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Feb 20th, 2018
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  1. Romanticism
  2. - Happens in the turn of the 18th century to the early 19th century.
  3.  
  4. France
  5. - There’s a big rejection of the Academic Style and Enlightenment thought.
  6. - French Romantics want to break rules, challenge ideas of humanism.
  7. - Leading into the French Revolution.
  8. - There’s an interest in “Orientalism” and the East.
  9.  
  10. - Eugène Delaeroix, “Lady Liberty Leading the People” (1830)
  11. - Important French Romantic art.
  12. - The piece depicts an imagined scene frome the July Revolution.
  13. - King Charles X, the Burben King gets outed.
  14. - Replaced by the July Monarch.
  15. - The women in the painting is a “personification” of liberty.
  16. - How?
  17. - He idealizes her body.
  18. - And put her in a classical Roman dress.
  19. - She is barefoot.
  20. - She has a rifle.
  21. - She’s wearing a Phrygiam Cap.
  22. - A cap given to freed Roman slaves.
  23. - The style of it:
  24. - Open composition.
  25. - Relative clarity.
  26. - Non-classical style.
  27. - Call to action involves violence.
  28.  
  29. - Delacroix, “The Death of Sardabapolos” (1827)
  30. - *The key of Assagonia.
  31. - He lost his throne and and murdered his harem.
  32. - Delacroix disregards accurate proportions.
  33.  
  34. - Jean-Auguste-Dominique Inges, “la Grande” (1814)
  35. - Nude vs. Naked
  36. - Nude is “nothing to hide”.
  37. - Naked implies shame / humility.
  38. - The properties of her body are incorrect.
  39. - He does this to:
  40. - 1. Challenge preceptors of beauty.
  41. - 2. To depict that she’s from the East.
  42. - Because of all the items in the pie.
  43.  
  44. - Jean-Leon Gerome, “The Snake Charmer” (1870)
  45. - This is a good example of Orientalist art.
  46. - ex. It has gibberish Arabic text.
  47. - Which actually goes against religious prescriptions.
  48. - An example of cultural appropriation.
  49.  
  50. ORIENTALISM
  51. - A colonial attitude that non-Western people are “the other”.
  52. - In art, it’s a fascination with the East.
  53.  
  54. GERMANY
  55. - The attention / interest was in personal religion.
  56. - ex. Imagination through the Mind’s eye.
  57.  
  58. - Caspar David Friedrich, “Monk by the Sea” (1809)
  59. - Sublime art involved, “humans can’t see everything there is”, “being overwhealmed by a massive scene”
  60. - Nature as a place to contemplate Religion.
  61. - Hence, monk by the sea.
  62.  
  63. - Caspar David Friedrich, “The Abbey in the Orchard”
  64.  
  65. - Georg Friedrich Kersting, “Caspar Friedrich in his Studio, 1812
  66. - Painter’s not looking outside.
  67. - Because he’s using his “mind’s eye”.
  68.  
  69. - Georg Friedrich Kersting, “Wanderer Above a Sea of Fog”.
  70. - Shows a solitary man, contemplating nature.
  71.  
  72. England
  73. - A fascination with atmosphere.
  74. - The industrial revolution.
  75. - The picturesque.
  76. - The subline.
  77.  
  78. - JMW Turner, “Hannibal and His Army Crossing The Alps”
  79. - The focus is on the giant snowstorm.
  80. - And Hannibal is a tiny speck in the background.
  81.  
  82. - JMW Turner, “The Fighting Temeraire Tugged…”
  83. - Symbolizes the industrial revolution.
  84.  
  85. - JMW Turner, “Rain, Steams, Speed”
  86. - “painterly”, entirely brush strokes.
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