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silbermann-hildebrandt.hofkirche.dresden.-.de.1755

Sep 22nd, 2019
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  1. From: AFOLOP@WAM.UMD.EDU@INET02# Internet Gateway
  2. To: H.HUESTIS Herb Huestis
  3. Sub: Osiris spec
  4.  
  5.  
  6. ====================================================================
  7.  
  8. Osiris file: silbermann-hildebrandt.hofkirche.dresden.-.de.1755
  9.  
  10. ____________________________________________________________________
  11.  
  12. Location: Hofkirche, catholic
  13. Dresden, Germany
  14.  
  15. Builder: Gottfried Silbermann and
  16. Zacharias Hildebrandt
  17.  
  18. Year: 1750-55
  19. Opus:
  20.  
  21. Case
  22. Builder: original by Francois Coudrai, (the younger) and
  23. Johann Joseph Hackl.
  24. Present case by Max and Joachim Engelstaedter in
  25. accordance with photographs and sketches of original.
  26. Carvings by Walter Thuermer and Rosi Schwabe.
  27. Date:
  28. Materials:
  29. Console type:
  30. Stop controls:
  31. Pedals type:
  32.  
  33. Action
  34. Key: mechanical - slider chests
  35. Stop: mechanical
  36.  
  37. Temperament: equal
  38. Tuning (a'): 440 (originally 415)
  39. No. stops: 47
  40. No. ranks:
  41. No. pipes:
  42.  
  43. Wind supply:
  44. Power: 2 bellows with electric blower
  45. (originals burned in Feb. 1945)
  46. Pressures (mm): since 1971 manuals 94, pedals 100
  47. originally 94.3 107.4
  48. or possibly 85 96.8
  49.  
  50. History: 1740 First negotiations with Silbermann for new organ.
  51. 1750 Concluded contract for construction.
  52. Silbermann contracted partnership with Hildebrandt
  53. to do the construction.
  54. 1753 Silbermann died; work continued by Hildebrandt
  55. and Silbemann's nephew Johann Daniel Silbermann
  56. from Strassburg.
  57. 1779/80 Restoration of Vox humana and Posaune by Johann
  58. Christian Friedrich Treubluth, an assistant to
  59. Hildebrandt.
  60. 1799/1801 Major repairs by Treubluth and Carl August Venzky.
  61. mid 1800s Several modifications to pitch level so that the
  62. organ could be used with the orchestra and other
  63. instruments.
  64. 1938 Pitch raised to about 440 hz.
  65. Pedal range extended to f1.
  66. 1944 Pipework, chests and action moved to storage in
  67. Kloster Marienstern.
  68. 1945 Case and bellows destroyed in the air attack on Dresden.
  69. 1964 Jehmlich Brothers moved the organ to their
  70. workshop for restoration.
  71. 1971 Restoration completed. Equal temperament retained
  72. (over considerable opposition) because pipework had
  73. been cut down in 1938.
  74.  
  75. Bibliography: Ulrich Daehnert, Historische Orgeln in Sachsen,
  76. Verlag das Musikinstrument, Frankfurt am Main, 1980
  77. Discography:
  78.  
  79. Comments:
  80.  
  81. Specification:
  82.  
  83. Hauptwerk: (C,D -d3)
  84.  
  85. 1. Principal 16' English tin
  86. 2. Octav-Principal 8' English tin
  87. 3. Cornet V c1 - d3, wide scale, open English tin
  88. 4. Viol' da gamba 8' conical, with ears English tin
  89. 5. Bordun 16' C - c wood, from c# metal
  90. 6. Octave 4' English tin
  91. 7. Rohrfloete 8' Metal, from c# with chimney
  92. 8. Spitzfloete 4' English tin
  93. 9. Quinta 3' English tin
  94. 10. Octava 2' English tin
  95. 11. Tertia 1 3/5' English tin
  96. 12. Mixtur IV 2' English tin
  97. 13. Cymbel III 1 1/3' English tin
  98. 14. Fagott 16' boots pearwood, bodies English tin
  99. 15. Trompete 8' boots pearwood, bodies English tin
  100.  
  101. Brustwerk: (C,D - d3)
  102.  
  103. 1. Principal 4' English tin
  104. 2. Gedackt 8' Metal
  105. 3. Rohrfloete 4' Metal, from d#2 conical, open, tin
  106. 4. Nasat 3' Metal, stopped with chimney;
  107. from g#, wide scale, open, tin
  108. 5. Octava 2' English tin
  109. 6. Sesquialtera II English tin
  110. 4/5' 1 3/5'
  111. 7. Quinta 1 1/2' English tin
  112. 8. Sifflet 1' English tin
  113. 9. Mixtur III 1' English tin
  114. 10. Chalumeau 8' g - d3, bodies cylindrical, open, English tin
  115.  
  116. Oberwerk: (C,D - d3)
  117.  
  118. 1. Principal 8' English tin
  119. 2. Quintaden 16' English tin
  120. 3. Unda maris 8' a - d3, tuned high to beat with
  121. Principal, English tin
  122. 4. Gedackt 8' Metal
  123. 5. Octave 4' English tin
  124. 6. Quintaden 8' English tin
  125. 7. Rohrfloete 4' Metal, from d#2 conical, open, tin
  126. 8. Nasat 3' Metal, stopped with chimney,
  127. from g# wide scale, open, tin
  128. 9. Octava 2' English tin
  129. 10. Tertia 1 3/5' English tin
  130. 11. Flageolet 1' English tin
  131. 12. Mixtur IV 1 1/3' English tin
  132. 13. Vox humana 8' English tin
  133. 14. Echo Cornet V c1 - d3, English tin
  134. 8' rank stopped with chimney,
  135. on 2 chests behind the windchests.
  136. Tremulant
  137.  
  138. Pedal: (C,D - c1 -- since 1968/69 to d1)
  139.  
  140. Front chest:
  141. 1. OctavBass 8' English tin
  142. 2. OctavBass 4' English tin
  143. 3. Mixtur VI 2 2/3' English tin
  144. 4. TrompetenBass 8' pearwood boots, bodies English tin
  145. 5. ClarinBass 4' pearwood boots, bodies English tin
  146.  
  147. Back chest:
  148. 6. PosaunenBass 16' boots maple(?), bodies English tin
  149. 7. Principalbass 16' wood
  150. 8. Grosser Untersatz 32' stopped, wood
  151.  
  152. Shove-couplers for the manuals
  153. Ventils
  154. ============================================================================
  155.  
  156.  
  157.  
  158. =END=
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