Eng The Other Side of the Wind (2018)

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At age 55, after two decades in exile,

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Orson Welles returned to Hollywood

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to start work on his comeback film,
THE OTHER SIDE OF THE WIND.

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Production began in 1970

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and lasted, off and on,
through early 1976,

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with editing continuing into the 1980s.

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Mired in complex legal, financial,
and political turmoil,

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he was not able to finish the picture.

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Welles died in 1985,

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leaving behind nearly 100 hours
of footage,

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a workprint consisting of assemblies
and a few edited scenes,

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annotated scripts, memos, thoughts,
and directives.

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This is an attempt to honor
and complete his vision.

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NETFLIX PRESENTS

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<i>That's the car...</i>

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<i>What was left of it after the accident.</i>

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<i>If it was an accident.</i>

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<i>Hannaford, before he changed his mind,</i>

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<i>was going to give the car</i>

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<i>to the young
leading actor of his last movie,</i>

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<i>John Dale.</i>

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<i>And Hannaford was supposed
to have saved him,</i>

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<i>at some earlier date,</i>

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<i>from committing suicide.</i>

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<i>Or so the story goes...</i>

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<i>As for his own death,</i>

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<i>his admirers were sure
that Hannaford did not intend</i>

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<i>to drive the car off that bridge.</i>

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<i>"A corny ending," they said.</i>

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<i>J.J. Hannaford would
never be guilty of that.</i>

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<i>But there were other opinions.</i>

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<i>He died many summers ago,</i>

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<i>July 2nd.</i>

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<i>For years, I personally didn't
want this document shown,</i>

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<i>because, frankly, I didn't like the way
I came off in the piece.</i>

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<i>But I'm old enough now,</i>

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<i>not to care anymore</i>

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<i>how my role in Jake's life
is interpreted.</i>

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<i>My name is Brooks Otterlake,</i>

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<i>probably Hannaford's
most successful acolyte.</i>

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<i>Anyway, this little historical document</i>

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<i>has been put together from many sources.</i>

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<i>From all the footage shot by
TV and documentary filmmakers,</i>

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<i>and also the students, critics
and young directors</i>

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<i>who happened to bring
16 and 8mm cameras,</i>

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<i>having been invited to Jake's</i>

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<i>70th birthday party.</i>

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<i>That was long before cell phone cameras</i>

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<i>and computerized images.</i>

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<i>The choice of this material is an attempt</i>

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<i>to sketch a film likeness
of the man himself as he looked...</i>

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<i>through all those different viewfinders.</i>

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<i>Hannaford's own unfinished
last motion picture</i>

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<i>is part of this testimony,</i>

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The Other Side of the Wind.

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<i>It has been left, just as it was</i>

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<i>when they showed it at his party,</i>

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<i>on what turned out to be</i>

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<i>the last day of his life.</i>

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Mark it. Steam Bath, Take nine.

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Action.

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<i>Alright, sweetie.</i>

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<i>You know where to go.</i>

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<i>Cut.</i>

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<i>Thank you, everybody, that's a wrap.</i>

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Jake, Brooksie's riding with you
if that's okay.

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Mr. Hannaford, your meeting
with wardrobe is at 8:00 a.m.

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Let's make it at 7:00.
Let's get the hell out of here.

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- Happy birthday, Jake!
- Same scene, 9:00 o'clock Monday.

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Zarah Valeska is the one giving the party.

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According to Jake,
she's the greatest cook in the world.

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Is she the one who talked Jake into
letting all the media get at him at once?

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We're the "Close Up on Hannaford" people.

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- And these ladies are from <i>Life,</i> I guess.
- Look over here!

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I'm independent.

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Pister, from The Film Institute.

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Everybody else not assigned transportation

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can collect in the carpool.

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Maggie, you can be chaperone.

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Mostly the nudies are
driving their own cars.

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I want to make sure they can get home.

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- And the beards?
- A TV special for the BBC.

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No, ma'am, CBC.

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I'm doing a film
and he's doing a book on Mr. Hannaford.

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And I know somebody somewhere
who isn't.

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But mine is the authorized biography.

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It's certainly one of them, Miss Rich.

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May I present Maggie Noonan,
our film editor.

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Miss Juliette Rich, the celebrated critic.

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Isn't that trying just a little hard
to be funny?

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Come on, Matt, I ain't trying to be funny.
Ask the boss.

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He thinks they're lousy.

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I know what he thinks.

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Hey, Costello, step over here, will ya?

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Who let you in?

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He'll want you with him, Mr. Otterlake.
He always does.

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- Where is he?
- Where's who?

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Where's Jake's car? Do you know?

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You want to ride out with the boss?

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You can just catch him at the studio gate.

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Mr. Pister.

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The first name is Marvin.

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- What?
- Isn't it?

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This is Matt Costello,

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he's Mr. Hannaford's personal assistant.

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I do all the dirty jobs.

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I'm supposed to be selling the picture.

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- You'll just have to wait.
- Hi, Billy.

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Sorry, Brooksie, I was talking to him.

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I guess you'll be riding with Jake,
wont you?

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So they tell me.

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<i>Once again!</i>

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<i>The bus with the green stripes,
marked "Students,"</i>

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<i>is for the students.</i>

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- We should ride with you.
- Let's go.

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Can you wait for our second camera?

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- You're going to make a...
- Hang on, wait for me.

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Come on!

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<i>The jazz musicians...</i>

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<i>and the midgets</i>

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<i>in the blue chartered bus.</i>

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Where's The Baron?

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Here, sir.

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What's the plan for the head
of the studio?

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Billy's screening the film with him.

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I know it should have been you, Baron,

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but according to Jake,

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I'm more Max's style.

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Who knows? Maybe he's right.

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Jake?

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Isn't he always?

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We'll see about that.

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I had hoped to ride with the naked ladies.

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You're lucky you aren't with the midgets.

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<i>All students from the Movie University
of Southern California...</i>

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<i>or whatever you are...</i>

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<i>in the bus with the green stripes.</i>

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According to Jake, I'm more Max's style.

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Maybe he's right.

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Hi, Max, remember me? Billy Boyle.

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I've seen you in some Hannaford films,
haven't I?

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Some early ones on very late TV.

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He let me play a few friends of the heroes
for a while.

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- We're both reformed...
- Where is he?

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...actors, aren't we?

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Jake?

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Well I...

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- I don't think we ought to wait for him.
- Is he still on the set?

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I don't actually know just
where he is at the moment.

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<i>Alright, the crew...</i>

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<i>the jazz musicians...</i>

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<i>and the midgets...</i>

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<i>in the blue chartered bus.</i>

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Zimmer, I've got a message for you.

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From Jake? I got that message.

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- Everybody got it.
- Not this message.

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I'm fired?

158
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That's the message?

159
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Why?

160
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Would somebody please tell me

161
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why I'm going to his party?

162
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You're invited.

163
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All these stupid dummies.

164
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They're invited.

165
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This is toward the beginning.

166
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It comes right after what we were
shooting today.

167
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She leaves the steam room

168
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and here's this character waiting for her.

169
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Right here!

170
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- Through the window right there.
- Come on, man.

171
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Life was never like this in Hicksville,
huh, Julie?

172
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- Hicksville?
- Yeah, that little town you were born in.

173
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I remember, Polack extraction.

174
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Richiviski?

175
00:10:35,125 --> 00:10:37,667
You seem to know quite a lot
about me, Mr. Costello.

176
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Call me Matt.

177
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Matt here, he knows about everybody.

178
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Keep it quiet.

179
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He's on that committee,

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the one that decides
if you're an American.

181
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Maybe you didn't know that these people
are still in business.

182
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You mean that Mr. Hannaford's
investigating me?

183
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We're still in business, huh?

184
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What am I going to see,
everything he's shot up until now?

185
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The first couple of reels, Max.

186
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The last part's already out at the ranch.

187
00:11:05,625 --> 00:11:07,458
Zarah's giving him this party.

188
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She's invited all these movie freaks.

189
00:11:10,250 --> 00:11:12,667
We'll see the rest of the stuff
when we get out there.

190
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Zarah's expecting you, Max.

191
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So is Jake.

192
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I was expecting him here.

193
00:11:26,042 --> 00:11:27,667
Fine. Rolling. Hello, hello...

194
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I'm ready to go.

195
00:11:28,833 --> 00:11:30,750
Just go right ahead and talk,
Mr. Hannaford.

196
00:11:30,833 --> 00:11:32,708
- Don't mind us.
- I'll go first.

197
00:11:32,792 --> 00:11:35,833
Mr. Hannaford, is the camera eye
a reflection of reality?

198
00:11:35,917 --> 00:11:38,542
Or is reality a reflection
of the camera eye?

199
00:11:39,125 --> 00:11:41,208
Or is the camera merely a phallus?

200
00:11:41,625 --> 00:11:42,625
I want a drink.

201
00:11:42,750 --> 00:11:44,190
You heard him.
Let's get it out here.

202
00:11:44,250 --> 00:11:47,083
We ought to start with a broader spectrum.
Don't you agree, Otterlake?

203
00:11:47,167 --> 00:11:50,208
That's true, the interview
is for everybody, not just us.

204
00:11:50,958 --> 00:11:52,917
But today, there's a special dispensation.

205
00:11:53,000 --> 00:11:55,208
Mr. Hannaford, could you please slow down?

206
00:11:55,292 --> 00:11:56,932
Otherwise, I'm going to fall off the car.

207
00:11:57,625 --> 00:11:59,125
Mr. Hannaford!

208
00:11:59,875 --> 00:12:02,167
- Dale something.
- John Dale, Max.

209
00:12:02,833 --> 00:12:04,583
He's the kid on the motorcycle.

210
00:12:15,583 --> 00:12:17,833
According to Jake, the box likes him.

211
00:12:18,542 --> 00:12:20,708
- Box?
- The old magic box.

212
00:12:22,000 --> 00:12:25,375
If the camera doesn't like an actor,
it just stares at him.

213
00:12:28,750 --> 00:12:30,083
That's what Jake says.

214
00:12:30,250 --> 00:12:32,750
And if the actor doesn't like
the old magic director?

215
00:12:36,292 --> 00:12:37,292
Yeah.

216
00:12:38,500 --> 00:12:40,375
Is it true Dale walked off the movie?

217
00:12:40,750 --> 00:12:41,792
Well...

218
00:12:43,125 --> 00:12:44,625
He'll come back.

219
00:12:47,625 --> 00:12:49,665
And if he doesn't come back,
how will you finish it?

220
00:12:51,583 --> 00:12:55,625
Come on, Zimmie, Jake's fine.
He's just like he always was.

221
00:12:55,875 --> 00:12:57,542
You know how he is sometimes.

222
00:12:58,167 --> 00:13:00,125
He's turning sour, Matt.

223
00:13:00,917 --> 00:13:02,292
He's going bad.

224
00:13:02,417 --> 00:13:06,250
- Put a can on it, will you?
- I'm a makeup man, an expert.

225
00:13:06,875 --> 00:13:09,792
All my life, I've been sticking my nose

226
00:13:09,875 --> 00:13:11,625
into other people's wrinkles.

227
00:13:13,375 --> 00:13:15,708
I know the little signs.

228
00:13:16,500 --> 00:13:19,917
Something you can almost... smell.

229
00:13:20,667 --> 00:13:22,208
That's what the gypsies say.

230
00:13:23,125 --> 00:13:23,958
Gypsies?

231
00:13:24,042 --> 00:13:26,000
Nine months
we practically lived with them.

232
00:13:26,292 --> 00:13:27,708
Jake's first picture, in Spain.

233
00:13:36,000 --> 00:13:38,250
- Come on. Get next to...
- All right, bring it.

234
00:13:38,333 --> 00:13:39,333
Good.

235
00:13:40,667 --> 00:13:41,667
Right there on her.

236
00:13:41,708 --> 00:13:44,042
Hey, can you look over here?

237
00:13:44,125 --> 00:13:45,458
<i>- That's it...</i>
- She's an Indian?

238
00:13:45,583 --> 00:13:47,208
A red, red Indian.

239
00:13:47,625 --> 00:13:48,625
In the story.

240
00:13:48,833 --> 00:13:50,625
You'll meet her at the party, Max.

241
00:13:55,625 --> 00:13:57,208
How does the box feel about her?

242
00:14:03,958 --> 00:14:06,708
To assess, Mr. Hannaford,
just how fully that theme in your work

243
00:14:06,792 --> 00:14:08,476
may be a reflection
of your father's suicide.

244
00:14:08,500 --> 00:14:09,583
The suicide can wait.

245
00:14:09,958 --> 00:14:11,708
We ought to start
with a broader spectrum.

246
00:14:11,792 --> 00:14:13,250
Don't you agree, Otterlake?

247
00:14:13,375 --> 00:14:15,458
Mr. Hannaford, began his career...

248
00:14:16,417 --> 00:14:17,458
as a prop man.

249
00:14:17,583 --> 00:14:18,833
For the old cliffhangers.

250
00:14:18,917 --> 00:14:21,875
- You were a property man?
- Bombs, buzz saws...

251
00:14:21,958 --> 00:14:23,875
pits full of deadly serpents...

252
00:14:23,958 --> 00:14:25,417
He provided all the...

253
00:14:26,458 --> 00:14:30,500
Skipper, don't turn on the radio.
I'm telling your life story.

254
00:14:31,042 --> 00:14:32,417
This was in Hollywood?

255
00:14:32,500 --> 00:14:33,750
Of course it was Hollywood.

256
00:14:33,833 --> 00:14:39,458
He shared a bungalow
with his first leading man. You know?

257
00:14:39,958 --> 00:14:42,833
I even know his name. Frank Fryer.
How about that, Skipper?

258
00:14:43,250 --> 00:14:45,625
I'm the only one who's
not doing a book about you.

259
00:14:46,125 --> 00:14:48,958
My book on Hannaford has been canceled.

260
00:14:49,042 --> 00:14:50,958
- Canceled?
- Indefinitely.

261
00:14:51,583 --> 00:14:53,042
The first five chapters

262
00:14:53,333 --> 00:14:57,167
took the two of us
three and a half years to do.

263
00:14:57,250 --> 00:15:00,042
I finally had to start directing myself
so I could eat.

264
00:15:00,125 --> 00:15:01,583
The rest is history.

265
00:15:01,667 --> 00:15:03,542
And now, I suppose you're too busy.

266
00:15:03,958 --> 00:15:05,167
We both are.

267
00:15:05,792 --> 00:15:07,083
But take it from me, fellas.

268
00:15:07,167 --> 00:15:10,250
Our friend here,
he just hates being interviewed.

269
00:15:10,875 --> 00:15:13,750
So, I donated a lot of my old tapes.

270
00:15:14,250 --> 00:15:18,000
Scattered them here and there
among you cineastes.

271
00:15:19,583 --> 00:15:21,875
To spare him as many questions
as possible.

272
00:15:22,583 --> 00:15:23,583
Answers.

273
00:15:24,250 --> 00:15:25,667
Answers are my department.

274
00:15:26,250 --> 00:15:27,792
John Dale, for instance.

275
00:15:32,167 --> 00:15:33,625
He looks like a girl.

276
00:15:35,000 --> 00:15:37,000
They all do nowadays. Don't they?

277
00:15:37,083 --> 00:15:38,417
That's how they want to look.

278
00:15:38,500 --> 00:15:39,875
It's the scene.

279
00:15:40,625 --> 00:15:41,708
Which scene?

280
00:15:41,792 --> 00:15:42,917
"The" scene.

281
00:15:46,292 --> 00:15:48,208
And you old guys are
trying to get with it.

282
00:15:50,792 --> 00:15:52,333
Is that what this movie is about?

283
00:15:52,833 --> 00:15:53,833
Kids today...

284
00:15:53,917 --> 00:15:56,250
Kids today? What the hell
do you know about it?

285
00:15:57,500 --> 00:15:59,417
What does Jake know at his age?

286
00:15:59,500 --> 00:16:00,542
He better know.

287
00:16:00,625 --> 00:16:03,750
The way I hear it,
he's putting up his own money.

288
00:16:03,833 --> 00:16:05,417
The bank wanted a name.

289
00:16:05,708 --> 00:16:07,000
Jake wanted him.

290
00:16:07,792 --> 00:16:08,792
A baby.

291
00:16:09,500 --> 00:16:11,000
The world's full of them, Zimmie.

292
00:16:11,500 --> 00:16:13,417
Or haven't you noticed?

293
00:16:13,833 --> 00:16:15,458
Early Hannaford films...

294
00:16:17,083 --> 00:16:18,500
- Silents.
- Silents?

295
00:16:20,333 --> 00:16:22,708
Action pictures. Plenty of action.

296
00:16:23,083 --> 00:16:25,625
Jake and Frank, used to strip to the waist

297
00:16:25,917 --> 00:16:27,167
every Saturday night...

298
00:16:27,375 --> 00:16:28,917
and they put their pay envelopes

299
00:16:29,292 --> 00:16:30,958
on the mantelpiece,

300
00:16:31,042 --> 00:16:32,750
and they'd fight each other for the pot.

301
00:16:32,833 --> 00:16:33,958
What ever happened to him?

302
00:16:34,083 --> 00:16:35,208
Fryer?

303
00:16:36,083 --> 00:16:37,167
I don't know, kid.

304
00:16:38,792 --> 00:16:39,833
They come and they go.

305
00:16:40,375 --> 00:16:41,750
John Dale, for instance...

306
00:16:42,375 --> 00:16:44,917
Yes, the latest of all those actors
you've discovered.

307
00:16:45,292 --> 00:16:47,583
Discovered?
Like you went pearling for them?

308
00:16:48,375 --> 00:16:50,875
Squeezed your movie star
out of an oyster?

309
00:17:09,917 --> 00:17:11,292
No editing really.

310
00:17:11,375 --> 00:17:12,708
It's just the slates cut off.

311
00:17:13,250 --> 00:17:14,292
Gumdrop?

312
00:17:14,875 --> 00:17:18,042
Alright, men, let's get organized.
Where should we start?

313
00:17:18,875 --> 00:17:20,917
Where old Dad here ran away to sea,

314
00:17:21,000 --> 00:17:23,750
or way back with your ancestors?

315
00:17:24,292 --> 00:17:25,875
Save your voice, Skipper.

316
00:17:26,167 --> 00:17:28,458
It's all here on the tapes.
Right here, listen.

317
00:17:29,292 --> 00:17:31,708
<i>Most of the old actor managers
were micks.</i>

318
00:17:32,042 --> 00:17:35,542
<i>Barrett, McCullough, Hannaford, O'Neil..
What else was there to be?</i>

319
00:17:36,000 --> 00:17:39,375
<i>You carried bricks, or got into politics,
or went on the stage.</i>

320
00:17:39,833 --> 00:17:42,958
<i>Old Junius Hannaford was pretty big
in high tragedy.</i>

321
00:17:43,875 --> 00:17:46,375
<i>And Junius Jr.,
as befits the second generation,</i>

322
00:17:47,083 --> 00:17:48,667
<i>made it into high society.</i>

323
00:17:49,167 --> 00:17:50,333
<i>A pioneer snob,</i>

324
00:17:50,417 --> 00:17:52,667
<i>blazing the trail for
the Kellys and the Kennedys.</i>

325
00:17:54,583 --> 00:17:56,458
<i>Randy Moore, for instance,</i>

326
00:17:56,625 --> 00:17:57,958
<i>he was a prop boy.</i>

327
00:17:58,417 --> 00:17:59,958
<i>David Leigh was an extra.</i>

328
00:18:00,542 --> 00:18:02,250
<i>Neil Trevor, Branch Sutter,</i>

329
00:18:02,333 --> 00:18:03,458
<i>Glen Garvey...</i>

330
00:18:03,833 --> 00:18:05,250
<i>I happened to notice them.</i>

331
00:18:05,458 --> 00:18:06,458
Just listen.

