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- 1
- 00:02:24,978 --> 00:02:28,323
- Sminky-Pinky.
- 2
- 00:02:28,649 --> 00:02:29,821
- Minks.
- 3
- 00:02:47,501 --> 00:02:49,003
- You mean like a...
- JIV-II
- 4
- 00:02:49,211 --> 00:02:50,713
- A "V"? All right.
- 5
- 00:03:35,924 --> 00:03:37,847
- <i>Lots of people say,
- "I discovered Alexander McQueen."</i>
- 6
- 00:03:39,886 --> 00:03:42,059
- <i>But you don't discover talent.
- Talent's there.</i>
- 7
- 00:03:42,139 --> 00:03:45,484
- <i>You open doors for talent. You push it
- through or you help it along.</i>
- 8
- 00:03:45,934 --> 00:03:50,064
- <i>No one discovered Alexander McQueen.
- Alexander McQueen discovered himself.</i>
- 9
- 00:03:52,023 --> 00:03:54,867
- Lee had <i>this</i>
- very strange CV.
- 10
- 00:03:55,736 --> 00:03:57,579
- <i>I wasn't very good at school.</i>
- 11
- 00:03:57,738 --> 00:04:01,368
- I was always drawing clothes
- in every lesson,
- 12
- 00:04:01,616 --> 00:04:05,211
- in science, in biology and...
- 13
- 00:04:07,372 --> 00:04:10,592
- But I used to enjoy art most.
- 14
- 00:04:12,335 --> 00:04:15,009
- <i>When he left school
- he wasn't sure what he wanted to do.</i>
- 15
- 00:04:15,213 --> 00:04:18,308
- He was out of work.
- Looking for work, I should say.
- 16
- 00:04:18,925 --> 00:04:22,680
- Because my husband's very strict
- on the children going out to work.
- 17
- 00:04:23,305 --> 00:04:26,605
- We was watching
- a television programme one evening
- 18
- 00:04:26,850 --> 00:04:30,571
- and they was saying
- that they couldn't get apprentices
- 19
- 00:04:30,812 --> 00:04:32,359
- to work in Savile Row.
- 20
- 00:04:32,522 --> 00:04:35,321
- <i>So I just said to him,
- "Why don't you go and try?</i>
- 21
- 00:04:35,525 --> 00:04:39,325
- "Just knock on the door.
- They can only either say yes or no."
- 22
- 00:04:39,988 --> 00:04:41,615
- And that's exactly what he done.
- 23
- 00:04:44,701 --> 00:04:47,500
- <i>Anderson & Sheppard
- started in 1906.</i>
- 24
- 00:04:47,788 --> 00:04:49,506
- <i>We like to do things
- slightly different to other people.</i>
- 25
- 00:04:50,916 --> 00:04:51,963
- <i>We have a house style.</i>
- 26
- 00:04:52,125 --> 00:04:54,503
- <i>That's what we're going to teach
- the apprentices to make.</i>
- 27
- 00:04:58,715 --> 00:05:02,094
- <i>I was taught by</i> a <i>master
- tailor from County Cork in Ireland.</i>
- 28
- 00:05:02,344 --> 00:05:04,472
- <i>He was the best tailor
- we had on the premises.</i>
- 29
- 00:05:05,305 --> 00:05:06,932
- <i>You start off padding collars,
- putting in pockets,</i>
- 30
- 00:05:08,433 --> 00:05:10,401
- <i>but you're expected
- to make a full jacket</i>
- 31
- 00:05:10,644 --> 00:05:12,646
- <i>ready for fitting
- by the end of the first year.</i>
- 32
- 00:05:12,813 --> 00:05:13,939
- <i>As soon as you put it on,</i>
- 33
- 00:05:14,147 --> 00:05:16,070
- <i>it should fit like a glove
- and you know it's made for you.</i>
- 34
- 00:05:16,399 --> 00:05:19,949
- <i>I knew I couldn't survive in</i> a
- <i>place like that for the rest of my life,</i>
- 35
- 00:05:20,529 --> 00:05:24,033
- <i>cluttered in</i> a <i>small workshop,
- sitting on the bench, padding lapels.</i>
- 36
- 00:05:24,324 --> 00:05:26,543
- But I did have a passion
- and I was good at it.
- 37
- 00:05:26,910 --> 00:05:30,960
- I was good at tailoring a jacket.
- I was quick at learning trousers.
- 38
- 00:05:31,164 --> 00:05:34,088
- I wanted to learn everything.
- "Give me everything."
- 39
- 00:05:34,960 --> 00:05:37,213
- <i>It was
- the beginning of the '90s</i>
- 40
- 00:05:37,629 --> 00:05:40,178
- <i>when I had a bespoke tailoring shop
- in Mount Street</i>
- 41
- 00:05:40,423 --> 00:05:42,016
- <i>and he just walked in one day.</i>
- 42
- 00:05:42,384 --> 00:05:44,102
- He looked like a skinhead,
- 43
- 00:05:44,219 --> 00:05:47,314
- but he just told me
- he can cut a frock coat
- 44
- 00:05:47,514 --> 00:05:50,518
- much better
- than the 50-year-old tailor I had.
- 45
- 00:05:50,934 --> 00:05:53,813
- So I was very curious
- and I just told him,
- 46
- 00:05:54,104 --> 00:05:56,527
- "OK, show me what you can do."
- 47
- 00:05:57,440 --> 00:06:01,320
- <i>I never really made clothes
- in a traditional way.</i>
- 48
- 00:06:01,403 --> 00:06:03,371
- <i>I was experimenting myself</i>
- 49
- 00:06:03,780 --> 00:06:07,205
- <i>in how to create structure
- and volumes.</i>
- 50
- 00:06:07,659 --> 00:06:11,880
- <i>I'd begun to just take in material,
- any material.</i>
- 51
- 00:06:12,372 --> 00:06:16,377
- <i>And, by putting them all together,
- somehow you can start to create</i>
- 52
- 00:06:16,585 --> 00:06:18,337
- <i>this three-dimensional form.</i>
- 53
- 00:06:18,628 --> 00:06:20,471
- He wanted to understand
- 54
- 00:06:20,630 --> 00:06:23,053
- why I'm doing it this way
- or that way.
- 55
- 00:06:24,134 --> 00:06:28,856
- <i>When Lee was 17, he said,
- "I'll make you a couple of skirts.</i> ”
- 56
- 00:06:29,472 --> 00:06:32,726
- And I've got to say,
- they fitted like a glove.
- 57
- 00:06:32,934 --> 00:06:36,188
- They were so fitted to my body
- 58
- 00:06:36,313 --> 00:06:38,361
- I couldn't even
- move my legs, hardly,
- 59
- 00:06:38,982 --> 00:06:40,825
- but I used to get compliments
- on this skirt.
- 60
- 00:06:40,901 --> 00:06:43,199
- I did use to wonder,
- 61
- 00:06:43,528 --> 00:06:46,748
- "I hope he finds the right thing
- for himself in life."
- 62
- 00:06:47,782 --> 00:06:50,035
- <i>He was a sweet boy
- from the East End,</i>
- 63
- 00:06:50,285 --> 00:06:51,878
- <i>looking to make money.</i>
- 64
- 00:06:52,329 --> 00:06:53,626
- We needed technical help,
- 65
- 00:06:53,830 --> 00:06:55,377
- machinists, pattern cutters.
- 66
- 00:06:55,540 --> 00:06:57,759
- We needed people
- who had hands-on experience
- 67
- 00:06:58,001 --> 00:06:59,127
- in making clothes.
- 68
- 00:06:59,753 --> 00:07:02,222
- <i>He gave me no attitude,
- was never late,</i>
- 69
- 00:07:02,297 --> 00:07:04,550
- <i>always knew what he was doing,
- always delivered.</i>
- 70
- 00:07:05,508 --> 00:07:09,684
- He listened continually
- to Sinéad O'Connor, which was quite odd.
- 71
- 00:07:09,930 --> 00:07:12,353
- No one else liked
- Sinéad O'Connor at the time
- 72
- 00:07:12,515 --> 00:07:14,233
- but he really liked her for some reason.
- 73
- 00:07:14,392 --> 00:07:17,236
- I always remember him with his Walkman
- on, listening to Sinéad O'Connor.
- 74
- 00:07:17,646 --> 00:07:20,695
- Three, two, one, ignition.
- 75
- 00:07:21,316 --> 00:07:22,659
- Lift-off.
- 76
- 00:07:24,778 --> 00:07:28,032
- <i>Red or Dead was
- this very young streetwear company.</i>
- 77
- 00:07:28,615 --> 00:07:30,913
- <i>When I said to him
- that the Space Baby collection</i>
- 78
- 00:07:31,493 --> 00:07:35,248
- was based on the anniversary
- of the men landing on the moon,
- 79
- 00:07:35,622 --> 00:07:36,999
- he was like, "What?"
- 80
- 00:07:38,208 --> 00:07:40,427
- <i>He didn't know
- that you could take a subject</i>
- 81
- 00:07:40,543 --> 00:07:43,262
- <i>that had no relation to clothing</i>
- 82
- 00:07:43,755 --> 00:07:46,474
- <i>and actually get inspiration from that
- to design clothing.</i>
- 83
- 00:07:46,758 --> 00:07:48,135
- <i>So, he didn't understand</i>
- 84
- 00:07:48,343 --> 00:07:50,971
- <i>this idea of visual research</i>
- 85
- 00:07:51,179 --> 00:07:53,523
- <i>or historic references
- or sexual references.</i>
- 86
- 00:07:53,640 --> 00:07:56,769
- <i>We copy you on the ground.
- The Eagle has landed.</i>
- 87
- 00:07:57,102 --> 00:07:58,945
- He must have
- asked me questions,
- 88
- 00:07:59,437 --> 00:08:01,986
- "What can I do next?
- How can I push myself forward?"
- 89
- 00:08:02,232 --> 00:08:03,700
- And at the time
- 90
- 00:08:04,442 --> 00:08:07,867
- all the designers in Italy
- were opening diffusion lines.
- 91
- 00:08:09,531 --> 00:08:11,499
- <i>He went to Italy with no language,</i>
- 92
- 00:08:11,700 --> 00:08:14,544
- <i>no place to stay,
- no money, no qualifications.</i>
- 93
- 00:08:15,328 --> 00:08:19,959
- <i>I thought, "Within a week he'll be back
- with his tail between his legs."</i>
- 94
- 00:08:22,794 --> 00:08:24,967
- <i>A week later, maybe 10 days,</i>
- 95
- 00:08:25,255 --> 00:08:26,723
- <i>I get</i> a <i>call from Lee from Italy.</i>
- 96
- 00:08:26,881 --> 00:08:29,634
- <i>He'd landed a job
- as an assistant for Romeo Gigli.</i>
- 97
- 00:08:29,759 --> 00:08:32,638
- To say I was shocked
- was an understatement.
- 98
- 00:08:34,681 --> 00:08:37,525
- <i>I said to him,
- "OK, I'm looking for</i> a <i>new jacket.</i>
- 99
- 00:08:37,642 --> 00:08:39,519
- "I have in my mind this shape
- 100
- 00:08:39,686 --> 00:08:42,530
- "but my tailors,
- they cannot reach that shape.
- 101
- 00:08:42,689 --> 00:08:44,942
- "Maybe you can help me to do it."
- 102
- 00:08:45,525 --> 00:08:47,573
- And we start to do that jacket
- 103
- 00:08:47,777 --> 00:08:49,905
- and within the first fitting
- 104
- 00:08:50,321 --> 00:08:53,791
- I say, "No, it's wrong.
- That is not what I'm looking for."
- 105
- 00:08:54,492 --> 00:08:58,042
- So with the tailor,
- with Lee, they did one more.
- 106
- 00:08:58,538 --> 00:09:02,384
- We did the second fitting
- and again I take out the lining,
- 107
- 00:09:02,667 --> 00:09:04,965
- look inside the jacket
- and it was wrong.
- 108
- 00:09:05,336 --> 00:09:08,556
- <i>Third fitting I say,
- "No, it's incorrect."</i>
- 109
- 00:09:08,798 --> 00:09:13,349
- And I take out the lining
- and inside the jacket
- 110
- 00:09:13,678 --> 00:09:16,306
- Lee wrote with a black pen,
- 111
- 00:09:16,681 --> 00:09:18,103
- "Fuck you, Romeo."
- 112
- 00:09:20,560 --> 00:09:23,734
- <i>That was a time
- when I was looking for new shapes,</i>
- 113
- 00:09:23,980 --> 00:09:25,607
- <i>for shapes, for shapes...</i>
- 114
- 00:09:25,815 --> 00:09:29,194
- <i>And he was looking
- so deeply and hard.</i>
- 115
- 00:09:29,486 --> 00:09:33,741
- <i>He was really deeply looking
- to understand everything.</i>
- 116
- 00:09:34,449 --> 00:09:36,497
- He was leaving my studio
- 117
- 00:09:36,659 --> 00:09:39,788
- because he wanted to study
- more and more and more.
- 118
- 00:09:42,165 --> 00:09:43,917
- <i>You can't teach talent.</i>
- 119
- 00:09:44,125 --> 00:09:48,221
- <i>But what you can do is make them better
- at what they do, or more professional.</i>
- 120
- 00:09:48,505 --> 00:09:51,850
- <i>And to me, the whole thinking
- behind this MA</i>
- 121
- 00:09:52,300 --> 00:09:54,974
- <i>was to make them work in teams,
- working together,</i>
- 122
- 00:09:55,261 --> 00:09:56,979
- <i>as you do in the fashion world.</i>
- 123
- 00:09:57,597 --> 00:10:00,521
- I saw this unprepossessing,
- I must say,
- 124
- 00:10:01,309 --> 00:10:02,652
- very shabby,
- 125
- 00:10:02,811 --> 00:10:04,404
- very unattractive...
- 126
- 00:10:04,521 --> 00:10:07,616
- I hate to even say this
- but it was true.
- 127
- 00:10:08,441 --> 00:10:12,662
- ...boy with a bundle of clothes
- over his arm outside my office.
- 128
- 00:10:12,904 --> 00:10:15,327
- <i>So I said to him,
- "Who are you looking for?"</i>
- 129
- 00:10:15,615 --> 00:10:17,834
- And he said, "I've come to see you."
- 130
- 00:10:18,827 --> 00:10:21,671
- But I had no job,
- which he said he was after.
- 131
- 00:10:21,871 --> 00:10:24,670
- <i>The whole thing intrigued me.
- He was passionate.</i>
- 132
- 00:10:24,749 --> 00:10:27,753
- And to me this is the secret, really.
- 133
- 00:10:28,586 --> 00:10:30,133
- You... If you tap into that.
- 134
- 00:10:30,713 --> 00:10:32,681
- I found myself saying,
- 135
- 00:10:32,799 --> 00:10:34,767
- "Well, I think you should come
- on my course."
- 136
- 00:10:35,093 --> 00:10:38,267
- And I couldn't offer him money.
- That was really sad.
- 137
- 00:10:38,471 --> 00:10:40,144
- And it was patently obvious
- he had none.
- 138
- 00:10:40,390 --> 00:10:42,518
- Aunt Renee said
- she had money in the bank,
- 139
- 00:10:42,809 --> 00:10:45,733
- sitting there not doing anything,
- and she would rather help Lee.
- 140
- 00:10:46,020 --> 00:10:47,772
- <i>She'd worked
- in the rag trade.</i>
- 141
- 00:10:48,022 --> 00:10:50,116
- <i>She knew
- that Lee had talent.</i>
- 142
- 00:10:50,400 --> 00:10:51,902
- And he came back and said,
- 143
- 00:10:52,026 --> 00:10:54,870
- "My aunt is going to pay the fees
- 144
- 00:10:55,738 --> 00:10:57,035
- "and I'm coming."
- 145
- 00:10:58,783 --> 00:11:00,785
- <i>Saint Martins
- was the place to go.</i>
- 146
- 00:11:00,994 --> 00:11:03,372
- <i>But what I liked about it
- was the freedom of expression</i>
- 147
- 00:11:03,580 --> 00:11:05,924
- <i>and being surrounded
- by like-minded people.</i>
- 148
- 00:11:07,625 --> 00:11:12,096
- We got on really well because
- we had the same sense of humour.
- 149
- 00:11:12,422 --> 00:11:16,472
- <i>And he laughed all the time,
- so he was just funny and disrespectful.</i>
- 150
- 00:11:17,427 --> 00:11:22,228
- <i>And he'd do catwalk shows down
- the corridor. He'd just muck around.</i>
- 151
- 00:11:22,307 --> 00:11:24,309
- <i>Whenever he could muck around,
- he'd muck around.</i>
- 152
- 00:11:25,435 --> 00:11:27,529
- I was teaching there
- at the time as well.
- 153
- 00:11:27,812 --> 00:11:30,565
- <i>And he was not frightened to tell
- people, "I know better than you."</i>
- 154
- 00:11:31,357 --> 00:11:32,654
- <i>Even the tutors.</i>
- 155
- 00:11:32,817 --> 00:11:36,242
- <i>He was a bit of a nightmare student
- because he knew so much.</i>
- 156
- 00:11:36,654 --> 00:11:39,077
- I'm sure he was a pain
- and did interrupt people.
- 157
- 00:11:39,449 --> 00:11:41,292
- He didn't actually dare interrupt me.
- 158
- 00:11:41,784 --> 00:11:45,163
- But he used it. He used it
- as I intended him to use it.
- 159
- 00:11:45,580 --> 00:11:48,675
- And he'd come to a painting or a book
- 160
- 00:11:48,875 --> 00:11:51,128
- and, not having had a formal education,
- 161
- 00:11:51,753 --> 00:11:53,471
- it was all new to him.
- 162
- 00:11:53,671 --> 00:11:57,642
- And that was it.
- He reinterpreted things in his way.
- 163
- 00:11:57,800 --> 00:12:00,770
- It wasn't filtered through,
- as with a lot of us
- 164
- 00:12:00,929 --> 00:12:03,853
- who'd had
- more conventional backgrounds.
- 165
- 00:12:04,182 --> 00:12:05,229
- I loved that.
- 166
- 00:12:05,391 --> 00:12:09,771
- He knew where to go for everything.
- London was his town.
- 167
- 00:12:10,188 --> 00:12:11,565
- <i>"Where do I get my buttonholes?"</i>
- 168
- 00:12:11,689 --> 00:12:14,363
- <i>He'd go,"You want to go
- to Martin in Soho."</i>
- 169
- 00:12:14,734 --> 00:12:18,238
- <i>"If you want fabric, then you want to go
- to Berwick Street, Shepherd's Bush."</i>
- 170
- 00:12:20,031 --> 00:12:23,752
- He would take me to gay bars
- and he would take me to lesbian bars
- 171
- 00:12:24,244 --> 00:12:25,666
- and he'd, like, sit me there
- and he'd go,
- 172
- 00:12:25,870 --> 00:12:27,622
- "This is what you want.
- This is what you want."
- 173
- 00:12:27,872 --> 00:12:31,126
- I'd go, "No, I just want to go home.
- Can I just go home and do my homework?"
- 174
- 00:12:32,293 --> 00:12:35,046
- <i>The course always ended
- with the degree show.</i>
- 175
- 00:12:35,421 --> 00:12:39,426
- No other college
- had ever been invited, as Iwas,
- 176
- 00:12:39,676 --> 00:12:41,770
- to show during British Fashion Week.
- 177
- 00:12:42,303 --> 00:12:45,477
- <i>He called me when he
- was finishing the final collection</i>
- 178
- 00:12:45,807 --> 00:12:49,186
- <i>and asked me to come in to have a look
- and talk to him about it.</i>
- 179
- 00:12:49,519 --> 00:12:50,645
- It had all the elements.
- 180
- 00:12:51,312 --> 00:12:53,690
- <i>H had the history of the East End.</i>
- 181
- 00:12:53,982 --> 00:12:57,361
- <i>It had the darkness,
- Jack the Ripper stalks his victims.</i>
- 182
- 00:12:57,610 --> 00:13:01,205
- <i>It had the research.
- It had a really great story behind it.</i>
- 183
- 00:13:01,698 --> 00:13:03,996
- <i>He was reading books
- like Perfume,</i>
- 184
- 00:13:04,367 --> 00:13:05,835
- <i>which is all about the murder of women,</i>
- 185
- 00:13:06,411 --> 00:13:09,540
- <i>and he had a very dark side to him
- as well,</i>
- 186
- 00:13:09,664 --> 00:13:12,292
- <i>so he was drawing
- from a“ of these influences</i>
- 187
- 00:13:12,583 --> 00:13:17,214
- <i>and then creating something
- very beautiful out of it.</i>
- 188
- 00:13:36,482 --> 00:13:40,703
- <i>The pieces went past me
- and they moved in</i> a <i>way I've never seen.</i>
- 189
- 00:13:43,489 --> 00:13:46,618
- <i>And I wanted them. They were modern.
- They were classical.</i>
- 190
- 00:13:51,998 --> 00:13:55,468
- <i>He would do</i> a <i>black coat
- and then he'd line it with human hair.</i>
- 191
- 00:13:55,626 --> 00:13:58,345
- <i>And it was blood-red inside
- so it was like a body.</i>
- 192
- 00:13:58,546 --> 00:14:00,844
- <i>It was like flesh with blood.</i>
- 193
- 00:14:04,010 --> 00:14:05,353
- <i>And I just thought,</i>
- 194
- 00:14:05,470 --> 00:14:07,768
- <i>"This is the most beautiful thing
- I've ever seen."</i>
- 195
- 00:14:09,015 --> 00:14:12,861
- <i>it was about sabotage and tradition,
- which is the perfect combination,</i>
- 196
- 00:14:13,102 --> 00:14:14,900
- <i>and beauty and violence.</i>
- 197
- 00:14:15,313 --> 00:14:18,112
- <i>All the things that t suppose
- the '90s represent.</i>
- 198
- 00:14:20,651 --> 00:14:22,449
- How difficult is it
- to discover genius?
- 199
- 00:14:22,570 --> 00:14:25,198
- Not at all difficult,
- cos they have it and I spot it.
- 200
- 00:14:25,823 --> 00:14:28,622
- If you're interested
- in late 20th-century clothes,
- 201
- 00:14:28,826 --> 00:14:30,828
- Isabella Blow is a big player.
- 202
- 00:14:31,329 --> 00:14:34,424
- I was at American Vogue
- and Anna Wintour discovered me
- 203
- 00:14:34,582 --> 00:14:37,005
- and I worked for her
- and then I went to British <i>Vogue.</i>
- 204
- 00:14:37,502 --> 00:14:40,346
- McQueen was her knight
- and she was gonna take him to the top.
- 205
- 00:14:40,463 --> 00:14:41,510
- She was determined.
- 206
- 00:14:41,756 --> 00:14:44,635
- I just knew. I rang up his mother
- and said, "You've produced a genius."
- 207
- 00:14:45,593 --> 00:14:47,891
- You know, he's like
- the Saint Laurent of the year 2000.
- 208
- 00:14:48,262 --> 00:14:49,764
- And his mother said to him,
- 209
- 00:14:49,847 --> 00:14:53,397
- "Look, there's this mad woman
- who keeps trying to call us.
