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Who's a Pretty Pony? C2

Jan 25th, 2013
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  1. Who's a Pretty Pony? C2
  2.  
  3. >you wake up early
  4. >you push the recent events out of your mind
  5. >it's hard to paint when you're depressed or upset
  6. >apart from a few thoughts lingering around the little purple librarian, you treat yourself to a fresh waffle breakfast
  7. >after a start like that, it's hard to imagine anything wrecking your day
  8. >you’re slowly figuring out that the morning light really gave you an extra perspective on things
  9. >falling completely into your art, you spend a few days on a series of paintings and manage to make rent for another month
  10. >on time
  11. >this pleases you greatly, and you paint well when you're happy
  12. >that means more painting!
  13. >wandering through P0nyville at the crack of dawn, you get your head start and decide to really put motion into this one
  14. >concentrating deeply, you begin
  15. >after laying down the base layers, you take a few breaths and begin stretching
  16. >the foundation of this painting was actually something that took a lot of effort and time
  17. >it didn't look like much of a painting yet, but three hours just flew by
  18. >you needed a little walk
  19. >it wasn't windy or anything so you didn't fear that your easel would fly off
  20. >there were really no thieves out here either
  21. >with your worries cast aside, you lazily walk towards nowhere in particular
  22. "Anon? Hi! What are you doing out here?"
  23. >you know this voice
  24. >turning to face the owner of the greeting, you're pleasantly surprised
  25. "Twilight? Hi! How've you been? I was just out for a walk, really..."
  26. "I didn't really thank you properly for yesterday... You know, for being there for me,"
  27. >her eyes avoid yours
  28. >she looks somewhat embarrassed
  29. >you can’t really blame her
  30. >you reply before the situation can get awkward
  31. "I'm just glad I could help,"
  32. "I was going to have breakfast with Fluttershy but she's just so busy this time of year... Are you hungry? I don't want it to go to waste," continues the purple unicorn
  33. >this was awesome
  34. >you pretty much never brought food with you
  35. >it seemed to distract you more than hunger did
  36. >this is great though, free chow
  37. >sitting across from her in the dry, warm grass, she starts to take stuff out of her saddlebags with her magic
  38. >you wish you could paint magic, but it would be like painting an explanation of the taste of peaches to a robot
  39. >magic was much too fluid and ethereal to be properly captured in a painting by someone with your level of skill
  40. "So, how-
  41. "Anon, I'm-
  42. >you chortle
  43. >great timing all day every day
  44. "Go ahead Twilight, say your piece," you say, calm and collected
  45. >the "no, you go" game was not your thing
  46. "Anon, I just wanted to tell you I'm sorry for breaking down on you like that. You must think I'm a little cuckoo after that evening..."
  47. >you grab a neatly folded napkin containing a leafy sandwich
  48. >you ate what they ate, maybe some more eggs and peanut butter
  49. >if it wasn't hay, you were fine
  50. >you don’t understand how they liked hay, but then again you're not a pony
  51. >you just raise a hand, trying to show her it really didn't make her look insane and say
  52. "I've done worse,"
  53. >she giggles a little, her shoulders bouncing more than anything
  54. >cute is an understatement
  55. >you can’t help but d'awww internally at how her eyes closed and her ears twitched during laughter
  56. >you successfully in finish your bite without choking to death over the hyperglycemic shock
  57. "That's a little surprising..."
  58. >you stretch, a goofy smile on your face
  59. "Well I usually mess up social situations more than this. I'm kinda wondering if I'm going to make a fool of myself soon, it's bound to happen one day…"
  60. "Can't be as bad as me, I mean I'm usually more comfortable with books than I am with living beings..."
  61. >you see her head dip a little
  62. "I've just been so... Bored this week. It's like my life has gotten quiet all of a sudden... Even Spike is off helping Rarity with a delivery out of town. I miss him. It's like the library is empty without the little guy, you know?" she continues
  63. >there’s a noticeable pause before Twilight said "bored"
  64. >from the looks of it, she just sounds lonely
  65. "I'll... I'll stop talking. I'm probably annoying you," she finishes, looking down at her half eaten sandwich
  66. >putting the little napkin down with care, you say
  67. "I told you that if you wanted to talk about anything, it was fine by me. Why would I say that if I thought you were a bother?"
  68. >you didn't expect her to give you such a distraught look
  69. "If I'm not annoying, there must be something else wrong with me. I mean from the way I'm going, I could be marketed as a stallion repellent," she says under her breath, rolling her eyes to hide her discomfort
  70. >just loud enough, though
  71. >before you can think, you've already stifled a scoff and uttered
  72. "Wrong with you? You're joking..."
  73. >she just looks down, appearing completely depressed
  74. >Twilight covers her face with her hooves
  75. "No, Anon," she says, hooves muffling the articulation
  76. "You just had some back luck with the last couple of colts,"
  77. "Bad luck? Bad luck!? This month, I've had the best luck of my life! They... They never even agreed to go out with me before,"
  78. >her reply began as a passionate one, but after the first handful of syllables had escaped her lips, her voiced had died down to anything but a whisper
  79. >you can't believe your ears
  80. "Maybe you're just asking the wrong ones...."
