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  1. Charles Dickens was born in Portsmouth, on the southern coast of England, in 1812. He had an
  2. unhappy childhood, because his father was prisoned for debt, and he went to work. When his father
  3. was released, Charles continue to work. At fifteen he found an employment as an office boy. In 1832
  4. he had become a succesful reporter of parlamentary debates. In 1833 his first story appeared and, still
  5. a newspaper reporter, he adopted the pen name ‘Boz’. He wrote a lot of collection, but after the
  6. success of <i>The Pickwick Papers</i>, Dickens started a full-time career as a novelist, although he also
  7. continued his journalistic and editorials activities. He wrote <i>Oliver Twist</i>, <i>Christmas Carol</i>, <i>David
  8. Copperfield</i>. He died in London in 1870.
  9.  
  10. Charles Dickens was a pioneer in introducing the theme of education into his works. He strongly
  11. believed in universal education, objecting the church invention and certain educational methods. One
  12. strategy singled out for criticism in <i>Hard Times</i> was the ‘object lesson’.
  13. Dickens believed in the extension of education to all citizens but did not offer specific strategies for
  14. achiving this aim. He criticised abuses and deficiencies while praising what he believed were positive
  15. developments.
  16.  
  17. <b><i>Hard Times</i></b><i></i> plot
  18. Thomas Gradgrind, an educator who believeds in facts and statistics, has founded a school where his
  19. theories are taught, and he brings up his two children, Louisa and Tom, repressing their imagination.
  20. He marries hid daughter to Jociah Bounderby, a rich banker of the city, thirty years older than she is.
  21. The girl consents since she wishes to help her brother, who is given a job in Bounderby’s bank, but
  22. the marriage proves to be unhappy. Tom, lazy and selfish, robs his employer. At first he succeeds in
  23. throwing the suspicion on an honest workam, but he is eventually discovered and obligated to leave
  24. the country.
  25. </p>
  26. <p><b>The(definition(of(a(hourse(
  27. </b>The scene is set in a school, where Mr. Gradgrind, the teacher, is giving a lesson to his students.
  28. Children are separated into two halves, boys and girls. Mr. Gradgrind is teaching the importance of
  29. facts; he picks on a new pupil, calling her 'girl number twenty'. Is Sissy Jupe, a poor girl whose father
  30. works in the horse business.The teacher first objects to the girl's nicknameto her father's job. He says
  31. her father 'has no business' in calling her 'Sissy' and that 'Cecilia' is her real name. Mr. Gradgrind
  32. dislikes the feeling of affection that is normally attached to nicknames.
  33. However, he goes on asking her questions about it thus giving evidence to his contradictory attitude.
  34. Then, he asks the girl to provide a definition of a horse.
  35. When the girl proves unable to do it, he calls Bitzer, a student and he is remarkable for his
  36. unwholesome pallor as well as for his passive acceptance of Mr. Gradgrind's teaching method.
  37. We have the impression Mr. Gradgrind likes boys more than girls; he shows a misogynist attitude to
  38. Cecilia and he clearly despises her father's humble occupation.Bitzer provides a pseudo-scientific
  39. definition of a horse, praised by the teacher. Mr. Gradgrind is a typical Victorian teacher; he is strict
  40. and cruel, he refers to his pupils as 'little pitchers', empty vases to be filled with facts. He thinks
  41. imagination, creativity and intuition have nothing to do with education, they may even slow down
  42. the learning process or damage it. His students are mainly depersonalized and passive.
  43. Cecilia’s dark colors are symbolic of her vivid imagination while Bitzer's light colors stand for his
  44. passive attitude and acceptance of facts and his teacher's system. Too much rationality does not
  45. damage Cecilia's powerful imagination (it makes her dark colors even more lustrous) but it turns
  46. Bitzer into a dehumanized machine. Dickens uses a particular technique to suggest to us the main
  47. features of his characters' personality. Their names often reveal their character. The name 'Gradgrind' </p>
  48.  
  49. </div></div>
  50. <div><div><p>!
  51. </p>
  52. <p>Copyright© copia non rivendibile
  53. </p>
  54. <p>!
  55. </p>
  56. <p>is made up of two words, 'grade' and 'grind'.
  57. <b><i>Oliver Twist </i></b><i></i>plot
  58. Oliver is a poor boy of unknown parents. He is brought up in a workhouse. He is sold to an undertaker
  59. as an apprentice, but the cruelty he experiences cause him to runa way to London. He falls into a gang
  60. of young pickpockets led by Artful Dodger and trained by Fagin to make him a thief. During hi “job”
  61. he is shot and wounded. Oliver will be adopted by a middle-class family. Investigations will revealed
  62. that Oliver had nobile origins. The gang and the person who stole Oliver’s property will be arrested.
  63.  
  64. Childhood was a cruel experience in Victorian Age. A lot of children worked in factories, mines, and
  65. other were criminals. Some government acts, like Ten hours act, tried to improve children’s working
  66. condition reducing hours of work to ten per day. Children are either innocent or corrupted by adults
  67. (beginning-&gt; bad condition, happy ending).
  68. The novel is depicted at 3 social levels: Workhouse, cruel conditions, born to resolve poverty as
  69. consequence of laziness, attacked by Dickens (require of labour, families separated, small food and
  70. clothes). Criminal world, poverty drives them to crime, Victorian Middle class, show moral values.
  71. </p>
  72. <p><b>Oliver(wants(some(more(
  73. </b>Oliver is extracted from the other child to ask some more food. Mr. Limbkins sad that Oliver will
  74. beisolated and then sold for five pounds tomorrow.
  75.  
  76. <b>1. Dickens’s life</b>:
  77. ! • Born in Portsmouth in 1812.
  78. ! • Unhappy childhood: he had to work in a factory at the age of 12 (his father went to prison for
  79. </p>
  80. <p>debts).
  81. ! • He became a newspaper reporter with the pen name Boz.
  82. ! • In 1836 Sketches by Boz, articles about London people and scenes, were published in instalments.
  83. ! • Success with autobiographical novels, Oliver Twist (1838), David Copperfield (1849-50), Little
  84. </p>
  85. <p>Dorrit (1857). • Bleak House (1853), Hard Times (1854), Great Expectations (1860-61) set
  86. against the background of social issues.
  87. </p>
  88. <p>! • Busy editor of magazines.
  89. ! • Died in 1870
  90.  
  91. <b>2.</b> <b>The setting of Dickens’s novels</b>:
  92. ! • Dickens was the great novelist of cities, especially London.
  93. ! • London is depicted at three different social levels:
  94. ! 1.the parochial world of the workhouses (place which offer accomodation adn employment,
  95. </p>
  96. <p>they were managed by parish –parrocchie-) its inhabitants belong to the lower middle class.
  97. ! 2.the criminal world murderers, pickpockets living in squalid slums.
  98. ! 3.the Victorian middle class respectable people believing in human dignity.
  99. • Detailed description of “Seven Dials”, a notorious slum district, its sense of disorientation and
  100. </p>
  101. <p>confinement is clearly expressed in Dickens’s novels
  102.  
  103. <b>3. Dickens’s characters</b>:
  104. Dickens shifted the social frontiers of the novel: the 18th- century realistic upper middle- class
  105. world was replaced by the one of the lower orders. He depicted Victorian society in all its variety, its
  106. richness and its squalor.
  107. He created:
  108. •caricatures he exaggerated and ridiculed peculiar social characteristics of the middle, lower and
  109. lowest classes
  110. •weak female characters He was on the side of the poor, the outcast, the working-class
  111. </p>
  112.  
  113. </div></div>
  114. <div><div><p>!