332
00:18:06,542 --> 00:18:07,542
<i>But Dale I found.</i>

333
00:18:08,292 --> 00:18:09,208
<i>Literally.</i>

334
00:18:09,292 --> 00:18:10,500
<i>Fished him out of the sea.</i>

335
00:18:10,792 --> 00:18:12,833
<i>That's what you'd call a discovery.</i>

336
00:18:12,917 --> 00:18:14,000
Do you get it?

337
00:18:14,417 --> 00:18:16,458
He saved the cat's life.

338
00:18:16,833 --> 00:18:19,458
So, the boy's indebted to him
even for that.

339
00:18:20,667 --> 00:18:23,708
Could you imagine
a relationship more all-consuming?

340
00:18:24,375 --> 00:18:26,167
Between master and slave?

341
00:18:26,375 --> 00:18:29,292
<i>Dale was flopping around
like something you'd bring up in a net.</i>

342
00:18:29,875 --> 00:18:30,792
<i>We did what we could.</i>

343
00:18:30,875 --> 00:18:33,000
<i>Kept him on the yacht,
signed him on as a deckhand,</i>

344
00:18:33,083 --> 00:18:34,708
<i>made a sailor of him, or tried to.</i>

345
00:18:35,375 --> 00:18:36,792
<i>Sure, I rescued him.</i>

346
00:18:36,875 --> 00:18:38,917
<i>I've been rescuing him ever since.</i>

347
00:18:39,042 --> 00:18:40,625
Look what he did with the others.

348
00:18:40,958 --> 00:18:42,833
Glen Garvey, Courtney Saxon...

349
00:18:42,917 --> 00:18:46,250
Courtney? He was selling vacuum cleaners
when Jake discovered him.

350
00:18:46,917 --> 00:18:49,208
As for Hannaford himself...

351
00:18:49,292 --> 00:18:50,125
What about him?

352
00:18:50,250 --> 00:18:52,375
Branch Sutter, he was a dishwasher.

353
00:18:52,458 --> 00:18:55,000
It could be he's wrong this time.

354
00:18:55,083 --> 00:18:55,917
Who says so?

355
00:18:56,000 --> 00:18:57,125
Zimmer says so.

356
00:18:57,917 --> 00:19:00,417
I don't know what I think of this one.

357
00:19:00,583 --> 00:19:01,583
Who does?

358
00:19:02,250 --> 00:19:03,250
Jack Simon?

359
00:19:03,750 --> 00:19:05,000
See that cop back there?

360
00:19:08,167 --> 00:19:09,667
You guys are overloaded.

361
00:19:09,875 --> 00:19:10,917
Thanks, Jack.

362
00:19:11,333 --> 00:19:12,792
Somebody's gonna have to go.

363
00:19:14,292 --> 00:19:15,500
Pister, you're it.

364
00:19:15,667 --> 00:19:16,667
Come on.

365
00:19:17,042 --> 00:19:18,208
Can he ride with you, Jack?

366
00:19:19,250 --> 00:19:20,583
I haven't got the insurance.

367
00:19:22,458 --> 00:19:23,542
See you at the party.

368
00:19:24,000 --> 00:19:25,000
Thanks, Jack.

369
00:19:25,083 --> 00:19:27,458
Good luck getting to the party, Pister.

370
00:19:38,000 --> 00:19:39,042
What happens here?

371
00:19:41,167 --> 00:19:42,708
I'm not really sure, Max.

372
00:19:44,667 --> 00:19:47,042
Maybe it's here she leaves the...

373
00:19:48,292 --> 00:19:49,292
the bomb.

374
00:20:05,208 --> 00:20:06,583
Having fun, Mr. Pister?

375
00:20:06,667 --> 00:20:09,417
The people in the last car were
kind of awful.

376
00:20:09,500 --> 00:20:10,875
Mr. Hannaford's car?

377
00:20:10,958 --> 00:20:12,000
They threw me out.

378
00:20:12,333 --> 00:20:16,125
Then I got a ride with a bunch
of video freaks.

379
00:20:16,417 --> 00:20:19,292
But they ran out of gas,
or needed a fix or something.

380
00:20:21,667 --> 00:20:23,000
What are the toys about?

381
00:20:23,625 --> 00:20:26,000
Before this, she'll be pretending

382
00:20:26,083 --> 00:20:27,708
to look in the window at him.

383
00:20:27,958 --> 00:20:30,167
That is, when we get around
to shooting it.

384
00:20:33,875 --> 00:20:35,125
She some kind of crook?

385
00:20:35,958 --> 00:20:37,375
Some kind of radical.

386
00:20:37,458 --> 00:20:40,458
Anyway, there's some more shops there,

387
00:20:40,542 --> 00:20:43,625
and the boy thinks she's been looking
at these dolls.

388
00:20:46,958 --> 00:20:47,958
Which doll?

389
00:20:48,583 --> 00:20:49,917
The one she...

390
00:20:50,375 --> 00:20:52,000
he thinks she was looking at.

391
00:20:52,083 --> 00:20:53,083
SHOT MISSING

392
00:20:53,167 --> 00:20:54,167
So...

393
00:20:54,833 --> 00:20:57,083
he goes in and buys it for her.

394
00:20:57,875 --> 00:20:59,167
May I see that, please?

395
00:21:01,125 --> 00:21:01,958
Jake wrote that?

396
00:21:02,042 --> 00:21:04,875
It's transcribed from tapes, I guess,
but it hasn't been typed.

397
00:21:05,542 --> 00:21:07,375
"The hippies and the beatniks.

398
00:21:07,458 --> 00:21:08,292
The bums.

399
00:21:08,375 --> 00:21:10,167
Call them what you want to.

400
00:21:10,833 --> 00:21:13,792
They slouch and slack around the floor

401
00:21:13,875 --> 00:21:15,708
because they like it down there.

402
00:21:16,292 --> 00:21:18,375
Talk about the return to the womb.

403
00:21:18,958 --> 00:21:21,208
What about the return to the cave?

404
00:21:23,042 --> 00:21:25,833
Junk is how you get there.

405
00:21:26,167 --> 00:21:28,167
That's how you dig your way back."

406
00:21:28,375 --> 00:21:29,208
Drugs.

407
00:21:29,292 --> 00:21:32,250
"Junk, for the cool dreams, kid.

408
00:21:33,042 --> 00:21:36,542
And the cool, dim, anonymous gang-shag.

409
00:21:36,625 --> 00:21:38,583
The mutual jack off."

410
00:21:39,250 --> 00:21:41,250
That's sure telling it like it is.

411
00:21:50,542 --> 00:21:52,625
- What's in the package?
- The package?

412
00:21:52,708 --> 00:21:54,458
You mean what she's got in her bag.

413
00:21:55,250 --> 00:21:57,542
It's either a bomb or her lunch.

414
00:21:57,917 --> 00:21:59,458
The kid's package.

415
00:21:59,875 --> 00:22:01,167
That's the doll.

416
00:22:05,208 --> 00:22:06,375
Tell me, Jimmy...

417
00:22:06,750 --> 00:22:07,750
Billy.

418
00:22:08,208 --> 00:22:09,208
Okay, Jimmy.

419
00:22:10,375 --> 00:22:11,625
There is going to be film

420
00:22:11,708 --> 00:22:13,667
showing that
there's a doll in this package?

421
00:22:14,000 --> 00:22:15,875
Sure, that's easy, Max.

422
00:22:15,958 --> 00:22:17,250
Just an insert.

423
00:22:22,208 --> 00:22:23,375
And the bomb?

424
00:22:30,542 --> 00:22:31,792
And if there is a bomb,

425
00:22:33,125 --> 00:22:34,583
- when does it blow up?
- Well...

426
00:22:34,667 --> 00:22:37,542
We don't actually know.

427
00:22:42,417 --> 00:22:43,625
What do we know?

428
00:22:45,750 --> 00:22:49,208
- You better ask Jake.
- I better read the script.

429
00:22:55,667 --> 00:22:56,708
There isn't one.

430
00:23:00,542 --> 00:23:02,917
Jake is just making it up
as he goes along.

431
00:23:04,958 --> 00:23:06,333
He's done it before.

432
00:23:07,833 --> 00:23:10,167
Dream projections of Hannaford himself.

433
00:23:10,667 --> 00:23:11,792
Man, they're real.

434
00:23:11,958 --> 00:23:14,042
He made them real.
He gave them existence.

435
00:23:14,458 --> 00:23:16,500
He molded them out of clay.

436
00:23:16,583 --> 00:23:18,417
Or cut them out with a pair of scissors.

437
00:23:18,500 --> 00:23:19,750
He conceived them.

438
00:23:20,375 --> 00:23:21,375
Like a god.

439
00:23:23,417 --> 00:23:24,875
A terrible and jealous god.

440
00:23:24,958 --> 00:23:27,250
That's what he's been
with this new boy of his.

441
00:23:27,542 --> 00:23:30,708
John Dale is Hannaford's
personal creation.

442
00:23:31,542 --> 00:23:32,875
There's something else, too.

443
00:23:33,333 --> 00:23:34,833
An even stronger claim.

444
00:23:35,458 --> 00:23:38,292
Very much in the Hannaford style.

445
00:23:46,292 --> 00:23:49,042
Understand, Max,
this isn't even a rough cut.

446
00:23:49,458 --> 00:23:50,292
Sure.

447
00:23:50,375 --> 00:23:52,208
You'll have to see
the rest of the picture.

448
00:23:52,542 --> 00:23:54,500
And Jake's going to have to shoot it.

449
00:23:55,125 --> 00:23:56,458
Like I told you, Max,

450
00:23:56,542 --> 00:23:59,333
an awful lot of the footage
is out at the ranch.

451
00:23:59,792 --> 00:24:02,292
We'll be screening it for you,
at the party.

452
00:24:03,333 --> 00:24:05,042
Tell Jake he wasted my time.

453
00:24:29,333 --> 00:24:31,792
Just a little more basil.
Otherwise, it's good.

454
00:24:40,042 --> 00:24:41,875
- He's right over there, see him?
- Yeah.

455
00:24:42,833 --> 00:24:44,667
Nobody can do it like you,
Miss Valeska.

456
00:24:44,750 --> 00:24:45,833
No. Nobody.

457
00:24:50,292 --> 00:24:52,417
It's open season tonight, Mr. Otterlake.

458
00:24:52,750 --> 00:24:54,250
We are in public domain.

459
00:25:01,083 --> 00:25:03,833
Major studio is a bullshit word,
but that's the word.

460
00:25:03,917 --> 00:25:06,708
- I made a picture that made money.
- That's what I had to do.

461
00:25:06,792 --> 00:25:08,851
What about people who can't
make a picture that makes money?

462
00:25:08,875 --> 00:25:12,042
They're not interested in making a picture
that makes money. That's my point.

463
00:25:12,125 --> 00:25:14,000
He's a man who could take a mediocre idea

464
00:25:14,083 --> 00:25:15,958
and do something
absolutely atrocious with it.

465
00:25:16,042 --> 00:25:18,833
- But it's absurd.
- It's absurd, I thought it was groovy...

466
00:25:18,917 --> 00:25:20,317
Inevitably, the need to make money,

467
00:25:20,375 --> 00:25:22,215
creates the need
for a certain kind of picture.

468
00:25:22,292 --> 00:25:23,333
And the picture...

469
00:25:23,792 --> 00:25:25,875
- That's Jewish logic.
- I'm Jewish.

470
00:25:25,958 --> 00:25:27,458
I guess that's your opinion.

471
00:25:27,542 --> 00:25:30,958
The ontology of its iconography
is so incredibly facile...

472
00:25:31,042 --> 00:25:33,625
If you indulged in aestheticism
for its own sake,

473
00:25:33,708 --> 00:25:35,417
it could be called an abstract.

474
00:25:35,500 --> 00:25:38,375
If the audience can't get it,
what's the point of going to the movie?

475
00:25:38,458 --> 00:25:39,792
I'm trying to...

476
00:25:39,875 --> 00:25:42,292
I'd like to get John Wayne's audience
in to see my movie.

477
00:25:42,375 --> 00:25:45,625
You've got an entire revolution going on
in this country on every level.

478
00:25:45,708 --> 00:25:47,309
You think it won't be reflected in films?

479
00:25:47,333 --> 00:25:49,833
It's not a real revolution.
Not the way you think it is.

480
00:25:50,292 --> 00:25:53,000
There's still rich people,
poor people starving, and a middle class.

481
00:25:53,083 --> 00:25:54,500
Why wouldn't they listen to me?

482
00:25:54,583 --> 00:25:55,708
What assholes they were,

483
00:25:55,792 --> 00:25:57,917
and what a dying dinosaur
they were involved in.

484
00:25:58,250 --> 00:26:00,250
Why are you defending a corrupt system?

485
00:26:00,333 --> 00:26:03,458
I'm not defending the system.
You don't see the point at all.

486
00:26:03,542 --> 00:26:04,542
I hate the system.

487
00:26:04,625 --> 00:26:08,708
I think that it's relatively easy
to make a good movie.

488
00:26:09,625 --> 00:26:10,708
Not a great one.

489
00:26:11,125 --> 00:26:12,417
That's something else.

490
00:26:12,500 --> 00:26:13,500
Hannaford's new movie?

491
00:26:13,750 --> 00:26:15,208
You do know about that.

492
00:26:15,292 --> 00:26:17,708
Yes, indeedy, ma'am.
We'll be seeing you there tonight.

493
00:26:17,792 --> 00:26:21,708
Not this character. You won't see him.
Not until they find an actor for it.

494
00:26:21,792 --> 00:26:24,875
Mostly, we're supposed to feel him
spying on the boy,

495
00:26:25,292 --> 00:26:26,917
and on the girl too, of course,

496
00:26:27,000 --> 00:26:28,208
from the shadows.

497
00:26:28,292 --> 00:26:30,083
Am I quoting you correctly?
Of course I am.

498
00:26:30,167 --> 00:26:32,833
- Of course.
- She has total recall.

499
00:26:32,958 --> 00:26:34,667
And a perfectly splendid imagination.

500
00:26:34,750 --> 00:26:36,559
Don't try and be cute,
just answer the question.

501
00:26:36,583 --> 00:26:39,292
- Would you repeat it, please?
- I didn't think you asked anything.

502
00:26:40,042 --> 00:26:41,667
I guess I haven't asked it.

503
00:26:41,750 --> 00:26:44,167
I just want to know what he represents.

504
00:26:44,250 --> 00:26:46,958
As I conceive of it,
this character in the film,

505
00:26:47,042 --> 00:26:49,250
he's sort of a hermit living out there.

506
00:26:49,625 --> 00:26:51,625
There is a possibility.

507
00:26:51,792 --> 00:26:53,167
A Peeping Tom.

508
00:26:53,542 --> 00:26:54,750
You tell us.

509
00:26:54,917 --> 00:26:56,458
This part we didn't cast.

510
00:26:56,917 --> 00:26:58,292
This old man.

511
00:26:58,958 --> 00:26:59,958
He's Hannaford.

512
00:27:02,333 --> 00:27:03,417
Hannaford himself.

513
00:27:04,833 --> 00:27:07,417
Mr. Hannaford. Happy birthday!

514
00:27:11,500 --> 00:27:12,833
And many more, sir.

515
00:27:17,208 --> 00:27:18,917
Mr. Hannaford. It's me.

516
00:27:19,000 --> 00:27:20,958
Happy birthday, Jake.

517
00:27:21,042 --> 00:27:24,375
- Mr. Hannaford.
- Happy birthday.

518
00:27:24,458 --> 00:27:26,208
I'm Marvin P. Fassbender.

519
00:27:26,750 --> 00:27:27,792
Of course you are.

520
00:27:31,125 --> 00:27:32,833
Mr. Hannaford.

521
00:27:57,292 --> 00:27:59,625
Mr. Otterlake, is it true
you're planning a Western?

522
00:27:59,792 --> 00:28:01,167
This is Mr. Hannaford's night.

523
00:28:01,250 --> 00:28:03,292
Let's save the questions for him.

524
00:28:03,542 --> 00:28:07,000
- You two are very close, aren't you?
- I'd like to ask you about that.

525
00:28:07,167 --> 00:28:08,667
- Why?
- Come on, Otterlake.

526
00:28:09,333 --> 00:28:11,458
Why do you think you have to be
as rude as he is?

527
00:28:11,542 --> 00:28:13,417
As rude as you are. In print anyway...

528
00:28:13,500 --> 00:28:15,140
- I liked your last picture.
- Yeah, sure.

529
00:28:15,750 --> 00:28:17,750
I know that it was repetitive,

530
00:28:17,833 --> 00:28:19,833
but... but...

531
00:28:20,042 --> 00:28:21,542
But... Oh, shit.

532
00:28:21,625 --> 00:28:23,425
- Such language.
- For what it was, it worked.

533
00:28:24,375 --> 00:28:27,000
She wasn't that kind in her review.
Not that you did me much harm.

534
00:28:27,083 --> 00:28:28,208
How much harm can you do

535
00:28:28,292 --> 00:28:30,417
to the third biggest grosser
in movie history.

536
00:28:30,500 --> 00:28:32,708
Did it really make that much?
How modest.

537
00:28:32,792 --> 00:28:35,583
Did you know that when
his production company goes public,

538
00:28:35,667 --> 00:28:37,958
that your friend stands to walk away with

539
00:28:38,042 --> 00:28:39,250
forty million dollars?

540
00:28:39,750 --> 00:28:41,000
Forty million dollars?

541
00:28:41,083 --> 00:28:43,875
And she'll keep on writing
that I stole everything from you.

542
00:28:43,958 --> 00:28:47,417
- I'm never going to walk away from that.
- It's alright to borrow from each other.

543
00:28:47,542 --> 00:28:49,458
What we must never do
is borrow from ourselves.

544
00:28:53,750 --> 00:28:55,917
Of course you are close, you two.

545
00:28:56,500 --> 00:28:57,625
You have to be.

546
00:28:58,542 --> 00:28:59,542
You have no choice.

547
00:29:02,833 --> 00:29:04,042
Please, dear lady...

548
00:29:04,875 --> 00:29:07,083
don't tell us what you mean by that.

549
00:29:13,042 --> 00:29:14,292
Kill the music, will you?

550
00:29:14,375 --> 00:29:16,083
They're still shooting Zarah there.

551
00:29:16,167 --> 00:29:17,917
That's what she wanted,
don't you think?

552
00:29:18,000 --> 00:29:20,458
Okay, if she says so.
She's picking up the tab.

553
00:29:21,417 --> 00:29:23,667
Gypsies, jazz and mariachis,

554
00:29:23,750 --> 00:29:24,792
all for a bunch of creeps

555
00:29:24,875 --> 00:29:27,500
who only want
to listen to themselves talking. Jesus.

556
00:29:28,875 --> 00:29:30,792
Zarah Valeska, take one, scene two.