- 210
- 00:14:53,810 --> 00:14:55,312
- "She wants
- some of your clothes."
- 211
- 00:14:55,436 --> 00:14:57,859
- I rang between six
- and eight times a day.
- 212
- 00:14:57,980 --> 00:15:00,574
- Finally I got a little voice
- on the end of the line, "Hello?"
- 213
- 00:15:01,025 --> 00:15:04,199
- I said, "Can I make an appointment
- with you? My name's Isabella Blow."
- 214
- 00:15:04,404 --> 00:15:06,327
- I don't know to this day
- if he knew who I was.
- 215
- 00:15:06,489 --> 00:15:08,787
- No, I just wanted the money.
- I was desperate for money.
- 216
- 00:15:09,158 --> 00:15:11,707
- I wasn't interested in him either.
- I just wanted the clothes.
- 217
- 00:15:12,036 --> 00:15:13,458
- I didn't give her no money off.
- 218
- 00:15:13,621 --> 00:15:15,965
- I said, "That's 350, love.
- You can take it or leave it."
- 219
- 00:15:16,374 --> 00:15:18,001
- And...
- 220
- 00:15:18,209 --> 00:15:19,381
- And she loved that.
- 221
- 00:15:21,712 --> 00:15:26,309
- <i>It wasn't until I went
- to the Bluebird Garage collection</i>
- 222
- 00:15:26,634 --> 00:15:28,011
- <i>that</i> he did <i>that I...</i>
- 223
- 00:15:28,761 --> 00:15:31,059
- Well, I just thought,
- "What have I unleashed?"
- 224
- 00:15:31,431 --> 00:15:34,560
- <i>And he walked across
- and said, "I owe it all to you,"</i>
- 225
- 00:15:34,767 --> 00:15:36,861
- <i>which I thought was very, very sweet</i>
- 226
- 00:15:37,019 --> 00:15:38,737
- because it was far from true.
- 227
- 00:15:38,813 --> 00:15:43,319
- He'd worked every...
- Every inch of the way himself.
- 228
- 00:15:55,413 --> 00:15:58,838
- Every fashion designer wants
- to create an illusion,
- 229
- 00:15:59,000 --> 00:16:02,345
- create things that disturb
- and fascinate people.
- 230
- 00:16:02,503 --> 00:16:04,676
- Clothes are really beautiful
- to work with,
- 231
- 00:16:04,797 --> 00:16:06,674
- but there's also a reality outside.
- 232
- 00:16:06,757 --> 00:16:08,134
- Some people don't want to hear it.
- 233
- 00:16:08,342 --> 00:16:11,596
- It's all lovey-dovey and everything's
- fine in the world all the time.
- 234
- 00:16:11,846 --> 00:16:13,098
- And I tell it the way it is.
- 235
- 00:16:15,433 --> 00:16:18,312
- <i>In the '90s,
- you used to make clothes to go out.</i>
- 236
- 00:16:18,478 --> 00:16:20,526
- <i>You used to make something
- just for that night.</i>
- 237
- 00:16:20,688 --> 00:16:24,363
- <i>You're going to this nightclub.
- This person is on, or that DJ.</i>
- 238
- 00:16:24,650 --> 00:16:26,323
- <i>"Right, what are we going to do?"</i>
- 239
- 00:16:26,903 --> 00:16:30,077
- <i>t think Lee took everything.
- t mean, that's one of Lee's strengths.</i>
- 240
- 00:16:30,323 --> 00:16:33,247
- <i>He took a lot of Bowery/s aesthetic.</i>
- 241
- 00:16:33,493 --> 00:16:36,542
- <i>It's transgressive, it's in-your-face.</i>
- 242
- 00:16:36,913 --> 00:16:40,133
- <i>And he thought,
- "How does this translate onto</i> a <i>runway?"</i>
- 243
- 00:16:40,833 --> 00:16:43,131
- <i>Lee also used that language of fetish</i>
- 244
- 00:16:43,503 --> 00:16:46,427
- <i>in terms of rubber
- and latex and leather</i>
- 245
- 00:16:47,215 --> 00:16:49,559
- <i>and put it into his fashion design.</i>
- 246
- 00:16:51,344 --> 00:16:54,848
- <i>We started going out with each other
- but part of me was thinking,</i>
- 247
- 00:16:54,972 --> 00:16:57,851
- <i>"But also it's quite useful
- cos I can sew as well. "</i>
- 248
- 00:16:58,768 --> 00:17:00,611
- <i>It was literally anyone that could sew.</i>
- 249
- 00:17:00,811 --> 00:17:03,860
- <i>It didn't matter whether they were
- any good at sewing or not.</i>
- 250
- 00:17:04,148 --> 00:17:06,150
- <i>Were they willing to come
- and sit in the studio</i>
- 251
- 00:17:06,275 --> 00:17:07,902
- <i>for, like, 16 hours a day?</i>
- 252
- 00:17:08,069 --> 00:17:09,946
- And were they going to be
- fun to be around?
- 253
- 00:17:10,071 --> 00:17:14,451
- Lee was the badly-behaved,
- naughty school boy
- 254
- 00:17:14,617 --> 00:17:17,461
- that was always doing pranks
- on people in the pub,
- 255
- 00:17:17,787 --> 00:17:19,960
- and that's the person
- that I liked and loved.
- 256
- 00:17:31,092 --> 00:17:35,188
- At the time I first met Lee,
- Iwas living in Hoxton Square,
- 257
- 00:17:35,680 --> 00:17:37,899
- and one day in pops this guy
- 258
- 00:17:38,349 --> 00:17:41,853
- and I kind of figured he had rented,
- you know, the downstairs.
- 259
- 00:17:41,978 --> 00:17:44,106
- <i>"Come in for a cup of tea.
- Come in for a cup of tea."</i>
- 260
- 00:17:44,480 --> 00:17:45,777
- <i>And he asked what I did.</i>
- 261
- 00:17:45,898 --> 00:17:48,742
- <i>I said, "Oh, you know, I do grooming
- for men, hair and make-up. "</i>
- 262
- 00:17:49,151 --> 00:17:51,529
- <i>And he goes,
- "Oh. I'm having</i> a <i>show soon.</i>
- 263
- 00:17:51,612 --> 00:17:53,535
- <i>"Would you do the hair and make-up
- for the guys?"</i>
- 264
- 00:17:53,781 --> 00:17:54,828
- And I was like,
- 265
- 00:17:54,991 --> 00:17:57,210
- "Don't you need to see
- some of my work first?"
- 266
- 00:17:57,493 --> 00:17:59,495
- I'd never done a show before,
- you know, so...
- 267
- 00:17:59,954 --> 00:18:03,128
- And he's like "No, no, no, no.
- I can tell. I can tell."
- 268
- 00:18:03,624 --> 00:18:06,594
- <i>He said to me one day,
- "I've decided to do my own collection. "</i>
- 269
- 00:18:06,836 --> 00:18:09,931
- I remember thinking "How on earth
- does he think he's gonna have a business
- 270
- 00:18:10,131 --> 00:18:11,303
- "and make a collection?
- 271
- 00:18:11,549 --> 00:18:16,225
- "He's got nothing. He's got no money,
- no wherewithal, no studio,
- 272
- 00:18:16,596 --> 00:18:19,099
- "nobody to support him
- and nothing behind him."
- 273
- 00:18:19,432 --> 00:18:22,276
- <i>And yet he was determined
- this was what he was going to do.</i>
- 274
- 00:18:23,185 --> 00:18:25,734
- I survived on unemployment benefit
- 275
- 00:18:26,272 --> 00:18:28,320
- and I bought all my fabrics.
- 276
- 00:18:29,442 --> 00:18:31,865
- I bought all my fabrics
- with my dole money.
- 277
- 00:18:32,445 --> 00:18:36,291
- And I went round to my parents
- for baked beans
- 278
- 00:18:36,407 --> 00:18:38,956
- and tins of soup and things like that.
- 279
- 00:18:45,249 --> 00:18:47,126
- This is my pooch.
- 280
- 00:18:47,376 --> 00:18:49,629
- <i>He said to me,
- "I really need to get</i> a <i>logo."</i>
- 281
- 00:18:49,795 --> 00:18:52,844
- <i>We asked my boyfriend at the time
- if he would design it.</i>
- 282
- 00:18:52,965 --> 00:18:55,138
- <i>It was my idea
- to put the "C" inside the</i>
- 283
- 00:18:55,217 --> 00:18:57,515
- <i>but then Dave designed the rest of it.</i>
- 284
- 00:18:57,803 --> 00:19:01,603
- <i>He was fantastic at getting people to do
- a phenomena! amount of work for him.</i>
- 285
- 00:19:02,224 --> 00:19:03,851
- And we were never, ever paid.
- 286
- 00:19:04,018 --> 00:19:07,488
- In fact, we were paying him
- to work for him.
- 287
- 00:19:07,813 --> 00:19:08,860
- How amazing is that?
- 288
- 00:19:09,065 --> 00:19:12,740
- <i>Just to be pan' of it,
- be part of his vision, yeah.</i>
- 289
- 00:19:13,027 --> 00:19:15,997
- He had that, even from
- the very beginning, that pull.
- 290
- 00:19:16,280 --> 00:19:18,453
- It's so bohemian. Warhol.
- 291
- 00:19:18,699 --> 00:19:19,746
- Yeah.
- 292
- 00:19:19,909 --> 00:19:21,877
- Dance your way
- to success. Come on!
- 293
- 00:19:24,622 --> 00:19:26,249
- <i>Isabella was very keen
- to call him Alexander.</i>
- 294
- 00:19:26,374 --> 00:19:28,627
- She thought it sounded better
- as a designer.
- 295
- 00:19:29,001 --> 00:19:31,299
- It sounded grander
- and more romantic.
- 296
- 00:19:31,379 --> 00:19:33,473
- Issie got criticised
- for trying to make him posh.
- 297
- 00:19:33,547 --> 00:19:35,345
- So what? Good for Issie.
- 298
- 00:19:35,675 --> 00:19:38,098
- She was just trying
- to make him successful. And she did.
- 299
- 00:19:38,219 --> 00:19:39,766
- Alexander McQueen is a brand.
- 300
- 00:19:40,096 --> 00:19:42,315
- <i>Why do you love her
- so much, Lee?</i>
- 301
- 00:19:42,515 --> 00:19:45,359
- Cos she's the same as me.
- She doesn't care what people think.
- 302
- 00:19:45,768 --> 00:19:47,145
- At the end of the day we're...
- 303
- 00:19:47,561 --> 00:19:49,734
- We're separate entities
- to everyone else
- 304
- 00:19:49,939 --> 00:19:51,907
- and we have our own
- personal view about things.
- 305
- 00:19:52,274 --> 00:19:54,151
- When you fall in love
- with something,
- 306
- 00:19:54,276 --> 00:19:57,701
- you nurture it and you look after it
- like it's your... Garden.
- 307
- 00:19:58,114 --> 00:20:00,116
- People garden, they cook,
- they do the same thing.
- 308
- 00:20:00,366 --> 00:20:02,039
- My ingredients are clothes.
- 309
- 00:20:02,660 --> 00:20:05,334
- <i>She introduced him to everyone.
- She championed him.</i>
- 310
- 00:20:05,579 --> 00:20:08,583
- So I suppose what initially started
- as a work relationship for her
- 311
- 00:20:08,666 --> 00:20:10,088
- became a creative friendship.
- 312
- 00:20:10,167 --> 00:20:12,716
- <i>She was someone
- that was always really excited</i>
- 313
- 00:20:12,837 --> 00:20:14,805
- <i>and wanted to see the next thing
- and the new thing</i>
- 314
- 00:20:14,880 --> 00:20:16,382
- <i>and wanted to push people.</i>
- 315
- 00:20:16,507 --> 00:20:17,759
- It was never about money.
- 316
- 00:20:18,300 --> 00:20:21,429
- I never saw any money going
- backwards and forwards between them.
- 317
- 00:20:23,097 --> 00:20:26,692
- <i>I just remember the laughter,
- the exciting creativity of the mid-'90s.</i>
- 318
- 00:20:26,976 --> 00:20:29,695
- <i>And the adventure they were on this
- rocket they shot to the moon.</i>
- 319
- 00:20:30,020 --> 00:20:32,773
- I'm sure you're a hungry little thing.
- 320
- 00:20:34,108 --> 00:20:36,156
- <i>The early days
- were very happy days.</i>
- 321
- 00:20:36,610 --> 00:20:39,864
- <i>They were short times, but they were
- beautiful and they were funny.</i>
- 322
- 00:20:40,364 --> 00:20:41,832
- <i>Issie didn't have children</i>
- 323
- 00:20:42,032 --> 00:20:45,787
- <i>so she threw her maternal love
- to her protégé.</i>
- 324
- 00:20:46,495 --> 00:20:49,214
- I looked forward to seeing him
- cos he made me laugh so much.
- 325
- 00:20:49,665 --> 00:20:51,884
- <i>Issie and McQueen
- had a very dirty sense of humour.</i>
- 326
- 00:20:52,293 --> 00:20:54,887
- <i>McQueen would describe Issie
- as a cross between Lucrezia Borgia</i>
- 327
- 00:20:55,004 --> 00:20:56,722
- <i>and</i> a <i>Billingsgate fish wife.</i>
- 328
- 00:20:57,465 --> 00:20:59,513
- <i>Issie had</i> a <i>very vulgar humour.</i>
- 329
- 00:20:59,717 --> 00:21:02,220
- I always found the cocks
- and the cunts slightly...
- 330
- 00:21:03,012 --> 00:21:04,685
- Always a bit... Oh!
- 331
- 00:21:05,181 --> 00:21:07,479
- I wasn't really into
- their earthy humour.
- 332
- 00:21:08,058 --> 00:21:10,527
- However rude McQueen got,
- Issie was even worse.
- 333
- 00:21:10,728 --> 00:21:13,948
- <i>They loved to play off each other
- like that and be outrageous.</i>
- 334
- 00:21:14,023 --> 00:21:15,400
- I know Alexander loves birds
- 335
- 00:21:15,566 --> 00:21:17,534
- so I've got this bird hat on
- designed by Philip.
- 336
- 00:21:17,985 --> 00:21:21,330
- We're going to do some falconry tomorrow
- cos Alexander's got a very...
- 337
- 00:21:21,822 --> 00:21:23,290
- He's passionate about birds.
- 338
- 00:21:23,532 --> 00:21:25,660
- <i>We're going to fly some falcons
- tomorrow afternoon.</i>
- 339
- 00:21:47,097 --> 00:21:49,395
- <i>We did go and stay
- at Hines a few times.</i>
- 340
- 00:21:50,267 --> 00:21:52,861
- You would end up
- diving into Issie's dressing-up box
- 341
- 00:21:53,062 --> 00:21:54,359
- and we'd all be wearing
- 342
- 00:21:54,480 --> 00:21:56,858
- fantastical costumes for dinner
- and things like that.
- 343
- 00:21:58,692 --> 00:22:01,161
- <i>The world she inhabited
- was so far removed</i>
- 344
- 00:22:01,570 --> 00:22:04,119
- <i>from the world
- that any of us had come from.</i>
- 345
- 00:22:05,866 --> 00:22:07,413
- <i>There was a sort of unreality to it.</i>
- 346
- 00:22:07,660 --> 00:22:11,915
- <i>Whenever we went to that house,
- you just felt so at home.</i>
- 347
- 00:22:12,665 --> 00:22:15,509
- <i>And I think Lee felt very at home there.</i>
- 348
- 00:22:16,627 --> 00:22:20,757
- <i>(Detmaq They had this big sister, a fun
- person to be with, who was outrageous.</i>
- 349
- 00:22:21,173 --> 00:22:23,141
- With Issie,
- "Be as different as you can.
- 350
- 00:22:23,509 --> 00:22:25,386
- "And keep going!
- 351
- 00:22:25,594 --> 00:22:27,938
- <i>"The more different,
- the more I love it."</i>
- 352
- 00:22:29,139 --> 00:22:31,233
- I really don't like the norm.
- I don't think it's...
- 353
- 00:22:31,600 --> 00:22:33,227
- You don't move forwards, seriously.
- 354
- 00:22:33,352 --> 00:22:35,571
- You just don't move forward
- if you play safe.
- 355
- 00:22:35,896 --> 00:22:37,739
- You really do piss a lot of people off.
- 356
- 00:22:44,280 --> 00:22:46,123
- <i>His first shows
- were unbelievable.</i>
- 357
- 00:22:46,365 --> 00:22:47,742
- <i>People were winded by them.</i>
- 358
- 00:22:47,825 --> 00:22:51,125
- People walked out.
- Quite a few acerbic reviews.
- 359
- 00:22:51,412 --> 00:22:54,666
- <i>But everything else before
- paled into comparison.</i>
- 360
- 00:22:54,832 --> 00:22:56,926
- I don't wanna do a show
- that you walk out of
- 361
- 00:22:57,001 --> 00:22:59,845
- feeling like you've
- just had Sunday lunch.
- 362
- 00:22:59,962 --> 00:23:05,469
- I want you to come out
- either feeling repulsed or exhilarated.
- 363
- 00:23:05,718 --> 00:23:07,470
- As long as it's an emotion.
- 364
- 00:23:07,928 --> 00:23:11,353
- If you leave without emotion,
- then I'm not doing myjob properly.
- 365
- 00:23:11,640 --> 00:23:12,687
- So that's that.
- 366
- 00:23:12,766 --> 00:23:16,191
- That's the thing about Alexander.
- I think his clothes are very emotional.
- 367
- 00:23:16,520 --> 00:23:19,023
- This coat is, like, based on a tramp,
- 368
- 00:23:19,273 --> 00:23:21,321
- so it's based on someone
- who hasn't got any money,
- 369
- 00:23:21,817 --> 00:23:23,819
- standing in the street,
- nowhere to sleep.
- 370
- 00:23:24,486 --> 00:23:26,580
- You wrap it round yourself,
- you feel fantastic.
- 371
- 00:23:26,989 --> 00:23:29,868
- Then you have
- all this passion and love
- 372
- 00:23:30,451 --> 00:23:33,546
- and slashing
- and sex and romance.
- 373
- 00:23:34,955 --> 00:23:37,549
- <i>The idea of the collection
- was never to produce.</i>
- 374
- 00:23:38,459 --> 00:23:40,461
- <i>The shows were all about publicity</i>
- 375
- 00:23:40,836 --> 00:23:45,342
- and creating a marketing ploy
- for Alexander McQueen, the designer.
- 376
- 00:23:45,799 --> 00:23:47,301
- <i>They were
- impossible to reproduce.</i>
- 377
- 00:23:47,468 --> 00:23:49,891
- They were made of plastic bags
- or masking tape.
- 378
- 00:23:50,095 --> 00:23:51,187
- They were show clothes.
- 379
- 00:23:51,639 --> 00:23:53,232
- <i>Lee started doing bumsters.</i>
- 380
- 00:23:53,432 --> 00:23:56,231
- <i>These were cut so low that you could see
- the model's pubic hair.</i>
- 381
- 00:23:56,644 --> 00:23:58,692
- <i>It's nothing to do
- with pubic hair.</i>
- 382
- 00:23:58,979 --> 00:24:01,528
- <i>It's just a technical thing where,
- as a tailor,</i>
- 383
- 00:24:01,774 --> 00:24:03,651
- <i>you're breaking up the proportion
- of the body</i>
- 384
- 00:24:04,151 --> 00:24:06,574
- <i>by lowering the trousers,
- elongating the torso.</i>
- 385
- 00:24:06,946 --> 00:24:08,368
- <i>It's nothing to do with bum cleavage.</i>
- 386
- 00:24:08,489 --> 00:24:10,867
- <i>It's an added bonus
- if you've got a nice bum.</i>
- 387
- 00:24:11,241 --> 00:24:12,584
- <i>He told that mannequin,</i>
- 388
- 00:24:12,743 --> 00:24:15,166
- <i>"Put your pubic hairs
- in Anna Wintoufs face."</i>
- 389
- 00:24:17,790 --> 00:24:19,633
- It's just funny, naughty behaviour.
- 390
- 00:24:20,459 --> 00:24:22,461
- You could give Alexander £500
- 391
- 00:24:22,711 --> 00:24:24,713
- and he could produce
- 30 pieces of clothing.
- 392
- 00:24:24,880 --> 00:24:28,259
- <i>He saw some cling film and said
- "I'm gonna make a dress out of that. "</i>
- 393
- 00:24:28,509 --> 00:24:30,682
- <i>'Tm going to put the model in it,
- wrap her up."</i>
- 394
- 00:24:30,970 --> 00:24:32,893
- <i>And he just cut this dress,
- put</i> a <i>zip in it</i>
- 395
- 00:24:33,013 --> 00:24:34,606
- <i>and suddenly that went down the runway.</i>
- 396
- 00:24:34,974 --> 00:24:38,069
- <i>Getting</i> a <i>tyre
- and running it over the suit.</i>
- 397
- 00:24:39,728 --> 00:24:41,196
- Things like that. Just genius.
- 398
- 00:24:41,772 --> 00:24:43,365
- £4 <i>worth</i> of lace.
- 399
- 00:24:43,607 --> 00:24:45,325
- Invisible zip, £1.
- 400
- 00:24:45,776 --> 00:24:47,619
- Sprayed with car spray paint.
- 401
- 00:24:47,820 --> 00:24:50,664
- They probably cost less than £10,
- those dresses, to make.
- 402
- 00:24:50,864 --> 00:24:54,494
- <i>But, through that weird alchemy
- of being cut and made by Lee,</i>
- 403
- 00:24:54,702 --> 00:24:56,579
- <i>suddenly they're being requested.</i>
- 404
- 00:24:57,162 --> 00:24:59,790
- Avedon wanted to have
- this dress for Sharon Stone.
- 405
- 00:24:59,999 --> 00:25:01,842
- So it has to be in America now.
- 406
- 00:25:02,126 --> 00:25:04,879
- "We need someone to fly over
- with the dress on Concorde."
- 407
- 00:25:05,004 --> 00:25:08,349
- That still upsets me to this day.
- I didn't get to go on Concorde.
- 408
- 00:25:10,300 --> 00:25:11,643
- It was me.
- 409
- 00:25:12,469 --> 00:25:14,517
- <i>That's almost the period
- where I think,</i>
- 410
- 00:25:14,722 --> 00:25:16,645
- <i>the madness really kicked in.</i>
- 411
- 00:25:16,974 --> 00:25:19,898
- <i>The show was brilliant
- but I'll wake up tomorrow and think,</i>
- 412
- 00:25:20,144 --> 00:25:23,114
- <i>"I've got to get</i> a <i>bottle of milk.
- Where am I going to get 42p from?"</i>
- 413
- 00:25:23,439 --> 00:25:24,907
- <i>We went to</i> a <i>McDonald's.</i>
- 414
- 00:25:25,232 --> 00:25:27,485
- We got two cheeseburgers,
- two fries, two Cokes.
- 415
- 00:25:28,110 --> 00:25:30,033
- And I was that tired
- that I just dropped the tray
- 416
- 00:25:30,237 --> 00:25:32,615
- and then we had to pick
- the food up off the floor.
