Advertisement
TheCapskyLabs

Trixie&Anon Stories: Part 4

Sep 5th, 2017
481
0
Never
Not a member of Pastebin yet? Sign Up, it unlocks many cool features!
Diff 15.90 KB | None | 0 0
  1. >be Anon
  2. >You wake up.
  3. >Covered head to toe in sweat.
  4. >Shouldn't have fallen asleep in your suit again.
  5.  
  6. >The smell of alcohol hits your nose.
  7. >Well, alcohol, tears, and sweat.
  8. >Anon's Favourite Combo™.
  9.  
  10. >You sit upright on your bed.
  11. >The early bright sunlight reflects off of every single thing it can, filling the room with silvery tones.
  12. >Dust particles dancing around you, narrowly missing your eyes.
  13. >You blink.
  14.  
  15. >Working on autopilot, you find the bottle on the floor and take another swig.
  16. >You're gonna turn into a slav with this much vodka in you.
  17. >But you don't really care.
  18. >Might as well be happy with your shitty life.
  19.  
  20. >You go past your wimpy table and set the wine bottle on it.
  21.  
  22. >You see a half-eaten PB&J.
  23. >It's weeks old, but still looks just as shit as when it was fresh.
  24.  
  25. >You feel like that sentence could describe your whole life.
  26. >Yesterday you thought that something amazing was gonna happen, though you don't exactly remember what that thing was.
  27. >But today you still sense the amazing thing.
  28. >And you know you're gonna love it.
  29.  
  30. >Sandwich in hand, you walk over to your balcony.
  31. >Open the door.
  32. >Take in the air around you.
  33. >Have a good look at the morning London.
  34. >And take a bite of your BLT.
  35. >The fresh lettuce fills you up with energy.
  36. >The crispy bacon makes you not regret living.
  37.  
  38. >But you know what would make your life just that bit better.
  39. >You turn around to take your bottle.
  40.  
  41. >Then you remember why you were so happy in these last couple weeks.
  42. >The portal to Equestria, glimmering in the sunlight with its bare metal and unshielded wires, stands there, ready for you to go through.
  43. >A great ring, just big enough for you to fit in, designed to close after a spike in power consumption.
  44. >How did you achieve that?
  45. >Just got a cheap power bar. It'll die after a single peak of high voltage going through it.
  46.  
  47.  
  48. >You throw all the stuff you have in your hands and jump towards it.
  49. >You visually examine all the loose wires you might've left when you got hammered while working yesterday.
  50.  
  51. >Everything looks fine.
  52. >You try touching the metal, your fingers anticipating the cold feel of aluminium.
  53. >But you only hear a ringing sound and the sound of your nerves dying off.
  54.  
  55. >Your hands are tied.
  56. >Your forehead is bleeding.
  57.  
  58. >And you don't have your diary with you in such a moment.
  59. "Well fuck me."
  60.  
  61. >TrixAnon Stories: Part 4.
  62.  
  63. >Your eyes at this point are wide open, but you still can't make anything out.
  64. >Everything's a blurry mess.
  65.  
  66. >You do hear a voice, though. Someone crying right behind you.
  67. >You try turning your head.
  68. >And only see a part of a light-blue mane.
  69. >A couple more degrees, and your head would've snapped out of your neck.
  70.  
  71. "Trix?"
  72. >The sobbing stops.
  73. >"Anon!"
  74. >You've never thought you'd be so relieved to hear this voice again.
  75.  
  76. >Though you feel like you'll have more problems than just Trixie crying very soon.
  77. >A shadowy figure moves inside the darkness, and you can only see a pair of amber eyes shining brightly, staring directly at you.
  78.  
  79. >Only now you realise how the spotlight above only has you two lit up, albeit very dimly.
  80. >Tied to two chairs opposite of each other.
  81.  
  82. >Then, everything changes.
  83. >A microphone feedback sound rings through the hall.
  84.  
  85. >Get ready, Anon.
  86. >It's performance time.
  87.  
  88. >"MARES AND GENTLECOLTS OF CANTERLOT!"
  89. >The hall rustles with voices.
  90. >"THE ROYAL CANTERLOT HALL IS PROUD TO FINALLY PRESENT TO YOU THE GREAT AND POWERFUL TRRRIXIE!"
  91. >The other lights come online, and the audience on hundreds of pairs of eyes finally sees you.
  92. >All silent, waiting for you two to become conscious.
  93.  
  94. >"W-what?"
  95. >Trixie's just confused as you are.
  96.  
  97. >You whisper to her.
  98. "Trix, do you know what to do?"
  99. >"Not yet, Anon. Give me some time."
  100. "They're waiting!"
  101. >"I need some time to get into character."
  102.  
  103. >You need to buy her some time.
  104. >Gathering up all your might, you yell as loudly as you can into the mist of eyes.
