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GrenadierApple

Volare

Oct 27th, 2014
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  1. >you are Anonymous
  2. >and let's be honest, this is going exactly as well as you thought it would
  3. >you heft another huge roll of fabric onto its holder in Carousel Boutique, spinning it so it feeds out just the right amount of fabric
  4. >seventeen more bolts to go
  5. "Rarity why did... ugh, never mind."
  6. >you grunt and heft another huge spool upright
  7. >it takes all your strength, but you manage to get it through the door upright
  8. >"Hmmm? Why did I what, dear?"
  9. >the white unicorn mare pokes her head from the adjoining room, watching as you awkwardly shuffle across the display area
  10. >puffing with exertion, you set the roll down, wiping your brow
  11. "...Why do you need seven bolts of blue fabric? I thought you complained that blue was unfashionable this year."
  12. >"Out of vogue, darling, but certainly not unfashionable! And besides, I didn't order any blue fabric."
  13. >you blink slowly
  14. >look over at the enormous roll of blue fabric you were hefting
  15. >then over at the other four identical batches already in their holders
  16. >then back to her
  17. >"Oh honestly Anonymous, that isn't blue, that's Winter Ocean. I'll be using it with the Midnight Sky bolt for creating my new Winter in Griffonia line!"
  18. >IT'S ALL FUCKIN BL--
  19. >you arch a single eyebrow
  20. >then wordlessly start working on getting the thing into its holster
  21. >who cares, don't think, just move
  22. >you chant the mantra in your head as you heft the damn thing up and over your head, then set it in
  23. >as you trudge back towards the cart for yet another spool, you hear the unicorn sigh
  24. >"Anonymooooouuus~!"
  25. >oh no
  26. >whaaaaaaat
  27. >you turn around and see her looking imperious, if a little regretful
  28. >"Dear, I would have sworn I told you... the bolts need to roll over, not under!"
  29. >her magic casually flips the one highest up, setting it in place effortlessly
  30. >"If you would, darling, before you leave."
  31. >she offers you that smug, patronizing smile as you look at the nearly two-dozen rolls you'll have to flip
  32. >without magic
  33. >you hate this job
  34.  
  35. >well THAT was an extra half hour of your life well-spent
  36. >your everything aches as you give the last spool a spin, smoothing out the fabric and letting it drape over
  37. >FUCKING OVER
  38. >the rest of the roll
  39. >if there's any silver lining to the fucking storm cloud that is this delivery, it's that it's the last of the day, so the only one pissed at you being late coming back from it is you
  40. >your boss Time Turner is ruthless when it comes to adhering to schedule
  41. >then again, that was why you'd quoted Rarity this time for delivery instead of morning like SOME doofy grey mares do
  42. >as you count out the bits Rarity proffers you
  43. >(purely formality, she always tips generously, y'know being the living embodiment of charity and all)
  44. >you look down the road that leads to central delivery
  45. >gotta get the cart back before you can punch out
  46. >payment checks out, and a nice handful extra
  47. >you offer Rarity a thank-you that's something reminiscent of sincere and set off
  48. >"Do come back when you're off the clock, dear, I'd love to try out some new minotaur designs to see how they fit on you!"
  49. >you mumble something noncommittal over your shoulder
  50. "Yeah, I'll be sure to... mmhm, right..."
  51. >two miles to freedom
  52. >'ten-hut soldier, and march!
  53. >you set off at a decent clip
  54. >it's almost easy now that you're not hauling what was probably a literal ton or two of product for diamondass
  55. >as you crest the third hill, you scout out the area below
  56. >nopone on the road, good
  57. >you really shouldn't do this, you think as you sit on the edge of the cart
  58. >but dammit you've been busting ass all day
  59. >you deserve a little fun
  60. >you lift your legs and let gravity do the work
  61. >the cart inches forward, gravity quickly building up its momentum as you ride down the hill
  62. >and up the next one, much smaller than the last
  63. >you actually catch a slight bit of air as you clear the top of it
  64. >...rut roh
  65. >you see a pink mare in the path at the bottom of the hill
  66. "Oy, watch out!"
  67.  
  68. >you see her lift her head at your voice, eyes meeting yours and shrinking to pinpricks
  69. >uh-oh
  70. >you set a foot down, kicking up dust as you try to bring the thing to a stop
  71. >no dice
  72. >shouldn't have started this from the top of the tallest hill in town
  73. >all it does is make the cart bounce wildly, now hopping frantically as you try to keep it from tilting over
  74. >she doesn't even try to move, just ducks and cowers as you barrel down at her
  75. >oh god
  76. >you're going to be responsible for the first cart crash in the history of Equestria
  77. >because you were lazy
  78. >suddenly, idea!
  79. >you lift your leg, swinging it up and completely into the cart
  80. >the mare seems to more or less have accepted her fate
  81. >but you haven't
  82. >with one fortuitous bump, you feel the cart rock slightly left, and you throw your weight in that direction
  83. >the whole thing goes up on two wheels, the mare passing unscathed underneath you
  84. >you land with a crash on four wheels a second after
  85. >you think you see her pat herself down in disbelief before she looks over her shoulder to scowl at you
  86. >but all you have time to do before you arc over the next hilltop and roll towards the center of town is look back and shout
  87. "SORRRRYYYY!"
  88. >and then you're scrambling to bring it to a stop before you drive the damn cart straight into a fountain
  89.  
  90. >"Then what happened?"
  91. >you cross your arms and look determinedly at anything other than your pegasus coworker
  92. "I, uh... managed to steer myself away from the fountain and... into thopnermrkt..."
  93. >you grumble
  94. >"Where?"
  95. "The open air market, okay? I wound up crashing into BP's stall, ruined a whole batch of her wine grapes."
  96. >you glare at her, but you're only mad at yourself, and your expression softens to reflect that
  97. >your coworker just looks even more confused than before you started your story
  98. "Which is why I'm not allowed in the liquor store for the next month."
  99. >the walleyed pegasus lets out a soft 'oh'
  100. "Which is why I'd really appreciate it if you'd buy a bottle or two on my behalf, Ditzy."
  101. >she smiles sheepishly at you, blushing as she realizes what you were asking
  102. >"Er... sorry, Anon, I'm not allowed either, not 'til next year. I knocked over a display last time I was in, and..."
  103. >she trails off
  104. >uuuuugh
  105. >okay
  106. >well, you could ask Time Turner if he'd mind doing you a solid
  107. >your manager didn't hate you, despite how much he harped on you
  108. >he was just that much a stickler for schedule
  109. >but owing that stallion a favor...
  110. >maybe you'd be better off just trying to brew your own booze
  111. "Dang... alright, thanks anyway, Ditzy. How's the daughter, by the way?"
  112. >she smiles as she tells you all about how Dinky's doing, how her friends come over sometimes, and how glad she is that her daughter's doing well in school
  113. >you keep up the facade of interest, secretly wondering how you're going to get your hands on some goddamn happy-juice
  114. >you can't really stand being around some of these ponies
  115. >oh, they're all kind, but some of them are just sickeningly saccharine sweet and innocent
  116. >"...multiplication tables!"
  117. "Mmm."
  118. >"So, Anon, I don't want to pry, but... you've done a few deliveries for Rarity now, what do you think of her?"
  119. >the question sends a physical bolt of discomfort down your back
  120. >four
  121. >dozen
  122. >bolts
  123. >that's as many as 4 twelves
  124. >and that's terrible
  125.  
  126. "She's... uh, certainly an... interesting individual?"
  127. >you missed your calling as a politician, anon
  128. >Ditzy looks kind of disappointed in your answer though
  129. "Why?"
  130. >her expression shifts quickly from shock to mock ignorance
  131. >clearly she's said something she shouldn't have
  132. >"Oh, just wondering. I'd heard she was busy, but she usually has time to spend with ponies she likes..."
  133. >you nod
  134. >makes sense, she's always gallivanting off with Twilight and those other mares
  135. >Derpy continues unbidden
  136. >"...And I hear she's single at the moment..."
  137. >...no
  138. >noooope
  139. >absolutely not
  140. >you scowl at the mere notion of dating someone like her
  141. >"What, don't you like her?"