557
00:29:32,417 --> 00:29:34,333
Zarah, speaking of great men,

558
00:29:34,417 --> 00:29:36,542
your name has been linked romantically

559
00:29:36,625 --> 00:29:38,458
with quite a few celebrities.

560
00:29:39,625 --> 00:29:41,833
Wasn't it understood that we weren't

561
00:29:41,917 --> 00:29:43,917
going to talk about love affairs?

562
00:29:44,958 --> 00:29:47,708
What you agreed to talk about
is Mr. Hannaford.

563
00:29:47,792 --> 00:29:49,208
A fascist, for Christ sake.

564
00:29:49,292 --> 00:29:51,708
Hannaford, no.
How about Jack Simon, right here?

565
00:29:52,000 --> 00:29:53,208
You tell us, Brooksie.

566
00:29:53,333 --> 00:29:55,167
Jack's got it in his contract.
Right, Jack?

567
00:29:55,417 --> 00:29:58,375
Every picture he directs,
he gets to shoot the animals personally.

568
00:29:58,542 --> 00:29:59,542
With a gun.

569
00:29:59,958 --> 00:30:01,208
They even pay him off in guns.

570
00:30:01,292 --> 00:30:03,208
No, they pay me money, kid.

571
00:30:03,917 --> 00:30:05,542
And they say I imitate him.

572
00:30:07,417 --> 00:30:10,167
That's your thing, Otterlake,
you're good at imitations.

573
00:30:11,250 --> 00:30:12,250
Do Jack Benny.

574
00:30:12,833 --> 00:30:14,458
He's the one that's into guns.

575
00:30:14,542 --> 00:30:16,542
A fascist? Shall we define our terms?

576
00:30:16,625 --> 00:30:18,625
Spades, spics, micks, hunkies,

577
00:30:18,708 --> 00:30:21,917
honkies, hebes, those kind of terms?

578
00:30:22,000 --> 00:30:24,667
Fasci-tists? We don't like
them kinda people.

579
00:30:24,833 --> 00:30:27,000
- What kind of people does he like?
- Nobody.

580
00:30:27,333 --> 00:30:28,333
Nobody at all.

581
00:30:28,875 --> 00:30:30,208
Nobody in the plural.

582
00:30:30,417 --> 00:30:32,167
And then, who in the particular?

583
00:30:33,208 --> 00:30:34,583
Mr. Otterlake, for instance.

584
00:30:35,542 --> 00:30:36,708
Miss Valeska.

585
00:30:37,125 --> 00:30:41,958
It's been reported that you call him
"G.F." sometimes.

586
00:30:42,833 --> 00:30:44,333
Jokingly, of course.

587
00:30:44,667 --> 00:30:45,792
Is that right?

588
00:30:45,875 --> 00:30:48,083
G.F. meaning "God the Father."

589
00:30:49,833 --> 00:30:51,125
I call Mr. Hannaford,

590
00:30:52,083 --> 00:30:53,125
Mr. Hannaford.

591
00:30:53,208 --> 00:30:54,375
<i>God isn't dead.</i>

592
00:30:54,833 --> 00:30:57,458
<i>Reflection of your attitude.
Right, Mr. Hannaford?</i>

593
00:30:57,958 --> 00:30:59,875
<i>Well, kid. He's certainly Jewish.</i>

594
00:31:00,250 --> 00:31:01,333
Thus spaketh Jake.

595
00:31:01,917 --> 00:31:02,750
What's that about?

596
00:31:02,833 --> 00:31:04,292
One of your old tapes, Brooksie?

597
00:31:04,417 --> 00:31:06,083
I've deeded them all over to the cause.

598
00:31:06,167 --> 00:31:08,167
Tapes from that book
you're doing, Otterlake?

599
00:31:08,250 --> 00:31:09,750
From that book we're <i>not</i> doing.

600
00:31:09,917 --> 00:31:11,917
You're the first big director
that ever tried

601
00:31:12,000 --> 00:31:13,792
- to write about...
- First one to give up.

602
00:31:13,875 --> 00:31:16,375
But I still know all the material.
You know, religion.

603
00:31:16,958 --> 00:31:19,125
Here it is, The Gospel
According to Jake.

604
00:31:19,917 --> 00:31:22,625
God the Father, is an old Jew,

605
00:31:23,125 --> 00:31:25,167
invented by a lot of other old Jews

606
00:31:25,250 --> 00:31:27,625
in a hopeless attempt to put down
the Jewish mother.

607
00:31:28,250 --> 00:31:29,417
Jewish mother?

608
00:31:29,958 --> 00:31:31,708
That's what he says the new scene
is about.

609
00:31:31,792 --> 00:31:32,792
You know? Everything,

610
00:31:33,625 --> 00:31:34,708
even his movie.

611
00:31:34,792 --> 00:31:36,333
What's that about the movie?

612
00:31:36,417 --> 00:31:38,083
We don't talk about the movie.

613
00:31:38,375 --> 00:31:39,583
Try the Baron here.

614
00:31:40,000 --> 00:31:42,250
Under torture, he might squeal a little.

615
00:31:42,333 --> 00:31:43,208
He writes the scripts.

616
00:31:43,292 --> 00:31:45,417
So, Mr. Hannaford likes to say.

617
00:31:45,667 --> 00:31:47,208
Please, don't pretend to be stupid.

618
00:31:47,292 --> 00:31:50,917
You're supposed to be the brainy one
in this club, or clan or whatever...

619
00:31:51,000 --> 00:31:53,625
It's a highly informal organization, lady.

620
00:31:53,708 --> 00:31:55,208
The tape that we were hearing.

621
00:31:55,292 --> 00:31:57,042
The subject is God.
Is he a member?

622
00:31:57,125 --> 00:31:58,125
She...

623
00:32:00,750 --> 00:32:02,833
We're all ruled by the wind,
aren't we, lady?

624
00:32:03,875 --> 00:32:05,583
So, if the Lord is a lady,

625
00:32:05,667 --> 00:32:08,542
and God's will is her will,
then we can all relax

626
00:32:08,625 --> 00:32:11,417
and stop expecting
the universe to be logical.

627
00:32:11,833 --> 00:32:13,208
You heard the man, lady.

628
00:32:13,542 --> 00:32:15,333
We're right back where we started.

629
00:32:16,417 --> 00:32:17,458
Back to Mama.

630
00:32:17,542 --> 00:32:19,667
That's when Brooksie's at his best.

631
00:32:19,833 --> 00:32:22,583
When he's using
straight Hannaford dialogue.

632
00:32:23,417 --> 00:32:25,250
Gee, that's real nice, Jack,
coming from you.

633
00:32:28,042 --> 00:32:29,792
- What I'd like to clarify...
- Yes?

634
00:32:30,083 --> 00:32:31,458
- Is...?
- Yes?

635
00:32:34,625 --> 00:32:36,250
Is...

636
00:32:36,750 --> 00:32:39,208
how his disciple feels about
the new Hannaford film.

637
00:32:39,292 --> 00:32:40,458
- Who?
- Who?

638
00:32:40,583 --> 00:32:41,458
You.

639
00:32:41,583 --> 00:32:42,708
Hey, why pick on me?

640
00:32:42,917 --> 00:32:45,042
The man is infested with disciples.

641
00:32:45,125 --> 00:32:46,542
I'm the apostle, lady.

642
00:32:47,000 --> 00:32:48,333
Just like Saint Paul.

643
00:32:48,458 --> 00:32:49,917
I know the lyrics to that one too.

644
00:32:50,000 --> 00:32:52,083
We're sure you do, Brooksie.

645
00:32:52,583 --> 00:32:55,333
Yeah, the Apostle Paul packaged it.

646
00:32:55,417 --> 00:32:56,542
By now, Jesus was dead.

647
00:32:56,625 --> 00:32:58,167
You be quiet for about 30 seconds.

648
00:32:58,417 --> 00:32:59,417
And...

649
00:32:59,958 --> 00:33:02,042
so the subject was in public domain,

650
00:33:02,125 --> 00:33:03,125
and...

651
00:33:04,042 --> 00:33:05,958
Let's see. Where was I, folks?

652
00:33:07,583 --> 00:33:09,917
So, when Paul dreamed up Christianity...

653
00:33:10,875 --> 00:33:11,875
and...

654
00:33:15,417 --> 00:33:17,750
and stuck the "anity" into Christ...

655
00:33:17,875 --> 00:33:20,958
As long as I'm still twitching, Brooksie,
you won't stick in into me.

656
00:33:22,250 --> 00:33:23,708
Isn't that just what he's doing?

657
00:33:24,083 --> 00:33:25,625
Movies and friendship...

658
00:33:26,375 --> 00:33:27,458
those are mysteries.

659
00:33:27,542 --> 00:33:29,542
And religion. The Baron's into that,

660
00:33:29,625 --> 00:33:31,042
and I know his material too.

661
00:33:31,125 --> 00:33:32,542
You ought to get away from both.

662
00:33:32,625 --> 00:33:35,083
"A mystery may reveal.

663
00:33:35,625 --> 00:33:37,667
It never explains." Right?

664
00:33:37,750 --> 00:33:38,583
Yes.

665
00:33:38,667 --> 00:33:40,417
Just like you, Mr. Hannaford.

666
00:33:40,583 --> 00:33:42,333
Just like me and God.

667
00:33:42,708 --> 00:33:46,000
If it weren't for the difference in sex,
how could you tell us apart?

668
00:33:49,750 --> 00:33:52,250
- Are those supposed to be John Dale?
- He asked for them.

669
00:33:52,375 --> 00:33:55,083
It was Mr. Hannaford's idea.

670
00:33:55,958 --> 00:33:56,958
How's this one?

671
00:33:57,458 --> 00:33:58,583
Fine, Joey.

672
00:34:00,458 --> 00:34:01,542
So how do they look?

673
00:34:04,917 --> 00:34:06,375
Stupid, that's how they look.

674
00:34:07,000 --> 00:34:08,167
Your leading man.

675
00:34:08,958 --> 00:34:10,708
The poor, sick, hungry kid

676
00:34:10,792 --> 00:34:13,833
you pulled out of the water
and stuck into pictures,

677
00:34:14,417 --> 00:34:16,208
the orphan, Mr. Johnny Dale.

678
00:34:16,750 --> 00:34:18,292
Do you know where he came from?

679
00:34:18,375 --> 00:34:20,000
Where he really came from?

680
00:34:20,083 --> 00:34:22,083
A big rich family in Ohio.

681
00:34:22,208 --> 00:34:23,958
How do you like them apples?

682
00:34:24,458 --> 00:34:27,042
He didn't break out of any reformatory.

683
00:34:27,542 --> 00:34:29,792
He graduated from boarding school,

684
00:34:29,875 --> 00:34:31,542
one of the snotty expensive ones.

685
00:34:31,917 --> 00:34:33,625
We found one of his teachers.

686
00:34:33,833 --> 00:34:35,708
He's coming right out here with Billy.

687
00:34:36,208 --> 00:34:39,583
- Billy is supposed to bring Max David.
- When is he joining the party?

688
00:34:40,458 --> 00:34:41,458
He isn't.

689
00:34:42,417 --> 00:34:43,417
No?

690
00:34:43,875 --> 00:34:46,333
- Any word from Texas?
- The oil money?

691
00:34:49,292 --> 00:34:50,292
None yet.

692
00:34:53,250 --> 00:34:54,375
Well, here it is...

693
00:34:55,250 --> 00:34:57,125
if anybody wants to see it.

694
00:34:57,625 --> 00:35:00,208
Darling, this marvelous bash
you're giving him,

695
00:35:00,292 --> 00:35:02,542
if I'm to understand, your whole idea

696
00:35:02,625 --> 00:35:05,875
was to get Jake Hannaford in touch
with the new generation.

697
00:35:06,583 --> 00:35:08,333
And vice versa. Yes.

698
00:35:09,083 --> 00:35:11,708
Very few of your guests are his own age.

699
00:35:13,292 --> 00:35:15,625
Most people of Mr. Hannaford's age

700
00:35:15,708 --> 00:35:16,958
are too old for him.

701
00:35:17,042 --> 00:35:18,042
Hey, beautiful.

702
00:35:19,875 --> 00:35:20,875
Hello.

703
00:35:22,000 --> 00:35:24,667
We don't have much of a past...
do we, beautiful?

704
00:35:24,750 --> 00:35:27,125
We made just half of a picture together.

705
00:35:27,417 --> 00:35:29,458
That was in Miss Valeska's country.

706
00:35:30,250 --> 00:35:31,250
In Austria.

707
00:35:31,667 --> 00:35:33,375
- What happened?
- Hitler.

708
00:35:33,708 --> 00:35:35,625
- That's what happened.
- He threw you out?

709
00:35:35,958 --> 00:35:37,250
She threw him out.

710
00:35:38,417 --> 00:35:40,000
Her USO Troop led our...

711
00:35:40,333 --> 00:35:41,458
armies into battle.

712
00:35:41,625 --> 00:35:43,625
I witnessed it from the rear.

713
00:35:43,750 --> 00:35:45,708
But you did liberate the Ritz.

714
00:35:45,792 --> 00:35:48,292
Her friend Hemingway put in for that one.

715
00:35:48,375 --> 00:35:50,292
Jake was three bottles ahead of him.

716
00:35:50,375 --> 00:35:51,708
Where did you come from?

717
00:35:52,333 --> 00:35:53,583
The studio.

718
00:35:53,917 --> 00:35:55,042
Jake, I told you.

719
00:35:56,250 --> 00:35:57,250
Hemingway?

720
00:35:58,000 --> 00:36:00,833
That left hook of his was overrated.

721
00:36:01,125 --> 00:36:04,375
"Every man contains within himself...

722
00:36:05,292 --> 00:36:07,292
the whole condition of humanity."

723
00:36:07,417 --> 00:36:08,792
Write that down, somebody.

724
00:36:09,375 --> 00:36:10,375
Somebody did.

725
00:36:10,833 --> 00:36:12,208
She even gave me the book.

726
00:36:12,292 --> 00:36:14,750
Mr. Hannaford enjoys
pretending to be ignorant.

727
00:36:14,833 --> 00:36:18,917
Then she spoiled the present
by telling me who gave it to her.

728
00:36:19,125 --> 00:36:20,125
Who?

729
00:36:20,208 --> 00:36:22,375
Just someone he doesn't happen to like.

730
00:36:22,542 --> 00:36:24,250
The queers adore great women.

731
00:36:24,500 --> 00:36:28,083
They like all women, Uncle.
They're the only sex that does.

732
00:36:28,208 --> 00:36:29,208
True.

733
00:36:29,958 --> 00:36:31,542
Real men never like us.

734
00:36:32,000 --> 00:36:33,500
Men only like men.

735
00:36:33,708 --> 00:36:36,917
And women keep us away from each other.

736
00:36:37,375 --> 00:36:40,542
"But if I cut him off," we ask ourselves,

737
00:36:41,208 --> 00:36:43,625
"cut him off from all his good companions,

738
00:36:44,333 --> 00:36:45,708
what will be left of him?"

739
00:36:46,417 --> 00:36:47,708
An amputee, perhaps,

740
00:36:48,042 --> 00:36:49,583
an emotional basket case...

741
00:36:49,708 --> 00:36:52,458
You chop away all the same.

742
00:36:54,625 --> 00:36:57,125
Half a man is better than none.

743
00:36:57,542 --> 00:36:59,833
Happy birthday, Jake.

744
00:36:59,917 --> 00:37:03,375
As I open my mouth, we raise our glasses
to a great gentleman,

745
00:37:04,042 --> 00:37:06,375
who is not only a great artist,

746
00:37:06,542 --> 00:37:09,583
but one who's been called
the Ernest Hemingway of the cinema.

747
00:37:10,208 --> 00:37:13,375
The Murnau of the American motion picture.

748
00:37:13,458 --> 00:37:14,958
Who Murnau is, I don't remember.

749
00:37:15,625 --> 00:37:17,875
Let me see,
Murnau and Dean, the vaudeville act.

750
00:37:17,958 --> 00:37:20,792
As I recall, we played
in either Loews Newark

751
00:37:20,875 --> 00:37:23,083
or Pickleton-on-Thames in Great Britain.

752
00:37:23,167 --> 00:37:24,833
That's enough, Georgie.

753
00:37:26,458 --> 00:37:27,750
You ought to make a wish.

754
00:37:28,292 --> 00:37:29,292
What for?

755
00:37:29,583 --> 00:37:31,667
The one thing you'd most like to have.

756
00:37:33,000 --> 00:37:36,625
Or... one last thing you'd like to do.

757
00:37:37,958 --> 00:37:39,708
Don't you think it can happen?

758
00:37:40,375 --> 00:37:41,792
It'll take a lot of blowing.

759
00:37:43,167 --> 00:37:45,208
That should be a job for Miss Rich.

760
00:37:47,083 --> 00:37:51,375
She'd huff and puff
and blow the house down.

761
00:38:09,417 --> 00:38:11,292
Okay, let's get to the movie, shall we?

762
00:38:42,625 --> 00:38:47,375
<i>It's so nice
To feel the colors</i>

763
00:38:47,958 --> 00:38:52,083
<i>All days when you are new</i>

764
00:38:52,792 --> 00:38:55,208
<i>You close your eyes</i>

765
00:38:55,292 --> 00:39:00,583
<i>And feel the foam of silence</i>

766
00:39:03,750 --> 00:39:08,917
<i>Running home and cease to happen</i>

767
00:39:09,292 --> 00:39:14,000
<i>Phase across the path of time</i>

768
00:39:15,875 --> 00:39:17,042
HEAD

769
00:39:17,125 --> 00:39:19,875
<i>You see them coming</i>

770
00:39:19,958 --> 00:39:23,792
<i>That heaven left behind</i>

771
00:39:38,667 --> 00:39:43,667
<i>I can see you
When you're laughing</i>

772
00:39:44,083 --> 00:39:48,958
<i>Laughing when you're having fun</i>

773
00:39:49,042 --> 00:39:52,000
<i>Your head is glowing</i>

774
00:39:52,083 --> 00:39:57,333
<i>Overflowing with good times</i>

775
00:40:00,333 --> 00:40:05,500
<i>Listen for the water droplets</i>

776
00:40:06,000 --> 00:40:10,125
<i>Falling from the ledge</i>

777
00:40:10,750 --> 00:40:16,417
<i>Of birds you heard from grapevine sounds</i>

778
00:40:16,500 --> 00:40:20,833
<i>Of people that you need</i>

779
00:40:23,833 --> 00:40:25,375
VACANT
OCCUPIED

780
00:40:33,875 --> 00:40:36,750
I definitely think that dress
cost way too much money.

781
00:40:53,292 --> 00:40:57,708
<i>It's so nice
To feel the colors</i>

782
00:40:58,250 --> 00:41:03,000
<i>All the days when you are new</i>

783
00:41:03,375 --> 00:41:05,958
<i>You close your eyes</i>

784
00:41:06,042 --> 00:41:11,542
<i>And feel the foam of silence</i>

785
00:41:14,750 --> 00:41:20,375
<i>Listen for the water droplets</i>

786
00:41:20,458 --> 00:41:24,333
<i>Falling from the ledge</i>

787
00:41:25,375 --> 00:41:31,000
<i>Of birds you heard
From grapevine sounds</i>

788
00:41:31,083 --> 00:41:35,708
<i>Of people that you need</i>

789
00:49:35,458 --> 00:49:36,292
Yes.

790
00:49:36,458 --> 00:49:37,917
Well, start the movie again.

