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Plotting My Farewell (One Shot)

Sep 16th, 2013
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  1. >Night Respite Is Another Word for Quitting in Equestria
  2. >Be Anonymous the Fossor
  3. >The bell tower strikes midnight as you rise from your wooden bunk
  4. >You stretch sleepily as you prop yourself up on your elbows and look out the small glass window
  5. >It is drizzling tonight, but work is work
  6. >You wash your sore body over with a bucket of cool water before grabbing your gear
  7. >Lantern, shovel, a few pouches, and your fine pair of dirt encrusted boots
  8. >Stepping outside, you hold the light out before you and plod through the softening ground
  9. >You contemplate how the ground will be that much easier to move tonight and take some comfort in the thought
  10. >The rain continues, steady as it is, and you sigh at the grey world around you
  11. >Solid stones jut up from the very earth and tall, limestone mausoleums sit atop the necropolis as if waiting for a soul to come knocking
  12. >You shine your lamp over a smooth, smaller headstone and read the titles in your head
  13. >Mayberry the Earthen, May Your Basket Always Be Full
  14. >You smile at the finely carved words and wonder who Mayberry might have been
  15. >In your spare time, you often find yourself daydreaming of how important a pony was based upon how elaborate their gravesite is
  16. >It is a silly thought, but you have them all the time
  17. >What you don't often have is company, you think, as you look down the slopes to the lower fields
  18. >With heavy boot steps, you descend to the new plot and take your shovel in your hand
  19. >The night is cool, thanks in part to the rain, and you whistle a merry little tune to yourself while you work
  20. "When ye find your bones are aching and your hooves are awfully stressed, then it's time to find a nice bed and get ready for some rest. Ye may walk far with cart in tow, but someday, we all must go. To the Great Fairground to meet our friends, where the stories never end..."
  21. >You don't recall who first recited this song or why you listened, but it's pretty catchy
  22. >The hole grows wider under your expect hands as you lift shovelful after shovelful out of the way
  23. >A silence hangs over the graveyard tonight as you work and you slightly miss the chirp of crickets and hum of the beetles
  24. >You happily break through the loamy soil when you hear the sounds of hoof beats on cobblestone
  25. >There is no scheduled service tonight, you hesitate to imagine, and you grow curious
  26. >Pulling yourself from the grave, you hold your lantern out to see if you can catch a glimpse of the creator of the sound
  27. >The rain obscures your sight, but you think you can see a faint outline just over the hill
  28. >You stab your shovel into the ground and begin your hike
  29. >As you approach, you can hear the sound of a scream and then running hooves disappearing into the distance
  30. >You catch sight of a pony's tail as it races behind a tombstone
  31. >The sound of something tripping and then faintly sobbing rises into the thick air
  32. >Rounding the corner, you find a small filly with dirt on her face and rain slicking back her mane
  33. >She looks up at you with some expression between utter fear and true horror
  34. >You bring your lantern around to get a better view and the pony winces
  35. >The mare is the first to speak with a dry, frightened voice
  36. >"Please don't eat me, oh Celestia, please, please!"
  37. >You listen to the pleading for a while and try to figure out what this filly is talking about
  38. >"I swear I'll never sneak sugar cubes before supper again!"
  39. >Having not learned anything other than this filly is a bit of a troublemaker, you hold out your hand
  40. "Enough! What are you doing in my graveyard?"
  41. >"I-I-I..."
  42. "Speak!"
  43. >She does so without pause for breath
  44. >"I was playing Truth or Dare with my friends and they dared me to come here and they said a pony-eating ghoul lived here and then we all came and saw you and they ran and I fell and now you're questioning me..."
  45. >She gasps for air as your head spins from so much useless information
  46. >"And, oh my gosh! You are the pony-eating ghoul! I thought it was just an old mare's tale!"
  47. >You shake your dizzy head and try to speak sense
  48. "I am not a pony-eating ghoul."
  49. >"But, your skin is so pale and you smell like week old trash and your teeth are so sharp and..."
  50. >You roll your eyes and scowl
  51. "Look, you..."
  52. >"My name's Rosewood."
  53. "Great... Look, Rosewood... This is a cemetery. It is for the dead to get some rest. You do not belong here."
  54. >"So... So, you're not going to eat me?"
  55. "No! Stop asking me! Go home and tell your hooligan friends to stay away from these grounds!"
  56. >You watch the unicorn stand up before falling to one leg
  57. >"Ouch! Ohh, my knee hurts."
  58. >Rosewood holds out her leg and you look over it
  59. >It is a little red and a bit swollen, a sprain if ever you've seen one
  60. >You think for a moment before reaching down for the little pony
  61. >She winces again, but you manage to hold her safely in your arms
  62. >"Thanks, Mr. Ghoul."
  63. "My name is Anonymous. I am not a ghoul, I just work here."
