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- 1
- 00:00:52,930 --> 00:00:57,930
- Subtitles by explosiveskull
- www.OpenSubtitles.org
- 2
- 00:01:58,092 --> 00:01:59,802
- Fuck.
- 3
- 00:02:14,900 --> 00:02:18,696
- Let me be blunt.
- 4
- 00:02:18,779 --> 00:02:23,451
- Art would not exist without criticism.
- 5
- 00:02:24,452 --> 00:02:28,914
- It would not exist.
- 6
- 00:02:29,915 --> 00:02:34,253
- I like to think of myself
- and my fellow critics, collectively,
- 7
- 00:02:34,337 --> 00:02:39,050
- as the banks on a river,
- and art is the water that flows between us.
- 8
- 00:02:39,133 --> 00:02:42,720
- And we work to channel this flow,
- 9
- 00:02:42,803 --> 00:02:45,723
- guide it, to restrain it,
- you might even say.
- 10
- 00:02:46,724 --> 00:02:52,229
- Because without banks, even the greatest
- of torrents would be, what?
- 11
- 00:02:53,230 --> 00:02:57,735
- Floodplain, listless expanse
- of mud and flies.
- 12
- 00:02:57,818 --> 00:03:00,613
- <i>Now, ladies and gentlemen,</i>
- 13
- 00:03:00,696 --> 00:03:03,783
- please examine this painting, if you will.
- 14
- 00:03:04,784 --> 00:03:06,369
- What do you feel?
- 15
- 00:03:07,370 --> 00:03:09,956
- Indifference, am I correct?
- 16
- 00:03:10,039 --> 00:03:12,333
- You are unmoved.
- 17
- 00:03:12,416 --> 00:03:16,170
- Let's be honest, this is no more interesting
- than your average wallpaper, is it?
- 18
- 00:03:16,253 --> 00:03:19,924
- Look at the brushstrokes, so...
- So rough and clumsy.
- 19
- 00:03:20,007 --> 00:03:22,468
- Almost like a child's painting, no?
- 20
- 00:03:23,469 --> 00:03:28,182
- Is anyone here familiar
- with the work of Nils Ingen?
- 21
- 00:03:28,265 --> 00:03:31,227
- Well, don't be ashamed.
- He's not very well-known in America.
- 22
- 00:03:31,310 --> 00:03:33,896
- Don't be ashamed.
- He's not very well-known in America.
- 23
- 00:03:33,980 --> 00:03:36,357
- Let me tell you a little bit about Nils.
- 24
- 00:03:36,440 --> 00:03:41,445
- Nils was 16 and already something
- of a prodigy when the Nazis invaded Norway.
- 25
- 00:03:41,529 --> 00:03:46,325
- Nils and his twin sister joined
- the Resistance a year into the occupation.
- 26
- 00:03:46,409 --> 00:03:48,494
- They were betrayed.
- 27
- 00:03:50,162 --> 00:03:54,750
- Betrayed, arrested and transported
- to the concentration camp in Buchenwald.
- 28
- 00:03:56,210 --> 00:04:01,048
- Nils kept himself and his sister alive
- by painting portraits of the camp officers.
- 29
- 00:04:01,132 --> 00:04:05,261
- And this is something
- for which he felt great shame after the war.
- 30
- 00:04:05,344 --> 00:04:07,805
- So Nils vowed two things:
- 31
- 00:04:08,973 --> 00:04:11,434
- Never to paint another human figure
- 32
- 00:04:11,517 --> 00:04:14,312
- and never to touch a brush again.
- 33
- 00:04:14,395 --> 00:04:15,563
- And, therefore...
- 34
- 00:04:16,772 --> 00:04:19,107
- ...the rough working of the paint.
- 35
- 00:04:19,191 --> 00:04:21,652
- All of Nils's postwar canvases
- were undertaken
- 36
- 00:04:21,736 --> 00:04:25,698
- either with a palette knife
- or with his fingers.
- 37
- 00:04:25,781 --> 00:04:29,660
- Nils titled this particular painting, <i>Nora,</i>
- after his sister.
- 38
- 00:04:31,954 --> 00:04:35,666
- She died, in 1955, of consumption,
- 39
- 00:04:35,750 --> 00:04:38,336
- which she contracted at Buchenwald.
- 40
- 00:04:38,419 --> 00:04:40,796
- And that gray...
- 41
- 00:04:42,381 --> 00:04:43,591
- And that... And that gray...
- 42
- 00:04:43,674 --> 00:04:47,011
- That gray, vaguely avian shape...
- 43
- 00:04:49,138 --> 00:04:53,309
- some see that as a representation
- of Nora's soul,
- 44
- 00:04:53,392 --> 00:04:59,065
- slipping its earthly bonds, free at last,
- after enduring so much horror here.
- 45
- 00:05:00,107 --> 00:05:02,610
- This painting was Nils's last painting.
- 46
- 00:05:02,693 --> 00:05:05,279
- With Nora dead, he refused to eat anything,
- 47
- 00:05:05,363 --> 00:05:09,909
- and nothing but water passed his lips
- for the next 27 days.
- 48
- 00:05:09,992 --> 00:05:13,537
- He continued to work on the canvas
- as he weakened,
- 49
- 00:05:13,621 --> 00:05:17,249
- and reportedly that bird-like shape
- 50
- 00:05:17,333 --> 00:05:19,794
- was the last detail that he added.
- 51
- 00:05:19,877 --> 00:05:24,256
- So I suppose you could see this painting...
- 52
- 00:05:25,466 --> 00:05:27,009
- as a suicide note.
- 53
- 00:05:27,093 --> 00:05:31,472
- A cri de coeur, famous last words,
- cry from the heart.
- 54
- 00:05:35,601 --> 00:05:38,938
- Looks like a different painting now,
- doesn't it?
- 55
- 00:05:39,021 --> 00:05:42,275
- It looks like a different painting now.
- 56
- 00:05:43,276 --> 00:05:45,778
- - Doesn't it?
- - Absolutely.
- 57
- 00:05:45,861 --> 00:05:48,489
- There's a poignancy to it
- that you hadn't noticed before,
- 58
- 00:05:48,572 --> 00:05:51,534
- and there's far more technical skill
- than you first assumed.
- 59
- 00:05:51,617 --> 00:05:55,496
- And all of this simply because of what I,
- as a critic
- 60
- 00:05:55,579 --> 00:05:57,248
- and an expert, have shared with you.
- 61
- 00:05:57,331 --> 00:06:02,586
- I suppose you could say that I have shaped
- your experience of this painting.
- 62
- 00:06:03,713 --> 00:06:06,465
- Would anyone like a print?
- 63
- 00:06:09,719 --> 00:06:11,304
- Let me...
- 64
- 00:06:11,387 --> 00:06:14,181
- Let me share one last detail with you.
- 65
- 00:06:14,265 --> 00:06:17,560
- Everything I just told you
- about Nils and Nora...
- 66
- 00:06:18,561 --> 00:06:20,396
- Lies. Lies.
- 67
- 00:06:20,479 --> 00:06:23,024
- Lies. Just a pack of lies.
- 68
- 00:06:23,107 --> 00:06:24,859
- I painted this painting.
- 69
- 00:06:26,360 --> 00:06:29,238
- And it's trash. And you can see that, right?
- 70
- 00:06:29,322 --> 00:06:30,698
- It took me 30 minutes.
- 71
- 00:06:30,781 --> 00:06:34,869
- And it's just paint slapped down
- without any real care or inspiration.
- 72
- 00:06:35,870 --> 00:06:38,623
- So is anyone still interested in a print?
- 73
- 00:06:41,417 --> 00:06:43,628
- No, I thought not.
- 74
- 00:06:43,711 --> 00:06:49,050
- I single-handedly made you believe
- that this was a masterpiece.
- 75
- 00:06:49,133 --> 00:06:52,595
- You believed, you have to admit it.
- 76
- 00:06:53,804 --> 00:06:56,474
- That, my dear friends,
- is the power of the critic,
- 77
- 00:06:56,557 --> 00:07:00,227
- and that's why you should be careful
- with someone like me.
- 78
- 00:07:04,941 --> 00:07:07,151
- Thank you. Thank you.
- 79
- 00:07:33,135 --> 00:07:35,680
- You're not really how I imagined
- an art critic would look.
- 80
- 00:07:35,763 --> 00:07:40,059
- Well, you know what they say
- about the book and its cover, Ms...?
- 81
- 00:07:40,142 --> 00:07:42,603
- Hollis. Berenice Hollis.
- 82
- 00:07:43,604 --> 00:07:45,773
- Are you interested in art, Ms. Hollis?
- 83
- 00:07:45,856 --> 00:07:48,401
- I just came here for the potato chips.
- 84
- 00:07:48,484 --> 00:07:50,278
- No offense, Mr. Figueras.
- 85
- 00:07:50,361 --> 00:07:53,656
- I just reached a point in my life
- where I appreciate the value of free things.
- 86
- 00:07:53,739 --> 00:07:54,865
- Oh, I see.
- 87
- 00:07:56,033 --> 00:07:57,785
- So that painting...
- 88
- 00:07:58,786 --> 00:08:00,162
- I'd like a print.
- 89
- 00:08:05,584 --> 00:08:07,253
- There aren't any.
- 90
- 00:08:07,336 --> 00:08:11,507
- That was just what you call
- an oratorical gesture.
- 91
- 00:08:11,590 --> 00:08:13,509
- Oh, you're one of those.
- 92
- 00:08:14,510 --> 00:08:16,971
- - One of which?
- - A liar.
- 93
- 00:08:19,598 --> 00:08:21,684
- That's harsh, don't you think?
- 94
- 00:08:21,767 --> 00:08:23,603
- If the shoe fits.
- 95
- 00:08:25,646 --> 00:08:27,023
- Yeah.
- 96
- 00:08:51,130 --> 00:08:52,131
- Sorry.
- 97
- 00:08:52,214 --> 00:08:53,633
- Sorry.
- 98
- 00:09:07,188 --> 00:09:08,648
- Water?
- 99
- 00:09:11,901 --> 00:09:15,237
- Ever wonder when something
- is just starting, how it's gonna end?
- 100
- 00:09:15,321 --> 00:09:16,197
- Like what?
- 101
- 00:09:17,490 --> 00:09:19,408
- Anything. Us, say.
- 102
- 00:09:24,664 --> 00:09:26,791
- A week from now,
- I'll be planning our wedding.
- 103
- 00:09:28,834 --> 00:09:31,754
- Then I'll take you to an opening,
- and as I look across the room,
- 104
- 00:09:31,837 --> 00:09:33,464
- I'll see you talking to this artist,
- 105
- 00:09:33,547 --> 00:09:37,927
- this broad-shouldered artist, sculptor.
- 106
- 00:09:38,010 --> 00:09:40,137
- Big hands.
- 107
- 00:09:40,221 --> 00:09:43,599
- And as you leave with him,
- you give me a little wave.
- 108
- 00:09:43,683 --> 00:09:49,855
- And I'll climb to the top of the duomo,
- throw myself off in grief.
- 109
- 00:09:49,939 --> 00:09:51,774
- You're gonna make me your whore.
- 110
- 00:09:52,775 --> 00:09:55,653
- I'll be turning tricks to support you
- while you visit your galleries
- 111
- 00:09:55,736 --> 00:09:59,657
- and you write your articles and you sip
- champagne with your high-class friends.
- 112
- 00:09:59,740 --> 00:10:01,367
- - For love.
- - That's right.
- 113
- 00:10:01,450 --> 00:10:04,704
- I'll catch some disease,
- lose my teeth, go blind...
- 114
- 00:10:04,787 --> 00:10:06,789
- - No.
- - ...be dead in a year.
- 115
- 00:10:06,872 --> 00:10:08,416
- All for love.
- 116
- 00:10:08,499 --> 00:10:10,334
- We'll have babies.
- 117
- 00:10:11,335 --> 00:10:14,422
- Girl named Amy, boy named Matt.
- 118
- 00:10:14,505 --> 00:10:17,341
- We'll move to the States,
- Connecticut probably.
- 119
- 00:10:17,425 --> 00:10:20,511
- Buy a house, porch with a swing
- and a brook.
- 120
- 00:10:20,594 --> 00:10:21,762
- Babbling.
- 121
- 00:10:21,846 --> 00:10:23,931
- Of course. And a stone wall.
- 122
- 00:10:24,015 --> 00:10:25,182
- And I'll die first.
- 123
- 00:10:25,266 --> 00:10:28,936
- Some sort of lingering cancer
- that you'll nurse me through.
- 124
- 00:10:29,020 --> 00:10:30,062
- And then you.
- 125
- 00:10:30,146 --> 00:10:34,692
- And our kids will insist
- that you died of a broken heart.
- 126
- 00:10:35,693 --> 00:10:37,194
- I'm gonna get up now.
- 127
- 00:10:37,278 --> 00:10:38,696
- Shower, leave.
- 128
- 00:10:38,779 --> 00:10:41,407
- We'll never see each other again.
- 129
- 00:10:41,490 --> 00:10:43,993
- All you gotta do is lie here
- and let it happen.
- 130
- 00:10:45,328 --> 00:10:46,954
- Got it?
- 131
- 00:10:47,038 --> 00:10:48,581
- Got it.
- 132
- 00:11:14,774 --> 00:11:16,359
- Come in.