  81. >she chortles bitterly
  82. "I don't think you've been paying attention, Anon... I've tried everything... It's hopeless,"
  83. >you have to admit it
  84. >you're a little stumped
  85. >the situation may look grim but you decide that you can convince her to give it some more effort
  86. "Love can take a lifetime to find," you start
  87. "In my opinion, those that say "it's better to have loved and lost than to never have loved at all" are full of shit," you continue
  88. >perhaps a little bitterly
  89. >she rears back, you aren't sugarcoating your thoughts at all
  90. >plus you aren’t sure that ponies can actually swear
  91. >it’s like it’s against their whole nature
  92. "True love is the scariest thing that can happen, and it can be mistaken easily, masked or blinded. I have often thought that not loving for the longest time may seem painful, but it pays off. What I mean is that... I don't believe in settling for someone who isn't for me; and expecting others to do so leads to the worst kinds of pain,"
  93. >Twilight looks up, pondering
  94. >you see her massive eyes dart as her pupils contract and dilate
  95. >you could almost hear the gears turning up in there
  96. >you got dinner and a show, it seems
  97. >the bookpone starts sipping at her juice, looking unconvinced
  98. "Anon, at the risk of sounding ungrateful... It still doesn't exactly explain why I haven't even had a second date with all the colts I've gone out with."
  99. “Listen... You have never failed until you have given up. I've heard a lot about you, little miss... And "falls over without getting back up" has never been mentioned anywhere."
  100. >her resolve strengthens
  101. >all those courage wolf posters you've seen are worth their bytes in gold right now
  102. "Now a lot of books or people will tell you things like how to dress or how to act to woo the special somep0ny. That stuff..."
  103. >she leans in, expecting to hear the words of salvation; the secrets to finding love
  104. >your pause for dramatic effect is short
  105. >you also remember to watch your language
  106. "... Is also a load of horse apples. Now I can't tell you I'm an expert; nobody can. You can't be an expert because you would need to study every last p0ny in Equestria ever to know the hearts of the opposite sex."
  107. >she goes back to looking defeated
  108. "But that's an important lesson! What you need to think about isn't really yourself; you'll fall in a pit of self-consciousness you may never escape."
  109. >your enthusiasm almost startles her
  110. "You can try to think about others too much either, you can't read…"
  111. >you pause
  112. >Twilight probably could cast some sort of magic to read people's minds
  113. "I mean you probably can’t read the other's mind, and even if you did, it would probably give you false impressions; people don't always think what they feel."
  114. >you take a moment to breathe, trying to gather the thoughts that would best express your feelings
  115. "You need to stop worrying, is what I'm saying. It feels impossible, but worrying and wondering and theorizing is just the first step into a trap of broken hearts."
  116. >Twilight seems to nod and assimilate this information before saying
  117. "You... Were you a painter or a psychologist before you got here, Anon?" she says after a few seconds
  118. "Neither, actually. I had started an art program but getting a job to stop my debts from piling up had my priority. I regret it, actually; had I known that I'd be transported to Equestria like this, I wouldn't have been so careful with my money," you finish, chuckling
  119. >with her will strengthened, she decides to formulate a schedule
  120. >always organized
  121. >you knew this was going to be a bit of an issue
  122. >you'd have a hard time getting miss OCD to stop worrying about everything...
  123. >returning to the library the next afternoon, you both take a look at P0nyville's options
  124. >you also begin to seek out ways of getting her to relax a little
  125. >learning to let go in the goal of obtaining something was very counterintuitive in the first place
  126. >trust_exercises.avi
  127. >the next day, you prepare a trip with your new friend
  128. >it is also your first time being a wingman
  129. >you get her to see if she can attract or catch a colt at a museum
  130. >it seems like they'd be her type
  131. >you start seeing what she means
  132. >Twilight gives it her best shot
  133. >time and time again, she’s ignored, politely rejected, and even stood up
  134. >you can't figure out why
  135. "How about we try some more relaxed places, the stallions here are so caught up in their own business that they could trip on a bag of bits and cuss at it for getting in the way," you say after another unfruitful evening
  136. >you take Twilight across town over the week
  137. >the results are unanimous
  138. >stallions appear to flee from her
  139. >as you watch her attempt another date proposal, you notice something
  140. >they practically seem afraid of her
  141. >not like she'd hurt them or something
  142. >but more how you "fear" someone who's more important or more powerful than you, just from instinct
  143. "I think I figured it out, Twilight!" you exclaim, clapping your hands together
  144. >she slowly drags her hooves over to you with all the zest and energy of a pile of mashed potatoes attempting to travel uphill
  145. "Twilight, don't you see? They all know you here! You're Twilight Sparkle; your brother is the captain of the Royal Guard, your friends and you have defeated Equestria's enemies. That's all very intimidating," you explain
  146. >her head lifts as she thinks about what you've said
  147. >then it drops again
  148. "So why do the rest of my friends get dates and I don't?" she replies, deadened
  149. "Well Pinkie Pie didn't lift an Ursa Minor all by herself, if I recall the newspaper article correctly..." you say
  150. "You know Anon... I've never thought of that. I guess they were just humoring me but I don't think I'd ever noticed how nervous they were before," says the purple bookworm
  151. "So what do you say... “Starlight Dawn”? Should we hit another town? Give this theory a chance?" you propose, holding out your balled fist
  152. >her will steeled once more, Twilight hoofbumps you
  153. “Wait… “Starlight Dawn”? That’s kinda cheesy…” she says, hoof still in midair
  154. >is dis zebra serious?