- 417
- 00:25:33,198 --> 00:25:35,292
- And I thought,
- "This is a weird world,
- 418
- 00:25:35,409 --> 00:25:37,958
- "that you've just shown the finale
- of London Fashion Week
- 419
- 00:25:38,078 --> 00:25:39,705
- "but we haven't got five quid to eat."
- 420
- 00:25:39,830 --> 00:25:42,049
- That's how it is.
- People have got to understand that.
- 421
- 00:25:42,207 --> 00:25:45,211
- You're doing fucking fab shows
- but you've got to start living.
- 422
- 00:25:45,377 --> 00:25:47,505
- <i>The Clothes Show,
- you know, BBC One.</i>
- 423
- 00:25:47,629 --> 00:25:50,508
- <i>At the time 12 million viewers.
- You're 22 years old.</i>
- 424
- 00:25:50,799 --> 00:25:52,472
- You're not in any of the shots
- 425
- 00:25:52,885 --> 00:25:56,185
- and you're dictating the terms
- on how you're going to appear.
- 426
- 00:25:56,263 --> 00:25:57,890
- Because I was doing the shows
- 427
- 00:25:58,015 --> 00:26:00,438
- on money that I got
- from unemployment benefit,
- 428
- 00:26:00,517 --> 00:26:02,861
- I could not afford
- to show my face on camera
- 429
- 00:26:02,978 --> 00:26:06,278
- because I would be arrested
- for working as well as signing on.
- 430
- 00:26:06,523 --> 00:26:08,196
- - Did it piss you off?
- - No.
- 431
- 00:26:08,442 --> 00:26:10,115
- It should have done.
- That was the idea.
- 432
- 00:26:10,319 --> 00:26:12,572
- <i>I really worked
- that East End yob,</i>
- 433
- 00:26:12,738 --> 00:26:17,460
- <i>this juxtaposition between a hooligan
- and someone that uses a needle.</i>
- 434
- 00:26:17,576 --> 00:26:19,044
- <i>And people couldn't fathom it.</i>
- 435
- 00:26:19,369 --> 00:26:21,622
- <i>So it was new.
- It was</i> a <i>breath of fresh air.</i>
- 436
- 00:26:22,206 --> 00:26:25,085
- Savile Row, Cockney geezer,
- ding dong, all of that.
- 437
- 00:26:25,167 --> 00:26:27,420
- <i>He was aware
- how seductive that was.</i>
- 438
- 00:26:28,003 --> 00:26:29,926
- I get a bit annoyed
- when I read that.
- 439
- 00:26:31,340 --> 00:26:33,058
- <i>He was far from a bad boy.</i>
- 440
- 00:26:33,467 --> 00:26:37,517
- <i>In fact, he was</i> a <i>very loving,
- happy child</i>
- 441
- 00:26:37,679 --> 00:26:39,397
- <i>and very generous.</i>
- 442
- 00:26:40,015 --> 00:26:41,688
- Beautiful face, huh?
- 443
- 00:26:43,185 --> 00:26:46,530
- <i>I just remember this one time
- when I went round his house.</i>
- 444
- 00:26:46,855 --> 00:26:49,950
- <i>I think I said something was shit
- or something in front of his mum.</i>
- 445
- 00:26:50,150 --> 00:26:51,902
- <i>He turned round,
- glared at me and said,</i>
- 446
- 00:26:51,985 --> 00:26:54,909
- <i>"Don't you fucking swear
- in front of my fucking mother."</i>
- 447
- 00:26:55,155 --> 00:26:57,954
- <i>We were never
- what people called poor.</i>
- 448
- 00:26:58,158 --> 00:27:00,581
- <i>My husband was a London taxi driver.</i>
- 449
- 00:27:01,286 --> 00:27:02,754
- Even though there was six children,
- 450
- 00:27:02,913 --> 00:27:05,507
- they all had everything
- that they should have had.
- 451
- 00:27:05,666 --> 00:27:08,135
- I don't know, it just seems...
- 452
- 00:27:09,419 --> 00:27:12,673
- Like, honest,
- an honest place round here.
- 453
- 00:27:12,798 --> 00:27:15,802
- You know where you stand,
- if you know what I mean.
- 454
- 00:27:15,926 --> 00:27:18,725
- If someone's going to mug you,
- they tell you before they do it.
- 455
- 00:27:18,846 --> 00:27:20,348
- I'm onlyjoking.
- 456
- 00:27:22,057 --> 00:27:24,401
- <i>From our granddads,
- he got the sense of humour,</i>
- 457
- 00:27:24,518 --> 00:27:26,361
- <i>which was, at times, wicked.</i>
- 458
- 00:27:31,483 --> 00:27:34,282
- <i>I think that he struggled
- coming out of that background</i>
- 459
- 00:27:34,403 --> 00:27:35,905
- <i>and going into the world.</i>
- 460
- 00:27:35,988 --> 00:27:37,990
- I made the choice
- to come out to my father.
- 461
- 00:27:38,115 --> 00:27:39,788
- I'd told all my brothers
- and sisters and aunts,
- 462
- 00:27:39,908 --> 00:27:42,252
- but my father was a London taxi driver.
- 463
- 00:27:42,327 --> 00:27:43,920
- He would come home at night and say,
- 464
- 00:27:43,996 --> 00:27:46,670
- "God, I nearly run over
- a bloody queer last night in Soho."
- 465
- 00:27:46,874 --> 00:27:48,046
- I'd have to deal with this.
- 466
- 00:27:48,167 --> 00:27:52,092
- My dad could be a bit cutting sometimes,
- but he was joking.
- 467
- 00:27:52,504 --> 00:27:56,509
- And if you didn't know him,
- you'd probably take that the wrong way.
- 468
- 00:27:57,342 --> 00:28:00,687
- <i>Lee's father was saying,
- "Sell your clothes in Brick Lane,"</i>
- 469
- 00:28:01,096 --> 00:28:03,599
- <i>never quite understanding
- what Lee was doing.</i>
- 470
- 00:28:04,099 --> 00:28:07,103
- My dad wanted me to be
- some sort of mechanic or something,
- 471
- 00:28:07,311 --> 00:28:09,689
- but... It never worked out that way.
- 472
- 00:28:12,149 --> 00:28:14,618
- From our nan
- he got that storytelling,
- 473
- 00:28:14,860 --> 00:28:17,329
- that dark romance
- of the Victorian times.
- 474
- 00:28:17,821 --> 00:28:21,166
- I think that really lent itself
- to his visions
- 475
- 00:28:21,408 --> 00:28:23,502
- of the stories
- that he wanted to tell.
- 476
- 00:28:24,411 --> 00:28:25,754
- It's all right, Mother.
- 477
- 00:28:30,334 --> 00:28:32,336
- Oh, Mother, come here.
- No, I'm too ugly.
- 478
- 00:28:36,673 --> 00:28:40,052
- She was very strong
- and powerful
- 479
- 00:28:40,385 --> 00:28:42,604
- and quite a lot was unsaid,
- 480
- 00:28:42,846 --> 00:28:46,020
- but, my God, you realised there was
- a really strong bond between them.
- 481
- 00:28:46,600 --> 00:28:48,944
- <i>She made him feel
- like he could do anything.</i>
- 482
- 00:28:50,771 --> 00:28:53,399
- I always encouraged them to read
- 483
- 00:28:54,066 --> 00:28:55,409
- and have lots of books
- 484
- 00:28:56,068 --> 00:28:59,197
- because I myself loved history
- and things like that.
- 485
- 00:29:00,781 --> 00:29:03,204
- That's one about a Highland clan.
- 486
- 00:29:03,408 --> 00:29:06,912
- <i>She was looking into
- the genealogy of the McQueen family</i>
- 487
- 00:29:07,329 --> 00:29:09,331
- <i>and aimed at proving</i>
- 488
- 00:29:09,957 --> 00:29:12,710
- <i>that the McQueens came
- from McQueens of the Isle of Skye.</i>
- 489
- 00:29:13,210 --> 00:29:14,928
- <i>It opened up his world.</i>
- 490
- 00:29:15,045 --> 00:29:18,720
- He was born in Stratford, but he knew
- there was this other life for him
- 491
- 00:29:19,174 --> 00:29:20,676
- which came from Scotland.
- 492
- 00:29:21,009 --> 00:29:22,761
- She encouraged
- the sort of fantasy
- 493
- 00:29:22,970 --> 00:29:24,972
- and excitement of those stories
- 494
- 00:29:25,097 --> 00:29:26,394
- and Lee went with it.
- 495
- 00:29:28,183 --> 00:29:32,108
- <i>You have two types of Scotland
- people will associate themselves with,</i>
- 496
- 00:29:32,312 --> 00:29:36,237
- <i>the Vivienne Westwood romantic Scotland,
- swathes of tartan silk.</i>
- 497
- 00:29:37,192 --> 00:29:40,071
- <i>My ancestry
- is the Jacobites of Scotland.</i>
- 498
- 00:29:40,779 --> 00:29:43,498
- <i>The war of the English and the Scottish</i>
- 499
- 00:29:43,615 --> 00:29:47,461
- <i>where the English raped loads of women,
- killed clans completely off.</i>
- 500
- 00:29:47,911 --> 00:29:50,505
- <i>It's like</i> a <i>form of genocide.
- It was then.</i>
- 501
- 00:29:50,580 --> 00:29:52,207
- <i>And people don't realise this.</i>
- 502
- 00:29:52,416 --> 00:29:55,215
- <i>I mean, take Bosnia.
- How many dead people have you seen?</i>
- 503
- 00:29:55,627 --> 00:29:57,254
- <i>There's millions of dead people
- in Bosnia.</i>
- 504
- 00:29:57,337 --> 00:29:58,680
- <i>It's just genocide in the end.</i>
- 505
- 00:29:58,839 --> 00:30:01,809
- <i>People have got to realise that
- it still goes on in the world today.</i>
- 506
- 00:30:11,935 --> 00:30:13,983
- <i>There was something different
- about him.</i>
- 507
- 00:30:14,146 --> 00:30:19,824
- <i>He had this artistic energy in him
- rather than like a fashion designer.</i>
- 508
- 00:30:21,903 --> 00:30:25,032
- I rang his mother and said,
- "I want to work for your son."
- 509
- 00:30:26,658 --> 00:30:30,538
- She gave rne the address
- and I went one morning
- 510
- 00:30:30,787 --> 00:30:33,757
- and ever since,
- we were working every day
- 511
- 00:30:34,207 --> 00:30:36,175
- on the Highland Rape collection,
- 512
- 00:30:36,418 --> 00:30:38,591
- trying to get the pieces ready.
- 513
- 00:30:39,504 --> 00:30:40,630
- <i>There were times</i>
- 514
- 00:30:40,714 --> 00:30:44,218
- <i>when he hadn't yet started working
- on the collection and it was due soon</i>
- 515
- 00:30:44,343 --> 00:30:46,471
- <i>and he would do one drawing
- after another,</i>
- 516
- 00:30:46,595 --> 00:30:48,814
- <i>after another, after another,
- after another</i>
- 517
- 00:30:49,014 --> 00:30:50,732
- <i>and there was a collection
- in one evening.</i>
- 518
- 00:30:50,974 --> 00:30:53,272
- Very quick, very fluid.
- 519
- 00:30:53,894 --> 00:30:56,192
- <i>He was also very creative
- at night.</i>
- 520
- 00:30:56,438 --> 00:30:58,861
- His adrenaline was much more alive
- 521
- 00:30:59,107 --> 00:31:01,485
- and we usually used to put music.
- 522
- 00:31:02,402 --> 00:31:05,997
- <i>He would listen to the piano
- and it became very important.</i>
- 523
- 00:31:06,406 --> 00:31:09,910
- <i>The composer Michael Nyman
- became part of his team.</i>
- 524
- 00:31:11,203 --> 00:31:13,877
- I was just enjoying myself
- to watch him
- 525
- 00:31:14,081 --> 00:31:16,300
- because he was sitting
- like an old lady,
- 526
- 00:31:16,500 --> 00:31:19,219
- his needle and his thimble.
- 527
- 00:31:19,711 --> 00:31:21,588
- <i>You can feel like he's...</i>
- 528
- 00:31:21,922 --> 00:31:24,516
- It's kind of a therapeutic work for him.
- 529
- 00:31:25,801 --> 00:31:27,474
- <i>He went into a sort of zone.</i>
- 530
- 00:31:27,719 --> 00:31:29,596
- <i>I always used to say
- his eyes went black</i>
- 531
- 00:31:29,888 --> 00:31:32,141
- <i>because he suddenly was focusing
- on what he was doing</i>
- 532
- 00:31:32,307 --> 00:31:34,856
- <i>and he almost couldn't hear
- anybody else.</i>
- 533
- 00:31:36,228 --> 00:31:38,322
- He could draft a jacket,
- free-hand,
- 534
- 00:31:38,480 --> 00:31:42,110
- just with a piece of chalk,
- so he wasn't using measurements.
- 535
- 00:31:42,192 --> 00:31:45,162
- He could just, from his eye,
- read someone's body measurements
- 536
- 00:31:45,278 --> 00:31:48,077
- and then be able to draw that out
- onto a bit of cloth.
- 537
- 00:31:48,782 --> 00:31:50,534
- <i>At heart, Lee was a romantic,</i>
- 538
- 00:31:50,867 --> 00:31:53,916
- <i>and that romantic is because
- of that physical relationship</i>
- 539
- 00:31:54,121 --> 00:31:55,543
- <i>to what you produce,</i>
- 540
- 00:31:55,664 --> 00:31:58,508
- <i>which then comes back
- to that idea of craft in a way.</i>
- 541
- 00:32:03,255 --> 00:32:05,633
- <i>The family always got
- invites to the shows.</i>
- 542
- 00:32:05,799 --> 00:32:07,642
- It was very important
- that my nan was there.
- 543
- 00:32:07,843 --> 00:32:09,971
- He really wanted to make my nan proud.
- 544
- 00:32:10,303 --> 00:32:15,025
- <i>Aunt</i> Renee <i>and Mum made sure
- that the models had some sandwiches.</i>
- 545
- 00:32:15,225 --> 00:32:17,774
- Mum would have probably done
- her sausage rolls.
- 546
- 00:32:17,936 --> 00:32:22,191
- We were all, as a group
- of young, really cool, English models,
- 547
- 00:32:22,357 --> 00:32:26,737
- so excited to see this man
- that had this reputation.
- 548
- 00:32:27,320 --> 00:32:30,824
- <i>I was just amazed.
- All these people, photographers...</i>
- 549
- 00:32:31,366 --> 00:32:35,667
- <i>And I thought, "My God,
- they're all here to see Lee.</i>
- 550
- 00:32:36,037 --> 00:32:37,664
- <i>"I hope they're not disappointed."</i>
- 551
- 00:32:37,831 --> 00:32:39,674
- Because I thought,
- 552
- 00:32:39,833 --> 00:32:41,710
- "This is just Lee from Stratford."
- 553
- 00:32:55,682 --> 00:32:57,684
- The darkness,
- 554
- 00:32:58,518 --> 00:33:01,818
- the going to the depths
- and the recesses of one's mind
- 555
- 00:33:02,105 --> 00:33:05,484
- to come up with such things
- like Highland Rape.
- 556
- 00:33:05,609 --> 00:33:09,830
- <i>"I'm going to send down loads of girls
- who look like they've just been raped."</i>
- 557
- 00:33:10,739 --> 00:33:14,915
- And then we were all looking
- like we'd come out of a hedge backwards
- 558
- 00:33:14,993 --> 00:33:17,121
- and I was going,
- "Is this the hair and make-up?"
- 559
- 00:33:21,291 --> 00:33:23,635
- <i>They're not easy garments
- to look at.</i>
- 560
- 00:33:23,877 --> 00:33:26,847
- <i>They do look like something
- from a crime scene.</i>
- 561
- 00:33:35,597 --> 00:33:39,477
- <i>I honestly just thought
- that he really just didn't like women,</i>
- 562
- 00:33:39,768 --> 00:33:42,362
- <i>he didn't like the models,
- he didn't like anything,</i>
- 563
- 00:33:42,521 --> 00:33:44,398
- <i>he was just trying to torture us all.</i>
- 564
- 00:33:44,648 --> 00:33:46,446
- But his vision,
- 565
- 00:33:46,691 --> 00:33:48,364
- when you actually came down,
- 566
- 00:33:48,818 --> 00:33:49,990
- and the silhouette
- 567
- 00:33:50,195 --> 00:33:53,290
- and the way he made you look
- was so extraordinary.
- 568
- 00:33:54,491 --> 00:33:57,586
- <i>I don't think I really understood,
- because I was 15 at the time,</i>
- 569
- 00:33:57,744 --> 00:34:01,044
- <i>exactly what was going on
- or the connotations of it.</i>
- 570
- 00:34:01,998 --> 00:34:05,343
- <i>It wasn't until probably the next day
- that I read the newspapers.</i>
- 571
- 00:34:06,294 --> 00:34:08,296
- And, you know,
- there was quite a backlash
- 572
- 00:34:08,380 --> 00:34:09,802
- of the statement of the show.
- 573
- 00:34:10,173 --> 00:34:12,175
- <i>I mean, it was pretty intense.</i>
- 574
- 00:34:12,384 --> 00:34:16,981
- <i>But he made every single headline
- and that's what he wanted to do.</i>
- 575
- 00:34:17,514 --> 00:34:19,357
- And he sure got it.
- 576
- 00:34:19,933 --> 00:34:21,776
- <i>Judith Church,
- MP for Dagenham,</i>
- 577
- 00:34:21,935 --> 00:34:24,108
- <i>thought there was no excuse
- for such a show.</i>
- 578
- 00:34:24,437 --> 00:34:27,156
- <i>The very title of the show,
- Highland Rape,</i>
- 579
- 00:34:27,274 --> 00:34:30,198
- <i>has been done to shock people.
- It's been done to attract publicity.</i>
- 580
- 00:34:30,360 --> 00:34:32,829
- <i>It has succeeded
- and that, in a way, is sad,</i>
- 581
- 00:34:32,988 --> 00:34:34,865
- <i>because I think women want
- to look at fashion,</i>
- 582
- 00:34:34,948 --> 00:34:36,291
- <i>but they don't want to see it</i>
- 583
- 00:34:36,408 --> 00:34:38,911
- <i>in some way
- as portraying them as a victim.</i>
- 584
- 00:34:40,620 --> 00:34:43,624
- I'm not a misogynist.
- The idea was saying to the public,
- 585
- 00:34:43,999 --> 00:34:47,344
- "A man takes from a woman.
- The woman's not giving it."
- 586
- 00:34:47,502 --> 00:34:48,719
- That's what rape is.
- 587
- 00:34:48,837 --> 00:34:51,681
- My oldest sister was badly beaten up
- by her husband.
- 588
- 00:34:52,007 --> 00:34:55,181
- When you're eight years old and you see
- your sister strangled by her husband,
- 589
- 00:34:55,468 --> 00:34:57,015
- who's now dead, thank God,
- 590
- 00:34:57,554 --> 00:35:00,774
- you know, all you wanna do
- is make women look stronger.
- 591
- 00:35:01,683 --> 00:35:04,436
- You might not like the honesty
- he was presenting you with,
- 592
- 00:35:04,561 --> 00:35:07,235
- you might find it distasteful,
- shocking or aggressive
- 593
- 00:35:07,564 --> 00:35:11,239
- or misogynistic,
- but for him it was his truth.
- 594
- 00:35:11,943 --> 00:35:14,241
- <i>Those garments all tell you about Lee</i>
- 595
- 00:35:14,404 --> 00:35:16,202
- <i>and they're almost like confessional.</i>
- 596
- 00:35:16,573 --> 00:35:19,577
- <i>They do relate to things
- that happened in his childhood.</i>
- 597
- 00:35:21,494 --> 00:35:24,589
- <i>We were just in our flat. It was
- literally in the middle of the evening.</i>
- 598
- 00:35:24,664 --> 00:35:27,008
- <i>And he said,
- "Oh, by the way, I was abused</i>
- 599
- 00:35:27,375 --> 00:35:29,594
- <i>"when I was</i> a <i>child
- by my brother-in-law. "</i>
- 600
- 00:35:29,794 --> 00:35:33,344
- <i>It just came out
- and he started crying</i>
- 601
- 00:35:33,590 --> 00:35:35,763
- <i>and then we started talking</i>
- 602
- 00:35:36,176 --> 00:35:38,770
- <i>and then, almost as soon
- as he started telling me all that,</i>
- 603
- 00:35:39,012 --> 00:35:41,515
- <i>he said, "Anyway, t don't want
- to talk about that any more."</i>
- 604
- 00:35:41,723 --> 00:35:44,442
- <i>The stuff that he saw,
- I mean, the violence against my mum,</i>
- 605
- 00:35:44,643 --> 00:35:48,864
- the abuse he suffered by my dad
- and the abuse my mum suffered by Dad...
- 606
- 00:35:49,147 --> 00:35:52,492
- They had that affinity together.
- They shared that, Lee and my mum.
- 607
- 00:35:53,068 --> 00:35:56,322
- They were both affected
- by the same person.
- 608
- 00:35:57,739 --> 00:36:01,164
- And they had that connection
- through that, you know.
- 609
- 00:36:01,368 --> 00:36:04,542
- And Lee saw my mum
- very much like a mother figure
- 610
- 00:36:05,205 --> 00:36:08,880
- and somebody
- that he wanted to protect,
- 611
- 00:36:09,167 --> 00:36:11,340
- but my mum wanted to protect him
- as well.
- 612
- 00:36:12,796 --> 00:36:16,801
- I had quite a big burden
- on my shoulders.
- 613
- 00:36:17,509 --> 00:36:18,977
- Erm...
- 614
- 00:36:20,637 --> 00:36:23,561
- But I'd always felt close to Lee
- 615
- 00:36:24,099 --> 00:36:25,146
- <i>and...</i>
- 616
- 00:36:27,227 --> 00:36:32,984
- In the early years, Lee had seen
- things like domestic violence and,
- 617
- 00:36:35,360 --> 00:36:40,332
- at the time, it must have also had
- an effect on his mind.
- 618
- 00:36:41,574 --> 00:36:43,372
- <i>And that stuff he had to get out,</i>
- 619
- 00:36:43,618 --> 00:36:45,495
- <i>I think it was a way
- of exercising his demons,</i>
- 620
- 00:36:45,662 --> 00:36:50,133
- a <i>way of protecting women and himself
- by creating these strong women</i>
- 621
- 00:36:50,417 --> 00:36:52,215
- <i>who looked like they had armour on.</i>
- 622
- 00:36:52,377 --> 00:36:54,471
- It was armour for his heart as well,
- you know, so...
- 623
- 00:36:56,965 --> 00:36:58,717
- <i>The relationship
- between me and Lee,</i>
- 624
- 00:36:59,008 --> 00:37:00,726
- <i>I joke that it was four seasons long,</i>
- 625
- 00:37:01,177 --> 00:37:04,397
- <i>purely because I think those collections
- and those shows became markers</i>
- 626
- 00:37:04,472 --> 00:37:10,104
- <i>in terms of how our work life
- was also tied up with our relationship.</i>
- 627
- 00:37:10,520 --> 00:37:11,817
- And, looking back on it now,
- 628
- 00:37:11,980 --> 00:37:13,857
- I can see the reasons
- why it would be...