791
00:49:38,000 --> 00:49:38,875
I can't.

792
00:49:38,958 --> 00:49:40,083
Why can't you?

793
00:49:40,292 --> 00:49:41,625
Because it doesn't work.

794
00:49:41,708 --> 00:49:42,917
What doesn't work?

795
00:49:43,000 --> 00:49:44,042
The projector.

796
00:49:44,125 --> 00:49:45,250
Which projector?

797
00:49:45,333 --> 00:49:46,458
Both of them.

798
00:49:48,458 --> 00:49:49,708
What happened, Jake?

799
00:49:49,792 --> 00:49:52,125
Who knows. Johnny Dale, maybe.

800
00:49:52,292 --> 00:49:53,125
Dale?

801
00:49:53,208 --> 00:49:55,928
He could have snuck into the generator
with his little monkey wrench.

802
00:49:56,417 --> 00:50:00,167
- What is this, another energy crisis?
- There's too many of these camera lights.

803
00:50:00,292 --> 00:50:03,125
Never went in much for symbolism,
did we, Baron?

804
00:50:03,417 --> 00:50:05,792
Alright now, let me have your attention.

805
00:50:06,292 --> 00:50:08,792
We've got a power failure on our hands.

806
00:50:09,167 --> 00:50:11,917
The ranch's generators have broken down.

807
00:50:12,000 --> 00:50:16,375
But we hope the situation
will be temporary.

808
00:50:16,458 --> 00:50:18,875
Meanwhile, we'll be getting lamps for you

809
00:50:18,958 --> 00:50:20,458
from out in the stables,

810
00:50:20,750 --> 00:50:22,250
and lighting up candles,

811
00:50:22,583 --> 00:50:25,917
so you can find your way to the booze
and the eats.

812
00:50:26,667 --> 00:50:29,083
Projection of Mr. Hannaford's
motion picture,

813
00:50:29,167 --> 00:50:31,042
<i>The Other Side of the Wind,</i>

814
00:50:31,250 --> 00:50:33,250
will naturally be suspended.

815
00:50:33,333 --> 00:50:35,083
Until the juice comes on,

816
00:50:35,167 --> 00:50:36,792
we trust you good folks

817
00:50:36,875 --> 00:50:40,292
will find your own ways
to amuse yourselves.

818
00:50:40,375 --> 00:50:42,292
All passengers to the life boats.

819
00:50:42,458 --> 00:50:45,083
Our gallant musicians will keep
right on until the end.

820
00:50:45,333 --> 00:50:46,542
They can't see the notes,

821
00:50:46,625 --> 00:50:48,625
but that's alright, they can't read them.

822
00:50:48,708 --> 00:50:52,250
Abie, how nice to see you looking so old.

823
00:50:52,542 --> 00:50:54,458
- You getting anything?
- Not with color.

824
00:50:54,833 --> 00:50:56,750
- Black and white, maybe?
- Black and white?

825
00:50:56,833 --> 00:50:58,500
Whistling in the dark, old man?

826
00:50:58,583 --> 00:51:01,625
Well, kid, you whistle or you whimper.
How is it in your corner?

827
00:51:01,708 --> 00:51:03,375
Who got him an invitation?

828
00:51:03,458 --> 00:51:05,292
Confrontation's the word for it.

829
00:51:05,500 --> 00:51:07,375
Abie, take it up with the hostess.

830
00:51:07,458 --> 00:51:09,542
Zarah? You must be nuts.

831
00:51:09,667 --> 00:51:12,375
Mother seems to think a little young blood
would be good for us.

832
00:51:12,458 --> 00:51:13,750
She could be right at that.

833
00:51:14,292 --> 00:51:15,292
She's always right.

834
00:51:16,208 --> 00:51:17,208
Excuse me, fellows,

835
00:51:17,250 --> 00:51:19,417
I think we have ourselves
a confrontation.

836
00:51:19,750 --> 00:51:23,458
I dig. It's not that he didn't make any
female stars.

837
00:51:23,792 --> 00:51:26,292
It's just that he didn't make them stars.

838
00:51:26,375 --> 00:51:27,833
That's my whole thesis.

839
00:51:27,917 --> 00:51:30,000
Great thesis.
So, the old man can still score.

840
00:51:30,083 --> 00:51:31,083
Who says so?

841
00:51:31,542 --> 00:51:34,458
How he scores and who he scores with,

842
00:51:35,208 --> 00:51:37,917
that, my friend, gets us
into some very interesting country.

843
00:51:38,750 --> 00:51:40,667
Okay, Zarah, no romance.

844
00:51:40,750 --> 00:51:42,583
You meant with Mr. Hannaford, I suppose?

845
00:51:42,917 --> 00:51:44,125
There wasn't any.

846
00:51:44,208 --> 00:51:46,417
I do wish you could bring yourself
to open up,

847
00:51:46,500 --> 00:51:47,542
just a little, on Jake.

848
00:51:47,625 --> 00:51:48,792
No sex at all.

849
00:51:58,583 --> 00:52:00,792
- This way, Mr. Burroughs.
- Dr. Burroughs.

850
00:52:01,292 --> 00:52:02,833
We have our own generator.

851
00:52:03,125 --> 00:52:04,625
This sometimes happens.

852
00:52:04,792 --> 00:52:06,458
These are our storyboards.

853
00:52:08,833 --> 00:52:10,167
All these.

854
00:52:11,167 --> 00:52:12,958
- Here.
- Thank you.

855
00:52:13,417 --> 00:52:15,809
These arrows show they're going
to move in for a closer shot.

856
00:52:15,833 --> 00:52:18,375
- A zoom or a dolly?
- It doesn't make any difference.

857
00:52:18,458 --> 00:52:20,708
- Of course it does.
- Okay.

858
00:52:21,958 --> 00:52:23,417
Looks like a crutch, I guess.

859
00:52:38,458 --> 00:52:39,726
- Go in on the left.
- Here, yeah.

860
00:52:39,750 --> 00:52:41,042
- Run the cable?
- I'm good.

861
00:52:41,125 --> 00:52:43,375
- More light here? Watch the boom.
- He's coming.

862
00:52:43,458 --> 00:52:44,917
Tomorrow's Sunday, Mavis.

863
00:52:45,625 --> 00:52:47,958
You'll be flying down with us to Mexico.

864
00:52:48,042 --> 00:52:49,917
- What for?
- <i>Montaña Rojas.</i>

865
00:52:50,250 --> 00:52:51,542
- Who?
- Bulls.

866
00:52:52,250 --> 00:52:54,125
A very dangerous breed, sweetie.

867
00:52:54,833 --> 00:52:56,583
One of them once killed a friend of ours.

868
00:52:57,333 --> 00:52:59,375
We'll see what happens
to our new boy tomorrow.

869
00:52:59,833 --> 00:53:02,250
Gee, I don't know.
I have school on Monday.

870
00:53:02,958 --> 00:53:05,167
I'll write a note to your teacher.

871
00:53:06,417 --> 00:53:08,083
Who's the joker with the cigarette?

872
00:53:08,667 --> 00:53:09,500
Miguel.

873
00:53:09,583 --> 00:53:10,958
He was the best of all.

874
00:53:11,167 --> 00:53:12,167
Best of what?

875
00:53:12,667 --> 00:53:14,375
The best of all our bullfighters.

876
00:53:14,458 --> 00:53:17,208
We followed old Miguel all over Spain.

877
00:53:17,667 --> 00:53:20,792
That's Jake, aiming his gun at him
in the shooting gallery.

878
00:53:20,875 --> 00:53:21,875
Another birthday.

879
00:53:23,500 --> 00:53:24,708
What a party that was.

880
00:53:25,667 --> 00:53:27,750
No bums, no movie buffs,

881
00:53:27,833 --> 00:53:30,042
no spies, no spooks, just...

882
00:53:30,167 --> 00:53:31,958
paid up members of the club.

883
00:53:32,292 --> 00:53:34,625
- Miguel Ortega.
- The best.

884
00:53:34,917 --> 00:53:37,042
- Number one.
- Until he got killed.

885
00:53:37,250 --> 00:53:39,333
Dad, I hope you weren't responsible
for that.

886
00:53:39,417 --> 00:53:41,083
I just had one shot at him.

887
00:53:41,167 --> 00:53:42,167
I missed.

888
00:53:42,250 --> 00:53:43,500
But he got the cigarette.

889
00:53:44,500 --> 00:53:45,833
Get that spook out of here.

890
00:53:45,917 --> 00:53:47,458
Come on, you guys, out of here!

891
00:53:47,542 --> 00:53:49,000
- Hey, Mister.
- Get out of here!

892
00:53:50,042 --> 00:53:52,000
- Respect Mr. Hannaford's privacy.
- Go on, go.

893
00:53:52,083 --> 00:53:53,083
You too.

894
00:53:56,417 --> 00:53:59,000
Hey, Billy,
why don't you leave that jukebox alone?

895
00:53:59,083 --> 00:54:01,000
That thing doesn't work with solar energy.

896
00:54:01,083 --> 00:54:02,625
I need some new music.

897
00:54:02,875 --> 00:54:05,417
And you shall have it, boy,
wherever you go.

898
00:54:05,958 --> 00:54:08,250
A one and a two and a three.

899
00:54:15,500 --> 00:54:16,792
That's great.

900
00:54:18,583 --> 00:54:21,083
Where the hell is Matt?
He should be taking this call.

901
00:54:21,458 --> 00:54:23,125
Stupid, that's how they look.

902
00:54:24,292 --> 00:54:25,292
Yeah?

903
00:54:27,083 --> 00:54:29,292
Go on in, Zimmie. Have a drink.

904
00:54:30,333 --> 00:54:31,333
How could I?

905
00:54:34,042 --> 00:54:35,042
Besides...

906
00:54:35,958 --> 00:54:37,917
I don't know these people.

907
00:54:38,667 --> 00:54:40,208
It's a whole new business.

908
00:54:42,167 --> 00:54:44,792
These leading actors nowadays...

909
00:54:45,875 --> 00:54:46,875
Stars even.

910
00:54:48,000 --> 00:54:49,417
I don't know their names.

911
00:54:49,917 --> 00:54:51,167
You know the dummy's name?

912
00:54:51,625 --> 00:54:53,667
Old Pat here says we can never guess.

913
00:54:53,833 --> 00:54:54,833
John Dale?

914
00:54:55,500 --> 00:54:57,375
Oscar, that was his real name.

915
00:54:57,833 --> 00:54:59,792
You know at school
what he was famous for?

916
00:55:00,125 --> 00:55:01,250
Fornication?

917
00:55:01,708 --> 00:55:03,500
We got somebody coming here tonight

918
00:55:03,583 --> 00:55:05,583
who's going to tell us all about it.

919
00:55:06,375 --> 00:55:07,375
Yeah?

920
00:55:08,458 --> 00:55:10,667
- Darryl Zanuck?
- A message for him.

921
00:55:11,000 --> 00:55:14,417
It's for Pocahontas, or whatever it is
Jake calls her.

922
00:55:14,500 --> 00:55:16,125
She's in there at the screening.

923
00:55:16,458 --> 00:55:17,708
Come on in, Zimmie.

924
00:55:17,833 --> 00:55:19,500
Join the fun and games.

925
00:55:20,458 --> 00:55:23,417
All those Mr. Dales of yours
are certainly lifelike.

926
00:55:24,917 --> 00:55:26,208
So is Mr. Dale.

927
00:55:26,500 --> 00:55:28,500
To look at him,
you'd swear he was real.

928
00:55:31,542 --> 00:55:32,708
I got a message.

929
00:55:33,167 --> 00:55:35,500
You, Minnehaha. It's for you.

930
00:55:36,333 --> 00:55:37,333
From Zanuck.

931
00:55:37,750 --> 00:55:40,750
Call his secretary first thing
Monday morning for an appointment.

932
00:55:40,833 --> 00:55:43,625
- He's got a picture for her.
- Darryl? Swell.

933
00:55:43,708 --> 00:55:45,833
- When's he joining the party?
- He isn't.

934
00:55:46,500 --> 00:55:48,667
The Hannaford mafia isn't
looking very festive.

935
00:55:48,792 --> 00:55:52,375
- What's the big worry, Skipper?
- They like to worry.

936
00:55:54,417 --> 00:55:57,333
Worry is their thing.
Four days is a long time.

937
00:55:57,542 --> 00:55:59,208
- Four days until what?
- Friday.

938
00:55:59,750 --> 00:56:00,750
Thanks, sweetie.

939
00:56:01,000 --> 00:56:03,292
- Could you get me one, please?
- What?

940
00:56:07,583 --> 00:56:08,667
What's Friday?

941
00:56:09,167 --> 00:56:10,167
Friday we...

942
00:56:10,625 --> 00:56:11,625
close down.

943
00:56:12,000 --> 00:56:15,208
Jesus, you can't finish the picture
in four days.

944
00:56:15,458 --> 00:56:18,750
I've been over-schedule before.
Let's drink to that.

945
00:56:21,167 --> 00:56:23,708
How many times have
you been broke, Skipper?

946
00:56:25,167 --> 00:56:27,125
At my present age, Brooksie...

947
00:56:27,792 --> 00:56:30,250
just... once.

948
00:56:34,542 --> 00:56:36,458
Terrific. It's nice being alone.

949
00:56:41,250 --> 00:56:44,125
All right now. Let me have your attention.

950
00:56:44,333 --> 00:56:47,625
A small auxiliary generator
from the stables

951
00:56:47,708 --> 00:56:50,917
has been hooked up
to the movie projector.

952
00:56:51,292 --> 00:56:53,375
If you'll all proceed quietly,

953
00:56:53,458 --> 00:56:55,750
to Mr. Hannaford's
private projection room.

954
00:56:55,833 --> 00:56:57,208
Yes, Mavis.

955
00:56:57,292 --> 00:56:59,333
They got the projector fixed.
Didn't you hear?

956
00:56:59,458 --> 00:57:01,750
- Didn't we all.
- Aren't you coming to the movie?

957
00:57:01,833 --> 00:57:03,875
Yes, but first, we need
a little more booze.

958
00:57:04,083 --> 00:57:06,333
We wouldn't want to go in there alone,
would we?

959
00:57:17,083 --> 00:57:20,458
I want to show you something you may like.
Best seat in the house.

960
00:57:41,250 --> 00:57:42,500
SHOT MISSING

961
00:58:10,917 --> 00:58:11,917
Excuse me.

962
00:58:12,750 --> 00:58:13,750
He's in there.

963
00:58:15,208 --> 00:58:16,500
With all the other guests.

964
00:58:17,208 --> 00:58:19,458
Watching himself on the screen, isn't he?

965
00:58:19,875 --> 00:58:21,000
Isn't who?

966
00:58:21,458 --> 00:58:24,333
- Oscar... John, John Dale.
- Yeah?

967
00:58:24,417 --> 00:58:26,750
Yes, your leading man.

968
00:58:26,833 --> 00:58:28,542
Not my leading man, buddy boy.

969
00:58:51,167 --> 00:58:52,625
You've seen this before.

970
00:58:53,083 --> 00:58:55,375
How is it that they don't have any...

971
00:58:56,125 --> 00:58:56,958
clothes?

972
00:58:57,125 --> 00:58:58,125
They got wet.

973
00:58:58,583 --> 00:58:59,667
In the other reel.

974
00:58:59,833 --> 00:59:01,208
- Wet?
- She didn't know him,

975
00:59:01,292 --> 00:59:02,667
but she grabbed his raincoat.

976
00:59:02,750 --> 00:59:04,833
That was last night in this other reel.

977
00:59:05,333 --> 00:59:06,500
And now it's today.

978
00:59:06,750 --> 00:59:09,250
She took off her clothes in the toilet...
in here...

979
00:59:09,875 --> 00:59:12,435
And this morning, he's got
his pants hung up to dry in the train.

980
00:59:12,875 --> 00:59:13,958
Train.

981
01:00:48,292 --> 01:00:49,542
<i>Are we still rolling?</i>

982
01:00:50,417 --> 01:00:51,500
<i>Good. Keep shooting.</i>

983
01:01:22,167 --> 01:01:23,167
<i>Listen, kid.</i>

984
01:01:23,708 --> 01:01:24,708
<i>Listen.</i>

985
01:01:26,833 --> 01:01:29,542
<i>Somebody's watching you. You can feel it.</i>

986
01:01:31,625 --> 01:01:33,250
<i>There's somebody else out there.</i>

987
01:01:40,542 --> 01:01:41,833
<i>Up there in that window.</i>

988
01:01:42,667 --> 01:01:44,333
<i>There's nothing behind that window.</i>

989
01:01:44,417 --> 01:01:45,458
<i>They're all the same,</i>

990
01:01:45,542 --> 01:01:47,625
<i>there's somebody up there peeking down.</i>

991
01:01:50,333 --> 01:01:51,833
<i>Did he drop the scissors?</i>

992
01:01:58,042 --> 01:02:00,042
<i>But watch it, boy.</i>

993
01:02:04,750 --> 01:02:05,958
<i>She has her own ideas.</i>

994
01:02:08,667 --> 01:02:09,667
Leigh...

995
01:02:10,292 --> 01:02:11,292
Kingman...

996
01:02:11,708 --> 01:02:12,792
Branch Sutter...

997
01:02:13,583 --> 01:02:14,583
Garvey...

998
01:02:15,333 --> 01:02:16,708
Absent friends.

999
01:02:20,333 --> 01:02:21,458
And John Dale.

1000
01:02:22,042 --> 01:02:23,625
Not in the same league.

1001
01:02:24,417 --> 01:02:25,417
Believe me.

1002
01:02:27,208 --> 01:02:28,208
It's funny...

1003
01:02:28,500 --> 01:02:31,042
I didn't see one of those men
here at your party tonight.

1004
01:02:31,125 --> 01:02:33,458
Tonight is for the freakos
and the snoops, lady.

1005
01:02:33,542 --> 01:02:35,292
If you'll excuse us, please.

1006
01:02:35,833 --> 01:02:37,559
Did you know they had
dissolves in Shakespeare?

1007
01:02:37,583 --> 01:02:39,750
Ask Mr. Hannaford. He knows
everything in Shakespeare.

1008
01:02:39,833 --> 01:02:41,673
Shakespeare, that's
the Hannaford family curse.

1009
01:02:41,750 --> 01:02:44,833
He knows everything about the Hannafords,
which is my curse.

1010
01:02:45,167 --> 01:02:47,167
Everybody knows about old Granddad.

1011
01:02:47,667 --> 01:02:50,833
Junius the First, in the tinseled toga.

1012
01:02:50,958 --> 01:02:53,292
His limbs were always covered
in dirty pink tights.

1013
01:02:53,375 --> 01:02:54,375
IN THE CURSE OF THE CLAN

1014
01:02:54,458 --> 01:02:55,542
So as not to...

1015
01:02:55,875 --> 01:02:58,625
inflame the female members
of his audience.

1016
01:02:58,708 --> 01:03:01,375
Right, Skipper? That's where
the Shakespeare first comes from.

1017
01:03:01,458 --> 01:03:04,667
Mr. Hannaford, would you sit
in the ancestral throne, Mr. Hannaford?

1018
01:03:05,167 --> 01:03:06,287
Shall we give him a picture?

1019
01:03:14,000 --> 01:03:15,000
Shall we not?

1020
01:03:15,500 --> 01:03:16,542
Later, okay?