  155. “Cheesy? Okay there, Twi-light Spar-kle,” you mock
  156. >her blush is the best reward you could have asked for, even if you now have to escape the doom of Twilight’s angry, purple marshmallow hooves
  157. >she pummels you harder when you start giggling like a schoolgirl at how adorable she is when she's angry
  158. >the next day you’re in her library, bags packed for Manehattan
  159. >it was pretty much Equestria’s metropolis and it sounded like a good place to start
  160. “Come on then, wake up! We need to get our head start if we’re to catch the train on time,” you say to the half-conscious filly
  161. >you’d let yourself in, it’s not like the door was locked
  162. >you were more or less a regular at the library now
  163. >less for books and more for the bookworm
  164. >felt great to have a friend like her
  165. “Anoooon… Five more minutes…” she whines
  166. >rolling your eyes, you pull the covers off her
  167. “Mrrrrrgh…” she grumbles, curling up
  168. >her messy, violet bed hair is strewn across her soft coat and your jaw goes slack at the sight
  169. “Fine, I’m up, I’m up…” she says
  170. >Twilight slowly sits up, only to grab the covers and go back to sleep
  171. “Goddamn it,” you curse as you uncover her once more then lift her off the bed and carry her downstairs, trying to be quiet lest you wake the sleeping dragon
  172. >ignoring her flailing hooves and protests, you sit her down in front of a coffee mug and some toast
  173. >she rubs her eyes as the morning sunlight illuminates her
  174. “Anon? Thanks… For taking care of me,” she says, smiling warmly at you through her sleepy face
  175. >Twilight's half-closed eyes seem to shine with a surreal luster
  176. >she brushes aside stray locks of hair with a hoof in a slow, deliberate movement
  177. “It’s what friends are for,” you manage to reply over the imminent heart attack
  178. >you really did get here early, however
  179. >welp, just means you won’t have to run around anywhere
  180. >lazy pace is best pace
  181. >Twilight and you look out of place amongst the bustling bunch of busy ponies running around the train station
  182. >not that you really look like you belong, being much taller and walking on two limbs
  183. >but the relaxed mood is good
  184. >you may not be in a hurry, but you’re still a little excited
  185. >you’ve never been to Manehattan
  186. >once aboard the train, you take your seats and put your bags down
  187. >Twilight sits next to you
  188. >you spend a couple minutes wondering if bringing your painting gear had been a mistake
  189. >it's not like you were any good with architecture, to your dismay
  190. >you didn't think you'd really have much of a chance to paint
  191. >your desires to explore the new town would probably distract you too much
  192. “Twilight, you sure it was worth it to bring my painting stuff? I’ve never really been much good at urban settings…”
  193. >no reply
  194. “Twi?”
  195. >she’s fallen asleep against you
  196. >you can’t hold all your hnnng
  197. >she was probably up late studying again
  198. >you lay your coat over her and spend the rest of the trip in comfortable silence
  199. >as comfortable as multiple, severe myocardial infarctions can get
  200. >Manehattan is indeed Equestria’s sleepless city
  201. >should be perfect hunting grounds
  202. >having found a hotel to stay in for the weekend, you’re ready for the first night out
  203. >initiate wingman mode
  204. >you knock on her bathroom door
  205. “You’ve been in there for hours. Come on, you don’t usually find stallions in bathtubs. Usually...”
  206. “Almost done!” she replies
  207. >almost done what?
  208. >the door opens
  209. “You… You… You didn’t…”
  210. >you can’t believe your eyes
  211. >she dyed her hair?
  212. “What? If I’m going to try out this “Starlight Dawn” thing, I better go all the way,” she says
  213. >her mane and tail were a lush black that had a faint bluish glow in the light
  214. “But… but…”
  215. “It’s not permanent or anything… Wait, is it ugly? Don’t tell me I look worse like this!? I knew it, I'm even uglier than before!”
  216. >she sinks to the floor in utter despair
  217. >was it ugly?
  218. >no
  219. >all of your no
  220. >gallons of no
  221. "That’s not what I was saying. I was just surprised, I didn’t expect you to go and dye your mane,” you explain
  222. >she appears to be turning a dull gray
  223. >deflating
  224. "Really Twi, it looks awesome,"
  225. “If you say so… You’re being honest right? I can change it back,”
  226. “100% truth. Applejack couldn’t be any more honest than me right now. I think it looks really good,” you reply
  227. >this seems to reassure the filly. You turn to the door, missing the chance to see her blush deeply
  228. >time to hit the streets
  229. >from galleries, plays, recitals and lectures to bars and clubs
  230. >even shopping malls
  231. >it was impossible
  232. >unbelievable
  233. >completely unreasonable
  234. >it didn’t make any sense
  235. >rejection
  236. >rejection absolutely everywhere
  237. >it was baffling
  238. >your theory was blown completely out of the water
  239. >it wasn’t even due to a social faux pas an egghead would make
  240. >Twilight is absolutely charming; her approach free of being too “needy” or weird
  241. >frustration was setting in, and you seemed to be frustrated in more than one way
  242. >first, you’re upset for her. Seeing her defeated like this was not fun in any way
  243. >second, you’re feeling a nagging irritation towards ever colt and stallion that would turn her down
  244. >why would they do this? Wasn’t she beautiful, funny and smart? What’s so wrong with her?
  245. >third, you’re in some way a little glad she’d been turned down
  246. >what the hell’s wrong with you anyway?
  247. >you’re so confused by all this
  248. >painting was out of the question
  249. >Manehattan had proved fruitless
  250. >ride home was decidedly less comfortable, under a defeated air of hopelessness
  251. >encouraging pep talk or no, this was just disheartening
  252. >you get her back to her library and go back to your apartment
  253. >you feel pretty beat
  254. >you’re useless for a day; Manehattan left a bad taste in your mouth
  255. >after reading a decent book, you're about to wonder what to do next when there's knocking at the door
  256. >shit, did you forget rent
  257. >you struggle to get to the door without freaking out
  258. >shhiiiiiii-
  259. “Twilight? Hey, what’s up?”
  260. >pleasant surprise
  261. “Hi Anon, I was wondering if you wanted to hang out for a bit…” she says
  262. “Sure, I’d love to.”
  263. “Oh, bring your painting gear too.”
