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Star Trek Insurrection Movie In Tamil Dubbed Download

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  4. Star Trek: Insurrection Movie In Tamil Dubbed Download
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  46. While on a mission to observe the peaceful Ba'ku race, Lt. Commander Data suddenly behaves as if having to fear for his existence. The immortal Ba'ku, whose planet offers regenerative radiation and therefore incredible lifespans, live in harmony with nature and reject advanced technology. Their planet and their culture is secretly researched by the Federation associated with an alien race called the Son'a. But the Son'a intend to abduct the Ba'ku in order to take the planet for themselves and for the Starfleet officials who all would like to regenerate their bodies. But they did not think of the loyalty of Captain Jean-Luc Picard and the crew of the Enterprise-E to the Prime Directive.
  47. Engage! Captain Jean-Luc Picard and his Next Generation crew are back. From the beginning of the Federation, the Prime Directive was clear: no Starfleet expedition may interfere with the natural development of other civilizations. But now Picard is confronted with orders that undermine that decree. If he obeys, 600 peaceful residents of Ba'ku will be forcibly removed from their remarkable world, all for the reportedly greater good of millions who will benefit from the Ba'ku's Fountain of Youth-like powers. If he disobeys, he will risk his starship, his career, his life. But for Picard, there's really only one choice. He must rebel against Starfleet... and lead the insurrection to preserve Paradise.
  48. The follow-up to &quot;First Contact&quot; and actor Frakes&#39; 2nd directing job, following the pattern established by actor/director Nimoy on the 3rd &amp; 4th Trek films. There are intriguing plot points early on involving Starfleet&#39;s and the Federation&#39;s attitude towards relocation of colonists, an obvious parallel to our 19th century approach towards American Indians. It&#39;s another take on the oft-used phrase &#39;the needs of the many outweigh the needs of the few&#39; (or the one), and points out that the Federation is still far from perfect even in the 24th century, riddled with bureaucracy and policies based on expediency. I&#39;m not sure this is what Roddenberry had in mind when he conceived the whole Trek universe, which seemed a bit more evolved in comparison to our current approach on the political front. There are also brief references to other problems plaguing the Federation of this time frame, related to the Borg threat and the Dominion war. These are nice nods to continuity but, again, creates a very unpleasant picture of what we used to think of as a solid framework for near-utopia and the grand notion of exploration. Even actor Stewart&#39;s character Capt. Picard addresses this briefly, when he wonders out-loud on whatever happened to their status as explorers. What, indeed.<br/><br/>Instead, we are treated to what amounts to a double-length episode of the TNG series - just another standard mission - and not a very exciting one, at that. The plot revolves around two sets of peoples introduced here: the pleasant Ba&#39;ku and the unpleasant Son&#39;a. The Ba&#39;ku, which number about 600, have really lucked out: they settled a planet about 300 years ago whose planetary rings have extraordinary properties in terms of halting the aging process. Based on the exposition, these Ba&#39;ku kind of sound to me like people who escaped Earth&#39;s 3rd World War in the 21st century. They have knowledge of advanced technology such as holograms but choose to spend their time in pre-industrial farming techniques; it&#39;s basically a return-to-nature scenario. The Son&#39;a, on the other hand, indulge in grotesquely extreme plastic surgery to fend off advancing years and are understandably temperamental due to all the skin stretching. Their technology is, in some ways, even more advanced than the Federation&#39;s and they covet what the Ba&#39;ku have (naturally nice skin). At least one Starfleet admiral agrees with the Son&#39;a that the benefits of these planetary rings should be spread around more and so, an underhanded plan ensues. There&#39;s an unintentional amusing tone to this set-up, dark as it is, slipping nearly into satire, almost as bad as the silliness in the 5th film, &quot;The Final Frontier.&quot; <br/><br/>Of course, when Picard learns of this unscrupulous plot against the Ba&#39;ku, he will have none of it, and this at least puts us all back on track in terms of Federation principles and the well-known honor of the TNG crew. There are some nice bits related to the crew becoming somewhat rejuvenated while on this planet, some of it amusing (Worf), some poignant (LaForge&#39;s eyes) and some satisfying (Riker &amp; Troi). Some other stuff is just too silly - the extended scene of Picard &amp; Data singing an old Broadway tune (stop, please, stop). There are also very cliché sequences - Data&#39;s developing friendship with a Ba&#39;ku boy; the entire &#39;boy-goes-back-for-pet&#39; scene, resulting in jeopardy for the adults who follow him. Taken together, these add up to a ho-hum adventure, as if the writers were simply caught without any really new ideas. I really wish these Trek films would&#39;ve concentrated on something unusual and extraordinary happening to the characters, rather than following the week-to-week pattern of an episodic series. Since way back to &quot;The Wrath of Khan,&quot; the Trek films had pretty much avoided the central theme of the original and Next Generation series, that being seeking out new lifeforms and civilizations. Unfortunately, though there is a limp attempt at this here, what they found here was nothing new, but more of the same. It&#39;s a nice, pleasant revisit with the crew, as well as a retread of the issues presented in the original series episode &quot;The Omega Glory&quot; from 30 years prior and TNG&#39;s own &quot;Journey&#39;s End&quot; in its last season.
