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  1. War Poetry
  2. Wilfred Owen
  3. Dulce Et Decorum Est
  4. Bend double like old beggars under sacks,
  5. Knock-kneed, coughing like hags we cursed through sludge
  6. ‘Till on the haunting flares we turned our backs
  7. And towards our distant rest began to trudge
  8. Men marched asleep, many had lost their boots
  9. but limped on bloodshod…
  10.  
  11. Gas! Gas! Quick boys, an ecstasy of fumbling
  12. Fitting the clumsy helmets just in time
  13. But still someone was crying out and stumbling
  14. And Floundering like a man in fire or lime
  15. Dim, through the misty panes and thick green light
  16. As under a green sea, I saw him drowning
  17. In all my dreams, before my helpless sight
  18. He plunges at me, guttering, choking, drowning.
  19.  
  20. If in some smothering dreams you to could pace
  21. Behind the wagon we flung him in
  22. His hanging face, like a devil’s sick of sin
  23. Vile incurable sores on innocent tongues
  24. My friend, you would not tell with such high zest
  25. To children ardent for some desperate glory,
  26. The old lie; Dulce et decorum est
  27. Pro patria mori.
  28.  
  29.  
  30. Anthem for Doomed Youth
  31. What passing bells for these who die as cattle?
  32. Only the monstrous anger of the guns
  33. Only the stuttering rifles rapid rattle
  34. Can patter out their hasty orisons
  35.  
  36. No mockeries now for them; No prayers nor bells
  37. Nor any sound of mourning save the choirs
  38. The shrill demented choirs of wailing shells
  39. And bugles calling for them from sad shires
  40.  
  41. What candles may be held to speed them all
  42. Not in the hands of boys but in their eyes
  43. Shall shine the holy glimmer of goodbyes
  44. The pallor of girls’ brows shall be their pall
  45.  
  46. Their flowers the tenderness of patient minds
  47. And each slow dusk a drawing down of blinds
  48.  
  49. Rupert Brooke
  50. The Soldier
  51. If I should die, think only this of me
  52. That there’s some corner of a foreign field
  53. that is for ever England’s
  54. In that rich earth, a richer dust concealed
  55. A dust whom England bore, shaped, made aware
  56. Gave once her flowers to love her ways to roam
  57. A body of England’s, breathing English air
  58. Washed by the rivers, blest by suns of home
  59. And think, this heart, all evil shed away,
  60. A pulse in the eternal mind, no less
  61. Gives somewhere back the thoughts of England given
  62. Her sights and sounds; dreams happy as her day
  63. And laughter, learnt of friends, and gentleness
  64. In hearts at peace, under an English heaven.
  65.  
  66.  
  67.  
  68.  
  69. Othello
  70. Othello
  71. Description
  72. Othello is the protagonist of the play, he is a Moor and a general in service of the Venetians. He has eloped with the fair maiden Desdemona secretly and without the permission of the Senator Brabantio.
  73.  
  74. Key Quotes
  75. “My life upon her faith”
  76. “If she be false, O, then heaven mocks itself!”
  77. “My noble Moor is true of mind and made of no such baseness as jealous creatures are”
  78.  
  79. Key Themes for Othello
  80. Nobility
  81. Jealousy
  82. Passion
  83.  
  84. Desdemona
  85. Description
  86. On the one hand, Desdemona is a strong female character as she; (at the beginning of the play) defies her father Brabantio through the marriage with Othello, argues with Iago about the role of women and, lying to her husband Othello about the symbolic handkerchief.
  87. On the other hand, Desdemona is shown to be a weak female, as she is full of doubts and fears, not standing up to Othello when it really matters. She also seems resigned to the fact that she will die.
  88. Desdemona is a typical upper class woman of the 17th century, she is devoted and loyal to her husband.
  89.  