- 629
- 00:37:13,982 --> 00:37:15,825
- How could a relationship work
- 630
- 00:37:16,484 --> 00:37:19,658
- with all the things
- that were going on in his life,
- 631
- 00:37:19,863 --> 00:37:21,865
- all the things in his past?
- 632
- 00:37:22,115 --> 00:37:25,790
- <i>I can't think of any relationship
- that would be able to deal with that.</i>
- 633
- 00:37:51,728 --> 00:37:55,699
- When you went to St Martins,
- in the first year you'd go to Paris
- 634
- 00:37:55,940 --> 00:37:59,319
- and the idea is that you're meant
- to go to exhibitions.
- 635
- 00:37:59,819 --> 00:38:01,537
- <i>But we would just spend all of our time</i>
- 636
- 00:38:01,738 --> 00:38:04,207
- <i>wangling our way
- into the various shows.</i>
- 637
- 00:38:04,407 --> 00:38:06,034
- <i>So we went to this show and it was...</i>
- 638
- 00:38:06,242 --> 00:38:09,746
- <i>It was all very floral
- and there was chiffon and Lee was going,</i>
- 639
- 00:38:09,954 --> 00:38:12,207
- <i>"Well, that's rubbish.
- That's rubbish. Oh, my God.</i>
- 640
- 00:38:12,457 --> 00:38:14,835
- <i>"This is just the worst show ever.
- Bloody hell.</i>
- 641
- 00:38:15,043 --> 00:38:16,966
- "Givenchy, that's a load of crap!
- 642
- 00:38:17,170 --> 00:38:18,797
- "That's for, like, old ladies.
- 643
- 00:38:19,130 --> 00:38:22,851
- "I never, ever want to work
- somewhere like that."
- 644
- 00:38:34,479 --> 00:38:37,278
- It was a really exciting time
- to be covering the industry
- 645
- 00:38:37,482 --> 00:38:39,450
- because it was changing,
- it was evolving.
- 646
- 00:38:39,651 --> 00:38:42,871
- <i>People like Bernard Arnault
- were buying up small family brands</i>
- 647
- 00:38:43,238 --> 00:38:45,491
- <i>and then turning them
- into global corporations.</i>
- 648
- 00:38:45,657 --> 00:38:47,785
- And first he brought in John Galliano
- 649
- 00:38:47,909 --> 00:38:50,332
- and, after two years,
- moved John over to Dior
- 650
- 00:38:50,453 --> 00:38:52,876
- and then needed another
- new, young, hot flavour
- 651
- 00:38:53,122 --> 00:38:54,624
- for Givenchy.
- 652
- 00:38:54,707 --> 00:38:56,755
- <i>And so</i> he <i>said...
- Why did</i> he <i>want you?</i>
- 653
- 00:38:56,918 --> 00:39:00,047
- He said when I was hired
- that I was his horse.
- 654
- 00:39:01,047 --> 00:39:03,141
- I don't know if that's in looks
- or what, but...
- 655
- 00:39:04,509 --> 00:39:06,728
- But he said I was his horse
- he betted on.
- 656
- 00:39:07,095 --> 00:39:10,440
- I was living with Lee
- when Givenchy called
- 657
- 00:39:10,515 --> 00:39:14,110
- and he thought that they wanted him
- to design a handbag.
- 658
- 00:39:14,227 --> 00:39:15,945
- And I'm like "Wow. WOW!"
- 659
- 00:39:16,688 --> 00:39:18,406
- "Cool man!" You know?
- 660
- 00:39:18,565 --> 00:39:21,159
- Next thing I know
- 661
- 00:39:21,359 --> 00:39:24,033
- he comes in
- and he basically says
- 662
- 00:39:24,195 --> 00:39:27,244
- they've asked him to be
- creative director of Givenchy.
- 663
- 00:39:27,407 --> 00:39:30,035
- <i>And I was like, "You are kidding me!"</i>
- 664
- 00:39:30,285 --> 00:39:34,131
- <i>He called me at work and then he said,
- "They've offered me this job.</i>
- 665
- 00:39:34,330 --> 00:39:36,458
- "If I move to Paris,
- will you come with me?"
- 666
- 00:39:36,541 --> 00:39:37,963
- I was like, "Yeah, of course."
- 667
- 00:39:38,126 --> 00:39:42,222
- It was sort of exciting
- and also quite scary as well
- 668
- 00:39:42,380 --> 00:39:45,259
- because it was still that honeymoon
- period of our relationship.
- 669
- 00:39:45,842 --> 00:39:49,437
- <i>Why did you go to Givenchy,
- having already created your own name,</i>
- 670
- 00:39:49,512 --> 00:39:52,857
- <i>having won British Designer of the Year
- twice in a row?</i>
- 671
- 00:39:53,349 --> 00:39:55,317
- <i>For one reason,
- the money was good.</i>
- 672
- 00:39:55,894 --> 00:39:58,022
- But what do I do
- with the money from Givenchy?
- 673
- 00:39:58,313 --> 00:40:01,533
- I put it straight back into McQueen.
- It helps me employ people for McQueen
- 674
- 00:40:01,608 --> 00:40:03,110
- to build my own company up.
- 675
- 00:40:04,235 --> 00:40:07,205
- <i>Very talented people
- that he brought with him to Givenchy.</i>
- 676
- 00:40:07,322 --> 00:40:08,369
- <i>What a team!</i>
- 677
- 00:40:08,656 --> 00:40:11,535
- <i>He told me,
- "I will need</i> a <i>team to work with me</i>
- 678
- 00:40:11,784 --> 00:40:14,003
- "so I was thinking of you.
- 679
- 00:40:14,329 --> 00:40:17,208
- "So, think about it
- and let me know."
- 680
- 00:40:17,498 --> 00:40:20,001
- There's nothing to think about.
- Of course, I'll take the job.
- 681
- 00:40:21,711 --> 00:40:24,715
- <i>We took an aeroplane
- from City Airport.</i>
- 682
- 00:40:25,423 --> 00:40:29,428
- <i>We were the weirdest people
- in the plane. It was all businessmen.</i>
- 683
- 00:40:29,636 --> 00:40:32,230
- <i>And we were there
- with our bleached jeans,</i>
- 684
- 00:40:32,931 --> 00:40:34,478
- <i>with a lot of attitude.</i>
- 685
- 00:40:35,308 --> 00:40:37,310
- Where did you find this?
- In Japan.
- 686
- 00:40:39,354 --> 00:40:41,027
- Really?
- Yeah.
- 687
- 00:40:44,692 --> 00:40:46,535
- Oh, oh!
- 688
- 00:40:48,988 --> 00:40:51,707
- There was huge excitement.
- Cos imagine being that age
- 689
- 00:40:51,950 --> 00:40:54,453
- and you're being given
- that amount of, one, responsibility
- 690
- 00:40:54,869 --> 00:40:56,212
- and also that amount of money.
- 691
- 00:40:57,705 --> 00:40:58,797
- Statue!
- 692
- 00:41:00,333 --> 00:41:01,710
- <i>There's Sebastién Pons.</i>
- 693
- 00:41:01,960 --> 00:41:03,553
- Hello, Sebastién!
- 694
- 00:41:04,170 --> 00:41:05,763
- - Sweaty armpits.
- - Come on!
- 695
- 00:41:05,964 --> 00:41:07,261
- God, you've got wet patches.
- 696
- 00:41:07,715 --> 00:41:10,969
- I think that in the McQueen studio
- I was a little bit like the bouffant
- 697
- 00:41:11,177 --> 00:41:12,554
- because I was
- the funny one there.
- 698
- 00:41:12,637 --> 00:41:14,935
- They were taking the piss
- out of my accent.
- 699
- 00:41:15,264 --> 00:41:17,733
- <i>A Spanish bouffant in</i> a <i>British court.</i>
- 700
- 00:41:19,227 --> 00:41:20,479
- <i>Simon Costin.</i>
- 701
- 00:41:20,687 --> 00:41:22,689
- God, you're looking
- fairly gross today.
- 702
- 00:41:23,690 --> 00:41:27,365
- I saw myself as the person
- that put things into context.
- 703
- 00:41:27,527 --> 00:41:29,905
- The set was always there to reflect
- 704
- 00:41:30,196 --> 00:41:33,325
- the sort of untold story
- of the collection.
- 705
- 00:41:34,200 --> 00:41:36,669
- <i>There was Katy, of course,
- Katy England.</i>
- 706
- 00:41:36,828 --> 00:41:39,456
- <i>Katy's the most important part
- of McQueen.</i>
- 707
- 00:41:40,373 --> 00:41:41,875
- Camera up, please.
- 708
- 00:41:42,208 --> 00:41:44,210
- <i>She's the Tweedledee
- to my Tweedledum.</i>
- 709
- 00:41:44,460 --> 00:41:46,337
- <i>She fuels my imagination.</i>
- 710
- 00:41:47,171 --> 00:41:49,299
- I help research the collection.
- 711
- 00:41:49,799 --> 00:41:53,679
- I, erm, bring things to his attention
- 712
- 00:41:53,970 --> 00:41:56,098
- that I think might be
- important in fashion.
- 713
- 00:41:56,389 --> 00:41:59,268
- <i>Basically, I'm always there
- at the right-hand side.</i>
- 714
- 00:41:59,642 --> 00:42:02,862
- Shaun Leane was very much involved
- in the business, making jewellery.
- 715
- 00:42:03,312 --> 00:42:04,438
- What do you think, eh?
- 716
- 00:42:05,064 --> 00:42:06,236
- Fancy a dance?
- 717
- 00:42:06,482 --> 00:42:09,076
- <i>For me to do work Hke this
- is very good for me.</i>
- 718
- 00:42:09,318 --> 00:42:11,366
- It allows me to go
- from one extreme to the other.
- 719
- 00:42:11,529 --> 00:42:14,783
- And now I'm going into different areas.
- I'm working with body jewellery
- 720
- 00:42:15,241 --> 00:42:18,120
- and it's really going
- into a form of sculpture.
- 721
- 00:42:19,078 --> 00:42:20,421
- <i>Sarah Burton.</i>
- 722
- 00:42:20,621 --> 00:42:22,168
- Sarah was the intern.
- 723
- 00:42:22,331 --> 00:42:23,958
- He looked at us
- 724
- 00:42:24,083 --> 00:42:26,177
- like the sort of pillars
- 725
- 00:42:26,544 --> 00:42:28,797
- that would make him feel secure.
- 726
- 00:42:30,631 --> 00:42:32,508
- <i>We had this really nice flat.</i>
- 727
- 00:42:37,680 --> 00:42:40,729
- I loved the area. I mean...
- Place des Vosges. I mean, hello?
- 728
- 00:42:42,477 --> 00:42:44,320
- Oh, God, that's pretty scary.
- 729
- 00:42:45,438 --> 00:42:47,406
- <i>Thinking about it now,
- it was tiny.</i>
- 730
- 00:42:47,940 --> 00:42:50,159
- <i>When I would come over
- to start working on the set,</i>
- 731
- 00:42:50,401 --> 00:42:51,778
- <i>I'd be on the sofa.</i>
- 732
- 00:42:55,573 --> 00:42:57,200
- Ooh, ooh!
- 733
- 00:42:57,867 --> 00:42:59,665
- Sebastién!
- 734
- 00:43:00,078 --> 00:43:01,671
- Oh, language!
- 735
- 00:43:03,498 --> 00:43:06,172
- I always ended up
- sleeping in Lee's room
- 736
- 00:43:06,626 --> 00:43:09,630
- because Lee was always
- collapsing on the sofa.
- 737
- 00:43:09,921 --> 00:43:10,968
- Lee!
- 738
- 00:43:12,632 --> 00:43:15,135
- - You changed the pillows.
- - Yeah, fucking right.
- 739
- 00:43:18,221 --> 00:43:20,724
- We had a driver
- so we got driven everywhere.
- 740
- 00:43:20,848 --> 00:43:22,850
- Oh, wait a minute,
- he's gone blurry.
- 741
- 00:43:23,309 --> 00:43:24,481
- That's better.
- 742
- 00:43:24,644 --> 00:43:26,112
- Say hello to the people
- of England.
- 743
- 00:43:28,773 --> 00:43:29,945
- <i>Such fun.</i>
- 744
- 00:43:31,275 --> 00:43:33,448
- We can do
- some funny tricks.
- 745
- 00:43:34,278 --> 00:43:36,531
- Hello, I'm on speed, baby.
- 746
- 00:43:40,660 --> 00:43:42,458
- When we arrived at Givenchy,
- 747
- 00:43:42,787 --> 00:43:44,539
- everybody was kind of like
- 748
- 00:43:44,747 --> 00:43:47,500
- bending their head to him
- 749
- 00:43:47,917 --> 00:43:49,919
- and calling him
- Monsieur McQueen,
- 750
- 00:43:50,294 --> 00:43:53,969
- which was like, "They're calling you
- Monsieur McQueen? Here?"
- 751
- 00:43:57,718 --> 00:43:59,516
- Cath! Woo-ooh!
- 752
- 00:44:01,222 --> 00:44:03,475
- <i>When we arrived
- I think they were in shock.</i>
- 753
- 00:44:03,599 --> 00:44:06,102
- <i>The way we dress,
- the way we work</i>
- 754
- 00:44:06,269 --> 00:44:08,613
- <i>and the jokes we made.</i>
- 755
- 00:44:09,188 --> 00:44:11,532
- Obviously it was very grand,
- with chandeliers,
- 756
- 00:44:11,858 --> 00:44:14,577
- so it was very different
- from the working environment in London
- 757
- 00:44:14,819 --> 00:44:18,073
- which was a very, very small room,
- chaotic, with stuff everywhere.
- 758
- 00:44:18,489 --> 00:44:20,287
- Here I have my own office.
- 759
- 00:44:20,449 --> 00:44:22,952
- I pick up the phone
- and I get what I want.
- 760
- 00:44:23,661 --> 00:44:25,834
- Cos I want it,
- I want it, I want it!
- 761
- 00:44:26,164 --> 00:44:27,416
- So I ask for it.
- 762
- 00:44:27,707 --> 00:44:31,177
- <i>We was just like</i> a <i>bunch
- of young kids running about in Givenchy.</i>
- 763
- 00:44:32,336 --> 00:44:34,384
- Were they surprised
- you were chosen?
- 764
- 00:44:34,839 --> 00:44:38,935
- Well, I think that it put most people
- in a coma when I got chosen!
- 765
- 00:44:41,345 --> 00:44:43,063
- All of a sudden,
- we're there,
- 766
- 00:44:43,222 --> 00:44:46,066
- sitting in Hubert de Givenchy's house,
- 767
- 00:44:46,309 --> 00:44:49,939
- looking out the window
- and you see the Balenciaga sign
- 768
- 00:44:50,062 --> 00:44:52,064
- and you knew
- that Yves Saint Laurent was there
- 769
- 00:44:52,231 --> 00:44:54,575
- and knowing that John Galliano was there
- 770
- 00:44:54,734 --> 00:44:57,328
- at Avenue Montaigne,
- just a few yards from there.
- 771
- 00:44:57,653 --> 00:45:00,281
- <i>And there we are
- with Alexander McQueen,</i>
- 772
- 00:45:00,406 --> 00:45:02,659
- <i>being the new talk of the town.</i>
- 773
- 00:45:02,992 --> 00:45:05,165
- <i>And I felt special.</i>
- 774
- 00:45:06,495 --> 00:45:08,372
- <i>He was trying
- to find his feet there.</i>
- 775
- 00:45:08,539 --> 00:45:10,462
- <i>He obviously had to make
- a huge impression</i>
- 776
- 00:45:10,625 --> 00:45:12,502
- <i>because it was his first collection.</i>
- 777
- 00:45:13,502 --> 00:45:15,129
- <i>I remember telling Lee,</i>
- 778
- 00:45:15,213 --> 00:45:17,511
- <i>"Everybodys looking at us
- and we have nothing."</i>
- 779
- 00:45:17,590 --> 00:45:19,092
- <i>And he always would answer,</i>
- 780
- 00:45:19,300 --> 00:45:21,018
- <i>"Don't worry, Sebastién,
- we'll get it done."</i>
- 781
- 00:45:37,151 --> 00:45:40,997
- <i>This is Paris and Paris chic.
- This is Givenchy, this is not McQueen.</i>
- 782
- 00:45:41,280 --> 00:45:44,910
- <i>This is where elegant suits are made
- and fantastic fabrics are used.</i>
- 783
- 00:45:45,159 --> 00:45:47,878
- <i>I mean, it's going to take
- my own label, McQueen,</i>
- 784
- 00:45:48,037 --> 00:45:50,631
- <i>another 40 years
- to get the reputation this one has.</i>
- 785
- 00:45:51,207 --> 00:45:54,461
- <i>I</i> remember once
- we saw <i>this</i> beautiful work.
- 786
- 00:45:54,710 --> 00:45:58,681
- <i>Lee asked Catherine DeLondres,
- who was in charge of the atelier,</i>
- 787
- 00:45:59,090 --> 00:46:01,218
- <i>"Who's done this fabulous work?"</i>
- 788
- 00:46:01,425 --> 00:46:03,302
- "She's not allowed to come in."
- 789
- 00:46:03,511 --> 00:46:05,639
- He's like, "What do you mean,
- she's not allowed in?
- 790
- 00:46:05,763 --> 00:46:06,810
- "Please let her in."
- 791
- 00:46:07,390 --> 00:46:11,691
- <i>I remember from that day on
- Lee wanted to see the person</i>
- 792
- 00:46:12,395 --> 00:46:14,693
- <i>who has worked directly
- with the garment.</i>
- 793
- 00:46:15,898 --> 00:46:17,946
- And I think they loved that.
- 794
- 00:46:18,401 --> 00:46:20,244
- This is the Bet Lynch dress.
- 795
- 00:46:21,821 --> 00:46:24,950
- And we also treated it,
- bonding plastic over the top
- 796
- 00:46:25,866 --> 00:46:29,086
- for raincoats
- so you get the whole ensemble.
- 797
- 00:46:29,412 --> 00:46:31,005
- None of us spoke French
- 798
- 00:46:31,122 --> 00:46:34,217
- and the French atelier
- didn't speak English.
- 799
- 00:46:34,542 --> 00:46:37,762
- <i>Lee would actually draw in the air
- how it would have to be.</i>
- 800
- 00:46:38,296 --> 00:46:41,721
- Yeah. Yeah, it's OK.
- 801
- 00:46:44,385 --> 00:46:47,355
- Oh, it's OK.
- I thought it was just pantalon.
- 802
- 00:47:09,869 --> 00:47:13,669
- They're quite precise and like...
- They, like, take the threads out and...
- 803
- 00:47:13,998 --> 00:47:16,092
- I just get the scissors
- and go, "Whack it off!"
- 804
- 00:47:16,584 --> 00:47:18,427
- And they go...
- Like that.
- 805
- 00:47:19,962 --> 00:47:21,714
- And I go, "It's OK, it's only clothes."
- 806
- 00:47:22,006 --> 00:47:24,429
- <i>I'll never forget
- the expression on her face.</i>
- 807
- 00:47:24,508 --> 00:47:27,637
- <i>But in the end she saw
- exactly what he was doing.</i>
- 808
- 00:47:27,762 --> 00:47:28,809
- <i>She was in awe.</i>
- 809
- 00:47:28,971 --> 00:47:33,021
- A very mutual, you know, respect
- grew between the two of them.
- 810
- 00:47:33,225 --> 00:47:36,399
- <i>Haute couture is about
- the atelier. I come from Savile Row.</i>
- 811
- 00:47:36,687 --> 00:47:38,655
- <i>So I have great respect for the tailors.</i>
- 812
- 00:47:38,731 --> 00:47:41,154
- <i>They deserve just as much praise
- as I do.</i>
- 813
- 00:47:42,485 --> 00:47:45,284
- <i>Lee, one day he said,
- "Where can we go and eat'?</i>
- 814
- 00:47:45,488 --> 00:47:47,115
- <i>"Where do the workers eat?"</i>
- 815
- 00:47:47,323 --> 00:47:49,542
- <i>And then Catherine said,
- "There is a canteen</i>
- 816
- 00:47:49,825 --> 00:47:51,702
- <i>"in the basement for the workers."</i>
- 817
- 00:47:51,827 --> 00:47:53,704
- <i>And Lee was like, "So let's go there."</i>
- 818
- 00:47:53,871 --> 00:47:57,592
- When we went down there,
- the people, they're flipping out.
- 819
- 00:47:57,792 --> 00:47:59,920
- "Alexander is eating with us!"
- 820
- 00:48:00,836 --> 00:48:02,304
- <i>They couldn't believe it.</i>
- 821
- 00:48:02,421 --> 00:48:06,676
- <i>These fashion houses, they treat
- the designer like he's</i> a <i>king.</i>
- 822
- 00:48:07,009 --> 00:48:09,057
- And they treated Lee
- like a king,
- 823
- 00:48:09,303 --> 00:48:11,226
- but Lee didn't want
- to behave like a king,
- 824
- 00:48:11,305 --> 00:48:13,683
- Lee wanted to behave
- like a regular person.
- 825
- 00:48:17,895 --> 00:48:19,363
- OK.
- 826
- 00:48:19,814 --> 00:48:21,157
- The ideas for the show,
- 827
- 00:48:21,482 --> 00:48:24,110
- they grew out of the collection
- as the collection developed.
- 828
- 00:48:24,652 --> 00:48:27,326
- He would pull threads
- and stories out of that.
- 829
- 00:48:28,072 --> 00:48:31,167
- <i>And there was always mood boards
- and things pinned all over the walls.</i>
- 830
- 00:48:31,325 --> 00:48:34,044
- <i>Everyone fed in.
- it was a very group practice.</i>
- 831
- 00:48:34,286 --> 00:48:36,960
- <i>But Lee was the spider
- in the centre of the web, as it were,</i>
- 832
- 00:48:37,206 --> 00:48:39,459
- <i>pulling everything together
- and distilling</i>
- 833
- 00:48:39,667 --> 00:48:41,510
- <i>what it was that he had in his head.</i>
- 834
- 00:48:41,752 --> 00:48:44,301
- I remember the fraughtness
- about a week before the show
- 835
- 00:48:44,672 --> 00:48:48,051
- with things coming down and not right
- and things having to be changed.
- 836
- 00:48:48,300 --> 00:48:50,519
- <i>It was really insanely crazy.</i>
- 837
- 00:48:50,636 --> 00:48:52,354
- The pressure was super intense.
- 838
- 00:49:08,320 --> 00:49:13,542
- <i>In 25 days
- to put</i> a <i>55-outfit collection together</i>
- 839
- 00:49:13,826 --> 00:49:15,328
- <i>is not an easy task.</i>
- 840
- 00:49:18,330 --> 00:49:22,301
- <i>The first couture show
- had the theme of the Golden Fleece,</i>
- 841
- 00:49:22,501 --> 00:49:23,753
- <i>Jason and the Argonauts.</i>
- 842
- 00:49:25,296 --> 00:49:27,014
- <i>They wanted it to be amazing.</i>
- 843
- 00:49:28,507 --> 00:49:31,727
- My first feeling
- from Alex's description was,
- 844
- 00:49:32,094 --> 00:49:35,018
- they had to be warriors
- 845
- 00:49:35,347 --> 00:49:37,395
- mixed with goddesses.