  142. "Hey, she's a great pony, I'm sure. But I'd sure as hell not envy the stallion she eventually catches."
  143. Ditzy fairly gasps at that
  144. >"She's so pretty! And she's nice, and generous, and-- and--"
  145. >you nod, holding out your hands for emphasis
  146. "Yes, absolutely she is! Ditzy, please, don't take my disinterest to mean she's not nice, she's just not my kind of mare."
  147. >the blonde cocks her head to one side
  148. >pony-sign for confusion
  149. >"Er... nice mares aren't your type?"
  150. >you shake your head
  151. >that's not it at all, nice mares are fine, it's just...
  152. "Ditzy, have you ever heard her talk about her 'dream stallion' before? Because after last month, I can tell you everything she wants in a pony."
  153. >"Ohhh... well I think you could be that pony if you wanted, Anon! I bet you could do anything you set your mind to!"
  154. >you chuckle and ruffle her mane, standing up as you try to find the right way to express this
  155. "Thanks, Ditzy, and I think so too. It's just that I don't want to, is all. I don't mean to disparage, but I'm not that person, deep down. She's too starry-eyed, too innocent, I can hear it when she talks that she's the pristine, flawless gem she looks like she is. Ditzy, I need someone closer to earth. Someone not so... perfect and optimistic. Someone who's made a mistake or two!"
  156. >she looks all the more puzzled
  157.  
  158. >you don't have the heart to break Ditzy's by informing her how terrible life can actually be
  159. >you can tell deep down that she's a dreamer, she thinks things are going to get better someday
  160. >it's just how she is, and you don't want to take that away from her
  161. >but at the same time, you need to express just what you're looking for
  162. >because having this conversation twice a week, trying to play matchmaker with a bunch of ponies like Rarity or Applejack?
  163. >no thank you ma'am
  164. "No no, Ditzy, no wide-eyed, eager, wholesome, innocent mares for me. Mares like that, they spin webs not even a starspider could-- look..."
  165. >you try to take a different tack, one that sounds less accusative
  166. "Mares like that, they're so prim, they've got such purity, I'd have to trade my independence for their security."
  167. >you hook your arm in an imaginary other's, making a great show of it as you mime it out
  168. "The only affirmative she would file, refers to marching down the aisle!"
  169. http://youtu.be/jpfGK8NXodY
  170. "No golden glorious gleaming pristine goddesses, no ma'am. For no Diana will I play faun, I'll tell you that right now!"
  171. >you turn back to the mare, who seems to be bobbing her head along subconsciously
  172. >you rake the sky with your hands
  173. "I snarl, I hiss, how could ignorance be compared to bliss?"
  174. >your demeanor changes all at once as you imagine this hypothetical mare's polar opposite
  175. "I spark, I fizz, for the lady who knows what time it is! I cheer and I rave, for the virtue I'm too late to save!"
  176. >you make a show of 'lamenting' said virtue, before taking Ditzy's forehooves in your hands and dancing an impromptu little jig with her
  177. "No, the sadder but wiser girl for me!"
  178. >her look is one of confusion mixed with excitement as you swing her between the breakroom tables
  179. >you set her on top of a table as you list off the qualities you're looking to avoid
  180. "No bright-eyed blushing breathless baby-doll baby, no ma'am! That mare would tie knots no sailor ever knew..."
  181.  
  182. "I prefer to take a chance,"
  183. >you lean in close, one hand holding her forehoof, the other on the small of her back
  184. >the barest hint of a blush begins to form before you start up again
  185. "on a more adult romance! No dewy young miss who keeps resisting,"
  186. >you hold the pegasus' body as far away from yours as possible
  187. "all the while she keeps insisting!"
  188. >and pull her in tight, before coming back to a comfortable distance somewhere in between
  189. "No wide-eyed wholesome innocent female-- no ma'am!"
  190. >you bring your hands (and Ditzy's hooves) together over your head and cast out an imaginary line
  191. "She'd be the fisher, and I'd be the fish, you see?"
  192. >you hold the mare out in front of you, mock-cowering behind her body as you sing
  193. "I flinch and I shy, when the filly with the delicate air goes by!"
  194. >you switch positions with her, standing in front of her cockily
  195. "But I smile and I grin, when the gal with a touch of sin walks in!"
  196. >you come to your knees, bringing you just about eye-level with Ditzy when she's on all fours, and clasp your hands together
  197. "I hope and I pray for Hester to win just one more 'A'!"
  198. >well outside Ditzy's frame of reference, but oh well
  199. "The sadder but wiser girl's the one for me!"
  200. >she joins you in the chorus as you finish it out
  201. "The sadder but wiser girl for meee!"
  202. >"The sadder but wiser girl for youuu!"
  203. >the pair of you laugh as you do a few more twirls between the tables, before finally settling into two chairs
  204. >"...I think I get it. A little? But I don't know any mares like that, Anon!"
  205. >you shake your head
  206. "Don't worry, Ditzy, I'll find one, I'm sure. Thanks for thinking of me enough to ask about Rarity, even if the answer is an emphatic and repeated no."
  207. >she giggles and the two of you finish off your respective breaks, before dividing up the deliveries for the afternoon
  208. >you get saddled haha, saddled with a delivery to the Rich Mansion, one to the library, a residential stop, and then end at Sweet Apple Acres
  209.  
  210. >you stare up at the quite-frankly-ridiculous monstrosity that is the Rich Mansion
  211. >you never understood why it was built where it was, personally
  212. >Stinkin' or Ungodly or whatever his name was apparently had it constructed right in the center of the town
  213. >with a fine tin roof and real wooden floors below
  214. >(but that's another story)
  215. >probably, as with most things, as a demonstration of just how goddamn true to his namesake he really was
  216. >delivering here first was necessary
  217. >both because the lamp you were carrying here was marked "FRAGILE", and because there was a good chance nopony would be home to make more demands
  218. >you lug the thing over, setting it gingerly down on the front steps
  219. >okay
  220. >ring-ditching was not your favorite practice, but occasionally it had to be done
  221. >and... GO
  222. >you hammer the doorbell a couple times, wait for the chime to finish, and turn to bolt for the cart
  223. >you make it a grand total of three steps before you hear the door swing open
  224. >"Who's there?"
  225. >dammit, you were almost home freeeeeaaagh!
  226. >you turn to face a small pink filly, her face covered in thick green goop
  227. >a cucumber over her left eye, and mane tied up in curlers
  228. "Dammit..."
  229. >you mutter under your breath
  230. "Pony Express delivery company, I'm here to drop off... invoice says a lamp?"
  231. >"Oh good!... Daddy said you were going to be here at 10, you're late."
  232. >Tiara scowls at you as you march dutifully up to the box and lift it delicately to bring it in
  233.  
  234. ...
  235.  
  236. >what a horrible little bitch
  237. >you glower as you make your way back out to the cart, kicking the gate closed behind you
  238. >she wasted an hour
  239. >AN HOUR OF YOUR GODDAMN LIFE
  240. >adjusting just where that stupid hoof-shaped lamp was on the table
  241. >like, seriously by a matter of inches
  242. >gaudiest thing on the planet, too
  243. >when she signed the receipt, she was even kind enough to leave you a tip
  244. >"Next time, show up earlier" is a tip, right?
  245. >insufferable little shit
  246. >you grab the cart handles and make your way to the library
  247. >well, if you weren't late before, you sure as hell are behind schedule now
  248. >you break into a sprint as you pull away from the mansion
  249. >you can probably shave a couple minutes off your time if you cut through the residential sector
  250. >left, left, right, left, straight, right, left...
  251. >the cart leans dangerously a few times, but with the weight of the books and other assorted items, it levels itself out quickly
  252. >"Hey! Hey wait! My item--"
  253. >you hear a mare shouting behind you as you barrel past
  254. "Pick-ups must be scheduled in advance at the home office we apologize for the inconvenience THANK YOU COME AGAIN!"
  255. >you shout as you bank another turn
  256. >you see Twilight stepping out of her treebrary just as you make the last turn out of Hayseed Estates
  257. "Delivery for Ms. Sparkle!"