- 133
- 00:11:17,360 --> 00:11:19,236
- Want an upper?
- 134
- 00:11:19,320 --> 00:11:20,196
- Sure.
- 135
- 00:11:26,994 --> 00:11:28,955
- What are you doing this weekend?
- 136
- 00:11:29,038 --> 00:11:30,498
- What?
- 137
- 00:11:31,499 --> 00:11:34,919
- You're supposed to ask me out
- before you fuck me.
- 138
- 00:11:35,920 --> 00:11:38,798
- - Ever heard of Joseph Cassidy?
- - The art dealer?
- 139
- 00:11:38,881 --> 00:11:41,550
- - Yeah.
- - Been invited to his estate.
- 140
- 00:11:41,634 --> 00:11:42,843
- You got rich friends.
- 141
- 00:11:42,927 --> 00:11:45,763
- - Well, I've never met him.
- - Then why the invite?
- 142
- 00:11:45,846 --> 00:11:48,516
- I'm guessing he wants me to write
- a catalog for his collection,
- 143
- 00:11:48,599 --> 00:11:50,851
- and it would be a nice gig
- if I could land it.
- 144
- 00:11:50,935 --> 00:11:55,606
- And I bet there'll be
- some free cucumber sandwiches.
- 145
- 00:11:56,691 --> 00:11:58,150
- So, what do you say?
- 146
- 00:11:58,234 --> 00:12:02,196
- - You'll be my chauffeur?
- - Share the driving?
- 147
- 00:12:50,494 --> 00:12:52,622
- <i>James, hi.</i>
- 148
- 00:12:52,705 --> 00:12:54,832
- <i>It's Louisa, Louisa Prentes.</i>
- 149
- 00:12:54,915 --> 00:12:57,335
- <i>It's rather awkward for me
- to be calling you about this,</i>
- 150
- 00:12:57,418 --> 00:13:00,963
- <i>but the check you gave me
- was returned by my bank.</i>
- 151
- 00:13:01,047 --> 00:13:02,715
- <i>If you'd give me a call back, thanks.</i>
- 152
- 00:13:10,973 --> 00:13:12,642
- Who died, little girl?
- 153
- 00:13:12,725 --> 00:13:14,644
- Your poor Norwegian.
- 154
- 00:13:14,727 --> 00:13:16,520
- I keep thinking he was real.
- 155
- 00:13:16,604 --> 00:13:17,980
- He was real.
- 156
- 00:13:18,064 --> 00:13:21,484
- - You said you made him up.
- - No, just the end.
- 157
- 00:13:21,567 --> 00:13:24,028
- Nils and Nora were real,
- 158
- 00:13:24,111 --> 00:13:28,407
- and Nils survived for a time at Buchenwald
- by painting the German officers.
- 159
- 00:13:28,491 --> 00:13:31,243
- - For a time.
- - For a time.
- 160
- 00:13:31,327 --> 00:13:34,455
- In medieval painting,
- the fly represented sin,
- 161
- 00:13:34,538 --> 00:13:38,459
- so if an artist added a fly to a portrait,
- for instance,
- 162
- 00:13:38,542 --> 00:13:41,379
- it meant that that person was damned.
- 163
- 00:13:41,462 --> 00:13:43,756
- I suppose you can see where this is headed.
- 164
- 00:13:43,839 --> 00:13:45,633
- Nils painted flies on the Germans.
- 165
- 00:13:45,716 --> 00:13:46,717
- He did.
- 166
- 00:13:46,801 --> 00:13:52,390
- Unfortunately, his camp commandant
- was something of an amateur art historian,
- 167
- 00:13:52,473 --> 00:13:56,686
- and he took exception,
- and Nils was gutted like a deer,
- 168
- 00:13:56,769 --> 00:13:58,729
- - left out in the yard for the flies...
- - Stop.
- 169
- 00:13:58,813 --> 00:14:01,023
- ...to feast on.
- 170
- 00:14:02,358 --> 00:14:04,110
- You asked.
- 171
- 00:14:06,445 --> 00:14:07,738
- What about Nora?
- 172
- 00:14:07,822 --> 00:14:12,994
- Nora spent her postwar years in Paris,
- drinking too much and painting some.
- 173
- 00:14:13,077 --> 00:14:14,745
- Badly, I'm afraid.
- 174
- 00:14:14,829 --> 00:14:17,164
- She just wasted away, basically.
- 175
- 00:14:17,248 --> 00:14:20,126
- That was Nora's painting you showed us,
- wasn't it?
- 176
- 00:14:21,127 --> 00:14:23,713
- Why didn't you say so?
- 177
- 00:14:23,796 --> 00:14:26,924
- Because my story's much more poignant,
- Nils starving and everything.
- 178
- 00:14:27,008 --> 00:14:28,926
- Yeah, but it's not true.
- 179
- 00:14:29,010 --> 00:14:30,886
- - Does that matter?
- - Of course it matters.
- 180
- 00:14:30,970 --> 00:14:34,140
- That's what art's about, isn't it?
- The truth.
- 181
- 00:14:34,223 --> 00:14:35,516
- No.
- 182
- 00:14:36,601 --> 00:14:41,439
- I mean, pumpkin, if it's just about telling
- the truth, anybody could do it.
- 183
- 00:14:42,440 --> 00:14:44,817
- My job is to separate the good lies
- from the bad ones.
- 184
- 00:14:44,900 --> 00:14:47,069
- And how do you do that?
- 185
- 00:14:48,404 --> 00:14:51,782
- Well, is your name really Berenice?
- 186
- 00:14:55,286 --> 00:14:57,580
- Why would I make that up?
- 187
- 00:14:57,663 --> 00:14:59,498
- That's not a yes.
- 188
- 00:14:59,582 --> 00:15:01,917
- It's not a no either.
- 189
- 00:15:06,172 --> 00:15:07,798
- Okay.
- 190
- 00:16:02,103 --> 00:16:04,105
- Let's get the bags.
- 191
- 00:16:39,223 --> 00:16:41,475
- Lunch is in an hour. Please be prompt.
- 192
- 00:16:41,559 --> 00:16:43,060
- Thank you.
- 193
- 00:17:06,083 --> 00:17:07,168
- I was a kid...
- 194
- 00:17:08,169 --> 00:17:11,589
- exactly the kind of place
- I dreamed of living.
- 195
- 00:17:11,671 --> 00:17:13,174
- Princess in a castle.
- 196
- 00:17:13,256 --> 00:17:14,925
- How about you?
- 197
- 00:17:15,009 --> 00:17:17,469
- What'd you wanna be when you were a kid?
- 198
- 00:17:17,553 --> 00:17:19,513
- Oh, I was never a kid.
- 199
- 00:17:19,597 --> 00:17:22,099
- I hatched from the egg like this,
- fully grown.
- 200
- 00:17:22,183 --> 00:17:23,434
- Come on.
- 201
- 00:17:24,435 --> 00:17:27,021
- Seriously, you can't tell me
- you never wanted to paint.
- 202
- 00:17:29,815 --> 00:17:31,400
- Have you ever been to New York?
- 203
- 00:17:32,401 --> 00:17:33,694
- Yeah.
- 204
- 00:17:33,778 --> 00:17:38,783
- You know those big banners they hang
- outside the museums for special exhibitions?
- 205
- 00:17:40,076 --> 00:17:42,078
- I wanted one.
- 206
- 00:17:45,206 --> 00:17:47,041
- "Figueras."
- 207
- 00:17:48,042 --> 00:17:50,252
- I had a teacher in art school.
- 208
- 00:17:50,336 --> 00:17:51,796
- Good teacher.
- 209
- 00:17:52,922 --> 00:17:55,758
- She took me aside one day
- and told me that I was much better
- 210
- 00:17:55,841 --> 00:17:58,427
- at talking about art than doing it,
- 211
- 00:17:58,511 --> 00:18:01,764
- and said it only had to be a tragedy
- if I made it one.
- 212
- 00:18:02,765 --> 00:18:05,268
- You still want that banner though,
- don't you?
- 213
- 00:18:30,501 --> 00:18:32,878
- Follow your heart.
- 214
- 00:18:42,221 --> 00:18:48,436
- Do you realize how many museums
- that would consider this their centerpiece?
- 215
- 00:18:48,519 --> 00:18:52,106
- And here, it's just another slap of paint
- on the wall.
- 216
- 00:18:52,189 --> 00:18:53,524
- He live alone?
- 217
- 00:18:54,650 --> 00:18:57,570
- - Has that feel, doesn't it?
- - Must be lonely.
- 218
- 00:18:58,571 --> 00:19:02,158
- - What?
- - Man like Cassidy? It's a choice.
- 219
- 00:19:03,159 --> 00:19:07,038
- Women can't understand that as a rule,
- the allure of solitude.
- 220
- 00:19:07,121 --> 00:19:10,166
- - And you do?
- - Oh, yeah. This is how I live too.
- 221
- 00:19:10,249 --> 00:19:11,500
- On a...
- 222
- 00:19:12,501 --> 00:19:15,379
- slightly more modest scale, but still.
- 223
- 00:19:15,463 --> 00:19:17,089
- Just a lone wolf, huh?
- 224
- 00:19:17,173 --> 00:19:20,092
- Scoff all you want.
- I've been a monk here in Italy.
- 225
- 00:19:20,176 --> 00:19:23,429
- Art my only mistress.
- 226
- 00:19:31,395 --> 00:19:34,148
- I bet you, he overpaid for these.
- 227
- 00:19:34,231 --> 00:19:37,652
- And 10 years from now,
- he won't be able to give them away.
- 228
- 00:19:37,735 --> 00:19:40,363
- Would it help you, Mr. Figueras,
- if I told you
- 229
- 00:19:40,446 --> 00:19:43,449
- that I had a terrible stammer
- when I was a child?
- 230
- 00:19:43,532 --> 00:19:47,370
- - Took me years to get over it.
- - I'm so sorry. I didn't know.
- 231
- 00:19:47,453 --> 00:19:50,247
- A neighbor of mine gave me some advice.
- 232
- 00:19:50,331 --> 00:19:54,293
- Try and sing through the words
- to help ease their passage.
- 233
- 00:19:55,461 --> 00:20:00,800
- This makes my attachment to these pictures
- seem a bit sentimental, I know,
- 234
- 00:20:00,883 --> 00:20:03,219
- but I like the reminder that they bring,
- 235
- 00:20:03,302 --> 00:20:07,932
- that I should never let
- a thing's worth obscure its value.
- 236
- 00:20:08,015 --> 00:20:09,475
- Ms. Hollis.
- 237
- 00:20:09,558 --> 00:20:11,060
- Am I correct?
- 238
- 00:20:11,143 --> 00:20:12,728
- Joseph Cassidy.
- 239
- 00:20:12,812 --> 00:20:16,524
- - Welcome to my summer cottage.
- - Thank you for having us.
- 240
- 00:20:16,607 --> 00:20:18,025
- <i>Aperitivo,</i> anyone?
- 241
- 00:20:20,569 --> 00:20:22,863
- I really must apologize.
- 242
- 00:20:22,947 --> 00:20:27,285
- I couldn't help but overhear
- your conversation as I entered.
- 243
- 00:20:27,368 --> 00:20:29,078
- It was fascinating.
- 244
- 00:20:29,161 --> 00:20:31,622
- People and their hunches.
- 245
- 00:20:31,706 --> 00:20:34,125
- How some have the gift and others don't.
- 246
- 00:20:34,208 --> 00:20:37,420
- Always trust your hunches, my dear.
- You have the gift.
- 247
- 00:20:38,421 --> 00:20:41,299
- You were quite right to suspect
- that Mr. Figueras here
- 248
- 00:20:41,382 --> 00:20:46,595
- has been leading a decidedly un-monastic
- existence during his Italian sojourn.
- 249
- 00:20:46,679 --> 00:20:48,931
- There was a Ms. Sofia Rosselli,
- 250
- 00:20:49,015 --> 00:20:54,812
- and then there was a Mrs. Louisa Prentes,
- and then... Oh, come on.
- 251
- 00:20:54,895 --> 00:20:57,315
- Don't look so uncomfortable, Mr. Figueras.
- 252
- 00:20:57,398 --> 00:21:01,027
- I invited you over to my house,
- I'm bound to make inquiries.
- 253
- 00:21:01,110 --> 00:21:04,864
- By the way, my home life,
- you completely misread it.
- 254
- 00:21:04,947 --> 00:21:06,115
- This is my wife's estate.
- 255
- 00:21:06,198 --> 00:21:09,327
- It's been in her family for generations.
- If you'd have come here yesterday,
- 256
- 00:21:09,410 --> 00:21:11,704
- you would've found
- the place swarming with people.
- 257
- 00:21:11,787 --> 00:21:15,207
- I mean, children, grandchildren,
- dogs, cats, nannies.
- 258
- 00:21:15,291 --> 00:21:18,586
- They all decamped for London this morning,
- the whole bloody shooting match.
- 259
- 00:21:18,669 --> 00:21:23,341
- Can still sort of smell them a bit though,
- can't you?
- 260
- 00:21:23,424 --> 00:21:25,926
- That sort of funny child smell.
- 261
- 00:21:27,303 --> 00:21:30,389
- - Jim. Can I call you Jim?
- - Please.