  90. Key Quotes
  91. “My sweet Desdemon”
  92. “A most exquisite lady”
  93. “Truly, an obedient lady”
  94. “Your wife my lord, your true and loyal wife”
  95. “I would do much T’atone theme, for the love I bear to Cassio”
  96. “A guiltless death I die!”
  97. “Our generals wife is now the general”
  98.  
  99. Key Themes for Desdemona
  100. Love
  101. Marriage
  102.  
  103. Other
  104. Desdemona is abused by four of the plays male characters
  105. Othello who ignored her protestations of innocence
  106. Brabantio who misjudges her and then rejects her
  107. Iago who uses her for his revenge
  108. Roderigo who seeks an adulterous affair
  109. Demonstrating the manipulation of women by men,
  110.  
  111. Iago
  112. Description
  113. Iago is a soldier and Othello’s flag bearer, he is envious of Cassio who Othello made his lieutenant. Iago manipulates the characters of the play through a web of deception in order to gain his revenge upon Othello.
  114.  
  115. Key Quotes
  116. “He has done my office: I know not if’t be true;
  117. But I, for mere suspicion in that kind, will do as if for surety.”
  118. “So will I turn her (Desdemona) virtue into pitch,
  119. And out of her own goodness make the net that shall enmesh them all.”
  120. “I follow him to serve my turn upon him”
  121. “I am not what I am”
  122. “Honest Iago”
  123.  
  124. Key Themes for Iago
  125. Revenge
  126. Envy/Jealousy
  127. Deception/Manipulation
  128.  
  129. Other
  130. Dramatic Irony is key for Iago as he openly reveals to the audience all of his plans before they are put into action, in this way Iago is made to be an even more sinister villain as the audience can see there are no motives which might redeem him in our eyes. All Iago’s motives are for personal gain.
  131.  
  132. Other
  133. Quotes
  134. “O damn’d Iago, O inhuman dog”
  135. “Old black ram is tupping your white ewe”
  136.  
  137. Shawshank Redemption
  138. Key ideas
  139. Hope
  140. Andy Dufresne is the man who brings hope and redemption to the fallen world of Shawshank Prison and its convicted felons, especially Red. The character of Brooks is a good example of an inmate who lost all hope and accepted his life at Shawshank as ordinary.
  141.  
  142. “These prison walls are fuuny. First you hate ‘em, then you get used to ‘em. Enough time passes, gets so you depend on them. That’s institutionalised. They send you here for life, that’s exactly what they takes. The part that counts, anyways.”
  143.  
  144. After Brooks is released from Shawshank he is unable to integrate back into society because it is not the life he has known. The scene of Brooks’ release consists of a montage of events that follow his life after prison, with a voice over of him reading out his final letter to the inmates at Shawshank. The scene shows the world outside the prison to be busy with an abundance of auto-mobiles and numerous colours competing for attention, Brooks who is only used to a very quiet bland life in prison.
  145.  
  146. “The world went and got itself into a big damn hurry”
  147.  
  148. As the letter ends the audience sees Brooks pack his bags, scratch his mark into the eaves of his room then hang himself to end it all. Showing how devastating a life without hope really is.
  149.  
  150. Red is actually headed down the same path as Brooks until Andy changes his course by bringing hope. Andy is thus Red’s redeemer from an inevitable death through a life without hope. Andy’s source of inspiration for hope is the music which reminds him and others
  151.  
  152. “that there are places in the world that aren’t made out of stone”
  153.  
  154. In the final scene, the last line, involves Red confessing, “I hope.” The film shows that this hope was well-founded because he finally rejoins his “redeemer” in paradise, a biblical allusion.
  155.  
  156. Key Quotes
  157.  
  158. “Prison life consists of routine, and then more routine”
  159. “I have no enemies here”
  160. “Let me tell you something friend. Hope is a dangerous thing. Hope can drive a man insane”
  161. “That’s the beauty of music. They can’t take that away from you”
  162. “Get busy living, or get busy dying”
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