  264. “Uhhh… Okay?”
  265. >you’re pretty happy to be out of your apartment
  266. >you also manage to dodge Mr. Davenport
  267. >Twilight doesn’t seem to be too depressed, that’s good
  268. >she dyed her hair back to normal
  269. >that’s good too, not that the black was ugly
  270. >it really wasn’t ugly at all, like damn
  271. >just wasn’t “Twilight”
  272. “So why am I brining the painting stuff?” you ask as you both walk towards the library
  273. “I felt like learning more about painting; I’ve read about it a fair bit but I haven’t really tried it before. You wouldn’t mind showing me, right?”
  274. “Would be my pleasure,” you reply
  275. >Twilight is a great student, teaching her was always a blast
  276. >she did know a lot about painting, but you had the practical side
  277. >even with the extra challenge of wielding paintbrushes with her mouth, she isn’t doing poorly at all
  278. “’yke dish?” she asks
  279. >she can paint, but talking with a brush in her mouth isn’t her strong suit
  280. >you laugh at her slurred speech
  281. “Yeeeaaaaaah, like that. Damn, ‘scuse me,” you yawn
  282. >she puts the brush down
  283. “It is kinda late, want to pick this up tomorrow morning?” she proposes
  284. “Sure, sounds good to me,” you reply, holding back some more yawn
  285. >today was a good day
  286. >you go to the library in morning
  287. “Twiii-light? Ready for some more painting?”
  288. >snoring sound stops
  289. >damn, maybe you were a little early
  290. >she had said "morning"
  291. “Anon? Hiii… How can you wake up at this hour?" she asks quite groggily
  292. >you wince
  293. "Sorry for waking you… I guess I always wake up early; it gives me the best light for my paintings. It’s like I get a head start," you explain
  294. “Neat, I think I can imagine how that would work,”
  295. “Twilight? I was wondering… Did you want to try dating again? I ran into this colt the other day, a writer; he was buying some stuff at Davenport’s…”
  296. >she kinda looks down
  297. “I don’t know…” she says
  298. “He was really ni~ce!”
  299. “It’s not like I have much to lose…” she says, giving in with a roll of her large, captivating eyes
  300. “Great! He’ll be waiting at the Rosebud Café this evening,” you exclaim with a grin
  301. >her snout scrunches up
  302. “You set me up? Darn it Anon…”
  303. >her reply was followed by a sweet little laugh
  304. >wingman is best man
  305. >you do your best to cheer her up and give her confidence for her date
  306. >Twilight also has quite the potential little painter in her
  307. >teaching was quite fulfilling, even if you didn’t make any money
  308. >didn’t matter too much because your time spent with her was worth quite a lot to you
  309. >you walk her to the café, bidding her good luck
  310. >chin high, chest out
  311. >she introduces herself
  312. >and he excuses himself
  313. >then runs off
  314. >fuck
  315. >you hang your head
  316. >just great
  317. >you don’t know if that was sarcasm or not, but you stop caring when you raise your head and notice that Twilight’s gone
  318. >maybe she’s just gone back to her library
  319. >you go there
  320. >apparently not
  321. >you’re a little worried
  322. >you check her friends’ houses
  323. >ping www.twilight.com –n 5
  324. >100% packet loss
  325. >you do your best not to worry them by asking them where their friend could be at night
  326. >after a while you wander around, looking for her
  327. >goddamn it Twilight
  328. >you end up sitting on the hill near her treebrary
  329. >the sun was slowly coming up
  330. >suddenly the morning light floods the library
  331. >it looks special
  332. >you don’t have your painting gear, but you do have a pencil and notebook in your pocket
  333. >you whip it out and try to capture the moment
  334. >the shadows cast a somber portrait of her library, filling it with emptiness
  335. >you hear a gasp behind you
  336. "Twilight?" you call, turning
  337. >she's right behind you, looking at your sketch
  338. >you throw it to the side
  339. "Twi!" you say, practically pouncing at her with relief
  340. >you hug her, taking her right off her hooves
  341. >she returns your embrace, probably because she's not used to being lifted like this
  342. >you put her back down
  343. "Sorry, you startled me is all..." you say, looking for an excuse
  344. >Twilight is a big pony, she was able to take care of herself for a night
  345. "Were you... Waiting for me?" She asks
  346. "Me? I was... I was just getting a head start, you know, early mornings and all... I wanted to make a paint-I mean drawing here."
  347. >She tilts her head to the side
  348. "Anon..."
  349. >she didn't sound very convinced
  350. >you look away and scratch your head
  351. "I... I did wait, I guess... I was worried. You ran off, I didn't know where you went," you reply
  352. >she sits next to you, the rising sun flooding the scene
  353. "I'm sorry Anon... I was just upset and...
  354. >she pauses, expression changing as her train of thought cuts from one to the other
  355. why does this sketch look so strange?"
  356. >you look at it
  357. "Hunh. I guess it does look a little dreary," you say
  358. "You’re a harsh critic Anon... I can't say it looks dreary... Ummm... It's dark?" she says, trying to soften the blow
  359. "Well it’s probably because you weren't home," you say
  360. >there's a short silence
  361. >you look down at her
  362. >she's looking up at you
  363. >you don't recognize her expression
  364. >her eyes dart away
  365. "Maybe you just got too much of a head start," she blurts
  366. >you stare at your sketch, pensive, not seeing Twilight blushing rather intensely
  367. >she tells you she has some business to take care of, but that you're welcome to come over the next day
  368. >It's not like you're really busy
  369. >being a slacker artists and whatnot
  370. >bag of painting supplies over your shoulder, you walk over to Twilight's around noon, to be sure you wouldn’t be waking her up again
  371. >you find her ready and waiting
  372. “So… you ready for a date?” you ask
  373. >she suddenly begins to stutter madly like you just asked her at what age she stopped peeing the bed or something
  374. >you cock your head to the side
  375. >you’re a little confused at her reaction, but you continue
  376. "Come on Twi, I talked to another artist at Davenport's this morning. I think you two have a lot in co~mmon!"
