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Fjord - 7:20 to Appleloosa (unfinished)

Jun 24th, 2014
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  1. >The evening sun shines through the windows, cutting streaks of light through the haze in the saloon
  2. >You sit back in the low sofa and look at the scene before you, again
  3. >The dusty saloon of Appleloosa is much like any other bar this side of Ghastly Gorge. The liquor is watered down, the beds full of lice, and the whores too cheap for comfort
  4. >Not that it bothers you much, a real bed is always appreciated
  5. >It’s a marked improvement over the heat and dust of the road you've spent most of your life on
  6. >Whilst the Eastern counties of Canterlot and Fillydelphia preach their lessons of friendship and ‘magic’, this region is still very much untamed
  7. >Farm work never really suited you, so you packed up everything you owned into a saddlebag and rode out of the family ranch on your 20th birthday without looking back
  8. >In this new world, it’s quite a common thing for young men to do, seeking fame and fortune on their own
  9. >The uncommon thing about you, is that you've lasted longer than a year
  10. >You’re a decent shot, nothing to write home about but you put survival down to the fact that you can barely hold a conversation. People around here seem to find that threatening
  11. >The cold, calculated, gunslinger vibe you give off isn't genuine, but it definitely helps smooth out dangerous situations
  12. >Hell, no one’s perfect
  13. >Focus Anon, you've got a job to do
  14. >You've been here for about 2 weeks now, waiting for her to arrive
  15.  
  16. >At first the locals were suspicious of a solitary ranch-hand waltzing into town. Hell, the bar pianist even struck the wrong chord when you arrived. But after you did a few odd jobs around town and rented one the rooms above bar they relaxed to your presence
  17. >You can’t blame them for being careful though. Armed gangs pretty much own this region now
  18. >The civil war in Canterlot is draining resources from all over the country leaving little in the way of money and men to keep order elsewhere
  19. >Although officially, the uprising is being played as a ‘Civil war’ anyone with reading skills know it’s a holy war by the Nocturne Church
  20. >They always seemed a bit shady to you
  21. >You take a sip of your beer and resume your vigil on the door
  22. >The only things you know about this girl is that she’s rich and has purple hair. Apparently, a photo would’ve been too risky
  23. >Chances are the people who want her don’t even know what she looks like
  24. >You’ll be glad to get them off your back and out of your life
  25. >Anyway, she should be here soon. The stage coaches usually arrive en-mass at 7:20pm
  26. >The faded grandfather clock by the stairs reads 07:10pm. Time enough for another drink
  27. >You haul yourself out of your seat and walk over to the bar
  28. >”Hey there Mister, another beer?”
  29. “Yeah another one please Miss”
  30. >As the barkeep, Apple Fritter pulls a bottle out of the ice chest she asks “So how long do you reckon you’ll be stickin’ around Appleloosa?”
  31. >Internal panic rises as she hands you your drink. Fuck, does she know why you’re really here?
  32. >”Not meanin’ to pry, just if you’re thinking of staying for a while I can probably hook you up with a regular job, if you like. The sheriff could always use another man with a gun”
  33. >You smile out of relief and pay the girl
  34. “Thanks for the offer Miss Fritter, but I think I’ll be moving on tonight”
  35.  
  36. >This isn’t a lie. If the girl doesn't show up tonight you’re cutting your loses and getting out of Equestria
  37. >She lightly scuffs the bar with a fist
  38. >”Shoot, well if ya ever change your mind you know where we are. You know, the townsfolk have actually taken a liking to you”
  39. >This is news to you
  40. “Seriously?”
  41. >”Yep, there’s no way in hell anyone would say it to yer face, but it sure is nice havin’ someone who can handle himself around town. Sheriff Braeburn and his deputies jus’ sit in that office and drink themselves silly”
  42. “Sign of the times really. Still, I appreciate the offer Miss. But, you know…”
  43. >She pulls another another beer out of the chest
  44. >”I get ya Mister. Anyway here, have another one on the house…Well damn, lookie here”
  45. >She motions to a large shadow by the entrance to the saloon, a stately dress combined with an excessively large hat blots out the sun for a moment
  46. >The woman moves out of the sunlight and looks around the building for a second before pulling off her hat and hanging it on a coat stand. Styled purple hair tumbles out over her shoulders
  47. >You and Apple Fritter give each other a look as the bar goes quiet in awe of the refined beauty before them
  48. >Her clean, classy dress shows that she doesn’t work for a living and holy shit, that’s a big hat
  49. >The house whores sneer at her as she walks over to you and Apple Fritter at the bar
  50. >”Hello there, could I get a gin and tonic and a larger for my driver please?”