  115. </p>
  116. <p>Copyright© copia non rivendibile
  117. </p>
  118. <p>!
  119. </p>
  120. <p>
  121. <b>4. Dickens’s themes</b>:
  122. • Family, childhood, poverty the subjects to which he returned time and again.
  123. • Dickens’s children are either innocent or corrupted by adults.
  124. • Most of these children begin in negative circumstances and rise to happy endings which resolve
  125. </p>
  126. <p>the contradictions in their life created by the adult
  127.  
  128. <b>5. Dickens’s aim</b>:
  129. Dickens tried to get the common intelligence of the country to alleviate social sufferings. He was
  130. a campaigning novelist and his books highlight all the great Victorian controversies:
  131. • the faults of the legal system (Oliver Twist)
  132. • the horrors of factory employment (David Copperfield, Hard Times)
  133. • scandals in private schools (David Copperfield)
  134. • the miseries of prostitution
  135. • the appalling living conditions in slums (Bleak House)
  136. • corruption in government (Bleak House)
  137.  
  138. <b>6. Dickens’s style</b>:
  139. Dickens’s style is very rich and original. The main stylistic features of his novels are:
  140. ! 1.long list of objects and people.
  141. ! 2.adjectives used in pairs or in group of three and four.
  142. ! 3.several details, not strictly necessary.
  143. ! 4.repetitions of the same word/s and/or sentence structure.
  144. ! 5.the same concept/s is/are expressed more than once, but with different words.
  145. ! 6.use of antithetical images in order to underline the characters’ features.
  146. ! 7.exaggeration of the characters’ faults.
  147. ! 8.suspense at the end of the episodes or introduction of a sensational event to keep the readers’
  148. </p>
  149. <p>interest.
  150.  
  151. <b>7. Oliver Twist (1838)</b>:
  152. • This Bildungsroman (an “education” novel) appeared in instalments in 1837.
  153. • It fictionalises the humiliations Dickens experienced during his childhood.
  154. • The protagonist, Oliver Twist, is always innocent and pure and remains incorruptible throughout
  155. the novel.
  156. • At the end he is saved from a life of villainy by a well- to-do family.
  157. • The setting is London.
  158. Dickens attacked:
  159. a. the social evils of his times such as poor houses, unjust courts and the underworld.
  160. b. the world of the workhouses founded upon the idea that poverty was a consequence of laziness.
  161. c. the officials of the workhouses because they abused the rights of the poor as individuals and
  162. caused them further misery.
  163.  
  164. <b>8.</b> <b>David Copperfield (1849-50)</b>:
  165. This novel is the most autobiographical of all Dickens’s novels. In the preface the novelist wrote:
  166. • Narrative technique a “Bildungsroman”; the protagonist, David, functions also as narrator.
  167. • The characters both realistic and romantic, characterised by a particular psychological trait.
  168. • Atmosphere a combination of Advertisement for David realism and enchantment.
  169. • Themes:
  170. 1. the struggle of the weak in society.
  171. 2. the great importance given to strict education.
  172. 3. cruelty to children. </p>
  173.  
  174. </div></div>
  175. <div><div><p>!
  176. </p>
  177. <p>Copyright© copia non rivendibile
  178. </p>
  179. <p>!
  180. </p>
  181. <p> 4. the bad living conditions
  182. <b>9. Hard Times (1854)</b>:
  183. It is a “denunciation novel” a powerful accusation of some of the negative effects of industrial
  184. society. The setting Coketown, an imaginary industrialised town. Characters people living and
  185. working in Coketown, like the protagonist Thomas Gradgrind, an educator who believes in facts and
  186. statistics
  187. Themes:
  188. 1. a critic of materialism and Utilitarianism.
  189. 2. a denunciation of the ugliness and squalor of the new industrial age.
  190. 3. the gap between the rich and the poor. Aim to illustrate the dangers of allowing people to become
  191. like machines. </p>
  192.  
  193. </div></div>
  194. <div><div><p>!
  195. </p>
  196. <p>Copyright© copia non rivendibile
  197. </p>
  198. <p>!
  199. !
  200. </p>
  201. <p><b>Eliot&amp;
  202. </b>
  203. Born in 1888 in Missouri. He studied at Harvard and Oxford. He started work firts as a clerk at Lloyds
  204. Bank, then as a director. Unhappily married, he suffered for a nervous breakdown. He wrote most of
  205. his masterpiece, like <i>The Waste Land</i>, during his recovering in a sanatorium in Lausanne. Poetry was
  206. his only refuge. In 1927 he become a British citizen and he join the Church of England. Then he
  207. wrote also <i>Journey of the Magi</i>, <i>Four quatez</i> and<i> Wednesday Ashes</i>. He became a literary critic. He
  208. was awared the Nobel Prize in 1948. He died in London in 1965.
  209.  
  210. <b><i>The Waste Land</i></b><i></i>:
  211. •It is an autobiography written in a moment of crisis in the life of the poet
  212. • Published in 1922, the same year of <i>Ulysses</i> by James Joyce. It is divided in 5 sections:
  213. </p>
  214. <p>1.! The Burial Dead: contrast between life=fertility=glorius past and death=sterility=ugly present
  215. 2.! A Game of Chess: with juxstapose (tecnique)
  216. 3.! The Fire Sermon: theme of alienation with a mechanical and loveless sexual encounter
  217. 4.! Death by Water
  218. 5.! What the thunder said: evoke religions from East and West. The solution is sympathy with
  219. </p>
  220. <p>other man.
  221.  
  222. </p>
  223. <p>•The disillusionment and disgust of the period after World War I
  224. •Contrast between past fertility and present sterility
  225. •The mythical past linked to a new concept of History repetition of the same events
  226. •Spring Symbols: different from Chaucer -&gt; absence of rebirth:
  227. ! April is the cruelest month, breeding
  228. ! Lilacs out of the dead land, mixing
  229. ! Memory and desire, stirring
  230. ! Dull roots with spring rain.
  231.  
  232. •Mythical method: to give significance to present futility
  233. •Subjective experiences made universal
  234. •Use of Juxtaposition
  235. •Quotations from different languages and literary works
  236. •Fragmentation
  237. •Technique of implication: the active participation of the reader is required
  238. •Objective correlative.
  239. For Eliot, the “objective correlative” is a pattern of objects, events, actions, or a situation that can
  240. serve effectively to awaken in the reader an emotional response without being a direct statement of
  241. that subjective emotion
  242.  
  243. •Both Eliot and Montale depict a desolate landscape
  244. They both refer to a waste land of the spirit
  245. This landscape is cosmopolitan in Eliot
  246. It is a domestic landscape in Montale
  247. The objective correlative:
  248.  
  249.  
  250.  
  251.  
  252. </p>
  253.  
  254. </div></div>
  255. <div><div><p>!
  256. </p>
  257. <p>Copyright© copia non rivendibile
  258. </p>
  259. <p>!
  260. !
  261. </p>
  262. <p>
  263. <b>What the thunder said
  264. </b>Desolated landscape (the sweat is dry, a dead mountain mouth of carious teeth that cannot spit) means
  265. the impossibility to rebirth. Strong desire of water. The comparison beetwen the past and the present’s
  266. cities explain the circle concept of history where civilization will collapse.
  267.  
  268. <b>The Burial of the dead</b> (modern man, habitans of the waste land)
  269. Spring is an illusion. Winter cover all, also human’s suffering.
  270.  
  271. Chaucher in the opening of Canterbury tales, celebrate spring as a rebith. He explain the need to go
  272. on pilgrimigis (journey of salvation).
  273.  