  377. >she just looks down
  378. "I… I'm not feeling very well... Spike cooked breakfast and I don't think his skills sit well with my stomach..." she says
  379. >Spike apparently had a lot to eat for himself and was sleeping it off
  380. "That's awful… You should get some rest. I'll just come by tomorr-
  381. "Wanna just hang out? I've been bored all morning and I didn't want to wake up Spike, he woke up early to make me breakfast... He means well, little tyke," she says
  382. "Sure, sounds awesome!"
  383. >she asks you about your recent paintings, having brought your equipment, you set it up and start unrolling some of your recent works
  384. >the day ages and soon, Celestia’s sun begins to set
  385. >you get into a rather technical conversation about layering
  386. >it seems to keep her mind off her stomach, so you're happy to indulge her questions and make note of her input
  387. "So how would you hue this section with the wide brush after the third layer?" she asks, grabbing the brush
  388. >she usually held the fine tipped brushes in her mouth, but the wide-bristled ones were easier to handle with the joint above the hoof
  389. >it’s always impressive, seeing her grab things
  390. >she bends the joint until it makes a crook in the joint right above the hoof
  391. >they are very dexterous for hoofed beings
  392. >you sit behind her, her back against your chest as you guide the brush with your hand
  393. "See, very lightly, make sure to thin the paint so the hue doesn't overpower the layers underneath," you explain
  394. >her hoof seems to slow down
  395. "Twi, like this..."
  396. >you try to move the hoof but it's like she's not trying to paint anymore
  397. >your head is besides hers and you begin to feel her warm, calm breath on your cheek
  398. "Twilight?" you say, turning your head
  399. >she darts her snout back towards the painting
  400. "You bored? You don't have to humor me about painting so much if you're not that interested..." you say
  401. "No, no, I just thought I heard Spike! Must have been my imagination," she quickly replies
  402. >she really loved Spike, he was indeed a member of the family
  403. "You on the other hand," she starts
  404. "Forgot about letting the previous layer dry, see now it's bleeding through!" she finishes
  405. >you scoff
  406. "Is that so, little miss?" you say
  407. >she grabs a brush and dabs your nose with it
  408. "Yes it is!"
  409. >oh no she didn't
  410. "It was on purpose, see? Ha!" you reply, poking her snout with a brush
  411. >she squeals playfully, batting away at your hand
  412. >the room was suddenly quite warm
  413. >blush was spreading across her face
  414. >you found yourself going red as well
  415. "The colors are spreading on your face… Looks like you should have waited on your shade... Of... Red"
  416. >every word punctuates the diminishing distance between your face and hers
  417. "Twilight?" you say, her massive eyes seem to engulf your vision
  418. "Anon?"
  419. >you are feeling pretty damn fuzzy right now
  420. >Twilight was just so warm
  421. >her soft coat brushing against your arm
  422. >you can only stare into her massive, shimmering eyes
  423. >they seem to dance in the candle light
  424. >as her mane sways slowly, coming to a standstill against the side of her face, you’re struck with how beautiful she is
  425. >you don't exactly know where this is going right now, but you can't seem to find a single fuck to give
  426. >you inch forward
  427. >without thinking, eyes locked on her moist, inviting lips, you say
  428. "You are a prett-
  429. CRASH!
  430. "What the?"
  431. >you have tipped your easel over, and shattered everything this moment had to offer
  432. "Shi- I mean… Shoot, the painting..." you say, bending over to clean up the mess
  433. "Don't worry about it, I'll go get some towels," says Twilight with a cough, running to the kitchen
  434. >you're picking up a little pot of magenta when it hits you
  435. >what the fuck just happened back there?
  436. >were you going to...
  437. >was she going to?
  438. >Twilight had always been cute...
  439. >now that you knew her, however
  440. >it seems that she was a little bit more than cute
  441. >like, out of the "cute" ballpark entirely
  442. >barring the inherent strangeness of being attracted to another species, you were friends
  443. >maybe she was just sleepy or distract-
  444. "Here we go, I found my old kitchen rags"
  445. >you snap out of your intense confusion as Twilight trots in with rags and a bucket of soapy water
  446. >still blushing furiously
  447. "Sorry... Hey, see what I mean about making a fool of myself?"
  448. >she giggles, blush receding, replying
  449. "It's okay, it's not like my painting was very good... I think it looks better with that splash of azure and that magenta splotch there. I think the dust bunny it fell on gives this particular painting much more character, now that I step back…"
  450. >it's your turn to chortle
  451. "So do you want to try aga-
  452. >Twilight cuts you off with an uncontrollable yawn
  453. >her jaw almost seems to unhinge
  454. >was that healthy?
  455. in... Or maybe we can pick this up tomorrow. It's pretty late"
  456. >Twilight looks at you as panic seems to flash across her face
  457. >this leaves you a bit confused
  458. >her ears seem to droop
  459. “Twilight? Is there something wrong?”
  460. >she smiles a little nervously
  461. “Oh, nothing’s wrong… It’s getting late anyway. Too dark to paint, is it not? This must be what you mean when you talk about early mornings…”
  462. >in an instant, your whole world is turned upside down
  463. >the cry of the summer cicadas is deafening
  464. >the candle light is overpowering the room with warm, orange colors
  465. >in a breath, you go from a little conflicted to questioning yourself entirely
  466. “Anon?”