- 262
- 00:21:31,515 --> 00:21:36,604
- Just winding you up. Why would you think
- my children would have a peculiar smell?
- 263
- 00:21:39,231 --> 00:21:43,152
- Berenice, you've been a bit quiet.
- 264
- 00:21:43,235 --> 00:21:45,988
- - I hope we haven't bored you too much.
- - Oh, not at all.
- 265
- 00:21:46,072 --> 00:21:49,075
- Maybe I should've made more of an effort
- to draw you out, but I...
- 266
- 00:21:49,158 --> 00:21:52,536
- I sense you're someone not overly fond
- of personal questions.
- 267
- 00:21:52,620 --> 00:21:55,539
- - And why would that be?
- - I don't know.
- 268
- 00:21:55,623 --> 00:21:58,793
- Just a hunch. Maybe I'm wrong.
- 269
- 00:21:58,876 --> 00:22:01,462
- - Where are you from?
- - Duluth.
- 270
- 00:22:01,545 --> 00:22:03,464
- Minnesota?
- 271
- 00:22:03,547 --> 00:22:04,674
- The Art Institute there,
- 272
- 00:22:04,757 --> 00:22:08,594
- they used to have a really lovely
- Toulouse-Lautrec, but no more.
- 273
- 00:22:08,678 --> 00:22:12,098
- When I say Duluth,
- I mean a small town south of the city.
- 274
- 00:22:12,181 --> 00:22:13,391
- Which one?
- 275
- 00:22:14,392 --> 00:22:17,395
- It's quite small, Mr. Cassidy.
- I'm sure you've never heard of it.
- 276
- 00:22:17,478 --> 00:22:18,938
- Oh, of course not.
- 277
- 00:22:19,021 --> 00:22:21,857
- Nice to be from a small town though,
- isn't it?
- 278
- 00:22:21,941 --> 00:22:22,984
- How so?
- 279
- 00:22:23,067 --> 00:22:26,404
- Well, you venture into the world
- like a newborn,
- 280
- 00:22:26,487 --> 00:22:28,656
- free to be whomever you choose.
- 281
- 00:22:29,991 --> 00:22:34,287
- You know, neither of you have mentioned
- the empty chair.
- 282
- 00:22:34,370 --> 00:22:36,247
- I assumed that was for your wife.
- 283
- 00:22:36,330 --> 00:22:39,583
- What if I told you that,
- at the edge of my property,
- 284
- 00:22:39,667 --> 00:22:41,752
- there's a dilapidated little house,
- 285
- 00:22:41,836 --> 00:22:46,299
- and in this house there's a man
- who I invite for lunch every day,
- 286
- 00:22:46,382 --> 00:22:51,679
- and the only response I ever get from him
- is this empty chair?
- 287
- 00:22:51,762 --> 00:22:53,306
- Who is it?
- 288
- 00:22:53,389 --> 00:22:58,227
- This man, my dear young friend,
- is the reason that I summoned you here.
- 289
- 00:22:59,812 --> 00:23:01,856
- I don't understand.
- 290
- 00:23:01,939 --> 00:23:05,484
- Rodolfo, let's have coffee
- on the terrace, shall we?
- 291
- 00:23:05,568 --> 00:23:06,861
- Very well, sir.
- 292
- 00:23:13,326 --> 00:23:18,372
- If you could interview any living artist,
- who do you think it would be?
- 293
- 00:23:18,456 --> 00:23:21,125
- - Anselm Kiefer.
- - Kiefer?
- 294
- 00:23:21,208 --> 00:23:24,503
- Kiefer will speak to anyone
- with an open notebook, I think.
- 295
- 00:23:24,587 --> 00:23:28,341
- No, put yourself
- in a bit more rarefied company, okay?
- 296
- 00:23:29,425 --> 00:23:34,388
- No critic has spoken to this guy
- in over 50 years.
- 297
- 00:23:34,472 --> 00:23:38,225
- It's been that long
- since anyone's even seen this man's work.
- 298
- 00:23:38,309 --> 00:23:39,518
- Still not with you.
- 299
- 00:23:39,602 --> 00:23:40,645
- Okay.
- 300
- 00:23:40,728 --> 00:23:42,271
- If I say to you:
- 301
- 00:23:42,355 --> 00:23:44,231
- Paris, 1968.
- 302
- 00:23:44,315 --> 00:23:48,361
- Twelve paintings gone up in flames
- in a gallery fire.
- 303
- 00:23:48,444 --> 00:23:51,072
- You're fucking with me.
- 304
- 00:23:51,155 --> 00:23:54,283
- Two days later,
- on the same smoke-stained walls,
- 305
- 00:23:54,367 --> 00:23:57,036
- an empty picture frame appears.
- 306
- 00:23:57,119 --> 00:23:59,872
- A little notecard by it, which read:
- 307
- 00:23:59,956 --> 00:24:01,999
- "Jerome Debney. Number One."
- 308
- 00:24:02,083 --> 00:24:04,961
- Oh, yeah, my college roommate had
- a poster of that on her wall.
- 309
- 00:24:05,044 --> 00:24:07,046
- You're really saying Jerome Debney is here?
- 310
- 00:24:07,129 --> 00:24:09,131
- What was the last you heard of him?
- 311
- 00:24:09,215 --> 00:24:12,885
- Another fire, about a year ago,
- in his studio and house in France.
- 312
- 00:24:12,969 --> 00:24:15,888
- Everything burned down. He lost everything.
- 313
- 00:24:15,972 --> 00:24:18,891
- A lifetime's work went up in flames,
- and no one ever got to see it.
- 314
- 00:24:18,975 --> 00:24:22,270
- Gone. As if it never existed.
- 315
- 00:24:22,353 --> 00:24:25,481
- He is not a wealthy man,
- gets all his money from a charitable trust.
- 316
- 00:24:25,564 --> 00:24:26,816
- - The Debney Trust.
- - Yeah.
- 317
- 00:24:26,899 --> 00:24:29,610
- Upon whose board I'm very honored to sit.
- 318
- 00:24:29,694 --> 00:24:34,115
- And in that capacity,
- I'm to offer the great man accommodations.
- 319
- 00:24:34,198 --> 00:24:35,741
- So now every morning,
- 320
- 00:24:35,825 --> 00:24:41,038
- I got Jerome bloody Debney
- sunning himself beside my pool.
- 321
- 00:24:42,623 --> 00:24:44,875
- - Rodolfo?
- - Sir?
- 322
- 00:24:44,959 --> 00:24:48,713
- What was Mr. Debney reading
- when you picked him up the other day?
- 323
- 00:24:48,796 --> 00:24:51,257
- <i>Flash Art,</i> sir. The March issue.
- 324
- 00:24:51,340 --> 00:24:53,926
- - Mr. Figueras' column.
- - Oh, you're kidding me.
- 325
- 00:24:54,010 --> 00:24:55,970
- And what was he doing
- while he was reading it?
- 326
- 00:24:56,053 --> 00:24:57,054
- Chuckling, sir.
- 327
- 00:24:57,138 --> 00:25:00,683
- He said, "This young man is quite amusing."
- 328
- 00:25:00,766 --> 00:25:05,896
- Berenice, would you mind if I borrow James
- for a little private conversation?
- 329
- 00:25:07,023 --> 00:25:08,190
- No.
- 330
- 00:25:12,153 --> 00:25:17,742
- I employ a team of investigators
- to ensure authenticity and chain of title.
- 331
- 00:25:17,825 --> 00:25:19,201
- I see.
- 332
- 00:25:19,285 --> 00:25:23,789
- One of them came across a recent piece
- by you on Modigliani's brushstrokes.
- 333
- 00:25:23,873 --> 00:25:26,250
- - Do you remember that?
- - Yes, of course.
- 334
- 00:25:26,334 --> 00:25:28,502
- Rather interesting thesis.
- 335
- 00:25:28,586 --> 00:25:34,425
- Helped me overcome some uncertainty
- over a particular Modigliani provenance,
- 336
- 00:25:34,508 --> 00:25:36,469
- <i>Woman with a Red Scarf.</i>
- 337
- 00:25:37,511 --> 00:25:39,972
- We made a rather profitable sale
- to the Tate.
- 338
- 00:25:40,056 --> 00:25:42,183
- Oh, it's in the Tate now.
- 339
- 00:25:42,266 --> 00:25:45,061
- Yeah, it kind of sparked
- my curiosity though.
- 340
- 00:25:45,144 --> 00:25:47,396
- So I had my people do a bit more digging.
- 341
- 00:25:48,397 --> 00:25:51,400
- You were quite the boy wonder,
- weren't you, James?
- 342
- 00:25:52,401 --> 00:25:54,487
- Reading your old articles,
- 343
- 00:25:54,570 --> 00:25:57,198
- one would've thought
- you'd be running a museum by now.
- 344
- 00:25:57,281 --> 00:25:59,825
- - Yeah, well...
- - What happened, James?
- 345
- 00:26:01,702 --> 00:26:02,870
- Embezzlement, right?
- 346
- 00:26:03,913 --> 00:26:06,999
- Well, that makes it sound
- like something it wasn't.
- 347
- 00:26:08,042 --> 00:26:09,669
- What was it then?
- 348
- 00:26:09,752 --> 00:26:13,297
- The gallery had an account
- for incidental expenses,
- 349
- 00:26:13,381 --> 00:26:15,967
- and I thought it would be all right to...
- 350
- 00:26:16,050 --> 00:26:18,719
- borrow a small amount and then repay it.
- 351
- 00:26:18,803 --> 00:26:21,180
- Sounds like something
- pretty easy to sort out.
- 352
- 00:26:22,181 --> 00:26:24,475
- I didn't handle that situation very well.
- 353
- 00:26:24,558 --> 00:26:27,353
- I had more of a temper back then.
- 354
- 00:26:27,436 --> 00:26:28,854
- Oh, did you?
- 355
- 00:26:29,855 --> 00:26:32,233
- Matured with age, have you?
- 356
- 00:26:33,609 --> 00:26:35,820
- What is this about, Mr. Cassidy?
- 357
- 00:26:37,029 --> 00:26:38,281
- Redemption.
- 358
- 00:26:39,282 --> 00:26:41,450
- Think of the splash it would make.
- 359
- 00:26:42,451 --> 00:26:46,289
- The first critic to interview Jerome Debney
- in over 50 years,
- 360
- 00:26:46,372 --> 00:26:49,709
- to see and describe his current work, and...
- 361
- 00:26:50,793 --> 00:26:54,797
- You know, I could pull quite a few strings,
- 362
- 00:26:54,880 --> 00:26:57,383
- and you could be running
- a major museum soon.
- 363
- 00:26:58,384 --> 00:27:01,470
- And why would you do this for me?
- 364
- 00:27:02,972 --> 00:27:06,100
- I'd value a Debney, James,
- 365
- 00:27:07,101 --> 00:27:10,771
- and I'd like you to procure one for me.
- 366
- 00:27:10,855 --> 00:27:12,523
- How am I supposed to do that?
- 367
- 00:27:12,607 --> 00:27:15,901
- Well, that's a transaction
- between you and Mr. Debney, isn't it?
- 368
- 00:27:15,985 --> 00:27:20,406
- Yes, but what's to keep me from doing the
- interview without getting you the painting?
- 369
- 00:27:23,909 --> 00:27:27,872
- Did someone pay you
- to write that Modigliani article?
- 370
- 00:27:28,873 --> 00:27:31,500
- A man called Charles Clay?
- 371
- 00:27:32,543 --> 00:27:35,296
- Charles Clay sold me
- <i>Woman with the Red Scarf.</i>
- 372
- 00:27:38,966 --> 00:27:42,470
- Did you know you were helping
- to validate a forgery?
- 373
- 00:27:42,553 --> 00:27:44,472
- Or were you duped as well?
- 374
- 00:27:44,555 --> 00:27:46,349
- It's not a forgery.
- 375
- 00:27:48,476 --> 00:27:52,688
- Anyway, be the end of your fucking career,
- wouldn't it?
- 376
- 00:27:59,028 --> 00:28:00,613
- You sold it to the Tate.
- 377
- 00:28:00,696 --> 00:28:05,785
- Well, I know, but I rely on the expertise
- of scholars in these matters.
- 378
- 00:28:07,161 --> 00:28:08,162
- Anyway...
- 379
- 00:28:09,580 --> 00:28:14,126
- I'm off to London tomorrow morning, so you
- and Berenice can have the run of the place.
- 380
- 00:28:14,210 --> 00:28:16,671
- See what you can manage.
- 381
- 00:28:48,327 --> 00:28:49,787
- Want one?
- 382
- 00:28:52,248 --> 00:28:53,791
- You got a habit, captain?
- 383
- 00:28:53,874 --> 00:28:55,543
- Just a little boost now and then.
- 384
- 00:28:55,626 --> 00:28:58,296
- - How many a day?
- - Who's counting?
- 385
- 00:28:59,547 --> 00:29:02,800
- Where I'm from, that's called a habit.
- 386
- 00:29:02,883 --> 00:29:04,844
- Duluth, huh?
- 387
- 00:29:06,220 --> 00:29:09,015
- - Thought there was an accent.
- - A Duluth accent?
- 388
- 00:29:09,098 --> 00:29:11,809
- Minnesota. Something weird with the vowels.
- 389
- 00:29:12,852 --> 00:29:15,730
- I thought all addicts were hapless losers.
