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- Charles Dickens was born in Portsmouth, on the southern coast of England, in 1812. He had an
- unhappy childhood, because his father was prisoned for debt, and he went to work. When his father
- was released, Charles continue to work. At fifteen he found an employment as an office boy. In 1832
- he had become a succesful reporter of parlamentary debates. In 1833 his first story appeared and, still
- a newspaper reporter, he adopted the pen name ‘Boz’. He wrote a lot of collection, but after the
- success of <i>The Pickwick Papers</i>, Dickens started a full-time career as a novelist, although he also
- continued his journalistic and editorials activities. He wrote <i>Oliver Twist</i>, <i>Christmas Carol</i>, <i>David
- Copperfield</i>. He died in London in 1870.
- Charles Dickens was a pioneer in introducing the theme of education into his works. He strongly
- believed in universal education, objecting the church invention and certain educational methods. One
- strategy singled out for criticism in <i>Hard Times</i> was the ‘object lesson’.
- Dickens believed in the extension of education to all citizens but did not offer specific strategies for
- achiving this aim. He criticised abuses and deficiencies while praising what he believed were positive
- developments.
- <b><i>Hard Times</i></b><i></i> plot
- Thomas Gradgrind, an educator who believeds in facts and statistics, has founded a school where his
- theories are taught, and he brings up his two children, Louisa and Tom, repressing their imagination.
- He marries hid daughter to Jociah Bounderby, a rich banker of the city, thirty years older than she is.
- The girl consents since she wishes to help her brother, who is given a job in Bounderby’s bank, but
- the marriage proves to be unhappy. Tom, lazy and selfish, robs his employer. At first he succeeds in
- throwing the suspicion on an honest workam, but he is eventually discovered and obligated to leave
- the country.
- </p>
- <p><b>The(definition(of(a(hourse(
- </b>The scene is set in a school, where Mr. Gradgrind, the teacher, is giving a lesson to his students.
- Children are separated into two halves, boys and girls. Mr. Gradgrind is teaching the importance of
- facts; he picks on a new pupil, calling her 'girl number twenty'. Is Sissy Jupe, a poor girl whose father
- works in the horse business.The teacher first objects to the girl's nicknameto her father's job. He says
- her father 'has no business' in calling her 'Sissy' and that 'Cecilia' is her real name. Mr. Gradgrind
- dislikes the feeling of affection that is normally attached to nicknames.
- However, he goes on asking her questions about it thus giving evidence to his contradictory attitude.
- Then, he asks the girl to provide a definition of a horse.
- When the girl proves unable to do it, he calls Bitzer, a student and he is remarkable for his
- unwholesome pallor as well as for his passive acceptance of Mr. Gradgrind's teaching method.
- We have the impression Mr. Gradgrind likes boys more than girls; he shows a misogynist attitude to
- Cecilia and he clearly despises her father's humble occupation.Bitzer provides a pseudo-scientific
- definition of a horse, praised by the teacher. Mr. Gradgrind is a typical Victorian teacher; he is strict
- and cruel, he refers to his pupils as 'little pitchers', empty vases to be filled with facts. He thinks
- imagination, creativity and intuition have nothing to do with education, they may even slow down
- the learning process or damage it. His students are mainly depersonalized and passive.
- Cecilia’s dark colors are symbolic of her vivid imagination while Bitzer's light colors stand for his
- passive attitude and acceptance of facts and his teacher's system. Too much rationality does not
- damage Cecilia's powerful imagination (it makes her dark colors even more lustrous) but it turns
- Bitzer into a dehumanized machine. Dickens uses a particular technique to suggest to us the main
- features of his characters' personality. Their names often reveal their character. The name 'Gradgrind' </p>
- </div></div>
- <div><div><p>!
- </p>
- <p>Copyright© copia non rivendibile
- </p>
- <p>!
- </p>
- <p>is made up of two words, 'grade' and 'grind'.
- <b><i>Oliver Twist </i></b><i></i>plot
- Oliver is a poor boy of unknown parents. He is brought up in a workhouse. He is sold to an undertaker
- as an apprentice, but the cruelty he experiences cause him to runa way to London. He falls into a gang
- of young pickpockets led by Artful Dodger and trained by Fagin to make him a thief. During hi “job”
- he is shot and wounded. Oliver will be adopted by a middle-class family. Investigations will revealed
- that Oliver had nobile origins. The gang and the person who stole Oliver’s property will be arrested.
- Childhood was a cruel experience in Victorian Age. A lot of children worked in factories, mines, and
- other were criminals. Some government acts, like Ten hours act, tried to improve children’s working
- condition reducing hours of work to ten per day. Children are either innocent or corrupted by adults
- (beginning-> bad condition, happy ending).
- The novel is depicted at 3 social levels: Workhouse, cruel conditions, born to resolve poverty as
- consequence of laziness, attacked by Dickens (require of labour, families separated, small food and
- clothes). Criminal world, poverty drives them to crime, Victorian Middle class, show moral values.
- </p>
- <p><b>Oliver(wants(some(more(
- </b>Oliver is extracted from the other child to ask some more food. Mr. Limbkins sad that Oliver will
- beisolated and then sold for five pounds tomorrow.
- <b>1. Dickens’s life</b>:
- ! • Born in Portsmouth in 1812.
- ! • Unhappy childhood: he had to work in a factory at the age of 12 (his father went to prison for
- </p>
- <p>debts).
- ! • He became a newspaper reporter with the pen name Boz.
- ! • In 1836 Sketches by Boz, articles about London people and scenes, were published in instalments.
- ! • Success with autobiographical novels, Oliver Twist (1838), David Copperfield (1849-50), Little
- </p>
- <p>Dorrit (1857). • Bleak House (1853), Hard Times (1854), Great Expectations (1860-61) set
- against the background of social issues.
- </p>
- <p>! • Busy editor of magazines.
- ! • Died in 1870
- <b>2.</b> <b>The setting of Dickens’s novels</b>:
- ! • Dickens was the great novelist of cities, especially London.
- ! • London is depicted at three different social levels:
- ! 1.the parochial world of the workhouses (place which offer accomodation adn employment,
- </p>
- <p>they were managed by parish –parrocchie-) its inhabitants belong to the lower middle class.
- ! 2.the criminal world murderers, pickpockets living in squalid slums.
- ! 3.the Victorian middle class respectable people believing in human dignity.
- • Detailed description of “Seven Dials”, a notorious slum district, its sense of disorientation and
- </p>
- <p>confinement is clearly expressed in Dickens’s novels
- <b>3. Dickens’s characters</b>:
- Dickens shifted the social frontiers of the novel: the 18th- century realistic upper middle- class
- world was replaced by the one of the lower orders. He depicted Victorian society in all its variety, its
- richness and its squalor.