  258. >you shout as you lean back, putting both feet forward as you drag to a stop
  259. >this works particularly well for stopping you
  260. >it even works great for stopping the cart
  261. >some of the items IN the cart... less so
  262. >you let out a strangled cry as the books piled at the front topple over from the momentum, burying you in tomes of literature and mathematics
  263. >to her credit, at least Twilight has the decency to be concerned
  264. >"Ohmygosh! Are you alright?! That was a terrible spill, is anything wrong?"
  265. >she gallops up to you, magicking the grimoires off of your crumpled form
  266. "Ghhk... I think I'm okay... mostly..."
  267. >you say
  268. >you actually see her concerned eyes shift from the books to you and widen a little bit
  269. >as smoothly as she can, she shifts her attention from the books to you
  270. >"...Oh thank goodness! I was so worried!"
  271. >the blush in her cheeks betrays her
  272. >so you're secondary to the stuff you carry for her
  273. >thanks a load, bookhorse
  274. >"I waited for you at the appointed time, but you never showed, I thought our delivery was postponed, I'm sorry Anon."
  275. >you shake your head
  276. "No no, my fault, really. Well, Tiara's fault. But ultimately my fault. Kind of."
  277. >giving you a bashful smile
  278. >"So... uh, I kind of had plans to go visit Fluttershy at the spa about now... could I trust you to put those books away in their proper places?"
  279. >you let out a defeated sigh
  280. >"...pleeeeease?"
  281. >you're not allowed to say no, actually, company rules
  282. "Sure Twilight. is there anything I should know about your organization system?"
  283. >she waves a hoof, already halfway across the plaza to the business side of town
  284. >"It's very elementary Anon, I have every confidence you'll get it in no time!"
  285. >Spike just gives you a pitying look over his shoulder, shaking his head as he follows behind the purple mare
  286. >universal sign for 'you poor bastard'
  287. >oh
  288. >goodie
  289.  
  290. >you arrive at the residential stop
  291. >and gee, you're only an hour and forty-five minutes late
  292. >Twilight was about to leave when you showed up on her doorstep, and she inadvertently made you even more late
  293. >confound you Dewey, your decimal system was of exactly zero use
  294. >what are the odds this pony will actually be home too?
  295. >you knock on the door and check your watch impatiently
  296. >Time Turner is going to have your fucking head
  297. >nope
  298. >nope nope nope, not waiting for this
  299. >you've still got a delivery to make at the farm, and since Sweet Apple Acres' roads are all dirt, they turn to mud when it rains
  300. >which it looks like it's going to
  301. >you're not getting caught hauling all this farm shit up to the barn through acres of mud road
  302. >you scribble the details onto a slip of paper
  303. Sorry We Missed you!
  304. Due to:
  305.  
  306. [ ]Nonpayment for Delivery
  307. [ ]Hydra Attack
  308. [ ]Parasprite Infestation
  309. [ ]Magical-based Malady
  310. [x]Nopony Answered to Sign
  311. [ ]Threat of Eternal Heat, Night, Frost, or other Weather
  312. [ ]Other:______________________
  313.  
  314. We could not complete your delivery. We will try again between the hours of:
  315. _12_ and _3__
  316. __Tomorrow__
  317.  
  318. >alright, let's get this shit show on the road
  319. >your legs can't take a sprint all the way to Sweet Apple Acres, so you set off at a jog
  320. >as you trundle along, you spot an earth pony mare with mustard-yellow hair scowling at the ground
  321. >jeez, looks like she's having just as bad a day as you are
  322. >moving over to make room on the street, you notice she looks vaguely familiar
  323. >where from...?
  324. >eh, it'll come to you
  325. >she looks up from her walk and sees you, and you give her a smile and a wink as you jog past
  326. >maybe that'll perk her up some
  327. >as much as you bemoan naive cheerfulness, nopony deserves to be completely dejected
  328. >well, except you apparently
  329. >least if today's any indication
  330. >then it's back to the grind
  331. >Sweet Apple Acres' iron gate looms over the next hill as you hear the first rumbles of thunder
  332. >shit, maybe you do have it in you to sprint
  333.  
  334. >"An' the industrial corer an' slicer can go up in the rafters, won't be needin' them 'til March,"
  335. >Applejack points up a ladder that you're more than a little distrusting of
  336. >it might hold a pony, but you and that piece of machinery?
  337. >you bite your lip
  338. >at least you made it into the barn before it was coming down too hard
  339. >the bags of fertilizer are damp, which considering the source, is doing a number on your nose
  340. >you'll take what you can get, at this point
  341. >"Now you think you got all, Anon? Ah know it was a lot, an' Ah can't thank you enough fer makin' this delivery after sundown. Most other folk woulda just blown us off an' done it tomorrow."
  342. >even as run ragged as you are, that brings a genuine smile to your face
  343. >AJ was mad at first, and you didn't blame her
  344. >but after you explained things, she cooled off a bit, even offered to have Macintosh help you out
  345. >an offer you regretfully turned down, both out of legal obligation
  346. >(if he were to hurt himself helping you, the company would be liable)
  347. >and because you knew Mac well enough to know he probably had a harder day than you
  348. "I think I remember it all, now it's just a matter of making it happen. Oh, but if I could get you to sign off on me getting it all here, that way I don't have to bother you about it when I'm done?"
  349. >she tips her stetson and scribbles her signature onto the receipt
  350. >you get to work hefting all the tools and supplies out of the cart
  351.  
  352. >welp
  353. >that was... almost anticlimactic
  354. >you'd gotten through about 90% of the delivery with no issue
  355. >if it hadn't been for you putting your foot through one of the more rotted out steps up to the barn rafters
  356. >you might've even been able to call this an unqualified success
  357. >you wipe the dirt from your hands and hop that step going down, before making a quick stop over at the farmhouse
  358. >Granny Smith takes your message about the step being busted, and gives you a hard look of dissatisfaction in reply
  359. >but AJ waves you off and assures you it'll get fixed
  360. >she even tosses you a couple bits for your hard work
  361. >definitely not as many as Rarity
  362. >and probably not as many as if you'd showed up when you said you would or done your job without breaking her property
  363. >but at this point, the fact that anyone even acknowledges that your work is hard is better than monetary compensation
  364. >you wave goodbye and start off down the mud-slick road towards the office
  365. >free at last, free at last, thank Sun Pony, you are free at last
  366.  
  367. >you shamble into the office yard, dragging the empty cart like it weighs a thousand tons
  368. >it's at about this point that you realize you haven't had anything since lunch, and you're--
  369. >you check your watch
  370. >almost two hours past expected close
  371. >you park your cart between Ditzy's and Highstep's
  372. >you can hardly wait to grab a portabello burger when this is over
  373. >as you unlock the door to the main office and pull out your bit collection for the day, you see a hastily scrawled note on the register
  374.  
  375. Anonymous,
  376. We need to talk. My office. 6AM sharp.
  377.  
  378. TT
  379.  
  380. >the word "sharp" is underlined heavily
  381. >god dammit Turner, this fucking day was not your fault
  382. >blame the customers
  383. >or if you can't do that, at least blame the shitty policies that force you to spend so long with their deliveries
  384. >your teeth grind as you seethe over your boss's unreasonable crap
  385. >but dutifully as ever, you dump the sack of money out and count out what you owe the register
  386. >your day's pay is... well, "paltry" is a nice way to describe it
  387. >but the tips turn it into a tidy sum
  388. >nothing fantastic, but enough to live on
  389. >you finish your documentation, file it away, and lock up
  390. >thank Allah, praise be unto him, today is done
  391.  
  392. >"Welcome to Hayburger's, home of the hayburger! Can I take your oooorder?"
  393. >the mare behind the counter flashes you her best customer service smile, complete with braces
  394. >you wish there were some signal you could give her to let her know it's safe to act like a norml person
  395. "Yeah, I'll have a Number 9."
  396. >"Will that be all for today?"
  397. "Oh, sorry, and a medium drink."
  398. >she beams another plastered-on smile at you, sets the cup down, and looks over your shoulder at the next in line
  399. >you make your way to the drink selections and the script starts over, and the stallion lists off his order for the family
  400. >at least, you hope it's the family
  401. >you don't think one pony could seriously eat two number 9's, a number 9 large, a number 6 with extra dip and two number 45's by himself
  402.  
