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pc scandal text/info etc 1

Mar 31st, 2018
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  1. 2 version ..1 papago. 1 google tl(after papago)
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  6. PAPAGO
  7. Resin live related gun
  8.  
  9. I heard you had a place on the first floor
  10. I went upstairs with writer B and writer K. I had no idea
  11. It's my first time greeting, and I want to talk a little bit more about it, about the work.
  12. We went upstairs, and we sat on the third floor, and we heard about Sansa and his violiganist, Woo-ho.
  13. I saw you standing there, and I wanted you to come over here and sit down.
  14. I joined the story.
  15.  
  16. At my point in time, the author is right next to you, and on the left is Sansa.
  17. I sat down and the other writers sat face to face. I simplified my name, and I realized that the violator was preparing a series.
  18. I knew then.(At that point, I didn't know the name and name of the work.)
  19. They all drank beer lightly with the consent since it was a pub. I talked about closing times, talking about tasks, etc.
  20. There was a brief age story in the middle, the malevolence writer was the oldest, the publishing comic book background,
  21. He found out that he was preparing for adult webcomics in resin Comics, and he
  22. I showed you the manuscript under preparation. And then the author started talking about the female characters in his cartoons about costumes.
  23. I asked for advice because I have no prejudice against adult webcomics, and I am the same cartoonist.
  24. He said, " I think this is a good costume.
  25. I went back and forth to the smoking area on the outside of the first floor in the middle.
  26.  
  27. And I knew about the alcohol, so I was free to drink at my own pace or to massage.
  28. (There was no assumption in which I couldn't win the writers ' meeting.)
  29. As the story went on, it made me a little more vocal, and since then, the violator has spoken to me about half.
  30. He looked a little tipsy, but he didn't seem to be drunk, and since he's the oldest, he talks about half of what he's drunk.
  31. I thought about it. And at that point, when the author and I are going down to the first floor, we're going to be able to get our hands on an elevator or something.
  32. I started petting my head, and I said don't speak lightly. But you do it over and over again,
  33. He said, " Don't do it because it's annoying. " I don't know when the writer got drunk on his own,
  34. As you can see above, [Sansa writer -- the author of the offense -- I] was sitting in this sequence, and he said he couldn't hear me very well, putting his hands on his back and shoulders.
  35. I would bury my face in my ear. And this was done alternately with Sansa writer and me, and we started to give Sansa authors more frequent messages.
  36. I remember it was done in cycles. When I put my face up close, I said, ' Are you drunk? ' The author said no.
  37. We went to the first floor holding onto my shoulders.
  38.  
  39. I could have refused it firmly, but I could have told Sansa
  40. I thought you'd wake up if you took me outside.
  41. The holding lights in the elevator continued, and I said, " No, no, no, no, no. The violator said, ' Have you ever been to an adult shop? '
  42. He said, " Am I okay? " And I kept giving evasive answers.
  43.  
  44. And when I found out that the violator, me, and Sansa's author Fidi were the same person.
  45. Let's call in Mr.Piddy and complain ~ (He was in a light mood).() Call in the person in charge.
  46. I remember talking about this and that. And then author Lee Ji-pie came from another table.
  47. I heard that you worked with Mr. Fidi.
  48. The author Lee Ji-pie sat on my right and talked. And I don't know about the number of banner promotions
  49. I complained about my feelings. I felt as if my father had agreed to it. Me, other writers.
  50. I concentrated on the story and he left soon afterwards.
  51.  
  52. I don't know how many times the bully who was sitting on my left drank.
  53. He repeated it with Lee Ji-pie, who has not returned to his seat yet, saying, " Wow, " and he looked embarrassed.
  54. He asked me if I had. He said, " Oh, you. " " Hey, is your cartoon funny?
  55. Other writers tried to calm me down, saying, " I'm upset, and the mood is getting weird.
  56. He was much more intoxicated than he was when he left. He started to cry because he got so emotional.
  57. I felt I had to separate the author from the author, Lee Ji-pie immediately.
  58. I tell the author, Lee Ji-pie, he is so drunk that he seems to be out of his mind. While I was taking you back to your seat,
  59. The author, Lee Ji-pie, asked " What is he? " and said that it was difficult for Skins to get worse.
  60. Writer Lee Ji-pie said, " Don't stay there. Come to my table.
  61. I thought I would go home after staying where Lee Ji-fi was.
  62.  