  274. <b>Unreal city </b>(The burial of the dead)
  275. Unreal city is refered to the modern cities of western industrialisation and alienation. Eliot describe a
  276. crowed of office workers flowed like a river over London Bridge. They are compared to Dante’s
  277. souls in the Inferno.
  278. Eliot recognised Stetson, maybe a friend, who had witness the war. There is a circle conception of
  279. history (is quated the Punic war). Eliot refers also to egyptian culture for the Osiris’ mith and the Dog
  280. God. At the end of the extract he used the tecnique of implication. Termina con una citazione di
  281. Baudelaire </p>
  282.  
  283. </div></div>
  284. <div><div><p>!
  285. </p>
  286. <p>Copyright© copia non rivendibile
  287. </p>
  288. <p>!
  289. !
  290. </p>
  291. <p><b>Edwardian(age(
  292. </b>
  293. On the death of Queen Victoria in 1901, the royal house took the Germanic surname of her consort
  294. Prince Albert of Saxe-Coburg-Gotha. Victoria’s son Edward, who reigned as Edward VII, the only
  295. sovereign, was crowned in August 1902.
  296. He restore energy to a gloomy monarchy since his father’s death. He was able to assist in foreign
  297. policy negotiations, like the Anglo-French Entente Cordiale. Edward was the first British monarch to
  298. visit Russia. He founded the Order of Merit to reward those who distinguished themselves in science,
  299. art or literature, in 1902.
  300. In 1906 the Liberals won the general election and took a first step towords welfare state: national
  301. insurance and old-age pensions.
  302. Edwardian period was a time of industrial unrest, strikes, ment to be weapons against the government,
  303. remarkable for the number of men involved, violence, also from women.
  304. Suffragettes were ladies plus small groups of male sympathisers, arguing in favour of voting rights
  305. for women. This movement was founded by Millicent Fawcett in 1897. No one paid attention until
  306. the foundation of the Women’s social and Political Union.
  307. The Liberal programme led to a constitutional crisis when the House of Lords refuses to pass the
  308. Liberal budget of 1909, included welfare programmes.
  309. Edward VII died in 1910 and was succeeded by his son George V, who maintained a certain
  310. informality.
  311. In 1914 the First World War broke out. The king pressed for proper treatment of German prisoners
  312. of war. In 1917 anti-German feeling led him to change the family name to that of Windsor.
  313. Irlend ask for support of Home Rule, the right of the people to control they own affairs.
  314. The 1916 “Easter Rising” (In 1916, at Easter, the Sinn Fein extremists, who demanded complete
  315. independence, had rebelled in Dublin (the "Easter Ring")) in Dublin resulted in the setting up of the
  316. Irish Free State, while the six northern countries remained part of the United Kingdom.
  317. </p>
  318. <p><b>Word(War(I(
  319. </b>Borke out when the Archduke Franz Ferdinand was animated in Sarajevo in 1914. The war
  320. involved the Central European powers (Germany and Austria-Hungary) vs Triple Entente (Britain,
  321. France, Russia).
  322. Britain declare war on Germany in August 1914. It was a signatory of an agreement to respect
  323. Belgium.
  324. Shell shock is a term used by doctors to refering to psycological effects of shell’s explosions.
  325. USA join the war on 11th November 1918. In 1919 was signed the peace at Versailles.
  326. Wilson propose the “Fourtheen Points” to workout the peace. He describe a plan to set up the
  327. “League of Nation” to keep peace.
  328. The war caused the rein of four great empires.
  329. </p>
  330. <p><b>The(war(poets(
  331. </b>
  332. During the IWW, thousands of young men volunteered for military service. They lived in a squalor
  333. conditions in the trenches because of the rain and mude.
  334. The common soldiers improvised verses, not reach by literate people living, however there was a
  335. group of poets who actually experienced the fighting and awaken the conscience of the readers to
  336. the horrors of the war.
  337.  
  338. </p>
  339.  
  340. </div></div>
  341. <div><div><p>!
  342. </p>
  343. <p>Copyright© copia non rivendibile
  344. </p>
  345. <p>!
  346. !
  347. </p>
  348. <p>
  349. </p>
  350. <p><b>Rupert(Brooke(
  351. </b>
  352. Born in 1887 in a wealthy family. Good student and athlete. He wrote five war sonnets. Traditional
  353. form, he show sentimental attitudes, lost in that period.
  354. </p>
  355. <p><b>The(soldiers(
  356. </b>Poem noted for the lyricism. Composed in 1915, it shows ideals of patriotisms due to the beginning
  357. of the war.
  358. In this poem, the poet says that if he should die, people have to remember that “there’s some corner
  359. of a foreign field // That is for ever England”. It contains a deep sense of patriotism.
  360. </p>
  361. <p><b>Wilfred(Owen(
  362. </b>Born 1893. Work as a teacher of English teacher. His poems are painful and musical.
  363. </p>
  364. <p><b>Dulce(et(decorum(est(
  365. </b>Composed in 1920, at the end of the war, it shows the horrors of the war. The title is a quotation by
  366. Orazio.
  367. The first stanza describes the soldiers in the trench. They feels blinde, deaf and lame.
  368. The second stanza describes the explosion of a shell and the consequences became the Owen’s
  369. nightmare
  370. The third stanza describes the consequences and the effect of the explosion on human body. The
  371. poet used the “tecnique of implication” refered to the reader. </p>
  372.  
  373. </div></div>
  374. <div><div><p>!
  375. </p>
  376. <p>Copyright© copia non rivendibile
  377. </p>
  378. <p>!
  379. !
  380. </p>
  381. <p><b>George&amp;Orwell&amp;
  382. </b>
  383. Vita
  384. Orwell’s life and work were marked by the conflict between middle-classupbringing and the
  385. emotional identification with the working class. He did social experiments, for example he tried to
  386. approach to the poor world analysing how institution help this class.
  387. Orwell believe that writing could represents all aspects of reality and so carry out a social function.
  388. The main themes are the critique to totalitarism, tolerance, justice and decency. He use a realistic and
  389. factual language.
  390.  
  391. <b><i>Nineteen Eighty-Four</i></b><i></i>
  392. The novel, written in 1948, is set in a future world divided into 3 blocks: Oceania, Eurasia
  393. (Russia+Europe) and Estasia (Asia and Far East). Oceania, continuously in war with the other two
  394. country, is divided into 3 provinces; the one with the capital London is “Airstris”. It is ruled by “the
  395. Party”, which is led by a figure called Big Brother.
  396. The inhabitans are continuously controlled and influenced by the dictator with telescreens and
  397. posters, in fact all individuality expressions are forbidden, but they have the “2 minutes of hate”.
  398. To control people’s lives, the Party implementing a Newspeak (new language with limited words)
  399. and threatening them with the “Thought Police”, who do the brainwash to the not conformed people.
  400.  
  401. Winston Smith illegaly buys a diary in which he begins to write all his thoughts and memory for the
  402. future generations. He work at the Ministry of Truth. He notice an attractive dark-haired girl called
  403. Julia. Thei begin a secret affair insted of the “thoughtcrime”. One day, O’Brien, a member of the
  404. “Inner Party”, tells that he hates the Party and start working against it as a member of “Brotherhood”,
  405. a group led by Goldenstein who wants to overthrow the Party. O’Brien gives a copy of the
  406. Goldenstein’s book to Winston, he read it to Julia in their room, but they where arrested. O’Brien
  407. was a Party spy; he take Winston at the Ministry of Love and he tortures and brainwashes him for
  408. months, but he resist. So O’Brien brings him to the Room 101, where Winston is forced to confront
  409. his worst fear. When he remets Julia, he no longer loves her. He loves only the BB.
  410.  
