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- AHVS 260 - Oct 20th - Fri
- Salvador Dali
- Plastic lobster, “old” telephone, “Bell Telephone”, numbers,
- Lobster seems molded to the shape of telephone receiver
- On a table ? Consider setting
- Persitence of Memory
- ’34 - breakthrough into public sphere
- Out of niche surrealist market
- In US, got their heads around Persistence
- ’35 - TIME magazine
- Surrealist as adj. and noun.
- Dali was making surrealist artworks, but he was also a Surrealist
- ’35 - Surrealists kicked Dali out of group
- They held a trial
- This did not affect his reputation
- Dali shared interest in Psychoanalysis, but that’s kind of where it stopped...
- Many of the surrealists had v strong political ideals, a lot focused on communism
- Dali liked to stay politically flexible
- His grandstanding became to much for the Surrealists
- He was too focused on commercial success
- Garnered the nickname Avida Dallars from he Surrealists
- (An anagram for his name)
- He was still considered a Surrealist even after being kicked out…
- Metamorphosis of Narcissus
- ’37
- (Continued the style of Persistence)
- Extenuated surrealist version of a myth
- THEMES OF SURREALISTS
- metamorphosis, change, anxiety, desire (Freud), disgust, distortion
- Lobster Telephone
- ’36
- ’38 - First int’l Surrealist exhibition in Paris
- 5-week run
- At this, Dali exhibits Lobster Telephone
- Featuring a REAL LOBSTER
- One of Dali’s British patrons commissioned the same work but with a plastic lobster
- SEXUALITY
- Lobsters and Telephones had strong sexual connotations for Dali
- Lobster Telephone was a pairing of these concepts
- the lobster represented erotic pleasure as well as pain
- Dream of Venus
- ’39 World’s Fair in NY
- Weird interactive installation by Dali,
- Female women covered in fresh seafood, crustaceans,
- Not placed near Spanish pavilion or w/e…
- Placed in “Entertainment” section of fair
- There was an admission fee
- Purchase tickets at fish-head and walk through giant fake women’s legs as entrance
- Melting clocks,
- Persistence of Memory was enlarged
- Dali felt compromised by the limitations imposed by politicians, administrators of the fair, etc
- Was successful in that it brought his surrealist ideals to the masses
- He wanted HUMOUR to present
- He wanted to VIOLATE TABOOS
- in concept, was an artistic version of a peep show, blended with a circus freak-show,
- SHELLFISH
- The lobster’s sexual organs are found in the tail, Dali meant for them to be close to the mouth when picking up the phone
- Wrote autobiography in ’41
- The Secret Life of Salvador Dalí
- ELSA SCHIAPARELLI
- Running in same circles as Dali in US
- Featured lobster and crustacean motifs, was inspired by Dali
- Not taking it too seriously ~
- ’40-’48 Dali and his wife lived in US
- Enjoyed great success there
- MoMA gave Dali first retrospective in ’41
- Until WWII, PSYCHOLOGY was Dali’s chief interest
- Starts to think about technology and science
- Einstein becomes a huge influence for him
- Nuclear physics is on his mind
- Galatea of the Spheres
- ’52
- After ’51 strong return to Catholicism
- Marries these 2 influences
- Calls this marriage NUCLEAR MYSTICISM
- THE MYSTICAL MANIFESTO
- ’51
- By the 60s his focus changes again, LASER TECHNOLOGY
- He keeps pushing himself and experimenting with different styles
- He would’ve just cont with the successful styles, so obviously wasn’t. Sellout
- DALI’S POP ART
- Starts to collaborate,
- Philipe Hausman
- Photograph of women forming a skull illusion
- ’51
- 50s-60s Dali has int’l acclaim and mainstream prestige
- Designed covers for VOGUE
- Designed logo for CHUPA CHUPS
- Collar’d with Hitchcock - SPELLBOUND
- ’45 THRILLER
- Ingrid Bergman was psychiatrist
- Falls for insomniac she’s treating
- Dream sequence was supposed to be 30 seconds,
- They filmed 40 so minutes
- His imagination was LIMITLESS
- Collabed with WALT DISNEY
- Less like pairing than HITCHCOCK
- May have met early as ’37
- “We have to keep breaking new trails…Dali is communicative and bubbling with ideas”
- -Walt Disney
- Disney had been compiling cartoon shorts
- DESTINO
- Disney imagined as vehicle for a cartoon short
- 830-5 Dali’s hours
- They created 20 seconds of film
- Many story boards
- 8 MONTHS
- Dali was an employee
- PROJECT PUT ON HOLD ’46 ???
- ’99 - both dead, Disney’s nephew decides he wants to revive the project,
- after seeing FANTASIA 2000
- DESTINO WAS MADE
- ACCEPTABLY BIZARRE
- EDWARD JAMES
- A key patron of Dali in 30s
- Sold off large collection at CHRISTIE’S recently
- Reprinted DALI’S COOKBOOK
- ’73 - LES DINERS DE GALA
- MADE TO IMMORTALISE ACTUAL DINNER PARTIES IN NY
- “THE HOSTESS IS DRESSED AS A UNICORN….ETC”
- Elephant du triomphe
- ’75 conceived
- ’84 executed
- #7 of 8 editions (very limited edition)
- Estimated to sell for 600,000
- Sold for over 5,000,000… stark underestimation
- 3 years prior
- #4 was up on the block
- BONHAM’S
- Est for 75,000
- 730,000
- Now selling for over 5.000,000
- ~~~~~~~~~~~~
- WILLIAM HEAD INSTITUTION ?
- KILSHAW’S AUCTION HOUSE
- GET IT FOR A SONG
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