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Feb 20th, 2019
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  1. It's a sequential choreography of the Tarot's Major Arcana from 1 to 22. You won't find this anywhere else. I have studied Sia as an occultic performer, in more depth than anyone I have yet come across.
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  5. Here are the Major Arcana in sequence: https://www.tarot.com/tarot/cards/major-arcana
  6. Then....
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  10. Shia labeouf begins as the (Fool)[0:00 -0:15), and then advances, brashly, as the (Magician), whereupon the Maddie, who represents the environment of the world, first responds. Up into this point the newly born (Fool) has never encountered the world, and realizing his manifested power and potentiality (Magician) he moves jauntily(0:17-0:25), to act freely in the world, but still unsure and unprincipled—the world responds violently. Then comes the sacred feminine (The High Priestess 0:27-0:32), with fluttering heart, and sacred intuition, withdrawal into silence and reflection (the split between the ego and world first occurs). For a moment he becomes feminized (slightly) in facing Maddie, mirroring her and offers the abundance of (The Empress 0:32-0:35) but like a wizard he suddenly throws his hands forward in stricture. and regulatory command like (The Emperor 0:35-0:36) imposing structure, authority and discipline upon her (the world).
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  14. Suddenly, he is blind to the material world, he turns inwards and challenges the status quo, and becomes a spiritual heirophant. (The Heirophant 0:36-0:46). Next scene, (The Lovers 0:46-1:00) --- speaks for itself. The struggle towards her, Maddie the world, emphasized in his pained struggle, (The Chariot 1:00-1:34) representing will-power, action, determination. The world, Maddie, arises (Strength) courage, strength, but also mirrored in labeouf in its reversal (self-doubt, low energy raw emotion). [this struggle continues in a contained fight until] 1:34 whereupon we enter the (The Hermit 1:34-1:43) he, who seeks to be alone, away from the world, to introspect, and search himself (labeouf climbing the bar and seeking escape). The camera then pans over him trying to escape, its circle and spurs, represents our next card (The Wheel of Fortune 1:43-1:55).
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  18. The reconciliation we see following, is the next Major Arcana card: (Justice 1:55-2:07) where both lebeouf and the world (Maddie) reconciliate briefly in fairness, truth and honesty. Lebouf then takes a surrendering posture this is (The Hanged Man 2:07-2:15) he is letting go, taking on a new perspective. Then comes (Death and Temperence 2:15-2:22) the world (Maddie) becomes transforms before his eyes, a transition - the death of the old way - it has changed from what he thought he knew, he has learned temperance; and seeks balance and harmony. But suddenly (The Devil 2:22-2:30) the dark thoughts and materiality and restrictions of the world bite him (again) viscerally. There are changes upheavals, choas, it all fight and fluster, he holds her on his shoulder temporary visually representing (The Tower 2:30-2:52). And still as he holds here above him -- representing visually as one unit, that of the tower. He is thrown off, as his back is turned the world (Maddie) really look upon him. The short flash of the eyes is (The Star 2:52-2:53) the world's hope, faith, and ultimate purpose of lebeouf. The open eyes perhaps being synonymous with glimmering stars.
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  22. Then, following, of course (The Moon 2:53-3:16) lebeouf is overcoming with anxiety, illusion, repressed emotions and above all, fear. Until Maddie childishly (and there is a reason for the playful union) in that her coupling with lebeouf we enter the (The Sun 3:16-3:27) which represents FUN, warmth', success, vitality. Lebeouf looking around him, as with new eyes, we are now entering (Judgement 3:27-3:44) a card of inner rebirth, inner calling, and total absolution. He is united with the world and he looks around with new eyes as if he has never seen the world before, it is strange to him, the world holds our her hand and it grasps him in strange ways. Which bring us to our final card (The World 3:44-4:10) Total completion, integration and accomplishment. The World and Lebeouf are at peace and one.
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  24. ----Then----- THE UNKNOWN (4:10+)
  25. Death/Transcendence.
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  27. At the end of life's journey we must all leave this world behind.No thanks for my interpretation either, you dirty ungrateful little scrub.
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