- He created:
- •caricatures he exaggerated and ridiculed peculiar social characteristics of the middle, lower and
- lowest classes
- •weak female characters He was on the side of the poor, the outcast, the working-class
- </p>
- </div></div>
- <div><div><p>!
- </p>
- <p>Copyright© copia non rivendibile
- </p>
- <p>!
- </p>
- <p>
- <b>4. Dickens’s themes</b>:
- • Family, childhood, poverty the subjects to which he returned time and again.
- • Dickens’s children are either innocent or corrupted by adults.
- • Most of these children begin in negative circumstances and rise to happy endings which resolve
- </p>
- <p>the contradictions in their life created by the adult
- <b>5. Dickens’s aim</b>:
- Dickens tried to get the common intelligence of the country to alleviate social sufferings. He was
- a campaigning novelist and his books highlight all the great Victorian controversies:
- • the faults of the legal system (Oliver Twist)
- • the horrors of factory employment (David Copperfield, Hard Times)
- • scandals in private schools (David Copperfield)
- • the miseries of prostitution
- • the appalling living conditions in slums (Bleak House)
- • corruption in government (Bleak House)
- <b>6. Dickens’s style</b>:
- Dickens’s style is very rich and original. The main stylistic features of his novels are:
- ! 1.long list of objects and people.
- ! 2.adjectives used in pairs or in group of three and four.
- ! 3.several details, not strictly necessary.
- ! 4.repetitions of the same word/s and/or sentence structure.
- ! 5.the same concept/s is/are expressed more than once, but with different words.
- ! 6.use of antithetical images in order to underline the characters’ features.
- ! 7.exaggeration of the characters’ faults.
- ! 8.suspense at the end of the episodes or introduction of a sensational event to keep the readers’
- </p>
- <p>interest.
- <b>7. Oliver Twist (1838)</b>:
- • This Bildungsroman (an “education” novel) appeared in instalments in 1837.
- • It fictionalises the humiliations Dickens experienced during his childhood.
- • The protagonist, Oliver Twist, is always innocent and pure and remains incorruptible throughout
- the novel.
- • At the end he is saved from a life of villainy by a well- to-do family.
- • The setting is London.
- Dickens attacked:
- a. the social evils of his times such as poor houses, unjust courts and the underworld.
- b. the world of the workhouses founded upon the idea that poverty was a consequence of laziness.
- c. the officials of the workhouses because they abused the rights of the poor as individuals and
- caused them further misery.
- <b>8.</b> <b>David Copperfield (1849-50)</b>:
- This novel is the most autobiographical of all Dickens’s novels. In the preface the novelist wrote:
- • Narrative technique a “Bildungsroman”; the protagonist, David, functions also as narrator.
- • The characters both realistic and romantic, characterised by a particular psychological trait.
- • Atmosphere a combination of Advertisement for David realism and enchantment.
- • Themes:
- 1. the struggle of the weak in society.
- 2. the great importance given to strict education.
- 3. cruelty to children. </p>
- </div></div>
- <div><div><p>!
- </p>
- <p>Copyright© copia non rivendibile
- </p>
- <p>!
- </p>
- <p> 4. the bad living conditions
- <b>9. Hard Times (1854)</b>:
- It is a “denunciation novel” a powerful accusation of some of the negative effects of industrial
- society. The setting Coketown, an imaginary industrialised town. Characters people living and
- working in Coketown, like the protagonist Thomas Gradgrind, an educator who believes in facts and
- statistics
- Themes:
- 1. a critic of materialism and Utilitarianism.
- 2. a denunciation of the ugliness and squalor of the new industrial age.
- 3. the gap between the rich and the poor. Aim to illustrate the dangers of allowing people to become
- like machines. </p>
- </div></div>
- <div><div><p>!
- </p>
- <p>Copyright© copia non rivendibile
- </p>
- <p>!
- !
- </p>
- <p><b>Eliot&
- </b>
- Born in 1888 in Missouri. He studied at Harvard and Oxford. He started work firts as a clerk at Lloyds
- Bank, then as a director. Unhappily married, he suffered for a nervous breakdown. He wrote most of
- his masterpiece, like <i>The Waste Land</i>, during his recovering in a sanatorium in Lausanne. Poetry was
- his only refuge. In 1927 he become a British citizen and he join the Church of England. Then he
- wrote also <i>Journey of the Magi</i>, <i>Four quatez</i> and<i> Wednesday Ashes</i>. He became a literary critic. He
- was awared the Nobel Prize in 1948. He died in London in 1965.
- <b><i>The Waste Land</i></b><i></i>:
- •It is an autobiography written in a moment of crisis in the life of the poet
- • Published in 1922, the same year of <i>Ulysses</i> by James Joyce. It is divided in 5 sections:
- </p>
- <p>1.! The Burial Dead: contrast between life=fertility=glorius past and death=sterility=ugly present
- 2.! A Game of Chess: with juxstapose (tecnique)
- 3.! The Fire Sermon: theme of alienation with a mechanical and loveless sexual encounter
- 4.! Death by Water
- 5.! What the thunder said: evoke religions from East and West. The solution is sympathy with
- </p>
- <p>other man.
- </p>
- <p>•The disillusionment and disgust of the period after World War I
- •Contrast between past fertility and present sterility
- •The mythical past linked to a new concept of History repetition of the same events
- •Spring Symbols: different from Chaucer -> absence of rebirth:
- ! April is the cruelest month, breeding
- ! Lilacs out of the dead land, mixing
- ! Memory and desire, stirring
- ! Dull roots with spring rain.
- •Mythical method: to give significance to present futility
- •Subjective experiences made universal
- •Use of Juxtaposition
- •Quotations from different languages and literary works
- •Fragmentation
- •Technique of implication: the active participation of the reader is required
- •Objective correlative.
- For Eliot, the “objective correlative” is a pattern of objects, events, actions, or a situation that can
- serve effectively to awaken in the reader an emotional response without being a direct statement of
- that subjective emotion
- •Both Eliot and Montale depict a desolate landscape
- They both refer to a waste land of the spirit
- This landscape is cosmopolitan in Eliot
- It is a domestic landscape in Montale
- The objective correlative:
- </p>
- </div></div>
- <div><div><p>!
- </p>
- <p>Copyright© copia non rivendibile
- </p>
- <p>!
- !
- </p>
- <p>
- <b>What the thunder said
- </b>Desolated landscape (the sweat is dry, a dead mountain mouth of carious teeth that cannot spit) means
- the impossibility to rebirth. Strong desire of water. The comparison beetwen the past and the present’s
- cities explain the circle concept of history where civilization will collapse.
- <b>The Burial of the dead</b> (modern man, habitans of the waste land)
- Spring is an illusion. Winter cover all, also human’s suffering.
- Chaucher in the opening of Canterbury tales, celebrate spring as a rebith. He explain the need to go
- on pilgrimigis (journey of salvation).