  49. For the longest time, there was this belief among trekkies that the even number films, 2,4,6,8, were the better trek films, were as the odd numbers were the lesser ones. This being the 9th trek film, this theory seemed to hold up well.<br/><br/>The problem with the film is that it seems like its script was developed for the TV show, and not a major motion picture. Its as if they just grabbed an unproduced TV show script and said, lets make this a movie. The results are mixed. The entire story, about a people who live on a planet that regenerates there youth, is an instering idea, but it just doesn&#39;t work for me. Of all the things one can do in a trek film, hardly do we ever get a rip roaring epic event or story. The closest we got was with wrath of kahin, or First Contact. Undiscovered Country was a great who done it, but the stakes never seemed major in a trek film, even with first contact. This film, i could honestly care less if the youth planet people are removed from there world or not.<br/><br/>In closing, its worth a watch, then forget about it. The only lasting thing it sets up is further advancing the relationship of riker and troy, which pays off in the next film, but other then that, its all disposable.
  50. Star Trek: Insurrection is out there where the imagination collides with roaring spaceships, exotic planets, wonderfully nutty costumes, a few choice jokes and some fascinating ideas.
  51. Tricked by a race of aliens called the Son&#39;a, Starfleet has ordered the Enterprise to conduct a stealth surveillance of a peaceful, almost medieval race known as the Ba&#39;ku. However, a malfunction in Lieutenant Commander Data&#39;s (<a href="/name/nm0000653/">Brent Spiner</a>) circuitry causes him to expose both himself, the surveillance team, and duckblind operation set up by Starfleet. Admiral Dougherty (<a href="/name/nm0001875/">Anthony Zerbe</a>) orders Captain Jean-Luc Picard (<a href="/name/nm0001772/">Patrick Stewart</a>) to stop Data and leave the planet, but Picard rescues Data and intervenes with the Ba&#39;ku to explain their presence. To their amazement, they discover that the Ba&#39;ku are not a pre-technological race, rather that they rejected technology to live a simple life, and that the Federation and the Son&#39;a plan to remove the Ba&#39;ku from the planet in order to tap the &quot;metaphasic radiation&quot; being emitted by their planet&#39;s rings, Picard decides to defend the Ba&#39;ku in direct violation of Starfleet orders in order to uphold the principles upon which the Federation was founded. The Enterprise-D crew is back: Besides Captain Picard and Lt Commander Data, look for Commander Will Ryker (<a href="/name/nm0000408/">Jonathan Frakes</a>), Lieutenant Commander Geordi LaForge (<a href="/name/nm0000996/">LeVar Burton</a>), Lieutenant Commander Worf (<a href="/name/nm0000373/">Michael Dorn</a>), Dr Beverly Crusher (<a href="/name/nm0000533/">Gates McFadden</a>), Counselor Deanna Troi (<a href="/name/nm0000642/">Marina Sirtis</a>), and <a href="/name/nm0000854/">Majel Barrett</a> (as the voice of the Enterprise computer). Insurrection is the act of rising in revolt, rebellion or resistance against civil authority or an established government or, in the text of this movie, Starfleet Federation. It takes place in the year 2375 A.D. Geordi discovers memory engrams implanted in Data&#39;s neural net. He believes the damage was caused by a Son&#39;a weapon that was fired before Data malfunctioned, not after—as the Son&#39;a claim. In the movie, metaphasic radiation as generated by the rings around the Ba&#39;ku planets