  467. >you see her lips move, but the sound seems to fall short
  468. “I’ll be back tomorrow,” you reply
  469. >the run home was but a blur
  470. >you rummage through your apartment for alcohol
  471. >alas, you find none
  472. >not that you think it would be able to get Twilight out of your head
  473. >like a civil war, you let out sigh after exasperated sigh, tromping around your apartment until Mr. Davenport started knocking the ceiling with a broomstick
  474. >you fall asleep after that
  475. >when morning rolls around, you’re a mess
  476. >apartment faring no better
  477. >knocking at the door
  478. >was it Twi?
  479. >you leap, sprinting towards it, jumping over overturned chairs and piles of clothing like a lunatic in an obstacle course
  480. >you open the door rather violently, scaring the daylights out of-
  481. “Mr. Davenport! What brings you here… On such a fine morning…”
  482. >you reply so gingerly you could have turned into an orange-tinted cookie fellow
  483. “I’m here about all the noise last night, is everything okay?”
  484. “PerfectlyfineohlookIgottagosorry,” you blurt, emulating that folk tale pastry man
  485. >you think about everything that’s happened
  486. >lost in thought, you just wander around for a bit
  487. >not sleeping properly does funny things to you
  488. >makes your judgment poor
  489. >you always end up making really horrible financial decisions and purchases when sleep deprived
  490. >you wander around in an airheaded daze, looking around in hopes of finding Twilight
  491. >she wasn’t in her tree house
  492. >when you track down the little librarian, you ask if she wants to join you for breakfast
  493. >her face lights up and she agrees
  494. >you were used to cheaping out on expenses due to your current monetary situation
  495. >but here was a prime example of sleep deprived spending, although you used to spend more by buying stuff online at four in the morning compared to getting breakfast somewhere
  496. >and here you thought the lack of internet would help you save money…
  497. >so you find yourself walking next to Twilight, looking around
  498. >after a while, she asks
  499. "You feeling okay? You kinda left in a hurry last night,"
  500. "I'm fine, I just... I just had a weird evening. All good now!"
  501. >you reply confidently to convince her, even if you probably need to convince yourself first
  502. >for right now, you feel like you’re turned upside down and inside out
  503. >you decide to have breakfast first and feelings later
  504. >Twi seems reassured and canters with you with a smile on her face, asking
  505. “So where are we going to breakfast? Well… More of a brunch at this point…”
  506. “I don’t really know, I was following you.”
  507. “But I was following you!”
  508. “To be honest, we were walking side by side, so it’s a little hard to find out who was following who,” you say, rubbing your chin
  509. “An~on, what’s wrong with you?”
  510. >she replies this light-heartedly while rolling her eyes, a coy smile on her lips
  511. “What about there?” you suggest, pointing at a diner
  512. “I’ve been here before, but I didn’t get a chance to taste the food. It looked really good though!”
  513. “Why didn’t you get to even try the food?”
  514. >as you both get a table, she proceeds to regale you with the rather humorous tale, where Celestia sent Twilight two tickets for six friends to the Grand Galloping Gala
  515. >the shenanigans that ensued were memorable indeed
  516. >the meal was also pretty good
  517. >you slip off and pay the bill, just so Twilight can’t protest
  518. >even if it’s too late, she ends up disapproving and leaving a tip at the table
  519. >oh Twilight
  520. “Thanks for taking me out on that da… I mean diner! Thanks for taking me out to that diner,”
  521. >you smile back warmly, asking
  522. “No problem, it was really nice. What do you want to do now?”
  523. >the little unicorn beams, looking around
  524. “We could go to the park, or see Fluttershy’s animals; I think Rainbow Dash is practicing some new moves! We could als-
  525. >within about a half second, a torrent of rain drowns her voice out
  526. “Oh Celestia,”
  527. >oh shit why was it raining so damn hard
  528. “This is the second time this happened at this particular place!” she cries over the pouring rain
  529. >you both run inside the restaurant
  530. “Gotta admit, it’s pretty funny. At least you got to eat this time around.”
  531. >you manage to say this before your speech functions are disabled by Twilight
  532. >her straight, long hair clung lushly to her soaked coat
  533. >water beaded and dripped down her face and chest
  534. >your poker face miraculously holds as you look down at her gleaming body
  535. “Darn it, I forgot about today’s scheduled downpour… I feel so stupid.”
  536. >you’re a little busy trying to look like you’re not staring the fuck out of this pony in front of you to be able to say anything
  537. “What do we do now, then?”
  538. >her mouth moves, shaking her curled mane lazily and heavily as it gleams with a silken glow
  539. “Anon, you in there?”
  540. >you do your best to shake off whatever came over you
  541. "Sorry what? I was out of it,"
  542. "Pretty far away, too, hunh," she giggles, shaking off the water in her coat
  543. "Miles and miles..."
  544. >you try not to laugh at her messy, frizzy mane and puffed out coat
  545. >try as you might, you end up looking like you’re about to laugh
  546. >she pats it down with her hooves, rolling her eyes at your bad pokerface, and replying
  547. "Aaanyway, I was wondering what we were to do now that the weather's like this,"
  548. >you think for a few seconds
  549. >usually you just stayed in when it rained
  550. >maybe one day you'd try painting in the rain, but you weren't interested in how everything looked when it was rainy
  551. >you did have some books from your Earth; that would be sure to provide some level of entertainment for her
  552. "My apartment isn't too far away, actually. I bet I have some book you've never seen before,"
  553. >she raises an eyebrow and her left ear twitches a little
  554. "You sure? I should have most of P0nyville's written works in my library,"
  555. "Twilight, I was talking about my books, those that came from my Earth,"
  556. >her eyes go wide, her pupils dilate, and her ears spring up at attention
  557. "Wh-... Why,"
  558. >you are about to ask her why she's saying "why" when Twilight’s eyes flash with blazing interest
  559. "Why didn’t you tell me about that earlier?"