- <b>Unreal city </b>(The burial of the dead)
- Unreal city is refered to the modern cities of western industrialisation and alienation. Eliot describe a
- crowed of office workers flowed like a river over London Bridge. They are compared to Dante’s
- souls in the Inferno.
- Eliot recognised Stetson, maybe a friend, who had witness the war. There is a circle conception of
- history (is quated the Punic war). Eliot refers also to egyptian culture for the Osiris’ mith and the Dog
- God. At the end of the extract he used the tecnique of implication. Termina con una citazione di
- Baudelaire </p>
- </div></div>
- <div><div><p>!
- </p>
- <p>Copyright© copia non rivendibile
- </p>
- <p>!
- !
- </p>
- <p><b>Edwardian(age(
- </b>
- On the death of Queen Victoria in 1901, the royal house took the Germanic surname of her consort
- Prince Albert of Saxe-Coburg-Gotha. Victoria’s son Edward, who reigned as Edward VII, the only
- sovereign, was crowned in August 1902.
- He restore energy to a gloomy monarchy since his father’s death. He was able to assist in foreign
- policy negotiations, like the Anglo-French Entente Cordiale. Edward was the first British monarch to
- visit Russia. He founded the Order of Merit to reward those who distinguished themselves in science,
- art or literature, in 1902.
- In 1906 the Liberals won the general election and took a first step towords welfare state: national
- insurance and old-age pensions.
- Edwardian period was a time of industrial unrest, strikes, ment to be weapons against the government,
- remarkable for the number of men involved, violence, also from women.
- Suffragettes were ladies plus small groups of male sympathisers, arguing in favour of voting rights
- for women. This movement was founded by Millicent Fawcett in 1897. No one paid attention until
- the foundation of the Women’s social and Political Union.
- The Liberal programme led to a constitutional crisis when the House of Lords refuses to pass the
- Liberal budget of 1909, included welfare programmes.
- Edward VII died in 1910 and was succeeded by his son George V, who maintained a certain
- informality.
- In 1914 the First World War broke out. The king pressed for proper treatment of German prisoners
- of war. In 1917 anti-German feeling led him to change the family name to that of Windsor.
- Irlend ask for support of Home Rule, the right of the people to control they own affairs.
- The 1916 “Easter Rising” (In 1916, at Easter, the Sinn Fein extremists, who demanded complete
- independence, had rebelled in Dublin (the "Easter Ring")) in Dublin resulted in the setting up of the
- Irish Free State, while the six northern countries remained part of the United Kingdom.
- </p>
- <p><b>Word(War(I(
- </b>Borke out when the Archduke Franz Ferdinand was animated in Sarajevo in 1914. The war
- involved the Central European powers (Germany and Austria-Hungary) vs Triple Entente (Britain,
- France, Russia).
- Britain declare war on Germany in August 1914. It was a signatory of an agreement to respect
- Belgium.
- Shell shock is a term used by doctors to refering to psycological effects of shell’s explosions.
- USA join the war on 11th November 1918. In 1919 was signed the peace at Versailles.
- Wilson propose the “Fourtheen Points” to workout the peace. He describe a plan to set up the
- “League of Nation” to keep peace.
- The war caused the rein of four great empires.
- </p>
- <p><b>The(war(poets(
- </b>
- During the IWW, thousands of young men volunteered for military service. They lived in a squalor
- conditions in the trenches because of the rain and mude.
- The common soldiers improvised verses, not reach by literate people living, however there was a
- group of poets who actually experienced the fighting and awaken the conscience of the readers to
- the horrors of the war.
- </p>
- </div></div>
- <div><div><p>!
- </p>
- <p>Copyright© copia non rivendibile
- </p>
- <p>!
- !
- </p>
- <p>
- </p>
- <p><b>Rupert(Brooke(
- </b>
- Born in 1887 in a wealthy family. Good student and athlete. He wrote five war sonnets. Traditional
- form, he show sentimental attitudes, lost in that period.
- </p>
- <p><b>The(soldiers(
- </b>Poem noted for the lyricism. Composed in 1915, it shows ideals of patriotisms due to the beginning
- of the war.
- In this poem, the poet says that if he should die, people have to remember that “there’s some corner
- of a foreign field // That is for ever England”. It contains a deep sense of patriotism.
- </p>
- <p><b>Wilfred(Owen(
- </b>Born 1893. Work as a teacher of English teacher. His poems are painful and musical.
- </p>
- <p><b>Dulce(et(decorum(est(
- </b>Composed in 1920, at the end of the war, it shows the horrors of the war. The title is a quotation by
- Orazio.
- The first stanza describes the soldiers in the trench. They feels blinde, deaf and lame.
- The second stanza describes the explosion of a shell and the consequences became the Owen’s
- nightmare
- The third stanza describes the consequences and the effect of the explosion on human body. The
- poet used the “tecnique of implication” refered to the reader. </p>
- </div></div>
- <div><div><p>!
- </p>
- <p>Copyright© copia non rivendibile
- </p>
- <p>!
- !
- </p>
- <p><b>George&Orwell&
- </b>
- Vita
- Orwell’s life and work were marked by the conflict between middle-classupbringing and the
- emotional identification with the working class. He did social experiments, for example he tried to
- approach to the poor world analysing how institution help this class.
- Orwell believe that writing could represents all aspects of reality and so carry out a social function.
- The main themes are the critique to totalitarism, tolerance, justice and decency. He use a realistic and
- factual language.
- <b><i>Nineteen Eighty-Four</i></b><i></i>
- The novel, written in 1948, is set in a future world divided into 3 blocks: Oceania, Eurasia
- (Russia+Europe) and Estasia (Asia and Far East). Oceania, continuously in war with the other two
- country, is divided into 3 provinces; the one with the capital London is “Airstris”. It is ruled by “the
- Party”, which is led by a figure called Big Brother.
- The inhabitans are continuously controlled and influenced by the dictator with telescreens and
- posters, in fact all individuality expressions are forbidden, but they have the “2 minutes of hate”.
- To control people’s lives, the Party implementing a Newspeak (new language with limited words)
- and threatening them with the “Thought Police”, who do the brainwash to the not conformed people.
- Winston Smith illegaly buys a diary in which he begins to write all his thoughts and memory for the
- future generations. He work at the Ministry of Truth. He notice an attractive dark-haired girl called
- Julia. Thei begin a secret affair insted of the “thoughtcrime”. One day, O’Brien, a member of the
- “Inner Party”, tells that he hates the Party and start working against it as a member of “Brotherhood”,
- a group led by Goldenstein who wants to overthrow the Party. O’Brien gives a copy of the
- Goldenstein’s book to Winston, he read it to Julia in their room, but they where arrested. O’Brien
- was a Party spy; he take Winston at the Ministry of Love and he tortures and brainwashes him for
- months, but he resist. So O’Brien brings him to the Room 101, where Winston is forced to confront
- his worst fear. When he remets Julia, he no longer loves her. He loves only the BB.