  51. >You didn’t even see the skinny guy following behind her. He’s wearing an oversized Stetson and has thin wisps of hair on his lip. He’s also carrying about 5 trunks on a trolley behind him
  52. >Apple Fritter gives her a searching look before smiling to the girl “Sure thing Ma’am”
  53. >As Apple Fritter goes to get the girls drink you muster up some courage and turn to her
  54. “Haven’t seen you around these parts before Miss, mind if I get your name?”
  55.  
  56. >She turns to you with barely concealed distain. She hides it quickly before giving a thin lipped smile
  57. >”I'm sorry Sir, but I don’t just give out my name to strangers I meet at a bar anymore. You know how it is”
  58. >Sign of the times again. You try a different approach
  59. “Understandable. But hey, you can’t go your whole life as the woman with the big hat”
  60. >You take another swig at your beer
  61. “For what it’s worth, I'm Anonymous, Anon to friends”
  62. >Apple Fritter comes back with the drinks for the girl
  63. >”Anyway Anon, do you have an idea of where you’re off to next, I… Oh sorry, here’re your drinks, Miss?”
  64. >The girl sighs slightly before taking a sip of her G&T. “Rarity, Miss Rarity. Thank you”
  65. >Rarity? Suits her
  66. >Come to think of it, everyone’s name around here suits them, so this isn’t really a surprise
  67. >Rarity’s driver pipes up “So Mr Anonymous, do you live around these parts?”
  68. “Not really, although I’ve covered pretty much every road within 100 miles. Why?”
  69. >“I was just wonderin’ how far it is to the mountains? Yer see, we’re headin-“
  70. >The driver is silenced by a death gaze from Rarity
  71. >”W-we’re jus’ headed that way”
  72. >For all her splendour, it seems that she’s got a brain
  73. >“*Ahem* Yes, just up that way. In any case, it’s been a long day and I was wondering if you had two rooms that I could hire for the night?”
  74. >Apple Fritter perks up at the prospect of new customers “Sure thing Miss! We’ve got two, oh”
  75. >”Is something that matter?”
  76. >”No, it’s jus’… We HAVE got two rooms, but one is taken by Anonymous here at the moment”
  77.  
  78. >Everyone looks at you. Even the pianist
  79. “I uh… Yeah sure, go ahead and take it. I'm leaving here tonight anyway”
  80. >”Ah! A gentleman as well as a gunslinger! That’s very kind of you Sir, thank you”
  81. “No worries, I’ll just go and get my stuff out of it. Would you mind if I left my saddle in the barn?”
  82. >Apple Fritter smiles and walks out from behind the bar “Sure thing Anon, I’ll go get it now, save your drink gettin’ warm”
  83. >If you didn’t have to go through with tonight you’d stay here a while longer and get to know Apple Fritter better. She seems like a genuinely nice girl, something rare in these parts
  84. “’preciate it”
  85. >Apple Fritter looks at you one more time with a small smile, before ushering Rarity and her driver to their rooms
  86. >You grab your bottles and retire back to the sofa
  87. >Discreetly checking that the chambers of your pistol are full, you settle back down and wait till nightfall
  88.  
  89. >”M-M-Mr Anonymous? Wh-what’s going on?”
  90. >Rarity walks in from the balcony in her nightgown. Seeing you she freezes with a look of terror on her face
  91. >1am and the town is silent
  92. >Apple Fritter kindly let you sleep on the sofa in exchange for an hour cleaning glasses so you’re feeling rested and ready
  93. >Apart from the way your hands are shaking and the way that sweat is beading on your forehead
  94. >You told Apple Fritter that you would be leaving before midnight. No doubt she’ll suspect you but it covers your ass a little
  95. >You take a deep breath before standing up and unbuttoning your holster
  96. “This is it Anon. Just go in there, get the girl, get out, and get on your way”
  97. >What could go wrong?
  98. >The floorboards sing you the song of their people as you climb the stairs. After a few steps you get sick of their shit and just walk normally up the rest
  99. >As you reach the top, you turn the oil lamps on the wall down a few notches
  100. >It probably won’t stop them noticing you, but it makes you feel slightly more stealthy
  101. >Your hand slides down to the butt of your gun as you turn the handle to the first room
  102. >The saloon did have locks on the doors until armed gangs blew them out whilst looking for someone. Apple Fritter didn’t bother replacing them after the 5th time
  103. >Slowing peaking in, you see a pile of trunks by the window with a Stetson on top. Wrong room
  104. >Not wanting to wake the driver, you pull the door shut and creep over to the next room
  105. >Pulling the same trick with the oil lamp, you turn the handle and walk into Rarity’s room
  106. >You hear the clunk of a rifle being loaded
  107. >A shaky male voice calls out from the darkness “Hands where I can see ‘em buddy. I-I don’t want no trouble”
  108. >Fuck, you didn’t think about this. That fucking Stetson decoy worked perfectly
  109. >Putting on the manliest voice you can, you stare at the driver
  110. “Put that rifle down son and there’ll be no trouble. I ain’t after you”
  111. >You almost cut yourself on your edge
  112.  
