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- Malayalam Movie Download Safe House
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- Weston is a low-ranking CIA operative who happens upon the biggest mission of his career when a former high-ranking CIA agent Frost becomes his "house guest". It is only a matter of time before Weston realizes that there is a huge conspiracy going on and that no one is safe.
- Matt Weston (<a href=">Ryan Reynolds) is a CIA rookie who is manning a safe house in Cape Town, South Africa, when Tobin Frost (<a href=">Denzel Washington) the CIA's most wanted rogue agent is captured and taken to the safe house. During Frost's interrogation, the safe house is overtaken by mercenaries who want Frost. Weston and Frost escape and must stay out of the gunmen's sight until they can get to another safe house.
- I can only imagine the 7.0 rating for this film comes from affection for Denzel Washington or Ryan Reynolds, but other than the details of what Denzel has and how Reynolds is going to find him again, the story is old, old, old.<br/><br/>There are easy tip offs to bad/lazy writing (or studio interference). One of the most dependable is that the villain or bad guy or bully is a professed Christian. I know, that's shockingly original. The other tip off of horrendously lazy and creatively bankrupt thriller writing was displayed in this film (and has been done to death by others): *SPOILER, SPOILER* THE VILLAIN IS A BAD CIA AGENT. Whoa, never saw that coming (in the first four minutes of the film). And, the writer/producers just kicked up their laziness a notch by *SPOILER SPOILER* giving us the CIA willing to cover it all up to protect their reputation. <br/><br/>The director tried for a more interesting approach to telling the story, by playing with the chronology of time for short periods within select segment, but, believe me, this was no "Memento." I kept watching, hoping the movie would be better than it was. It could have been really good, I mean, look at all the acting talent that went to waste, like Brendan Gleeson and Reuben Blades. But the most under-used actor was the amazing Vera Farminga in a thankless and one-dimensional role as the tough case-manager chick in The Company. Giving an actress of her caliber such crap should be a creative Felony, punishable by ten years of directing webisodes.
- Welcome to Denzel Washington's world of thrillers part umpteen. The report card this time though is quite mediocre. Why? Simply because the script unfortunately doesn't beg to differ from genre convention and makes use of overused and overdone story arcs.<br/><br/>If you ask me, the whole CIA conspiracy thriller concept is just beginning to become stale. There really is limited variation possible. It takes little thinking here to anticipate the next stages and the vital plot points not to mention the people of interest. Films like these tend to promise much and leave you half full. It took eons to ascertain why, what and how and as a result, all you can see on screen for a majority of the movie is people running around helter skelter with no solid reasoning or basis behind it. Just trying to capture someone doesn't tell the full story. It doesn't even reach the threshold of mindless action, I didn't find anything novel and cool about it in any way from that perspective. If the nifty almost intentionally slack camera work was supposed to make it feel different, I couldn't quite see it.<br/><br/>If we saw any dissimilarities from the status quo, it was in all likeliness, in the acting. Seldom do we see 'Mr. Thriller' Denzel Washington in an antagonist role and this time, his character Tobin Frost was a scheming, mind manipulating character rather than the regular crook we've seen in Oscar winner 'Training Day' and 'American Gangster'. He isn't the most extroverted actor, but his skill lies in how he can create a dangerous personality without coming out of his shell. I'd sum up Ryan Reynolds in two words, nervy and shaky. But those characteristics drove an inspired show as the naïve rookie. As a pair, they were okay I guess, but brilliant, no. I always admire Brendan Gleeson's involvement as well in spy, conspiracy thrillers and it was good to see him more heavily used. <br/><br/>Shallow as a conspiracy thriller and devoid of mentionable action, it just didn't have anything to set it apart. Feeble scripting makes it your average joe thriller albeit far from compelling.
- In contrast with the fragmented kineticism of Paul Greengrass' "Bourne" movies, there's no existential dimension to the shattered-glass aesthetic here; it's just raw, chaotic action, inelegantly shot and staged but no less unnerving for it.
- "No church in the wild" by Jay-Z & Kanye West feat. Frank Ocean from the album "Watch the Throne" a5c7b9f00b
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