Lukie’s wonderful wacky dream

#Dream one
The first dream that I had was in the scenario that me and another video game character was trying to hunt down a hijacked version of Connor (Detroit Become Human), with that we entered this massive building and once we dove deeper, the whole place turned into its own labyrinth- like it was a curse trying to prevent you from leaving and finding Connor.

After travelling and traversing through what looks like empty, dark atmosphered, living room with a dense amount of greyish-black fog, there’s a staircase heading down with torches on either side and we’re both like “this is it!”

As we enter under the stone bricked arch way, it took us to what looked like a tomb, the scale of it was massive and inside was like an abandoned city almost resembling real life (in this dream) and the thought of it gave me a huge sense of deja vu with one difference; the fog. The blackness.

The ground was shapen so oddly, like tiles to a board game but it had design patterns of its own, some granite, some stone. As we walk further down up through the distanced fog, we come to see what appears to be like a battle arena trigger; a pedestal surrounded by stone circling, foliage. It almost resembled stone henge in a way.

The Connor makes his appearance from behind one of the stone henge arches and pulls some sarcastic comment on our arrival and won’t guarantee us to leave.
Our power and knowledge to the fight was no match for him, the granite tiles opened up like a trap door and I fell; getting to see myself in a third person view falling into the abyss turning into stone meanwhilst I transfer into the other character that came along with me.

With some magical powers I suppose, I fired constantly at Connor as I carefully position myself off the constantly rotating granite tiles that were awaiting my doom to fall. Connor’s health slowly decreasing and I’m on my last life, if I screw this up then the cost would be fatal as I was here on a mission. One final blow to the sucker caused the entire place to pause in time, Connor decreasingly falling back with blue blood coming out of his nose.
Time stops and after a few moments, everything turns black.

I appear to now be watching in a cinematic view of like this cyberpunk-ish neon street and a visible roundabout in view to the right hand side, a few outside coffee benches to the left with neon pink and blue highlighting the place under the fall of night. A car pulls up, some sort of black SUV. The camera switches to the windscreen view and in there was Hank (from Detroit Become Human), giving a graceful relieving smile as the melodic music increased, his eyes were softly darted to the left of the camera as it cuts to Connor standing on the side of the road looking at Hank.

#Dream two
I arrive to what seems to be like a corporate building or school; corridors were long and inside resembled somewhat of a cheap hotel with its fuzzy carpeted red and dotted floor, short staircases with about two to three steps high or low.
We were called in to clear out the building, we were either the infiltrators or they were— who’s they? Unknown, it was a 3 on 3 battle, I was running down the corridor with a Sniper wielded as my other companions Alison Hammond and a generic male are also pushing back. Boxes and old fashioned wooden doors gave us some cover as they clogged up the field of view of the other 3 trying to kill us. I maintain an angle by mounting my weapon on a window ledge, seeing the three run down the corridor to what seemed to be like we were in a U-Shaped building, and mirror opposite were them. I take a shot and the glass shatters making one hell of a sound in-chain with the gunfire. My shot was inconclusive to if it dealt anything so we kept going, until my generic partner took a crossbow to the heart and out of vengeance I tell Alison to run down the corridor.

I take the cross bow from my generic friend and await an angle out of visibly from the ajar door. Waiting, waiting and waiting .. footsteps can be heard treading cautiously, I see a woman in a pink shirt peek their body through the ajar door and I fire straight into her breast- fainting with blood coming out of her mouth and a distant male voice yelling in anguish.

I run for my life, my sniper weighing me down, Alison and I meet up at the end of the corridor that led two different ways before the guy came chasing after us, she chooses to take the right path which was a wooden glass door that she had the keys for, however I subconsciously knew that she might get stuck as we tried to reach the roof so as a backup plan I stammer my way and buck it down those stairs of the spiral staircase, hammering it through the courtyard whilst under fire from the man still in anguish; hellfire raining on me as I dive into cover.

The mirroring staircase that was opposite from the one I had just ran out of led me back upstairs however this time there was a metal catwalk of sorts that led me and gave direct access to the roof and so for that chance I take it, up the diamond plated cross patterned noisy structure I make it to the rooftop. There laid an office that was built inside (or what looked like) a Japanese temple, the exterior was quite oddly matched to the rest of the building we were just in, but that didn’t phase me so I entered anyways.

