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Celestia and Anon: Dawn

Apr 2nd, 2012
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  1. >You were never much of a morning person
  2. >Always liked to sleep in, never really watched the sunrise unless you pulled an all nighter
  3. >Had a decent job at a fast food place during the graveyard shift
  4. >Always met with the most interesting people during the night
  5. >Lived comfortably in an apartment on a hella sweet memory foam mattress
  6. >Which is why this situation is incredibly jarring for you
  7. >You are on the ground. . .it feels cold and hard, and it's definitely not carpet
  8. >Sunlight is pouring in from a window, covering your body and causing you to squint
  9. >The rest of the room seems to have an unnatural darkness about it, obscuring the details of the room from you
  10. 'Where am I. . .'
  11. >You hear a voice in response to your question
  12. >'Oh, you are awake? Good, good. Can you stand up?'
  13. >It sounds melodious and kind, regal and motherly
  14. >You do so, somewhat shakily
  15. >Being suddenly ripped from your plane of existence tends to do that
  16. >You look around the room, and see something white in the corner of your eye
  17. >You turn to face it, and are looking right at Princess Celestia herself
  18.  
  19.  
  20. >You blink
  21. >Are you dreaming? Are you dead? Did you have some bad sushi or something?
  22. >You aren't sure, and all you can really do is stare
  23. >She tilts her head and smiles softly at you
  24. >'So you are a human? I've heard much about you. . .Lyra and Pinkie Pie often write me letters or mention them when I go to a royal brunch at Sugarcube corner. . .'
  25. >Those names, you've heard them before. Could you be. . .?
  26. >'Can you tell me your name?' She asks
  27. >You snap back to reality and look at her, clearing your throat.'
  28. My name is. . .I am Anonymous.
  29. >She giggles a bit. 'That's a bit of a strange name. But then again, you might find our names strange as well. I am Princess Celestia. It's a pleasure too meet you.'
  30. The pleasure is all mine, your majesty
  31. >You bow slightly, trying to be humble before her
  32. >She smiles at the gesture and bids you to rise, and you look around the room, trying to take stock of the situation you are in
  33.  
  34.  
  35. >The room is made of rather plain grey stone, perfectly rectangular and having a wooden door in front of you, behind Celestia
  36. >To the left of you you notice a large, regal bed with fine silk sheets and all sorts of pillows
  37. >To the right of you is a large bookshelf against the wall, stocked with tomes upon tomes of knowledge, and a wooden chair and table, just large enough for you to sit in
  38. >There is also a desk near the bookshelf with a lantern and all sorts of writing impliments; parchment and scrolls and quills and inkwells
  39. >Celestia notices you looking around and smiles. 'I made sure that you would be well taken care of during your stay here. I wasn't sure how big you would be, so I got the largest of everything.'
  40. Oh, ah, thanks. . .
  41. >You are a impressed at her foresight, but somethings are bothering you
  42. Why exactly am I here? How did I get here?
  43. >She nods, as if expecting that question, and her expression seems to turn a bit anxious.
  44. >'I wanted to. . .test a summoning spell, to sate my own curiosity. Those two ponies went on and on about humans, so I wanted to meet one and see for myself.'
  45. Hah, well, here I am. Sorry if I'm not much to look at.
  46. >Her expression brightens at your comment. 'There is something else, though. I wanted this to be a sort of. . .project. To learn about humans straight from one of them. It's a sort of a cultural exchange, you see. But, I'm worried my subjects might not be as accepting of your presence as I am, so I will need to keep you in this room. . .'
  47. >It's always something, isn't it.
  48.  
  49.  
  50. >'If you don't want to stay confined in here, I can understand. I will send you back tomorrow at first light.' She adds
  51. >At least there is a way out
  52. >She turns to leave, looking over her. .. shoulder? at you
  53. >You aren't well versed in pony anatomy
  54. >'I will send a maid here with some lunch later, and then I will have dinner with you after the sun sets. You can tell me your decision then.'
  55. I'll think about it. It's quite a burden I bear, representing humanity and all that. No pressure, right?
  56. >She smiles.' You've done well so far.'
  57. >With that, she closes the door behind her, and your hear it click
  58. >You walk over to the bed and sit down, pouring over the choice put before you
  59. >Stay in a room, close yet so far from all the ponies you know and love, but in the world you've always wanted to be in
  60. >Or go back to your moderately comfortable existence, knowing you never could be with the ponies?