  63. Before I got home, I thought I would say hello to the writers I was using the day before except the author, so I looked around.
  64. When I saw writer B at the other table, I first said hello to him there. And when I looked at our table,
  65. Sansa had moved across from the author, and saw that he was with her.
  66. He saw me across the street, and he asked me what was going on with B and the Nims and the other artists that were at the table.
  67. That person's Skins has gone too far and was telling me he doesn't feel comfortable going when I have to say hello to the writer.
  68. When the writers heard the story, they angrily called their manager, Mr. Fiddy, and asked him to " do something about it. " In charge
  69. He seemed to have tried to get it home a few times, but it didn't work and he was walking around drunk.
  70. After a while, Mr. K came back to the table with Mr. Sansa to let us know that the bully made a joke statement that went too far.
  71. I got up with writer B first. The violator's been walking around drunk, so I guess I'll just run into him.
  72. I remember looking around and feeling nervous. Fortunately, my boss Fiddy took me to the bus stop, and then writer B and I went there and studied the violator.
  73. He was on the bus last time he said he wanted to do something about it, and only later did he call Sansa and Lee Ji-pie?
  74. I heard the truth. At that time, I felt that Sansa had suffered much more often than I had, and I also felt that she had suffered from an excessive amount of trouble.
  75. You tried to separate the violent writer, and you looked a little bit tired, and you thought what I heard was an unpleasant experience, and you would bury it.
  76.  
  77. This was the idea until yesterday.
  78.  
  79. And when you realize that Sansa has put up with more of this than you thought, you'll be able to give her a little more help.
  80. I thought a lot about the feelings that I felt I wouldn't wait to talk about, the unpleasant feelings I had tried to keep buried.
  81. Whether to write this story or not ...When I read what Sansa wrote, I immediately found myself
  82. I've sent an e-mail asking for feedback, and on today, March 24, when it became widespread, I haven't heard any official response from the company.
  83. I had to contact the writers involved in Fidi myself to decide the status of the case. I've been doing this all day, doing nothing from the company.
  84. Although I haven't heard about the follow-up and informed my manager about the cancellation plans.
  85.  
  86. Throughout the day, I and the writers who were with me at the time said, " I'm sorry, I'm sorry. "
  87. He said he doesn't remember anything. I don't want to be apologizing for something I don't remember.
  88. I don't want to come across it, and I don't want it to happen again in a formal setting.
  89. Thank you for reading this rambling article here.
  90.  
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  94.  
  95. google
  96. Resin live related thing
  97.  
  98. Resin Live was on the first floor with me saying that I had settled on the same day.
  99. I went up to the second floor with the artist B and the artist K. At that time,
  100. I first started to say hello and I want to talk a little bit more about the work.
  101. When Seth was sitting on the second floor, Sansa and Haehae (Woo Sang-ho)
  102. I saw him standing and he seemed to be unfamiliar.
  103. I joined with the story.
  104.  
  105. On the left side, the artist is on the left side,
  106. He sat down and the other artists sat down facing each other. It is easy to make the name of Tongseongmyeong
  107. I knew then. (I did not know the name and name of the work at that point.)
  108. Because the place was a pub, everyone agreed and drank beer lightly. We had time to close, talk about work.
  109. In the middle, the age story was out for a while, the writer was the eldest, the publishing cartoonist
  110. I found out that Resin Comics is preparing an adult webtoon,
  111. I showed the manuscript in preparation. Afterwards, the artist writes about the costumes of the female characters in her comics
  112. I asked for advice, including other artists, and I do not have any prejudices about adult webtoons,
  113. I was told that such clothes would be good, and since I am a writer and myself smoker in the table
  114. I went back and forth to the smoking area outside the middle first floor.
  115.  
  116. And it was autonomy such as drinking or not drinking according to the speed of oneself to know about alcohol.
  117. (There was no assumption that drinking alcohol was enough to win the writers' meeting.)
  118. As the story progressed, it was a bit of a hilarious atmosphere, with some voices getting bigger.
  119. It seemed to be a little hot, but it did not seem to be in a dull state, and because I am the eldest person,
  120. I thought. And then, when the artist and me both go downstairs (smoking area), we grab a hand from the elevator
  121. I started stroking my head and told me not to speak lighter. However,
  122. I said a little firmly, 'Do not do this because it's annoying.' I do not know when the artist took it alone.
  123. As I explained above, [Sansa Artist - Yae Hae Artist - Ya] was sitting in order, and raised hands on the back or shoulder,
  124. I put my face close to my ear. This act was done to the sansa artist or me, alternately and more frequently to the sansa artist
  125. I remember that I did it in number of times. When I close my face, I was avoided by asking, "Are you drunk now?"
  126. "Let's go out" I grabbed my shoulders and went to the first floor.