- The protagonist Winston Smith (the most common name and surname of London) is a middle-aged
- described as a small, frail figure (emphasised by the Party’s uniform). His hair as fairs, his face
- naturally sanguine, his skin roughened. He is not the classical hero.
- His name remainds to Churchill, prime minister of England during the IIWW.
- London is described as grotesque, squalid, menacing and as a symbol of poverty: houses are
- crumbling, built with wood and corrugated iron. The whole city is rich of bombed sites, heaps of
- rubble and a lot of wooden duellings.
- The major theme is memory connected with morality and individuality destruction.
- So, 1984 is a dystopian novel because it describes a scared imaginary society. Other dystopian novels
- are <i>Bave new world</i> by Aldous Huxley and also <i>Animal Farm</i> by Orwell. </p>
- </div></div>
- <div><div><p>!
- </p>
- <p>Copyright© copia non rivendibile
- </p>
- <p>!
- !
- </p>
- <p><b>John%Keats%
- </b>
- John Keats is the greatest member of the second generation of poet. He is a precursor
- of astheticism. He was born in London in 1795 to a humble but well-off family. He
- attended private school in Enfield, but after the early dead of his parents, he became a
- surgeon in 1810. Six years later, in spite of precarious finances, he gave up medicine
- for poetry. In 1820 he felt the symptoms of tubercolosis, he travelled to Rome in an
- effort to recover his health, but he died in 1821.
- <b>The substance of his poetry
- </b>Keats does not think that lyrical poems have to be based on autopiography situations,
- but to universal event. The connection between landscape and poet’s emotion is absent.
- <b>The role of imagination
- </b>Very important for Keats. The world of his poetry is artificial and is a vision of what
- he would like human life to be like.
- <b>Beauty and art</b>
- Beauty is caped by Keats with sense (colours, perfumes ecc…) and it can produce a
- deeper experience of joy, “spiritual beauty”. This two kind of beauty are connected
- with life, enjoyment, decay and dead.
- <b>Negative capability
- </b>Capability of the poet to deny his personality to identify hisself with the object of his
- inspiration. In this way he can produce a true poetry.
- </p>
- <p><b>Ode%on%a%Grecian%Urn%
- </b>
- It is an ode which celebrate the scenes which adorn an ancient Greek urn. The poem’s
- appeal is due not just to the beauty of the scenes, but also to the fact deals, connected
- with art.
- In the first stanza, the poet personify and describe the urn (foster child, Sylvan
- historian, flowery tale): a Dionysian festival with music and ecstatic dance, a piper
- under the trees in a pastoral setting (ethernal spring), a young man in love pursuing a
- girl (he will never reach the girl but his music will never end. Spiritual love is ethernal,
- phisical love leaves a painful heart), a procession of townspeople (then the poet image
- the silent city) and priest leading a cow to the sacrifice. Keats is fascinated by the fact
- that art is able to present an ideal world because it can freeze actions and emotions.
- Beauty allows man to reach knowledge (precurso of aestheticism). </p>
- </div></div>
- <div><div><p>!
- </p>
- <p>Copyright© copia non rivendibile
- </p>
- <p>!
- !
- </p>
- <p><b>Aesthetic(theories(
- </b>
- The aesthetic movement developed in the universities/intellectual circles in the last decades of 19th
- century. It begain in France with Gautier and reflect the sense of frustration of the artist and his
- reaction against materialism, to re-define the role of art. French artist wanted to escaped into aesthetic
- isolation (Art for Art’s Sake). The bohémien embodied this protest.
- </p>
- <p><b>Oscar(Wilde(
- </b>
- Oscar Wilde was born in Dublin in 1854. He attend the Trinity College in Dublin, then he was sent
- to Oxford (he became a disciple of Walter Pater, who introduce the aesthetisism in London) and, after
- graduating, he settled in London. In 1881 he edited, at his own expense, Poems, and was engaged for
- a tour in the US. On his returne to Europe in 1883, he married Constance Lloyde, who bore him two
- children. At this point of his career he was well know. As a tribute to his dandified Aestheticism,
- women and young men wore lilies. In the late 1880s he wrote some short stories (<i>The Canterwille
- Ghost</i>, <i>Lord Arthur Savile’s</i> …), but after his last novel, <i>The picture of Dorian Gray</i>, he developed
- an interest in drama. In 1891 he met the handsome young nobleman Lord Douglas, with whom he
- had a homosexual affair. For that he was prisoned (in this period he wrote <i>De Profundis</i>) and after
- two years he was released. He lived in France and he died in Paris in 1900.
- <b><i>The picture of Dorian Gray</i></b><i></i> plot
- Dorian’s beauty fascinated a painter, Basil Hallward, who decide to paint a portrait of him. The
- portrait satisfies the young man’s desire. All the signs of age, experience and vice appear on the
- portrait instead Dorian remains the same: young and beautiful. When the painters sees the corrupted
- image, Dorian kills him, so he decide to hide the portrait. Then, Dorina, witness of his spiritual
- corruption, stabs the portrait. Dorian died and the portrait return to be without signs.
- The story is told in third person with the point of view of Dorian, whose characters are revealed
- through what he says or wath other people say about him. The words appealing to the senses.
- The story is allegorical. It’s a 19th century version of the myth of Faust (a man sold his soul to the
- devil and all his desires might be satisfied). In the novel Wilde plays on the Renaissance idea of the
- correspondence between beautiful people = moral people. The picture represent the dark side of
- Dorian’s personality. The moral of the novel is that every excess must be punished, but when he stabs
- the portrait he cannot avoid the punished. Finally the picture restored to his original beauty. So: art
- survives people, art is eternal.
- </p>
- <p><b>Dorian’s(death(
- </b>
- The first part of the extract. Dorian see two men chatting about him, so Sybil comes up in Dorian’s
- mind.
- Then Dorian understand that he had lost the unstained childhood and he find out the trap of beauty
- and ethernal youth.
- Dorian thinks that there is a possibility to save himself. He makes a lot of good actions, he confess
- his murder, but it’s not enought.
- At the end of the extract he kill himself with a stabs on the portrait.
- </p>
- </div></div>
- <div><div><p>!
- </p>
- <p>Copyright© copia non rivendibile
- </p>
- <p>!
- !