- 846
- 00:49:37,683 --> 00:49:40,357
- <i>I said, "We do horns?"
- He said, "Yeah, but do big."</i>
- 847
- 00:49:40,644 --> 00:49:43,488
- <i>I said, "But how big?"
- He said, "You know Genghis Khan?</i>
- 848
- 00:49:43,647 --> 00:49:45,149
- "He's the junior size.
- 849
- 00:49:45,357 --> 00:49:46,404
- "Give me the senior."
- 850
- 00:49:46,692 --> 00:49:49,445
- It's the 19th of January 1997
- 851
- 00:49:49,778 --> 00:49:53,282
- and, as they say in the trade,
- we're about to witness a fashion moment.
- 852
- 00:49:53,407 --> 00:49:55,375
- <i>At the tender age of 27,</i>
- 853
- 00:49:55,451 --> 00:49:58,000
- <i>British Designer of the Year
- Alexander McQueen</i>
- 854
- 00:49:58,204 --> 00:50:01,333
- <i>is about to show
- his first haute couture collection.</i>
- 855
- 00:50:15,554 --> 00:50:17,898
- <i>Every model had
- to have</i> a <i>character,</i>
- 856
- 00:50:18,098 --> 00:50:20,442
- <i>an identity, a signature.</i>
- 857
- 00:50:20,976 --> 00:50:23,946
- <i>Every single girl could have been</i>
- a <i>show on her own.</i>
- 858
- 00:50:25,314 --> 00:50:28,363
- <i>Where did the inspiration
- come from? He told me, "From the logo."</i>
- 859
- 00:50:28,859 --> 00:50:33,330
- <i>The logo is the Gs,
- which looks like</i> a <i>Greek motif,</i>
- 860
- 00:50:33,948 --> 00:50:36,497
- and the Givenchy label
- is white and gold.
- 861
- 00:50:37,952 --> 00:50:41,456
- <i>Always with Lee's collections,
- there were some pieces where you'd go,</i>
- 862
- 00:50:41,830 --> 00:50:44,253
- <i>"God, that's rather risqué."</i>
- 863
- 00:50:45,209 --> 00:50:48,258
- <i>I think a tot of the press
- focused on the ones</i>
- 864
- 00:50:48,462 --> 00:50:52,433
- <i>that were</i> a <i>little bit more crazy
- or</i> a <i>little bit, you know, unwearable.</i>
- 865
- 00:50:53,551 --> 00:50:55,724
- French designers
- were complaining and saying,
- 866
- 00:50:55,970 --> 00:50:59,645
- "Oh, they're not even French
- and they're taking over Givenchy.
- 867
- 00:50:59,807 --> 00:51:01,559
- <i>"Look what he's doing to Givenchy."</i>
- 868
- 00:51:01,850 --> 00:51:03,568
- <i>I think it was them saying,</i>
- 869
- 00:51:04,144 --> 00:51:05,737
- <i>"I'm still gonna be who I am,</i>
- 870
- 00:51:05,813 --> 00:51:07,861
- <i>"regardless that you put me
- in this posh space.</i>
- 871
- 00:51:08,190 --> 00:51:09,692
- <i>"I'm still who I am."</i>
- 872
- 00:51:10,192 --> 00:51:12,695
- I liked that, that they stayed true
- to who they were.
- 873
- 00:51:13,028 --> 00:51:16,953
- They actually brought England into Paris
- in their own unique way.
- 874
- 00:51:20,077 --> 00:51:22,330
- <i>People were talking,
- fashion editors.</i>
- 875
- 00:51:22,538 --> 00:51:24,882
- <i>"He has a big mouth.
- He has a big head.</i>
- 876
- 00:51:25,207 --> 00:51:27,005
- <i>"Oh, the British!
- What does he think?"</i>
- 877
- 00:51:27,376 --> 00:51:31,802
- <i>And then I understood that basically
- the world was against him.</i>
- 878
- 00:51:32,381 --> 00:51:34,008
- <i>And you do your first show.</i>
- 879
- 00:51:34,091 --> 00:51:37,265
- <i>It's not</i> a <i>huge success.
- No, that's true.</i>
- 880
- 00:51:37,386 --> 00:51:39,605
- Well done.
- 881
- 00:51:39,805 --> 00:51:43,560
- They were wishing
- to see him crash and be destroyed.
- 882
- 00:51:44,101 --> 00:51:45,819
- They have claws and knives
- 883
- 00:51:46,020 --> 00:51:47,613
- and they're throwing everything
- into your back,
- 884
- 00:51:47,688 --> 00:51:49,440
- which is fine cos I'm a good fighter!
- 885
- 00:51:51,275 --> 00:51:53,198
- I remember us afterwards.
- 886
- 00:51:53,402 --> 00:51:54,699
- You know, Lee was...
- 887
- 00:51:56,280 --> 00:51:58,078
- Oh, hellish, yeah.
- 888
- 00:51:58,324 --> 00:52:01,544
- That was a really horrid night.
- It was a difficult night after that.
- 889
- 00:52:02,828 --> 00:52:05,297
- A few punches and arguments.
- 890
- 00:52:11,629 --> 00:52:13,631
- <i>I think he's done</i> a <i>lot
- with the house,</i>
- 891
- 00:52:13,756 --> 00:52:15,758
- <i>because Givenchy
- have had a lot of press.</i>
- 892
- 00:52:15,924 --> 00:52:19,804
- <i>It's a more difficult thing to deal with
- cos McQueen is McQueen in London.</i>
- 893
- 00:52:20,054 --> 00:52:23,900
- <i>Givenchy is taking over
- from another man in Paris.</i>
- 894
- 00:52:24,058 --> 00:52:27,232
- <i>As Alexander says,"It's like taking
- a dinosaur out of the sea."</i>
- 895
- 00:52:27,519 --> 00:52:30,489
- And I think in one season
- he's done that.
- 896
- 00:52:30,856 --> 00:52:34,702
- So I think in a year
- he will have done 20 times that.
- 897
- 00:52:35,944 --> 00:52:37,571
- <i>Givenchy changed everything.</i>
- 898
- 00:52:37,946 --> 00:52:39,414
- The fun times were over.
- 899
- 00:52:39,865 --> 00:52:41,583
- <i>I had an accountant who spoke French.</i>
- 900
- 00:52:41,784 --> 00:52:43,661
- <i>They were going to Paris
- to sign the deal.</i>
- 901
- 00:52:43,869 --> 00:52:46,918
- And I said, "Please, make sure
- Issie gets something out of it."
- 902
- 00:52:47,122 --> 00:52:48,544
- <i>And then I kind of did ask McQueen</i>
- 903
- 00:52:48,707 --> 00:52:50,755
- <i>and he said,
- "Issie and I are not about money."</i>
- 904
- 00:52:51,168 --> 00:52:54,593
- <i>When the money did come
- and Alexander cut her out...</i>
- 905
- 00:52:55,339 --> 00:52:56,511
- That was very tough.
- 906
- 00:52:57,007 --> 00:52:59,806
- <i>Their friendship changed.
- She was so hurt at this rejection.</i>
- 907
- 00:53:00,135 --> 00:53:03,309
- <i>She'd have created a buzz.
- She'd have had a salon at Givenchy.</i>
- 908
- 00:53:03,639 --> 00:53:06,358
- She'd have made it
- the most happening place in Paris.
- 909
- 00:53:09,186 --> 00:53:14,864
- <i>I do remember going to Hilles
- straight after the takeover at Givenchy.</i>
- 910
- 00:53:16,652 --> 00:53:21,203
- You cannot imagine the tension
- between the two of them in this room.
- 911
- 00:53:21,699 --> 00:53:24,794
- These designers think
- that you made me.
- 912
- 00:53:25,703 --> 00:53:28,331
- - And it's never been about that.
- - No, they don't.
- 913
- 00:53:28,580 --> 00:53:30,708
- - I know that that's...
- - But they do!
- 914
- 00:53:30,791 --> 00:53:34,671
- You see it all the time in the press!
- They say, "Oh, Isabella Blow,
- 915
- 00:53:34,837 --> 00:53:37,590
- "responsible for Philip Treacy
- and Alexander McQueen."
- 916
- 00:53:37,881 --> 00:53:40,009
- - No, they say...
- - They do just say that!
- 917
- 00:53:40,676 --> 00:53:43,429
- But it's never been
- about that for me and you.
- 918
- 00:53:43,554 --> 00:53:45,022
- Whether I was part of it?
- 919
- 00:53:45,180 --> 00:53:46,898
- Does that annoy you
- that they put a strap on it?
- 920
- 00:53:46,974 --> 00:53:49,568
- "As discovered by Isabella Blow."
- Does it piss you off?
- 921
- 00:53:49,727 --> 00:53:52,697
- No, not at all, because Issie
- has helped me a lot in that way,
- 922
- 00:53:52,855 --> 00:53:54,698
- but not in the way that she's like...
- 923
- 00:53:55,149 --> 00:53:57,151
- She does it
- because she loves my clothes,
- 924
- 00:53:57,234 --> 00:53:58,531
- not because she loves me.
- 925
- 00:53:58,694 --> 00:54:01,072
- Exactly. That's the point.
- 926
- 00:54:01,280 --> 00:54:03,032
- Because I can't stand her guts!
- 927
- 00:54:04,783 --> 00:54:06,160
- I'm joking.
- 928
- 00:54:06,702 --> 00:54:10,377
- <i>I do remember sitting there,
- thinking to myself,</i>
- 929
- 00:54:10,664 --> 00:54:14,259
- "Please, lay off Issie
- because she's done nothing but help you,
- 930
- 00:54:14,543 --> 00:54:17,296
- "but you seem to be giving her
- a really difficult time."
- 931
- 00:54:17,671 --> 00:54:19,173
- <i>Issie kingmaker.</i>
- 932
- 00:54:19,423 --> 00:54:22,267
- This is the man she championed
- and then he resented that
- 933
- 00:54:22,384 --> 00:54:23,727
- and wanted to be his own man
- 934
- 00:54:24,011 --> 00:54:26,890
- so there was no position
- for Isabella Blow at Givenchy.
- 935
- 00:54:27,931 --> 00:54:28,978
- Punishment.
- 936
- 00:54:29,850 --> 00:54:32,399
- <i>And I remember
- McQueen turned to me and said,</i>
- 937
- 00:54:32,478 --> 00:54:34,321
- <i>"I'm the tycoon now, Detmar."</i>
- 938
- 00:54:34,938 --> 00:54:36,611
- And it wasn't meant affectionately.
- 939
- 00:54:36,940 --> 00:54:39,693
- <i>We had a policy. Don't show hurt,
- don't show weakness.</i>
- 940
- 00:54:39,985 --> 00:54:42,534
- <i>Keep your head up,
- keep proud, keep fighting.</i>
- 941
- 00:54:42,946 --> 00:54:44,914
- Something will turn up. It's got to.
- 942
- 00:54:45,115 --> 00:54:48,164
- His star ascended
- and hers didn't as much
- 943
- 00:54:48,368 --> 00:54:50,871
- and, you know,
- he slightly abandoned her.
- 944
- 00:54:51,497 --> 00:54:54,341
- <i>Then Issie suddenly got
- this job at The Sunday Times</i>
- 945
- 00:54:54,500 --> 00:54:57,549
- <i>and McQueen said,
- "You've been resurrected, Issie. "</i>
- 946
- 00:54:57,711 --> 00:55:00,009
- And I thought, "No thanks to you, mate."
- 947
- 00:55:02,633 --> 00:55:06,263
- <i>I saw myself within the press
- and in the public eye as the gazelle.</i>
- 948
- 00:55:06,970 --> 00:55:08,643
- <i>And the gazelle always got eaten.</i>
- 949
- 00:55:09,473 --> 00:55:12,852
- <i>And that's how I see human life.
- We can all be discarded quite easily.</i>
- 950
- 00:55:13,185 --> 00:55:16,860
- <i>The fragility of a designer's time
- in the press.</i>
- 951
- 00:55:17,314 --> 00:55:18,907
- You're there, you're gone.
- 952
- 00:55:20,734 --> 00:55:21,951
- It's a jungle out there.
- 953
- 00:55:22,945 --> 00:55:25,198
- <i>I went to his London studio</i>
- 954
- 00:55:25,447 --> 00:55:27,666
- <i>and he was talking
- about a haute couture show.</i>
- 955
- 00:55:28,033 --> 00:55:31,037
- <i>"I tried to please them
- and then I fucked it up.</i>
- 956
- 00:55:31,203 --> 00:55:32,750
- "I'm gonna do my own thing.
- 957
- 00:55:32,996 --> 00:55:35,215
- "It's gonna be very McQueen,
- the next one.
- 958
- 00:55:35,457 --> 00:55:39,587
- "Fuck you! Fuck you, all of you.
- I'm gonna show you."
- 959
- 00:55:39,878 --> 00:55:43,303
- We went from this sort of...
- The hallowed halls of Givenchy
- 960
- 00:55:43,841 --> 00:55:46,344
- into the sort of rough,
- gritty Borough Market,
- 961
- 00:55:46,510 --> 00:55:48,933
- people just sweeping
- all the rotting fruit and veg up.
- 962
- 00:55:49,096 --> 00:55:51,599
- <i>It's nice to show them
- the rough pan' of London,</i>
- 963
- 00:55:51,765 --> 00:55:54,609
- <i>make them</i> a <i>bit scared, look over
- their shoulder once in</i> a <i>while.</i>
- 964
- 00:55:54,768 --> 00:55:56,315
- <i>It's nothing to do
- with couture.</i>
- 965
- 00:55:56,436 --> 00:55:57,813
- <i>Now you've got your own studio.</i>
- 966
- 00:55:57,855 --> 00:56:01,450
- We're in another chapter,
- in another world, in another McQueen.
- 967
- 00:56:01,650 --> 00:56:04,324
- All camera crews
- go round the front gate.
- 968
- 00:56:04,444 --> 00:56:06,117
- <i>The London shows were always...</i>
- 969
- 00:56:06,321 --> 00:56:08,323
- <i>The audience,
- the expectation, was so great.</i>
- 970
- 00:56:08,490 --> 00:56:12,336
- <i>The shows in Paris
- were far more formal and reserved.</i>
- 971
- 00:56:12,536 --> 00:56:14,630
- People would scream
- their heads off in London.
- 972
- 00:56:17,499 --> 00:56:22,471
- <i>It was crazy, people literally
- fighting to see the catwalk.</i>
- 973
- 00:56:23,714 --> 00:56:25,842
- <i>Lee just running
- from model to model</i>
- 974
- 00:56:26,008 --> 00:56:27,931
- <i>and screaming and shouting at everyone.</i>
- 975
- 00:56:28,093 --> 00:56:30,846
- Simon, we want to start
- the show!
- 976
- 00:56:31,305 --> 00:56:34,559
- <i>And just always moving,
- always dressing, always stressing.</i>
- 977
- 00:56:35,017 --> 00:56:37,691
- <i>Stressing and dressing,
- actually, together.</i>
- 978
- 00:56:38,145 --> 00:56:40,022
- Are we all standing by,
- ready to go?
- 979
- 00:56:40,147 --> 00:56:41,319
- OK.
- 980
- 00:56:41,481 --> 00:56:43,859
- Where's Russell?
- Is he out there? Is he getting ready?
- 981
- 00:56:44,151 --> 00:56:45,323
- Yeah.
- 982
- 00:56:45,903 --> 00:56:47,621
- <i>One of the models was late.</i>
- 983
- 00:56:47,696 --> 00:56:50,415
- <i>He said, "Fuck her"
- and he started the show.</i>
- 984
- 00:56:50,699 --> 00:56:53,373
- <i>He'd just go,
- "Right, Jodes, just go for it. "</i>
- 985
- 00:56:53,660 --> 00:56:54,832
- <i>He used to psyche me up.</i>
- 986
- 00:56:54,953 --> 00:56:57,297
- <i>I used to literally get out
- onto the catwalk and go...</i>
- 987
- 00:57:06,089 --> 00:57:07,682
- <i>It was really the first time</i>
- 988
- 00:57:07,841 --> 00:57:11,687
- <i>the collection kind of seeped out
- into everything,</i>
- 989
- 00:57:11,887 --> 00:57:15,983
- <i>from the energy that was in that space
- to the effect it had on people.</i>
- 990
- 00:57:17,225 --> 00:57:20,695
- <i>A sort of angst, an anger and fear,</i>
- 991
- 00:57:20,938 --> 00:57:22,986
- <i>that was woven through that show.</i>
- 992
- 00:57:24,149 --> 00:57:25,651
- <i>We were mind-blown</i>
- 993
- 00:57:25,776 --> 00:57:28,950
- <i>because they didn't look like models.</i>
- 994
- 00:57:29,154 --> 00:57:32,328
- <i>They look like animals
- with this big hair</i>
- 995
- 00:57:32,574 --> 00:57:34,451
- <i>and this animal make-up.</i>
- 996
- 00:57:34,826 --> 00:57:35,873
- <i>It was like...</i>
- 997
- 00:57:36,453 --> 00:57:38,080
- <i>It was intense.</i>
- 998
- 00:57:40,624 --> 00:57:42,501
- <i>Some students
- that weren't allowed in</i>
- 999
- 00:57:42,834 --> 00:57:46,259
- <i>stormed the barricades
- and kicked over a“ these fire pots.</i>
- 1000
- 00:57:47,005 --> 00:57:49,007
- And then
- the fire started.
- 1001
- 00:57:49,633 --> 00:57:51,476
- Cos there were a pile
- of crashed cars
- 1002
- 00:57:51,843 --> 00:57:55,063
- and I don't think
- we'd emptied the cars of petrol.
- 1003
- 00:57:55,347 --> 00:57:57,065
- <i>The car's actually on fire.</i>
- 1004
- 00:57:57,683 --> 00:58:00,653
- There's a fricking car on fire
- on the catwalk.
- 1005
- 00:58:00,936 --> 00:58:03,155
- <i>And everyone thought
- it was part of the show.</i>
- 1006
- 00:58:03,522 --> 00:58:06,901
- "Don't you...dare go out there
- with fire extinguishers.
- 1007
- 00:58:07,067 --> 00:58:09,866
- <i>"Just keep sending them out.
- Keep sending them out."</i>
- 1008
- 00:58:11,571 --> 00:58:15,166
- Had that not been rectified,
- that whole tent
- 1009
- 00:58:15,659 --> 00:58:19,835
- and all the top fashion editors
- and models would have been history.
- 1010
- 00:58:21,123 --> 00:58:27,096
- <i>That's just back to typical,
- wonderful, mad, brilliant Lee.</i>
- 1011
- 00:58:53,113 --> 00:58:55,992
- Did you move out of London
- and settle in Paris?
- 1012
- 00:58:56,450 --> 00:58:59,579
- I stay in both. I'm here for six months
- and in London six months. All over.
- 1013
- 00:59:00,245 --> 00:59:03,715
- My dog is in London and I'm missing him.
- I'm missing my dog.
- 1014
- 00:59:11,548 --> 00:59:15,348
- <i>TraveHing between the two cities
- to do Givenchy and McQueen,</i>
- 1015
- 00:59:15,469 --> 00:59:17,767
- <i>of course it would take its toll.</i>
- 1016
- 00:59:18,972 --> 00:59:20,269
- <i>But he did it.</i>
- 1017
- 00:59:20,515 --> 00:59:22,859
- And he managed
- to make the shows amazing.
- 1018
- 00:59:26,813 --> 00:59:29,692
- By that time
- there was so much more pressure
- 1019
- 00:59:29,900 --> 00:59:32,949
- because he was also doing his own line
- and then having to do
- 1020
- 00:59:33,153 --> 00:59:34,826
- ready-to-wear and couture.
- 1021
- 00:59:34,946 --> 00:59:37,620
- <i>You could see the beginning
- of the pressure that Lee was under.</i>
- 1022
- 00:59:37,866 --> 00:59:41,291
- <i>The favourite company
- of LVMH was Dior.</i>
- 1023
- 00:59:41,661 --> 00:59:46,007
- <i>Lee felt they were really
- comparing him with Galliano.</i>
- 1024
- 00:59:46,917 --> 00:59:48,965
- <i>And then he sort of found out</i>
- 1025
- 00:59:49,127 --> 00:59:53,007
- <i>that John had
- four times more budget than him</i>
- 1026
- 00:59:53,340 --> 00:59:55,934
- <i>to create his haute couture collection.</i>
- 1027
- 00:59:56,718 --> 00:59:59,767
- <i>The house we loved
- was the McQueen house.</i>
- 1028
- 01:00:00,222 --> 01:00:02,941
- <i>Givenchy was like a stepbrother.</i>
- 1029
- 01:00:03,475 --> 01:00:07,571
- <i>We knew that our time there
- had an expiry date.</i>
- 1030
- 01:00:09,231 --> 01:00:14,112
- <i>When we arrived at Paris
- Lee's clothes tended to be very rigid</i>
- 1031
- 01:00:14,569 --> 01:00:16,367
- <i>and I think in Paris</i>
- 1032
- 01:00:16,530 --> 01:00:19,283
- <i>he got to discover
- the soft side of things.</i>
- 1033
- 01:00:20,450 --> 01:00:24,000
- <i>We took that
- and we brought it to London.</i>
- 1034
- 01:00:26,123 --> 01:00:29,548
- <i>For No. 13, I remember him very happy.</i>
- 1035
- 01:00:29,668 --> 01:00:34,174
- <i>Lee had it very clear in his head
- what he wanted to do.</i>
- 1036
- 01:00:35,048 --> 01:00:36,891
- <i>We all left the meeting thinking,</i>
- 1037
- 01:00:37,008 --> 01:00:38,976
- <i>"Oh, my God,
- he has it very dear this season."</i>
- 1038
- 01:00:39,136 --> 01:00:41,264
- <i>"He knows what colours,
- he knows the shape..."</i>
- 1039
- 01:00:41,429 --> 01:00:44,683
- <i>He himself was feeling at peace.</i>
- 1040
- 01:00:47,352 --> 01:00:51,232
- The first show I ever worked on
- with Lee, he liked the idea of robots.
- 1041
- 01:00:51,690 --> 01:00:53,408
- <i>Lee kept going on about it,</i>
- 1042
- 01:00:53,608 --> 01:00:55,531
- <i>"Oh, I'm gonna have this robot,
- this model. "</i>
- 1043
- 01:00:55,861 --> 01:00:59,991
- And we were like "Oh, no!
- The robots again. Oh, my God."
- 1044
- 01:01:02,367 --> 01:01:03,994
- We were just hoping
- he was gonna forget the idea.
- 1045
- 01:01:04,286 --> 01:01:07,881
- <i>But then, the night before the show,
- the robot did turn up</i>
- 1046
- 01:01:08,039 --> 01:01:10,792
- <i>and we didn't have a dress
- to go with the robot.</i>
- 1047
- 01:01:11,084 --> 01:01:12,427
- I went back to the studio.