  105. "HELLO, PONIES! WELCOME TO OUR SHOW!"
  106. >The soundwaves from your mouth disappear into the darkness.
  107.  
  108. >The audience stays almost silent, with a couple voices ringing out here and there.
  109.  
  110. "AS YOU MOST PROBABLY KNOW, I'M TRIXIE'S AMAZING ASSISTANT, ANONYMOUS!"
  111. >You really need to train yourself to work without feedback.
  112. >'Cause these ponies will not give out a single noise.
  113. "CAN'T TRUST ANNOUNCERS TO GET EVERYTHING RIGHT THESE DAYS, YOU KNOW?"
  114. >Right, now you need to figure out what to do.
  115. >What seems like hours pass while you sit there, awkwardly staring at the crowd.
  116. >Oh yeah, the chair.
  117. "AND AS YOU SEE, WE ARE IN NOT THE MOST COMFORTABLE SITUATION TO PERFORM RIGHT NOW."
  118. >You hear a loud popping sound.
  119. >A poof of magic right in the back of your head gives out what Trixie's been planning.
  120.  
  121.  
  122.  
  123. >be Silver Dust.
  124.  
  125. >Mom finally gave into your begging and got you a ticket to Trixie's show!
  126. >This isn't the first time she's been to Canterlot with a show, but it is the first time seeing her for you.
  127.  
  128. >And it's also the first time you've been to the Hall by yourself.
  129.  
  130. >You've been hearing tons and tons about her amazing performances back in school, it seems like every other colt's already been here at least once.
  131. >Whatever, you'll enjoy yourself today.
  132.  
  133. >Looks like Trixie's found a new way to introduce her this time!
  134. >Tied up to a chair with her new assistant.
  135. >You so wanna see how she gets out of the situation.
  136.  
  137.  
  138.  
  139. >You've been staring at the scene for so long now that your eyes are starting to hurt.
  140. >You blink.
  141.  
  142. >A puff of smoke pops onto the scene, reflecting the spotlights across the Hall, spreading their light in waves through the crowd.
  143.  
  144. >Aw horseshoes, you missed it.
  145.  
  146. >You hear the Hall release its famous Roar of Voices upon the scene, covering it with a wind of soundwaves.
  147. >"Welcome to the show, ponies!"
  148. >The roar loudens, as if the manticore that produced it just got even bigger.
  149. >Trixie sure does know how to get the crowd going.
  150.  
  151. >Her signature circus-like music starts playing, almost deafening you with its tingly-high piano chords.
  152. >She taps her hoof on the floor, and her weird-looking assistant gets untied.
  153.  
  154. >"I can't believe Trixie's been able to get Anon the Amazing onto the show!"
  155. >There's a mature-enough-looking earth filly sitting next to you.
  156. >You glance over at her.
  157.  
  158. >All of the bright lights illuminate her soft-looking pale yellow coat, making it look almost golden.
  159. >Her green-ish mane shined by itself, it seems like.
  160.  
  161. "Oh, did something happen to them?"
  162. >You always get anxious about replying to ponies in environments like this.
  163. >She might've said that to someone sitting next to her on the other side.
  164.  
  165. >"Oh, didn't you hear? Their carriage broke on the way from Fillydelphia to Ponyville!"
  166.  
  167. >She still seemed captivated with the show, while you didn't even pay attention to it.
  168.  
  169. "That's awful."
  170. >You awkwardly stop looking in the filly's direction and go back to the watching the show.
  171.  
  172. >Though…
  173. >You glance over to your right one last time.
  174.  
  175. >She's looking at you.
  176. >Ooh poo.
  177. >"It's your first time here, isn't it."
  178. >She said, raising an eyebrow and smirking.
  179.  
  180. >What's that even supposed to mean?
  181. >S-so what if you're here for the first time!...
  182.  
  183. >"Don't worry, it's my first time alone here too."
  184. >You unknowingly let out a sigh of relief.
  185. >She giggles.
  186.  
  187. >"Wanna go for milkshakes after the show?"
  188. >Oh.
  189.  
  190. >...
  191.  
  192. >Tartarus yes.
  193. "Sure, why not."
  194.  
  195. >Her eyes light up brighter than Trixie's fireworks, and her smile blurs your eyes stronger than Anon's Blinding Storm spell.
  196. >The filly scoots over on her seat to be closer to you.
  197. >This night is going even better than you expected.
  198.  
  199. >"Now lets watch the show."
  200.  
  201. >...
  202.  
  203. >An hour and a half later you feel not only the filly's warmth beside you, but everypony else's.
  204. >The Hall was never famous for it's big entrances and exits, so ponies had to rub sides to get out in numbers of at least two at a time.
  205. >While you were standing in line to the exit, you noticed another pony going onto the scene.
