 01:09:58,479
the death of one's own children.

610
01:09:58,480 --> 01:09:59,480
HARRY: Eloise.

611
01:10:00,800 --> 01:10:01,800
She

612
01:10:04,470 --> 01:10:06,627
she was never really there

613
01:10:08,137 --> 01:10:09,137
was she?

614
01:10:10,380 --> 01:10:11,880
But your love for Ethel was.

615
01:10:14,450 --> 01:10:18,263
Eloise was a manifestation
of your love for her.

616
01:10:19,150 --> 01:10:22,599
You yearned to be
reunited with her so much,

617
01:10:22,600 --> 01:10:25,379
so strong was your
love for your daughter,

618
01:10:25,380 --> 01:10:29,969
the one person who made you
happier than anyone else,

619
01:10:29,970 --> 01:10:34,253
the one person no-one could
ever hold a candle to.

620
01:10:36,350 --> 01:10:40,823
Grief poises man midway
between destroyer and creator.

621
01:10:41,660 --> 01:10:45,619
One's mind carves a fairytale
when one can't accept

622
01:10:45,620 --> 01:10:47,903
the harsh realities
of the real world.

623
01:10:48,810 --> 01:10:52,439
Down here in the muck,
scavenging and grasping

624
01:10:52,440 --> 01:10:55,823
for well, for hope,

625
01:10:57,090 --> 01:10:59,639
you created your very own fairytale

626
01:10:59,640 --> 01:11:01,800
right here in your gingerbread house

627
01:11:03,580 --> 01:11:06,823
and you stayed here
to be with your child.

628
01:11:08,280 --> 01:11:10,530
Love is merely a madness.

629
01:11:13,106 --> 01:11:16,689
(GENTLE, MELANCHOLY MUSIC)

630
01:11:50,449 --> 01:11:52,782
("SYMPHONY NO. 40
IN G MINOR" BY MOZART)

631
01:13:30,618 --> 01:13:32,520
ETHEL: Daddy.

632
01:13:32,521 --> 01:13:34,041
(BRISK, SOMBER ORCHESTRAL OPERA MUSIC)