1021
01:03:16,917 --> 01:03:18,875
- Come on, let's go.
- Later. Way later.

1022
01:03:18,958 --> 01:03:20,500
This is a waste of time anyway.

1023
01:03:39,333 --> 01:03:40,833
The noblest Roman.

1024
01:03:44,000 --> 01:03:45,292
Shanty Irish.

1025
01:03:48,125 --> 01:03:49,625
And lace curtain.

1026
01:03:51,000 --> 01:03:52,042
Like Seneca,

1027
01:03:52,625 --> 01:03:54,292
he bled to death in the bathtub.

1028
01:03:57,458 --> 01:03:59,042
One of the few times he'd ever...

1029
01:03:59,625 --> 01:04:00,792
sat in one.

1030
01:04:14,250 --> 01:04:16,125
Now, old Junius Junior...

1031
01:04:16,208 --> 01:04:17,458
Yeah, he...

1032
01:04:18,458 --> 01:04:21,167
he really made it into high society.
Piss-elegant.

1033
01:04:22,750 --> 01:04:24,208
"Blazing the trail for the...

1034
01:04:24,750 --> 01:04:26,208
Kellys and the Kennedys."

1035
01:04:26,292 --> 01:04:29,542
Otterlake, the human tape recorder.

1036
01:04:30,833 --> 01:04:33,583
That's me, Skipper. That's me.

1037
01:04:38,625 --> 01:04:39,625
Then...

1038
01:04:41,333 --> 01:04:43,042
you know about the chandelier.

1039
01:04:49,458 --> 01:04:50,500
I'm the authority.

1040
01:04:52,667 --> 01:04:55,125
The old Hollywood Hotel, wasn't it?

1041
01:05:07,333 --> 01:05:09,208
They found him one Sunday morning.

1042
01:05:12,208 --> 01:05:13,208
Hanging from it.

1043
01:05:17,375 --> 01:05:19,833
After which, you had to go to work
for a living.

1044
01:05:22,167 --> 01:05:23,625
So, what do you do next?

1045
01:05:25,333 --> 01:05:26,708
What does anybody do?

1046
01:05:34,750 --> 01:05:37,375
And he's on all the credits
of Jake's screenplays.

1047
01:05:37,458 --> 01:05:38,500
Right?

1048
01:05:38,625 --> 01:05:40,167
I amuse Mr. Hannaford.

1049
01:05:40,667 --> 01:05:41,958
He has curious pleasures.

1050
01:05:42,875 --> 01:05:45,250
Games, he likes to play games.

1051
01:05:45,958 --> 01:05:47,500
I'm a writer who stopped writing

1052
01:05:47,583 --> 01:05:50,167
one afternoon in Budapest
in 1929.

1053
01:05:51,333 --> 01:05:52,375
Do you have a camera?

1054
01:05:56,000 --> 01:05:59,417
I'm prepared to make
a limited declaration.

1055
01:06:01,083 --> 01:06:02,208
This famous...

1056
01:06:03,000 --> 01:06:04,458
old lion of yours,

1057
01:06:05,292 --> 01:06:06,875
is not what you think, you know?

1058
01:06:06,958 --> 01:06:08,292
Lions are cats.

1059
01:06:08,708 --> 01:06:10,625
And Jake, my dear, is a cat.

1060
01:06:11,500 --> 01:06:13,208
A cat that walks like a bear.

1061
01:06:13,542 --> 01:06:15,417
I'd call him a necromancer.

1062
01:06:16,583 --> 01:06:19,375
But I do not know if he's raised the dead.

1063
01:06:28,542 --> 01:06:29,625
There you are.

1064
01:06:30,042 --> 01:06:32,333
Yes. This gentleman...

1065
01:06:32,625 --> 01:06:33,833
kindly gave me...

1066
01:06:36,042 --> 01:06:38,083
Just stay there. Do you mind?

1067
01:06:38,958 --> 01:06:39,958
Mind?

1068
01:06:40,833 --> 01:06:42,583
No, not at all.

1069
01:06:52,583 --> 01:06:53,792
<i>Here she comes again.</i>

1070
01:07:01,750 --> 01:07:03,042
<i>Push him down, dear.</i>

1071
01:07:05,750 --> 01:07:08,583
<i>Hold him down, choke him,
drive that tongue in his throat.</i>

1072
01:07:08,667 --> 01:07:09,667
<i>Choke him.</i>

1073
01:07:11,333 --> 01:07:12,417
<i>Alright, sweetie.</i>

1074
01:07:12,500 --> 01:07:13,583
<i>You know where to go.</i>

1075
01:07:13,708 --> 01:07:14,750
<i>Let's have that tongue.</i>

1076
01:07:14,833 --> 01:07:15,917
<i>Let's see it.</i>

1077
01:07:32,375 --> 01:07:34,625
<i>Come on, sweetie. Slowly.</i>

1078
01:07:37,792 --> 01:07:38,917
<i>Slow...</i>

1079
01:07:51,542 --> 01:07:52,958
<i>Yeah. Go on.</i>

1080
01:07:53,417 --> 01:07:54,417
<i>Kid!</i>

1081
01:07:54,625 --> 01:07:56,083
<i>Listen, kid.</i>

1082
01:07:56,167 --> 01:07:58,042
<i>Now you're getting your courage up.</i>

1083
01:08:02,250 --> 01:08:03,417
<i>Are you getting it up,</i>

1084
01:08:03,500 --> 01:08:05,375
<i>or are we fresh out of courage, kid?</i>

1085
01:08:07,417 --> 01:08:09,333
<i>Okay. Now the necklace is caught in it.</i>

1086
01:08:10,250 --> 01:08:11,958
<i>Give us the reaction, John.</i>

1087
01:08:22,917 --> 01:08:25,250
<i>You've got to believe this could happen.</i>

1088
01:08:25,667 --> 01:08:28,417
<i>What if the truth isn't
so goddamned impressive?</i>

1089
01:08:28,542 --> 01:08:29,542
<i>That's our secret.</i>

1090
01:08:30,042 --> 01:08:31,042
<i>Scissors.</i>

1091
01:08:35,250 --> 01:08:36,750
<i>Now she's going to cut it away.</i>

1092
01:08:40,083 --> 01:08:41,208
<i>Snip, snip.</i>

1093
01:08:43,958 --> 01:08:45,000
<i>Snippety...</i>

1094
01:08:45,500 --> 01:08:46,500
<i>Cut.</i>

1095
01:08:49,292 --> 01:08:50,583
<i>What has she cut, kid?</i>

1096
01:08:50,958 --> 01:08:52,625
<i>Your little jewels, Johnny, or...</i>

1097
01:08:53,667 --> 01:08:54,667
<i>hers?</i>

1098
01:08:54,750 --> 01:08:57,500
<i>Let's feel that suspense, shall we?
Come on, honey. Feel it.</i>

1099
01:08:57,958 --> 01:08:58,958
<i>Suspense, baby.</i>

1100
01:08:59,250 --> 01:09:00,542
<i>Pure Hitchcock.</i>

1101
01:09:00,625 --> 01:09:02,750
<i>If you'll pardon my language, sweetie.</i>

1102
01:09:02,833 --> 01:09:04,167
<i>Hold still, Johnny.</i>

1103
01:09:04,708 --> 01:09:06,292
<i>You can do that, can't you?</i>

1104
01:09:08,542 --> 01:09:10,500
- Is that a cut?
- <i>Keep it rolling.</i>

1105
01:09:11,542 --> 01:09:12,542
<i>Follow him.</i>

1106
01:09:14,292 --> 01:09:15,958
<i>Hold on him and keep rolling.</i>

1107
01:09:16,042 --> 01:09:18,375
He said keep rolling.
Everybody, keep rolling.

1108
01:09:18,458 --> 01:09:19,458
<i>Both cameras.</i>

1109
01:09:19,750 --> 01:09:21,000
<i>I'd like a record of this.</i>

1110
01:09:21,083 --> 01:09:23,833
<i>That's it. Hold it on him.
And goodbye, Johnny Dale.</i>

1111
01:09:33,208 --> 01:09:34,833
Hey, look what you dropped.

1112
01:09:35,083 --> 01:09:37,500
Fifteen precious minutes of Hannaford.

1113
01:09:37,583 --> 01:09:39,750
Every little bit
added to what we've got

1114
01:09:39,833 --> 01:09:42,167
makes it just that much more.

1115
01:09:43,167 --> 01:09:46,000
- What happened to the lights?
- I told them those spots were too much.

1116
01:09:46,083 --> 01:09:47,583
Where's the circuit breaker?

1117
01:09:47,667 --> 01:09:49,958
- What's a circuit breaker?
- I'm pulling on...

1118
01:09:51,708 --> 01:09:53,833
- Not again.
- Excuse me. I'm sorry.

1119
01:09:54,792 --> 01:09:57,167
- We are blacked out for good.
- Excuse me.

1120
01:09:59,375 --> 01:10:02,208
Just watch the birthrate
nine months from tonight.

1121
01:10:02,417 --> 01:10:04,833
What happened?
Did that jenny break down again?

1122
01:10:05,333 --> 01:10:06,208
Twice in one night.

1123
01:10:06,292 --> 01:10:08,583
- This is no accident, it's sabotage.
- Good heavens.

1124
01:10:08,667 --> 01:10:11,417
Who do you suspect? This cineaste?

1125
01:10:11,500 --> 01:10:13,625
He wouldn't know a cineaste
from a hole in the ground.

1126
01:10:13,708 --> 01:10:15,250
Probably a midget with a grudge.

1127
01:10:15,917 --> 01:10:17,042
I saw your film.

1128
01:10:17,417 --> 01:10:19,208
You won't see any more of it tonight.

1129
01:10:19,292 --> 01:10:20,375
Why not?

1130
01:10:20,542 --> 01:10:22,958
No lights, no projection, dumb-dumb.

1131
01:10:23,042 --> 01:10:25,792
- Excuse me.
- Besides, I didn't make it.

1132
01:10:25,958 --> 01:10:27,792
You will, kid. You will.

1133
01:10:28,458 --> 01:10:31,833
- Let me tell you what I thought of it.
- Get us a drink, will you, sweetie?

1134
01:10:32,500 --> 01:10:34,292
Just look for Jake Hannaford.

1135
01:10:34,375 --> 01:10:35,625
He glows in the dark.

1136
01:10:36,000 --> 01:10:37,333
Right, Brooksie?

1137
01:10:38,083 --> 01:10:39,875
What you imitate is him.

1138
01:10:40,458 --> 01:10:43,167
The man, not the movies.
Your idea of him.

1139
01:10:43,667 --> 01:10:46,125
You know, the bullfights
and the big game,

1140
01:10:46,208 --> 01:10:47,625
the whole macho bit.

1141
01:10:47,750 --> 01:10:49,833
No, the truth of the matter is...

1142
01:10:50,417 --> 01:10:51,833
that as a macho,

1143
01:10:52,125 --> 01:10:53,292
he ain't all that much.

1144
01:10:53,583 --> 01:10:57,000
That chest ain't near as hairy
as he'd like you to think.

1145
01:10:57,792 --> 01:10:58,792
Yeah.

1146
01:10:58,917 --> 01:11:02,125
Your guy's a big, pink lobster.

1147
01:11:02,750 --> 01:11:03,917
Nothing's really tough.

1148
01:11:04,375 --> 01:11:05,625
Except the shell.

1149
01:11:06,083 --> 01:11:07,083
Now what?

1150
01:11:07,375 --> 01:11:09,000
I ask you what's so tough about you,

1151
01:11:09,083 --> 01:11:11,708
and you ask me if I wouldn't
like to find out, then we

1152
01:11:11,792 --> 01:11:15,042
entertain the folks with a good,
old-fashioned Hollywood fist fight?

1153
01:11:15,125 --> 01:11:16,125
Well...

1154
01:11:18,083 --> 01:11:19,833
If that's the way you want it, kid.

1155
01:11:19,917 --> 01:11:21,750
Old fashioned is the word, alright,

1156
01:11:22,125 --> 01:11:23,708
even in the way you do Hannaford.

1157
01:11:23,833 --> 01:11:26,333
Maybe he was like that 30 years ago.

1158
01:11:26,583 --> 01:11:28,667
I'll give him 40 years.

1159
01:11:29,500 --> 01:11:32,167
My Jake can still lick the shit
out of yours.

1160
01:11:37,417 --> 01:11:40,125
- What the hell did you do that for?
- I wasn't even here.

1161
01:11:40,500 --> 01:11:41,958
This is all going on film, you know.

1162
01:11:44,083 --> 01:11:45,750
Come on, get him out of here.

1163
01:11:52,292 --> 01:11:55,458
Putting a little extra zing
on the lobster's claw, Brooksie.

1164
01:11:56,000 --> 01:11:57,250
I'd do the same for you.

1165
01:11:57,333 --> 01:11:59,167
We imitation Hannafords...

1166
01:11:59,542 --> 01:12:01,042
have got to stick together.

1167
01:12:01,250 --> 01:12:03,875
I brought that schoolteacher.
Remember?

1168
01:12:04,458 --> 01:12:06,167
You were supposed
to bring Max David.

1169
01:12:06,250 --> 01:12:08,667
Jake, I've got to talk to you about that.

1170
01:12:12,708 --> 01:12:13,708
No sweat.

1171
01:12:13,875 --> 01:12:16,667
A couple of wranglers will take him
to the local first aid.

1172
01:12:16,833 --> 01:12:18,250
You think it'll be alright?

1173
01:12:18,667 --> 01:12:19,667
Sure.

1174
01:12:19,750 --> 01:12:22,375
We'll donate his motorcycle to charity.

1175
01:12:23,333 --> 01:12:25,917
Please, if you're going to have a fight,
invite me.

1176
01:12:30,250 --> 01:12:32,000
Who told you I was broke?

1177
01:12:37,667 --> 01:12:38,667
Well...

1178
01:12:39,542 --> 01:12:41,917
Billy said you sold the boat.

1179
01:12:42,000 --> 01:12:44,833
He did, did he?
How about the roof over my head?

1180
01:12:45,208 --> 01:12:46,542
How does that grab you?

1181
01:12:46,667 --> 01:12:47,917
You mean the ranch?

1182
01:12:48,000 --> 01:12:49,208
Out in the snow, kid.

1183
01:12:49,917 --> 01:12:51,917
Over the hill and down dale.

1184
01:12:53,042 --> 01:12:56,792
But let's not ever speak
of Master John Dale again.

1185
01:13:03,083 --> 01:13:04,083
Dale.

1186
01:13:05,250 --> 01:13:06,250
Dale.

1187
01:13:06,375 --> 01:13:08,875
That's what really bugs you,
isn't it? Dale.

1188
01:13:09,500 --> 01:13:12,167
Of all your troubles,
what's one lousy leading man?

1189
01:13:12,917 --> 01:13:16,875
Less than the dust beneath
my chariot wheels.

1190
01:13:21,000 --> 01:13:22,542
Jesus, I'll drink to that.

1191
01:13:34,833 --> 01:13:37,042
Is that for me? Thank you, Billy.

1192
01:13:44,000 --> 01:13:45,125
Pass it on.

1193
01:13:45,917 --> 01:13:46,917
Right on.

1194
01:14:06,625 --> 01:14:07,625
Billy.

1195
01:14:08,417 --> 01:14:09,458
Hey.

1196
01:14:10,292 --> 01:14:12,167
What are you doing, Billy? Smoking?

1197
01:14:12,250 --> 01:14:13,458
What does it look like?

1198
01:14:13,542 --> 01:14:16,417
The way things are going tonight,
it could be a reefer.

1199
01:14:16,500 --> 01:14:18,292
Nowadays, we call it a joint.

1200
01:14:18,375 --> 01:14:21,292
What do you need tea for,
you got gum drops.

1201
01:14:21,875 --> 01:14:22,958
We know.

1202
01:14:23,333 --> 01:14:24,833
That's to keep you off the juice.

1203
01:14:26,708 --> 01:14:27,875
He wants to see you.

1204
01:14:28,292 --> 01:14:29,292
Yeah?

1205
01:14:31,125 --> 01:14:32,667
I want to see him.

1206
01:14:32,750 --> 01:14:34,875
- I've got that teacher waiting...
- Get on out there.

1207
01:14:34,958 --> 01:14:36,417
Guess who joined us?

1208
01:14:36,542 --> 01:14:37,625
Herman the German.

1209
01:14:37,708 --> 01:14:38,708
Hermie?

1210
01:14:40,292 --> 01:14:42,250
How's the boy? And you, Billy?

1211
01:14:42,333 --> 01:14:43,667
Jake, I just told you.

1212
01:14:43,750 --> 01:14:46,750
Kept you busy just collecting
schoolteachers?

1213
01:14:47,167 --> 01:14:49,958
Hey, can I please get myself
something to eat?

1214
01:14:50,042 --> 01:14:52,625
I wasn't just collecting schoolteachers.

1215
01:14:52,833 --> 01:14:54,250
Didn't they feed you?

1216
01:14:54,375 --> 01:14:56,667
All they do on airplanes is feed you.

1217
01:14:57,083 --> 01:14:58,083
Turbulence.

1218
01:14:59,833 --> 01:15:00,833
You threw up.

1219
01:15:01,875 --> 01:15:03,667
Give him some candy, Billy.

1220
01:15:03,750 --> 01:15:06,875
- Jake, those oil guys...
- Keep the voices down.

1221
01:15:07,208 --> 01:15:09,250
These freaks got the whole joint
wired for sound.

1222
01:15:09,333 --> 01:15:11,458
I caught one of them bugging a cactus.

1223
01:15:11,542 --> 01:15:12,833
What about the oil guys?

1224
01:15:12,917 --> 01:15:15,292
Don't be bashful, Hermie.
We know the answer.

1225
01:15:15,375 --> 01:15:16,542
They want no part of us.

1226
01:15:18,000 --> 01:15:19,417
Neither does Max.

1227
01:15:19,875 --> 01:15:21,542
- Right, Billy?
- No.

1228
01:15:21,875 --> 01:15:23,167
Max David, that dirty crook.

1229
01:15:23,250 --> 01:15:24,458
- Who needs him?
- We do.

1230
01:15:24,542 --> 01:15:27,000
He's so crooked,
he's got rubber pockets

1231
01:15:27,083 --> 01:15:28,917
so he can steal soup.

1232
01:15:29,167 --> 01:15:31,000
Our best chance was that oil money.

1233
01:15:31,375 --> 01:15:32,958
Otterlake, what about him?

1234
01:15:33,208 --> 01:15:35,208
- Yeah, what about me?
- Brooksie.

1235
01:15:35,500 --> 01:15:38,958
We wondered if you knew
about the screening at the drive-in.

1236
01:15:39,042 --> 01:15:41,917
- We're screening the rest of the movie.
- He's seen the movie.

1237
01:15:42,333 --> 01:15:43,458
Not everything.

1238
01:15:45,042 --> 01:15:47,042
Well, we don't have everything.

1239
01:15:47,500 --> 01:15:49,792
Leave it to Jake, pretty soon
you'll have too much.

1240
01:15:50,083 --> 01:15:52,458
You bet, we've had our troubles before.

1241
01:15:52,542 --> 01:15:55,000
Want your little friend
to get you a drink, Skipper?

1242
01:15:55,083 --> 01:15:56,250
Thanks, Brooksie.

1243
01:15:56,792 --> 01:16:00,458
- He's Max's golden-haired boy, isn't he?
- They gave Brooks his own company.