  206. >She said something to Anon.
  207. >He immediately ran off to somewhere behind the curtains.
  208.  
  209. >You were left pondering where he'd gone.
  210. >The pony on the stage was left alone with Trixie.
  211.  
  212. >You'd never seen a anypony like her before.
  213. >Dark green coat, ash-grey sometimes curly, sometimes straight mane and tail…
  214. >You couldn't see the cutie mark from that angle, but you were pretty sure she didn't have one, despite being a fully grown-up mare.
  215.  
  216. >You feel a bump from behind.
  217. >And go out into the darkness.
  218.  
  219. >The opening seemingly pushed you through into the vacuum of the night, cloaking you in cold and dry autumn air.
  220.  
  221. >You stood at the bottom of the staircase, waiting for the filly to catch up.
  222. >Oh, yeah, you never actually got her name.
  223.  
  224. >You see her gracefully hopping down the wide steps.
  225. >"Thanks for waiting for me, umm…"
  226. "Silver Dust."
  227. >"Yeah, Silver Dust."
  228. "And you are?..."
  229. >"Little League."
  230. >Only now you notice the little baseball on her flank.
  231. >You've heard all sorts of things about sportsfillies from colts at school.
  232. >Doubly excited for the night now.
  233.  
  234.  
  235. >be Anon
  236. >Phew!
  237.  
  238. >You're finally done with the Canterlot show.
  239. >You feel as if the whole planet just fell off your shoulders.
  240. >And the best part is that you have a whole month before the next one.
  241.  
  242. >...
  243.  
  244. >You and Trixie are now sitting on the edge of the stage, looking at happy ponies cramming into the small opening they call the exit door.
  245. >"See, Anon? You should've expected only the best from Trixie!"
  246.  
  247. >You sigh.
  248. "I know I should've believed in you, Trixie."
  249. >You feel her smile shining through you.
  250. "Just didn't know if you could handle the stress."
  251. >You clench up, anticipating the blast.
  252.  
  253. >"You know what?"
  254. >Huh?
  255. >"I wouldn't have handled it if you weren't around."
  256. >Huh?
  257. >"Thanks, Anon."
  258. >Uh, what.
  259.  
  260. "Um."
  261. >"I'll count that as "You're welcome" for the last time."
  262. >She snickers.
  263.  
  264. >You force out a chuckle too, why not.
  265. >The two of you calm down once again, waiting for everypony else to get out.
  266. >But one of them isn't going towards the entrance.
  267. >The greenish pony.
  268. >Her amber eyes shine, staring directly at you.
  269. >Is she a mare or a filly?
  270. >You cannot decide.
  271. >She doesn't even have a cutie mark.
  272. >You wipe sweat from your brow.
  273. >Why are you sweating?
  274. >And then, the world dies for a moment.
  275.  
  276. >You hear a familiar voice.
  277. >"Hey, Anon! Didn't you forget something?"
  278. >The pony smirks.
  279. >Forget what?
  280. >You let out a sound you don't even know how to describe.
  281. >Trixie doesn't seem to notice anything.
  282.  
  283. >"Alright, I'll put it in your room, since you've been a good boy."
  284. >Her at least somewhat neutral expression turns into a piercing stare only you could've pulled off.
  285. >"Now go get it."
  286. >The pony disappears into thin air.
  287.  
  288. >You rush off to wherever.
  289. >"Anon? What?"
  290. >The Great and Powerful Trixie, left in the dust behind you, was really confused.
  291. >You find a room labeled "Anon" in the hallway behind the curtains.
  292.  
  293. >You turn the knob.
  294. >You slowly (or so you think) open the door.
  295. >...
  296. >There's nothing in the room apart from a leather-bound book.
  297. >You take a step inside.
  298. >Sit down on the cold wooden floor.
  299. >And touch the book.
  300.  
  301. >The memories come to you.
  302. >A wave rushes over you, drowns you, and leaves you hyperventilating and now lying on your back, feeling the grain of the warm maple planks beneath you.
  303.  
  304. >What?...
  305.  
  306. >What the fuck happened in Canterlot?
  307. >Sewers?
  308. >Ghouls?
  309.  
  310. >You just… Forgot about it?
  311.  
  312. >Well, shit.
  313. >Must be a magic thing.
  314.  
  315. >Speaking of magic.
  316. >You pick up the book and unbuckle the little leather belt.
  317.  
  318. >Knock knock
  319. >Oh, Trixie is here.
  320. >Did everyone leave already?
  321. >You could swear you sat down here just a minute ago.
  322. >KNOCK KNOCK!
  323. >What even was the book, again?
  324. >"ANON!"
  325. >Oh, right.
  326. "Yeah, yeah, wait, wait, wait."
  327. >Your legs are going to kill you...
  328.  