- 390
- 00:29:15,813 --> 00:29:17,565
- Whoa, are we fighting?
- 391
- 00:29:17,648 --> 00:29:20,234
- - Only if you want to.
- - Our first squabble. Okay, bring it on.
- 392
- 00:29:20,318 --> 00:29:22,528
- - Call me a name.
- - Asshole.
- 393
- 00:29:23,529 --> 00:29:24,822
- Put effort into it.
- 394
- 00:29:24,905 --> 00:29:26,782
- Bastard.
- 395
- 00:29:26,866 --> 00:29:30,620
- Son of a bitch, piece of shit,
- motherfucker, cocksucker.
- 396
- 00:29:30,703 --> 00:29:34,665
- Say something bad about my character
- and make it sting.
- 397
- 00:29:34,749 --> 00:29:37,585
- You treat serious things
- as if they were trivial
- 398
- 00:29:37,668 --> 00:29:40,546
- and trivial things as if they were serious.
- 399
- 00:29:40,630 --> 00:29:41,797
- Come on.
- 400
- 00:29:41,881 --> 00:29:45,760
- You have one more go,
- then I will show you how it's done.
- 401
- 00:29:47,011 --> 00:29:48,596
- How many days you think I got left?
- 402
- 00:29:48,679 --> 00:29:50,806
- - Left?
- - To live.
- 403
- 00:29:52,558 --> 00:29:56,520
- - I mean, what kind of question is that?
- - There's a number, right? For both of us.
- 404
- 00:29:56,604 --> 00:29:58,397
- Days, hours, minutes.
- 405
- 00:29:58,481 --> 00:30:00,900
- After this minute right here, one less.
- 406
- 00:30:00,983 --> 00:30:04,236
- - That's how it works.
- - So why waste it like this?
- 407
- 00:30:09,033 --> 00:30:11,452
- We're friends, right?
- 408
- 00:30:11,535 --> 00:30:12,828
- The best.
- 409
- 00:30:12,912 --> 00:30:15,581
- So who gives a fuck where I'm from?
- 410
- 00:31:32,533 --> 00:31:34,827
- I can mail that for you, ma'am.
- 411
- 00:31:34,910 --> 00:31:37,663
- - If you like.
- - Yeah, that'd be great.
- 412
- 00:31:40,041 --> 00:31:41,500
- Thank you.
- 413
- 00:31:43,419 --> 00:31:45,921
- - Morning, sir.
- - Morning.
- 414
- 00:31:46,005 --> 00:31:48,591
- Have you got a pen pal, sugarplum?
- 415
- 00:31:48,674 --> 00:31:50,259
- Just my mama.
- 416
- 00:31:50,343 --> 00:31:52,386
- Back in old Duluth?
- 417
- 00:31:52,470 --> 00:31:55,014
- Had to tell her I met a boy.
- 418
- 00:31:58,351 --> 00:32:00,478
- Not a word.
- 419
- 00:32:02,271 --> 00:32:03,648
- Watch.
- 420
- 00:32:20,998 --> 00:32:23,417
- - Good one.
- - Very good one.
- 421
- 00:32:23,501 --> 00:32:25,711
- Man of many skills.
- 422
- 00:32:25,795 --> 00:32:27,463
- That's right.
- 423
- 00:32:28,714 --> 00:32:31,717
- I had the weirdest dream last night.
- 424
- 00:32:31,801 --> 00:32:34,428
- Weird is how they generally come
- in my experience.
- 425
- 00:32:34,512 --> 00:32:36,013
- I woke up real early.
- 426
- 00:32:37,014 --> 00:32:39,392
- Heard someone whispering,
- so I went to the door,
- 427
- 00:32:39,475 --> 00:32:41,310
- cracked it open,
- 428
- 00:32:41,394 --> 00:32:43,187
- and there you were,
- 429
- 00:32:43,271 --> 00:32:45,314
- down the corridor in a robe with Cassidy,
- 430
- 00:32:45,398 --> 00:32:49,944
- and he gave you an envelope, a thick one.
- 431
- 00:32:51,821 --> 00:32:54,657
- And here I was thinking flying horses,
- 432
- 00:32:54,740 --> 00:32:57,034
- sex with your mother, that kind of weird.
- 433
- 00:32:57,118 --> 00:32:58,953
- I went back to bed and lay there wondering:
- 434
- 00:32:59,036 --> 00:33:03,708
- "Why would Cassidy give her
- an envelope full of cash?"
- 435
- 00:33:03,791 --> 00:33:06,460
- "Her" being me.
- 436
- 00:33:11,674 --> 00:33:14,427
- This is a dream we're talking about, right?
- 437
- 00:33:14,510 --> 00:33:15,636
- Is it?
- 438
- 00:33:16,637 --> 00:33:18,806
- You're a funny one, aren't you?
- 439
- 00:33:32,945 --> 00:33:34,822
- Oh, look.
- 440
- 00:33:37,325 --> 00:33:40,244
- We'll tell our grandchildren about this.
- 441
- 00:33:42,371 --> 00:33:45,833
- I came here a pauper,
- but I'll leave a prince, a fucking emperor.
- 442
- 00:33:45,916 --> 00:33:48,210
- I saw blue once.
- 443
- 00:33:50,671 --> 00:33:53,257
- Genuine blue, you understand.
- 444
- 00:33:54,258 --> 00:33:56,469
- Platonic blue.
- 445
- 00:33:57,637 --> 00:34:00,139
- In a pool much like this.
- 446
- 00:34:01,557 --> 00:34:03,893
- I was underwater,
- 447
- 00:34:03,976 --> 00:34:06,479
- staring upwards at the sky.
- 448
- 00:34:07,480 --> 00:34:13,361
- And perhaps it was merely
- a deficit of oxygen.
- 449
- 00:34:15,071 --> 00:34:17,073
- But for a moment...
- 450
- 00:34:18,074 --> 00:34:19,575
- blue.
- 451
- 00:34:21,701 --> 00:34:25,581
- I've been searching for it ever since.
- 452
- 00:34:27,708 --> 00:34:29,210
- Mr. Figueras,
- 453
- 00:34:30,210 --> 00:34:31,754
- I thought it might be you.
- 454
- 00:34:33,089 --> 00:34:35,383
- You've shaved your beard.
- 455
- 00:34:35,466 --> 00:34:38,636
- You must grow it back. It adds character.
- 456
- 00:34:40,513 --> 00:34:42,390
- Honored, Mr. Debney.
- 457
- 00:34:42,473 --> 00:34:44,475
- And startled. How did you...?
- 458
- 00:34:44,558 --> 00:34:48,604
- Your column, every month,
- with its little photo.
- 459
- 00:34:48,688 --> 00:34:53,359
- Oh, it's a fine thing to see a young man
- with such a clear eye.
- 460
- 00:34:53,442 --> 00:34:56,654
- And your beautiful friend,
- you hope to protect her from my charm.
- 461
- 00:34:56,737 --> 00:34:59,865
- - She has a name, I assume?
- - Ms. Berenice Hollis.
- 462
- 00:35:02,076 --> 00:35:05,329
- Jerome Debney. At your service, Ms. Hollis.
- 463
- 00:35:05,413 --> 00:35:07,623
- It's an honor, Mr. Debney.
- 464
- 00:35:08,624 --> 00:35:09,959
- Please.
- 465
- 00:35:11,752 --> 00:35:14,588
- May I be direct, in the modern way?
- 466
- 00:35:14,672 --> 00:35:18,175
- Mr. Cassidy has brought us together.
- Why, it doesn't matter.
- 467
- 00:35:18,259 --> 00:35:20,261
- He's a collector.
- 468
- 00:35:20,344 --> 00:35:24,432
- And collectors, as we both know,
- are odd creatures.
- 469
- 00:35:24,515 --> 00:35:29,228
- I assume an arrangement has been forged,
- an agreement that suits you both.
- 470
- 00:35:29,312 --> 00:35:31,439
- I don't really wish to know, no.
- 471
- 00:35:31,522 --> 00:35:33,649
- One of the great pleasures
- in being an artist
- 472
- 00:35:33,733 --> 00:35:37,778
- is that one need not traffic with the world
- in this fashion.
- 473
- 00:35:39,030 --> 00:35:42,366
- I presume that you would like an interview.
- 474
- 00:35:42,450 --> 00:35:45,411
- Tape recorder spinning away.
- 475
- 00:35:46,662 --> 00:35:48,706
- I cannot abide such things.
- 476
- 00:35:49,874 --> 00:35:51,375
- A conversation?
- 477
- 00:35:51,459 --> 00:35:54,587
- Natural, informal.
- 478
- 00:35:54,670 --> 00:35:58,174
- This, perhaps, might be possible.
- Nothing more.
- 479
- 00:35:58,257 --> 00:36:00,593
- Would such an approach assuage you?
- 480
- 00:36:00,676 --> 00:36:02,637
- That would mean the world to me.
- 481
- 00:36:02,720 --> 00:36:05,765
- The holy grail. Be the greatest honor.
- 482
- 00:36:05,848 --> 00:36:08,392
- But should it come so easily?
- 483
- 00:36:09,393 --> 00:36:10,603
- Excuse me?
- 484
- 00:36:10,686 --> 00:36:12,188
- What have you suffered?
- 485
- 00:36:12,271 --> 00:36:14,774
- The king invites you to his palace.
- 486
- 00:36:14,857 --> 00:36:17,526
- You sun yourselves by its pool.
- 487
- 00:36:17,610 --> 00:36:20,363
- The grail approaches and presents itself.
- 488
- 00:36:20,446 --> 00:36:23,366
- No battles, no trials.
- 489
- 00:36:23,449 --> 00:36:25,368
- The gods would never approve.
- 490
- 00:36:25,451 --> 00:36:28,371
- Mr. Debney, it was merely a metaphor.
- 491
- 00:36:28,454 --> 00:36:30,498
- What power lurks in metaphors.
- 492
- 00:36:30,581 --> 00:36:32,917
- - Are you a swimmer?
- - I think...
- 493
- 00:36:33,000 --> 00:36:36,921
- One length, underwater,
- and I'll speak with you.
- 494
- 00:36:37,004 --> 00:36:39,256
- - But, Mr. Debney, I...
- - Two lengths.
- 495
- 00:36:39,340 --> 00:36:43,678
- If your next word is anything but "yes,"
- it'll be four lengths.
- 496
- 00:36:45,554 --> 00:36:47,181
- Very well.
- 497
- 00:36:49,392 --> 00:36:52,436
- My mother taught me how to haggle.
- 498
- 00:36:53,729 --> 00:36:56,816
- If you have nothing to lose,
- you must be merciless.
- 499
- 00:36:57,984 --> 00:36:59,151
- Come.
- 500
- 00:36:59,235 --> 00:37:02,405
- Sit beside me
- and we'll cheer him on together.
- 501
- 00:37:04,615 --> 00:37:07,743
- I didn't expect you to be so sociable,
- Mr. Debney.
- 502
- 00:37:07,827 --> 00:37:12,290
- One of the things I've learned
- in my long stay upon this darkling plane,
- 503
- 00:37:12,373 --> 00:37:14,458
- most things, most people,
- 504
- 00:37:14,542 --> 00:37:16,961
- they are not what you'd expect.
- 505
- 00:37:21,257 --> 00:37:23,634
- Are you what one might expect?
- 506
- 00:37:24,635 --> 00:37:26,387
- What might that be?
- 507
- 00:37:26,470 --> 00:37:27,513
- A stone.
- 508
- 00:37:28,639 --> 00:37:30,599
- Perhaps an egg.
- 509
- 00:37:32,018 --> 00:37:33,686
- The question being,
- 510
- 00:37:33,769 --> 00:37:36,647
- how deep the hardness goes.
- 511
- 00:37:36,731 --> 00:37:40,151
- We'd need to drop you to know for certain.
- 512
- 00:37:40,234 --> 00:37:42,403
- Bravo! Halfway!
- 513
- 00:37:43,863 --> 00:37:46,407
- - You're old friends?
- - Freshly minted.
- 514
- 00:37:47,408 --> 00:37:49,577
- He is an ambitious young man.
- 515
- 00:37:49,660 --> 00:37:52,246
- So if you are an egg,
- 516
- 00:37:52,330 --> 00:37:54,040
- I hope you'll be careful.
- 517
- 00:37:54,123 --> 00:37:56,042
- Trust me, I'm anything but an egg.
- 518
- 00:37:56,125 --> 00:37:58,919
- Do you know the saddest egg of all?
- 519
- 00:37:59,003 --> 00:38:01,464
- The egg that believes it's a stone.
- 520
- 00:38:03,341 --> 00:38:07,053
- Is there anything I might say
- that could dissuade you
- 521
- 00:38:07,136 --> 00:38:10,264
- from writing about me in your magazine?
- 522
- 00:38:12,892 --> 00:38:15,227
- I suspected as much.
- 523
- 00:38:15,311 --> 00:38:19,607
- I go now where you are not welcome
- to my studio for three hours.
- 524
- 00:38:19,690 --> 00:38:24,111
- After that, a boat ride, and you're welcome
- to accompany me if you wish.
- 525
- 00:38:24,195 --> 00:38:26,614
- After the boat ride, a shower
- 526
- 00:38:26,697 --> 00:38:28,574
- and then dinner.