1244
01:16:00,625 --> 01:16:02,667
Come on. Tell us something we don't know.

1245
01:16:03,208 --> 01:16:05,000
I brought that schoolteacher.

1246
01:16:05,125 --> 01:16:07,208
Jake will see him if and when
he feels like it.

1247
01:16:07,292 --> 01:16:09,000
What about Max David?

1248
01:16:09,167 --> 01:16:12,167
That's who you were to bring out here,
right after the screening.

1249
01:16:12,250 --> 01:16:15,458
He blew it.
Must be all that candy he eats.

1250
01:16:16,708 --> 01:16:17,708
Me?

1251
01:16:19,208 --> 01:16:20,667
You were the one with Max.

1252
01:16:21,500 --> 01:16:22,500
Where is he?

1253
01:16:24,750 --> 01:16:27,333
And what the hell's the candy
got to do with it?

1254
01:16:27,458 --> 01:16:29,250
Could be it's softening your brain,
Uncle.

1255
01:16:29,333 --> 01:16:32,958
It's for the sugar. You know that.
Since I got off that stuff.

1256
01:16:33,875 --> 01:16:35,542
Well, speaking of which...

1257
01:16:37,583 --> 01:16:39,708
Speaking of which, here's little Mavis,

1258
01:16:40,208 --> 01:16:42,208
who'll bring us a little
fresh encouragement.

1259
01:16:42,750 --> 01:16:45,125
- Won't you, sweetie?
- Shouldn't I go home and pack?

1260
01:16:45,208 --> 01:16:48,083
- Pack?
- I mean, if we're going to Mexico.

1261
01:16:48,500 --> 01:16:50,500
We go as we are, sweetie.

1262
01:16:50,833 --> 01:16:52,375
Just as we are.

1263
01:17:01,375 --> 01:17:02,750
Wasn't very smart, you know.

1264
01:17:03,583 --> 01:17:05,500
Poor-mouthing like that
in front of Otterlake.

1265
01:17:05,583 --> 01:17:06,958
You know who he is, don't you?

1266
01:17:07,750 --> 01:17:10,083
Of course I do. I've seen his pictures.

1267
01:17:10,167 --> 01:17:11,333
He's a big success.

1268
01:17:11,417 --> 01:17:14,042
Brooks Otterlake is money,
not just success, but money.

1269
01:17:14,125 --> 01:17:16,208
His old man owns half the trees in Canada.

1270
01:17:16,417 --> 01:17:18,708
Yes, and you know what Billy told him.

1271
01:17:18,875 --> 01:17:20,708
He told him we're in trouble.

1272
01:17:20,792 --> 01:17:21,875
Well, aren't we?

1273
01:17:22,875 --> 01:17:25,500
When you talk poor to the rich,
they jump to conclusions.

1274
01:17:25,583 --> 01:17:28,125
They think we're getting ready
for the touch.

1275
01:17:28,208 --> 01:17:29,917
And that's what we're doing?

1276
01:17:30,667 --> 01:17:34,167
Could have been the general idea
until Uncle Billy loused it up.

1277
01:17:36,875 --> 01:17:39,250
Mr. Hannaford, excuse me...

1278
01:17:39,542 --> 01:17:41,958
Didn't I just hear you saying
about Otterlake?

1279
01:17:42,042 --> 01:17:43,500
No more questions, Junior.

1280
01:17:43,583 --> 01:17:45,042
Where did this yo-yo come from?

1281
01:17:45,125 --> 01:17:46,601
As it happens, I did one of the first

1282
01:17:46,625 --> 01:17:49,042
really positive critical appraisals
of Brooks Otterlake.

1283
01:17:49,125 --> 01:17:51,125
Hurray for you, buddy boy.

1284
01:17:51,208 --> 01:17:53,292
I just want to be helpful.
From what I overheard,

1285
01:17:53,375 --> 01:17:55,750
I understand there's some thought
of approaching him.

1286
01:17:55,833 --> 01:17:57,667
A word from me certainly couldn't hurt.

1287
01:17:57,750 --> 01:18:00,500
- He's bound to feel some gratitude...
- Mr. Otterlake's a chum.

1288
01:18:01,000 --> 01:18:05,167
We don't hustle our chums for dough.
We're kind of strict about that.

1289
01:18:05,250 --> 01:18:08,667
Always remember that your heart
is God's little garden.

1290
01:18:10,125 --> 01:18:11,625
Is that recorder still running?

1291
01:18:11,708 --> 01:18:13,208
- No.
- Well, see that it isn't.

1292
01:18:13,292 --> 01:18:15,083
- There's a camera somewhere.
- Yeah?

1293
01:18:16,000 --> 01:18:17,000
A couple of them.

1294
01:18:20,958 --> 01:18:23,375
Studying a man like Jake Hannaford.

1295
01:18:23,458 --> 01:18:26,125
That's an experience. Don't you miss it.

1296
01:18:26,208 --> 01:18:27,500
Stick with the job.

1297
01:18:32,875 --> 01:18:35,167
Eat a little shit, Mr. Pister.

1298
01:18:42,458 --> 01:18:43,292
Have fun.

1299
01:18:43,375 --> 01:18:45,708
- What's that, Billy?
- That's the latest message.

1300
01:18:45,792 --> 01:18:46,792
Roger.

1301
01:18:46,833 --> 01:18:48,625
I did something I shouldn't have done.

1302
01:19:00,250 --> 01:19:03,292
- But I saw him go into the library.
- It's groovier in here.

1303
01:19:08,542 --> 01:19:09,542
Billy?

1304
01:19:09,667 --> 01:19:10,667
What are you doing?

1305
01:19:12,708 --> 01:19:13,542
Otterlake.

1306
01:19:13,625 --> 01:19:15,708
For Christ's sake, Brooksie.

1307
01:19:15,792 --> 01:19:17,792
You know about Billy.

1308
01:19:18,250 --> 01:19:21,000
He's been on the program for nine years.

1309
01:19:21,167 --> 01:19:23,375
- Why did you want to do that?
- What is the fundamental

1310
01:19:23,458 --> 01:19:26,375
aesthetic distinction between a zoom
and a dolly?

1311
01:19:27,667 --> 01:19:31,500
What possible difference can that make
except to another dolly?

1312
01:19:33,917 --> 01:19:35,542
- Forget it.
- What?

1313
01:19:38,167 --> 01:19:39,167
Hi.

1314
01:19:47,500 --> 01:19:49,875
This is the one that hurts, Brooksie.

1315
01:19:52,333 --> 01:19:53,333
Skipper...

1316
01:19:54,750 --> 01:19:57,333
This is a scene we both hoped
we'd never get to.

1317
01:19:58,667 --> 01:20:00,292
I don't think it's going to play.

1318
01:20:01,083 --> 01:20:02,667
Not even for comedy.

1319
01:20:08,500 --> 01:20:09,542
How much do you need?

1320
01:20:11,875 --> 01:20:13,333
How much have you got?

1321
01:20:15,750 --> 01:20:16,750
Hey.

1322
01:20:16,875 --> 01:20:20,292
Remember when you first appeared
on that location of mine out in Iran?

1323
01:20:20,375 --> 01:20:23,333
I didn't even have fare back home.

1324
01:20:23,458 --> 01:20:24,458
Just that...

1325
01:20:25,250 --> 01:20:26,708
secondhand tape recorder.

1326
01:20:26,792 --> 01:20:28,208
A raggedy-ass kid.

1327
01:20:28,917 --> 01:20:29,917
When was it?

1328
01:20:30,125 --> 01:20:32,625
Only... four years ago.

1329
01:20:32,875 --> 01:20:33,875
Skipper?

1330
01:20:34,583 --> 01:20:35,583
Yes.

1331
01:20:36,458 --> 01:20:37,458
That...

1332
01:20:38,250 --> 01:20:39,583
forty million that was...

1333
01:20:40,292 --> 01:20:41,292
mentioned...

1334
01:20:46,292 --> 01:20:47,292
I know, kid.

1335
01:20:49,958 --> 01:20:51,667
It's only a distant hope.

1336
01:20:52,458 --> 01:20:53,667
How's that for dialogue?

1337
01:20:56,750 --> 01:20:58,000
Tell you what, Brooksie...

1338
01:20:58,667 --> 01:21:01,917
You might just lean a little on...
Max David.

1339
01:21:02,708 --> 01:21:04,167
You do the leaning,

1340
01:21:04,667 --> 01:21:05,958
he's got to give.

1341
01:21:06,667 --> 01:21:09,667
- I did set up the screening.
- So you did, Brooksie.

1342
01:21:10,375 --> 01:21:12,042
And he hated every frame.

1343
01:21:12,292 --> 01:21:14,375
He's an idiot, Jake. They're all idiots.

1344
01:21:14,458 --> 01:21:15,583
You know that.

1345
01:21:15,667 --> 01:21:16,750
He's your idiot.

1346
01:21:16,833 --> 01:21:18,167
Up to a point.

1347
01:21:19,083 --> 01:21:20,542
Don't be pompous, Brooksie.

1348
01:21:21,125 --> 01:21:23,583
You made his company all that loot.

1349
01:21:24,542 --> 01:21:25,833
Christ knows I didn't.

1350
01:21:25,917 --> 01:21:28,375
Don't think I'm not ready
to put up a fight for you.

1351
01:21:28,875 --> 01:21:30,708
Want me to spare you the embarrassment?

1352
01:21:31,125 --> 01:21:32,333
It's you I'm thinking of.

1353
01:21:32,417 --> 01:21:34,750
I don't want to have to listen
to Max David...

1354
01:21:35,542 --> 01:21:36,792
and all those stupid...

1355
01:21:38,167 --> 01:21:39,625
Turning you down.

1356
01:21:41,042 --> 01:21:43,708
Don't give up the ship, eh, Brooksie?

1357
01:21:43,792 --> 01:21:44,917
I'm not.

1358
01:21:49,792 --> 01:21:51,917
I told you this wouldn't play.

1359
01:21:55,250 --> 01:21:56,625
You alright, Zimmie?

1360
01:21:57,833 --> 01:21:59,042
Sure.

1361
01:22:00,000 --> 01:22:02,667
Don't worry about me.
You've got troubles of your own.

1362
01:22:02,917 --> 01:22:04,333
Jesus, all this TV.

1363
01:22:04,417 --> 01:22:07,292
There must be plenty of work
for a good makeup man.

1364
01:22:07,375 --> 01:22:08,583
I got a suggestion.

1365
01:22:08,917 --> 01:22:09,750
Yeah?

1366
01:22:09,833 --> 01:22:13,792
- It's what you can do with them dummies.
- I know what I can do with them.

1367
01:22:13,875 --> 01:22:16,667
Listen, Pat.
You take them dummies, see,

1368
01:22:16,958 --> 01:22:19,208
and you take this piece of iron pipe,

1369
01:22:19,625 --> 01:22:24,208
and you slash and beat and chop away
to your heart's content.

1370
01:22:25,833 --> 01:22:28,167
Or maybe give the pop to Jake.

1371
01:22:28,917 --> 01:22:31,792
He'd feel a whole lot better off
afterwards, believe me.

1372
01:22:32,417 --> 01:22:33,833
The state requires you...?

1373
01:22:35,083 --> 01:22:36,625
Yes, every state does.

1374
01:22:36,958 --> 01:22:39,375
- So, in order to graduate by January...
- Here we are.

1375
01:22:39,500 --> 01:22:41,708
...I'd have to take one
correspondence course.

1376
01:22:41,833 --> 01:22:44,042
- Well.
- Mr. Hannaford...

1377
01:22:44,125 --> 01:22:46,708
You have two more credits to go before...

1378
01:22:46,792 --> 01:22:48,917
- Mr. Hannaford.
- Which is civics and economics.

1379
01:22:49,000 --> 01:22:50,917
- She won't pay that?
- She won't sign for it.

1380
01:22:51,000 --> 01:22:52,083
Mr. Hannaford?

1381
01:22:54,083 --> 01:22:56,583
Dr. Bradley Pierce Burroughs.

1382
01:22:57,083 --> 01:22:58,083
Pease.

1383
01:22:59,042 --> 01:23:01,958
- Pease?
- Bradley Pease Burroughs.

1384
01:23:05,875 --> 01:23:08,417
Not that it matters. How do you, sir?

1385
01:23:09,875 --> 01:23:10,875
Here you go.

1386
01:23:11,292 --> 01:23:12,292
May I take your...?

1387
01:23:12,375 --> 01:23:13,708
Yes. Thank you.

1388
01:23:26,083 --> 01:23:28,333
The doc here is professor
of English Literature

1389
01:23:28,417 --> 01:23:32,625
at the Franahan Boarding Academy
for Boys.

1390
01:23:33,167 --> 01:23:34,167
Clivedale.

1391
01:23:38,333 --> 01:23:42,417
- That's the name of the school.
- He also teaches Dramatics.

1392
01:23:44,667 --> 01:23:47,375
And who do you think was my star pupil?

1393
01:23:47,875 --> 01:23:50,208
Of course, we knew him then as, Oscar.

1394
01:23:53,542 --> 01:23:54,542
Oscar.

1395
01:23:55,792 --> 01:23:58,333
Tell about Aunt Daisy with the funny hats.

1396
01:24:01,167 --> 01:24:04,333
- They weren't... that funny.
- She raised him, so you said.

1397
01:24:04,875 --> 01:24:07,792
And from the time he was able to walk,

1398
01:24:08,083 --> 01:24:09,083
he used to put on shows.

1399
01:24:09,125 --> 01:24:12,875
You know, with his auntie's hats
and gowns and dresses.

1400
01:24:14,042 --> 01:24:16,917
The way Dale tells it,
he didn't even want to be an actor.

1401
01:24:17,333 --> 01:24:21,083
Supposedly Jake's idea.
He practically forced him into it.

1402
01:24:22,083 --> 01:24:23,542
What was he doing...

1403
01:24:24,542 --> 01:24:27,417
in Acapulco, besides getting stoned?

1404
01:24:29,458 --> 01:24:31,333
He made the trip just to see you.

1405
01:24:48,167 --> 01:24:49,167
Does all this matter?

1406
01:24:50,625 --> 01:24:51,958
I think it does to Jake.

1407
01:24:52,708 --> 01:24:54,000
Oh, Christ.

1408
01:25:01,792 --> 01:25:02,958
And the change of name?

1409
01:25:03,042 --> 01:25:04,250
For that,

1410
01:25:04,333 --> 01:25:06,792
I'm afraid we have to blame Oscar Wilde.

1411
01:25:14,917 --> 01:25:15,917
We had this...

1412
01:25:16,625 --> 01:25:17,625
Yeah.

1413
01:25:18,042 --> 01:25:20,917
There was an unpleasant little...

1414
01:25:26,792 --> 01:25:28,375
You see there was this...

1415
01:25:29,792 --> 01:25:31,000
We had this teacher.

1416
01:25:32,500 --> 01:25:34,042
He was just one of those little...

1417
01:25:34,125 --> 01:25:35,125
You mean he was a faggot.

1418
01:25:37,000 --> 01:25:38,500
This teacher was a faggot.

1419
01:25:40,208 --> 01:25:41,208
Well.

1420
01:25:50,375 --> 01:25:51,375
Mr. Hannaford...

1421
01:25:57,917 --> 01:26:00,292
This story concerns my school.

1422
01:26:00,875 --> 01:26:03,708
I'm in no position to...

1423
01:26:05,083 --> 01:26:07,292
- publish...
- Publish and be damned.

1424
01:26:08,583 --> 01:26:10,833
Look. We've run out of film.

1425
01:26:11,667 --> 01:26:13,708
You can speak off the record.

1426
01:26:15,333 --> 01:26:18,250
Dale was in no way involved, you know.

1427
01:26:18,667 --> 01:26:21,500
But... among the boys, there was a...

1428
01:26:22,083 --> 01:26:25,167
great deal of morbid conversation,

1429
01:26:26,000 --> 01:26:27,917
I'm afraid, on unhealthy subjects.

1430
01:26:30,083 --> 01:26:33,875
As you could imagine,
with a name like Oscar.

1431
01:26:35,042 --> 01:26:36,667
What happened to that teacher?

1432
01:26:37,333 --> 01:26:39,583
- We let him go, of course.
- Let him go?

1433
01:26:40,667 --> 01:26:41,792
What about the police?

1434
01:26:43,875 --> 01:26:47,333
- The man was sick, Mr. Hannaford.
- But those young boys.

1435
01:26:47,833 --> 01:26:49,913
They must have been sick
after he finished with them.

1436
01:26:50,417 --> 01:26:52,958
I hope you're not worried about Dale.

1437
01:26:54,458 --> 01:26:55,833
You think I should be?

1438
01:26:56,458 --> 01:26:59,083
Wouldn't that depend, Mr. Hannaford,
on your own...

1439
01:26:59,167 --> 01:27:00,292
personal interest?

1440
01:27:05,792 --> 01:27:08,042
What are you driving at, Dr. Burroughs?

1441
01:27:08,125 --> 01:27:09,125
Nothing.

1442
01:27:14,875 --> 01:27:15,875
Nothing.

1443
01:27:19,125 --> 01:27:22,000
I'm just his director, not his Aunt Daisy.

1444
01:27:22,208 --> 01:27:23,750
And I'm just his English teacher.

1445
01:27:32,833 --> 01:27:35,583
Certainly, he has every reason to be
grateful to you.

1446
01:27:35,667 --> 01:27:38,042
I'm sure that one day, when one
of his fine performances

1447
01:27:38,125 --> 01:27:39,417
gets the Academy Award,

1448
01:27:39,500 --> 01:27:40,708
you'll be grateful to him.

1449
01:27:41,417 --> 01:27:44,500
Notice how careful he is not to refer
to it as an Oscar.

1450
01:27:50,958 --> 01:27:53,125
Would you like to take a dip,
Dr. Burroughs?

1451
01:27:53,625 --> 01:27:54,625
A dip?

1452
01:27:55,792 --> 01:27:57,083
The pool!

1453
01:27:57,208 --> 01:27:59,417
What a grand suggestion.

1454
01:28:00,458 --> 01:28:03,583
A little more hooch would be helpful.
I'll be right with you.

1455
01:28:04,375 --> 01:28:05,750
Good.

1456
01:28:16,167 --> 01:28:17,375
Where do I change?

1457
01:28:17,500 --> 01:28:18,500
Right here.

1458
01:28:19,167 --> 01:28:20,458
In the sight of God.

1459
01:28:24,625 --> 01:28:26,333
We all promise not to look.

1460
01:28:34,458 --> 01:28:37,917
Yes, I suppose all schoolteachers
are prigs.

1461
01:28:38,167 --> 01:28:39,333
I suppose.

1462
01:28:40,250 --> 01:28:42,125
Prigs or faggots.

1463
01:28:42,250 --> 01:28:44,333
Now, now, Mr. Hannaford.

1464
01:28:44,417 --> 01:28:46,708
Now, now, Dr. Burroughs.

1465
01:28:57,000 --> 01:28:58,500
We were conned, Mother.

1466
01:28:59,792 --> 01:29:00,792
He was a fake.

1467
01:29:01,417 --> 01:29:03,042
She knows the way they met.

1468
01:29:03,125 --> 01:29:06,042
When Mr. John Dale was pulled
out of the water,

1469
01:29:06,125 --> 01:29:08,042
the famous would-be suicide.

