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- Romanticism
- - Happens in the turn of the 18th century to the early 19th century.
- France
- - There’s a big rejection of the Academic Style and Enlightenment thought.
- - French Romantics want to break rules, challenge ideas of humanism.
- - Leading into the French Revolution.
- - There’s an interest in “Orientalism” and the East.
- - Eugène Delaeroix, “Lady Liberty Leading the People” (1830)
- - Important French Romantic art.
- - The piece depicts an imagined scene frome the July Revolution.
- - King Charles X, the Burben King gets outed.
- - Replaced by the July Monarch.
- - The women in the painting is a “personification” of liberty.
- - How?
- - He idealizes her body.
- - And put her in a classical Roman dress.
- - She is barefoot.
- - She has a rifle.
- - She’s wearing a Phrygiam Cap.
- - A cap given to freed Roman slaves.
- - The style of it:
- - Open composition.
- - Relative clarity.
- - Non-classical style.
- - Call to action involves violence.
- - Delacroix, “The Death of Sardabapolos” (1827)
- - *The key of Assagonia.
- - He lost his throne and and murdered his harem.
- - Delacroix disregards accurate proportions.
- - Jean-Auguste-Dominique Inges, “la Grande” (1814)
- - Nude vs. Naked
- - Nude is “nothing to hide”.
- - Naked implies shame / humility.
- - The properties of her body are incorrect.
- - He does this to:
- - 1. Challenge preceptors of beauty.
- - 2. To depict that she’s from the East.
- - Because of all the items in the pie.
- - Jean-Leon Gerome, “The Snake Charmer” (1870)
- - This is a good example of Orientalist art.
- - ex. It has gibberish Arabic text.
- - Which actually goes against religious prescriptions.
- - An example of cultural appropriation.
- ORIENTALISM
- - A colonial attitude that non-Western people are “the other”.
- - In art, it’s a fascination with the East.
- GERMANY
- - The attention / interest was in personal religion.
- - ex. Imagination through the Mind’s eye.
- - Caspar David Friedrich, “Monk by the Sea” (1809)
- - Sublime art involved, “humans can’t see everything there is”, “being overwhealmed by a massive scene”
- - Nature as a place to contemplate Religion.
- - Hence, monk by the sea.
- - Caspar David Friedrich, “The Abbey in the Orchard”
- - Georg Friedrich Kersting, “Caspar Friedrich in his Studio, 1812
- - Painter’s not looking outside.
- - Because he’s using his “mind’s eye”.
- - Georg Friedrich Kersting, “Wanderer Above a Sea of Fog”.
- - Shows a solitary man, contemplating nature.
- England
- - A fascination with atmosphere.
- - The industrial revolution.
- - The picturesque.
- - The subline.
- - JMW Turner, “Hannibal and His Army Crossing The Alps”
- - The focus is on the giant snowstorm.
- - And Hannibal is a tiny speck in the background.
- - JMW Turner, “The Fighting Temeraire Tugged…”
- - Symbolizes the industrial revolution.
- - JMW Turner, “Rain, Steams, Speed”
- - “painterly”, entirely brush strokes.
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