- 527
- 00:38:28,658 --> 00:38:30,576
- For which you are also welcome.
- 528
- 00:38:30,660 --> 00:38:34,121
- The meal, not the shower.
- 529
- 00:38:34,205 --> 00:38:35,331
- Is that acceptable?
- 530
- 00:38:41,087 --> 00:38:43,255
- Such sweet sorrow.
- 531
- 00:38:49,512 --> 00:38:52,473
- Did you find my blue under there?
- 532
- 00:38:55,309 --> 00:38:56,769
- You okay, champ?
- 533
- 00:39:12,535 --> 00:39:15,037
- How did you end up with such a pretty name?
- 534
- 00:39:16,038 --> 00:39:17,915
- Waiting for me when I arrived.
- 535
- 00:39:19,000 --> 00:39:21,794
- Doesn't strike me
- as a common choice in Minnesota.
- 536
- 00:39:21,877 --> 00:39:24,797
- - We gonna dance to this tune again?
- - Tell me.
- 537
- 00:39:25,965 --> 00:39:29,343
- My mother bet my Aunt Sally
- that I'd be a girl.
- 538
- 00:39:29,427 --> 00:39:31,887
- Which I am, as you maybe noticed.
- 539
- 00:39:31,971 --> 00:39:35,349
- So "Berenice," bringer of victory.
- 540
- 00:39:35,433 --> 00:39:37,602
- What did they bet?
- 541
- 00:39:37,685 --> 00:39:40,730
- - A new set of pickling jars.
- - Oh, you're good.
- 542
- 00:39:40,813 --> 00:39:43,691
- Lying's easy when you tell the truth.
- 543
- 00:39:45,026 --> 00:39:47,987
- It's the quirky details that carry the day.
- 544
- 00:39:48,070 --> 00:39:49,989
- Aunt Sally, pickling jars.
- 545
- 00:39:50,072 --> 00:39:54,619
- Nils vowing never to touch a brush again,
- Nora dying of consumption.
- 546
- 00:39:55,703 --> 00:39:59,915
- Want to know about Nora? Ask Debney.
- He probably met her in Paris.
- 547
- 00:40:01,626 --> 00:40:04,003
- Almost time for our boat ride.
- 548
- 00:40:06,213 --> 00:40:08,007
- You're on your own for that.
- 549
- 00:40:08,090 --> 00:40:10,593
- If I don't rest, I can't make dinner.
- 550
- 00:40:13,679 --> 00:40:14,680
- What?
- 551
- 00:40:16,974 --> 00:40:19,185
- We're not supposed to talk about it.
- That's the deal?
- 552
- 00:40:19,268 --> 00:40:22,730
- It's not so complicated, honeybunch.
- I had a deadline, the pills helped.
- 553
- 00:40:22,813 --> 00:40:26,233
- Then I started needing more,
- then it wasn't about the deadlines anymore.
- 554
- 00:40:26,317 --> 00:40:27,693
- I can end it. I just...
- 555
- 00:40:27,777 --> 00:40:30,029
- I'm just waiting for the right moment.
- 556
- 00:40:30,112 --> 00:40:34,325
- And I can certainly hear how that sounds,
- and it's not like that.
- 557
- 00:40:38,913 --> 00:40:39,747
- Yeah.
- 558
- 00:40:40,748 --> 00:40:43,834
- You're probably right.
- We shouldn't talk about it.
- 559
- 00:41:00,393 --> 00:41:01,894
- Where is our Galahad?
- 560
- 00:41:01,978 --> 00:41:04,855
- Resting. He sends his regrets.
- 561
- 00:41:06,440 --> 00:41:09,944
- I wore him out, didn't I?
- With our little escapade.
- 562
- 00:41:10,027 --> 00:41:11,279
- Where are you taking me?
- 563
- 00:41:12,280 --> 00:41:16,367
- <i>Come away, O human child!
- To the waters and the wild</i>
- 564
- 00:42:32,485 --> 00:42:35,404
- Did you know a woman named Nora Ingen?
- 565
- 00:42:39,033 --> 00:42:40,743
- Nora.
- 566
- 00:42:42,620 --> 00:42:46,874
- The beautiful and broken Nora.
- 567
- 00:42:50,586 --> 00:42:52,129
- What do you know of her?
- 568
- 00:42:53,130 --> 00:42:55,091
- Only what James told me.
- 569
- 00:42:56,092 --> 00:43:00,012
- The concentration camps,
- her brother painting the Germans,
- 570
- 00:43:00,096 --> 00:43:01,514
- the flies.
- 571
- 00:43:01,597 --> 00:43:02,723
- Flies?
- 572
- 00:43:05,476 --> 00:43:07,270
- A fairy tale.
- 573
- 00:43:07,353 --> 00:43:12,024
- - To give meaning where there was none.
- - It's not true?
- 574
- 00:43:12,108 --> 00:43:15,361
- The camps were not a place
- where paintings were made.
- 575
- 00:43:15,444 --> 00:43:19,782
- The idea of such a thing, it's obscene.
- 576
- 00:43:21,534 --> 00:43:23,619
- Nils died like all the others.
- 577
- 00:43:24,620 --> 00:43:26,580
- Packed into a narrow room.
- 578
- 00:43:27,581 --> 00:43:28,791
- Gassed.
- 579
- 00:43:28,874 --> 00:43:30,543
- How do you know?
- 580
- 00:43:32,336 --> 00:43:34,422
- - She told me.
- - Nora?
- 581
- 00:43:35,423 --> 00:43:38,759
- We were not very good to her,
- the men in my circle.
- 582
- 00:43:38,843 --> 00:43:41,846
- We passed her around like a talisman,
- 583
- 00:43:41,929 --> 00:43:47,893
- daring ourselves to kiss
- the tiny numbers tattooed on her forearm.
- 584
- 00:43:49,228 --> 00:43:51,230
- We were callow
- 585
- 00:43:51,314 --> 00:43:53,649
- when we should've been kind.
- 586
- 00:43:55,860 --> 00:43:59,196
- Now you know the worst of Jerome Debney.
- 587
- 00:44:00,406 --> 00:44:02,283
- We're still friends?
- 588
- 00:44:02,366 --> 00:44:04,493
- Of course, Mr. Debney.
- 589
- 00:44:04,577 --> 00:44:07,538
- - We'll always be friends.
- - Oh, wonderful.
- 590
- 00:44:07,622 --> 00:44:09,248
- Wonderful.
- 591
- 00:45:52,810 --> 00:45:55,438
- A favorite spot of mine.
- 592
- 00:45:55,521 --> 00:45:58,274
- One must labor to apprehend it.
- 593
- 00:45:58,357 --> 00:46:00,943
- And those surely don't help.
- 594
- 00:46:02,403 --> 00:46:06,115
- I try to think of them as regrets.
- 595
- 00:46:06,198 --> 00:46:09,327
- One can either feel tormented
- 596
- 00:46:09,410 --> 00:46:11,829
- or learn to endure their presence.
- 597
- 00:46:11,912 --> 00:46:15,291
- I obviously carry mine
- less gracefully than you.
- 598
- 00:46:15,374 --> 00:46:17,710
- Well, then you must tell me a secret.
- 599
- 00:46:17,793 --> 00:46:21,922
- Something shameful.
- It will ease your burden.
- 600
- 00:46:25,343 --> 00:46:26,844
- I'm a teacher.
- 601
- 00:46:26,927 --> 00:46:29,472
- And a fine one, I'm sure.
- 602
- 00:46:29,555 --> 00:46:31,932
- - I made a mistake.
- - What sort?
- 603
- 00:46:32,016 --> 00:46:34,268
- An indiscretion with a colleague.
- 604
- 00:46:34,352 --> 00:46:35,436
- Married, I assume?
- 605
- 00:46:39,315 --> 00:46:42,526
- Every year, I have the freshmen girls
- for health.
- 606
- 00:46:42,610 --> 00:46:45,780
- The facts of life, that kind of thing.
- 607
- 00:46:45,863 --> 00:46:47,615
- How not to get pregnant.
- 608
- 00:46:48,616 --> 00:46:52,119
- The teacher was not such a good student?
- 609
- 00:46:54,080 --> 00:46:57,333
- Officially, I'm on leave
- to have a cyst removed.
- 610
- 00:46:58,834 --> 00:47:00,419
- I have a friend, a best friend.
- 611
- 00:47:00,503 --> 00:47:02,672
- She's older, married.
- 612
- 00:47:03,673 --> 00:47:04,966
- Before I left, I told her everything,
- 613
- 00:47:05,049 --> 00:47:08,052
- and there was this moment
- when I was talking,
- 614
- 00:47:08,135 --> 00:47:10,262
- and she gave me this look...
- 615
- 00:47:10,346 --> 00:47:12,682
- It was just a flash, you know, reflexive.
- 616
- 00:47:12,765 --> 00:47:14,934
- ...like she wanted to spit on me.
- 617
- 00:47:15,935 --> 00:47:18,521
- It stung. Keeps stinging.
- 618
- 00:47:19,522 --> 00:47:22,858
- So when I got to Italy, I thought, "Why not?
- 619
- 00:47:22,942 --> 00:47:26,028
- Play the whore for a little while.
- 620
- 00:47:26,112 --> 00:47:27,446
- See how it feels."
- 621
- 00:47:27,530 --> 00:47:29,323
- And does it suit you?
- 622
- 00:47:29,407 --> 00:47:30,449
- This new mask?
- 623
- 00:47:32,702 --> 00:47:34,537
- Turns out, I'm all right at it.
- 624
- 00:47:34,620 --> 00:47:37,039
- You have to be careful, my dear.
- 625
- 00:47:37,123 --> 00:47:39,208
- A mask can be a perilous thing.
- 626
- 00:47:39,292 --> 00:47:42,628
- When I take mine off at night,
- another waits beneath.
- 627
- 00:47:42,712 --> 00:47:44,255
- And under that?
- 628
- 00:47:45,589 --> 00:47:47,591
- So many years, Ms. Hollis.
- 629
- 00:47:48,592 --> 00:47:50,136
- Decades.
- 630
- 00:47:50,219 --> 00:47:54,765
- And it's masks all the way down by now.
- 631
- 00:47:59,270 --> 00:48:00,896
- And you?
- 632
- 00:48:02,231 --> 00:48:04,483
- Is there anything left?
- 633
- 00:48:08,404 --> 00:48:10,031
- I think so.
- 634
- 00:48:10,114 --> 00:48:12,074
- Then it's not too late, is it?
- 635
- 00:50:26,626 --> 00:50:28,294
- James?
- 636
- 00:50:33,007 --> 00:50:35,384
- Sky's still standing, Chicken Little.
- 637
- 00:50:35,468 --> 00:50:37,094
- Just slipped on the stairs.
- 638
- 00:50:38,095 --> 00:50:40,931
- Tell Papa all about the boat ride.
- 639
- 00:50:41,932 --> 00:50:44,810
- I think I lost 3 pounds to mosquitoes.
- 640
- 00:50:45,811 --> 00:50:48,648
- But I like him. He's a fine old man.
- 641
- 00:50:48,731 --> 00:50:51,734
- - What did you two lovebirds talk about?
- - This and that.
- 642
- 00:50:51,817 --> 00:50:55,446
- - Not the other thing?
- - Never on a first date.
- 643
- 00:50:55,529 --> 00:50:57,865
- What kind of girl you take me for?
- 644
- 00:50:59,450 --> 00:51:01,327
- Seemed to think I should tell you the truth.
- 645
- 00:51:01,410 --> 00:51:03,579
- - About what?
- - Myself.
- 646
- 00:51:04,580 --> 00:51:06,624
- And what would that be?
- 647
- 00:51:06,707 --> 00:51:09,251
- Small-town girl, made a mistake.
- 648
- 00:51:09,335 --> 00:51:13,005
- In way over her head,
- paddling about with sharks like you.
- 649
- 00:51:14,006 --> 00:51:16,592
- - Little Bo-Peep, huh?
- - Pretty much.
- 650
- 00:51:17,593 --> 00:51:20,096
- Tell it to Aunt Sally.
- 651
- 00:51:33,067 --> 00:51:35,152
- Aren't you the little lady?
- 652
- 00:51:35,236 --> 00:51:37,363
- Bit late for that, turns out.
- 653
- 00:51:37,446 --> 00:51:39,365
- Did I miss any local sights?
- 654
- 00:51:39,448 --> 00:51:41,450
- He took me to some ruins.
- 655
- 00:51:41,534 --> 00:51:44,328
- - Just up the lake?
- - Just outside the property.
- 656
- 00:51:44,412 --> 00:51:47,164
- Felt like the first person to set foot there
- in a hundred years.
- 657
- 00:51:47,248 --> 00:51:50,334
- It scares me to think of him
- out there alone, though, on the water.
- 658
- 00:51:50,418 --> 00:51:52,003
- Why?
- 659
- 00:51:53,629 --> 00:51:55,840
- He capsizes, no one will ever find him.
- 660
- 00:51:55,923 --> 00:51:58,342
- Probably what he wants,
- vanish without a trace.
- 661
- 00:51:58,426 --> 00:52:00,303
- Be the perfect close to his legend.
- 662
- 00:52:00,386 --> 00:52:03,597
- Nobody wants to end up
- at the bottom of a lake, chief.
