Zeldara109

SMW music - DDC stage 5 (Shining Needle Castle)

Apr 24th, 2019
453
0
Never
Not a member of Pastebin yet? Sign Up, it unlocks many cool features!
text 4.80 KB | None | 0 0
  1. ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;
  2. ; Touhou 14 - Double Dealing Character ;
  3. ; Stage 5 theme "The Shining Needle Castle Sinking in the Air" ;
  4. ; Composed by ZUN ;
  5. ; Ported by Zeldara109 ;
  6. ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;
  7.  
  8. $ED $80 $6D $2B $ED $80 $7D $00 $F0 ; Level header
  9.  
  10. t64 w230 l8
  11. ;3/4 time, 4/4 for 8 measures at the start of part 3
  12.  
  13. #0
  14. $EF $00 $00 $00
  15. $F1 $04 $60 $00 ; $F1, $echo delay, $feedback/reverb, $FIR filter
  16. v0c4v255r2/ ; intro
  17. $EF $AF $25 $25 ; $EF, $channels, $left speaker volume, $right speaker volume
  18.  
  19. #0 @2 v235 o4 ;
  20. (1)[f>cd-fd-c< f>cd-a-d-c< f>cd-fd-c< f>d-c<e-b-d- ;p1-4
  21. d->cd-e-d-c< d->cd-a-d-c< d->cd-fd-c< f>d-c<e->c<d-]4 ;p1-8,32
  22. [r2.]5 ;p1-37
  23.  
  24. o5 v245
  25. [f4e-4a-4 f4e-4d-4 c4<a-4e-4 f4r4d-e- ;p2-4
  26. f4>c4d-4< a-4>e-4c4< b-4>f4<b-a- b-4r2 ;p2-8
  27. b-4>c4d-4 c4d-4e-4 d-4c4<a-4 f4r4d-e- ;p2-12
  28. f4e-4d-4 e-4a-4>c4 d-4c4e-c d-4r2]2 ;p2-16,32
  29.  
  30. [r1]8 ;p3-8 (4/4)
  31. v190 o3
  32. [rf>d-cd-e- f4d-4<f4 rfb-a-b->c d-4<a-4d-4 ;p3-12 (3/4)
  33. r4g-fg-b- b-4fe-f>d- c4<g4>c4 e-2.]4 ;p3-16,40
  34. v235 (1)1 ;p3-48
  35.  
  36.  
  37. #1
  38. r2./ ; intro
  39. [r2.]69 ;37+32
  40.  
  41. @6 v235 o4 ; trumpet
  42. a-2.b-4 f2.d-e- d-2c2 <b-2f2 g-2.a-4 f2>c2 <a4>c4f4v245a4 >c4f4a2 ;p3-8 (4/4)
  43. d-2. c4d-4e-4 d-2. c4d-4f4 <[b-2. >d-2. c4<g4>c4 e-4.e-d-c ;p3-16
  44. r4d-cd-e- f2. r4fe-fg a-2. r4g-fg-b- b-4fe-f>d- c4<g4>c4 e-2d-c ;p3-24
  45. d-2. c4<a-4e-4 f2. e-4c4<a-4]2 b-1.^2.^8 >a->d-c<a-b- ;p3-48
  46.  
  47.  
  48. #2
  49. r2./ ; intro
  50. [r2.]69 ; 37+32
  51.  
  52. @1 v210 o4 ; trumpet accompaniment (should this be a softer @6?)
  53. a-2.b-4 f2.d-e- d-2c2 <b-2f2 g-2.a-4 f2>c2 <a4>c4f4a4 f4>c4f2< ;p3-8 (4/4)
  54. b-1. a-1. g-2. f2. a4e-4a4 >c4.c<a>c< ;p3-16
  55. b-1. a-1. g-2. b-2. a4e-4a4 >c2<b-a ;p3-24
  56. b-1. a-1. g-2. b-2. a4e-4a4 >c2. ;p3-32
  57. d-1. d-1.< b-2. >c2.< a4e-4a4 >c2<b-a ;p3-40
  58. b-2. a-4e-4c4 d-2. c4<a-4e-4 b-1.^2.^8 >a->d-c<a-b- ;p3-48
  59.  
  60.  
  61. #3 @9 o3 v150 ; low arpeggios
  62. r2./ ; intro
  63. [r2.]37 ;p1-37
  64.  