  403. >you look over from your meal, eyes slowly scanning the ponies eating their own deep-fried monstrosities
  404. >people-watching has always been a hobby of yours
  405. >why should pony-watching be any different?
  406. >you've always imagined yourself an amateur Sherclop Pones, trying to puzzle out what a pony does for work or is like personality-wise through what you could observe
  407. >or was that making parody videos?
  408. >you'll go with the observational genius one
  409. >your eyes rove over the group
  410. >that unicorn stallion does something in the accounting or business sector, you gather by the pencil behind the ear and lack of dirt on his hooves
  411. >that tan mare recently visited the Crystal Empire, or lived there
  412. >you can tell from her mane style, most ponies in Ponyville don't sweep theirs over their eyes
  413. >the guards that are eating are off-duty, and one's married, you surmise from the salad he's eating
  414. >(or he's an exceptionally whipped boyfriend)
  415. >that pink mare in the corner... hm
  416. >you squint at her
  417. >...is she the same mare you passed earlier?
  418. >she's still frowning, and writing something in her journal it looks like
  419. >she looks up, and you look away before she catches you staring
  420. >wouldn't want to be rude
  421. >you chance a peek after a few seconds
  422. >she's back to writing, now at a much faster pace
  423. >and angrier, if her frown's any indication
  424. >eesh, touchy
  425. >you polish off the last of your fries in silence and grab a refill
  426. >as you walk to the door you'd swear you feel someone staring at you
  427. >but when you turn to look, nopony seems to be looking
  428. >hm
  429. >weird
  430. >well, if you're going to be up at six in the fucking morning, guess you'd best get home
  431. >hopefully your alarm doesn't wake Bon-Bon up, the walls are paper-thin in the house where you two room
  432. >you can't shake that feeling like someone's watching you though
  433. >c'mon, Anon, quit worrying
  434. >besides
  435. >what've you done to make anyone mad lately?
  436.  
  437. >BZZT! BZZT! BZZT! BZZ--
  438. "Agharghlkhfff"
  439. >you fumble for the alarm clock
  440. >the only thing stopping you from obliterating it from your bedside table is the cost of a new alarm clock
  441. >you smack the off button and drag yourself out of bed, acutely aware of the need to get your ass moving
  442. >a triple-S and a handful of clothes later, you're dressed and almost ready
  443. >you wolf down a bowl of Chocolate-Coated Sugar Bombs and a glass of OJ
  444. >twenty minutes to get to the office
  445. >off you go
  446. >Time Turner better be paying you for this shit
  447.  
  448. ...
  449.  
  450. >"Sit down, Anon."
  451. >you obediently sit in the tiny plastic chair across the desk from Turner, fighting off the urge to lay your head back and doze off
  452. >"I'm not happy, Anonymous. Not. Happy."
  453. >what a shocking revelation
  454. >"Ask me why."
  455. >you can hardly guess
  456. "...Okay, why."
  457. >that's not a question
  458. >"Why what? Be specific, Anon."
  459. >uuuggh
  460. "Why are you unhappy."
  461. >he points a hoof at you
  462. >"Because your customers MAKE me unhappy."
  463. >this conversation is reaching new levels of obnoxious
  464. >"Specifically, Anon, I learned from two customers yesterday about your tardiness. Two out of four! You were over an hour late to Ms. Sparkle's delivery!"
  465. >he called them
  466. >you know he did
  467. >because that's the sort of over-the-top customer-service-y thing he does all the fucking time
  468. "Sir, all respect due, I had no choice but to--"
  469. >"And worse! A mare came down to the office specifically. She said you've been terrorizing her, ignoring her, and even taunting her!"
  470. >...what
  471. >no, seriously, what
  472. >you've been busting ass to get these ponies their stupid crap
  473. >helping them get it set up in asinine ways
  474. >what the fuck is this about
  475. >"She said she'd be in at 6:20 to pick up her item, since you apparently skipped over her delivery yesterday-- ah, Ms. Berry, right on time. (Glad someone is...)"
  476. >his demeanor shifts so fast you have to blink to make sure you didn't miss something
  477. >then you look over your shoulder
  478. >there in the doorway is
  479. >wait
  480. "You!"
  481. >"You!"
  482. >it's that pink mare from earlier at the restaurant, the one with the yellow hair!
  483. >wait, what's her beef with you?
  484. >all you did was smile at her
  485. "Turner, what's this all about, actually? You know I wouldn't--"
  486. >you hear him begin to clear his throat, but the mare cuts him off, glaring at you as she points an accusing hoof
  487. >"Wouldn't what? Wouldn't try to run me over with your cart for a cheap laugh?"
  488. >uh?
  489. >you didn't-- wait, the day before yesterday
  490. >shit
  491. >"Or maybe you were going to say you wouldn't ignore me when I was trying to get my package?"
  492. >she trots up to you, apparently having taken all the wind out of TT's sails by doing his job for him
  493. "I thought you were trying to--"
  494. >"You went RIGHT BY my house at the scheduled time, and completely ignored me!"
  495. >she continues her tirade, cutting straight over you
  496. >"Then, almost two hours late, you pin a note on my door in the 15 minutes I'm out buying groceries, and have the nerve to smirk at me about it!"
  497. >aghpawoi;lkjer
  498. >you struggle to regain some of your indignity
  499. "I had a full schedule, I couldn't--"
  500. >"But not so full you couldn't stop for a burger on your way home, huh?"
  501. >she's practically nose-to-nose with you as she stares into your soul
  502. >you sit in stunned silence for a few seconds
  503. >eventually the rage drops out of her face and all that's left is exhaustion
  504. >"Look, if I had the time, I would love to sit here and watch you get fired. But in all honesty, I don't care. You aren't worth my time. Just... just give me my book so I can get on with my life."
  505. >...
  506. >oh no
  507. >your face goes pale
  508. >there were no books the back of your cart when you pulled in last night, Anon
  509. >hell, there wasn't ANYTHING in your cart when you pulled in last night
  510. >Cherry Berry's watching you with something akin to hope
  511. >but after a bit of silence, her face hardens in a grimace
  512. >"...You don't have it, do you."
  513. >ffffffffffffuuuuuuuuuuuu
  514. >you shake your head
  515. >she lets out something between a sniffle and a laugh as she facehoofs
  516. >Time Turner takes this moment to pipe up
  517. >"But you know where it is, right?"
  518. >the word 'right' could put manticores to shame, it's laced with that much venom
  519. >there is only one right answer
  520. "Y-yes. Well... yes. Approximately."
  521. >you bite your lip, wondering how long it's going to take to find one book in the multi-story athenaeum that is Twilight's house.
  522. >probably at least as long as it took you to file yesterday's shipment in the first place
  523. "I'll... go get it for you. Right now."
  524. >Turner seems
  525. >placated?
  526. >what's a word that means "pleased but not happy"?
  527. >you stand up and make for the door, only to feel a tug at your jacket
  528. >"I'm coming with you then,"
  529. >Cherry grumbles, trotting after you
  530. "Ma'am, you don't have to do that, it was my screw-up, I'll make it right."
  531. >Turner nods along vehemently, not wanting to piss off the 'valued customer' any more than you already have
  532. >she lets out a derisive snort
  533. >"Given your track record, I'll get a bag of ashes and a Sorry We Missed You card on my front porch a week from now. At midnight."
  534. >that actually makes her snort to herself
  535. >"Hell, I should write that down."
  536. >jesus mare, it's not like you meant for this to happen
  537. >sometimes bad things just happen
  538. >"So?"
  539. >she pushes the door open
  540. >oh, right
  541. >you should probably lead the way, since you know where it is
  542. >"Let's go, monkey boy. I don't have all day."
  543. "My name's Anonymous,"
  544. >you clarify
  545. "Not monkey boy."
  546. >"Mmm...hm."
  547. >oh, you have a nickname now
  548. >hip hip hoo-ray
  549.  
  550. >as you march to the library, you let out another barely-concealed grumble
  551. >if it weren't for this utter horseshit, you'd probably be waking up... twenty minutes from now
  552. >your companion, to her credit, looks every bit as disheveled as you lead the way
  553. >maybe you can smooth things over a little?