- 663
- 00:52:10,313 --> 00:52:11,522
- Thank you.
- 664
- 00:52:11,606 --> 00:52:12,940
- Do me a favor?
- 665
- 00:52:13,024 --> 00:52:14,400
- What are friends for?
- 666
- 00:52:14,483 --> 00:52:18,988
- Tonight, when we're at his house, I need
- to take a photo of whatever he's working on.
- 667
- 00:52:19,071 --> 00:52:22,033
- - Can you distract him a bit, please?
- - Why?
- 668
- 00:52:22,116 --> 00:52:24,994
- - There's no way he's ever gonna...
- - Why do you need to take a picture?
- 669
- 00:52:25,077 --> 00:52:28,164
- For my work, for my writing, reference.
- 670
- 00:52:28,247 --> 00:52:31,042
- Seems kind of underhanded, don't you think?
- 671
- 00:52:31,125 --> 00:52:33,127
- Underhanded?
- 672
- 00:52:33,210 --> 00:52:34,920
- He's inviting us into his home.
- 673
- 00:52:35,004 --> 00:52:38,841
- It's a memory aid, Pollyanna.
- I'll delete it when I'm done.
- 674
- 00:52:39,842 --> 00:52:42,595
- What makes you think
- he's gonna show you anything anyway?
- 675
- 00:52:43,596 --> 00:52:46,515
- My irresistible charisma.
- 676
- 00:52:47,642 --> 00:52:49,685
- <i>No, Mr. Figueras.</i>
- 677
- 00:52:49,769 --> 00:52:52,104
- No, no, no.
- 678
- 00:52:52,188 --> 00:52:53,731
- It's a ridicule.
- 679
- 00:52:53,814 --> 00:52:56,901
- Why ruin a pleasant evening?
- 680
- 00:52:56,984 --> 00:52:59,278
- Let us finish our meal.
- 681
- 00:52:59,362 --> 00:53:02,406
- I'll pretend you never raised the idea,
- 682
- 00:53:02,490 --> 00:53:03,991
- and we'll all part as friends.
- 683
- 00:53:04,075 --> 00:53:06,869
- You have a duty, Mr. Debney.
- 684
- 00:53:06,953 --> 00:53:09,246
- - To whom?
- - Posterity.
- 685
- 00:53:09,330 --> 00:53:12,541
- When you've departed,
- the world will come rushing in.
- 686
- 00:53:12,625 --> 00:53:15,586
- Wouldn't it be better
- to share your work now, with me,
- 687
- 00:53:15,670 --> 00:53:17,546
- while you're still here to explain it?
- 688
- 00:53:17,630 --> 00:53:20,591
- I can help you do this. Together, we...
- 689
- 00:53:21,592 --> 00:53:24,595
- What is the earliest example of art
- you can think of?
- 690
- 00:53:25,680 --> 00:53:27,765
- The caves, I suppose. Lascaux, Altamira.
- 691
- 00:53:29,392 --> 00:53:32,186
- Odd place to paint, wouldn't you agree?
- 692
- 00:53:32,270 --> 00:53:33,896
- A hole in the ground?
- 693
- 00:53:34,897 --> 00:53:37,233
- Can you explain the impulse?
- 694
- 00:53:37,316 --> 00:53:39,360
- Well, it's a long way
- from my field of expertise,
- 695
- 00:53:39,443 --> 00:53:42,446
- but I suppose there's
- some sort of ritualized element here.
- 696
- 00:53:42,530 --> 00:53:46,659
- I mean, the womb, Mother Earth,
- a descent into...
- 697
- 00:53:46,742 --> 00:53:49,120
- I have a much simpler hypothesis.
- 698
- 00:53:49,203 --> 00:53:52,081
- They had no desire to share their work.
- 699
- 00:53:52,164 --> 00:53:55,876
- They were hiding it
- from eyes they considered unworthy.
- 700
- 00:53:55,960 --> 00:53:58,421
- But I suppose you could also say
- it was a way
- 701
- 00:53:58,504 --> 00:54:02,008
- of safeguarding the paintings
- for future generations.
- 702
- 00:54:03,009 --> 00:54:06,721
- After all, their work was discovered,
- just as yours shall be.
- 703
- 00:54:06,804 --> 00:54:11,809
- And I'll be there to write of it,
- Mr. Debney, with you or without you.
- 704
- 00:54:19,650 --> 00:54:22,737
- He's such an earnest young man.
- 705
- 00:54:22,820 --> 00:54:27,617
- To speak so seriously
- of such foolish matters.
- 706
- 00:54:27,700 --> 00:54:30,620
- Oh, nothing could be less foolish.
- 707
- 00:54:31,621 --> 00:54:34,707
- Come. Let me show you my studio.
- 708
- 00:54:34,790 --> 00:54:36,709
- Are you serious?
- 709
- 00:54:36,792 --> 00:54:38,502
- I think you'll be quite amused.
- 710
- 00:54:38,586 --> 00:54:41,047
- - Both of us?
- - Everyone.
- 711
- 00:54:41,130 --> 00:54:42,715
- It's time.
- 712
- 00:54:42,798 --> 00:54:44,258
- Past time.
- 713
- 00:54:45,259 --> 00:54:46,385
- - Take this.
- - What?
- 714
- 00:54:46,469 --> 00:54:48,304
- When I give you the nod, drop it.
- 715
- 00:54:48,387 --> 00:54:50,306
- - What...?
- - Trust me.
- 716
- 00:54:52,141 --> 00:54:55,144
- We have to be rather fleet of foot,
- I'm afraid.
- 717
- 00:54:55,227 --> 00:54:58,439
- I have a rendezvous this evening.
- With a local widow.
- 718
- 00:54:58,522 --> 00:55:01,025
- And I can write about this,
- what you show us?
- 719
- 00:55:01,108 --> 00:55:02,360
- You have my blessing.
- 720
- 00:55:02,443 --> 00:55:06,572
- Indeed, I'll be rather intrigued
- to learn what you make of it.
- 721
- 00:55:06,656 --> 00:55:09,241
- This is everything, you understand.
- 722
- 00:55:09,325 --> 00:55:11,869
- Nothing else exists.
- 723
- 00:55:27,927 --> 00:55:31,931
- This one has been quite tricky.
- I'd value your insight.
- 724
- 00:55:33,099 --> 00:55:35,059
- Too much blue?
- 725
- 00:55:36,352 --> 00:55:39,438
- - I don't understand.
- - Those are finished.
- 726
- 00:55:39,522 --> 00:55:40,940
- More or less.
- 727
- 00:55:41,023 --> 00:55:44,443
- Though if the muse calls, I return.
- 728
- 00:55:46,946 --> 00:55:49,198
- But, Mr. Debney, there's nothing here.
- 729
- 00:55:49,282 --> 00:55:50,741
- No?
- 730
- 00:55:58,040 --> 00:55:59,625
- The blue.
- 731
- 00:56:00,626 --> 00:56:02,378
- I keep thinking too much.
- 732
- 00:56:03,421 --> 00:56:05,589
- Mr. Debney, I...
- 733
- 00:56:07,091 --> 00:56:10,219
- You know of the fire, the first,
- at the gallery in Paris?
- 734
- 00:56:10,303 --> 00:56:11,762
- Yes, of course.
- 735
- 00:56:12,888 --> 00:56:17,101
- For three weeks,
- the world picked up Jerome Debney,
- 736
- 00:56:17,184 --> 00:56:20,438
- turned him this way and that,
- covered him with words.
- 737
- 00:56:21,897 --> 00:56:25,484
- I'll be honest,
- I thought I was quite the success.
- 738
- 00:56:25,568 --> 00:56:29,405
- - A genius, even.
- - You were. Are.
- 739
- 00:56:30,489 --> 00:56:34,535
- A carelessly discarded cigarette.
- 740
- 00:56:34,619 --> 00:56:35,911
- In less than an hour...
- 741
- 00:56:36,912 --> 00:56:38,331
- nothing.
- 742
- 00:56:38,414 --> 00:56:41,417
- You would've thought I'd lost a loved one,
- how I was treated.
- 743
- 00:56:41,500 --> 00:56:45,504
- Letters of condolence, mournful embraces.
- 744
- 00:56:46,505 --> 00:56:49,300
- And yet, in my heart...
- 745
- 00:56:50,301 --> 00:56:52,094
- a great burden lifted.
- 746
- 00:56:53,095 --> 00:56:56,932
- All those words, all those opinions,
- 747
- 00:56:57,016 --> 00:56:59,810
- that was the meaning of the empty frame.
- 748
- 00:56:59,894 --> 00:57:01,270
- It was a joke.
- 749
- 00:57:01,354 --> 00:57:04,023
- Fill this with your chatter.
- 750
- 00:57:04,106 --> 00:57:06,317
- And look how they did with it.
- 751
- 00:57:06,400 --> 00:57:09,528
- - I've seen it on a T-shirt.
- - Yeah.
- 752
- 00:57:09,612 --> 00:57:11,656
- From then on in,
- 753
- 00:57:11,739 --> 00:57:14,075
- there was no one who could make my work
- 754
- 00:57:14,158 --> 00:57:16,494
- anything other than what it was.
- 755
- 00:57:17,495 --> 00:57:20,039
- It was Eden, Mr. Figueras.
- 756
- 00:57:20,122 --> 00:57:22,291
- For nearly 50 years,
- 757
- 00:57:22,375 --> 00:57:25,169
- I walked naked in the garden.
- 758
- 00:57:25,252 --> 00:57:26,712
- And then one morning,
- 759
- 00:57:27,713 --> 00:57:29,298
- I woke with a pain.
- 760
- 00:57:30,299 --> 00:57:31,592
- Here.
- 761
- 00:57:32,593 --> 00:57:34,136
- It was nothing.
- 762
- 00:57:34,220 --> 00:57:36,347
- Indigestion.
- 763
- 00:57:36,430 --> 00:57:39,433
- But it reminded me of the serpent.
- 764
- 00:57:39,517 --> 00:57:42,103
- The serpent that lurks in all our gardens.
- 765
- 00:57:43,145 --> 00:57:46,440
- One day, Jerome Debney...
- 766
- 00:57:46,524 --> 00:57:48,609
- will be no more.
- 767
- 00:57:49,610 --> 00:57:52,822
- And the world, as you so astutely put it,
- 768
- 00:57:52,905 --> 00:57:54,573
- will come rushing in.
- 769
- 00:57:55,574 --> 00:57:57,159
- You burned the villa.
- 770
- 00:57:58,202 --> 00:58:00,955
- I wish you could've seen the colors,
- my dear.
- 771
- 00:58:01,998 --> 00:58:04,792
- The flames feeding on the paint.
- 772
- 00:58:04,875 --> 00:58:06,711
- It was quite lovely, I assure you.
- 773
- 00:58:06,794 --> 00:58:09,547
- Jesus fucking Christ.
- 774
- 00:58:09,630 --> 00:58:10,673
- Now...
- 775
- 00:58:12,091 --> 00:58:13,134
- every morning...
- 776
- 00:58:14,135 --> 00:58:18,139
- I take the palette, the brush,
- 777
- 00:58:18,222 --> 00:58:19,682
- and I paint.
- 778
- 00:58:20,683 --> 00:58:22,435
- Without the paint.
- 779
- 00:58:23,436 --> 00:58:26,731
- I have become my own cave.
- 780
- 00:58:26,814 --> 00:58:29,900
- A deep breath, young man, it will pass.
- 781
- 00:58:29,984 --> 00:58:31,068
- You're a thief.
- 782
- 00:58:32,194 --> 00:58:35,781
- Your work belongs to the world,
- the entire fucking world,
- 783
- 00:58:35,865 --> 00:58:37,992
- and you've stolen it.
- 784
- 00:58:38,075 --> 00:58:39,660
- It's despicable.
- 785
- 00:58:41,203 --> 00:58:42,788
- I think somehow you might be right.
- 786
- 00:58:44,165 --> 00:58:47,918
- The blue, it does seem a little off somehow.
- 787
- 00:58:49,295 --> 00:58:51,714
- - Along the bottom, no?
- - Right.
- 788
- 00:58:51,797 --> 00:58:54,216
- You have an excellent eye.
- 789
- 00:58:54,300 --> 00:58:56,469
- There's writing on the back.
- 790
- 00:58:56,552 --> 00:58:58,262
- When I'm truly finished,
- 791
- 00:58:58,346 --> 00:59:02,558
- I scrawl the title,
- the date and my initials.
- 792
- 00:59:02,642 --> 00:59:04,560
- For posterity's sake, you understand.
- 793
- 00:59:04,644 --> 00:59:06,771
- <i>"The Burnt Orange Heresy."</i>
- 794
- 00:59:06,854 --> 00:59:09,106
- - A favorite.
- - What does it mean?
- 795
- 00:59:09,190 --> 00:59:13,069
- It's a bone tossed to the critics,
- those ravenous dogs.
- 796
- 00:59:13,152 --> 00:59:15,655
- They can wear themselves out chewing on it.
- 797
- 00:59:15,738 --> 00:59:17,949
- Searching for meaning where there is none.
- 798
- 00:59:18,950 --> 00:59:22,662
- I'll wait outside.
- I'm sorry, sir, but I... I...
- 799
- 00:59:22,745 --> 00:59:24,330
- I lack the stomach for this.