- </p>
- <p>
- <b>1. Oscar Wilde’s Life
- </b>! • Born in Dublin in 1854
- ! • He became a disciple of Walter Pater , the theorist of aestheticism
- ! • He became a fashionable dandy
- ! • He was one of the most successful playwrights of late Victorian London and one of the greatest
- </p>
- <p>celebrities of his days
- ! • He suffered a dramatic downfall and was imprisoned after been convicted of “gross indecency”
- </p>
- <p>for homosexual acts
- ! • He died in Paris in 1900
- <b>
- 2. Works
- </b>Poetry : Poems, 1891
- </p>
- <p> The Ballad of Reading Gaol , 1898
- Fairy tales : The Happy Prince and other Tales , 1888
- The House of Pomegranates , 1891
- Novel : The Picture of Dorian Gray , 1891
- Plays : Lady Windermere’s Fan, 1892
- A Woman of no Importance , 1893
- The Importance of Being Earnest , 1895
- Salomé , 1893
- <b>3. Wilde’s aestheticism
- </b> • Oscar Wilde adopted the aesthetical ideal: he affirmed “my life is like a work of art”
- ! • His aestheticism clashed with the didacticism of Victorian novels.
- ! • The artist = the creator of beautiful things
- ! • Art -> used only to celebrate beauty and the sensorial pleasures
- ! • Virtue and vice -> employed by the artist as raw material in his art: “No artist has
- ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style”
- ! • 1890 -> first appeared in a magazine
- ! • 1891 -> revised and extended
- ! • It reflects Oscar Wilde’s personality
- ! • It was considered immoral by the Victorian public
- <b>4. The picture of Dorian Gray
- </b> • Set in London at the end of the 19th century
- • The painter Basil Hallward makes a portrait of a handsome young man, Dorian Gray.
- ! • Dorian’s desires of eternal youth are satisfied
- ! • Experience and vices appear on the portrait
- ! • Dorian lives only for pleasures
- ! • The painter discovers Dorian’s secret and he is killed by the young man
- ! • Later Dorian wants to get free from the portrait; he stabs it but in so doing he kills himself
- ! • At the very moment of death the portrait returns to its original purity and Dorian turns into a
- withered, wrinkled and loathsome man
- <b>5. Dorian Gray: a modern version of Dr. Faust
- </b>! • A temptation is placed before Dorian: a potential ageless beauty
- ! • Lord Henry’s cynical attitude is in keeping with the devil’s role in Dr Faust
- ! • Lord Henry acts as the “Devil advocate”
- ! • The picture stands for the dark side of Dorian’s personality </p>
- </div></div>
- <div><div><p>!
- </p>
- <p>Copyright© copia non rivendibile
- </p>
- <p>!
- !
- </p>
- <p>
- <b>6. Dorian Gray: the moral of the novel
- </b> • Every excess must be punished and reality cannot be escaped
- ! • When Dorian destroys the picture, he cannot avoid the punishment for all his sins -> death
- ! • The horrible, corrupting picture could be seen as a symbol of the immorality and bad conscience
- </p>
- <p>of the Victorian middle class
- ! • The picture, restored to its original beauty, illustrates Wilde’s theories of art: art survives people,
- art is eternal </p>
- </div></div>
- <div><div><p>!
- </p>
- <p>Copyright© copia non rivendibile
- </p>
- <p>!
- !
- </p>
- <p><b>The$age$of$anxiety$
- </b>
- In the last two decades of the 19th century, the Victorian values had come to an end. The material
- gain implied spiritual loss. The positivistic faith in progress and science had led people to believe that
- all human misery would be swept away. The First World War, some soldiers died, left the country in
- a disillusioned and cynical mood. Prime Minister Lloyd George was undergoing various and
- contradictory developments after the war.
- An increasing feeling of rootlessness and frustration, led to a remarkable transformation of the notions
- of Imperial hegemony and white superiority.
- Nothing seemed to be right or certain; even science and religion seemed to offer little comfort or
- security. Scientists and philosophers destroyed the old universe which had sustained the Victorians
- in their optimistic outlook.
- SIGMUND FREUD
- He is considered the beginner of psychology and psychiatry. He wrote <i>The Interpretation of Dreams</i>,
- a work where he thinks that man’s action could be motivated by irrational forces. He studied the
- “libido”, manifested in the Oedipal phase, where child sees the father as a rival for his mother’s
- affections. He studied infantile sexuality. He provided a new method of investigation into the human
- mind through the analysis of dreams.
- CARL JUNG
- He continued Freud’s studies and added the concept of “collective unconscious”, a cultural memory
- containing the universal myths and beliefs of the human race. This meant that some figures/objects
- had a great symbolic power.
- ALBERT EINSTEIN
- He define the “Theory of relativity” which discarded the concepts’ of time and space. This scientific
- revolution was complemented by the cultural relativity developed in that period.
- WILLIAM JAMES
- He approached a whole series of non-traditional topics in psychology. Every thought or perception
- was relative, contextualized and influenced by previous thought. “Consciousness” is like a river of
- thought. So the “Stream of consciousness” is the written equivalent of the character’s thought
- processes, in the form of interior monologue.
- BERGSON
- He distinguished historical time, linear, and psychological time, subjective.
- GEORGE FRAZER
- Some studies of anthropology, helped undermine the absolute truth of religious and ethical systems
- in favour of more relativist standpoints. There’s the inability to arrive at a commonly accepted picture
- of man.
- NIETZSCHE
- He substituted Christian morality with a belief in human power.
- In that period, English philosophy became analytical. The aim was not to increase knowledge, but
- the creative writer have to reassert the centrality of literature as a guide on the perplexities of an age
- of alienation. </p>
- </div></div>
- <div><div><p>!
- </p>
- <p>Copyright© copia non rivendibile
- </p>
- <p>!
- !
- </p>
- <p>
- </p>
- <p><b>Modernism$
- </b>
- The first decades of the 20th century was original. Artistic activity was mainly centered in Paris.
- However, some of the main representatives were not French. The term <i>Modernismis</i> is used to refer
- to this powerful international movement reaching through Western cultures. It expressed the desire
- to break with established forms and subjects. Novel, because of the influence of Freud, explored the
- characters’ psyches through the “stream of consciousness” technique and the interior monologue.
- Main features:
- </p>
- <p>•! Breaking down of space and times’s limitations and the disruption of the linear flow of
- narrative verse
- </p>
- <p>•! Perception of reality became uncertain. The omniscent narrator was abbandoned in favour of
- the point of view of the narrator.
- </p>
- <p>•! No rhyme scheme
- •! Importance of the “sound”
- •! Importance of unconscious
- •! Reflect complexity of modern urban life
- •! Rejection of elaborate formal in favour of minimalist designs and a fragmented style
- •! Rejection of the distinction between “high” and “low”
- </p>
- <p>
- Writers and poets take inspiration from classical as well as new culture to create a new subjective
- mythology. Like Eliot or James Joyce.
- Untill the 20th century, the novel’s structure was bourgeois (the novelist mediate between characters
- and reader). The urgency for social changing forced novelist in a moral and psychological
- uncertainty; the new novelist’s role is mediate beetween past’s values and the present’s confusion.