  560. >she's up on her rear legs, pressing her front hooves on your stomach
  561. >you recoil in surprise
  562. >oh shit what did you do wrong
  563. >her nose flares out, puffing steam
  564. >Twilight's burning gaze bores into your eye
  565. “Show me those books!"
  566. >you stretch a hand towards the door
  567. "Su-sure, right thi-
  568. "Yesterday, Anon!"
  569. >she magics you off the ground and gallops into the rain
  570. >you float behind her like a weird animal balloon
  571. >you crouch inside the magical aura before the restaurant's top doorway wallboard decapitates you
  572. >Twilight sprints towards Davenport's as you yell out directions to a shortcut
  573. >wind and rain soak you to the bone as you duck inside the magical grasp
  574. >you'd have to apologize to that mare down the street
  575. >you chose to knock over her flower pots instead of taking a signpost to the groin
  576. >skidding on the hard packed dirt covered in a slick mud, she makes the final turn towards the little Sofa and Quill shop
  577. >you go wide-eyed at her multi-hoof drifting
  578. >being in the open street allows you to enjoy this floating experience instead of fearing for life and limb
  579. >floating behind a running unicorn in the rain sure was fun though
  580. >you start laughing and the infectious guffaws soon affect her as well
  581. >she teleports you both inside, still laughing
  582. >covered in mud
  583. "That was too much fun,"
  584. "I know, it was like that time in the crystal empire where I slid up a spiral staircase," she replies, grinning
  585. >you wish you could have been there
  586. >wait, slid UP a staircase?
  587. "You what now?"
  588. >her eyes focus into a serious stare
  589. "I'll explain later. Book time now, please?"
  590. >is book addiction a thing?
  591. >did she need a fix or something?
  592. "I'd love to show you, but... You're full of mud, Twi,"
  593. "Not so bad, I'll just shake-
  594. "Not inside!" you exclaim
  595. >she sticks out her muddy hooves, looking them over
  596. >taking a few breaths, Twilight calms down
  597. "I guess I got a little carried away... Sorry,"
  598. "It's cool, even if that did get a little scary back there... I'm mostly glad to see you excited about something, you've been looking pretty down for a while,"
  599. >she blushes a little
  600. "Oh, the shower is the second door on the left, try not to get too much mud on the ca-
  601. >she teleports away
  602. rpet. Right... Magic," you sigh, smiling
  603. >looking through your shelves, you pick out the books from Earth and put them on your little living room table
  604. >you didn't have that many, not that you read all that much in the first place
  605. >when you've found every last hard copy, you sit back
  606. >Twilight comes back out after a while, magically rubbing her mane down with a towel
  607. "Hey, I hope you didn't get sprayed with scalding hot water, the pipes here are a little finicky,"
  608. "No, it was fine, thanks. So these are it, right?"
  609. >she looks at your pile of books like they're made of solid gold
  610. >you had a little less than two dozen books in total
  611. >various works of literature, mostly classics from Shakespeare to modern authors
  612. >an encyclopedia, a dictionary, a couple manuals from your college, some science fiction works
  613. >nothing extremely interesting for you
  614. >just a couple books you happened to have around during the move from Earth to Equestria
  615. >a strange affair that was
  616. "That's all I have. Sorry there couldn't be more, I didn't exactly have the choice to bring a full bookshelf when I came here,"
  617. >she looks up at you, smiling with her eyes closed in contentment
  618. "I understand, this is more than I could have hoped for, actually. Thanks, Anon,"
  619. >her horn glows a little as she levitates a few books for examination
  620. >you start talking about the various tomes as she flips through the yellowing pages
  621. "This is fascinating... True record of a completely alien civilization,"
  622. "Twilight, that's "Ringworld", it's science fiction,"
  623. "Oh," she says with a silly smile, "That probably explains why I never heard of you talking about Puppeteers..."
  624. >you chuckle a little and reach for another volume
  625. "This is more along the lines of what you might want to see if you're interested in my Earth,"
  626. >Twilight is riveted to her seat cushion
  627. >this had to be pretty cool for an academic pone such as herself
  628. "If you want to borrow them, just go ahead. If I can trust somep0ny with a few books, it’s you,"
  629. >it's not like you'd be reading them again anytime soon
  630. "Really?"
  631. "Of course,"
  632. >she leaps up and wraps her front legs around your neck
  633. "Thank you thank you thank you!"
  634. >you return the hug, even if a little startled
  635. >perhaps you should have expected a reaction like this from a pony who spends her head in a pile of books most of the time
  636. >you spend a while with her, talking about some of the fiction and literature you don't have with you
  637. >you only ready occasionally, but you'd gone through a few books in your time
  638. >this wasn't really what you had your focus on at this moment
  639. >right now, your attention is centered on the silken-coated pony currently occupying your arms
  640. >Twilight is softer than a flannel bag of puppy ears
  641. >you can't resist letting a tentative hand go through her straight, smooth mane
  642. >you release her after a few short seconds
  643. >Twilight follows, going back to her seat beside you
  644. >her face was pretty tinged in crimson and you felt flush yourself
  645. >it was a little warm in here
  646. >you get up to open a window
  647. >behind you, Twilight frantically and quietly pulls out the encyclopedia and starts to look up a few things
  648. >you turn around, hearing the near-sonic-barrier-paced flipping of pages
  649. >the encyclopedia slams shut
  650. >you just see Twilight fiddling with her mane nonchalantly, turning to you as you raise an eyebrow
  651. "What's up?" she asks, innocent
  652. >you look at her, a little suspicious, before turning back to the window
  653. >as a fresh breeze flows in, bringing in a familiar petrichorous smell, you feel nature calling
  654. "Gonna go to the washroom, make yourself at home, okay? If you want anything to eat or drink, go right ahead,"
  655. >unbeknownst to you, Twilight is busying herself looking up "dating", "courtship", "mating", "relationship", and various other such words
  656. >turning bright red, but only ever doubling her efforts
  657. >you wash up and head back to the little living room, again hearing a book shut itself
  658. >you wonder what she might be up to, you told her she could borrow them, no need to be sneaky about it
  659. >Twilight is also blushing furiously
  660. >adorable ear to adorable ear
  661. >something is going on here and you want to know what it is
  662. >Twilight puckers her lips out of the blue
  663. "Twi, what are you doing?"
