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- Download Full Movie Abraham Lincoln: Vampire Hunter In Hindi
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- This movie speculates that Abraham Lincoln as a child saw his mother killed by a man she stood up to. Years later Abe would find the man and try to kill him but for some reason he doesn't die. He tries to kill Abe but a man saves him and nurses Abe. When Abe awakens, the man, Henry Sturges, tells him that the man he was trying to kill is a vampire and he is a vampire hunter. Abe wants to learn how to kill them and Hanry teaches him and makes him an ax lined with silver, which is the weapon Abe prefers. Abe would then study law and move to Springfield to become a lawyer and to hunt vampires. He meets Mary Todd but Henry cautions him about relationships. Eventually Abe slays the vampire who killed his mother but before dying he tells Abe that Henry has not been honest with him. He confronts Henry, who doesn't deny it. Abe would come face to face with Adam, a vampire who plans to make the country his. Abe would give up hunting vampires, marry Mary and would continue his work as a lawyer and would become President. And when the Civil War breaks out, Abe learns that Adam is aiding the Confederacy and when it appears that they are close to winning, Abe must find a way to stop them.
- This movie is about a young Abraham Lincoln who loses his mother after she is killed by Jack Barts, a vampire (she dies in front of him), so he grows up wanting to kill the person who killed her and while at a bar getting drunk he meets Henry Sturges, a person who teaches him how to fight and hunt Vampires. As time goes by he kills many Vampires, except the one who killed his mother, and he's getting impatient. He moves to Springfield and takes on a "normal" job as a store clerk and meets Mary Todd, who eventually becomes his wife. But the normal life is a cover for what he really needs to do, kill Vampires. So he becomes political and uses his popularity to climb the ranks to eventually become President while at the same time trying to take out the Vampire population, and eventually kill the head Vampire, and the one who killed his mother.
- This was an entertaining movie (haven't read the book), I'd give it a 5 for effort. Two more points for CGI. So 7. There were moments where you cringed at the historical presumption and various inaccuracies, and I laughed at the candles that didn't flicker; and sometimes Walker's close up made you want to strangle him for his Abe portrayal (see it in 3D). Sure I'd watch it maybe once more, for the really artistically mindful CGI, costuming and set dressing. The opening storybook deconstruction of the District of Columbia really made your eye wander if you know the layout of that city; and the White House sets brought to comfy life many scenes in 1860s Washington that are otherwise historically black and white ((less the errors in some of the south facing outdoor sequences with the monument) (that blue and white blanket on the bed! Where can I get one?)).<br/><br/>This of course all comes after I divorced myself from the ethics of using the Civil War era with slavery based on some large stereotypes. The assumption of Mackie's character was a novel one none-the-less. At least Cruise's Lestat had the decency to keep history as a side story, and not turn the back story of the 16th president into make-believe. Regardless of the latter, yes, two thumbs up as something to do. Cooper is very stylish, as well as Winstead (who knew Mary Todd could look that warm), in costuming that even you might consider wearing in modern 1860s. Frutiger, Carasik, Avdyushko & Poggioli did a good a job. And all around, if you like vampires and got nothing better to do with 15 bucks to burn, sure, it's a fun interpretation that a President is a vampire slayer named Abraham. Be warned this is not historical fiction; this is a vampire slasher story with a man named Lincoln who acts and looks like someone else we know who also lived in a cabin outside Springfield, Illinois.
- I'm going to start with the usual clichés, if you have read the book give this film a HUGE miss......because it is garbage!! If you haven't read the book then this film is actually really good!! <br/><br/>You have to ignore the so many "but, wait a minute.." moments in this, I presume the director (and ironically the writer of the book as well who was either a producer or director, i forget) both couldn't be bothered with trying to follow a story that worked so well in the book!!<br/><br/>Well that's me done, cant think of anymore clichés, just don't read the book but enjoy the film ;-)
- Genre enthusiasts will lap up the mixture of action and fantasy, while history buffs who don't mind a bit of rewriting will dig into an alternative spin on the Civil War period.