  554. "Listen, I'm sorry about, uh... misplacing your--"
  555. >"Don't."
  556. >it's not a command
  557. >actually it's more of a suggestion, the way she says it
  558. >"I get it, you screwed up. It wasn't out of malice. Most bad things that happen aren't."
  559. >she trots along in silence after that
  560. >weird
  561. "...That doesn't excuse it though. The fact that it was accidental doesn't mean I didn't fuck up your whole day."
  562. >she nods at that
  563. >welp
  564. >speak the truth, get the truth back
  565. "Alright, it should be here, I'll go in and get it for you."
  566. >she actually pushes you out of the way to get through the door first
  567. >"No, the sooner we find it, the sooner I can get to my job. I told my manager I'd be late, hopefully he doesn't mind a half hour one way or... the... other..."
  568. >she halts as she gets into the treehouse and sees the collective knowledge of a civilization crammed onto shelves all over the estate
  569. >"You... you left my book in--"
  570. "Sssh!"
  571. >you shush her almost reflexively, pointing up to where you can still hear Twilight snoring lightly in her bedroom
  572. >if you'd known you were going to be doing this, you'd have sent word ahead, but there's not much you can do at this point
  573. >other than try to be as quick and quiet as possible
  574. >doesn't stop the mare from glaring at you though
  575. >"You're an idiot."
  576. >she hisses at you, at least being conscientious of the purple unicorn
  577. "...Look, I had exactly one hundred and seventy-two books that Twilight ordered to put away yesterday, according to the most arcane organization system on the planet. I don't expect you to be happy about it, but you can at least see how it happened."
  578. >she fumes, but doesn't snap at you
  579. >probably too tired to give a damn at this point
  580. >with that you grab your copy of the invoice for Ms. Sparkle's delivery and start going through them
  581. >at least you know where to start looking now
  582. "Which book are we looking for, exactly?"
  583. >the mare starts from the bottom of the list, checking the rightful book's spot to see if you mixed it up with hers
  584. >"A Practical Guide to Mechanics and Aeronautics,"
  585. >she whispers over her shoulder
  586. >nope, the advanced trigonometry is right where it's supposed to be
  587. >"Seventh Edition. W. Leviosa."
  588. >apparently it was a very specific book she was looking for
  589. >you nod and cross another book off the top of the list
  590. >Foal's Guide to Chemistry, right where you left it yesterday
  591. >the pair of you work fairly quickly
  592. >you're both about a third of the way done before either of you makes more than an exasperated sigh
  593. >but you break first
  594. "So. Aeronautics."
  595. >her face is going to get stuck like that if she keeps that expression up
  596. >"Yes, aeronautics. No, I'm not confused. Yes, I know I'm an earth pony. No, I don't want a book written by a pegasus instead. No, I'm not adopted, genetics just hates me."
  597. >wow
  598. >"Any other questions?"
  599. >you shake your head and get back to work
  600. >A Brief History of Time, right where it belongs
  601. >dammit, the thing would be right in the middle of the list, wouldn't it
  602. >you're nearly done with your half of the list when you hear the eerie shimmer of magic against the door upstairs
  603. >"Spiiiiike! Please start s-- oh!"
  604. >there's a faint poof sound, and Twilight's down next to you, looking over the list
  605. >"Morning Anonymous!... er, you already delivered these yesterday, remember? Oh, did you come to make sure you cataloged them correctly?"
  606. >no, book horse
  607. >no you didn't
  608. "Actually, I think I may have mixed in another book delivery with yours, Twi."
  609. >"Nope!"
  610. >she sounds awfully goddamn chipper for effectively telling you you just wasted forty five minutes
  611. "What do you mean, 'nope'?!"
  612. >"What do you mean, 'nope'?"
  613. >you and the pink mare ask in unison
  614. >"I checked your work after I got back from the spa, Anon, it was pretty good! You mixed in the theoretical xenobiology with the terrestrial botany, but that's an easy mistake to make, even Spike mixes those two sometimes."
  615. >you stand there slack-jawed
  616. >the fuck does she mean it's not here
  617. "So you're sure?"
  618. >"Positive!"
  619. >you are going to kill someone after this
  620. >since you have nobody else to blame, it may well be yourself
  621. >the mare who followed you along is sitting on the floor with both hooves over her head in defeat
  622. >no
  623. >this is not how you roll
  624. >you hate this job, you hate most of your customers, you hate the hours, but you will not be that asshole
  625. >the one who fucks up your order and doesn't care
  626. >the dickwad who takes your information down but never follows up
  627. >the asshole who loses your shit and does nothing
  628. >you are not that fucker
  629. "Twilight, let me use your phone."
  630. >"Huh?"
  631. >did you fucking stutter?
  632. "Your phone. I need it."
  633. >you don't wait for an answer, going straight to the solarium where it should be
  634. >it only takes a couple rings before a maid at the Rich Mansion picks up
  635. "Hello, this is Pony Express Deliveries. Yes. I'm looking for a book. No. Yes, yesterday. No? Thank you."
  636. >thank god
  637. >if you had to deal with Tiara two times in as many days, you really might kill yourself
  638. >which means
  639. >Ring ring ring, ring ring ring, phone call! Phone call!
  640. >"Eeyup?"
  641. >herewefuckingo.wav
  642. "Hey Mac, Granny tell you I was there yesterday?"
  643. >"Eeyup."
  644. "She complain about me being late?"
  645. >"Eeyup."
  646. "Bring all those cookbooks into the house?"
  647. >"Eeyup."
  648. "You in the kitchen right now?"
  649. >"Nnnope."
  650. "Mind going in there and looking for a book?"
  651. >"Nnnope."
  652. "Thanks Mac, should be one on airplanes and mechanics."
  653. >"Eeyup."
  654. >...
  655. "Found it?"
  656. >"Eeyup."
  657. "Going to be there in the next half hour?"
  658. >"Eeyup."
  659. "Great, I'll see you then."
  660. >"Talk to you soon."
  661. >wait what?
  662. >click
  663.  
  664. >"You're absolutely sure that you know where my book is, this time."
  665. >the mare grumbles at you as you march through town towards Sweet Apple Acres
  666. "No, I know for a fact that there's a book at the farm that involves flying and mechanical forces. But unless Applejack's decided to start airdropping her apple deliveries, I'm reasonably certain it's yours."
  667. >that actually gets a chuckle out of her
  668. >you walk on in silence for a couple more minutes, but pause when you notice the yellow-maned gal's stopped at a nearby bench, a journal spread open on it as she flips through the pages
  669. "...Whatcha got there?"
  670. >she arches her eyebrow at you and makes a quick mark in the book, before closing it and putting it back in her saddlebag
  671. >"Just some notes. It's how I keep score, mostly."
  672. >keep score of what?
  673. >you blink a couple of times and she sighs
  674. >"Don't worry about it. It's just something I do in my spare time."
  675. >...
  676. >well alright
  677. >you continue towards the farm, and after a few minutes come to realize that something was off about that last exchange
  678. >she almost sounds more tired than angry
  679. >maybe some of her rage is finally subsiding?
  680. >there may be a faint glimmer of hope for your job yet
  681. "So, you said you told your boss you'd be late... are you like an airplane mechanic or something?"
  682. >oops
  683. >well, there's that scowl again
  684. >"A what? No, I'm a cashier for Mr. Rich at his general store. Not everypony gets to grow up to be a princess, Anonymous, some of us have to do real work for a living."
  685. >preaching to the choir, sister
  686. "Yeah, like hiking all around town without pay to make up for a fuck-up you only made thanks to your customers' dickishness."
  687. >that earns you another glare
  688. >"Don't blame your mistakes on me, monkey boy."
  689. >ugggggh
  690. "I wasn't, jeez, you think I can blame you for something when I didn't even know I'd fucked up until this morning? I was talking about my other customers."
  691. >"The hell do you mean, you didn't know you screwed up?"
  692. "...Wait, you really think any of this was out of malice?"
  693. >she looks at you with an expression that epitomizes the words 'well duh, obviously'
  694. >that actually earns a laugh
  695. "I passed by your place earlier not realizing it, because I was trying to get back on schedule. If I'd realized, I would've saved myself the time doubling back and just given you your book then. And I smiled at you because you looked like you were having a shitty day, I didn't know I was making it worse. I don't have a vendetta against you, I'm just--"
  696. >"Sort of an idiot?"