- 800
- 00:59:25,498 --> 00:59:27,208
- James.
- 801
- 00:59:27,291 --> 00:59:31,295
- Leave him. He has wounds to lick.
- 802
- 00:59:59,156 --> 01:00:02,827
- I'm afraid I must part ways
- with you here, my dear.
- 803
- 01:00:03,828 --> 01:00:06,080
- If I tarry much longer,
- 804
- 01:00:06,163 --> 01:00:08,749
- the widow will have gone to sleep.
- 805
- 01:00:09,750 --> 01:00:12,253
- I wish you much happiness, my dear,
- 806
- 01:00:12,336 --> 01:00:14,588
- and a long life in which to enjoy it.
- 807
- 01:00:15,631 --> 01:00:19,760
- It's been an honor
- and an even greater pleasure.
- 808
- 01:00:20,761 --> 01:00:23,889
- I know you're an unhappy young man
- right now.
- 809
- 01:00:23,973 --> 01:00:27,518
- But I believe in time, you will understand.
- 810
- 01:00:27,602 --> 01:00:29,020
- Yeah.
- 811
- 01:00:32,189 --> 01:00:33,274
- Good night.
- 812
- 01:01:07,975 --> 01:01:09,727
- Still friends, partner?
- 813
- 01:01:10,728 --> 01:01:12,813
- Hey, I'm sorry, but that was a shock.
- 814
- 01:01:12,897 --> 01:01:16,067
- Got your scoop, didn't you?
- It's not the one you thought.
- 815
- 01:01:17,068 --> 01:01:18,194
- Fuck.
- 816
- 01:01:18,277 --> 01:01:20,196
- - What?
- - I forgot my bag.
- 817
- 01:01:20,279 --> 01:01:22,406
- - Oh, I'll come with you.
- - No, no, no. Wait.
- 818
- 01:01:22,490 --> 01:01:24,408
- Go pack and meet me by the car.
- 819
- 01:01:24,492 --> 01:01:25,493
- The car?
- 820
- 01:01:25,576 --> 01:01:28,371
- Listen, I need to write this now,
- and I can't do that here, so...
- 821
- 01:01:28,454 --> 01:01:32,124
- - Are you serious?
- - Yes, I am serious. Please, do it.
- 822
- 01:01:32,208 --> 01:01:34,126
- Promise, I'll make it up to you.
- 823
- 01:01:34,210 --> 01:01:35,252
- Okay?
- 824
- 01:05:38,829 --> 01:05:39,664
- What?
- 825
- 01:05:40,665 --> 01:05:43,459
- Hey, train's leaving. Get on it. Come on.
- 826
- 01:06:31,632 --> 01:06:35,678
- Embers, ashes, afterglow.
- 827
- 01:06:36,721 --> 01:06:41,225
- Into the good night. Into the gentle night.
- 828
- 01:06:41,309 --> 01:06:45,021
- Debney. Embers, ashes, acceptance.
- 829
- 01:06:45,104 --> 01:06:47,857
- Demurral and acceptance.
- 830
- 01:06:47,940 --> 01:06:53,195
- Debney. Demurral and acceptance.
- 831
- 01:06:54,238 --> 01:06:56,866
- Acting a little strange, boss.
- 832
- 01:06:57,867 --> 01:06:59,410
- How long have you known me?
- 833
- 01:07:00,411 --> 01:07:02,246
- A few days.
- 834
- 01:07:03,456 --> 01:07:09,879
- So how can you possibly say
- what's strange and what's normal?
- 835
- 01:07:20,348 --> 01:07:22,350
- Home sweet home.
- 836
- 01:08:32,003 --> 01:08:34,838
- - Where are you going?
- - Gotta get writing.
- 837
- 01:08:34,922 --> 01:08:35,756
- Now?
- 838
- 01:08:36,757 --> 01:08:38,426
- Well, when the muse calls...
- 839
- 01:08:39,552 --> 01:08:41,262
- Come on, be a good girl.
- 840
- 01:11:27,970 --> 01:11:29,096
- Mr. Cassidy.
- 841
- 01:11:30,097 --> 01:11:32,183
- <i>It seems there's been a fire
- on my estate, James.</i>
- 842
- 01:11:32,266 --> 01:11:34,352
- Yes. Yes, sir. That... That's right.
- 843
- 01:11:34,435 --> 01:11:37,188
- - That is right.
- - <i>Debney's studio?</i>
- 844
- 01:11:38,189 --> 01:11:40,191
- Yes. Yes, I'm afraid so.
- 845
- 01:11:40,274 --> 01:11:45,363
- Will you please assure me that this happened
- after you procured the painting?
- 846
- 01:11:45,446 --> 01:11:47,156
- It did. It did.
- 847
- 01:11:47,239 --> 01:11:51,994
- So my painting is the only Debney
- in existence, then. Right?
- 848
- 01:11:53,120 --> 01:11:56,040
- Yes, I suppose
- you could say that, sir, yeah.
- 849
- 01:11:56,123 --> 01:11:58,292
- <i>And Debney, he's...?</i>
- 850
- 01:11:58,376 --> 01:12:00,169
- He was away for the evening.
- 851
- 01:12:00,252 --> 01:12:03,214
- I mean, how much more
- can he really paint? I mean, he's old.
- 852
- 01:12:03,297 --> 01:12:06,842
- - He is old.
- - <i>Oh, send me a text of it, can you?</i>
- 853
- 01:12:07,969 --> 01:12:09,845
- No, no, no. I can't do that. It's in my car.
- 854
- 01:12:09,929 --> 01:12:14,100
- It's hidden, and I can't risk taking it out.
- Ms. Hollis is still with me.
- 855
- 01:12:15,101 --> 01:12:17,937
- <i>Well, can you describe it to me, then?</i>
- 856
- 01:12:22,316 --> 01:12:26,237
- Well, it's... It's kind of hard to describe,
- to be honest.
- 857
- 01:12:26,320 --> 01:12:29,907
- <i>Well, it's your bloody job
- describing pictures, isn't it?</i>
- 858
- 01:12:35,329 --> 01:12:36,872
- <i>James?</i>
- 859
- 01:12:38,499 --> 01:12:42,086
- It's called <i>The Burnt Orange Heresy.</i>
- 860
- 01:12:43,129 --> 01:12:44,130
- It's orange?
- 861
- 01:12:44,213 --> 01:12:45,965
- <i>It's burnt orange.</i>
- 862
- 01:12:47,300 --> 01:12:48,968
- Like the sun.
- 863
- 01:12:50,219 --> 01:12:52,430
- Like the setting sun.
- 864
- 01:12:53,848 --> 01:12:56,642
- It's a self-portrait, really. It is.
- 865
- 01:12:56,726 --> 01:12:58,102
- It's...
- 866
- 01:12:58,185 --> 01:13:02,231
- <i>the artist, alone in the empyrean,</i>
- 867
- 01:13:02,315 --> 01:13:05,985
- <i>descending toward a final horizon.</i>
- 868
- 01:13:08,404 --> 01:13:10,781
- <i>In full acceptance.</i>
- 869
- 01:13:12,241 --> 01:13:15,870
- <i>That's fantastic, James. Fantastic.</i>
- 870
- 01:13:17,246 --> 01:13:18,748
- <i>Thank you, sir.</i>
- 871
- 01:13:20,458 --> 01:13:22,084
- <i>Thank you.</i>
- 872
- 01:14:36,784 --> 01:14:39,036
- Tell me why this isn't a terrible thing.
- 873
- 01:14:40,037 --> 01:14:42,873
- - It's not what it looks like.
- - What does it look like?
- 874
- 01:14:43,874 --> 01:14:45,376
- What does it look like, James?
- 875
- 01:14:45,459 --> 01:14:47,837
- Listen to me for a second.
- 876
- 01:14:48,838 --> 01:14:52,425
- That lecture for those tourists, right?
- 877
- 01:14:52,508 --> 01:14:56,637
- I do that 20, 30 times a year,
- 200 euros a pop,
- 878
- 01:14:56,721 --> 01:14:58,139
- in Milan or Florence or Rome,
- 879
- 01:14:58,222 --> 01:15:00,391
- and it's the same blank-faced
- American tourists
- 880
- 01:15:00,474 --> 01:15:03,686
- with the same stupid fucking questions
- every time about Raphael and da Vinci,
- 881
- 01:15:03,769 --> 01:15:06,647
- as if no one else ever painted anything.
- 882
- 01:15:06,731 --> 01:15:11,068
- Debney is stealing from me. Yes, he is.
- And from you and from everybody.
- 883
- 01:15:11,152 --> 01:15:12,862
- This isn't who you are, slick.
- 884
- 01:15:12,945 --> 01:15:17,366
- Pumpkin, you haven't
- the slightest idea who I am.
- 885
- 01:15:18,701 --> 01:15:20,411
- You know what we need to do.
- 886
- 01:15:20,494 --> 01:15:22,079
- What?
- 887
- 01:15:22,163 --> 01:15:23,998
- We need to get rid of that awful painting.
- 888
- 01:15:24,081 --> 01:15:26,417
- - No. Don't you dare.
- - Let go, James.
- 889
- 01:15:26,500 --> 01:15:28,210
- - Don't you dare.
- - You're hurting me!
- 890
- 01:15:28,294 --> 01:15:32,256
- Have you any idea how valuable that is?
- That's the only Debney in the world.
- 891
- 01:15:33,257 --> 01:15:35,134
- Why is he paying you?
- 892
- 01:15:35,217 --> 01:15:36,552
- Who?
- 893
- 01:15:36,636 --> 01:15:39,472
- - Cassidy. To spy on me?
- - That was a dream.
- 894
- 01:15:39,555 --> 01:15:42,350
- - You said that was a dream.
- - Please go tell him. Tell him.
- 895
- 01:15:43,351 --> 01:15:47,355
- He won't believe you because
- he wants it to be real. And it is real.
- 896
- 01:15:47,438 --> 01:15:49,607
- Do you know what's gonna happen now?
- 897
- 01:15:49,690 --> 01:15:52,193
- You're gonna get out of my apartment.
- 898
- 01:15:52,276 --> 01:15:54,111
- You're gonna get out of my life and go back
- 899
- 01:15:54,195 --> 01:15:56,697
- to your cheap whoring
- and sucking and fucking your...
- 900
- 01:15:56,781 --> 01:15:59,200
- - We're through here.
- - Motherfucker!
- 901
- 01:16:30,940 --> 01:16:32,441
- Fuck.
- 902
- 01:18:24,637 --> 01:18:26,055
- No, no, no. Come on.
- 903
- 01:18:26,138 --> 01:18:27,807
- Easy.
- 904
- 01:18:28,808 --> 01:18:30,226
- Easy.
- 905
- 01:18:34,605 --> 01:18:36,399
- No, no, no.
- 906
- 01:18:43,030 --> 01:18:44,865
- I'm really, really sorry.
- 907
- 01:18:46,325 --> 01:18:48,703
- It was an accident, okay?
- 908
- 01:18:50,663 --> 01:18:52,123
- You...
- 909
- 01:18:53,457 --> 01:18:55,501
- You scared me.
- 910
- 01:18:57,503 --> 01:18:59,880
- I know. I'm sorry.
- 911
- 01:19:01,090 --> 01:19:03,175
- You hurt me.
- 912
- 01:19:04,218 --> 01:19:05,928
- I didn't mean to.
- 913
- 01:19:06,929 --> 01:19:10,766
- It was an accident, okay? It's over.
- 914
- 01:19:12,059 --> 01:19:14,937
- Okay? It's over.
- 915
- 01:19:19,025 --> 01:19:21,277
- I'm so, so sorry.
- 916
- 01:19:28,951 --> 01:19:30,703
- Can you stand up?
- 917
- 01:19:32,288 --> 01:19:34,540
- Get you back to the apartment.
- 918
- 01:19:35,541 --> 01:19:37,084
- Okay?
- 919
- 01:19:40,379 --> 01:19:42,173
- Give me your hand.
- 920
- 01:19:49,472 --> 01:19:51,432
- I'm so, so sorry.
- 921
- 01:19:52,433 --> 01:19:54,060
- Come here.
- 922
- 01:19:55,895 --> 01:19:57,104
- We're okay?
- 923
- 01:19:58,105 --> 01:19:59,607
- Come on.
- 924
- 01:19:59,690 --> 01:20:01,233
- You can do this.
- 925
- 01:20:01,317 --> 01:20:03,069
- It's gonna be fine.
- 926
- 01:20:13,579 --> 01:20:15,331
- I'm sorry.
- 927
- 01:20:16,540 --> 01:20:19,877
- You do know that, right? How sorry I am.
- 928
- 01:20:22,797 --> 01:20:25,091
- I could buy you a plane ticket.
- 929
- 01:20:26,342 --> 01:20:27,885
- How will that sound?
- 930
- 01:20:28,886 --> 01:20:31,597
- First class, anywhere you want to go.
- 931
- 01:20:31,681 --> 01:20:35,476
- He's paying you. Cassidy.
- 932
- 01:20:35,559 --> 01:20:40,731
- Oh, no. No, no, no, it's not like that.
- He's letting me write about it.
- 933
- 01:20:41,899 --> 01:20:46,153
- It's actually the opportunity of a lifetime,
- to take a Debney, to be allowed...
- 934
- 01:20:46,237 --> 01:20:48,239
- It's not real, James.