- 1048
- 01:01:12,544 --> 01:01:16,048
- I was like, "Guys, we need
- to make a dress for the finale."
- 1049
- 01:01:16,339 --> 01:01:19,843
- <i>We went under the table
- and pulled all these jewels out</i>
- 1050
- 01:01:20,093 --> 01:01:22,562
- <i>and he was like,
- "Hey, there's the dress."</i>
- 1051
- 01:01:30,562 --> 01:01:32,189
- <i>They told him it was impossible</i>
- 1052
- 01:01:32,272 --> 01:01:34,445
- <i>and he said, "No, it's not.
- You can do it."</i>
- 1053
- 01:01:34,858 --> 01:01:38,328
- That's what Lee did for people,
- he made them do the impossible.
- 1054
- 01:01:39,237 --> 01:01:42,537
- <i>We got some technician down
- to operate the robots and Lee was,</i>
- 1055
- 01:01:42,699 --> 01:01:44,872
- "Oh, yeah, let's make the robots
- do more of this."
- 1056
- 01:01:45,035 --> 01:01:47,208
- He's directing these robots
- like they're actors
- 1057
- 01:01:47,579 --> 01:01:51,709
- <i>and, consequently, you end up
- with this incredible choreography,</i>
- 1058
- 01:01:51,917 --> 01:01:53,260
- <i>her spinning.</i>
- 1059
- 01:01:54,628 --> 01:01:57,757
- <i>You had Shalom Harlow there
- and these two robots going round.</i>
- 1060
- 01:01:58,006 --> 01:02:01,135
- <i>And the thing is, the robots looked
- like they had a mind of their own.</i>
- 1061
- 01:02:20,654 --> 01:02:24,534
- <i>I think that's the first time
- that I was blown away by my own show.</i>
- 1062
- 01:02:25,367 --> 01:02:28,712
- <i>That man and machine thing at the end
- was... I'm still in shock, really.</i>
- 1063
- 01:02:28,912 --> 01:02:30,914
- It's the first time I've cried
- at my show, so...
- 1064
- 01:02:31,665 --> 01:02:32,712
- Yeah.
- 1065
- 01:03:03,530 --> 01:03:05,203
- <i>Lee was living his dream.</i>
- 1066
- 01:03:05,532 --> 01:03:08,536
- He would never have given the work up,
- as hard as it was,
- 1067
- 01:03:08,702 --> 01:03:11,171
- because you get that one chance in life.
- 1068
- 01:03:13,290 --> 01:03:17,090
- <i>The first time I knew that Lee
- was actually getting very famous</i>
- 1069
- 01:03:17,252 --> 01:03:19,721
- <i>was when some stranger
- came up to us</i>
- 1070
- 01:03:19,879 --> 01:03:21,927
- <i>in the supermarket
- and asked for his autograph.</i>
- 1071
- 01:03:22,215 --> 01:03:25,640
- And I remember him saying to me,
- "Oh, my God, that's so scary."
- 1072
- 01:03:26,177 --> 01:03:29,181
- And I realised then
- that something was happening.
- 1073
- 01:03:29,347 --> 01:03:32,521
- <i>He was breaking outside of fashion
- and becoming famous.</i>
- 1074
- 01:03:34,144 --> 01:03:36,647
- <i>That whole celebrity thing,
- people chasing after him.</i>
- 1075
- 01:03:36,938 --> 01:03:38,360
- You got the feeling he was saying,
- 1076
- 01:03:38,481 --> 01:03:41,109
- "This is not the important thing.
- This fame is nonsense.
- 1077
- 01:03:41,609 --> 01:03:43,828
- "The important thing is what I do."
- 1078
- 01:03:44,863 --> 01:03:47,036
- <i>I sometimes wish
- he'd had a normal life</i>
- 1079
- 01:03:47,115 --> 01:03:50,244
- <i>and that he could just be
- a normal person</i>
- 1080
- 01:03:50,869 --> 01:03:54,669
- <i>in terms of not having that pressure
- of everything at such a young age.</i>
- 1081
- 01:03:55,040 --> 01:03:59,136
- I knew Lee when he had nothing
- but a rubbish bin full of clothes,
- 1082
- 01:03:59,294 --> 01:04:03,265
- so I saw very quickly
- him become a millionaire and more.
- 1083
- 01:04:03,673 --> 01:04:07,519
- <i>And the more money he had,
- he seemed to be more unhappy.</i>
- 1084
- 01:04:08,803 --> 01:04:10,396
- <i>With the money came drugs.</i>
- 1085
- 01:04:11,014 --> 01:04:12,391
- And that was the sad thing.
- 1086
- 01:04:36,956 --> 01:04:38,333
- <i>When did it become bad?</i>
- 1087
- 01:04:38,666 --> 01:04:42,045
- <i>Well, it became bad when the pressure
- became too much for him</i>
- 1088
- 01:04:42,212 --> 01:04:45,261
- <i>and he obviously started dealing with it</i>
- 1089
- 01:04:45,465 --> 01:04:49,220
- <i>in ways he shouldn't have,
- unfortunately.</i>
- 1090
- 01:04:49,677 --> 01:04:51,771
- <i>With cocaine
- came an aggressiveness,</i>
- 1091
- 01:04:52,180 --> 01:04:54,683
- <i>that kind of anger,
- that sort of paranoia.</i>
- 1092
- 01:04:55,475 --> 01:04:57,352
- He still made some great clothes,
- 1093
- 01:04:57,435 --> 01:04:59,233
- but the personality changed.
- 1094
- 01:04:59,354 --> 01:05:03,200
- <i>All the hard work I do.
- I do 10 collections a year.</i>
- 1095
- 01:05:03,358 --> 01:05:04,530
- <i>And it's hard work.</i>
- 1096
- 01:05:04,692 --> 01:05:07,320
- <i>I didn't go to Givenchy,
- they come to me.</i>
- 1097
- 01:05:07,529 --> 01:05:09,782
- I got really upset
- when people started saying
- 1098
- 01:05:10,073 --> 01:05:12,792
- I was gonna get fired
- when it wasn't true.
- 1099
- 01:05:12,992 --> 01:05:14,835
- "Sod the lot of you.
- I do what I like."
- 1100
- 01:05:18,164 --> 01:05:19,757
- <i>There was definitely a change</i>
- 1101
- 01:05:19,916 --> 01:05:21,884
- <i>and definitely a move
- in our relationship.</i>
- 1102
- 01:05:22,043 --> 01:05:24,216
- He had two sides to him.
- 1103
- 01:05:24,712 --> 01:05:27,181
- He could come
- in a super cool mood,
- 1104
- 01:05:27,507 --> 01:05:30,977
- like, full of laughter and that,
- 1105
- 01:05:31,052 --> 01:05:32,725
- or it could be
- 1106
- 01:05:33,012 --> 01:05:34,685
- a devil crossing the door.
- 1107
- 01:05:34,973 --> 01:05:37,442
- He was obviously
- a very troubled person
- 1108
- 01:05:38,226 --> 01:05:40,069
- and the darkness created
- 1109
- 01:05:40,353 --> 01:05:44,358
- this amazing creativity
- and genius artist.
- 1110
- 01:05:48,027 --> 01:05:51,156
- <i>T had a tattoo saying McQueen on my arm.</i>
- 1111
- 01:05:51,823 --> 01:05:53,700
- I got it covered up
- and when he found out,
- 1112
- 01:05:53,867 --> 01:05:55,790
- that was kind of like the end
- of everything.
- 1113
- 01:05:57,162 --> 01:05:58,505
- <i>Lee was</i> a <i>romantic.</i>
- 1114
- 01:05:58,872 --> 01:06:01,796
- <i>I think that he flirted always
- with the idea of love.</i>
- 1115
- 01:06:01,875 --> 01:06:04,128
- <i>I'm not sure
- whether he ever achieved it.</i>
- 1116
- 01:06:05,503 --> 01:06:08,382
- The big thing in his life
- that he was in love with was his work.
- 1117
- 01:06:08,673 --> 01:06:11,722
- And also he didn't trust anyone.
- 1118
- 01:06:12,218 --> 01:06:13,561
- He thought,
- 1119
- 01:06:13,845 --> 01:06:16,724
- "If the boyfriend is not here,
- it's because he's with someone else."
- 1120
- 01:06:16,890 --> 01:06:19,234
- And that made him suffer a lot.
- 1121
- 01:06:19,767 --> 01:06:23,192
- <i>People forget fashion's
- always been about attracting a mate.</i>
- 1122
- 01:06:23,313 --> 01:06:25,862
- <i>H's about sexuality,
- showing a person who you are.</i>
- 1123
- 01:06:26,024 --> 01:06:28,493
- I'm sorry if you think I'm stupid.
- 1124
- 01:06:28,818 --> 01:06:31,697
- Even though I'm chubby
- and I would like to look smaller.
- 1125
- 01:06:32,113 --> 01:06:34,081
- I mean, let's be realistic here.
- 1126
- 01:06:44,334 --> 01:06:46,177
- <i>When he changed his appearance,</i>
- 1127
- 01:06:46,377 --> 01:06:48,800
- <i>he said, "I changed myself.
- it was the wrong thing to do.</i>
- 1128
- 01:06:49,005 --> 01:06:51,053
- "I lost touch with who I was."
- 1129
- 01:06:51,591 --> 01:06:55,016
- <i>What was it?
- Ten years from Lee, little Lee McQueen,</i>
- 1130
- 01:06:55,094 --> 01:06:56,937
- <i>satin the corner of my studio
- sewing away,</i>
- 1131
- 01:06:57,180 --> 01:07:00,684
- <i>to this svelte figure
- dressed in Comme des Gargons,</i>
- 1132
- 01:07:01,017 --> 01:07:03,486
- <i>having to become something
- he didn't really want to be,</i>
- 1133
- 01:07:03,728 --> 01:07:06,698
- <i>this son' of persona,
- this Alexander McQueen.</i>
- 1134
- 01:07:34,551 --> 01:07:36,144
- 6:00 in the morning.
- 1135
- 01:07:37,011 --> 01:07:39,764
- Don't! Don't do that to her.
- Oh, Simon.
- 1136
- 01:07:40,098 --> 01:07:42,226
- Oh, my God.
- 1137
- 01:07:42,600 --> 01:07:44,728
- She's only got a few hours left.
- 1138
- 01:07:47,689 --> 01:07:49,282
- It wasn't fun any more for me.
- 1139
- 01:07:49,649 --> 01:07:51,993
- That was the bottom line.
- It just wasn't fun any more.
- 1140
- 01:07:54,612 --> 01:07:56,706
- I don't like the camera much.
- 1141
- 01:07:56,823 --> 01:07:58,666
- Turn it off now.
- 1142
- 01:07:59,033 --> 01:08:01,502
- <i>I've never done better work
- than my time with Lee.</i>
- 1143
- 01:08:01,953 --> 01:08:05,708
- There was times that were dark with him
- and times that were very bright.
- 1144
- 01:08:06,165 --> 01:08:09,510
- And we all chose it.
- We all chose to be there.
- 1145
- 01:08:10,044 --> 01:08:12,513
- We all chose to not be there
- sometimes as well.
- 1146
- 01:08:12,880 --> 01:08:14,723
- <i>I collapsed once in Givenchy</i>
- 1147
- 01:08:15,008 --> 01:08:18,182
- <i>because of the pressure
- and the workload.</i>
- 1148
- 01:08:18,344 --> 01:08:20,938
- <i>We had a price to pay
- and it was our health.</i>
- 1149
- 01:08:21,639 --> 01:08:24,062
- I grew in the company,
- of course.
- 1150
- 01:08:24,309 --> 01:08:27,108
- I wasn't the little boy
- that I started there.
- 1151
- 01:08:27,478 --> 01:08:30,027
- <i>As I grew up, I realised that...</i>
- 1152
- 01:08:31,107 --> 01:08:35,613
- <i>I was feeling like I was</i> a <i>little bit
- claustrophobic of the situation.</i>
- 1153
- 01:08:36,154 --> 01:08:38,873
- Sebastién!
- Oh, Sebastién...
- 1154
- 01:08:39,073 --> 01:08:40,700
- Come on, you ugly bitch.
- 1155
- 01:08:41,993 --> 01:08:43,495
- Ooh!
- 1156
- 01:08:43,828 --> 01:08:46,832
- It was like full devotion
- to the McQueen house.
- 1157
- 01:08:47,373 --> 01:08:49,341
- Looking after his dogs,
- 1158
- 01:08:49,876 --> 01:08:52,004
- endless hours of working
- 1159
- 01:08:52,337 --> 01:08:55,216
- and weekends either working
- 1160
- 01:08:55,340 --> 01:08:57,058
- or socialising with Lee.
- 1161
- 01:08:57,383 --> 01:09:00,262
- <i>We were going also on holiday together.</i>
- 1162
- 01:09:00,637 --> 01:09:03,607
- I even know how to fake
- his signature, you know.
- 1163
- 01:09:04,015 --> 01:09:05,983
- I was feeling, like, trapped.
- 1164
- 01:09:06,893 --> 01:09:09,146
- <i>Even if I loved what I was doing.</i>
- 1165
- 01:09:10,355 --> 01:09:13,108
- I tried to... To speak with him
- 1166
- 01:09:13,441 --> 01:09:15,239
- and that didn't end up that well.
- 1167
- 01:09:15,610 --> 01:09:17,988
- The day I told him I was leaving,
- he told me,
- 1168
- 01:09:18,237 --> 01:09:20,956
- "Well, you'd better think about it
- because there is no way back."
- 1169
- 01:09:23,368 --> 01:09:26,372
- And I left and it was really sad,
- you know.
- 1170
- 01:09:26,496 --> 01:09:29,249
- My leaving, you know, it was...
- 1171
- 01:09:29,707 --> 01:09:31,175
- No one...
- 1172
- 01:09:32,543 --> 01:09:35,797
- No one, erm...
- No one came to...
- 1173
- 01:09:37,256 --> 01:09:40,180
- After all the work I've done and...
- 1174
- 01:09:48,267 --> 01:09:52,067
- Unfortunately,
- Lee took things quite to heart
- 1175
- 01:09:52,772 --> 01:09:54,695
- without maybe thinking about
- 1176
- 01:09:54,857 --> 01:09:56,530
- what the other person was going through
- 1177
- 01:09:56,609 --> 01:09:58,156
- or what they needed
- 1178
- 01:09:58,361 --> 01:09:59,988
- and he would take it very personally
- 1179
- 01:10:00,196 --> 01:10:02,915
- when someone would leave
- or he felt betrayed.
- 1180
- 01:10:28,683 --> 01:10:32,733
- A lot of people around fashion
- do suffer from anxiety,
- 1181
- 01:10:32,979 --> 01:10:35,277
- do suffer from panic attacks,
- depression.
- 1182
- 01:10:35,648 --> 01:10:38,492
- The industry is feeding this ego.
- 1183
- 01:10:38,818 --> 01:10:41,162
- <i>And it has a very negative effect.</i>
- 1184
- 01:10:42,029 --> 01:10:44,908
- <i>For the Voss show
- the original concept was</i> a <i>padded cell.</i>
- 1185
- 01:10:46,325 --> 01:10:50,705
- You start losing who you are
- and it becomes a darkness
- 1186
- 01:10:50,955 --> 01:10:52,582
- and a place that you can't get out of.
- 1187
- 01:10:53,541 --> 01:10:55,214
- <i>And, of course, Lee being Lee,</i>
- 1188
- 01:10:55,418 --> 01:10:57,512
- <i>he wasn't happy
- with just this one great idea.</i>
- 1189
- 01:10:57,754 --> 01:11:00,303
- You then had to have another box
- in the middle
- 1190
- 01:11:00,715 --> 01:11:03,969
- as a kind of theatrical climax
- to the show.
- 1191
- 01:11:04,343 --> 01:11:07,643
- When he came and sat down
- to explain what it was,
- 1192
- 01:11:08,055 --> 01:11:10,558
- he wouldn't look me in the eye
- and he was saying,
- 1193
- 01:11:11,017 --> 01:11:14,362
- "Yes, it's about death
- and beauty and rebirth."
- 1194
- 01:11:14,645 --> 01:11:16,192
- "It's gonna be beautiful."
- 1195
- 01:11:16,647 --> 01:11:19,366
- <i>I really wasn't expecting
- to be recreating</i>
- 1196
- 01:11:19,442 --> 01:11:22,286
- <i>Joel-Peter Witkin's
- famous incubus image.</i>
- 1197
- 01:11:32,872 --> 01:11:34,340
- It's a pretty gruesome image
- 1198
- 01:11:34,457 --> 01:11:37,210
- and I'm thinking, "Oh, my goodness,
- am I gonna do this?"
- 1199
- 01:11:37,376 --> 01:11:39,174
- <i>And I was like, "All right,
- then, I will do it,</i>
- 1200
- 01:11:39,253 --> 01:11:41,301
- <i>"but I want you to know... "</i>
- 1201
- 01:11:41,672 --> 01:11:43,720
- <i>Serious face.
- "...that I'm doing it for an'. "</i>
- 1202
- 01:11:45,218 --> 01:11:47,721
- And he looked at me like I was mad
- 1203
- 01:11:47,887 --> 01:11:49,639
- and then he looked away and he went,
- 1204
- 01:11:49,847 --> 01:11:51,975
- "I thought we all were, weren't we?"
- And he was off.
- 1205
- 01:11:52,475 --> 01:11:55,979
- <i>The actual set had
- that Stanley Kubrick 2001</i>
- 1206
- 01:11:56,145 --> 01:11:58,318
- <i>meets an insane asylum feel.</i>
- 1207
- 01:11:58,439 --> 01:12:01,693
- <i>And there was a two-way mirror
- so that when the fashion people,</i>
- 1208
- 01:12:01,901 --> 01:12:04,905
- <i>when the fashion press came in
- to wait for the show to start,</i>
- 1209
- 01:12:05,029 --> 01:12:07,123
- <i>they were ail looking
- at themselves in the mirror.</i>
- 1210
- 01:12:07,406 --> 01:12:10,080
- <i>The music started,
- ba-dum, ba-dum, ba-dum,</i>
- 1211
- 01:12:10,326 --> 01:12:13,250
- <i>with this heartbeat
- that went faster and faster and faster.</i>
- 1212
- 01:12:13,704 --> 01:12:16,378
- <i>We didn't know what to expect,
- what was gonna happen.</i>
- 1213
- 01:12:16,541 --> 01:12:18,293
- <i>None of the audience knew at all.</i>
- 1214
- 01:12:19,252 --> 01:12:23,598
- <i>Fashion is</i> a <i>big bubble
- and sometimes I feel like popping it.</i>
- 1215
- 01:12:32,348 --> 01:12:34,692
- <i>When the show starts,
- boom, you can see inside.</i>
- 1216
- 01:12:34,892 --> 01:12:36,894
- <i>But the models
- can't see the audience at all.</i>
- 1217
- 01:12:37,812 --> 01:12:40,361
- <i>it was suddenly a much more
- kind of voyeuristic thing.</i>
- 1218
- 01:12:41,858 --> 01:12:43,826
- <i>The bandages he put
- on a“ the model's heads</i>
- 1219
- 01:12:43,943 --> 01:12:48,790
- <i>so it had that slight feeling of unease
- and sickness and a bed/am feel about it.</i>
- 1220
- 01:12:53,870 --> 01:12:57,249
- <i>There was one time
- that I'd just come out of surgery</i>
- 1221
- 01:12:57,456 --> 01:12:59,049
- <i>and he came to visit me</i>
- 1222
- 01:12:59,458 --> 01:13:02,086
- <i>and he saw me
- and I had bandages everywhere.</i>
- 1223
- 01:13:02,253 --> 01:13:06,008
- I was all bruised up and he was like,
- "Fucking wicked!", as he would do that.
- 1224
- 01:13:06,841 --> 01:13:08,764
- <i>He absorbed things like a sponge,</i>
- 1225
- 01:13:09,135 --> 01:13:10,887
- <i>saw the beauty in the ugly,</i>
- 1226
- 01:13:11,137 --> 01:13:13,105
- <i>as with the bandages on me.</i>
- 1227
- 01:13:39,665 --> 01:13:43,420
- <i>Life isn't perfect.
- We're not a“ perfect size-zero models.</i>
- 1228
- 01:13:43,586 --> 01:13:46,430
- <i>But there is beauty
- within the eye of the beholder.</i>
- 1229
- 01:14:00,770 --> 01:14:03,148
- <i>For the final image
- to be this one</i>
- 1230
- 01:14:03,397 --> 01:14:07,618
- <i>of</i> a <i>large woman with moths everywhere,
- it sounds like</i> a <i>joke, really.</i>
- 1231
- 01:14:07,860 --> 01:14:11,034
- <i>But I do think there's a sense of humour
- going on underneath there as well.</i>
- 1232
- 01:14:11,280 --> 01:14:12,998
- It's fat birds and moths.
- 1233
- 01:14:13,240 --> 01:14:15,618
- I mean, isn't thatjust
- fashion's worst nightmare?
- 1234
- 01:14:20,665 --> 01:14:23,714
- Every season
- whose collections do I look at?</i>
- 1235
- 01:14:23,793 --> 01:14:25,761
- Whose collections
- am I jealous of in a sense?
- 1236
- 01:14:26,128 --> 01:14:29,348
- Whose collections do I think
- are absolutely amazing?
- 1237
- 01:14:31,467 --> 01:14:34,346
- <i>Tom was literally God
- In the industry.</i>
- 1238
- 01:14:34,679 --> 01:14:36,522
- I guess, even if Lee was a rebel
- 1239
- 01:14:36,764 --> 01:14:39,313
- and he was a totally different
- kind of person,
- 1240
- 01:14:39,684 --> 01:14:42,528
- he probably was flattered
- and, you know, touched
- 1241
- 01:14:42,728 --> 01:14:46,824
- by the fact that someone like Tom Ford
- noticed him and wanted him.
- 1242
- 01:14:47,316 --> 01:14:49,193
- Also he was smart enough to know
- 1243
- 01:14:49,443 --> 01:14:51,320
- that he needed that financial help.
- 1244
- 01:15:09,255 --> 01:15:12,384
- The wonderful thing
- about Lee is he is poet...
- 1245
- 01:15:12,675 --> 01:15:14,393
- He won't like this either,
- but it's true.
- 1246
- 01:15:14,510 --> 01:15:18,140
- ...poet and commerce united,
- because he's very practical.
- 1247
- 01:15:18,639 --> 01:15:21,392
- So he understands you can express
- whatever you want on the runway
- 1248
- 01:15:21,726 --> 01:15:24,900
- but you need something beautiful
- on the hanger to sell to a store.
- 1249
- 01:15:26,147 --> 01:15:29,276
- <i>Gucci Group was smart.
