Namak Halaal Full Movie Download In Hindi



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Namak Halaal Full Movie Download In Hindi
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Young Arjun (Amitabh Bachchan) is brought up by his Daddu (Om Prakash). His Daddu decides for him to go to the city in search of a new job and life. While in the city he meets up with Bhairon (Ram P. Sethi) who guides him into finding a job as a servant in a 5-star hotel owned by Raja (Shashi Kapoor). While in the hotel, Arjun meets Poonam (Smita Patil) and falls in love with her. During this time, many attempts are made to kill Raja by the one and only Girdar Singh (Satyendra Kapoor) and his son Ranjeet (Ranjeet). All these attempts are thwarted by Arjun. Will he be able to save Raja from these attacks?
Brought up by his grandfather, Arjun Singh moves to the city in search of a new job and life. While in the city he meets Bhairon who helps him find a job as a singer in a 5-star hotel owned by Raja.
I&#39;ve liked most of the comedies by the Shashi Kapoor- Amitabh Bachchan duo than the more serious films they did e.g. &#39;Deewar&#39;. Another title that comes to mind right now is &#39;Do Aur Do Paanch&#39;. &#39;Suhaag&#39; too works as a semi-comedy. <br/><br/>&#39;Namak Halaal&#39; provides numerous laughter and entertainment. There is the loyal servant (Bachchan) who&#39;s protecting his employer, a hotel owner (Kapoor) because of the promise he made to his mother (Rehman) and he also falls in love with a fellow employee (Patil). There is a grandfather (Prakash) who wants his grandson to make it on his own. There&#39;s a siren (Babi) who&#39;s been hired to assassinate the hotel owner. Then there&#39;s the evil manager (Ranjeet) who wants to frame the mother and kill the owner in order to takeover the hotel.<br/><br/>Mehra puts it all together and gives us a thriller/ comedy. This gives Amitabh another chance to show his comedic abilities. The actor does reasonably well at most parts but he does tend to go over the top. Shashi Kapoor is quite adequate. Smita Patil is luminous and Parveen Babi is ravishing. Waheeda Rehman does well with her part as does Om Prakash.<br/><br/>The songs are a strong point. Though the first song is better to watch than listen to, the rest are both pleasant for the ears and filmed nicely. Parveen looks particularly stunning in &#39;Raat Baki&#39; while Smita is sexy in the white sari rain song.<br/><br/>&#39;Namak Halaal&#39; is one film that can be enjoyed with the family. It does have its share of flaws as some of the comedy fails to be funny (mostly due to Amitabh&#39;s over the top acting).
Despite my great admiration for Indian cinema, Namak Halaal represents for me all that is unfortunate about the Bachchan phenomenon and the tendency to grotesque overacting and ridiculous plots that it spawned and which has done so much to cheapen Hindi cinema since. Do not get me wrong. Amitabh Bachchan is in my view a fine and multi-talented performer but this does not alter the fact that his period as a superstar has had a very detrimental effect on Bollywood films. Interestingly Amitabh&#39;s introduction to cinema owed much to his undoubtedly beautiful speaking voice (doing the commentary for a Hindi film by the Bengali director Mrinal Sen in 1968 and later also for a Hindi film by an even greater Bengali director, Satyajit Ray&#39;s Shatranj Ke Khilari). He turned in a beautifully understated performance as the rather uptight young doctor in Hrishikesh Mukherjee&#39;s Anand (1970) - a sort of thinking man&#39;s Love Story about a man dying of cancer - for which he very deservedly won an award as best supporting actor (to then-superstar Rajesh Khannah&#39;s performance in the title role). In Namak Haram (1973), he was again teamed with Khanah but this time distinctly upstaged the star. Zanjeer in the same year gave him famously the image of &#39;an angry young man&#39; and the period of his superstardom began.<br/><br/>By the time of Namak Halaal, an Amitabh film revolves entirely round Amitabh. The camera contrives to make him look even taller than he really is, dwarfing the other characters and allows him to upstage even those scenes where he is not the principal. The totally incredible plot is entirely subordinated to the set-piece scenes of slapstick comedy or elaborate dance-routines at which Amitabh excelled.<br/><br/>The film has a star-studded cast but even an actor of the calibre of Saashi Kapoor is relegated to a rather embarrassed and embarrassing support-role. More tragic still is the case of Smita Patil, an actress hitherto known for her hugely important contribution to serious realistic cinema (and &#39;regional&#39; or non-Hindi cinema), here acting for the first time in a popular blockbuster and given nothing to do but cast loving looks at the superstar. The moment where one sees her love-struck face reflected in Amitabh&#39;s chest-hair may be thought of as comic but seems to me to be one of the most distasteful images in any Hindi film.<br/><br/>Patil looks embarrassed a good deal of the time and legend has it that she burst into tears after the famous dance in the rain with the big B. Hardly surprisingly since the dance, like other Bachchan routines, is anything but two-way and simply involves Bachchan tossing Patil to and fro like a sort of doll.<br/><br/>Namak Halaal is certainly a clever showpiece for the superstar but it is nevertheless a very unhealthy piece of cinema and marks all too certainly the end of the period of the Indian new wave (which had made a star of Smita Patil)but also of the socio-political elements that (however sentimentalised) had previously characterised even much popular Hindi film-making. It ushers in the dominance of an essentially caricatural Bollywood style which is still the hallmark of the great majority of mainstream films.

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