- 935
- 01:20:51,659 --> 01:20:54,370
- It is so real.
- 936
- 01:21:00,918 --> 01:21:02,878
- Please get dressed.
- 937
- 01:21:03,879 --> 01:21:06,257
- You can't even see it, can you?
- 938
- 01:21:07,258 --> 01:21:08,426
- I can help you.
- 939
- 01:21:08,509 --> 01:21:10,177
- We're wasting time.
- 940
- 01:21:10,261 --> 01:21:12,305
- Will you let me help you?
- 941
- 01:21:13,556 --> 01:21:15,641
- Please, we need to get you
- to the airport, and I...
- 942
- 01:21:15,725 --> 01:21:17,351
- Where's the fly?
- 943
- 01:21:21,856 --> 01:21:23,733
- Shouldn't there be a fly?
- 944
- 01:21:24,734 --> 01:21:27,236
- Oh, I need you to be quiet now,
- Ms. Hollis, please.
- 945
- 01:21:27,320 --> 01:21:30,281
- - Do you understand?
- - Or is that you?
- 946
- 01:21:31,282 --> 01:21:34,827
- - Be quiet...
- - That's why you tell the story, isn't it?
- 947
- 01:21:34,910 --> 01:21:38,789
- - I'm... I'm not...
- - You're the fly, and you fucking know it.
- 948
- 01:21:39,790 --> 01:21:41,083
- Please be quiet.
- 949
- 01:21:41,167 --> 01:21:44,962
- You're a fraud, a fake. Buzzing about.
- 950
- 01:21:50,760 --> 01:21:52,845
- Be quiet, please.
- 951
- 01:21:55,014 --> 01:21:57,600
- It's not real, James.
- 952
- 01:21:59,810 --> 01:22:01,771
- You're not real.
- 953
- 01:25:41,824 --> 01:25:45,911
- Legendary artist Jerome Debney
- has died at the age of 84.
- 954
- 01:25:45,995 --> 01:25:47,747
- Debney reportedly suffered a heart attack
- 955
- 01:25:47,830 --> 01:25:50,916
- at the estate of art dealer Joseph Cassidy
- on Lake Como.
- 956
- 01:25:51,000 --> 01:25:54,462
- The empty frame represented freedom.
- 957
- 01:25:54,545 --> 01:25:59,842
- It represented a new way to see.
- It opened up a way to see.
- 958
- 01:26:06,515 --> 01:26:09,477
- <i>Reclusive painter Jerome Debney
- has died today of a heart attack.</i>
- 959
- 01:26:09,560 --> 01:26:11,228
- <i>The artist had just turned 84.</i>
- 960
- 01:26:11,312 --> 01:26:14,774
- It's like that,
- the disappearance of the act.
- 961
- 01:26:14,857 --> 01:26:19,820
- The essence of Debney's,
- I would say, greatness as an artist.
- 962
- 01:26:19,904 --> 01:26:22,740
- Debney's long career was blighted
- by a series of accidental fires,
- 963
- 01:26:22,823 --> 01:26:26,035
- <i>destroying a gallery in Paris,
- his villa in the south of France,</i>
- 964
- 01:26:26,118 --> 01:26:29,080
- <i>and most recently,
- his studio on the Cassidy estate.</i>
- 965
- 01:26:29,163 --> 01:26:32,333
- Art critic James Figueras,
- who recently visited Debney's studio
- 966
- 01:26:32,416 --> 01:26:35,419
- and is the only critic to have examined
- Debney's late work, says that:
- 967
- 01:26:35,503 --> 01:26:37,046
- "Both as a man and an artist,
- 968
- 01:26:37,129 --> 01:26:41,133
- Debney possessed the sincerity, depth
- and unflinching directness of a prophet.
- 969
- 01:26:41,217 --> 01:26:44,011
- <i>He was a voice calling out in the desert."</i>
- 970
- 01:27:10,413 --> 01:27:11,455
- Thank you.
- 971
- 01:27:11,539 --> 01:27:13,499
- - Thank you so much. Bye.
- - Thank you.
- 972
- 01:27:14,667 --> 01:27:16,961
- Well done, James. Good work.
- 973
- 01:27:17,044 --> 01:27:18,296
- Excuse me?
- 974
- 01:27:18,379 --> 01:27:22,091
- Your essay, the real thing.
- I mean, so rare nowadays.
- 975
- 01:27:23,092 --> 01:27:25,678
- I sent an invitation to your friend.
- 976
- 01:27:25,761 --> 01:27:28,639
- - My friend?
- - Yes, you know, Berenice.
- 977
- 01:27:28,723 --> 01:27:30,558
- Yeah. Oh, yeah.
- 978
- 01:27:30,641 --> 01:27:34,395
- I had to get a professional acquaintance
- to do a bit of research
- 979
- 01:27:34,478 --> 01:27:36,856
- because she seems to have disappeared.
- 980
- 01:27:38,774 --> 01:27:41,861
- Difficult thing to do, really, disappear.
- 981
- 01:27:41,944 --> 01:27:45,448
- - Usually, you need a bit of help.
- - What do you mean?
- 982
- 01:27:45,531 --> 01:27:49,493
- Well, you know, with anything complicated,
- you need a bit of assistance.
- 983
- 01:27:49,577 --> 01:27:53,205
- Bloke I know tried it years ago.
- Got into a bit of a scrape.
- 984
- 01:27:53,289 --> 01:27:56,459
- - Not quite as easy as you think.
- - No.
- 985
- 01:27:56,542 --> 01:27:59,670
- - Lost touch with her, have you?
- - Yes. You might say that, yeah.
- 986
- 01:27:59,754 --> 01:28:03,716
- Yeah. Young love. So volatile.
- 987
- 01:28:03,799 --> 01:28:07,637
- Yeah. Suppose you had
- to sacrifice her to your work.
- 988
- 01:28:09,680 --> 01:28:12,016
- Art can be such a harsh mistress, can't she?
- 989
- 01:28:12,099 --> 01:28:13,517
- Oh, she can.
- 990
- 01:28:14,518 --> 01:28:17,355
- Let's mingle a bit, shall we? Come.
- 991
- 01:28:19,023 --> 01:28:21,817
- Duluth seemed a bit unlikely,
- didn't it really?
- 992
- 01:28:21,901 --> 01:28:23,069
- In which way?
- 993
- 01:28:23,152 --> 01:28:27,198
- Well, you know, that's where
- she was from, really. Just like she said.
- 994
- 01:28:27,281 --> 01:28:29,909
- Tiny town south of the city.
- 995
- 01:28:29,992 --> 01:28:34,538
- Lived with her mother and an aunt.
- Taught school, if you can imagine that.
- 996
- 01:28:35,539 --> 01:28:38,000
- - Do you want a drink?
- - No, thanks.
- 997
- 01:28:38,084 --> 01:28:39,627
- No, thanks very much.
- 998
- 01:28:41,504 --> 01:28:43,839
- I think he might have sent her a drawing.
- 999
- 01:28:43,923 --> 01:28:45,675
- - Who?
- - Debney.
- 1000
- 01:28:45,758 --> 01:28:46,801
- What do you mean?
- 1001
- 01:28:46,884 --> 01:28:52,390
- Her mother said she received
- a drawing of Berenice, postmark Italy.
- 1002
- 01:28:53,891 --> 01:28:56,269
- I was a bit upset about that,
- as you can imagine.
- 1003
- 01:28:56,352 --> 01:28:57,436
- Yeah.
- 1004
- 01:28:57,520 --> 01:29:01,065
- Till I found out it wasn't signed
- and so it's bloody worthless.
- 1005
- 01:29:01,148 --> 01:29:02,984
- - Such a shame.
- - Oh, yes. What a shame.
- 1006
- 01:29:03,067 --> 01:29:04,026
- Such a shame.
- 1007
- 01:29:05,027 --> 01:29:08,698
- I wouldn't worry too much. I mean, she'll
- float back into view one of these days.
- 1008
- 01:29:08,781 --> 01:29:11,200
- I mean, they always do. Yeah.
- 1009
- 01:29:11,284 --> 01:29:12,285
- Here we are.
- 1010
- 01:29:12,368 --> 01:29:14,912
- The jewel in the crown.
- 1011
- 01:29:16,539 --> 01:29:18,541
- You can't smoke in here, James, sorry.
- 1012
- 01:29:19,542 --> 01:29:21,460
- Oh, I almost forgot.
- 1013
- 01:29:21,544 --> 01:29:24,922
- This was found in Debney's desk
- after he drowned.
- 1014
- 01:29:27,008 --> 01:29:28,759
- I thought he died of a heart attack.
- 1015
- 01:29:28,843 --> 01:29:31,554
- Take a pick, one of the two.
- I mean, he was in the pool anyway.
- 1016
- 01:29:31,637 --> 01:29:33,014
- Was he swimming?
- 1017
- 01:29:33,097 --> 01:29:35,725
- Well, he fell in somehow.
- I mean, Rodolfo found him.
- 1018
- 01:29:35,808 --> 01:29:38,561
- He was all bloated and blue in the face.
- 1019
- 01:29:38,644 --> 01:29:41,981
- A bit upsetting, really. Hang on a minute.
- 1020
- 01:29:42,064 --> 01:29:45,359
- Just gonna take this
- from <i>The Guardian.</i> Hello?
- 1021
- 01:29:46,777 --> 01:29:50,740
- James Figueras. Evelina Macri from <i>ARTnews.</i>
- 1022
- 01:29:50,823 --> 01:29:51,907
- Hello.
- 1023
- 01:29:51,991 --> 01:29:53,951
- First of all, brilliant job.
- 1024
- 01:29:54,035 --> 01:29:56,579
- Your restraint is what I found
- most extraordinary.
- 1025
- 01:29:56,662 --> 01:30:00,666
- It's as if you wrote an essay on the solar
- system and refused to mention the sun.
- 1026
- 01:30:01,959 --> 01:30:05,463
- A lesser critic would've hung
- his whole thesis on it.
- 1027
- 01:30:05,546 --> 01:30:08,716
- But you chose to leave it for us
- to discover.
- 1028
- 01:30:08,799 --> 01:30:10,259
- To be shocked by, even.
- 1029
- 01:30:10,343 --> 01:30:14,138
- - Thank you.
- - The ultimate mark of Debney.
- 1030
- 01:30:14,221 --> 01:30:17,850
- Hidden right in the center of things,
- as the truth always is.
- 1031
- 01:30:17,934 --> 01:30:23,230
- Almost as if he imprinted the mark of Cain
- on his own forehead, don't you think?
- 1032
- 01:30:23,314 --> 01:30:25,608
- Or is that too big a reach?
- 1033
- 01:30:26,609 --> 01:30:27,526
- Excuse me?
- 1034
- 01:30:28,861 --> 01:30:30,529
- The fingerprint.
- 1035
- 01:30:51,467 --> 01:30:53,219
- James.
- 1036
- 01:30:53,302 --> 01:30:55,846
- James. James, come meet Philip Ricciardi.
- 1037
- 01:30:55,930 --> 01:30:58,182
- From the Tate Modern.
- You'll really like him.
- 1038
- 01:30:58,265 --> 01:31:00,393
- - You know, don't you?
- - Know what?
- 1039
- 01:31:00,476 --> 01:31:02,645
- - Just say it.
- - Say what?
- 1040
- 01:31:02,728 --> 01:31:04,397
- The truth.
- 1041
- 01:31:04,480 --> 01:31:06,232
- - The truth, James?
- - Yes.
- 1042
- 01:31:06,315 --> 01:31:09,694
- The truth. Come on.
- 1043
- 01:31:09,777 --> 01:31:12,071
- - Philip. Oh, hello.
- - Joseph.
- 1044
- 01:31:12,154 --> 01:31:14,282
- - You know James?
- - James. Of course.
- 1045
- 01:31:15,283 --> 01:31:16,742
- Evelina.
- 1046
- 01:31:37,513 --> 01:31:39,598
- Mr. Figueras.
- 1047
- 01:31:41,225 --> 01:31:42,351
- Thank you.
- 1048
- 01:31:56,490 --> 01:31:57,950
- <i>Over the weekend, really at worst,</i>
- 1049
- 01:31:58,034 --> 01:32:00,286
- <i>we're gonna have
- just a nuisance round of flurries,</i>
- 1050
- 01:32:00,369 --> 01:32:02,496
- <i>particularly in Central Minnesota,</i>
- 1051
- 01:32:02,580 --> 01:32:05,458
- <i>with the real snow starting
- either late Sunday night</i>
- 1052
- 01:32:05,541 --> 01:32:07,668
- <i>or in the predawn hours of Monday.</i>
- 1053
- 01:32:07,752 --> 01:32:11,505
- <i>It'll be a heavy, wet-consistency snow,
- accompanied by wind,</i>
- 1054
- 01:32:11,589 --> 01:32:15,426
- <i>coming out during the day Monday,
- gusts at 30 or 35 miles an hour.</i>
- 1055
- 01:32:15,509 --> 01:32:18,054
- <i>And this type of storm track favors</i>
- 1056
- 01:32:18,137 --> 01:32:22,224
- <i>a narrow swath of 8 to 12 inches of snow.</i>
- 1057
- 01:33:08,050 --> 01:33:13,050
- Subtitles by explosiveskull
- www.OpenSubtitles.org
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