has regenerative properties. It prevents adults from growing old. For example, Anij (<a href="/name/nm0614220/">Donna Murphy</a>) and Sojef (<a href="/name/nm0446298/">Daniel Hugh Kelly</a>) claim to be over 300 years old. Dr Crusher finds that those who have been on the planet for even a short time show increased metabolism, improved muscle tone, and high energy. Troi and Beverly find that their boobs are starting to firm up. Geordi gets his eyesight back. Troi and Ryker resume a relationship they left years ago. Picard&#39;s facial skin begins to tighten, although he doesn&#39;t begin to grow hair again. Basically, Ru&#39;afo (<a href="/name/nm0000719/">F. Murray Abraham</a>) was getting a face lift. His facial skin was being stretched and re-attached to his head. In order to stop Ru&#39;afo from unleshing the radiation collector, Picard has a replica of the radiation collector ship set up in the holoship, and Gallatin (<a href="/name/nm0001344/">Gregg Henry</a>) disables the ejector assembly. When Ru&#39;afo goes to eject it, everything goes exactly as they planned, until they notice no change in the metaphasic flux level. Realizing he has been tricked, Ru&#39;afo transports to the collector ship and overrides the new sequence. Unfortunately Gallatin cannot override Ru&#39;afo&#39;s new sequence without his access codes, so Picard beams over to the collector ship himself. While dodging Ru&#39;afo&#39;s phaser, Picard manages to reset the manual control. Seconds before the collector is set to eject, Picard ignites the exhaust and blows up the ship, just as Riker beams him back aboard the Enterprise. With only three minutes of air left on the Son&#39;a ship, Picard beams over Worf, the Son&#39;a crew, and the captive Ba&#39;ku.. Later, after everyone has returned to the Ba&#39;ku planet, Picard, Anij, and Sojef watch Gallatin reuniting with his mother. Picard and Anij say goodbye, but Picard promises to take his 318 days of shore leave and return for a visit. In the final scene, Data is shown playing in the haystacks with Artim (<a href="/name/nm0919616/">Michael Welch</a>). The two &#39;children&#39; say goodbye to each other, and the Enterprise crew beam back to their own ship. Yes, a novelization of the movie by American science fiction writer J.M. Dillard (pen name for Jeanne Kalogridis), was released in 1998. So far, there are 13. Star Trek: Insurrection is preceded by <a href="/title/tt0079945/">Star Trek: The Motion Picture (1979)</a> (1979), <a href="/title/tt0084726/">Star Trek: The Wrath of Khan (1982)</a> (1982), <a href="/title/tt0088170/">Star Trek III: The Search for Spock (1984)</a> (1984), <a href="/title/tt0092007/">Star Trek IV: The Voyage Home (1986)</a> (1986), <a href="/title/tt0098382/">Star Trek V: The Final Frontier (1989)</a> (1989), <a href="/title/tt0102975/">Star Trek VI: The Undiscovered Country (1991)</a> (1991), <a href="/title/tt0111280/">Star Trek: Generations (1994)</a> (1994), and <a href="/title/tt0117731/">Star Trek: First Contact (1996)</a> (1996). It is followed by <a href="/title/tt0253754/">Star Trek: Nemesis (2002)</a> (2002), <a href="/title/tt0796366/">Star Trek (2009)</a> (2009), <a href="/title/tt1408101/">Star Trek: Into Darkness (2013)</a> (2013), and <a href="/title/tt2660888/">Star Trek: Beyond (2016)</a> (2016). Worf was having a nightmare about his deceased Trill wife Jadzia Dax, who was killed by Gul Dukat in Deep Space Nine episode <a href="/title/tt0708610/">&quot;Tears of the Prophets&quot;</a> (1998), which takes place shortly before Insurrection. a5c7b9f00b
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