- Rejection of the omniscient narration in favour of more PV, analysis of character’s consciousness
- (stream of consciousness and interior monologue), subjective time (no chronological sequence of
- events). </p>
- </div></div>
- <div><div><p>!
- </p>
- <p>Copyright© copia non rivendibile
- </p>
- <p>!
- !
- </p>
- <p><b>Percy&Shelley&
- </b>
- Percy Shelley was born in Sussex in 1792. He was expelled from Oxford University because of his
- radical pamphlet <i>The Necessity of Atheism</i>, challenging the existence of God. At the age of nineteen,
- he married. Then he had two children. In the period of French Revolution, he rebelled against
- religions, laws and customs, he become republican, vegetarian and an advocate of free love. In 1818
- he went to live in Italy in a voluntary exile, during which much of his best work was composed.
- Shelley died in 1822 by an accident. His grave is situated in Rome.
- <b>Freedom and free love
- </b>Shelley refuse conventions, political oppression and tyranny. He use the powerful musicality, he
- believe in the principles of freedom and love.
- <b>The role of immagination
- </b>He defence the expression of immagination and revolutionary creativity, seriously meant to change
- the reality of an increasingly material world.
- <b>Nature
- </b>Shelley describes a nature like a beautiful veil that hides the eternal truth of the divine spirit. Nature
- is a refuge from the disappointment and injustice of ordinary word. The poet’s task is to help mankind
- to reach an ideal world where freedom, love and beauty are delivered from their enemies.
- </p>
- <p><b>Ode&to&the&West&Wind&
- </b>
- An ‘ode’ is a lyric composition with an elevated tone, full of archaisms, invocations and
- personifications to celebrate something. The poet talks about the defection of the wind on the eath,
- atmosphere and sea, then he compare hisself to the wind to share a hope message for humankind.
- In the first three stanzas there is the defection of the wind (lots of personification and similies)
- </p>
- <p>•! on the earth (the wind - destroier - move dead leafs, - preserver - flying seeds under the earth
- are compared to corpse in their grave)
- </p>
- <p>•! on the sky (clouds are moving like seeds, like Menade’s hair. The wind collaborate to the life
- cycle create the dome of a vast sepulchre)
- </p>
- <p>•! on the sea (the mediterranean sea rises by summer’s tepour, near Baia and historical buildings.
- The Atlantic sea is divided into chasms by the wind).
- </p>
- <p>The poet (feels taimless, proud and swift) compare hisself to the element moved by the wind (lots of
- metaphor and oximoros), because he would be free like when he was a child (adult life, power and
- religion have oppressed the poet). He want to be a lyre used by the wind to awaken mankind and
- scatter a massege of freedom, hope (can spring be far behind ?) and changing. </p>
- </div></div>
- <div><div><p>!
- </p>
- <p>Copyright© copia non rivendibile
- </p>
- <p>!
- !
- </p>
- <p><b>The$Romantic$Age$(171531800)$
- </b>
- After the American Revolution (1776) and French Revolution (1789), which share
- ideals of freedom, english liberals felt that reforms had become a real possibility. If the
- bourgeoisie were supported by laissez-faire economy, the state opened a capitalists
- economy wich widened the gap between rich and poor. Mechanisation,
- Industrialisation and Agricultural Revolution were increased.
- The figure of intellectual leaders grown up. Democracy, power of beauty become the
- central themes of Romantic poetry. Science inspired Gothic novel and nature became
- a place of spiritual truth. (Es. Rousseau encourage civilisation and the “cult of exotic”,
- veneration of what is far away from space and time)
- The Romanticism valued the subjective and irrational parts of human nature: emotion,
- imagination, introspection and relationship with nature. There where two great
- generation of poets: Blake, Wordsworth and Coleridge in the first, and Keats and Percy
- Shelley in the second.
- </p>
- <p><b>An$age$of$revolution$
- </b>
- 18th century was characterized by great revolutions: the Agrarian and Industrial
- Revolutions reshaped the social and political strucutre.
- Britain change from a Farming country into an Industrial one. The increasing of
- population required a more efficient production, and it’s implied new technologies and
- inventions (ex. Machine for cloth-making). At first most of power come from water,
- but in 1775 James Watt patented an engine (steam power) more powerfull than it’s
- predecessor (it allowed Britain to manufacture cloth). Goods were transported thanks
- to new waterways.
- There were also great changes in agricolture. It was implied with new technological
- inventions and tecniques. It took the concept of “open field” (enclosure act) and the
- crop rotation.
- </p>
- <p><b>Industrial$society$
- </b>
- During the 18th century there was a shifting of population. New factories were built
- near the coal fields (women and children were employed because they could be paid
- less and were easier to control). Air and water were polluted by smoke and filth.
- Alcolism and Prostitution. The life expectancy was below 20 years because of many
- deseases. </p>
- </div></div>
- <div><div><p>!
- </p>
- <p>Copyright© copia non rivendibile
- </p>
- <p>!
- !
- </p>
- <p>
- <b>American Revolution
- </b>When George III came to the throne in 1760, Britain was in a period of stability. The British
- government wanted the American colonies to help pay for their defence and impose new taxes against
- the “Bill of rights” (1689), eventhoug colonies weren’t represented in the Parliament (No taxation
- without rapresentation). At the boston Tea party in 1773, rebels dessed as Native Americans, threw
- a tea cargo from Britain into the Boston Harbos.
- Americans where divided into “Patriots” (no army, supported by French) and the British “Loyalists”
- (had army, but too small for an attack). On 4th July 1776 in Philadelphia, the Continental Congress
- signed the “Declaration of Independence”, written by Thomas Jefferson: all men have natural right
- to life, liberty and the pursuit of happines”. With the Treaty of Veersailles in 1783, Britain recognised
- the independence of its former colonies. The new republic of USA was a federal consitution in 1787
- and George Washinghton became the first president in 1789.
- <b>What was the French Revolution?</b>
- The French Revolution was a period of time in France when the people overthrew the monarchy
- and took control of the government.
- <b>When did it take place?</b>
- The French Revolution lasted 10 years from 1789 to 1799. It began on July 14, 1789 when
- revolutionaries stormed a prison called the Bastille. The revolution came to an end 1799 when a
- general named Napoleon overthrew the revolutionary government and established the French
- Consulate (with Napoleon as leader).
- <b>The French Estates</b>
- Before the French Revolution, the people of France were divided into social groups called
- "Estates." The First Estate included the clergy (church leaders), the Second Estate included the
- nobles, and the Third Estate included the commoners. Most of the people were members of the
- Third Estate. The Third Estate paid most of the taxes, while the nobility lived lives of luxury and
- got all the high-ranking jobs.
- <b>Revolutionary Government</b>
- The French Government was in constant turmoil throughout the revolution. At the start of the
- revolution, representatives from the Third Estate established the National Assembly where they
- demanded that King Louis XVI give them certain rights. This group soon took control of the
- country. They changed names over time to the Legislative Assembly and, later, to the National
- Convention. After the Reign of Terror, a new government was formed called the Directory. The
- Directory ruled until Napoleon took control.