  411. The protagonist Winston Smith (the most common name and surname of London) is a middle-aged
  412. described as a small, frail figure (emphasised by the Party’s uniform). His hair as fairs, his face
  413. naturally sanguine, his skin roughened. He is not the classical hero.
  414. His name remainds to Churchill, prime minister of England during the IIWW.
  415.  
  416. London is described as grotesque, squalid, menacing and as a symbol of poverty: houses are
  417. crumbling, built with wood and corrugated iron. The whole city is rich of bombed sites, heaps of
  418. rubble and a lot of wooden duellings.
  419.  
  420. The major theme is memory connected with morality and individuality destruction.
  421.  
  422. So, 1984 is a dystopian novel because it describes a scared imaginary society. Other dystopian novels
  423. are <i>Bave new world</i> by Aldous Huxley and also <i>Animal Farm</i> by Orwell. </p>
  424.  
  425. </div></div>
  426. <div><div><p>!
  427. </p>
  428. <p>Copyright© copia non rivendibile
  429. </p>
  430. <p>!
  431. !
  432. </p>
  433. <p><b>John%Keats%
  434. </b>
  435. John Keats is the greatest member of the second generation of poet. He is a precursor
  436. of astheticism. He was born in London in 1795 to a humble but well-off family. He
  437. attended private school in Enfield, but after the early dead of his parents, he became a
  438. surgeon in 1810. Six years later, in spite of precarious finances, he gave up medicine
  439. for poetry. In 1820 he felt the symptoms of tubercolosis, he travelled to Rome in an
  440. effort to recover his health, but he died in 1821.
  441.  
  442. <b>The substance of his poetry
  443. </b>Keats does not think that lyrical poems have to be based on autopiography situations,
  444. but to universal event. The connection between landscape and poet’s emotion is absent.
  445.  
  446. <b>The role of imagination
  447. </b>Very important for Keats. The world of his poetry is artificial and is a vision of what
  448. he would like human life to be like.
  449.  
  450. <b>Beauty and art</b>
  451. Beauty is caped by Keats with sense (colours, perfumes ecc…) and it can produce a
  452. deeper experience of joy, “spiritual beauty”. This two kind of beauty are connected
  453. with life, enjoyment, decay and dead.
  454.  
  455. <b>Negative capability
  456. </b>Capability of the poet to deny his personality to identify hisself with the object of his
  457. inspiration. In this way he can produce a true poetry.
  458. </p>
  459. <p><b>Ode%on%a%Grecian%Urn%
  460. </b>
  461. It is an ode which celebrate the scenes which adorn an ancient Greek urn. The poem’s
  462. appeal is due not just to the beauty of the scenes, but also to the fact deals, connected
  463. with art.
  464.  
  465. In the first stanza, the poet personify and describe the urn (foster child, Sylvan
  466. historian, flowery tale): a Dionysian festival with music and ecstatic dance, a piper
  467. under the trees in a pastoral setting (ethernal spring), a young man in love pursuing a
  468. girl (he will never reach the girl but his music will never end. Spiritual love is ethernal,
  469. phisical love leaves a painful heart), a procession of townspeople (then the poet image
  470. the silent city) and priest leading a cow to the sacrifice. Keats is fascinated by the fact
  471. that art is able to present an ideal world because it can freeze actions and emotions.
  472. Beauty allows man to reach knowledge (precurso of aestheticism). </p>
  473.  
  474. </div></div>
  475. <div><div><p>!
  476. </p>
  477. <p>Copyright© copia non rivendibile
  478. </p>
  479. <p>!
  480. !
  481. </p>
  482. <p><b>Aesthetic(theories(
  483. </b>
  484. The aesthetic movement developed in the universities/intellectual circles in the last decades of 19th
  485. century. It begain in France with Gautier and reflect the sense of frustration of the artist and his
  486. reaction against materialism, to re-define the role of art. French artist wanted to escaped into aesthetic
  487. isolation (Art for Art’s Sake). The bohémien embodied this protest.
  488. </p>
  489. <p><b>Oscar(Wilde(
  490. </b>
  491. Oscar Wilde was born in Dublin in 1854. He attend the Trinity College in Dublin, then he was sent
  492. to Oxford (he became a disciple of Walter Pater, who introduce the aesthetisism in London) and, after
  493. graduating, he settled in London. In 1881 he edited, at his own expense, Poems, and was engaged for
  494. a tour in the US. On his returne to Europe in 1883, he married Constance Lloyde, who bore him two
  495. children. At this point of his career he was well know. As a tribute to his dandified Aestheticism,
  496. women and young men wore lilies. In the late 1880s he wrote some short stories (<i>The Canterwille
  497. Ghost</i>, <i>Lord Arthur Savile’s</i> …), but after his last novel, <i>The picture of Dorian Gray</i>, he developed
  498. an interest in drama. In 1891 he met the handsome young nobleman Lord Douglas, with whom he
  499. had a homosexual affair. For that he was prisoned (in this period he wrote <i>De Profundis</i>) and after
  500. two years he was released. He lived in France and he died in Paris in 1900.
  501.  
  502. <b><i>The picture of Dorian Gray</i></b><i></i> plot
  503. Dorian’s beauty fascinated a painter, Basil Hallward, who decide to paint a portrait of him. The
  504. portrait satisfies the young man’s desire. All the signs of age, experience and vice appear on the
  505. portrait instead Dorian remains the same: young and beautiful. When the painters sees the corrupted
  506. image, Dorian kills him, so he decide to hide the portrait. Then, Dorina, witness of his spiritual
  507. corruption, stabs the portrait. Dorian died and the portrait return to be without signs.
  508.  
  509. The story is told in third person with the point of view of Dorian, whose characters are revealed
  510. through what he says or wath other people say about him. The words appealing to the senses.
  511. The story is allegorical. It’s a 19th century version of the myth of Faust (a man sold his soul to the
  512. devil and all his desires might be satisfied). In the novel Wilde plays on the Renaissance idea of the
  513. correspondence between beautiful people = moral people. The picture represent the dark side of
  514. Dorian’s personality. The moral of the novel is that every excess must be punished, but when he stabs
  515. the portrait he cannot avoid the punished. Finally the picture restored to his original beauty. So: art
  516. survives people, art is eternal.
  517. </p>
  518. <p><b>Dorian’s(death(
  519. </b>
  520. The first part of the extract. Dorian see two men chatting about him, so Sybil comes up in Dorian’s
  521. mind.
  522. Then Dorian understand that he had lost the unstained childhood and he find out the trap of beauty
  523. and ethernal youth.
  524. Dorian thinks that there is a possibility to save himself. He makes a lot of good actions, he confess
  525. his murder, but it’s not enought.
  526. At the end of the extract he kill himself with a stabs on the portrait.
  527.  
  528.  
  529. </p>
  530.  
  531. </div></div>
  532. <div><div><p>!
  533. </p>
  534. <p>Copyright© copia non rivendibile
  535. </p>
  536. <p>!
  537. !
  538. </p>
  539. <p>
  540. <b>1. Oscar Wilde’s Life
  541. </b>! • Born in Dublin in 1854
  542. ! • He became a disciple of Walter Pater , the theorist of aestheticism
  543. ! • He became a fashionable dandy
  544. ! • He was one of the most successful playwrights of late Victorian London and one of the greatest
  545. </p>
  546. <p>celebrities of his days
  547. ! • He suffered a dramatic downfall and was imprisoned after been convicted of “gross indecency”
  548. </p>
  549. <p>for homosexual acts
  550. ! • He died in Paris in 1900
  551. <b>
  552. 2. Works
  553. </b>Poetry : Poems, 1891
  554. </p>
  555. <p> The Ballad of Reading Gaol , 1898
  556. Fairy tales : The Happy Prince and other Tales , 1888
  557. The House of Pomegranates , 1891
  558. Novel : The Picture of Dorian Gray , 1891
  559. Plays : Lady Windermere’s Fan, 1892
  560. A Woman of no Importance , 1893
  561. The Importance of Being Earnest , 1895
  562. Salomé , 1893
  563.  