1470
01:29:08,208 --> 01:29:09,542
"Would-be suicide?"

1471
01:29:09,917 --> 01:29:11,833
I'm bored with the whole story.

1472
01:29:12,708 --> 01:29:15,417
Would-be suicides ought to be
treated like drunks.

1473
01:29:18,625 --> 01:29:20,542
Turns out he doesn't belong to you.

1474
01:29:20,625 --> 01:29:21,625
Belong?

1475
01:29:22,167 --> 01:29:23,917
The old Chinese business, remember?

1476
01:29:25,042 --> 01:29:28,000
You save a life, you own that life.

1477
01:29:28,417 --> 01:29:30,917
- Finders keepers?
- Jake isn't a Chinaman.

1478
01:29:31,000 --> 01:29:34,542
- And Dale wasn't no suicide.
- No, he was an actor.

1479
01:29:34,625 --> 01:29:36,542
And he wasn't drowning,
he was auditioning.

1480
01:29:37,000 --> 01:29:39,292
Jake, that boy didn't run away.

1481
01:29:39,917 --> 01:29:41,125
He was thrown away.

1482
01:29:41,500 --> 01:29:42,333
Yes, Mother.

1483
01:29:42,417 --> 01:29:45,000
And sweet, holy Jesus.
What a relief that was.

1484
01:29:45,083 --> 01:29:48,583
Like getting rid of an aching tooth
or the monkey off your back.

1485
01:29:49,250 --> 01:29:51,292
A drug habit is something you've
got to kick.

1486
01:29:51,625 --> 01:29:53,750
Yes, and my foot was getting sore.

1487
01:29:55,208 --> 01:29:56,625
How are you going to finish it?

1488
01:29:56,708 --> 01:29:59,375
That boy is all washed up, Miss Valeska.

1489
01:29:59,708 --> 01:30:01,792
The picture.
Isn't that what matters?

1490
01:30:02,375 --> 01:30:04,292
We've got that footage

1491
01:30:04,375 --> 01:30:06,875
of him bringing the clothes to her

1492
01:30:06,958 --> 01:30:08,125
in all that wind.

1493
01:30:08,500 --> 01:30:10,208
- Right, Maggie?
- To the girl?

1494
01:30:10,833 --> 01:30:11,833
What then?

1495
01:30:12,083 --> 01:30:14,208
The girl. What about her?

1496
01:30:14,500 --> 01:30:16,083
Yes, what about her?

1497
01:30:16,292 --> 01:30:17,583
We're all interested.

1498
01:30:17,833 --> 01:30:18,833
Dale wasn't.

1499
01:30:19,500 --> 01:30:21,292
And neither is Mr. Hannaford.

1500
01:30:21,792 --> 01:30:23,042
That's funny, isn't it?

1501
01:30:23,708 --> 01:30:24,750
A scream.

1502
01:30:24,833 --> 01:30:26,583
I'd just like to ask Mr. Hannaford

1503
01:30:26,667 --> 01:30:29,833
if things wouldn't have been
very different if Dale had been her lover?

1504
01:30:30,667 --> 01:30:31,917
If they weren't lovers,

1505
01:30:32,500 --> 01:30:34,542
doesn't that sort of spoil the pattern?

1506
01:30:35,250 --> 01:30:37,375
- Miss Rich.
- She's on again.

1507
01:30:38,250 --> 01:30:39,375
You ask him.

1508
01:30:44,250 --> 01:30:46,833
- Why don't you get lost, buster?
- Tonight,

1509
01:30:46,958 --> 01:30:48,458
it's all on the record.

1510
01:30:49,250 --> 01:30:50,500
It's all hanging out.

1511
01:30:50,625 --> 01:30:52,167
That's how Zarah wants it.

1512
01:30:52,250 --> 01:30:55,208
- Here's a present for you.
- The truth shall set us free.

1513
01:30:55,292 --> 01:30:57,625
- Not from me, from Zimmie.
- Zimmie?

1514
01:30:57,958 --> 01:30:59,167
There's a card with it.

1515
01:30:59,250 --> 01:31:01,708
- We ought to have a drink with Zimmie.
- You fired him.

1516
01:31:02,458 --> 01:31:03,708
I always fire Zimmie.

1517
01:31:04,042 --> 01:31:05,208
I fire Zimmie constantly.

1518
01:31:05,708 --> 01:31:07,417
Anyway, it's my birthday.

1519
01:31:08,083 --> 01:31:09,542
I always give the presents.

1520
01:31:09,833 --> 01:31:12,250
- That's some kind of a gag.
- We know.

1521
01:31:13,083 --> 01:31:14,833
He makes the gags too.

1522
01:31:16,000 --> 01:31:17,917
Did he tell you where I should stick it?

1523
01:31:18,458 --> 01:31:19,625
Zimmie's jokes.

1524
01:31:20,250 --> 01:31:24,667
Just in case you want to use it on those
dummy John Dales he made for you.

1525
01:31:25,250 --> 01:31:26,333
Speaking of presents...

1526
01:31:27,333 --> 01:31:28,958
Have I got a present.

1527
01:31:29,792 --> 01:31:31,708
Have a go at the dummies, Jake.

1528
01:31:31,958 --> 01:31:34,000
They break even more easily than people.

1529
01:31:42,917 --> 01:31:43,917
Gentlemen.

1530
01:31:46,917 --> 01:31:47,917
Ladies.

1531
01:31:49,125 --> 01:31:50,875
We are presenting an award

1532
01:31:50,958 --> 01:31:54,125
to the other half of
<i>The Other Side of the Wind.</i>

1533
01:31:54,708 --> 01:31:56,458
The better half.

1534
01:31:56,875 --> 01:31:58,125
A bone...

1535
01:31:58,792 --> 01:31:59,792
for Pocahontas.

1536
01:32:00,583 --> 01:32:03,167
A little curio we picked up somewhere.

1537
01:32:03,917 --> 01:32:07,833
A bit of our own pale-faced craftsmanship.

1538
01:32:08,792 --> 01:32:10,458
Indian bone.

1539
01:32:11,458 --> 01:32:16,125
The inscription goes back to before
all this was movie country.

1540
01:32:16,917 --> 01:32:19,667
Just after gold was found,

1541
01:32:19,875 --> 01:32:22,333
the Indian population dropped
pretty quickly.

1542
01:32:22,708 --> 01:32:24,333
And in ten years,

1543
01:32:24,417 --> 01:32:28,542
about ninety thousand of them...
just disappeared.

1544
01:32:29,333 --> 01:32:32,000
Well, in those good old days,

1545
01:32:32,125 --> 01:32:34,667
our gallant honkey pioneers

1546
01:32:35,500 --> 01:32:41,083
used to cut off Indian ears
and pickle them in whiskey, for souvenirs.

1547
01:32:42,792 --> 01:32:45,250
And on pieces of bone, like this,

1548
01:32:45,708 --> 01:32:48,333
they'd write funny little jokes.

1549
01:32:49,083 --> 01:32:51,167
"I am off the reservation...

1550
01:32:51,708 --> 01:32:53,083
at last."

1551
01:32:55,500 --> 01:32:56,958
And so are you, my dear.

1552
01:32:58,125 --> 01:33:00,833
Perhaps you'd like to present this
to our leading man.

1553
01:33:01,875 --> 01:33:03,500
Right up his ass.

1554
01:33:11,333 --> 01:33:12,667
The old man is a destroyer.

1555
01:33:12,750 --> 01:33:15,125
What he creates, he has to wreck.
It's a compulsion.

1556
01:33:15,542 --> 01:33:18,542
Then we must wait, my dear,
for him to eat us alive.

1557
01:33:18,875 --> 01:33:21,417
Unless, perhaps you are a critic.

1558
01:33:21,792 --> 01:33:24,500
He does tend to rather push them
to the side of his plate.

1559
01:33:25,792 --> 01:33:26,792
But others...

1560
01:33:27,625 --> 01:33:30,292
we who glow a little in his light,

1561
01:33:31,083 --> 01:33:34,375
- the fireflies...
- Fireflies, I'll drink to that.

1562
01:33:34,458 --> 01:33:37,083
...he does quite often swallow whole.

1563
01:33:38,500 --> 01:33:39,583
It is a fact,

1564
01:33:40,333 --> 01:33:44,000
that some of us, he chews on
rather slowly.

1565
01:33:44,542 --> 01:33:46,625
And you wouldn't call him a destroyer?

1566
01:33:47,208 --> 01:33:48,625
I withdraw the aphorism,

1567
01:33:48,708 --> 01:33:52,542
and give you in its place,
a simple law of physics.

1568
01:33:54,125 --> 01:33:59,000
No machine ever produces
as much as it consumes.

1569
01:33:59,333 --> 01:34:02,417
<i>And everybody was happy
until they found him one Sunday morning</i>

1570
01:34:02,500 --> 01:34:04,667
<i>in his suite in the old Hollywood Hotel,</i>

1571
01:34:05,292 --> 01:34:07,125
<i>hanging from a chandelier.</i>

1572
01:34:41,375 --> 01:34:42,625
Early morning,

1573
01:34:43,875 --> 01:34:45,208
just before dawn.

1574
01:34:46,667 --> 01:34:47,667
Not yet.

1575
01:34:48,708 --> 01:34:50,125
Flashback, Mavis.

1576
01:34:51,250 --> 01:34:53,917
An old fashioned flashback.

1577
01:34:55,000 --> 01:34:56,417
We're out on the boat.

1578
01:34:57,042 --> 01:35:00,042
And we just happen to notice
somebody drowning.

1579
01:35:00,958 --> 01:35:04,208
Trying to.
A young punk nobody ever heard of.

1580
01:35:05,167 --> 01:35:06,167
John Dale.

1581
01:35:07,708 --> 01:35:09,167
They've heard of him now.

1582
01:35:09,250 --> 01:35:10,417
Yes.

1583
01:35:11,250 --> 01:35:12,250
How's this?

1584
01:35:12,292 --> 01:35:13,292
After we dried him out

1585
01:35:13,375 --> 01:35:15,833
we tried to get him interested
in staying dry, but no.

1586
01:35:16,500 --> 01:35:18,000
We know the story.

1587
01:35:18,625 --> 01:35:19,625
Backwards.

1588
01:35:20,958 --> 01:35:23,000
I just can't get him
interested in anything.

1589
01:35:23,833 --> 01:35:26,917
Put me in a movie, make me a movie star.

1590
01:35:27,000 --> 01:35:28,375
What does that prove?

1591
01:35:32,042 --> 01:35:33,583
What does it prove, Mavis?

1592
01:35:35,542 --> 01:35:36,875
Bores him to death.

1593
01:35:39,667 --> 01:35:42,167
But he stops trying to die.
I cured him of that.

1594
01:35:42,500 --> 01:35:44,708
Master Johnny just...

1595
01:35:45,042 --> 01:35:48,208
kicks me sharply in the groin,

1596
01:35:48,292 --> 01:35:50,375
and walks away.

1597
01:35:53,250 --> 01:35:54,250
Suicide.

1598
01:35:55,375 --> 01:35:57,792
We were speaking of suicides.

1599
01:36:09,125 --> 01:36:11,042
Want me to bring you another scotch?

1600
01:36:24,125 --> 01:36:25,125
Well?

1601
01:36:27,875 --> 01:36:29,792
What can I do for you, Miss Rich?

1602
01:36:30,000 --> 01:36:32,125
You could tell me what's going on here.

1603
01:36:32,333 --> 01:36:35,583
- Or why.
- I wouldn't even begin to try.

1604
01:36:36,833 --> 01:36:39,500
After Monday,
I won't have to worry about it.

1605
01:36:39,958 --> 01:36:41,167
What does that mean?

1606
01:36:42,083 --> 01:36:43,083
Guess.

1607
01:36:43,875 --> 01:36:44,875
I don't want to.

1608
01:36:45,750 --> 01:36:47,542
It sounds like you are quitting.

1609
01:36:50,042 --> 01:36:51,333
You wouldn't do that.

1610
01:36:52,083 --> 01:36:53,583
It's Chapter 11.

1611
01:36:54,542 --> 01:36:55,583
We're finished.

1612
01:36:56,792 --> 01:36:57,875
See you around.

1613
01:36:58,542 --> 01:36:59,625
Where's Matt?

1614
01:36:59,708 --> 01:37:02,292
He's got that meeting with the bankers
in New York,

1615
01:37:02,375 --> 01:37:04,208
so he's going straight to the airport.

1616
01:37:04,292 --> 01:37:06,708
He was supposed to fix it with
the drive-in theater.

1617
01:37:06,792 --> 01:37:09,167
For the screening?
Yeah, he's stopping there first.

1618
01:37:09,792 --> 01:37:12,875
Good. But Jake said we shouldn't
tell too many people.

1619
01:37:13,542 --> 01:37:14,542
I won't.

1620
01:37:14,583 --> 01:37:17,292
There ain't much left of this party
as it is.

1621
01:37:21,208 --> 01:37:22,208
Jesus.

1622
01:37:22,792 --> 01:37:24,833
Up with the fireflies, eh, Billy?

1623
01:37:24,917 --> 01:37:25,917
Right on.

1624
01:37:26,750 --> 01:37:28,500
<i>Shine little glow-worm</i>

1625
01:37:28,583 --> 01:37:29,917
<i>Glimmer glimmer</i>

1626
01:37:30,000 --> 01:37:31,958
<i>Shine little glow-worm</i>

1627
01:37:32,042 --> 01:37:33,375
<i>Glimmer glimmer</i>

1628
01:37:33,458 --> 01:37:36,458
<i>Lead us lest
Too far we wander</i>

1629
01:37:36,542 --> 01:37:39,625
<i>Love's sweet voice
Is calling yonder</i>

1630
01:37:39,708 --> 01:37:41,458
<i>Shine little glow-worm</i>

1631
01:37:41,542 --> 01:37:43,000
<i>Glimmer glimmer</i>

1632
01:37:43,083 --> 01:37:44,833
<i>Shine little glow-worm</i>

1633
01:37:44,917 --> 01:37:46,500
<i>Glimmer glimmer</i>

1634
01:37:46,583 --> 01:37:47,958
I'm sorry JJ.

1635
01:37:48,042 --> 01:37:51,375
It's almost time to go to the drive-in
to screen the rest of the picture.

1636
01:37:53,167 --> 01:37:56,292
<i>Shine little glow-worm
Glimmer glimmer</i>

1637
01:38:03,083 --> 01:38:05,792
<i>Shine all over me</i>

1638
01:38:16,125 --> 01:38:17,208
Sounds like shooting.

1639
01:38:17,792 --> 01:38:19,375
Baron, I'm surprised at you.

1640
01:38:20,167 --> 01:38:22,625
That's a lousy line of dialogue
and you know it.

1641
01:38:27,542 --> 01:38:29,250
Fastest gun in the West, folks.

1642
01:38:30,375 --> 01:38:31,208
Jake?

1643
01:38:31,292 --> 01:38:34,208
- What the hell are we doing?
<i>- </i>We're having a party.

1644
01:38:38,583 --> 01:38:40,750
Hey, you. Pocahontas.

1645
01:38:49,333 --> 01:38:50,708
From your boss.

1646
01:38:51,125 --> 01:38:52,917
He says you'll know what to do with it.

1647
01:39:02,375 --> 01:39:04,375
By God, there's reinforcements.

1648
01:39:04,458 --> 01:39:05,500
- Minnehaha.
- What?

1649
01:39:05,583 --> 01:39:06,583
Princess Laughing Water.

1650
01:39:06,917 --> 01:39:09,083
She's sure as hell
off the reservation tonight.

1651
01:39:10,000 --> 01:39:12,708
But what I want to know is,
who the hell she's aiming at.

1652
01:39:15,292 --> 01:39:17,125
If I know anything about Ole Massa Jake,

1653
01:39:17,208 --> 01:39:20,417
that red-skinned lady is supposed to be
aiming at the dummies.

1654
01:39:20,500 --> 01:39:21,500
But why?

1655
01:39:22,167 --> 01:39:23,167
Why not?

1656
01:39:50,125 --> 01:39:51,208
What's going on?

1657
01:40:03,167 --> 01:40:05,125
Billy, have you seen this?

1658
01:40:05,208 --> 01:40:06,375
Seen what?

1659
01:40:07,083 --> 01:40:08,958
There are little men up there.

1660
01:40:09,042 --> 01:40:11,250
They're shooting Roman candles
from the roof.

1661
01:40:14,708 --> 01:40:16,167
Veteran troops, pilgrim.

1662
01:40:17,167 --> 01:40:18,708
Neo-realists.

1663
01:40:19,208 --> 01:40:21,083
And the grand old New Wave, sir.

1664
01:40:21,458 --> 01:40:22,667
They'll never give up.

1665
01:40:24,250 --> 01:40:25,667
What's all that about?

1666
01:40:25,750 --> 01:40:27,833
I thought you knew about the midgets.

1667
01:40:28,000 --> 01:40:30,125
What's there to know about midgets?

1668
01:40:30,208 --> 01:40:32,000
They broke into the wine cellar,

1669
01:40:32,083 --> 01:40:34,833
now they got their tiny little hands
on the fireworks.

1670
01:40:34,917 --> 01:40:36,500
They are going to spoil the party.

1671
01:40:36,583 --> 01:40:38,000
Jake's done that already.

1672
01:40:38,083 --> 01:40:40,083
Godard has just set up
a government in exile.

1673
01:40:40,167 --> 01:40:41,167
Just a minute.

1674
01:40:41,208 --> 01:40:44,625
- Will you let him tell his joke?
- I told you it wasn't much of a joke.

1675
01:40:44,708 --> 01:40:45,917
What the hell is that?

1676
01:40:50,708 --> 01:40:51,708
Artillery.

1677
01:40:52,208 --> 01:40:53,125
The heavy stuff.

1678
01:40:53,208 --> 01:40:55,708
Is the children and women folk safe?

1679
01:40:55,792 --> 01:40:58,375
Safe? Someone's shooting at me.

1680
01:40:58,458 --> 01:40:59,893
- They're in the stockade?
- Stockade?

1681
01:40:59,917 --> 01:41:01,375
- What?
- Stockade?

1682
01:41:01,458 --> 01:41:02,583
That's what I said.

1683
01:41:03,292 --> 01:41:05,167
Alright now, attention everybody.

1684
01:41:05,250 --> 01:41:08,208
Mr. Hannaford's motion picture
will continue projection

1685
01:41:08,292 --> 01:41:11,750
in the Magnolia Gardens
Drive-In movie theater,

1686
01:41:11,833 --> 01:41:14,333
which has been specially hired
for the occasion

1687
01:41:14,417 --> 01:41:16,792
at the corner of El Dorado and Getty.

1688
01:41:16,875 --> 01:41:19,333
Just one block south of the freeway.

1689
01:41:19,417 --> 01:41:20,875
No tickets required.

1690
01:41:21,083 --> 01:41:22,208
Another Hannaford shot?

1691
01:41:22,292 --> 01:41:24,208
The drive-in is just
a short way from here

1692
01:41:24,292 --> 01:41:26,000
on the route to Los Angeles.

1693
01:41:26,083 --> 01:41:27,958
So all you that miss the closing reels,

1694
01:41:28,042 --> 01:41:30,125
can now view this material

1695
01:41:30,208 --> 01:41:32,375
from the comfort of your own cars.

1696
01:41:32,625 --> 01:41:34,333
Thank you and goodnight.