- Abraham Lincoln (<a href="/name/nm0907548/">Benjamin Walker</a>), the 16th President of the United States [March 1861 to April 1865], tells in his diary about his secret life that evolved after he witnessed the death of his mother in 1818. His father said that she was poisoned by wealthy plantation owner Jack Barts (<a href="/name/nm0190744/">Marton Csokas</a>) but, 10 years later, Abraham learns that Barts is actually a vampire and sets out to kill him. Along the way, he meets and is trained by vampire hunter Henry Sturges (<a href="/name/nm1002641/">Dominic Cooper</a>), woos and marries Mary Todd (<a href="/name/nm0935541/">Mary Elizabeth Winstead</a>), fights to abolish slavery, and, with the help of his boyhood friend Will Johnson (<a href="/name/nm1107001/">Anthony Mackie</a>) and boss Joshua Speed (<a href="/name/nm0801051/">Jimmi Simpson</a>), is forced to defeat the powerful head vampire Adam (<a href="/name/nm0001722/">Rufus Sewell</a>), who is planning to take over the United States and create a nation of the Undead. Abraham Lincoln: Vampire Hunter is also a 2010 novel by American novelist Seth Grahame-Smith. The novel was adapted for the film by Smith and English-born American screenwriter Simon Kinberg. Angered to find that the train is carrying rocks, Adam goes after Abraham, screaming, "Where's the silver?" "Right here," Abraham replies and plunges his fist, holding the silver pocket watch, into Adam's chest, destroying him. Abraham, Will, and Henry then escape from the train just before the burning trestle collapses. This time, when Henry asks, "Where's the silver?", Abraham reveals that Mary and the freed slaves have transported it out of Washington through the Underground Railroad to Gettysburg where it's already being fashioned into bullets and bayonets to use against the vampire army. The scene then cuts to 19 November 1863, the day on which President Lincoln delivers the Gettysburg Address at the cemetery's dedication. This scene then cuts to 14 April 1865. Lincoln is making a few notes in his diary, while Mary admonishes him to hurry up or they will be late for the theater. Henry tries to convince him to be made immortal so that they can fight vampires through the ages side-by-side, but Lincoln turns him down. As Abraham and Mary's carriage pulls away, Lincoln says in a voice-over: History prefers legends to men. It prefers nobility to brutality, soaring speeches to quiet deeds. History remembers the battle and forgets the blood. However history remembers me, if it does at all, it shall only remember a fraction of the truth. In the final scene, which takes place in modern time, Henry Sturges is sitting in a bar next to an obviously drunk young man. Henry turns to him and says, "A guy only gets that drunk when he wants to kiss a girl or kill a man. So which is it?" He nudges the man and a gun falls to the floor. No. The last thing before the "full credits" is the drawing made with blood. There are many sites where Lincoln's Gettysburg Address can be read, but it's a short speech, easily presented here. Lincoln said: Four score and seven years ago our fathers brought forth on this continent, a new nation, conceived in Liberty, and dedicated to the proposition that all men are created equal. Now we are engaged in a great civil war, testing whether that nation, or any nation so conceived and dedicated, can long endure. We are met on a great battle-field of that war. We have come to dedicate a portion of that field, as a final resting place for those who here gave their lives that that nation might live. It is altogether fitting and proper that we should do this. But, in a larger sense, we can not dedicate—we can not consecrate—we can not hallow—this ground. The brave men, living and dead, who struggled here, have consecrated it, far above our poor power to add or detract. The world will little note, nor long remember what we say here, but it can never forget what they did here. It is for us the living, rather, to be dedicated here to the unfinished work which they who fought here have thus far so nobly advanced. It is rather for us to be here dedicated to the great task remaining before us—that from these honored dead we take increased devotion to that cause for which they gave the last full measure of devotion—that we here highly resolve that these dead shall not have died in vain—that this nation, under God, shall have a new birth of freedom—and that government of the people, by the people, for the people, shall not perish from the earth. a5c7b9f00b
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