  564. <b>3. Wilde’s aestheticism
  565. </b> • Oscar Wilde adopted the aesthetical ideal: he affirmed “my life is like a work of art”
  566. ! • His aestheticism clashed with the didacticism of Victorian novels.
  567. ! • The artist = the creator of beautiful things
  568. ! • Art -&gt; used only to celebrate beauty and the sensorial pleasures
  569. ! • Virtue and vice -&gt; employed by the artist as raw material in his art: “No artist has
  570. ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style”
  571. ! • 1890 -&gt; first appeared in a magazine
  572. ! • 1891 -&gt; revised and extended
  573. ! • It reflects Oscar Wilde’s personality
  574. ! • It was considered immoral by the Victorian public
  575.  
  576. <b>4. The picture of Dorian Gray
  577. </b> • Set in London at the end of the 19th century
  578. • The painter Basil Hallward makes a portrait of a handsome young man, Dorian Gray.
  579. ! • Dorian’s desires of eternal youth are satisfied
  580. ! • Experience and vices appear on the portrait
  581. ! • Dorian lives only for pleasures
  582. ! • The painter discovers Dorian’s secret and he is killed by the young man
  583. ! • Later Dorian wants to get free from the portrait; he stabs it but in so doing he kills himself
  584. ! • At the very moment of death the portrait returns to its original purity and Dorian turns into a
  585. withered, wrinkled and loathsome man
  586.  
  587. <b>5. Dorian Gray: a modern version of Dr. Faust
  588. </b>! • A temptation is placed before Dorian: a potential ageless beauty
  589. ! • Lord Henry’s cynical attitude is in keeping with the devil’s role in Dr Faust
  590. ! • Lord Henry acts as the “Devil advocate”
  591. ! • The picture stands for the dark side of Dorian’s personality </p>
  592.  
  593. </div></div>
  594. <div><div><p>!
  595. </p>
  596. <p>Copyright© copia non rivendibile
  597. </p>
  598. <p>!
  599. !
  600. </p>
  601. <p>
  602.  
  603. <b>6. Dorian Gray: the moral of the novel
  604. </b> • Every excess must be punished and reality cannot be escaped
  605. ! • When Dorian destroys the picture, he cannot avoid the punishment for all his sins -&gt; death
  606. ! • The horrible, corrupting picture could be seen as a symbol of the immorality and bad conscience
  607. </p>
  608. <p>of the Victorian middle class
  609. ! • The picture, restored to its original beauty, illustrates Wilde’s theories of art: art survives people,
  610. art is eternal </p>
  611.  
  612. </div></div>
  613. <div><div><p>!
  614. </p>
  615. <p>Copyright© copia non rivendibile
  616. </p>
  617. <p>!
  618. !
  619. </p>
  620. <p><b>The$age$of$anxiety$
  621. </b>
  622. In the last two decades of the 19th century, the Victorian values had come to an end. The material
  623. gain implied spiritual loss. The positivistic faith in progress and science had led people to believe that
  624. all human misery would be swept away. The First World War, some soldiers died, left the country in
  625. a disillusioned and cynical mood. Prime Minister Lloyd George was undergoing various and
  626. contradictory developments after the war.
  627. An increasing feeling of rootlessness and frustration, led to a remarkable transformation of the notions
  628. of Imperial hegemony and white superiority.
  629. Nothing seemed to be right or certain; even science and religion seemed to offer little comfort or
  630. security. Scientists and philosophers destroyed the old universe which had sustained the Victorians
  631. in their optimistic outlook.
  632.  
  633. SIGMUND FREUD
  634. He is considered the beginner of psychology and psychiatry. He wrote <i>The Interpretation of Dreams</i>,
  635. a work where he thinks that man’s action could be motivated by irrational forces. He studied the
  636. “libido”, manifested in the Oedipal phase, where child sees the father as a rival for his mother’s
  637. affections. He studied infantile sexuality. He provided a new method of investigation into the human
  638. mind through the analysis of dreams.
  639.  
  640. CARL JUNG
  641. He continued Freud’s studies and added the concept of “collective unconscious”, a cultural memory
  642. containing the universal myths and beliefs of the human race. This meant that some figures/objects
  643. had a great symbolic power.
  644.  
  645. ALBERT EINSTEIN
  646. He define the “Theory of relativity” which discarded the concepts’ of time and space. This scientific
  647. revolution was complemented by the cultural relativity developed in that period.
  648.  
  649. WILLIAM JAMES
  650. He approached a whole series of non-traditional topics in psychology. Every thought or perception
  651. was relative, contextualized and influenced by previous thought. “Consciousness” is like a river of
  652. thought. So the “Stream of consciousness” is the written equivalent of the character’s thought
  653. processes, in the form of interior monologue.
  654.  
  655. BERGSON
  656. He distinguished historical time, linear, and psychological time, subjective.
  657.  
  658. GEORGE FRAZER
  659. Some studies of anthropology, helped undermine the absolute truth of religious and ethical systems
  660. in favour of more relativist standpoints. There’s the inability to arrive at a commonly accepted picture
  661. of man.
  662.  
  663. NIETZSCHE
  664. He substituted Christian morality with a belief in human power.
  665.  
  666. In that period, English philosophy became analytical. The aim was not to increase knowledge, but
  667. the creative writer have to reassert the centrality of literature as a guide on the perplexities of an age
  668. of alienation. </p>
  669.  
  670. </div></div>
  671. <div><div><p>!
  672. </p>
  673. <p>Copyright© copia non rivendibile
  674. </p>
  675. <p>!
  676. !
  677. </p>
  678. <p>
  679. </p>
  680. <p><b>Modernism$
  681. </b>
  682. The first decades of the 20th century was original. Artistic activity was mainly centered in Paris.
  683. However, some of the main representatives were not French. The term <i>Modernismis</i> is used to refer
  684. to this powerful international movement reaching through Western cultures. It expressed the desire
  685. to break with established forms and subjects. Novel, because of the influence of Freud, explored the
  686. characters’ psyches through the “stream of consciousness” technique and the interior monologue.
  687.  
  688. Main features:
  689. </p>
  690. <p>•! Breaking down of space and times’s limitations and the disruption of the linear flow of
  691. narrative verse
  692. </p>
  693. <p>•! Perception of reality became uncertain. The omniscent narrator was abbandoned in favour of
  694. the point of view of the narrator.
  695. </p>
  696. <p>•! No rhyme scheme
  697. •! Importance of the “sound”
  698. •! Importance of unconscious
  699. •! Reflect complexity of modern urban life
  700. •! Rejection of elaborate formal in favour of minimalist designs and a fragmented style
  701. •! Rejection of the distinction between “high” and “low”
  702. </p>
  703. <p>
  704. Writers and poets take inspiration from classical as well as new culture to create a new subjective
  705. mythology. Like Eliot or James Joyce.
  706.  
  707. Untill the 20th century, the novel’s structure was bourgeois (the novelist mediate between characters
  708. and reader). The urgency for social changing forced novelist in a moral and psychological
  709. uncertainty; the new novelist’s role is mediate beetween past’s values and the present’s confusion.
  710. Rejection of the omniscient narration in favour of more PV, analysis of character’s consciousness
  711. (stream of consciousness and interior monologue), subjective time (no chronological sequence of
  712. events). </p>
  713.  
  714. </div></div>
  715. <div><div><p>!