  64. >"Oh, wow... How did you get a job like that?"
  65. "Very carefully..."
  66. >You begin to head back to your domicile under the church as Rosewood continues her mad ranting
  67. >"What are you suppose to be anyways? I never seen a pony like you before."
  68. "I am not a pony. I am a human."
  69. >"Hyu-min... Huh, weird."
  70. >She chuckles lightly in your arms and now you are sure she is a little loopy
  71. >"So, Mr. Hyu-min, why do you dig holes? Is that your cutie mark, hole digger?"
  72. "I dig holes because it is my job."
  73. >"Oh, I see... But, what if it wasn't your job."
  74. "Then I probably wouldn't do it."
  75. >She stops for a moment as you lift your lantern into the air
  76. >You listen carefully as a peel of thunder interrupts the silence and you count slowly
  77. >The rain begins to pick up speed on strong winds and your face is whipped by the icy blobs
  78. >Turning your back, you pace away from the storm with Rosewood tucked into your jacket
  79. >"Whoa, the weather team really did a great job on this hurricane..."
  80. >Your eyes snap to and you yelp
  81. "Hurricane!?"
  82. >"Yep, didn't you get the letter last week?"
  83. >You don't get mail since that incident at the post office
  84. >It really should stated that you cannot mail embalming fluid and coffin nails
  85. >You even tried to apologize for the smell, but they still refuse to accept your business
  86. >Rosewood calls out to you as you daydream about your mistakes
  87. >"So, do you live in the ground? Are you like a gopher?"
  88. "Go for what?"
  89. >You finally make it to your door on the outside of the church and open the cellar wide
  90. >It takes a little maneuvering, but you manage to get the door closed against the wind without dropping either the pony or the lantern
  91. >Descending the short staircase, you gently rest the lantern on a table and lay the pony on your bed
  92. >"Whoa, this is like... Your home? It looks so normal..."
  93. "I am normal."
  94. >"If you're so normal, why don't you walk around on four hooves, huh?"
  95. "I am normal... For a human."
  96. >Rain beats at your small window now to the point where you cannot see anything outside
  97. >The sound of wind rushes around the cellar doors and claws at the thin, wooden frame
  98. "I think you'll have to stay the night."
  99. >"Uh, sure. So, you got anything to munch on around here?"
  100. >You look around the small room before heading to the dry storage
  101. >A few apples and a bag of potatoes is all you have left and you ponder if you should restock next time you are near town
  102. >Taking the bag on your back, you reappear before Rosewood
  103. "I have some fruit for snacking and I can boil potatoes for dinner."
  104. >She chuckles lightly before resting her body on your blankets
  105. >"I don't eat that kind of stuff."
  106. "What do you want?"
  107. >"Something yummy, like um, well... Like a steak? Extra lean, red, juicy. That kind of thing!"
  108. >Your stomach growls angrily for the first time in forever
  109. >You haven't hear talk of red meat since you arrived to this place of Equestria and you were sure no pony would ever eat red meat
  110. "-You- like red meat?"
  111. >"Well, not the meat so much, just the red."
  112. >She smiles and her sharp teeth glisten in the glow of the lantern
  113. >In all your years, you have never seen a pony like here before
  114. "What are you exactly?"
  115. >"A pony, silly!"
  116. "What kind of pony drinks blood?"
  117. >"A bat pony, duh?"
  118. >She sticks her tongue out at you and you stare at her with a great interest
  119. "Well, I don't have anything like that here. Haven't had a good steak in a long time now."
  120. >"Oh, but I'm hungry!"
  121. "I only have what I have."
  122. >She eyes you up and down quickly
  123. >"Well, you're not a pony, right? So, maybe, well, if you think it would be OK."
  124. "Are you asking to drink my blood?"
  125. >"What? No, of course not! Unless, you were going to be into that..."
  126. >You stare hard at the little mare before you and think hard
  127. >The winds pick up again and you can hear the rattling of the metal handles on your cellar door
  128. "Storm's getting bad and... Oh, damn it! My shovel is still out there!"
  129. >"Don't worry, I know a pony who sells loads of shovels in town!"
  130. "That is -my- shovel, though. It can't be replaced."
  131. >"What, are you poor or something?"
  132. "No, it just has special significance to me."
  133. >"How can a shovel be special?"
  134. "It was a gift."
  135. >Rosewood stops and looks at you with wide, almost understanding eyes for the moment
  136. >"I like you, Anon, you're silly."
  137. >You simply sigh and pull a pot over to your stove before filling it with water
  138. >The burning ignites and the small flame gives off a fairly pleasing warmth
  139. >You hardly notice how cold this place is some nights
  140. >Rosewood, on the other hand, crawls under some blankets and curls up tightly with her injured leg exposed
  141. "One moment, I think I have some bandages left."