- <b>Reign of Terror</b>
- The darkest period of the French Revolution is called the Reign of Terror which lasted from 1793 to
- 1794. During this time, a man named Robespierre led the National Convention and the Committee
- of Public Safety. He wanted to stamp out any opposition to the revolution, so he called for a rule of
- "Terror." Laws were passed that said anyone suspected of treason could be arrested and executed by
- guillotine. Thousands of people were executed including Queen Marie Antoinette and many of
- Robespierre's political rivals.
- <b>Political Clubs</b>
- Many of the new political ideas and alliances of the French Revolution were formed in political
- clubs. These clubs included the powerful Jacobin Club (led by Robespierre), the Cordeliers, the
- Feuillants Club, and the Pantheon Club.
- <b>Outcome</b>
- The French Revolution completely changed the social and political structure of France. It put an
- end to the French monarchy, feudalism, and took political power from the Catholic church. It </p>
- </div></div>
- <div><div><p>!
- </p>
- <p>Copyright© copia non rivendibile
- </p>
- <p>!
- !
- </p>
- <p>brought new ideas to Europe including liberty and freedom for the commoner as well as the
- abolishment of slavery and the rights of women. </p>
- </div></div>
- <div><div><p>!
- </p>
- <p>Copyright© copia non rivendibile
- </p>
- <p>!
- !
- </p>
- <p><b>James&Joyce&
- </b>
- Joyce was born in Dublin in 1882. He was educated at Jesuit schools, including University College,
- Dublin. He graduated in modern languages in 1902. He was a broader European culture, and this lead
- him to think of himself as a european rather than an Irishman. He visited Paris and he fell in love with
- Nora Barnacle and he had two children. He met Svevo in Trieste. During the 2WW he moved to the
- neutral Switzerland. He died here in 1941. Some of his works are <i>Dubliners</i>, <i>Chamber</i> <i>Music</i> and
- <i>Ulysses</i>.
- <b>STYLE AND TECNIQUE</b>
- He set all his works in Ireland and mostly in Dublin.
- His effort was to give a realistic portrait of the life of ordinary people doing ordinary things in their
- ordinary life.
- He explore the characters’ impressions and pov. He use the free direct speech and epiphany
- (revelation of a hidden reality). He don’t uses punctuation or grammatical connections.
- <b><i>Dubliners:</i></b><i></i>
- It is a collection of fifteen short stories which talks about the oppressive effects of religious, political,
- cultural and economic forces on the lives of lower-middle class.
- This are arranged into 4 groups: Childhood, Adolescence, Mature Life and Public Life (the last story
- “The Dead” is considered Joyce’s first marterpiece).
- Joyce use symbolism and epiphany (revelation of the sudden spiritual caused by a trivial
- gesture/external object/banal situation, which lead the character to a self-revelation about him/herself.
- The central theme of this collection is Paralysis. The paralysis of Dublin resulting from external forces
- and linked to religion, politics and culture. Dubliners are spiritualy weak and scared people.
- The main theme is the failure to find a wayout of paralysis.
- Each story is told by the pov of the character with a free direct speech (direct presentation of the
- character). The linguistic register is varied and suited into the age, social class and role of the
- character.
- </p>
- <p><b>Eveline&
- </b>
- It’s a short story which describe the life of a nineteen-year-old girl who has the opportunity to
- change her routine life.
- Eveline looks at from the window the street where played since she was a child. To that time was
- happy, the father wasn’t bad and the mother was still in life. Eveline is a nineteen girl who works as
- shop assistant in a big warehouse, where she is maltreated by the other shop assistant. At home she
- helps the brothers and the father despotic as she had promised to her mother. She gave the wage to
- the father. Eveline has a boyfriend, Frank, a seaman who he had found luck to Buenos Aires and
- was there on holiday. The father had forbidden to meet him. Sad for her life she want to move from
- Dublin to Buenos Aires, where Eveline and Frank will marry. At the port she doesn’t go and leaves
- Frank alone on the ship, because she is not ready to leave her country.
- </p>
- </div></div>
- <div><div><p>!
- </p>
- <p>Copyright© copia non rivendibile
- </p>
- <p>!
- !
- </p>
- <p>
- <b><i>Ulysses
- </i></b><i></i>
- Novel set in Dublin and take place in a single day: Thursday, June 16, 1904, the day that Nora
- Barnacle (Joyce’s wife) made her fondness clear to him.
- During the day, three main characters wake up, have various encounter in Dublin, and go to sleep 18
- hours later:
- Leopold Bloom is the central character, middle-aged, non-practicing jew, is Joyce’s common man.
- He leaves the home at 8:00 o’clock and return at 2:00 of the following day. He buy his breakfast,
- turns up in many streets, attends a funeral. He meet Stephen Dedalus alienated protagonist of <i>A
- Portrait of the Artist ad a Young Man</i>, momentarily his adopted son. The alienated common man met
- the alienated artist who take him home where the paralysis of their fatigue prevents them from
- achieving a personal communion. Molly, Bloom’s wife, singer, is planning an afternoon of adultery
- with her music director.
- <i>Ulysses </i>is linked to the Homer’s epic <i>Odyssey</i> in the characters (Bloom as Ulysses, Stephen as
- Telemachus –Ulysses son-, Molly as Penelope) and in the structure (3 parts –like the 3 one of the
- Odyssey- and 18 episodes –each with a specific hour, colour, organ of the body, sense, symbol, and
- a narrative technique).
- The setting highlights the ordinary life on an ordinary Dublin.
- He move his characters in places frequented by Joyce. So, Dublin became a character in this novel,
- because it is described in every single particular.
- Stephen embodies every young man seeking maturity, stream simulated by sense impressions; Mrs
- Bloom stand for flesh (sensual nature and fecundity), stream carried on by her own memories; Mr
- Bloom is everybody, stream linked by cause and effect.
- The theme of the novel is moral: human life means suffering, but also struggling to rise and seek the
- good.
- This new prose is based on “the mythical method”. Joyce create a parallel with the <i>Odyssey</i>. Homer’s
- myth was used to resemblance and difference the actions and people of Dublin day.
- However, Joyce wanted to write a “modern epic in prose”: stream of consciousness tecnique, close
- ups (= the cinematic technique), flashbacks, suspension of speech, juxtaposition; interior monologue
- with 2 levels of narration: one external to the character’s mind, one internal to the character’s mind,
- so thoughts flow freely without interruption. The “Collage tecnique” which describe the characters
- from more pov.
- Language is rich in puns, images, constrasts, paradoxes, symbols. The vocabulary register is huge
- (slangs, nicknames, quotations). </p>
- </div></div>
- <div><div><p>!