  716. </p>
  717. <p>Copyright© copia non rivendibile
  718. </p>
  719. <p>!
  720. !
  721. </p>
  722. <p><b>Percy&amp;Shelley&amp;
  723. </b>
  724. Percy Shelley was born in Sussex in 1792. He was expelled from Oxford University because of his
  725. radical pamphlet <i>The Necessity of Atheism</i>, challenging the existence of God. At the age of nineteen,
  726. he married. Then he had two children. In the period of French Revolution, he rebelled against
  727. religions, laws and customs, he become republican, vegetarian and an advocate of free love. In 1818
  728. he went to live in Italy in a voluntary exile, during which much of his best work was composed.
  729. Shelley died in 1822 by an accident. His grave is situated in Rome.
  730.  
  731. <b>Freedom and free love
  732. </b>Shelley refuse conventions, political oppression and tyranny. He use the powerful musicality, he
  733. believe in the principles of freedom and love.
  734.  
  735. <b>The role of immagination
  736. </b>He defence the expression of immagination and revolutionary creativity, seriously meant to change
  737. the reality of an increasingly material world.
  738.  
  739. <b>Nature
  740. </b>Shelley describes a nature like a beautiful veil that hides the eternal truth of the divine spirit. Nature
  741. is a refuge from the disappointment and injustice of ordinary word. The poet’s task is to help mankind
  742. to reach an ideal world where freedom, love and beauty are delivered from their enemies.
  743.  
  744. </p>
  745. <p><b>Ode&amp;to&amp;the&amp;West&amp;Wind&amp;
  746. </b>
  747. An ‘ode’ is a lyric composition with an elevated tone, full of archaisms, invocations and
  748. personifications to celebrate something. The poet talks about the defection of the wind on the eath,
  749. atmosphere and sea, then he compare hisself to the wind to share a hope message for humankind.
  750.  
  751. In the first three stanzas there is the defection of the wind (lots of personification and similies)
  752. </p>
  753. <p>•! on the earth (the wind - destroier - move dead leafs, - preserver - flying seeds under the earth
  754. are compared to corpse in their grave)
  755. </p>
  756. <p>•! on the sky (clouds are moving like seeds, like Menade’s hair. The wind collaborate to the life
  757. cycle create the dome of a vast sepulchre)
  758. </p>
  759. <p>•! on the sea (the mediterranean sea rises by summer’s tepour, near Baia and historical buildings.
  760. The Atlantic sea is divided into chasms by the wind).
  761. </p>
  762. <p>The poet (feels taimless, proud and swift) compare hisself to the element moved by the wind (lots of
  763. metaphor and oximoros), because he would be free like when he was a child (adult life, power and
  764. religion have oppressed the poet). He want to be a lyre used by the wind to awaken mankind and
  765. scatter a massege of freedom, hope (can spring be far behind ?) and changing. </p>
  766.  
  767. </div></div>
  768. <div><div><p>!
  769. </p>
  770. <p>Copyright© copia non rivendibile
  771. </p>
  772. <p>!
  773. !
  774. </p>
  775. <p><b>The$Romantic$Age$(171531800)$
  776. </b>
  777. After the American Revolution (1776) and French Revolution (1789), which share
  778. ideals of freedom, english liberals felt that reforms had become a real possibility. If the
  779. bourgeoisie were supported by laissez-faire economy, the state opened a capitalists
  780. economy wich widened the gap between rich and poor. Mechanisation,
  781. Industrialisation and Agricultural Revolution were increased.
  782.  
  783. The figure of intellectual leaders grown up. Democracy, power of beauty become the
  784. central themes of Romantic poetry. Science inspired Gothic novel and nature became
  785. a place of spiritual truth. (Es. Rousseau encourage civilisation and the “cult of exotic”,
  786. veneration of what is far away from space and time)
  787.  
  788. The Romanticism valued the subjective and irrational parts of human nature: emotion,
  789. imagination, introspection and relationship with nature. There where two great
  790. generation of poets: Blake, Wordsworth and Coleridge in the first, and Keats and Percy
  791. Shelley in the second.
  792. </p>
  793. <p><b>An$age$of$revolution$
  794. </b>
  795. 18th century was characterized by great revolutions: the Agrarian and Industrial
  796. Revolutions reshaped the social and political strucutre.
  797.  
  798. Britain change from a Farming country into an Industrial one. The increasing of
  799. population required a more efficient production, and it’s implied new technologies and
  800. inventions (ex. Machine for cloth-making). At first most of power come from water,
  801. but in 1775 James Watt patented an engine (steam power) more powerfull than it’s
  802. predecessor (it allowed Britain to manufacture cloth). Goods were transported thanks
  803. to new waterways.
  804.  
  805. There were also great changes in agricolture. It was implied with new technological
  806. inventions and tecniques. It took the concept of “open field” (enclosure act) and the
  807. crop rotation.
  808. </p>
  809. <p><b>Industrial$society$
  810. </b>
  811. During the 18th century there was a shifting of population. New factories were built
  812. near the coal fields (women and children were employed because they could be paid
  813. less and were easier to control). Air and water were polluted by smoke and filth.
  814. Alcolism and Prostitution. The life expectancy was below 20 years because of many
  815. deseases. </p>
  816.  
  817. </div></div>
  818. <div><div><p>!
  819. </p>
  820. <p>Copyright© copia non rivendibile
  821. </p>
  822. <p>!
  823. !
  824. </p>
  825. <p>
  826. <b>American Revolution
  827. </b>When George III came to the throne in 1760, Britain was in a period of stability. The British
  828. government wanted the American colonies to help pay for their defence and impose new taxes against
  829. the “Bill of rights” (1689), eventhoug colonies weren’t represented in the Parliament (No taxation
  830. without rapresentation). At the boston Tea party in 1773, rebels dessed as Native Americans, threw
  831. a tea cargo from Britain into the Boston Harbos.
  832. Americans where divided into “Patriots” (no army, supported by French) and the British “Loyalists”
  833. (had army, but too small for an attack). On 4th July 1776 in Philadelphia, the Continental Congress
  834. signed the “Declaration of Independence”, written by Thomas Jefferson: all men have natural right
  835. to life, liberty and the pursuit of happines”. With the Treaty of Veersailles in 1783, Britain recognised
  836. the independence of its former colonies. The new republic of USA was a federal consitution in 1787
  837. and George Washinghton became the first president in 1789.
  838.  
  839. <b>What was the French Revolution?</b>
  840. The French Revolution was a period of time in France when the people overthrew the monarchy
  841. and took control of the government.
  842. <b>When did it take place?</b>
  843. The French Revolution lasted 10 years from 1789 to 1799. It began on July 14, 1789 when
  844. revolutionaries stormed a prison called the Bastille. The revolution came to an end 1799 when a
  845. general named Napoleon overthrew the revolutionary government and established the French
  846. Consulate (with Napoleon as leader).
  847. <b>The French Estates</b>
  848. Before the French Revolution, the people of France were divided into social groups called
  849. "Estates." The First Estate included the clergy (church leaders), the Second Estate included the
  850. nobles, and the Third Estate included the commoners. Most of the people were members of the
  851. Third Estate. The Third Estate paid most of the taxes, while the nobility lived lives of luxury and
  852. got all the high-ranking jobs.