  142. >As the water boils, you look in a cabinet to find a few feet of cloth left
  143. >You take a cup of fresh water from your reserve and casually approach your guest
  144. "Let me see your leg..."
  145. >"OK, see it?"
  146. >She giggles and kicks one leg out from under the blankets
  147. "Your hurt leg, I meant."
  148. >"Wow, you're going to really help me out with this? I don't know what my friends were thinking when they said you were a scary, mean, pony-eating ghoul."
  149. >You almost want to laugh at your portrayal, but kids will be kids after all
  150. >It takes a few moments to wash her leg clean and she groans, but you manage to wrap the abrasion with little resistance
  151. >"Just wait 'til I tell everyp0ny how nice you are. Even if they have to hold their noses."
  152. "You are a strange pony."
  153. >"I am? How many ponies do you know?"
  154. >She has you on that point
  155. >Aside from the religious leader and one other groundskeeper, you don't know anyone around
  156. "So, about this steak... Do you often have that for dinner?"
  157. >"Not really, only when we have the luck to find a good deal."
  158. "You say, 'We', do you mean your family?"
  159. >"Yep, my mother and me. You're pretty good at guessing stuff."
  160. >You move to the water and add some salt and the last few scrapes of pepper before dropping in a handful of small potatoes
  161. >"Mmm, that smells so good. Most ponies don't eat steak either, but you're not a pony. I like the juicy blood, what about you?"
  162. "Not just blood, but a steak cooked to pink is a treat. Also, you're welcome to have a few."
  163. >Thunder strikes again and you hear the booming sound close by
  164. >What a night for a storm
  165. >The bat pony lies on her side for the moment before shifting to her back
  166. >"Hey, Anon?"
  167. "Yes?"
  168. >"You work in a graveyard a lot... Where do you think a pony goes when it passes on?"
  169. >This question confounds you for the moment
  170. >Clearly, it is a serious question and one you should take with consideration
  171. "In the ground, physically. What do you believe happens?"
  172. >"I don't know? Mom said that you go to a beautiful place where they eat steak everyday and it's always perfect. She said you'd see all your old friends and family members too."
  173. >Rosewood's eyes seem to soften in the dim light and her pupils round off
  174. "That sounds like a lovely way to end a life."
  175. >You nod as sagely as you can while stirring the pot
  176. >"Did you ever know somep0ny who died?"
  177. "A few, but not nearly as well as I could have."
  178. >"Did it hurt?"
  179. "It always hurts to lose someone, especially if you love them."
  180. >"Mom said it happens to everyp0ny someday. It's part of being alive, you know? Like, you can't be alive and not dead or else you would never know what it was to be alive!"
  181. >That almost makes sense in some strange, mottled way
  182. "Yes, but tonight, we have living to do. Let's talk about something else."
  183. >"My birthday's tomorrow..."
  184. >She smirks at you quickly
  185. >"What would you like to get me for my birthday?"
  186. "A bowl of soup..."
  187. >You scoop some warm, potato flavoured water into a clay bowl and place it to one side
  188. >Rosewood easily takes it in her magic as she lays on her side again
  189. >With her spoon, she digs into the soft skin and pulls out a fleshy lump of white, starchy potato
  190. >It disappears into her mouth and she makes a delightful little squeaking noise
  191. >"You're a good cook, Anon!"
  192. >You begin munching on your own dinner as the room grows lively with the sounds of chewing and slurping
  193. >As the night wears on and the storm beats at your small window, Rosewood and you share stories and memories
  194. >"My mom is just the best. She's so smart and a great cook and her mane always smells like strawberries! She said we can go to the carnival for my birthday and get a huge stick of cotton candy!"
  195. >You chuckle to yourself at the excited little filly
  196. >A yawn does finally escape her as the warm meal begins to take its effect on her tired body
  197. >"This is your bed, right?"
  198. "Yes, but, you can sleep there tonight."
  199. >You remove your coat and most of your heavier clothing as yourself for the night
  200. >"Where will you sleep?"
  201. "Any place, it's not a problem."
  202. >She lays her head down and lets go a deep, pleasant sigh
  203. >"Thanks, Anon, you're really nice. Tomorrow, when I see my mom, I'll tell her to invite you over for dinner. She won't mind because she loves me..."
  204. >Without much warning, the little mare slips into slumber
  205. >You watch the short rise and fall of the blankets piled upon her and smile wearily
  206. >It does not take you long to fall asleep when the only companion left is the rain beating on your windowsill
  207.  