- </p>
- <p>Copyright© copia non rivendibile
- </p>
- <p>!
- !
- </p>
- <p><b>Victorian)Age)
- </b>
- Queen Victoria assend the throne in 1837. Her behaviour made her beloved especially
- by the middle class, who shared her ideals. The first years of her reign was progresfull,
- with imperial expansion, political development and social reforms (Ten Hours Act,
- 1847). The merit of this achivement were of the queen, who reigned constitutionally,
- in contrast with all Europe. She was a mediator between the two political parties:
- Liberals (ex-Whigs, they promoted a strong campain for free trade, for example the
- Corn Laws manteined the price of the corn artificially high to protect the landed
- interest) and the Conservatives. There were also working-class movements, for
- example the “Chartism” with “Peoples’s Charter” who wants a social reform to extend
- the right to vote to all male. It’s demand were refused by the House of Commons and
- the movement slowly died. The First Opium War against China open new ports. Britain
- alzo support Turkey during the Crimean War (1853-1856).
- </p>
- <p><b>Life)in)Victorian)town)
- </b>
- Britain had become a nation of town dwellers, due to industrial development. The heart
- of Victorian political and social reforms was finding a solution to problems linked to
- the overcrowded urban. Victorian cities was famous for overcrowding, squalor, disease
- and crime, in particular slums districts. The mortality rate was high and terrible
- working conditions in polluted atmospheres had a disastrous effect. The Common
- Lodging Houses Act and Labouring Classes Lodging Houses Act (1851) were passed
- to prevent the worst squalor and to clean up the towns. However, the changes were
- slow in coming and gradual in effect. Medicine underwent a radical change:
- professional organisations, control and research, modern hospitals were built. Other
- services were introduced: water, gas, place of entertainment, Victorian institutions,
- prisons, police stations, boarding schools. Law and order were among the major
- problems of the urban environment. Police forces were needed to keep cities under
- control. The Prime Minister Robert Peel established the Metropolitan Police, borned
- for Peterloo massacre (Army shoot on the crowd and two people died while their were
- listening a political meeting), composed of ‘Peelers’ and ‘Bobbies’.
- </p>
- <p><b>Coketown)
- </b>
- Coketown it’s a passage from Dickens’s social novel <i>Hard Times</i>. It is centered on the
- description of the industrial centre of Coketown (is a fictitious name for any industrial
- town in england) and the consequences of the industrialization.
- The effect is pollution, in brick which should be red, but they are also black, there are
- tall chimenies, serpents of smoke, a black river pollutet by sewers, and a purple canal </p>
- </div></div>
- <div><div><p>!
- </p>
- <p>Copyright© copia non rivendibile
- </p>
- <p>!
- !
- </p>
- <p>with a ill-smelling. The streets and the towns are all a like, symptomps of monotony
- and man feels alienated.
- There is a materialistic and utilitaristic view of the life (facts). </p>
- </div></div>
- <div><div><p>!
- </p>
- <p>Copyright© copia non rivendibile
- </p>
- <p>!
- !
- </p>
- <p><b>Virginia'Woolf'
- </b>She was born in 1882. She grew up in a literary and intellectual atmosphere. Her education consisted
- of private Greek lessons and access to her father’s library. Sea is the central symbol of her art, infact
- water represent on the one hand harmonious and feminine, on the other hand the possibility of the
- resolution of conflicts in death.
- On the death of her father, Virginia started her literary career by taking part to the Bloomsbury Group
- (with her sister and the artist Vanessa Bell). In 1912 she married Leonard Woolf. In 1915 he published
- her first novel <i>The Voyage Out</i>. In 1925 <i>Mrs Dalloway</i> appeared in which Virgina experimented new
- narrative tecniques. In 1929 she delivered two lectures at Cambridge, <i>A Room of One’s Own</i>, a work
- of great impact on the feminist movement. The IIWW increased her fear and anxiety. She became
- haunted by the terror of losing her mind. Finally, she drowned herself in the River Ouse. She was
- fifthy-nine.
- She was interested in giving voice to the complex inner world of feeling and memory (The human
- personality is a continuous shift of impressions and emotions), so the important things are not the
- historical events, but the impressions of the historical events on the characters. Infact the omniscent
- narrator disappeared and the pv shifted inside the characters’ minds through flashbacks.
- As for Joyce, also for Virginia subjective reality came to be identified with the “stream of
- consciousness”, but Virginia never let her characters’ thoughts flow without control. She use the
- “moments of being”, when the characters can see the reality behind appearences (like the joyce’s
- epiphanies). She use poetic and allusive words.
- <b><i>Mrs Dalloway</i></b><i></i>
- At 10 am on a Wednesday in June 1923, Clarissa Dalloway goes to Bond Street to buy some flowers
- for a party she is giving this evening. While she is in the flower shop, a car drives noisly and shif the
- attention to the street. Septimus, an estate agent’clerck and shell-shocked veteran of the IWW, with
- Lucrezia, an italian girl, are walking, but Septimus mental disorders necessitated the calling in of
- doctors, Sir William Bradshaw. Clarissa receives at home the unexpected visit from Peter Walsh, her
- youth love. They goes to Regent’s Park; here they meet a glimpse of the Warren Smiths, who are
- going to Sir William Bradshaw for an interview. Septimus go to the clinic. At 6 pm he jumps out of
- the window of his room, the ambulance carrying his body passes by Peter Walsh. All the characters
- are present at Clarissa’s party who hear from Sir William Bradshaw the Septimus’s death.
- The novel take place on a single day, June, 1923. It follow the protagonist in a small area of London.
- She use the “tunnelling technique” (the reader experience the character ricollection to the past).
- Woolf represent a society’s changing: increasing use of cars and planes, new standards in marital
- relationships, the striking of Big Ben reminds the reader to the temporal grid which organise the
- narrative (passing of the time, of life, of its flowing into death).
- Clarissa is a London Society lady of fifty-one, wife of Richard Dalloway, conservative MP. She is
- caracterised by opposing feelings: need from freedom (Her life is an attempt to over come her
- weakness ) and her class consciousness (she has a role in the society).
- Septimus is a sensitive man married with Lucrezia (24). He is caracterised by the sense of fear
- (because he is a “shell-shock” case) and guilt (he is haunted by the specre of Evans, his best friend
- died in the war). He suffered from insomnia and he is impotent.
- </p>
- </div></div>
- <div><div><p>!
- </p>
- <p>Copyright© copia non rivendibile
- </p>
- <p>!
- !
- </p>
- <p>Clarissa and Septimus are connected because they responde to experience in phisical terms, they are
- protected by theri partners. Septimus is the Clarissa alter ego because he represent what she tries to
- reprime.
- Conception of time: similar to the one of Bergson. Interior time is different from the external time.
- Time is fragmented in distincted moments. </p>
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