  113. >”Spike? What’s going on?”
  114. >Rarity walks in from the balcony in her nightgown. Seeing you she freezes with a look of terror on her face
  115. >”M-M-Mr Anonymous? Wh-what’s going on?”
  116. >Fuck everything, you need to get out before she wakes up the whole fucking town
  117. >You pull out your gun and point it at Rarity
  118. “Give me that rifle or I shoot her”
  119.  
  120.  
  121. >Simple, yet effective
  122. >”HOLY SHIT, I-I-I, okay… here take it”
  123. >Spike slides the gun along the ground. You pick it up and holster your pistol. It takes a second longer than normal due to the way your hands are trembling
  124. “Good. Now, me and Miss Rarity here are going on a little walk. If I hear any shouting, she dies. Any screaming whores, she dies. Any gunshots, she’s dead. Got it?”
  125. >You’re amazed that your voice hasn’t given out yet from being cut up from the edge leaving your mouth
  126. >Once this is over you’ll seriously give settling down another go. Perhaps you could get a ranch going with a hundred head of cattle, or maybe…
  127. >The sound of Rarity crying snaps you back to reality
  128. >You grab her by the arm and drag her towards the stairs
  129. >Seeing the bar downstairs makes you think about Apple Fritter again. She would definitely make a good wife and bear many healthy children for you
  130. >If she saw you like this, it would shatter any illusions she had about you. For the sake you of moral compass, she better not see you then
  131. >To make yourself feel better, you grab the hem on Rarity’s stupidly long nightdress and tear a bit off the bottom
  132. >She goes to shout at you but you silence her by pushing the rifle into her back
  133. >You wrap the sweet smelling black silk around your face and tie it off at the back
  134. >At least she wears nice perfume
  135. >Walking down the stairs you catch a sight of yourself in the glass of the grandfather clock
  136. >To be fair, you do rock the rugged outlaw look. Even if you have been trying to avoid it
  137.  
  138. >Shit, how did you get into this in the first place? Your old teacher Cheerliee even had classes about how to avoid getting into these situations
  139. >Man, going to school at Canterlot High seems an age ago now. Your parents scraped up enough money to send you to a decent school in another county
  140. >The schools around here mostly taught kids how to trap and skin animals
  141. >Fuck, you need to stop losing focus
  142. >You push Rarity down the rest of the stairs
  143. >She takes this opportunity to scream bloody murder
  144. >You shout back in a desperate voice
  145. “Shut the fuck up!”
  146. >”Damn you to hell!”
  147. >Spike bursts out of the door followed by two blasts of shotgun fire
  148. >The shots miss you but succeed in waking up the entire saloon
  149. >You grab Rarity and throw her over the bar, accidentally knocking her out in the process
  150. >Shouldering Spike’s stolen rifle you fire several shots through the floor above you to try and scare him off
  151. >Your chances of a stealthy getaway have been blown away. You throw away the empty rifle and draw your pistol
  152. >Spike vaults the stairs and fires another blast above you head
  153. >”Let her go, now!”
  154. “Why? So you can ride her into the mountains?”
  155. >That was bad Anon, and you should feel bad
  156. >”Fuck you, Ano-
  157. >You silence him with a bullet
  158. >Spike falls to the floor clutching his shoulder. Killing teenagers is another thing you seriously don’t want on your conscious
  159. >You throw Rarity over your shoulder and make a dash for the door
  160. >Kicking it open, you sprint to the barn around the back of the saloon and kick that door open as well
  161. >God-damn you love kicking doors down
  162. >You find your horse saddled and ready to go. You push away thought of Apple Fritter saddling it for you and unceremoniously toss Rarity over the saddle before opening the doors
  163. >Several shots punch through the wood of the barn as you mount the horse
  164. >You pat the horse on its neck and ride out into the street
  165.  
  166. >The Sheriff and his deputies have spilled out onto the road and are shooting wildly in your direction
  167. >True to Apple Fritters words, Braeburn and his men must’ve been on the hard cider as all their shots fall wide
  168. >You point your pistol down the street
  169. >You aim at the ground before them in hope they’ll dive for cover and fire
  170. >Unfortunately, the lawmen are all fuelled with dutch courage and they continue shooting at you
  171. >The noise of the shootout has put your horse on edge and she refuses to co-operate with you
  172. “Come on girl, get a grip”
  173. >You dig your spurs into your horse and gallop down the street and into the desert
  174. >Eventually the sound of gunfire quietens, leaving you with the sound of your horse in the desert night
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