  664. >she doesn't reply, she just puckers more and moves her eyebrows up and down
  665. "Okay, what's going on? Is this a prank or something? I thought Pinkie and Rainbow were the pranksters..."
  666. >she looks around nervously, then hangs her head and sighs
  667. "Nothing, just messing with you," she grumbles
  668. >you catch something about "stupid book didn't help one bit"
  669. >now you’re just confused
  670. >the rain wasn't letting up, but at least it wasn't windy enough to push it in your apartment through the window
  671. “The books are really awesome, but you haven’t really told me all that much about your old life or your world. Would you mind talking about it?”
  672. >you shrug
  673. “Sure, what do you want to know?”
  674. >you sit down next to her as she asks you about what your world was like
  675. “I do miss it, you know… Strangely enough, it’s not that bad knowing I’ll never be able to go back. I don’t wonder about eventually going back, simply because it’s impossible,”
  676. “You must miss others of your kind quite a bit,”
  677. “I do. I miss quite a few people. Having friends here helps out a lot, though,”
  678. >you talk about who you knew, what your house used to look like
  679. >Twilight and you are sitting closer and closer as the room begins to cool down considerably
  680. >you have no desire to go close the window
  681. “So I never really knew girls that interested me completely. I knew that they were out there, but I guess I wasn’t lucky enough to find one that was really intelligent. I guess being in an arts program attracted more airheads than anything. They were all nice girls, but…”
  682. >Twilight cocks her head to the side with an eyebrow lightly raised
  683. “So you like smart girls?”
  684. >Twilight sounds… Hopeful?
  685. >you’re beginning to feel your heartbeat quicken
  686. >Twilight’s low tone of voice and close proximity to you wasn’t helping
  687. “I guess? None of them were ever smart like you,”
  688. >if your heart wasn’t beating so damn hard you’d get a kick out of seeing Twilight blushing so furiously, her coat seemed to be a completely different color
  689. >you notice that there’s very little space between the adorkable little unicorn and you
  690. >her delicate scent makes its way to you, the subtlety of it making it that much more enticing
  691. >you try to keep your head, asking
  692. “What about you? I’ve read the odd article in the papers, but I don’t know half as much as I’d like to,”
  693. >she looks into your eyes
  694. >you always felt small when she looked in your eyes
  695. >you felt like her big, breathtaking eyes looked through you
  696. “I used to be lonely, too worried about my studies… Friends helped, but I was missing something. Now, I don’t think any of that matters so much, I’m glad to have what I have,”
  697. >you back up a little
  698. >were you just crazy?
  699. “But hearing you talk about other girls made me wonder about what it would be like to have a coltfriend. Even if I’m happy with my life, I can’t help but imagine,”
  700. >looking into her eyes, you feel something crack
  701. >it was like nothing really mattered any more
  702. “Twilight, close your eyes,”
  703. >the very second those eyes left yours, you lean in and plant your lips on hers
  704. >she breathes in sharply, her heat making you blush harder than ever before
  705. >as you furrow a hand through her mane, reaching another around her back, Twilight deepens the kiss
  706. >by all that was Celestial, this is actually happening
  707. >you topple back onto the couch as she presses her chest against yours
  708. >both front legs around your neck, she breaks the kiss to look at you
  709. “Anon, I don’t think I need to look for a coltfriend anymore,”
  710. >you cup her cheek with a hand
  711. >Twilight’s weight on you was filling the hole in your chest. More than that, it was overflowing with emotions you could have only dreamed of
  712. “Sorry I can’t be your special somep0ny,” you whisper
  713. “W-… Wha-?”
  714. “I’m not a p0ny, Twi. I could be your special somehuman, though,”
  715. >she replies with a kiss, hooves burrowing under your neck to secure her hold on you
  716. >as Twilight breaks the kiss to nuzzle in your chest, you pet her lush mane, sighing deeply in complete contentment
  717. “Twilight? There’s something I’ve wanted to say for a long time,”
  718. >you feel her ears twitch a little
  719. “What is it? You can tell me anything. Even if it’s something you aren’t proud of or something,”
  720. >you hold her tightly
  721. “Twilight… You’re a pretty pony,”
  722. >the unicorn in your arms lets out a little sob
  723. “You’re a really pretty pony,”
  724. >nuzzled tightly in your neck, holding on as if she was afraid you’d push her away, Twilight shudders and quietly cries
  725. >you brush her mane, letting your hand pet down her back and curl around her tail
  726. >you were worried for a second, but she wasn’t crying in sadness
  727. >comfortable silence flows slowly in with the night breeze
  728. >today was a pretty pony kind of day
  729.  
  730. Who's a Pretty Pony? C3
  731. http://pastebin.com/w8mrsc7Q
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