- They saw what the potential was.</i>
- 1250
- 01:15:29,525 --> 01:15:32,825
- <i>And they offered McQueen</i> a <i>deal
- he thought he couldn't refuse</i>
- 1251
- 01:15:33,195 --> 01:15:35,323
- <i>which was, "Here, we'll underwrite
- your company</i>
- 1252
- 01:15:35,573 --> 01:15:38,076
- <i>"and give you 50% of the ownership."</i>
- 1253
- 01:15:38,534 --> 01:15:40,002
- <i>They had secret meetings</i>
- 1254
- 01:15:40,119 --> 01:15:41,837
- <i>so none of it would get back to Arnault</i>
- 1255
- 01:15:41,954 --> 01:15:43,297
- <i>and the LVMH people.</i>
- 1256
- 01:15:43,456 --> 01:15:46,255
- <i>They had no idea it was coming
- until it hit them.</i>
- 1257
- 01:15:48,127 --> 01:15:50,255
- I was quite adamant
- when I talked to Tom
- 1258
- 01:15:50,796 --> 01:15:52,844
- that this was a one-man band.
- 1259
- 01:15:53,382 --> 01:15:56,261
- So they leave you alone
- to design what you want?
- 1260
- 01:15:56,469 --> 01:15:57,561
- Hundred percent.
- 1261
- 01:15:57,636 --> 01:15:59,604
- I was looking
- for major investment
- 1262
- 01:16:00,014 --> 01:16:03,234
- and then Gucci got in touch and...
- 1263
- 01:16:05,019 --> 01:16:06,487
- The rest is history.
- 1264
- 01:16:10,524 --> 01:16:12,197
- <i>Au revoir, Givenchy.</i>
- 1265
- 01:16:31,712 --> 01:16:33,180
- Got ya!
- 1266
- 01:16:48,395 --> 01:16:49,521
- What are you doing?
- 1267
- 01:16:49,814 --> 01:16:53,318
- I have an affinity with the sea.
- I don't know, maybe cos I'm Pisces.
- 1268
- 01:16:54,193 --> 01:16:56,742
- And when it rains and it snows
- 1269
- 01:16:57,113 --> 01:17:00,208
- and you're near the sea
- and you can hear the waves...
- 1270
- 01:17:01,325 --> 01:17:04,329
- <i>H's very melancholic
- but it's very romantic.</i>
- 1271
- 01:17:06,997 --> 01:17:09,876
- <i>Sometimes you need to have a break</i>
- 1272
- 01:17:10,793 --> 01:17:12,261
- <i>to get away from everything</i>
- 1273
- 01:17:12,378 --> 01:17:16,679
- <i>and not to think about business
- and fashion shows</i>
- 1274
- 01:17:17,091 --> 01:17:19,264
- <i>and to take time out.</i>
- 1275
- 01:17:25,182 --> 01:17:27,059
- <i>I have to be surrounded by nature.</i>
- 1276
- 01:17:27,852 --> 01:17:29,229
- <i>This is older than the house.</i>
- 1277
- 01:17:29,562 --> 01:17:33,317
- <i>This is over 400 years old.
- It's an elm tree.</i>
- 1278
- 01:17:33,691 --> 01:17:36,194
- <i>And we uplight it at night.</i>
- 1279
- 01:17:39,405 --> 01:17:41,373
- <i>And, like, it's good inspiration.</i>
- 1280
- 01:17:49,081 --> 01:17:51,254
- <i>All my friends come here
- and, you know,</i>
- 1281
- 01:17:51,542 --> 01:17:55,263
- <i>we have the fire on
- and we watch DVDs and listen to music.</i>
- 1282
- 01:17:56,297 --> 01:17:58,766
- It's nice and relaxing.
- 1283
- 01:18:06,432 --> 01:18:10,903
- He would be spending time
- with my mum a lot, down the cottage.
- 1284
- 01:18:11,562 --> 01:18:14,441
- <i>I'm grateful
- that we had that time together.</i>
- 1285
- 01:18:15,149 --> 01:18:18,653
- We'd see more of each other
- and we did things together.
- 1286
- 01:18:19,987 --> 01:18:22,206
- <i>My family keep me grounded.</i>
- 1287
- 01:18:22,448 --> 01:18:24,667
- Fashion can be
- a very superficial business.
- 1288
- 01:18:27,328 --> 01:18:30,127
- <i>When I started in London
- there was nothing like this.</i>
- 1289
- 01:18:30,706 --> 01:18:34,381
- It's as close as we can get
- to haute couture in England.
- 1290
- 01:18:34,960 --> 01:18:37,634
- <i>All the people here are students
- and it's, like, training them up</i>
- 1291
- 01:18:38,005 --> 01:18:41,305
- <i>and giving them that initial step
- into the world of fashion.</i>
- 1292
- 01:18:42,968 --> 01:18:44,891
- Lee knew
- from when I was a little boy
- 1293
- 01:18:45,095 --> 01:18:47,723
- that I loved to draw
- and I was always very artistic.
- 1294
- 01:18:48,390 --> 01:18:51,189
- A lot of time had passed
- and I was working at a rubbish tip
- 1295
- 01:18:51,727 --> 01:18:54,981
- and Lee had the position
- for a textile designer on menswear
- 1296
- 01:18:55,272 --> 01:18:57,024
- and that's when he took me on.
- 1297
- 01:18:57,524 --> 01:18:59,492
- Lee was really happy having me there,
- 1298
- 01:19:00,027 --> 01:19:02,155
- firstly on the creative level,
- 1299
- 01:19:02,363 --> 01:19:04,081
- but secondly just having
- 1300
- 01:19:05,074 --> 01:19:07,372
- something that reminded him of his past
- 1301
- 01:19:07,618 --> 01:19:09,495
- and his childhood.
- 1302
- 01:19:11,372 --> 01:19:12,544
- Let's have a look.
- 1303
- 01:19:13,540 --> 01:19:17,170
- <i>There was</i> a <i>period when it
- wasn't so good and I had</i> a <i>lot of angst.</i>
- 1304
- 01:19:17,378 --> 01:19:20,006
- <i>It was kind of hard. There was a lot
- of confliction in my head</i>
- 1305
- 01:19:20,339 --> 01:19:23,639
- <i>with doing a job that I didn't wanna do,
- which was Givenchy.</i>
- 1306
- 01:19:23,801 --> 01:19:25,849
- <i>But I think I've come to</i> a <i>stage where</i>
- 1307
- 01:19:26,387 --> 01:19:29,516
- <i>I just accept this is my fife,
- this is what I was born to do.</i>
- 1308
- 01:19:34,019 --> 01:19:35,396
- Oh.
- 1309
- 01:19:35,688 --> 01:19:37,907
- I like you like this.
- 1310
- 01:19:39,149 --> 01:19:41,527
- <i>He controlled the vibe
- wherever he went.</i>
- 1311
- 01:19:41,694 --> 01:19:45,324
- <i>A lot of the time he was
- such a buzz to be around.</i>
- 1312
- 01:19:45,447 --> 01:19:47,620
- <i>The way I put it,
- it was like he was the queen bee</i>
- 1313
- 01:19:47,783 --> 01:19:51,538
- <i>with the worker bees responding
- to the signals from that queen bee.</i>
- 1314
- 01:19:51,704 --> 01:19:53,672
- <i>And people felt that, you know.</i>
- 1315
- 01:19:53,914 --> 01:19:55,882
- He had this kind of childish way
- 1316
- 01:19:56,250 --> 01:19:58,753
- of mucking about
- in the studio environment.
- 1317
- 01:19:59,044 --> 01:20:02,548
- <i>It just made things so fight
- and such a nice place to be.</i>
- 1318
- 01:20:03,799 --> 01:20:05,893
- There was always
- something creative happening.
- 1319
- 01:20:06,010 --> 01:20:07,762
- That's what excited everybody.
- 1320
- 01:20:10,222 --> 01:20:13,647
- <i>I speak so loudly
- in my work itself, you know.</i>
- 1321
- 01:20:13,934 --> 01:20:15,732
- <i>I think everything I do is personal.</i>
- 1322
- 01:20:15,894 --> 01:20:19,489
- <i>Even turning Kate Moss into</i> a <i>hologram
- is kind of personal. It's ethereal.</i>
- 1323
- 01:20:19,732 --> 01:20:23,202
- <i>It's</i> a <i>time I'm feeling at one
- with the world and heavenly.</i>
- 1324
- 01:20:23,485 --> 01:20:25,704
- <i>If you want to know me,
- just look at my work.</i>
- 1325
- 01:20:44,423 --> 01:20:46,221
- What does fashion
- mean to you?
- 1326
- 01:20:47,217 --> 01:20:48,469
- My life.
- 1327
- 01:20:54,016 --> 01:20:55,484
- <i>Issie died proud,</i>
- 1328
- 01:20:55,642 --> 01:20:58,111
- <i>having achieved beyond her
- wildest dreams.</i>
- 1329
- 01:20:58,687 --> 01:21:02,032
- <i>The fact that Issie went
- was a huge blow to so many people,</i>
- 1330
- 01:21:02,274 --> 01:21:03,400
- <i>including Alexander.</i>
- 1331
- 01:21:03,859 --> 01:21:05,031
- A huge blow.
- 1332
- 01:21:25,464 --> 01:21:29,514
- <i>I saw him at Issie's funeral and
- I've never seen anyone so devastated.</i>
- 1333
- 01:21:30,886 --> 01:21:32,263
- <i>I couldn't recognise him.</i>
- 1334
- 01:21:32,346 --> 01:21:35,395
- <i>He sat right behind me
- and I turned round and saw this person</i>
- 1335
- 01:21:35,682 --> 01:21:40,438
- <i>in</i> a <i>Highland kilt and</i> a <i>hat,
- looking very sad.</i>
- 1336
- 01:21:40,562 --> 01:21:42,815
- <i>I thought, "My God,
- it's McQueen, Alexander."</i>
- 1337
- 01:21:43,148 --> 01:21:45,822
- <i>And the look on his face was haunting.</i>
- 1338
- 01:21:46,402 --> 01:21:47,449
- <i>I felt...</i>
- 1339
- 01:21:47,653 --> 01:21:49,200
- I felt for him.
- 1340
- 01:21:49,405 --> 01:21:52,249
- You could just feel...
- You could just see the pain.
- 1341
- 01:21:53,158 --> 01:21:54,375
- He suffered.
- 1342
- 01:21:54,618 --> 01:21:55,665
- I could see the love.
- 1343
- 01:21:55,869 --> 01:21:57,337
- <i>Never deny the love.</i>
- 1344
- 01:21:57,496 --> 01:21:59,874
- <i>It was such</i> a <i>love affair
- between those two.</i>
- 1345
- 01:22:03,335 --> 01:22:05,178
- Issie seemed to slot in
- 1346
- 01:22:05,295 --> 01:22:07,423
- between a sister and a mum.
- 1347
- 01:22:08,465 --> 01:22:13,312
- <i>She was in the middle
- and Lee just loved Issie.</i>
- 1348
- 01:22:14,763 --> 01:22:17,232
- <i>The connection
- between Issie and McQueen...</i>
- 1349
- 01:22:17,599 --> 01:22:19,317
- They both carried sadnesses.
- 1350
- 01:22:20,018 --> 01:22:21,611
- <i>Alexander had been abused.</i>
- 1351
- 01:22:21,728 --> 01:22:25,323
- He felt that person
- had destroyed his innocence.
- 1352
- 01:22:25,691 --> 01:22:28,865
- <i>Issie had this very sad instance
- when she was about five years old</i>
- 1353
- 01:22:29,153 --> 01:22:31,326
- <i>when her brother
- that she was playing with died.</i>
- 1354
- 01:22:31,530 --> 01:22:34,500
- <i>Not Issie's fault,
- but she always felt responsible for him</i>
- 1355
- 01:22:34,783 --> 01:22:36,376
- and carried that guilt.
- 1356
- 01:22:36,493 --> 01:22:39,372
- <i>There was a destructive side
- and destructive issues</i>
- 1357
- 01:22:39,496 --> 01:22:42,716
- <i>which she could never resolve entirely
- and they would blow up.</i>
- 1358
- 01:22:43,709 --> 01:22:45,552
- <i>It became more and more serious.</i>
- 1359
- 01:22:46,336 --> 01:22:48,338
- <i>I don't take drugs,
- but I take medication.</i>
- 1360
- 01:22:48,589 --> 01:22:52,184
- I mean, sometimes I have to take a pill,
- just to keep me calm.
- 1361
- 01:22:52,551 --> 01:22:56,226
- The pathway
- to her self-destruction was clear.
- 1362
- 01:22:57,097 --> 01:23:00,727
- <i>Issie, perhaps, was thinking
- she didn't want to go on forever.</i>
- 1363
- 01:23:01,185 --> 01:23:03,233
- <i>She couldn't rein vent herself
- as an old woman</i>
- 1364
- 01:23:03,353 --> 01:23:05,026
- <i>cos fashion's all about youth.</i>
- 1365
- 01:23:05,355 --> 01:23:08,529
- Discovering people is a big thing.
- It's like being a mother.
- 1366
- 01:23:09,026 --> 01:23:10,994
- And the milk's dried up.
- 1367
- 01:23:11,862 --> 01:23:13,705
- <i>Issie was planning her death.</i>
- 1368
- 01:23:14,656 --> 01:23:16,658
- <i>So she wanted
- to say goodbye to McQueen.</i>
- 1369
- 01:23:18,368 --> 01:23:20,746
- <i>And she organised a weekend.</i>
- 1370
- 01:23:21,163 --> 01:23:24,463
- <i>She'd gone to</i> a <i>lot of trouble
- with</i> a <i>very lovely menu.</i>
- 1371
- 01:23:26,293 --> 01:23:28,170
- <i>And Alexander was exhausted
- when he turned up</i>
- 1372
- 01:23:28,462 --> 01:23:30,089
- <i>and just stayed in his room.</i>
- 1373
- 01:23:31,882 --> 01:23:34,886
- <i>Whatever she needed,
- he wasn't able to give it himself.</i>
- 1374
- 01:23:35,719 --> 01:23:39,599
- <i>But they did see each other, yeah.
- There was</i> a <i>farewell between them.</i>
- 1375
- 01:23:39,765 --> 01:23:41,642
- Big hug and kiss and...
- 1376
- 01:23:42,142 --> 01:23:43,940
- "See you in the next world."
- I don't know.
- 1377
- 01:23:44,186 --> 01:23:47,190
- The thing is, when you're ill,
- you don't know...
- 1378
- 01:23:47,523 --> 01:23:48,570
- You're very alone.
- 1379
- 01:23:48,815 --> 01:23:51,068
- <i>Issie had ovarian cancer
- at the end.</i>
- 1380
- 01:23:51,401 --> 01:23:54,575
- If it was terminal, who knows.
- She wasn't interested in chemotherapy.
- 1381
- 01:23:56,657 --> 01:23:58,159
- <i>The last thing Issie said to me,</i>
- 1382
- 01:23:58,825 --> 01:24:02,250
- <i>"Do you remember, Detmar,
- when I was a ray of sunshine?"</i>
- 1383
- 01:24:02,329 --> 01:24:04,707
- And I said,
- "You'll always be a ray of sunshine."
- 1384
- 01:24:08,835 --> 01:24:11,338
- McQueen is calling his show
- "La Dame Bleue."
- 1385
- 01:24:11,672 --> 01:24:13,140
- <i>He's dedicating this show</i>
- 1386
- 01:24:13,257 --> 01:24:17,558
- <i>to his late great friend
- and mentor, Isabella Blow.</i>
- 1387
- 01:24:17,678 --> 01:24:19,897
- You could see her
- in the clothes.
- 1388
- 01:24:20,055 --> 01:24:22,808
- You could smell
- the perfume of her around.
- 1389
- 01:24:22,891 --> 01:24:26,111
- And you could see her children,
- in a way, backstage,
- 1390
- 01:24:26,770 --> 01:24:29,193
- Alexander and Philip
- going crazy together.
- 1391
- 01:24:29,481 --> 01:24:31,529
- <i>What bonded them was Issie.</i>
- 1392
- 01:24:32,359 --> 01:24:35,659
- Isabella single-handedly invented
- Alexander and myself
- 1393
- 01:24:35,946 --> 01:24:37,323
- from nowhere
- 1394
- 01:24:37,948 --> 01:24:42,704
- with such conviction that...
- We will never experience again.
- 1395
- 01:24:43,245 --> 01:24:48,126
- <i>Her belief in you made you be
- the person you are.</i>
- 1396
- 01:25:07,728 --> 01:25:11,403
- <i>Bomb Once you sat down
- and you saw the set and the music,</i>
- 1397
- 01:25:12,149 --> 01:25:14,698
- <i>you were there and it held you,</i>
- 1398
- 01:25:15,068 --> 01:25:18,743
- <i>because I kept seeing her in the clothes
- that he was putting on the catwalk</i>
- 1399
- 01:25:19,072 --> 01:25:21,916
- <i>and the hats, of course,
- that Philip was designing.</i>
- 1400
- 01:25:25,370 --> 01:25:30,297
- <i>It was actually creating
- some mythical figure</i>
- 1401
- 01:25:30,584 --> 01:25:33,758
- <i>that was like Issie's presence
- at the show.</i>
- 1402
- 01:25:41,887 --> 01:25:43,184
- <i>So emotional.</i>
- 1403
- 01:25:43,722 --> 01:25:45,224
- I just couldn't stop crying,
- 1404
- 01:25:45,682 --> 01:25:47,400
- just bent over double.
- 1405
- 01:25:47,476 --> 01:25:48,944
- <i>And, erm...</i>
- 1406
- 01:25:49,686 --> 01:25:51,484
- Grief is grief.
- You have to go through it.
- 1407
- 01:25:57,569 --> 01:26:01,039
- <i>And then to see them come on
- and realise how young they were</i>
- 1408
- 01:26:01,365 --> 01:26:03,413
- <i>and they had lost</i> a <i>great friend</i>
- 1409
- 01:26:03,867 --> 01:26:05,869
- <i>and how they had loved her.</i>
- 1410
- 01:26:12,584 --> 01:26:15,087
- <i>I think it had a big effect
- on Lee.</i>
- 1411
- 01:26:16,296 --> 01:26:18,970
- After Issie passed away,
- 1412
- 01:26:19,716 --> 01:26:23,596
- he was in a really dark place.
- 1413
- 01:26:40,529 --> 01:26:43,453
- <i>We were watching TV
- in the evening</i>
- 1414
- 01:26:43,699 --> 01:26:46,293
- <i>and Lee McQueen
- opened the news that day</i>
- 1415
- 01:26:46,451 --> 01:26:48,579
- <i>with the Horn of Plenty show.</i>
- 1416
- 01:26:50,163 --> 01:26:54,464
- <i>And my father was sitting there
- and he's like, “Sebastian, come over.</i>
- 1417
- 01:26:54,668 --> 01:26:57,512
- <i>"I think it's your crazy friend's
- fashion on TV."</i>
- 1418
- 01:26:58,046 --> 01:27:01,220
- <i>And when my father
- saw the collection, he was like,</i>
- 1419
- 01:27:02,050 --> 01:27:04,553
- "I think your friend
- has gone really mad."
- 1420
- 01:27:07,472 --> 01:27:09,975
- <i>And I think with Horn of Plenty</i>
- 1421
- 01:27:10,225 --> 01:27:12,694
- <i>that really reflects
- the fashion world today,</i>
- 1422
- 01:27:13,562 --> 01:27:14,688
- a pile of crap.
- 1423
- 01:27:21,862 --> 01:27:24,365
- <i>Three years of being apart,</i>
- 1424
- 01:27:24,531 --> 01:27:27,751
- <i>I think</i> a <i>lot and I think
- he thinks</i> a <i>lot also.</i>
- 1425
- 01:27:29,244 --> 01:27:33,090
- <i>And when I called him,
- it was like, "Hello, Lee?"</i>
- 1426
- 01:27:33,540 --> 01:27:35,042
- "Hello?"
- 1427
- 01:27:35,292 --> 01:27:36,635
- "Lee, it's Sebastién."
- 1428
- 01:27:36,752 --> 01:27:40,632
- "Where the fuck have you been
- all this time, you fucking bastard?"
- 1429
- 01:27:41,339 --> 01:27:46,891
- <i>We just started again like...
- Like the brothers we were before.</i>
- 1430
- 01:27:48,013 --> 01:27:50,391
- <i>So then I took the ferry to Ibiza</i>
- 1431
- 01:27:50,807 --> 01:27:52,684
- <i>and I went to his villa.</i>
- 1432
- 01:27:52,934 --> 01:27:56,609
- When he opened the door,
- I was in shock
- 1433
- 01:27:56,855 --> 01:28:00,155
- because the person
- who opened the door,
- 1434
- 01:28:00,484 --> 01:28:03,328
- he was a different person,
- he was really skinny
- 1435
- 01:28:03,612 --> 01:28:07,617
- and looking very fragile
- and very, very pale.
- 1436
- 01:28:08,200 --> 01:28:11,500
- When I hugged him,
- that's when I noticed
- 1437
- 01:28:11,661 --> 01:28:14,210
- something has changed because...
- 1438
- 01:28:14,623 --> 01:28:17,672
- His body structure was just bones.
- 1439
- 01:28:18,043 --> 01:28:21,798
- There was hardly any muscle
- or flesh there.
- 1440
- 01:28:24,633 --> 01:28:28,809
- <i>Lee come in with the idea
- of having an invitation for</i> a <i>show</i>
- 1441
- 01:28:28,929 --> 01:28:30,931
- <i>that had that metamorphosis.</i>
- 1442
- 01:28:31,097 --> 01:28:34,692
- <i>He wanted his face
- to transform into a skull.</i>
- 1443
- 01:28:35,435 --> 01:28:40,407
- <i>Everything in his life had just led
- to these feelings of torment.</i>
- 1444
- 01:28:41,316 --> 01:28:43,489
- Lee was HIV positive.
- 1445
- 01:28:44,361 --> 01:28:47,535
- Even though it isn't
- a death sentence as such,
- 1446
- 01:28:48,240 --> 01:28:51,414
- I think it was always
- in the back of Lee's mind.
- 1447
- 01:28:51,868 --> 01:28:54,371
- <i>You'd feel the bad vibes
- when Lee was down.</i>
- 1448
- 01:28:54,621 --> 01:28:58,171
- <i>There was a real depression
- that was brought with that as well.</i>
- 1449
- 01:29:11,054 --> 01:29:13,148
- <i>I think the trouble is with Lee,</i>
- 1450
- 01:29:13,390 --> 01:29:17,236
- <i>after</i> a <i>show, when you've done
- that build-up and you've worked hard,</i>
- 1451
- 01:29:17,477 --> 01:29:21,323
- <i>you could see
- there was</i> a <i>little bit of</i> a <i>down.</i>
- 1452
- 01:29:23,692 --> 01:29:25,194
- <i>And then onto the next show.</i>
- 1453
- 01:29:25,861 --> 01:29:26,908
- Again.
- 1454
- 01:29:28,363 --> 01:29:32,163
- <i>Yeah, it was just show after show.
- I don't know how Lee did it.</i>
- 1455
- 01:29:37,372 --> 01:29:41,047
- The pressures
- kind of quite immense now
- 1456
- 01:29:41,293 --> 01:29:45,014
- because of the Gucci contract
- and, erm...
- 1457
- 01:29:46,339 --> 01:29:47,386
- You know, the...
- 1458
- 01:29:47,674 --> 01:29:50,974
- I do the men's now
- and now I also do McQ,
- 1459
- 01:29:51,219 --> 01:29:53,722
- so it's about 14 collections
- a year again,
- 1460
- 01:29:53,930 --> 01:29:57,810
- same as when I was at Givenchy,
- so it's hard work.