Inside I had a cutscene that included me and another person, almost like I was talking to myself in a way as the voice said “you know what you must do?” and I go with that “I want to try and save them all”.

“It’s ambitious but with this situation you know you can’t save them all.
You can save one, just somebody”

Outside of the room, through the window were four pedestals with textures or perhaps windows in time to where in what time I can go to save somebody, each moment were playing simultaneously and each one cried for help. Outside lay 5 options to pick with a name on either pedestal, the time windows were shortly closing and my chances of rescue were becoming zero. A radial clock hovered over each of the time windows and my eyes were locked onto Connor trying to fight for his life; I dash over and hit my hand on the buzzer and get whizzed into the time frame only about 5 minutes prior to what was happening to get them all into the deadly danger of the worlds being taken over.
Connor acknowledges me and surrounding us resembles the same place where the hijacked Connor was. The massive open building.

Time fast forwards and we reign hell onto the battle of covenant (from Halo) who were almost being successful with their attacks. With every last bullet our fates were becoming accepting, our combatants fall, Connor falls and I fall. Lifting my head up off the floor with one eye open as the alien posse waltz in, making sure to kill every one last of us— Combatants dead, me dead and lastly Connor tremblingly making an effort and dies to a plasma rifle to the head.
A cutscene plays out, Hank looking like he’s accepting his fate, driving a Zeppelin in space to target the core of the Covenant fleet, sacrifices himself giving out one big sigh, he closes his eyes with the front facing windscreen view camera now swapping to a distant view where the Zeppelin can be seen crashing into the fleet ship of the Covenant along with a finale of a gargantuan explosion with another melodic finisher resembling the music from Halo 3.

#Dream three
The proper finale to this shit show was just about to arrive. Blasting through space I utilised a Covenant banshee to infiltrate the ship containing the prophet (from Halo 2/3).
I’d have needed to make an entrance to wince my way in, so as one of the dispersal pods opens up, I charge the banshee with full throttle into the doors and make my escape.
The interior was short and narrow, but clean and battle ready. My only assumptions were to head right and keep following the corridors that could only take me to the prophet.

Some grunts lay few in number and were cake to easily shoot out. I wall ride and skim past firing my gun, leaving the trail of bodies behind me as I continued my venture on .. however moments shortly after, Flood pods (from Halo) would shortly make their acquaintance into the ship and the corridors, and fighting them was no easy task as the big puffed out guys blocked most of the entrance- shooting them from a distance was my only option and these corridors now becoming a stenchful dense black and green fog with parasites lurking all over. I hit a dead end as the doors were sealed tight, a lone marine was there fighting for himself- not so sure how he came on board. The ship had an almost human relatable design, a Kitchen, me and the marine fell back there in which I see either a possibility of using the vent / dumbwaiter to ascend to the higher levels. I crawl inside as the solider firing every last round he’s got, I bounce and press myself against the narrow walls to increase my height and I arrive to the top seeing my fellow soldier at the bottom saying “how the hell am I supposed to get up there, I won’t be able to do that” as I reply back with “you’ve got no other choice, it’s easy, scale and press yourself against the walls”— he refused to listen and the sound of gunfire he continued with instead fell silent; all what was audibly visible now was The Flood croaking and making their usual cursed sounds of some assortment of zombified limbo.

I traverse leaving the man behind, as I finda big open room, resembling earth munitions, cargo and vehicles. Looking further, the camera pans to the Prophet appearing to be in a military Scorpion Tank and with the span of only a few seconds, it turns to me and I start firing back- wall jumping from walls as I meet close quarters face-to-face with him. I plunge my rifle to his head and let it rip. All motion slows and time gradually degrading.  The bullets, the motion, the fluids, the shells.
All fades to black.

The ending cutscene declared national peace and a job well done to prevent the human race from being taken over, Connor, Hank, I and aswell as other members of the battalion commemorated and a minute of silence passed to remember those who were lost during that day. A happy melody plays as the cutscene view fades to black.