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  1. AHVS 260 - Oct 20th - Fri
  2.  
  3. Salvador Dali
  4.  
  5. Plastic lobster, “old” telephone, “Bell Telephone”, numbers,
  6. Lobster seems molded to the shape of telephone receiver
  7.  
  8. On a table ? Consider setting
  9.  
  10. Persitence of Memory
  11.  
  12. ’34 - breakthrough into public sphere
  13. Out of niche surrealist market
  14. In US, got their heads around Persistence
  15.  
  16. ’35 - TIME magazine
  17.  
  18. Surrealist as adj. and noun.
  19. Dali was making surrealist artworks, but he was also a Surrealist
  20. ’35 - Surrealists kicked Dali out of group
  21. They held a trial
  22. This did not affect his reputation
  23. Dali shared interest in Psychoanalysis, but that’s kind of where it stopped...
  24.  
  25. Many of the surrealists had v strong political ideals, a lot focused on communism
  26. Dali liked to stay politically flexible
  27.  
  28. His grandstanding became to much for the Surrealists
  29. He was too focused on commercial success
  30. Garnered the nickname Avida Dallars from he Surrealists
  31. (An anagram for his name)
  32.  
  33. He was still considered a Surrealist even after being kicked out…
  34.  
  35. Metamorphosis of Narcissus
  36. ’37
  37.  
  38. (Continued the style of Persistence)
  39.  
  40. Extenuated surrealist version of a myth
  41.  
  42. THEMES OF SURREALISTS
  43. metamorphosis, change, anxiety, desire (Freud), disgust, distortion
  44.  
  45. Lobster Telephone
  46. ’36
  47.  
  48. ’38 - First int’l Surrealist exhibition in Paris
  49. 5-week run
  50. At this, Dali exhibits Lobster Telephone
  51. Featuring a REAL LOBSTER
  52.  
  53. One of Dali’s British patrons commissioned the same work but with a plastic lobster
  54.  
  55. SEXUALITY
  56.  
  57. Lobsters and Telephones had strong sexual connotations for Dali
  58.  
  59. Lobster Telephone was a pairing of these concepts
  60.  
  61. the lobster represented erotic pleasure as well as pain
  62.  
  63. Dream of Venus
  64. ’39 World’s Fair in NY
  65.  
  66. Weird interactive installation by Dali,
  67. Female women covered in fresh seafood, crustaceans,
  68.  
  69. Not placed near Spanish pavilion or w/e…
  70. Placed in “Entertainment” section of fair
  71. There was an admission fee
  72.  
  73. Purchase tickets at fish-head and walk through giant fake women’s legs as entrance
  74.  
  75. Melting clocks,
  76.  
  77. Persistence of Memory was enlarged
  78.  
  79. Dali felt compromised by the limitations imposed by politicians, administrators of the fair, etc
  80.  
  81. Was successful in that it brought his surrealist ideals to the masses
  82.  
  83. He wanted HUMOUR to present
  84.  
  85. He wanted to VIOLATE TABOOS
  86.  
  87. in concept, was an artistic version of a peep show, blended with a circus freak-show,
  88.  
  89. SHELLFISH
  90.  
  91. The lobster’s sexual organs are found in the tail, Dali meant for them to be close to the mouth when picking up the phone
  92.  
  93. Wrote autobiography in ’41
  94.  
  95. The Secret Life of Salvador Dalí
  96.  
  97. ELSA SCHIAPARELLI
  98.  
  99. Running in same circles as Dali in US
  100.  
  101. Featured lobster and crustacean motifs, was inspired by Dali
  102. Not taking it too seriously ~
  103.  
  104. ’40-’48 Dali and his wife lived in US
  105. Enjoyed great success there
  106.  
  107. MoMA gave Dali first retrospective in ’41
  108.  
  109. Until WWII, PSYCHOLOGY was Dali’s chief interest
  110.  
  111. Starts to think about technology and science
  112. Einstein becomes a huge influence for him
  113. Nuclear physics is on his mind
  114.  
  115. Galatea of the Spheres
  116. ’52
  117.  
  118. After ’51 strong return to Catholicism
  119. Marries these 2 influences
  120. Calls this marriage NUCLEAR MYSTICISM
  121.  
  122. THE MYSTICAL MANIFESTO
  123. ’51
  124.  
  125. By the 60s his focus changes again, LASER TECHNOLOGY
  126. He keeps pushing himself and experimenting with different styles
  127. He would’ve just cont with the successful styles, so obviously wasn’t. Sellout
  128.  
  129. DALI’S POP ART
  130.  
  131. Starts to collaborate,
  132. Philipe Hausman
  133.  
  134. Photograph of women forming a skull illusion
  135. ’51
  136.  
  137. 50s-60s Dali has int’l acclaim and mainstream prestige
  138.  
  139. Designed covers for VOGUE
  140. Designed logo for CHUPA CHUPS
  141.  
  142. Collar’d with Hitchcock - SPELLBOUND
  143. ’45 THRILLER
  144.  
  145. Ingrid Bergman was psychiatrist
  146. Falls for insomniac she’s treating
  147.  
  148. Dream sequence was supposed to be 30 seconds,
  149. They filmed 40 so minutes
  150.  
  151. His imagination was LIMITLESS
  152.  
  153. Collabed with WALT DISNEY
  154. Less like pairing than HITCHCOCK
  155.  
  156. May have met early as ’37
  157.  
  158. “We have to keep breaking new trails…Dali is communicative and bubbling with ideas”
  159. -Walt Disney
  160.  
  161. Disney had been compiling cartoon shorts
  162.  
  163. DESTINO
  164.  
  165. Disney imagined as vehicle for a cartoon short
  166.  
  167. 830-5 Dali’s hours
  168.  
  169. They created 20 seconds of film
  170. Many story boards
  171. 8 MONTHS
  172. Dali was an employee
  173. PROJECT PUT ON HOLD ’46 ???
  174.  
  175. ’99 - both dead, Disney’s nephew decides he wants to revive the project,
  176. after seeing FANTASIA 2000
  177.  
  178. DESTINO WAS MADE
  179.  
  180. ACCEPTABLY BIZARRE
  181.  
  182. EDWARD JAMES
  183. A key patron of Dali in 30s
  184. Sold off large collection at CHRISTIE’S recently
  185.  
  186. Reprinted DALI’S COOKBOOK
  187.  
  188. ’73 - LES DINERS DE GALA
  189.  
  190. MADE TO IMMORTALISE ACTUAL DINNER PARTIES IN NY
  191.  
  192. “THE HOSTESS IS DRESSED AS A UNICORN….ETC”
  193.  
  194. Elephant du triomphe
  195.  
  196. ’75 conceived
  197. ’84 executed
  198.  
  199. #7 of 8 editions (very limited edition)
  200.  
  201. Estimated to sell for 600,000
  202. Sold for over 5,000,000… stark underestimation
  203.  
  204. 3 years prior
  205. #4 was up on the block
  206.  
  207. BONHAM’S
  208. Est for 75,000
  209. 730,000
  210. Now selling for over 5.000,000
  211.  
  212.  
  213. ~~~~~~~~~~~~
  214.  
  215. WILLIAM HEAD INSTITUTION ?
  216.  
  217. KILSHAW’S AUCTION HOUSE
  218.  
  219. GET IT FOR A SONG
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