- 1461
- 01:30:04,149 --> 01:30:06,322
- <i>He would have liked
- the idea of moving</i> away
- 1462
- 01:30:06,484 --> 01:30:08,031
- <i>and just leaving everything behind,</i>
- 1463
- 01:30:08,320 --> 01:30:12,200
- <i>but as it was his name above the door
- and his reputation as a person</i>
- 1464
- 01:30:12,365 --> 01:30:15,710
- <i>and everything he had built,
- he couldn't just abandon it.</i>
- 1465
- 01:30:22,542 --> 01:30:25,921
- If I ever get that old and I'm still
- around and I leave my company,
- 1466
- 01:30:26,713 --> 01:30:30,092
- I'll just burn the place down
- so there's no one working there.
- 1467
- 01:30:30,383 --> 01:30:33,136
- Really?
- So you'd never let someone carry on
- 1468
- 01:30:33,762 --> 01:30:36,606
- the McQueen tradition
- or the McQueen brand
- 1469
- 01:30:36,723 --> 01:30:38,600
- if you weren't actively involved?
- 1470
- 01:30:39,309 --> 01:30:40,401
- Erm...
- 1471
- 01:30:41,311 --> 01:30:43,564
- I don't think so. I mean, it doesn't...
- 1472
- 01:30:44,230 --> 01:30:47,951
- It... Because that person will have
- to come up with the concepts for my show
- 1473
- 01:30:48,109 --> 01:30:49,986
- and my shows are so personal.
- 1474
- 01:30:50,070 --> 01:30:51,617
- How can... How can that be?
- 1475
- 01:30:53,281 --> 01:30:56,330
- <i>I said, "Why don't you
- just step away, Lee, for</i> a <i>year?"</i>
- 1476
- 01:30:56,910 --> 01:30:58,457
- <i>And he just said,
- "You don't understand."</i>
- 1477
- 01:30:58,536 --> 01:31:01,756
- <i>He said, "I'm responsible
- for 50 people.</i>
- 1478
- 01:31:01,998 --> 01:31:05,127
- "They've got to pay their mortgages.
- I can't just stop."
- 1479
- 01:31:08,046 --> 01:31:09,889
- I was always thinking
- 1480
- 01:31:10,048 --> 01:31:12,471
- there's so much sadness in him,
- 1481
- 01:31:12,717 --> 01:31:14,560
- and that was sad, you know,
- 1482
- 01:31:14,719 --> 01:31:19,190
- because he was this successful,
- flamboyant being
- 1483
- 01:31:19,432 --> 01:31:21,355
- who actually was so lonely deep inside.
- 1484
- 01:31:21,601 --> 01:31:24,229
- It can be. It can be really lonely.
- 1485
- 01:31:24,562 --> 01:31:26,155
- And I think...
- 1486
- 01:31:26,564 --> 01:31:29,693
- You know, I think
- there's more to life than fashion
- 1487
- 01:31:30,068 --> 01:31:33,197
- and I don't want to be stuck
- in that bubble of, "This is what I do."
- 1488
- 01:31:33,321 --> 01:31:37,042
- It's nice because you see
- everyone in the office.
- 1489
- 01:31:37,283 --> 01:31:39,206
- They go home
- and they can shut off
- 1490
- 01:31:39,661 --> 01:31:42,505
- but I'm still Alexander McQueen
- after I shut the door.
- 1491
- 01:31:42,789 --> 01:31:45,463
- Do you know what I mean?
- I've got to go home with myself, so...
- 1492
- 01:31:46,084 --> 01:31:47,677
- You know,
- if you've had a bad day,
- 1493
- 01:31:47,794 --> 01:31:50,343
- I've only got myself
- to answer to, so...
- 1494
- 01:31:59,180 --> 01:32:03,105
- I mean, with us,
- he was, like, behaving...
- 1495
- 01:32:04,102 --> 01:32:05,604
- All right, OK,
- 1496
- 01:32:06,438 --> 01:32:10,659
- but deep inside
- we knew that he wasn't...
- 1497
- 01:32:12,569 --> 01:32:14,242
- He wasn't 100%.
- 1498
- 01:32:14,821 --> 01:32:16,949
- <i>He could hear voices.</i>
- 1499
- 01:32:17,115 --> 01:32:20,619
- <i>He was telling me
- that they were chasing him.</i>
- 1500
- 01:32:21,536 --> 01:32:23,379
- <i>One thing he used to say,</i>
- 1501
- 01:32:23,538 --> 01:32:25,882
- "Paranoia will destroy ya."
- 1502
- 01:32:26,708 --> 01:32:28,927
- <i>I remember doing</i> a <i>drawing</i>
- 1503
- 01:32:29,377 --> 01:32:32,051
- <i>which, basically, has got
- lots of cameras around.</i>
- 1504
- 01:32:32,213 --> 01:32:34,557
- <i>We're thinking, "Maybe
- the cameras could be on robots."</i>
- 1505
- 01:32:34,841 --> 01:32:37,344
- It was always about
- getting the camera right in your face
- 1506
- 01:32:37,552 --> 01:32:40,852
- and it's surveillance,
- making the audience a bit uncomfortable.
- 1507
- 01:32:41,556 --> 01:32:43,399
- <i>The idea behind Plato's Atlantis</i>
- 1508
- 01:32:43,475 --> 01:32:46,445
- <i>is where people come from the land
- and go back into the sea.</i>
- 1509
- 01:33:00,200 --> 01:33:02,294
- <i>He loved swimming, scuba diving.</i>
- 1510
- 01:33:02,494 --> 01:33:05,589
- <i>He loved that feeling of just being
- in</i> a <i>different world unden/vater,</i>
- 1511
- 01:33:06,206 --> 01:33:07,708
- <i>just away from everything,</i>
- 1512
- 01:33:07,832 --> 01:33:10,176
- <i>almost like you're back in the womb,
- floating.</i>
- 1513
- 01:33:10,543 --> 01:33:14,389
- You know? And that kind of serenity
- you would get through that.
- 1514
- 01:33:15,340 --> 01:33:18,719
- <i>Plato's Atlantis
- was kind of like</i> a <i>study in his head</i>
- 1515
- 01:33:18,968 --> 01:33:20,845
- <i>with all the digital printing</i>
- 1516
- 01:33:21,304 --> 01:33:24,228
- <i>and all the experimenting,
- pattern-cutting.</i>
- 1517
- 01:33:24,599 --> 01:33:27,899
- <i>And the robots were there again.</i>
- 1518
- 01:33:28,228 --> 01:33:32,278
- <i>He said to me, "I designed
- my last coflection, Sebastian."</i>
- 1519
- 01:33:32,857 --> 01:33:35,781
- <i>And he told me,
- "I've had enough with all this.</i>
- 1520
- 01:33:36,611 --> 01:33:38,409
- "I am gonna kill myself."
- 1521
- 01:33:39,197 --> 01:33:41,871
- "What do you mean,
- you're gonna kill yourself?"
- 1522
- 01:33:42,283 --> 01:33:44,456
- He's like, "Yeah, I...
- 1523
- 01:33:44,536 --> 01:33:47,380
- "I am fed up. I've had it with this.
- 1524
- 01:33:47,539 --> 01:33:49,541
- "L just wanna put an end to it.
- 1525
- 01:33:49,833 --> 01:33:53,383
- "And in my last show,
- in the end..."
- 1526
- 01:33:53,545 --> 01:33:55,013
- He said,
- "Do you remember Voss?
- 1527
- 01:33:55,797 --> 01:33:57,891
- <i>"So, I'm gonna do
- the same sort of thing,</i>
- 1528
- 01:33:58,424 --> 01:34:02,179
- <i>"but it's going to be a Perspex box
- the size of a human being.</i>
- 1529
- 01:34:02,303 --> 01:34:03,555
- <i>"So, when the show ends,</i>
- 1530
- 01:34:03,721 --> 01:34:07,567
- <i>"this box is gonna come up
- from the ground</i>
- 1531
- 01:34:08,893 --> 01:34:10,895
- <i>"with me inside.</i>
- 1532
- 01:34:11,020 --> 01:34:12,693
- "And then I'm just...
- 1533
- 01:34:12,814 --> 01:34:14,566
- "I'm just gonna
- shoot myself."
- 1534
- 01:34:15,984 --> 01:34:17,031
- And...
- 1535
- 01:34:18,778 --> 01:34:20,200
- And <i>I...</i>
- 1536
- 01:34:20,363 --> 01:34:23,492
- I mean, I just didn't know
- what to... How to react to that.
- 1537
- 01:34:23,616 --> 01:34:25,368
- You know what I mean?
- Because“.
- 1538
- 01:34:26,161 --> 01:34:27,708
- He sounded so convinced.
- 1539
- 01:34:38,506 --> 01:34:40,554
- It was like he thought
- 1540
- 01:34:40,925 --> 01:34:45,522
- that the whole fashion "system"
- was against him.
- 1541
- 01:34:46,222 --> 01:34:49,021
- And I said, "No, no one is against you.
- 1542
- 01:34:49,851 --> 01:34:53,196
- "But if you are thinking to do this,
- 1543
- 01:34:53,313 --> 01:34:55,691
- "you're gonna harm so many people
- 1544
- 01:34:56,191 --> 01:34:59,070
- "because people come
- to your shows to see your beauty,
- 1545
- 01:34:59,485 --> 01:35:02,159
- "your talent, your creativity and
- 1546
- 01:35:03,573 --> 01:35:05,541
- "to see you, to see your work."
- 1547
- 01:35:22,342 --> 01:35:24,219
- <i>He was like</i> a <i>movie director.</i>
- 1548
- 01:35:24,510 --> 01:35:27,309
- We had to be like aliens
- and he told us this.
- 1549
- 01:35:27,513 --> 01:35:29,891
- <i>He said, "Listen, you have
- to have this face.</i>
- 1550
- 01:35:30,308 --> 01:35:32,731
- <i>"Strong, you know.
- You have to be powerful."</i>
- 1551
- 01:35:32,894 --> 01:35:35,363
- <i>With this show,
- he kind of threw a bomb on us.</i>
- 1552
- 01:35:35,480 --> 01:35:37,858
- <i>"OK, this is it. Finished.
- Everything is finished.</i>
- 1553
- 01:35:38,024 --> 01:35:39,867
- <i>"We are reborn. We're starting anew.</i>
- 1554
- 01:35:40,026 --> 01:35:41,573
- "New chapter, new planet."
- 1555
- 01:35:54,540 --> 01:35:56,838
- <i>I</i> was <i>really</i> scared.
- 1556
- 01:35:56,960 --> 01:35:59,088
- <i>I tried not to picture myself falling.</i>
- 1557
- 01:35:59,712 --> 01:36:01,339
- I wanted him to be proud of me
- 1558
- 01:36:01,464 --> 01:36:03,887
- and I wanted him to be proud
- 1559
- 01:36:04,259 --> 01:36:07,183
- that he has such an army of models.
- 1560
- 01:36:14,102 --> 01:36:15,854
- <i>Endless print designs.</i>
- 1561
- 01:36:15,979 --> 01:36:19,483
- It might have been a fish's fin
- or scales from a snake,
- 1562
- 01:36:20,024 --> 01:36:23,574
- and then manipulated and montaged
- 1563
- 01:36:23,695 --> 01:36:26,039
- into a repeat pattern.
- 1564
- 01:36:26,197 --> 01:36:28,871
- <i>And it became something else,
- unrecognisable.</i>
- 1565
- 01:36:29,284 --> 01:36:32,663
- <i>This was the turn of the digital age
- coming into fashion.</i>
- 1566
- 01:36:34,205 --> 01:36:36,799
- <i>It towards the end
- he wasn't that happy,</i>
- 1567
- 01:36:37,083 --> 01:36:40,383
- <i>why his best collection is there?</i>
- 1568
- 01:36:48,553 --> 01:36:52,183
- He knew he needed
- something revolutionary.
- 1569
- 01:36:52,724 --> 01:36:55,694
- And I think
- Plato's Atlantis is, I'm sorry.
- 1570
- 01:37:06,446 --> 01:37:09,871
- <i>I didn't go to Plato,
- my mum not being well.</i>
- 1571
- 01:37:10,033 --> 01:37:12,001
- <i>She was on dialysis at the time.</i>
- 1572
- 01:37:12,327 --> 01:37:16,503
- Lee didn't really want to face the fact
- that we was gonna lose Mum.
- 1573
- 01:37:16,581 --> 01:37:19,050
- Because he'd lost Issie,
- 1574
- 01:37:19,167 --> 01:37:21,215
- he wasn't, erm,
- 1575
- 01:37:22,545 --> 01:37:25,298
- dealing with Mum not being well.
- 1576
- 01:37:35,850 --> 01:37:38,979
- After my grandmother Joyce
- passed away,
- 1577
- 01:37:40,938 --> 01:37:42,940
- he was in really bad shape.
- 1578
- 01:37:43,524 --> 01:37:45,401
- <i>Lee was distraught.</i>
- 1579
- 01:37:45,860 --> 01:37:48,534
- We was sitting
- in the living room at my dad's
- 1580
- 01:37:49,864 --> 01:37:52,868
- and he didn't look himself at all,
- Lee.
- 1581
- 01:37:54,160 --> 01:37:58,210
- <i>I mean, we was all taking
- my mum's passing bad.</i>
- 1582
- 01:37:59,207 --> 01:38:04,134
- I think we was all worried about Lee
- because obviously Mum and Lee...
- 1583
- 01:38:06,547 --> 01:38:08,390
- Lee idolised my mum.
- 1584
- 01:38:19,852 --> 01:38:21,946
- The lastjob he gave me to do
- 1585
- 01:38:22,063 --> 01:38:24,486
- was designing the gravestone.
- 1586
- 01:38:25,817 --> 01:38:28,696
- <i>He liked the idea of the wings
- wrapping round the gravestone</i>
- 1587
- 01:38:28,820 --> 01:38:31,949
- <i>to kind of embrace
- my grandmother Joyce.</i>
- 1588
- 01:38:33,199 --> 01:38:35,167
- <i>Originally, I had hands</i>
- 1589
- 01:38:35,284 --> 01:38:37,958
- <i>which were facing down
- on top of the gravestone.</i>
- 1590
- 01:38:38,287 --> 01:38:43,464
- But the hands for him facing down
- was holding them down.
- 1591
- 01:38:43,751 --> 01:38:46,504
- He wanted them uplifted,
- so he turned the hands upwards.
- 1592
- 01:38:50,633 --> 01:38:52,635
- I called Lee
- 1593
- 01:38:52,927 --> 01:38:54,270
- and
- 1594
- 01:38:55,471 --> 01:38:57,223
- we spoke about
- 1595
- 01:38:58,224 --> 01:39:00,226
- Mum's funeral and...
- 1596
- 01:39:01,561 --> 01:39:03,859
- And that was the last conversation.
- 1597
- 01:39:19,871 --> 01:39:21,214
- <i>The night...</i>
- 1598
- 01:39:21,372 --> 01:39:24,216
- Iwas in bed,
- I was reading, and I felt...
- 1599
- 01:39:25,042 --> 01:39:27,010
- I felt something touch my head.
- 1600
- 01:39:28,379 --> 01:39:30,473
- Very softly and very gently.
- 1601
- 01:39:30,548 --> 01:39:33,051
- I touched my head
- and I said to myself,
- 1602
- 01:39:33,551 --> 01:39:35,474
- "Who's here? Who are you?"
- 1603
- 01:39:36,053 --> 01:39:39,557
- I knew someone had passed
- and was saying goodbye.
- 1604
- 01:39:59,660 --> 01:40:03,881
- I got a call at half past 9:00
- in the morning
- 1605
- 01:40:04,040 --> 01:40:05,542
- from my sister.
- 1606
- 01:40:05,666 --> 01:40:08,169
- And then that phone call...
- 1607
- 01:40:10,046 --> 01:40:12,390
- Just changed...
- 1608
- 01:40:13,883 --> 01:40:15,100
- Everything.
- 1609
- 01:40:16,427 --> 01:40:18,600
- I just really couldn't believe
- what I was hearing
- 1610
- 01:40:18,763 --> 01:40:21,892
- because itjust seemed so surreal
- in that moment.
- 1611
- 01:40:24,393 --> 01:40:29,866
- Just the vision in my mind
- of Lee being sort of all alone
- 1612
- 01:40:29,982 --> 01:40:31,575
- and doing that as well
- 1613
- 01:40:31,692 --> 01:40:34,366
- was playing through my mind,
- you know, and it's quite...
- 1614
- 01:40:35,696 --> 01:40:37,073
- Er...
- 1615
- 01:40:37,198 --> 01:40:39,917
- It's not the nicest way to go, you know.
- 1616
- 01:40:40,701 --> 01:40:42,749
- Suicide, alone, hanging.
- 1617
- 01:40:43,454 --> 01:40:45,206
- It's, erm...
- 1618
- 01:40:46,290 --> 01:40:49,169
- I just don't want to think
- what was going through his mind,
- 1619
- 01:40:49,418 --> 01:40:52,092
- how lonely he must have been as well,
- doing it.
- 1620
- 01:41:01,347 --> 01:41:03,270
- <i>The fashion world
- is in shock</i>
- 1621
- 01:41:03,516 --> 01:41:05,894
- <i>over news that Alexander McQueen
- has died...</i>
- 1622
- 01:41:06,102 --> 01:41:09,276
- <i>The darling of British
- fashion has been found dead after...</i>
- 1623
- 01:41:26,539 --> 01:41:28,166
- <i>He used to say that</i> a <i>lot.</i>
- 1624
- 01:41:28,332 --> 01:41:29,959
- "One day
- 1625
- 01:41:30,126 --> 01:41:33,676
- "I'm gonna come home
- inside a body bag."
- 1626
- 01:41:35,881 --> 01:41:37,883
- And that day when...
- 1627
- 01:41:40,052 --> 01:41:43,226
- The news opened again
- that day
- 1628
- 01:41:43,389 --> 01:41:46,518
- of him leaving his house
- inside a body bag.
- 1629
- 01:41:52,940 --> 01:41:57,821
- <i>I'd taken my kids
- to Hamleys' 100th-year celebration</i>
- 1630
- 01:41:58,154 --> 01:42:00,748
- <i>and my partner picked me up and said,</i>
- 1631
- 01:42:00,906 --> 01:42:01,953
- "I've got..."
- 1632
- 01:42:02,199 --> 01:42:05,043
- I can't do it. It'll just be really
- silly. I'll just cry.
- 1633
- 01:42:05,453 --> 01:42:08,002
- He said, "Lee's dead."
- 1634
- 01:42:08,372 --> 01:42:11,000
- And it was just such a shock
- 1635
- 01:42:11,417 --> 01:42:14,796
- and I was so angry
- for a really long time.
- 1636
- 01:42:15,046 --> 01:42:17,265
- Because you think just...
- "How do you...
- 1637
- 01:42:17,757 --> 01:42:20,135
- "How did that happen?"
- You know? He's...
- 1638
- 01:42:21,802 --> 01:42:23,054
- I think that
- 1639
- 01:42:25,389 --> 01:42:28,233
- perhaps after my mum went
- 1640
- 01:42:28,392 --> 01:42:33,865
- that he felt there was nothing
- that could make him happy any more.
- 1641
- 01:42:34,774 --> 01:42:38,699
- And I just think it was
- in that moment that
- 1642
- 01:42:40,863 --> 01:42:43,366
- he had that emptiness.
- 1643
- 01:42:45,159 --> 01:42:47,082
- I miss him a lot, yeah.
- 1644
- 01:42:47,703 --> 01:42:51,082
- <i>I miss that... That... You know...</i>
- 1645
- 01:42:51,791 --> 01:42:54,795
- He could have had, like,
- some really great happiness in his life
- 1646
- 01:42:54,877 --> 01:42:58,006
- and he didn't quite have that
- in his personal life.
- 1647
- 01:42:58,214 --> 01:43:02,139
- And... That's what I wish...
- Wished for him most.
- 1648
- 01:43:02,968 --> 01:43:04,220
- Yeah.
- 1649
- 01:43:08,391 --> 01:43:11,611
- I'm so happy I got to...
- 1650
- 01:43:12,812 --> 01:43:14,689
- To meet him and to...
- 1651
- 01:43:16,440 --> 01:43:18,192
- To share
- 1652
- 01:43:18,734 --> 01:43:22,284
- part of my life with his story
- and everything.
- 1653
- 01:43:23,364 --> 01:43:24,786
- But I miss him.
- 1654
- 01:43:24,865 --> 01:43:26,367
- I wish
- 1655
- 01:43:27,493 --> 01:43:30,713
- things ended in a different way.
- 1656
- 01:43:46,387 --> 01:43:48,435
- <i>He wanted to make
- really beautiful things</i>
- 1657
- 01:43:48,639 --> 01:43:50,141
- <i>and he sculpted in clothing.</i>
- 1658
- 01:43:50,391 --> 01:43:52,064
- <i>He was</i> a <i>sculptor really, I think,</i>
- 1659
- 01:43:52,351 --> 01:43:54,149
- <i>and that's where that silhouette
- came from.</i>
- 1660
- 01:43:56,021 --> 01:43:59,195
- <i>His clothes made me feel
- that you could be feminine,</i>
- 1661
- 01:43:59,400 --> 01:44:03,200
- <i>but at the same time, you know,
- "Don't fuck with me, I'm a bitch."</i>
- 1662
- 01:44:07,199 --> 01:44:11,420
- <i>The thing I remember best
- is seeing him working.</i>
- 1663
- 01:44:12,163 --> 01:44:13,836
- <i>It was magical.</i>
- 1664
- 01:44:14,123 --> 01:44:16,876
- <i>For me, he was like a magician.</i>
- 1665
- 01:44:20,379 --> 01:44:22,677
- <i>One outfit would just be insane</i>
- 1666
- 01:44:22,965 --> 01:44:25,639
- <i>and then the next one
- would just be genius.</i>
- 1667
- 01:44:27,178 --> 01:44:32,730
- <i>Nobody could create emotions
- in</i> a <i>show like Lee McQueen did.</i>
- 1668
- 01:44:35,478 --> 01:44:39,153
- <i>Fashion for Lee was</i> a <i>way
- of just communicating</i> a <i>whole world</i>
- 1669
- 01:44:39,273 --> 01:44:42,447
- <i>and he wanted to take himself
- out of the picture,</i>
- 1670
- 01:44:42,526 --> 01:44:46,030
- <i>for people just to focus
- on this art that he was creating.</i>
- 1671
- 01:44:47,490 --> 01:44:51,916
- <i>Raucous, bolshie,
- incredibly funny, incredibly driven.</i>
- 1672
- 01:44:52,369 --> 01:44:56,840
- <i>Not only did he have a singular vision,
- but he was a very singular individual.</i>
- 1673
- 01:44:57,166 --> 01:45:01,171
- <i>And his strength of personality
- was quite phenomenal.</i>
- 1674
- 01:45:01,796 --> 01:45:04,219
- You just don't see
- many people like that.
- 1675
- 01:45:04,548 --> 01:45:07,017
- They don't...
- They don't come up very often.
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