  208. >Day Skiing On Clouds in Equestria
  209. >Be Anonymous
  210. >You awake to a serene morning, which is unusual as you usually sleep during the day
  211. >The last thing you remember was falling asleep on the floor beside an injured filly
  212. >You lift your head up to bed level to see an empty pile of blankets and imagine the energetic ball of fur must be outside already
  213. >It also dawns on you that you should probably find your shovel while you have the daylight
  214. >You don your gear and stomp out of your cellar on heavy boots
  215. >The scene outside if quite nasty as you see so much dirt and debris covering the once shining gravestones
  216. >Cleaning it up would certainly help, but you still have a shovel to rescue
  217. >You plod through the still muddy grounds as you cross between headstones and down the hill
  218. >The plot you were digging the other day is still intact and you look around for your shovel
  219. >It doesn't seem to be in the hole where you left it, no doubt blown to some other part of the cemetery
  220. >You hear the sound of Steady Step, a church official, on the grassy knoll above and climb the steep quickly
  221. >He is standing on the road with another mare that you do not recognize immediately
  222. >She has fangs and a curly, red mane with small, dark dots randomly distributed around it
  223. >"Oh, hello, Anonymous, you are out early this morning. I was just meeting with Ms. Cherrywood..."
  224. >The name seems to bring a memory back to you as you think of the little mare
  225. "W-what is she doing here?"
  226. >You point rudely at her and shake a little
  227. >Steady looks to you with a scowl and raises his voice
  228. >"Anon, manners! She is going through a lot right now."
  229. >Your breathing is heavy as your mind races
  230. "Sir, have you seen a little filly running around the grounds this morning? She has a red mane, very energetic, talks endlessly about whatever is on her mind?"
  231. >The older mare before you looks up with wide eyes
  232. >"That sounds like my Rosewood..."
  233. "That is here name! I had here with me last night during the storm!"
  234. >Cherrywood narrows her eyes in disbelief
  235. >"Why would you say such a horrible thing?"
  236. "What? No! She was with me, we talked about her birthday. It's today! You are suppose to be taking her to the carnival!"
  237. >The mare breaks down into tears as you speak and Steady Step looks at you angrily
  238. "I know she was here last night! I carried her in from the storm and bandaged her leg!"
  239. >Cherrywood looks to you with tired, teary eyes
  240. >"My daughter died last night from an infected leg. You couldn't possible have know that..."
  241. >A chill runs up your spine as you think about what happened the previous night
  242. "Where is she to be laid to rest?"
  243. >As Steady Step turns his head, you already know where he is looking
  244. >The unfinished plot that you were interrupted from sits peacefully down the slope and you look back to the distraught mare
  245. >"S-she never spoke about you..."
  246. >The mare points to you quickly
  247. "She couldn't have, we only met for the first time last night. I... I don't know what to say..."
  248. >You forget yourself for the moment and kneel down with your arms wide open
  249. >The mare accepts you willingly as she cries into your filthy coat
  250. "Rosewood... She said that she loves you so much, that you are the best mother anyone could have."
  251. >"Why? Why did she come to you in her last moments?"
  252. "I think... Maybe, she was just scared of leaving. Like... Like she didn't know what to expect..."
  253. >That doesn't make any sense, but you try to go along with it
  254. "I'm sorry, Cherrywood, I am very sorry. Rosewood loved you so much, you need to believe that much."
  255. >You hear the clang of heavy metal hitting the ground behind your group and you all turn at once
  256. >Your shovel seems to fall out from behind a gravestone, but it is curiously dry and free of debris
  257. >An idea forms in your mind to go reach for it and you are greeted by the voice of the late Rosewood
  258. >"Hey, Anon! Guess what? They have cotton candy on a stick as big as my head..."
  259. >The shovel slides towards you quickly and you snatch it up
  260. >Rosewood's form appears before you and you look down to her
  261. >"... Thank you for being so nice last night. I didn't know where I was going, but you helped me calm down and get some rest. The soup was really good too!"
  262. >She peaks from around your body and waves her hoof
  263. >"Oh, hi, mommy!"
  264. >You see the mare standing in a stupor as she lifts one hoof slowly
  265. >"Guess who I found? Go on, guess!"
  266. >Cherrywood says nothing as a large, grey stallion materializes beside Rosewood
  267. >He smiles warmly to Cherrywood and she cries harder than before
  268. >The stallion walks casually to her with Rosewood skipping by her side
  269. >"Hello, sweetfang, it's been so long."
  270. >You hear sputtering, sobbing sounds from Cherrywood as the stallion and filly embrace her
  271. >They kiss her and wave goodbye before silently vanishing from wherever they came
  272. "I'm... Not sure..."
  273. >"By the moon, my husband and daughter... I thought I'd never get to say goodbye. Thank you, stranger. Thank you for bringing them to me for one last hug..."
  274. >She cries harder and you hug her closely
  275. >"... This i-is the h-h-happiest day of my-y-y life!"
  276. >You don't know what to do now, so you do nothing
  277. >As you know, everyone has a story
  278. >Some are just a little harder to explain than others
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