  61. >You look at the wall with the window, smirking a bit
  62. Guess this is my fourth wall now.
  63.  
  64.  
  65. >You decide not to be all mopy and brooding about it
  66. >You walk over to the bookshelf, seeing that she has spared no expense in getting the finest literature and texts for you
  67. >All sorts of codexs, history books, lexicons, everything
  68. >There's even some fantasy novels, like. . .
  69. >Pomer's Odyssey
  70. >Mysides.jpg
  71. >You gather up texts pertaining to basic matters, like botany, physiology, geology, stuff like that
  72. >The concept of learning magic is tempting, you admit, but a mere human couldn't use it
  73. >The next hours are spent pouring over the texts, reading line after line of knowledge
  74. >Time is lost to you as you are swimming in a sea of words
  75. >You can almost feel them jumping off the page and into your brain
  76. >Wait
  77. >You pull back from your reading, looking around
  78. >The room is a soft orange and red, and you realize you've spent practically the whole day reading
  79. >Your stomach's ravenous moans of hunger confirm you've missed lunch
  80. >You shake your head and close up the open books, placing them back in the shelf and waiting for night to fall
  81. >You turn on the lantern when the sun finally sets, and on cue, you hear the soft clopping of Celestia out your door
  82.  
  83.  
  84. >She knocks on the door
  85. >'Anonymous? Are you in there?'
  86. No, I climbed out the window and am currently running loose in Canterlot.
  87. >She opens the door with a smirk on her face. 'You have quite the sense of humor, I see.'
  88. >She walks into the room, and levitating behind her is a tray, filled to the brim with sliced bread, cheese, crackers, apple slices, and fruit pastries, and a tea pot with two cups
  89. >She places it on the table and levitates a pillow from the bed, and places it under her and sits down in front of you
  90. >'The maid said you didn't answer the door when she brought you lunch. I came to check on you, and you didn't answer either. We were so worried. . .'
  91. >Her words fall on deaf ears; you are already stuffing your face with everything that is edible
  92. >She blinks and clears her throat, and you look up at her with your cheeks full of food, blushing a bit.
  93. >You swollen a chunk of the delicious mush in your mouth, and hold up your hand, indicating you need a moment
  94. >Talk about biting off more than you can chew
  95. >You swallow the rest and gasp a bit
  96. 'Ah. .. yeah, I was just lost in a good book. Well, several.'
  97. >You motion to the bookshelf
  98. >'It's good to see you have the willingness to learn, but you may want to read a book about proper manners later.'
  99. >She has the most playful smirk on her face
  100. 'How many 'Humans are pretty awesome' points do I loose for that one?'
  101. >You both share a good laugh, going back and forth with your sarcastic comments about each other
  102.  
  103. >Eventually, after some cups of tea and idle chit chat, she seems to have a serious expression about her
  104. >'Well, you certainly seem to be enjoying yourself. . .but I need to hear it from you. Do you want to stay here, and teach me about humans, or do you want to go back?'
  105. >Normally, you would have said yes without hesitation
  106. >But you've got friends and family back home. How would they cope with your loss?
  107. >That, and what if you actually appear in an episode? Would anyone recognize you? How would the fans react?
  108. >Talk about an existential crisis
  109. >You take a deep breath, and she looks at you expectantly
  110. 'I will stay. On the condition that I find some way to contact my friends and family from my world, and come up with an excuse for my disappearance.'
  111. >She looks overjoyed. 'Ooh, this is so awesome!' She says, loosing her regal air and sounding a bit girly
  112. >You raise your eyebrow and she blinks, clearing her throat
  113. >'Ahem. . . yes. Well, you should rest, Anonymous. I will have many questions for you tomorrow evening. In the meanwhile, I will try to find a way to send messages for you.'
  114. >She stands, levitating the tray and tossing the pillow on the bed with her magic, walking out and looking back at you
  115. >'Sleep well, Anonymous.'
  116. >She closes the door behind her, and you look over at the pillow
  117. 'Great. I know which one I'm NOT sleeping on tonight.'
  118. >You yawn and stretch a bit ,heading over to the bed and sinking under the covers
  119. >You were already in some PJs, and the silk sheets are hella comfy
  120. >Not as hella comfy as memory foam, but it'll do
  121. >For the first time in a while, you close your eyes and fall asleep at a decent time
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