  329. >You open the cute little door to see the blue pony without her hat and cape, and seemingly very, very anxious about something.
  330.  
  331. >"Anon! Somepony took everything from my room!"
  332. >She glances past you, eyeing the emptiness of the room behind you.
  333. >"And as I can see yours wasn't spared too."
  334. "I don't even remember if anything was here in the first place."
  335.  
  336. >"What do you mean?"
  337. >The blue horse stares into your eyes.
  338. >You stare back.
  339. >Trixie turns around and runs off to somewhere.
  340. >You open the book and automatically turn the pages to the last one with anything written on it.
  341.  
  342. "Ponyville, Equestria, Week 10, 7:29 A.M.
  343. The transformation procedure went great! Didn't even have to teach myself hoofwriting.
  344. Doc said that I'd continue transforming for a while before everything's finished, but I feel fine right now. Guess it happens overnights or something. I really dig the new colours, too. The green has always suited me, I think.
  345.  
  346. New life, here I go."
  347.  
  348. >What.
  349. >The green horse stares into your eyes.
  350. >You stare back.
  351. >She turns around and runs off to somewhere.
  352.  
  353. >You stand there, dumbstruck, complete blankness in your head.
  354. >What in Celestia's balls is going on?
  355. >You try moving your legs.
  356. >The stubborn hooves don't even budge a millimeter.
  357. >You concentrate on your front legs and finally start moving.
  358. >The clopping of your hooves on the heavy mahogany resonate and ricochet back into your ears, getting you out of the trance.
  359.  
  360. >You shake it off out of your head.
  361. >Where's…
  362. "Trixie?"
  363. >You wait for an answer for a couple long seconds, not moving.
  364. >The lights in the corridor start flickering.
  365. >Are they even electric?
  366. >You look around yourself for an exit out of this place.
  367. >It stretches over, over, and over, and also over.
  368. >Seems like the horizon actually hides even more of the same hallway.
  369.  
  370. >You glance over at the door to your room and dash into it, closing yourself off behind you.
  371. >The room hasn't changed, unlike everything else in this place: the same armchair, fireplace and the TV above it.
  372. >No light, though.
  373. >You sit down on the chair.
  374.  
  375. >The TV turns on by itself, lighting up the room with flickery-cold tones.
  376. >A familiar face appears on it.
  377. >The brown horse guy appears to see you through the TV line, and he seems kinda worried.
  378. >He speaks to you in his funny accent.
  379. >"Anon? What happened?"
  380. >The picture sounds like the connection is somewhat off.
  381. >You won't bother to fix it, you can read it clearly.
  382.  
  383. >"Anon? Are you alive in there?"
  384. >The connection interrupts.
  385. >White noise.
  386. >The noise sounds like some obscure music band your friends on Earth would show you.
  387. >You kinda dig it, too.
  388. >The flickering image imprints itself into your brain.
  389. >"Anon."
  390. >A strong female voice speaks through the discord.
  391. >"I have a question for you."
  392. "Yes, mom?"
  393.  
  394.  
  395. >The noise clears up into black and white dots scattered about the screen in some pattern.
  396. >The colours come in.
  397. >A white pony face with some sort of pink, green and light blue hair.
  398. >"When will you die?"
  399.  
  400. >W-what is that horse t-talking about?
  401. >You won't die anytime soon, will you?
  402. >You hope you won't.
  403. >"Hoping won't help."
  404.  
  405. >You can't handle it anymore.
  406. >They're fucking with your brain.
  407. >THESE.
  408. >PONIES.
  409. >ARE.
  410. >DEADASS.
  411. >FUCKING YOUR GODDAMN BRAINS OUT WITH THEIR FOOTLONG HORSECOCKS.
  412. "STOP IT!"
  413.  
  414. >"You know what I'm talking about, Whooves."
  415. >What?
  416. >"You know I've done plenty of things to you."
  417. >Is she not talking to you?
  418. >"Now it's time for you to repay, Doctor."
  419.  
  420. >You hear the static again.
  421. >Mom vanishes from the screen.
  422. >Was she blabbering about your Doctor?
  423.  
  424. >The noise fills your eardrums with bliss once again.
  425. >You're having a very positive ASMR experience with this thing, and you hope that no other bullshit will interrupt it in the near future.
  426. >And it probably won't, since you're falling asleep already.
  427. >Too much stress, you know.
  428.  
  429. >Your heavy eyelids come together after a long breakup and a divorce case, where the top half almost took over everything the other half had.
  430. >What a poor court system your body has.
  431. >You'll sort that out later.
  432. >Good thing that this chair is so comfy, 'cause right now all you need is some sleep.
  433.  
  434. >You finally close your eyes and catch up to your sleep schedule.
Advertisement
Add Comment
Please, Sign In to add comment
Advertisement