  697. >uh
  698. >well, not exactly how you'd phrase it
  699. >but sure
  700. "...yeah, I guess. A sleep-deprived idiot with a boss that hates tardiness and a job that makes him late to everything. But I'll concede to being a bit of a prat. Sorry."
  701. >you actually have to stop and look back at her
  702. >the pink earth pone's frozen in place from the shock
  703. >she shakes it off quickly, but when she's back even with you, she seems to have cooled off considerably
  704. >you're actually past the wrought iron gates before you speak again
  705. "Again, I really am sorry about all this."
  706. >she shakes her head this time
  707. >"It's fine. Well, I mean, it's not fine, this has been a huge pain in the ass. But... you're not an asshole like I thought you were."
  708. >you make your way up to the farmhouse door
  709. "Just an idiot. And you don't know that I'm not an asshole, either... but I promise I wasn't an asshole to you. On purpose."
  710. >holy shit, what's that facial expression?
  711. >the way her lips are curled up, you could almost confuse it with a smile
  712. >or at least a smirk
  713. >AJ comes to the door a second later, book in her mouth, and promptly hands it off to you
  714. >"Ah'm real sorry 'bout this, Anon, Ah told Applebloom to grab our books, but Ah guess she jus' went and grabbed all of 'em. Hope it weren't too much-- oh, Cherry, this'un's yours? Well shoot, then Ah'm double-sorry 'bout that then!"
  715. >dammit, as mad as you are about this whole morning, you can't be pissed at the Apples for this
  716. >you pass the book to Cherry, who absolutely hugs the shit out of it before putting it in her bag
  717. >shit, now THAT'S an unmistakable smile
  718. >good to see someone's happy
  719. "No worries, AJ, mistakes happen. Wish they didn't, but we got it straightened out now. Thanks for the help."
  720. >"Shucks, weren't nothin'."
  721. >she blushes a little and kicks at the floor before saying goodbye
  722. >"Y'all come back sometime when ya ain't workin', though, huh?"
  723. >you nod noncommittally, actually tapping your companion on the shoulder to pull her from the reverie of the opening pages
  724. "When I'm not working? Alright, fifty years from now I'll give you a ring."
  725. >the two of you make your way back out, the blonde-maned pony barely able to keep her nose out of her long-awaited book
  726. >hm
  727. >you have a couple bits to spare, and Turner's not expecting you back until after lunch
  728. >time to get your munch on
  729. >you make your way over to the Hayburger in relative silence, not wanting to break the mare's concentration
  730. >to your surprise, she follows you blindly, not even looking up from her book
  731. >this continues all the way through the line
  732. >"Welcome to Hayburg--"
  733. >shut the fuck up, we've done that bit already
  734. >you order for her, figuring you can't get much safer than what she had yesterday
  735. >you're actually sitting in a booth and about to take a bite of your portabello burger before she realizes there's food in front of her
  736. >"Huh? Wait, when did we-- I, wait--"
  737. >heh
  738. "Double-hayburger with cheese, side of horseshoe fries, small drink. It's what you ordered yesterday."
  739. >"...Whuh? How do you know that, you some kind of creepy stalker?"
  740. >rude
  741. "No, I'm just observant."
  742. >she just stares at you sardonically
  743. "...Sometimes. When I try to be."
  744. >"Mmmm hm. Well, uh, thanks for lunch, I guess."
  745. >she doesn't turn down the food, even if she is reading the whole time as she eats
  746. >you let her get most of the way through lunch before you clear your throat
  747. "So, why did you think I was being an asshole to you? That's not most ponies' first expectation."
  748. >she could literally be a statue from the Ming dynasty of China, that's how jaded the look she throws you is
  749. >"Anon, I don't think I ever properly introduced myself. I'm Cherry Berry. You might've heard of me."
  750. >...
  751. >mmmmm, nope
  752. >you shake your head
  753. >that seems to take her off guard a touch
  754. >"Wait, really?"
  755. "Yeah, really. Why, are you basically kind of a big deal or something?"
  756. >she scowls
  757. >"Not exactly, more like someone should've warned you before they sent you to deliver to my place."
  758. >you slow down your eating, noticing that she's lost a lot of that bubbling happiness from reading her book
  759. >"Anon, the ponies in this town hate me."
  760. >huh?
  761. "Huh? How do you figure, AJ seemed to like you well enough."
  762. >she shakes her head
  763. >"Right, in front of you. But trust me, ever since that Twilight girl moved to town, this place has had it out for me."
  764. "Yeah, I'm calling bullshit."
  765. >she blinks
  766. >"You can't call bullshit on a true fact."
  767. "Too bad, because I totally just did."
  768. >"Then you're wrong."
  769. >you sigh
  770. >okay, elaboration
  771. "Look, I won't claim that I spy on ponies or anything, but I like to think I'm a pretty attentive person when I know what I'm looking for. I've dropped by Twilight's place a few times, and she's... I mean, she's a librarian. I don't think AJ's physically capable of being violent, and certainly she's not capable of hiding it if she were."
  772. >you take another bite of your burger
  773. >rather than answer you, Berry pulls out a book
  774. >oh hey, it's that journal she was writing in yesterday
  775. >she flips the pages until she hits whatever it is she's looking for
  776. >then slides it across the table to you
  777. >frowning in confusion, you read through a few entries:
  778.  
  779. [ ]Pinkie's party cannon backfires and hurts somepony
  780. [ ]Rarity's fashion show causes a riot
  781. [x]Pinkie's baking makes me sick
  782. [x]Overcharged for food
  783. [?]Pegasus ruins my balloon
  784. [ ]Sold out of my type of apples
  785. [x]Book lost or destroyed
  786.  
  787. >you flip the page and see the list goes on and on
  788. >it's worrisome how many have been marked
  789. >you look back up at her as she chows down as well
  790. >so... this is...
  791. >"Pre'y innereshting, huh? For a town tha' doeshn't have anyfing againsht-- 'scuse me, for a town that doesn't have anything against me, it's interesting how that book has 72% of the predictions I make come true, huh?"
  792. >she takes a long slurp of soda
  793. >"I can't predict everything. My house being dragged across town by a lovestruck stallion? A surgeon trying to put a cupcake in where my appendix was? You can't write that sort of thing."
  794. >you nod, dumbfounded
  795. >"But yeah, I'm not psychic or anything."
  796. "Then how--"
  797. >"I just see patterns. 'Nopony is perfect', remember? However someone could screw up to make my life worse, I just write it down. And lo and behold..."
  798. >she polishes off the last of her burger and gestures to the book
  799. >you let that digest a bit
  800. >along with all the food you just ate
  801. >you really can't keep coming here for every meal, Anon, you're going to get fat
  802. >...well, fattER
  803. >you close the book and scratch the back of your head
  804. "That's... impressive, I guess? I mean, obviously it's bad, but I still don't buy that it's on purpose or anything."
  805. >Cherry lets out a little sigh
  806. >"Of course you wouldn't believe me. Nopony ever does."
  807. >you tap the book's cover as you slide it across the table back to her
  808. "No, I mean, I believe that you're pretty good at predicting bad things happening to you. I bet I'd be pretty good at it too."
  809. >you cut her off before she can interrupt you
  810. "You know what I mean. I could come up with probable bad things that could happen to me because of things beyond my control."
  811. >heh, got her
  812. >she closes her mouth and smirks at you
  813. >"So, what, you think I'm cursed or something?"
  814. >but you continue on regardless
  815. "No, I think you've got a good old-fashioned case of confirmation bias going on. I mean, I bet I could've told you a week ago most of the problems I ran into yesterday, if you asked me."
  816. >you count them off on your fingers
  817. "Diamond Tiara getting all pissy? Sure. Twilight's sorting system fucking me up? Probably. Something in AJ's barn trying to kill me? Does that even count as a prediction?"
  818. >your tone softens as you think about the things that went right
  819. "But I also could've predicted good things, like AJ tipping me in spite of me being late. Getting to know where Ms. Sparkle keeps her books on history and geography. Making my delivery before the rains hit."