  853. <b>Revolutionary Government</b>
  854. The French Government was in constant turmoil throughout the revolution. At the start of the
  855. revolution, representatives from the Third Estate established the National Assembly where they
  856. demanded that King Louis XVI give them certain rights. This group soon took control of the
  857. country. They changed names over time to the Legislative Assembly and, later, to the National
  858. Convention. After the Reign of Terror, a new government was formed called the Directory. The
  859. Directory ruled until Napoleon took control.
  860. <b>Reign of Terror</b>
  861. The darkest period of the French Revolution is called the Reign of Terror which lasted from 1793 to
  862. 1794. During this time, a man named Robespierre led the National Convention and the Committee
  863. of Public Safety. He wanted to stamp out any opposition to the revolution, so he called for a rule of
  864. "Terror." Laws were passed that said anyone suspected of treason could be arrested and executed by
  865. guillotine. Thousands of people were executed including Queen Marie Antoinette and many of
  866. Robespierre's political rivals.
  867. <b>Political Clubs</b>
  868. Many of the new political ideas and alliances of the French Revolution were formed in political
  869. clubs. These clubs included the powerful Jacobin Club (led by Robespierre), the Cordeliers, the
  870. Feuillants Club, and the Pantheon Club.
  871. <b>Outcome</b>
  872. The French Revolution completely changed the social and political structure of France. It put an
  873. end to the French monarchy, feudalism, and took political power from the Catholic church. It </p>
  874.  
  875. </div></div>
  876. <div><div><p>!
  877. </p>
  878. <p>Copyright© copia non rivendibile
  879. </p>
  880. <p>!
  881. !
  882. </p>
  883. <p>brought new ideas to Europe including liberty and freedom for the commoner as well as the
  884. abolishment of slavery and the rights of women. </p>
  885.  
  886. </div></div>
  887. <div><div><p>!
  888. </p>
  889. <p>Copyright© copia non rivendibile
  890. </p>
  891. <p>!
  892. !
  893. </p>
  894. <p><b>James&amp;Joyce&amp;
  895. </b>
  896. Joyce was born in Dublin in 1882. He was educated at Jesuit schools, including University College,
  897. Dublin. He graduated in modern languages in 1902. He was a broader European culture, and this lead
  898. him to think of himself as a european rather than an Irishman. He visited Paris and he fell in love with
  899. Nora Barnacle and he had two children. He met Svevo in Trieste. During the 2WW he moved to the
  900. neutral Switzerland. He died here in 1941. Some of his works are <i>Dubliners</i>, <i>Chamber</i> <i>Music</i> and
  901. <i>Ulysses</i>.
  902.  
  903. <b>STYLE AND TECNIQUE</b>
  904. He set all his works in Ireland and mostly in Dublin.
  905. His effort was to give a realistic portrait of the life of ordinary people doing ordinary things in their
  906. ordinary life.
  907. He explore the characters’ impressions and pov. He use the free direct speech and epiphany
  908. (revelation of a hidden reality). He don’t uses punctuation or grammatical connections.
  909.  
  910. <b><i>Dubliners:</i></b><i></i>
  911. It is a collection of fifteen short stories which talks about the oppressive effects of religious, political,
  912. cultural and economic forces on the lives of lower-middle class.
  913. This are arranged into 4 groups: Childhood, Adolescence, Mature Life and Public Life (the last story
  914. “The Dead” is considered Joyce’s first marterpiece).
  915.  
  916. Joyce use symbolism and epiphany (revelation of the sudden spiritual caused by a trivial
  917. gesture/external object/banal situation, which lead the character to a self-revelation about him/herself.
  918.  
  919. The central theme of this collection is Paralysis. The paralysis of Dublin resulting from external forces
  920. and linked to religion, politics and culture. Dubliners are spiritualy weak and scared people.
  921. The main theme is the failure to find a wayout of paralysis.
  922.  
  923. Each story is told by the pov of the character with a free direct speech (direct presentation of the
  924. character). The linguistic register is varied and suited into the age, social class and role of the
  925. character.
  926. </p>
  927. <p><b>Eveline&amp;
  928. </b>
  929. It’s a short story which describe the life of a nineteen-year-old girl who has the opportunity to
  930. change her routine life.
  931.  
  932. Eveline looks at from the window the street where played since she was a child. To that time was
  933. happy, the father wasn’t bad and the mother was still in life. Eveline is a nineteen girl who works as
  934. shop assistant in a big warehouse, where she is maltreated by the other shop assistant. At home she
  935. helps the brothers and the father despotic as she had promised to her mother. She gave the wage to
  936. the father. Eveline has a boyfriend, Frank, a seaman who he had found luck to Buenos Aires and
  937. was there on holiday. The father had forbidden to meet him. Sad for her life she want to move from
  938. Dublin to Buenos Aires, where Eveline and Frank will marry. At the port she doesn’t go and leaves
  939. Frank alone on the ship, because she is not ready to leave her country.
  940.  
  941. </p>
  942.  
  943. </div></div>
  944. <div><div><p>!
  945. </p>
  946. <p>Copyright© copia non rivendibile
  947. </p>
  948. <p>!
  949. !
  950. </p>
  951. <p>
  952.  
  953. <b><i>Ulysses
  954. </i></b><i></i>
  955. Novel set in Dublin and take place in a single day: Thursday, June 16, 1904, the day that Nora
  956. Barnacle (Joyce’s wife) made her fondness clear to him.
  957.  
  958. During the day, three main characters wake up, have various encounter in Dublin, and go to sleep 18
  959. hours later:
  960. Leopold Bloom is the central character, middle-aged, non-practicing jew, is Joyce’s common man.
  961. He leaves the home at 8:00 o’clock and return at 2:00 of the following day. He buy his breakfast,
  962. turns up in many streets, attends a funeral. He meet Stephen Dedalus alienated protagonist of <i>A
  963. Portrait of the Artist ad a Young Man</i>, momentarily his adopted son. The alienated common man met
  964. the alienated artist who take him home where the paralysis of their fatigue prevents them from
  965. achieving a personal communion. Molly, Bloom’s wife, singer, is planning an afternoon of adultery
  966. with her music director.
  967.  
  968. <i>Ulysses </i>is linked to the Homer’s epic <i>Odyssey</i> in the characters (Bloom as Ulysses, Stephen as
  969. Telemachus –Ulysses son-, Molly as Penelope) and in the structure (3 parts –like the 3 one of the
  970. Odyssey- and 18 episodes –each with a specific hour, colour, organ of the body, sense, symbol, and
  971. a narrative technique).
  972.  
  973. The setting highlights the ordinary life on an ordinary Dublin.
  974. He move his characters in places frequented by Joyce. So, Dublin became a character in this novel,
  975. because it is described in every single particular.
  976. Stephen embodies every young man seeking maturity, stream simulated by sense impressions; Mrs
  977. Bloom stand for flesh (sensual nature and fecundity), stream carried on by her own memories; Mr
  978. Bloom is everybody, stream linked by cause and effect.
  979.  
  980. The theme of the novel is moral: human life means suffering, but also struggling to rise and seek the
  981. good.
  982.  
  983. This new prose is based on “the mythical method”. Joyce create a parallel with the <i>Odyssey</i>. Homer’s
  984. myth was used to resemblance and difference the actions and people of Dublin day.
  985. However, Joyce wanted to write a “modern epic in prose”: stream of consciousness tecnique, close
  986. ups (= the cinematic technique), flashbacks, suspension of speech, juxtaposition; interior monologue
  987. with 2 levels of narration: one external to the character’s mind, one internal to the character’s mind,
  988. so thoughts flow freely without interruption. The “Collage tecnique” which describe the characters
  989. from more pov.
  990.  
  991. Language is rich in puns, images, constrasts, paradoxes, symbols. The vocabulary register is huge
  992. (slangs, nicknames, quotations). </p>
  993.  
  994. </div></div>
  995. <div><div><p>!
  996. </p>
  997. <p>Copyright© copia non rivendibile
  998. </p>
  999. <p>!
  1000. !