  127.  
  128. I was able to decisively decline, but at that time,
  129. I went out with him knowing that he thought I would break even if he brought me outside.
  130. Hand holding on the elevator continued, and I naturally say 'no'. The artist writes, "Have you been to an adult store?"
  131. I said, 'Is not it okay for me?' And I was consistent with the answer.
  132.  
  133. And when I confirmed that the artist, me, and the artist in charge of Sansa are the same person,
  134. I would like to invite Pidy and talk about his complaints ~ (It was a light atmosphere)
  135. I remember telling a story like this. And then at the other table, Ezipi came to the artist.
  136. I was the first to see you at the time, but I heard the story of Lee Ji-pyo working with Pidy in charge,
  137. Izzie sat down to my right and talked. And what about your company's banner promotions?
  138. I sang the things I did. It was the atmosphere that the pianist seemed to accept. I, other writers,
  139. I was concentrating on the story, and she quickly left.
  140.  
  141. I was sitting on my left and I do not know how much more the artist had drunk that time,
  142. You've repeatedly told Lee Ji-pyo that you did not go back to your seat yet,
  143. I asked, 'Did you tell me?' The writer writes, "Oh, you." , "Hey, are you having fun with manga?", "You're not having fun with manga,"
  144. Other writers also embarrassed me, and the atmosphere seemed to be strange. I was not going to palm time now.
  145. It was a lot more drunk than when I came out. You started to cry because you were emotionally intensified,
  146. It seemed that I had to separate the writer from the artist immediately.
  147. I do not think I'm such a crazy person. While I was taking him to his place,
  148. Lee Ji-pyo asked, "What is that person?" And said that she was in trouble because she was getting worse and worse.
  149. Lee Ji-pyo said, "Please do not stay there and come to our table." It's getting harder and harder for you to go out with the artist.
  150. I thought that I had to stay at the place where it was originally and go home.
  151.  
  152. Before going to the house, I went to visit the writers who had been famous all day except for the writer,
  153. B When I saw you at the other table, I went to you and greeted you first. And we looked at our table
  154. The artist Sansa had moved to the opposite side of the artist, and I saw her with me.
  155. The writer saw that he was on the opposite side, B writer and I asked the artist what was originally on the table,
  156. I was talking about his skinship passing over the road and I was reluctant to go to the artist to say hello.
  157. The artists who heard the story were angry and called Pidy in charge and asked 'How can I do that?' I also have difficulty in charge
  158. She seemed to have tried to go home several times with her face,
  159. After a while, the K-artist came to the table with the sansa artist and let me know that the writer had made an over-the-
  160. I happened to go into the house with the B artist first. The artist was moving around in a state of boredom.
  161. I remember hanging around and nervous. Fortunately, Podi took me to the bus ride, B and I went to the artist
  162. I finally got on the bus to say that I need to take a look at it, and it is very late. The artist has called the sansa artist and the ezipi artist
  163. I heard the fact. At that time, I thought that the artist of Sansa was much more frequent than me,
  164. I tried to separate the writer and I was a bit weary and I tried to burden what I heard, I thought it was an unpleasant experience,
  165.  
  166. This was my idea until yesterday.
  167.  
  168. And I know that you have endured more than you thought, and then I will help you a little more
  169. I had a lot of reminders that I should have talked rather than be patient, and the unpleasant emotions I wanted to bury.
  170. Whether or not I should write this story ... I can see the writings of Sansa and I can immediately understand the company at dawn
  171. I sent an email asking for feedback, and today, March 24th, the day has spread. I did not hear anything official from the company.
  172. I had to make contact with the artists who were involved in the project. I do not have any contact from the company,
  173. Despite the fact that I did not hear about the follow-up and had told me that Phidi had a contract to terminate the contract.
  174.  
  175. All day long, the writers who were with me at that time, I am sorry for each other, I am sorry.
  176. The artist says that he does not remember anything. I do not want to apologize for something I can not remember,
  177. I do not want to encounter this, and I hope that this does not happen again at the official spot twice.
  178. Thank you for reading so far.
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