  820. >you let that sink in
  821. >hell, now that you say it out loud, it does sound pretty logical
  822. >maybe part of why you've been having such a disastrous week is because you've been looking at it through a negative lens
  823. >ooooor maybe it's because Time Turner a shit and customers a bigger shit
  824. >...it can be two things
  825. >you look around for a second, then go grab a pen from one of the younger mares working at the counter
  826. >"What's that for?"
  827. >you hold it up in two fingers and point it at her
  828. "A challenge."
  829. >"What kind of challenge?"
  830. >you smirk back at her, glad to finally have the upper hand
  831. "I'll go buy a book tonight, like yours. You come up with everything bad you think will happen to you for a week, and I'll come up with everything good that could happen. At the end of the week, whichever book has more things right, the author of that book wins."
  832. >you can tell by her expression that she finds the idea dubious
  833. >"...What're the stakes?"
  834. >heh
  835. "If you're right, I'll be your workhorse for the week, so all the bad shit happens to me instead of you."
  836. >"Deal."
  837. >she holds out a hoof to shake on it
  838. "BUT!"
  839. >you hold up a finger
  840. "If you lose... hm... you'll have to... ah! You said you have a hot-air balloon, right? You have to take me on a tour through whatever area of Equestria I pick."
  841. >that earns a laugh out of her
  842. >she pulls her hoof in to pretend to weigh her options
  843. >"So, either I get you to do all my dirty work for a week AND admit I'm right, or you get a free balloon ride?"
  844. >she extends the hoof again, and shakes your hand
  845. >"Pretty obvious you don't know me at all, monkey boy. You got a deal."
  846. >any annoyance caused by her calling you that again is washed away the moment you hear her accept
  847. >this'll be fun, you think
  848. >a chance to stretch your imagination in a way that might benefit you and her
  849. >you were looking for some way to cheer her up yesterday, after all
  850. >you can practically feel the breeze against your face as you imagine looking down at the Gryphonian landscape
  851. >you check your watch
  852. >shit, you really need to get back to the office
  853. >hm
  854. >you backpedal your thought process a bit--
  855. >as much fun as this was, and it really is turning into a good time, you should probably get to your work and let Cherry get to hers
  856. >as you're getting the table cleared off, a thought occurs to you
  857. "Oh, one minor thing before we do this."
  858. >the pink-coated mare smirks at you
  859. >god does she have a cocky smile
  860. >"What, adding provisions and conditions already?"
  861. >you roll your eyes
  862. "Yeah, just enough to put us on a level playing field, though. I want to get at least a quick tour around your house."
  863. >she mulls the idea over in her head
  864. >"Maybe... explain why."
  865. >you grab a refill on your soda while you talk, then step aside so she can do the same
  866. "Two reasons. One, we can meet up tonight to write tomorrow's list, and neither of us can accuse the other of cheating."
  867. >she shrugs her shoulders as you hold the door open for her
  868. "And two, you've got home field advantage as it is. I at least want a glimpse into how you live, so I know what to predict. Sound fair?"
  869. >she seems to turn the reasoning over in her head a few times, looking for any flaws or holes in it
  870. >apparently it passes inspection
  871. >"Yeah, I guess. Not that it's going to matter, you're still going to be catching the flak headed my way for a week."
  872. >the subject may be pessimistic
  873. >but she says it with a faint hint of happiness in her voice
  874. >or maybe that's schadenfreude
  875. >look, Anon, take it where you can get it
  876. "Yeah right. Get your cold weather clothes out, it's supposed to be cold up in gryphon lands."
  877. >she lets out a snort of derision
  878. >"We'll see."
  879. >you wave goodbye as the two of you part ways
  880. >gotta keep yourself employed and all that
  881. >but as you take off at the jog that seems to be your default speed these days, you look over your shoulder
  882. >Cherry's walking a little more upright, not her usual world-weary trudge
  883. >best to send her off right
  884. "Have a good daaaaay~!"
  885.  
  886. >"Look, just... don't touch anything, okay?"
  887. "Yeah, I know."
  888. >Cherry unlocks the front door and pushes it open, leading the way into her humble abode
  889. >very humble, from the looks of it
  890. >you have to scoot in sideways through her front entrance, it's so crowded
  891. >careful not to actually lay a hand on any of it, you lean over and check out some of the baubles and doo-dads she has laying around
  892. >they range from intricate glass chambers attached with metal wires, to vials of green and purple liquid, to gears and chains strung together in a jumble of jointed parts
  893. >pointing at a large glass tub, you arch your eyebrow
  894. >"I don't know, I think Berry's doing something with that still. She said something about it needing to decant and then she could ferment it."
  895. "You live with Berry Punch?"
  896. >"She lives upstairs, I get downstairs. We share the entrance way, obviously. S'why I said not to touch it, who knows what she's cooking up. Or do, I've got a prediction that someone breaks it and she blames me."
  897. >how someone can be so cavalier about that sort of prediction is beyond you
  898. >but nonetheless, you refrain from disturbing it
  899. >as you follow her into the living room, you do your best to shift mental gears
  900. >detective mode, go
  901. >you take in the layout of her house, how the couch faces away from the entrance towards the kitchen
  902. >dishes in the sink, two pans, spatula, stew pot
  903. >radio on the far table, next to the phonograph
  904. > strewn over a couple of chairs in the living room, pieces of what looks like the back rotor for a helicopter
  905. >small oven, full-sized fridge
  906. >you stock all of that away as you wander over to the phonograph
  907. "S.A.W.S. and the Valley? Does that stand for something?"
  908. >you look at the record jacket, four stallions standing around a fifth
  909. >"They're the seasons, Anon, geez. Summer, Autumn, Winter, and Spring?"
  910. >she shakes her head in disbelief
  911. >apparently they're her fuckin' jam or something
  912. >"Anyways, yeah, this is my place. Bathroom's on the right, my room on the left. I'm serious, look don't touch."
  913. >she nods in each direction, and you cautiously make your way around a pile of drawings stacked on top of each other
  914. >you hazard a glance at them and are surprised to see fairly detailed schematics for a modified hot-air balloon
  915. >huh, looks like a zeppelin, actually
  916. >interesting
  917. >as you make your way into her room, you're almost slapped in the face with the drastic change
  918. >not just in color, though the rest of her house is an almost industrial grey and this room is a warm cream color
  919. >but in organization, too
  920. >everything else around her place seems almost completely utilitarian, any flat space a candidate for occupation by her work
  921. >but the dresser (what does she even wear? Most ponies don't wear clothes) only has a couple of pictures of who you presume to be her family
  922. >her mirror is deliberately placed beside the wardrobe
  923. >bed neatly made
  924. >the wood floor covered with a simple but tasteful throw rug
  925. >hmmm
  926. >a mystery
  927. >you don't pry for too long
  928. >(your sensibilities won't stand for poking around a lady's private space without her present ...heh)
  929. >but when you come out, your mind continues to puzzle about what that sort of harsh contrast means
  930. >"Find what you were looking for, monkey boy?"
  931. "Probably, at least for the moment mustard-mane."
  932. >"H-hey!"
  933. >haw
  934. >it's a perverse pleasure, especially under the circumstances, but you just love when ponies make that little scrunched-up face
  935. >you pull out the journal you purchased earlier today at the stationery store
  936. >heck, the stallion selling it even did free leather-binding and emblazoning
  937. >"'Don't Panic'?"
  938. "Figured every good book should have a title. I tried to get it in a font that looked unthreatening, how'd I do?"
  939. >"...Eh."
  940. >you pull out the pen you'd brought with you
  941. "So, we understand how this works, right?"
  942. >"Yeah yeah, I write down my predictions, you write yours, we compare notes to see who's right more often."
  943. >you nod
  944. >with a flourish, you write out your first predictions
  945.  
  946. [ ]Don't have to work overtime for Mr. Rich
  947. [ ]Tips!
  948. [ ]Dinner tastes good
  949. [ ]Enough for leftovers for lunch tomorrow
  950. [ ]Finish another chapter in new book
  951. [ ]Berry makes it upstairs without help
  952. [ ]Get enough time to work on ideas to make some real headway
  953.  