  1001. </p>
  1002. <p><b>Victorian)Age)
  1003. </b>
  1004. Queen Victoria assend the throne in 1837. Her behaviour made her beloved especially
  1005. by the middle class, who shared her ideals. The first years of her reign was progresfull,
  1006. with imperial expansion, political development and social reforms (Ten Hours Act,
  1007. 1847). The merit of this achivement were of the queen, who reigned constitutionally,
  1008. in contrast with all Europe. She was a mediator between the two political parties:
  1009. Liberals (ex-Whigs, they promoted a strong campain for free trade, for example the
  1010. Corn Laws manteined the price of the corn artificially high to protect the landed
  1011. interest) and the Conservatives. There were also working-class movements, for
  1012. example the “Chartism” with “Peoples’s Charter” who wants a social reform to extend
  1013. the right to vote to all male. It’s demand were refused by the House of Commons and
  1014. the movement slowly died. The First Opium War against China open new ports. Britain
  1015. alzo support Turkey during the Crimean War (1853-1856).
  1016. </p>
  1017. <p><b>Life)in)Victorian)town)
  1018. </b>
  1019. Britain had become a nation of town dwellers, due to industrial development. The heart
  1020. of Victorian political and social reforms was finding a solution to problems linked to
  1021. the overcrowded urban. Victorian cities was famous for overcrowding, squalor, disease
  1022. and crime, in particular slums districts. The mortality rate was high and terrible
  1023. working conditions in polluted atmospheres had a disastrous effect. The Common
  1024. Lodging Houses Act and Labouring Classes Lodging Houses Act (1851) were passed
  1025. to prevent the worst squalor and to clean up the towns. However, the changes were
  1026. slow in coming and gradual in effect. Medicine underwent a radical change:
  1027. professional organisations, control and research, modern hospitals were built. Other
  1028. services were introduced: water, gas, place of entertainment, Victorian institutions,
  1029. prisons, police stations, boarding schools. Law and order were among the major
  1030. problems of the urban environment. Police forces were needed to keep cities under
  1031. control. The Prime Minister Robert Peel established the Metropolitan Police, borned
  1032. for Peterloo massacre (Army shoot on the crowd and two people died while their were
  1033. listening a political meeting), composed of ‘Peelers’ and ‘Bobbies’.
  1034. </p>
  1035. <p><b>Coketown)
  1036. </b>
  1037. Coketown it’s a passage from Dickens’s social novel <i>Hard Times</i>. It is centered on the
  1038. description of the industrial centre of Coketown (is a fictitious name for any industrial
  1039. town in england) and the consequences of the industrialization.
  1040. The effect is pollution, in brick which should be red, but they are also black, there are
  1041. tall chimenies, serpents of smoke, a black river pollutet by sewers, and a purple canal </p>
  1042.  
  1043. </div></div>
  1044. <div><div><p>!
  1045. </p>
  1046. <p>Copyright© copia non rivendibile
  1047. </p>
  1048. <p>!
  1049. !
  1050. </p>
  1051. <p>with a ill-smelling. The streets and the towns are all a like, symptomps of monotony
  1052. and man feels alienated.
  1053. There is a materialistic and utilitaristic view of the life (facts). </p>
  1054.  
  1055. </div></div>
  1056. <div><div><p>!
  1057. </p>
  1058. <p>Copyright© copia non rivendibile
  1059. </p>
  1060. <p>!
  1061. !
  1062. </p>
  1063. <p><b>Virginia'Woolf'
  1064. </b>She was born in 1882. She grew up in a literary and intellectual atmosphere. Her education consisted
  1065. of private Greek lessons and access to her father’s library. Sea is the central symbol of her art, infact
  1066. water represent on the one hand harmonious and feminine, on the other hand the possibility of the
  1067. resolution of conflicts in death.
  1068. On the death of her father, Virginia started her literary career by taking part to the Bloomsbury Group
  1069. (with her sister and the artist Vanessa Bell). In 1912 she married Leonard Woolf. In 1915 he published
  1070. her first novel <i>The Voyage Out</i>. In 1925 <i>Mrs Dalloway</i> appeared in which Virgina experimented new
  1071. narrative tecniques. In 1929 she delivered two lectures at Cambridge, <i>A Room of One’s Own</i>, a work
  1072. of great impact on the feminist movement. The IIWW increased her fear and anxiety. She became
  1073. haunted by the terror of losing her mind. Finally, she drowned herself in the River Ouse. She was
  1074. fifthy-nine.
  1075.  
  1076. She was interested in giving voice to the complex inner world of feeling and memory (The human
  1077. personality is a continuous shift of impressions and emotions), so the important things are not the
  1078. historical events, but the impressions of the historical events on the characters. Infact the omniscent
  1079. narrator disappeared and the pv shifted inside the characters’ minds through flashbacks.
  1080.  
  1081. As for Joyce, also for Virginia subjective reality came to be identified with the “stream of
  1082. consciousness”, but Virginia never let her characters’ thoughts flow without control. She use the
  1083. “moments of being”, when the characters can see the reality behind appearences (like the joyce’s
  1084. epiphanies). She use poetic and allusive words.
  1085.  
  1086. <b><i>Mrs Dalloway</i></b><i></i>
  1087. At 10 am on a Wednesday in June 1923, Clarissa Dalloway goes to Bond Street to buy some flowers
  1088. for a party she is giving this evening. While she is in the flower shop, a car drives noisly and shif the
  1089. attention to the street. Septimus, an estate agent’clerck and shell-shocked veteran of the IWW, with
  1090. Lucrezia, an italian girl, are walking, but Septimus mental disorders necessitated the calling in of
  1091. doctors, Sir William Bradshaw. Clarissa receives at home the unexpected visit from Peter Walsh, her
  1092. youth love. They goes to Regent’s Park; here they meet a glimpse of the Warren Smiths, who are
  1093. going to Sir William Bradshaw for an interview. Septimus go to the clinic. At 6 pm he jumps out of
  1094. the window of his room, the ambulance carrying his body passes by Peter Walsh. All the characters
  1095. are present at Clarissa’s party who hear from Sir William Bradshaw the Septimus’s death.
  1096.  
  1097. The novel take place on a single day, June, 1923. It follow the protagonist in a small area of London.
  1098. She use the “tunnelling technique” (the reader experience the character ricollection to the past).
  1099. Woolf represent a society’s changing: increasing use of cars and planes, new standards in marital
  1100. relationships, the striking of Big Ben reminds the reader to the temporal grid which organise the
  1101. narrative (passing of the time, of life, of its flowing into death).
  1102.  
  1103. Clarissa is a London Society lady of fifty-one, wife of Richard Dalloway, conservative MP. She is
  1104. caracterised by opposing feelings: need from freedom (Her life is an attempt to over come her
  1105. weakness ) and her class consciousness (she has a role in the society).
  1106. Septimus is a sensitive man married with Lucrezia (24). He is caracterised by the sense of fear
  1107. (because he is a “shell-shock” case) and guilt (he is haunted by the specre of Evans, his best friend
  1108. died in the war). He suffered from insomnia and he is impotent.
  1109. </p>
  1110.  
  1111. </div></div>
  1112. <div><div><p>!
  1113. </p>
  1114. <p>Copyright© copia non rivendibile
  1115. </p>
  1116. <p>!
  1117. !
  1118. </p>
  1119. <p>Clarissa and Septimus are connected because they responde to experience in phisical terms, they are
  1120. protected by theri partners. Septimus is the Clarissa alter ego because he represent what she tries to
  1121. reprime.
  1122. Conception of time: similar to the one of Bergson. Interior time is different from the external time.
  1123. Time is fragmented in distincted moments. </p>
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