  65. (30)[rfb->d-f4< rfa->cf4< re-a->ce-4< rd-fa->d-4< ;p2-4
  66. rfb->d-f4< rfa->cf4< rd-fa->d-4< rfb->d-f4<]1 ;p2-8
  67. (30)1 ;p2-16
  68. v200 (30)2 ;p2-32
  69.  
  70. v180
  71. (31)[<g->d-g-b->d-<g-d-r <a->e-a->c<<a>e-a>e-]1 ;p3-2
  72. d-<b->fd-c<a->e-c <b-f>d-<b-f>d-f4< ;p3-4
  73. (31)1 fa>cfafcfafcfafcf ;p3-8
  74. [r2.]40 ;p3-48
  75.  
  76.  
  77. #4 @8 o2 v255 ; low background notes
  78. r2./ ; intro
  79.  
  80. (40)[b-2. b-2. b-2. >c2. <d-2. d-2. g-2. a-2.]4 ;p1-8,32
  81. [b-4]10r2^2. ;p1-37
  82.  
  83. [b-2. a-2. g2. g-2. b-2. a-2. g-2a-4 b-2.]4 ;p2-8,32
  84.  
  85. g-1 a-2a2 b-2a-2 g-2f2 g-1 a-2a2 f1 f1 ;p3-8 (4/4)
  86. [b-2. b-2. a-2. a-2. g-2. f2. a2. a2.]4 ;p3-16,40
  87. (40)1 ;p3-48
  88.  
  89.  
  90. #5 @13 o3 v200 ; low background notes 2?
  91. r2./ ; intro
  92.  
  93. (50)[b-2. b-2. b-2. >c2. <d-2. d-2. g-2. a-2.]4 ;p1-8,32
  94. [b-4]10r2^2. ;p1-37
  95.  
  96. [b-2. a-2. g2. g-2. b-2. a-2. g-2a-4 b-2.]4 ;p2-8,32
  97.  
  98. g-1 a-2a2 b-2a-2 g-2f2 g-1 a-2a2 f1 f1 ;p3-8 (4/4)
  99. [b-2. b-2. a-2. a-2. g-2. f2. a2. a2.]4 ;p3-16,40
  100. (50)1 ;p3-48
  101.  
  102.  
  103. #7 v255 ; percussion
  104. r4@25c4@25c16@25c16@25c8/ ; intro
  105.  
  106. v200
  107. (70)[@23cr4@23c@25cr]3 (71)[@23cr4@25cr@25c]1 ;p1-4
  108. (70)3 (71)1 ;p1-8
  109. [@23cr@23cr@25cr]8 ;p1-16
  110. [@23c@25c]48 ;p1-32
  111. [@23cr]6 v255[@23cr]3 @25c2. r2^8 v200@23c ;p1-37
  112.  
  113. [@23cr8^2]8 ;p2-8
  114. [@23cr]22 @23c16[@25c16]3@23c@23c ;p2-16
  115. [@23c@25c]23 [@25c16]3r16 ;p2-24
  116. [@23c@25c]23 [@25c16]3r16 ;p2-32
  117.  
  118. @23c4r2. @23c2@23c2 [@23cr]8 ;p3-4 (4/4)
  119. [@25cr@23cr]4 [@25cr]4 [@25c32@25c32@25c16r8]2[@25c32]7r32 @25c@25c ;p3-8 (4/4)
  120. @25c4r2 [@23c4r2]5 [@23cr]4r4@23cr ;p3-16
  121. [@23cr]12 [@25cr@23cr@25cr]2 [@23cr]3 (72)[@25cr4.@25c16@25c16@25c16r16]1 ;p3-24
  122. [@23c@25c]23 [@25c16]3r16 ;p2-32
  123. [@23c@25c]12 (72)2 [@25c16@25c16@25c16r16]3 @25cr4@25c[@25c16]3r16 ;p3-40
  124. (70)3 (71)1 (70)2 @23cr4@23c[@25c16]3r16 [@25c@25c16@25c16]3 ;p3-48
  125.  
  126.  
  127. [r2.]100
  128.  
  129. #6 v255 ; percussion background
  130. r2./ ; intro
  131.  
  132. (60)[v255@22c16 v200@22c16@22c16@22c16]127
  133. (60)127
  134. (60)127
Advertisement
Add Comment
Please, Sign In to add comment