1697
01:41:34,625 --> 01:41:37,042
Well, if Bastolucci
doesn't surrender now...

1698
01:41:37,125 --> 01:41:38,167
Bertolucci.

1699
01:41:38,583 --> 01:41:40,083
Slice him how you want to,

1700
01:41:40,458 --> 01:41:43,542
he's-a going to be one spicy meatball.

1701
01:41:45,208 --> 01:41:47,208
You see that little old lady over there,

1702
01:41:47,667 --> 01:41:50,042
the one with the blue tennis shoes?

1703
01:41:50,125 --> 01:41:50,958
You see her?

1704
01:41:51,042 --> 01:41:52,625
- Where?
- No, you mean "Who?"

1705
01:41:53,292 --> 01:41:54,667
Alright, who?

1706
01:41:55,542 --> 01:41:56,542
It's Governor Reegan.

1707
01:41:56,583 --> 01:41:57,958
- Reagan.
- That's who, Reegan.

1708
01:41:58,042 --> 01:41:59,250
- Reagan.
- Reegan.

1709
01:41:59,333 --> 01:42:00,667
- Reagan.
- Reegan, Reagan.

1710
01:42:04,125 --> 01:42:07,000
Approached by a video freak
with an indecent suggestion,

1711
01:42:07,875 --> 01:42:09,958
just as he was sneaking
across the state line,

1712
01:42:10,250 --> 01:42:12,375
Ronnie's wig slipped.

1713
01:42:12,833 --> 01:42:14,875
Is he still governor, Governor?

1714
01:42:15,208 --> 01:42:17,542
He has decreed a state of emergency,

1715
01:42:17,625 --> 01:42:20,125
and thrown himself on the mercy
of Central Casting.

1716
01:42:26,833 --> 01:42:29,708
Wayne himself,
now a barefoot friar,

1717
01:42:29,792 --> 01:42:31,042
has been arrested

1718
01:42:31,125 --> 01:42:32,583
for denigrating all over

1719
01:42:32,667 --> 01:42:35,333
a Daughter of the American Revolution.

1720
01:42:35,750 --> 01:42:38,542
Jessel is demanding equal time.
Here, catch.

1721
01:42:39,417 --> 01:42:42,542
Five of our best biographers have
just gone over to Preminger.

1722
01:42:43,417 --> 01:42:45,958
- Antononi-oni-o...
- What?

1723
01:42:46,333 --> 01:42:47,708
They're dropping over Burbank.

1724
01:42:47,792 --> 01:42:53,208
Will the owner of the '74 blue Impala
please come down and move it?

1725
01:42:57,917 --> 01:43:00,583
I wonder if our leader has any idea
who that belongs to?

1726
01:43:01,458 --> 01:43:02,833
No, but he paid for it.

1727
01:43:02,958 --> 01:43:05,042
- What?
- It was supposed to be Dale's.

1728
01:43:05,125 --> 01:43:07,625
- Wow.
- We weren't giving him much of a salary.

1729
01:43:07,708 --> 01:43:10,428
So he would have gotten that as a bonus
when he finished the picture.

1730
01:43:10,792 --> 01:43:12,125
He didn't, so he doesn't.

1731
01:43:14,750 --> 01:43:16,875
Now, here's a late bulletin...

1732
01:43:17,083 --> 01:43:18,250
Marlon Brando,

1733
01:43:18,542 --> 01:43:19,750
who, by the way, folks,

1734
01:43:19,833 --> 01:43:21,208
is not pregnant,

1735
01:43:21,792 --> 01:43:25,875
has gone underground
and is doing splendid work for all of us,

1736
01:43:26,167 --> 01:43:28,750
under the name, Tokyo Rose.

1737
01:43:29,417 --> 01:43:31,875
Chin up, Brooksie.
They haven't got us yet.

1738
01:43:35,125 --> 01:43:38,125
Here's a lady tells us
we've got to stick together, Jake and I.

1739
01:43:38,208 --> 01:43:41,208
The farther you're apart,
the harder it will always be to hide.

1740
01:43:41,292 --> 01:43:43,125
What would we be hiding, lady?

1741
01:43:43,208 --> 01:43:44,917
How much you really hate each other.

1742
01:43:46,792 --> 01:43:48,292
You've got it slightly wrong.

1743
01:43:49,083 --> 01:43:50,083
Yes?

1744
01:43:52,667 --> 01:43:55,375
MAGNOLIA GARDENS
DRIVE-IN

1745
01:44:23,167 --> 01:44:24,583
Hot coffee? Over here.

1746
01:44:27,125 --> 01:44:28,500
Can't see another case.

1747
01:44:29,708 --> 01:44:30,708
Black coffee.

1748
01:44:32,625 --> 01:44:34,583
I hope Jake's one of your customers.

1749
01:44:35,000 --> 01:44:36,000
That's the idea.

1750
01:44:37,833 --> 01:44:38,833
Of course.

1751
01:44:40,625 --> 01:44:44,208
I wouldn't give much for the rest of them.
But lucky he's got you, Baron.

1752
01:44:44,875 --> 01:44:46,292
He'll get along without me.

1753
01:44:48,875 --> 01:44:49,958
What does that mean?

1754
01:44:50,083 --> 01:44:52,750
There's a time for all things
under the sun, Mr. Otterlake.

1755
01:44:53,583 --> 01:44:55,667
I'm getting much too old for my job.

1756
01:44:56,292 --> 01:44:57,625
If you can call it that.

1757
01:44:58,208 --> 01:44:59,208
Nonsense.

1758
01:44:59,375 --> 01:45:01,375
What I wouldn't give
for somebody like you.

1759
01:45:01,875 --> 01:45:03,250
I'm not on the market.

1760
01:45:04,167 --> 01:45:05,333
You never were.

1761
01:45:05,708 --> 01:45:08,708
Even for a neutral observer,
there is a price.

1762
01:45:09,708 --> 01:45:11,208
Not worth it for you, though.

1763
01:45:11,750 --> 01:45:13,792
You're not quite tough enough for that.

1764
01:45:14,292 --> 01:45:15,292
Not yet.

1765
01:45:16,667 --> 01:45:19,292
But who knows, Mr. Otterlake,
perhaps you will be.

1766
01:45:20,625 --> 01:45:23,375
And where will that put me, Baron,
in your estimation?

1767
01:45:24,000 --> 01:45:25,167
Where do you want to be?

1768
01:45:26,917 --> 01:45:29,167
No, what you need, now and always,

1769
01:45:29,500 --> 01:45:30,667
are the soldiers,

1770
01:45:31,208 --> 01:45:32,708
the good soldiers.

1771
01:45:34,125 --> 01:45:35,458
Men like Billy.

1772
01:45:36,708 --> 01:45:38,917
They followed Hannibal and Napoleon.

1773
01:45:40,125 --> 01:45:41,833
They really crossed the Alps.

1774
01:45:43,250 --> 01:45:45,500
They are the heroes in any story.

1775
01:45:48,333 --> 01:45:49,792
Is there a movie in it?

1776
01:46:37,167 --> 01:46:38,167
Excuse me.

1777
01:46:38,292 --> 01:46:40,292
I'm afraid we're getting out of sequence.

1778
01:46:40,708 --> 01:46:42,625
Someone must have
given you the wrong reel.

1779
01:46:42,708 --> 01:46:43,708
Does it matter?

1780
01:46:48,417 --> 01:46:51,375
Maggie ought to be here,
keeping the reels in order.

1781
01:46:51,875 --> 01:46:52,875
Who?

1782
01:46:54,792 --> 01:46:57,250
- She's the film editor.
- I haven't seen her.

1783
01:46:59,500 --> 01:47:00,500
Well...

1784
01:47:06,625 --> 01:47:07,625
Well...

1785
01:47:09,125 --> 01:47:10,417
You're right, I suppose.

1786
01:47:11,583 --> 01:47:13,125
It doesn't matter at all.

1787
01:47:17,750 --> 01:47:20,333
"But this rough magic he here abjures.

1788
01:47:21,083 --> 01:47:22,875
Take back that last, it doesn't fit."

1789
01:47:24,208 --> 01:47:26,000
What does "abjure" mean?

1790
01:47:26,708 --> 01:47:29,042
- You went to Harvard.
- Give up.

1791
01:47:31,292 --> 01:47:32,625
Is that a suggestion?

1792
01:47:33,375 --> 01:47:35,333
"Abjure," he knows what it means.

1793
01:47:36,125 --> 01:47:38,625
I gave up in the seventh grade.

1794
01:47:39,417 --> 01:47:40,583
How about you?

1795
01:47:44,125 --> 01:47:45,125
Never.

1796
01:47:46,000 --> 01:47:47,042
Not even then.

1797
01:47:51,458 --> 01:47:53,625
And I didn't learn my Shakespeare
at Harvard.

1798
01:47:54,625 --> 01:47:56,417
Mr. Otterfield here...

1799
01:47:57,208 --> 01:47:58,542
wanted to be an actor,

1800
01:47:58,625 --> 01:48:00,458
then he saw one of my films.

1801
01:48:00,542 --> 01:48:02,417
We all read the interview.

1802
01:48:03,792 --> 01:48:05,792
He is a rough magician, isn't he?

1803
01:48:08,083 --> 01:48:09,625
You can kiss my sweet ass.

1804
01:48:11,000 --> 01:48:12,583
What did I do wrong, Daddy?

1805
01:48:17,833 --> 01:48:18,875
"Our revels...

1806
01:48:20,125 --> 01:48:21,208
now are ended."

1807
01:48:23,625 --> 01:48:25,250
You bet your sweet cheeks.

1808
01:48:32,333 --> 01:48:33,583
I thoughtyou had left.

1809
01:48:34,042 --> 01:48:36,250
We had to hire this drive-in
for the whole night.

1810
01:48:36,333 --> 01:48:38,625
Somebody had to make the arrangements,
didn't they?

1811
01:48:38,792 --> 01:48:40,125
It's on the way back to town.

1812
01:48:40,792 --> 01:48:42,875
Monday, I'll have an office at Universal.

1813
01:48:43,417 --> 01:48:44,417
Give me a ring.

1814
01:48:44,917 --> 01:48:46,542
- This station wagon.
- What about it?

1815
01:48:47,000 --> 01:48:48,125
It belongs to Jake.

1816
01:48:48,833 --> 01:48:51,208
Where shall I pick it up? At Universal?

1817
01:48:51,292 --> 01:48:52,917
It goes back to the dealer.

1818
01:48:53,375 --> 01:48:54,375
Yes.

1819
01:48:54,917 --> 01:48:56,417
Like the sports car, I suppose.

1820
01:48:57,167 --> 01:49:00,042
- The one Jake is driving.
- That one's paid for.

1821
01:49:00,125 --> 01:49:02,250
That was going to be a present, remember?

1822
01:49:02,875 --> 01:49:03,917
For John Dale.

1823
01:49:04,500 --> 01:49:06,083
When he finished the picture.

1824
01:49:10,458 --> 01:49:13,000
Wait a minute.

1825
01:49:15,000 --> 01:49:17,958
- What's with Billy?
- He ran out of gumdrops.

1826
01:49:44,292 --> 01:49:45,667
Going, so soon, honey?

1827
01:49:46,542 --> 01:49:47,542
Yes.

1828
01:49:47,708 --> 01:49:49,375
Wasn't much fun for you, was it?

1829
01:49:50,125 --> 01:49:51,125
Goddamn midgets.

1830
01:49:51,750 --> 01:49:52,750
Friends of yours?

1831
01:49:53,250 --> 01:49:54,667
So sorry, Zarah.

1832
01:49:55,417 --> 01:49:57,458
I'm afraid our leader's a little pissed.

1833
01:49:57,625 --> 01:50:00,542
She doesn't like you, kid.
That's why she gave the party.

1834
01:50:00,625 --> 01:50:03,375
She figures I don't relate enough
to the younger generation.

1835
01:50:04,083 --> 01:50:05,375
Just through you.

1836
01:50:05,625 --> 01:50:06,625
But I do, you know.

1837
01:50:06,917 --> 01:50:08,708
I relate all I need to relate.

1838
01:50:19,500 --> 01:50:20,500
Hey, beautiful.

1839
01:50:20,583 --> 01:50:22,375
Couldn't we fix it to see each other

1840
01:50:22,458 --> 01:50:24,875
just a little bit less seldom?

1841
01:50:26,042 --> 01:50:27,250
With an old friend...

1842
01:50:28,625 --> 01:50:30,417
it's quite enough to know he's there.

1843
01:50:31,917 --> 01:50:34,125
Like Gibraltar, the Eiffel Tower...

1844
01:50:35,917 --> 01:50:36,917
Durability.

1845
01:50:38,542 --> 01:50:39,750
It can be rather fragile.

1846
01:50:41,875 --> 01:50:44,292
Sometimes to keep that feeling,

1847
01:50:45,083 --> 01:50:46,667
we need to keep our distance.

1848
01:50:48,792 --> 01:50:51,583
The bad thing is to find out
that a friendship

1849
01:50:51,667 --> 01:50:53,625
was between a couple of other people.

1850
01:50:55,250 --> 01:50:56,375
Thanks, Mother.

1851
01:50:59,458 --> 01:51:00,458
Do you hear that?

1852
01:51:00,500 --> 01:51:02,500
That's Old Manolito. Remember?

1853
01:51:13,625 --> 01:51:15,042
We found him together.

1854
01:51:15,125 --> 01:51:16,167
In Spain.

1855
01:51:17,500 --> 01:51:18,500
Where is he now?

1856
01:51:19,292 --> 01:51:20,667
Back there with our hostess,

1857
01:51:21,208 --> 01:51:22,208
by the limo.

1858
01:51:22,375 --> 01:51:23,875
Valeska. Is she leaving?

1859
01:51:24,208 --> 01:51:25,292
Looks that way.

1860
01:51:26,917 --> 01:51:29,333
She'll have to answer
a few questions first.

1861
01:51:34,708 --> 01:51:36,542
Say goodnight for me to your actress.

1862
01:51:37,208 --> 01:51:39,125
She was pretty good in there
with that gun.

1863
01:51:39,250 --> 01:51:40,917
She wasn't shooting at the dummies.

1864
01:51:42,792 --> 01:51:45,500
The preferred target, I suppose,
would have been me.

1865
01:51:46,750 --> 01:51:49,500
Preferred by whom, Mr. Hannaford?
You gave her the gun.

1866
01:51:49,833 --> 01:51:50,875
What does that mean?

1867
01:51:51,625 --> 01:51:53,167
What's it supposed to mean?

1868
01:51:53,583 --> 01:51:54,583
Don't worry.

1869
01:51:55,292 --> 01:51:57,333
Even if she doesn't know, she'll tell us.

1870
01:51:58,125 --> 01:51:59,375
Miss Valeska,

1871
01:52:00,000 --> 01:52:02,333
you made just one film
with Mr. Hannaford.

1872
01:52:02,625 --> 01:52:03,625
Yes.

1873
01:52:03,833 --> 01:52:05,917
Glen Garvey was your leading man.

1874
01:52:06,000 --> 01:52:08,958
It is true, isn't it,
that during the shooting of that film,

1875
01:52:09,042 --> 01:52:11,125
Mr. Hannaford had an affair
with Garvey's wife?

1876
01:52:12,375 --> 01:52:14,292
Men are the subject of his films.

1877
01:52:14,583 --> 01:52:16,167
And whoever the man is,

1878
01:52:16,458 --> 01:52:18,292
naturally, he's got a girl, right?

1879
01:52:18,500 --> 01:52:19,958
And whoever she is,

1880
01:52:20,208 --> 01:52:23,083
somehow, finally, Hannaford seduces her.

1881
01:52:24,250 --> 01:52:26,042
He must. He has to possess her,

1882
01:52:26,125 --> 01:52:28,417
because it's the only way
that he can possess him.

1883
01:52:28,500 --> 01:52:30,000
We'll have to stop this, you know.

1884
01:52:30,708 --> 01:52:32,708
Okay, cut it, you guys.

1885
01:52:32,792 --> 01:52:34,500
Expensive vice, isn't it?

1886
01:52:34,917 --> 01:52:36,500
After he's had his actor's girl,

1887
01:52:36,583 --> 01:52:37,583
he throws her away.

1888
01:52:37,625 --> 01:52:40,958
And then he's thrown his actor away,
and destroyed him in the process.

1889
01:52:41,250 --> 01:52:42,875
Maybe that's what you really want.

1890
01:52:48,458 --> 01:52:50,667
You son of a bitch,
you belong in a B-movie.

1891
01:52:50,750 --> 01:52:53,167
Pick on someone your own size,
motherfucker.

1892
01:52:53,958 --> 01:52:55,917
I'm alright. Would you let go of me?

1893
01:52:56,542 --> 01:52:58,458
Alright! Go home!

1894
01:52:58,542 --> 01:53:00,583
They're still getting all this
on film, you know.

1895
01:53:00,667 --> 01:53:02,417
Who gives a shit?

1896
01:53:03,792 --> 01:53:06,292
Where's your public, for Christ's sake.

1897
01:53:06,583 --> 01:53:10,000
Before any of you creeps
could put this stuff together,

1898
01:53:10,083 --> 01:53:11,583
we'll have our own movie.

1899
01:53:12,000 --> 01:53:13,625
A real movie.

1900
01:53:20,625 --> 01:53:22,917
- What happened to the critic lady?
- She'll live.

1901
01:53:23,958 --> 01:53:25,583
She'll live to write about it.

1902
01:53:29,625 --> 01:53:32,375
- Don't let him get you down, Brooksie.
- Do you?

1903
01:53:33,208 --> 01:53:34,208
Not yet.

1904
01:53:56,000 --> 01:53:58,083
<i>Remember those Berbers
up in the Atlas?</i>

1905
01:53:58,167 --> 01:54:00,083
<i>They wouldn't let us point
a camera at them.</i>

1906
01:54:00,625 --> 01:54:02,958
<i>They're certain that it
dries up something.</i>

1907
01:54:04,500 --> 01:54:06,083
<i>The old eye, you know...</i>

1908
01:54:06,500 --> 01:54:08,250
<i>behind the magic box.</i>

1909
01:54:09,292 --> 01:54:11,292
<i>Could be it's an evil eye, at that.</i>

1910
01:54:11,625 --> 01:54:12,625
<i>Medusa's.</i>

1911
01:54:30,208 --> 01:54:31,208
Johnny?

1912
01:54:32,917 --> 01:54:33,917
So...

1913
01:54:34,333 --> 01:54:35,958
you came to my party after all.

1914
01:54:39,542 --> 01:54:41,250
Get in, I'll drive you.

1915
01:54:46,958 --> 01:54:47,958
Chicken?

1916
01:57:29,625 --> 01:57:30,625
<i>Who knows,</i>

1917
01:57:31,125 --> 01:57:33,542
<i>maybe you can stare too hard at something.</i>

1918
01:57:34,583 --> 01:57:38,333
<i>Drain out the virtue,
suck out the living juice.</i>

1919
01:57:40,375 --> 01:57:43,375
<i>You shoot the great places
and the pretty people.</i>

1920
01:57:44,875 --> 01:57:47,500
<i>All those girls and boys.</i>

1921
01:57:49,167 --> 01:57:50,375
<i>Shoot them dead.</i>

1922
02:02:17,458 --> 02:02:18,458
<i>Cut.</i>

1923
02:02:18,708 --> 02:02:21,667
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