  954. >you continue on for a few more pages
  955. >and a couple more after that
  956. >it's a decent amount, that's for sure
  957. >but you can't help but feel like it's really generic
  958. >anypony would be happy with most of these
  959. >things like "Nobody runs me over on the road" are almost cop-outs
  960. >you can list page upon page of things that would be bad if they did happen, but would be good if they didn't
  961. >but... ugh, you don't know this pony well enough yet to come up with anything super-specific to her
  962. >you tap the pen on the table rhythmically as you think
  963. >it goes on longer than you realize
  964. >"Heh, tough, isn't it?"
  965. >her snark pulls you out of your reverie
  966. >you narrow your eyes at her
  967. >"Don't worry, when you're catching mud to the face that's meant for me, you won't have to think near so hard."
  968. >...lightbulb
  969. >you smile deviously, and write a few more entries before snapping the book back closed
  970. >then, as casually as you can, you sneak to her fridge and take a peek while she's off rummaging through her things
  971. >ho-ho, perfect
  972. "Say, as thanks for hosting this little kick-off, how about I treat you to dinner?"
  973. >she leans around her pile of stuff and Costanza's the hell out of you
  974. >"What, another dinner at Hayburger's?"
  975. "No no, you've got all the ingredients for this dish I know, if you don't mind me using your pans."
  976. >she considers it for a second
  977. >"Uh, sure, I guess. If you're just aching to do some cooking, I won't turn down the offer..."
  978. >you pump your fist and get started
  979. >boil the water for pasta
  980. >dice and season some tomatoes
  981. >a little olive oil in the frying pan
  982. >crack a couple eggs for the wash
  983. >you cut the eggplants, thin enough to cook quickly but thick enough to still be substantial
  984. >grate a touch of cheese
  985. >yes
  986. >it's all coming together
  987. >hehehe
  988. >hahahahaha
  989. >MWUAHAHAHAHA
  990. >as the pasta cooks and the eggplant bakes, you set to work on the dishes in the sink
  991. >before the timer goes off, you've got all the pans scrubbed
  992. >by the time the pasta's done boiling, you've got the soup pot scoured
  993. >and by the time everything is strained and rested, you have them all dried as well
  994. >you plate up two servings of eggplant parmesan and set the table
  995. >Cherry, meanwhile, has managed to get something of hers halfway assembled
  996. "Hey, need a hand?"
  997. >"Urrgh... no, I need this... ugh, chain to be about three links longer, is what I need."
  998. >she grumbles, but you rattling around her cabinets for glasses seems to pull her attention away from her work for the first time
  999. "Glasses?"
  1000. >"Second cabinet on the left from the stove. Wait, what'd you make?"
  1001. "Eggplant parmesan."
  1002. >you see the look on her face and wince
  1003. "You're not allergic or something, are you?"
  1004. >she lets out a sigh
  1005. >"No, but I was going to use those tomatoes for a dish tomorrow, now I've got to go out to the market for more."
  1006. >dang
  1007. >you should've mentioned what you were cooking before you made it
  1008. >but the look on her face when she spots the sink makes up for it
  1009. >"Did you do my dishes for me?"
  1010. >you put on a show of looking confused and shrugging your shoulders exaggeratedly
  1011. "Oh, those? I needed a pan to cook with, and I guess I just sort of got on a roll."
  1012. >with as much sarcasm as you can muster, you grin and add
  1013. "Oops."
  1014. >it takes her a second to catch on
  1015. >but then she picks up the book you left on the table
  1016. >and she scowls when she reads a couple of the entries
  1017. >"...And let me guess, there just so happened to be enough left that you had to package some up for tomorrow, too."
  1018. "How did you know? I guess I just got carried away. Weird how that worked out."
  1019. >"Yeah. Weird."
  1020. >you'll need a team of scientists to figure out how those words managed to squeeze past lips pursed that tight
  1021. >she grudgingly marks a couple of your predictions
  1022. >and then worryingly marks a couple of hers as well
  1023. >as she takes a couple of bites, you gently scoot her book over and read what she'd marked
  1024.  
  1025. [x]Extra chores because someone else messes with my stuff
  1026. [x]have to eat leftovers again
  1027. [x]Anon tries to cheat at the deal we made
  1028.  
  1029. >you look up, indignant, as she wipes the corner of her mouth
  1030. "Aw, c'mon, that wasn't cheating! Dirty pool, I fully acknowledge, but not cheating."
  1031. >"It's supposed to be something good outside our control, Anon."
  1032. "No, out of YOUR control. We never said I couldn't do nice things to help boost my chances."
  1033. >she lets out a frustrated sigh
  1034. >"Fine. But this better not become a routine thing!"
  1035. >you chuckle
  1036. "Cherry, even if I wanted to, do you really think I'd have the time and money to win this wager based just on me being nice?"
  1037. >that seems to settle her a bit
  1038. >go for broke, man, no sense not to
  1039. "And maybe if you like it well enough, you won't count eating leftovers as a bad thing?"
  1040. >she snorts
  1041. "Okay, okay, worth a shot. Don't like leftovers. Noted."
  1042. >she looks down at her dish as she takes another bite
  1043. >you just barely hear her mumble something over the clinking of your utensils
  1044. >"Srlygd."
  1045. "Huh?"
  1046. >"I'zrlygd."
  1047. "Sorry, I..."
  1048. >"Ugh, it's really good. You should... give me the recipe or something."
  1049. >she blushes furiously as she says it, refusing to look you in the eyes
  1050. >hahahaha
  1051. >the conflict between her enjoying your cooking and her wanting to win the bet is fucking delicious
  1052. "I'm glad you like it, I'll write it down but it's really simple. Secret's the rosemary in the sauce, mostly."
  1053. >ah, this is going to be a fun week
  1054.  
  1055. DAY 1
  1056.  
  1057. >BZZT! BZZT! BZZ--
  1058. >you let out a grumble and debate smacking the snooze button yet again, but if you did that then you really would be late
  1059. >not even the fastest triple-S can save you at that point
  1060. >though... maybe just two more minutes...
  1061. >BZZT! BZZT! BZZT!
  1062. >"Anooooooon!"
  1063. >you hear Bon-Bon whine from the other side of your barely-even-sheatrock wall
  1064. >okay, okay, you'll get up
  1065. >this time for realsies
  1066. >you struggle out of bed and head to the bathroom for your daily ablution
  1067. >god you hate Mondays
  1068. >and your job
  1069. >and--
  1070. >you physically freeze, one leg in the tub, brain trying to slow the momentum of your hate and redirect the thought process
  1071. >you can't... wait... to go out and earn that paper
  1072. >you practically wince from the effort of forcing your head around that thought
  1073. >but dammit, you need every edge you can get if you're going to win this bet with Cherry
  1074. >and if that means pretending you don't hate working for Turner with every fiber of your being
  1075. >so be it
  1076. >besides, you checked the itinerary for the day at EOB yesterday
  1077. >it all looked fairly innocuous
  1078. >no problem customers, no absurdly heavy or bulky items
  1079. >the only thing that might take some work to get done is the delivery of records going to So Good it Hertz
  1080. >maybe you can convince the owner to culture you a bit or something while you work?
  1081. >not that he'll probably take much convincing
  1082. >record store owners always seem to have strong opinions on their customers' choice in music
  1083. >and they don't typically hesitate to share what "real music sounds like," either
  1084. >the rest of the day will be time to come up with more predictions
  1085. >or, y'know, just enjoy running around town
  1086. >not like everything revolves around this bet, right?
  1087. >oh shit, right, work
  1088. >might want to be clothed and on-time when you show up
  1089. >you towel off and throw a shirt over your head, still slipping one shoe on as you jog out the door
  1090. "Yada-dadaa, morning in Ponyville shimmers... morning in Ponyville shines..."
  1091.  
  1092. "Right, just sign here, Mr. Patina, if you could please?"
  1093. >the stallion nods sternly as you hand over the clipboard, then double back to grab the last box of
  1094. >you peek inside
  1095. >mustache wax?
  1096. >who orders a BOX of mustache wax?
  1097. >there's like 20 tins of it in here
  1098. >weird
  1099. >you set it down inside, and he hands over the now filled-out form
  1100. >admittedly, that is a goddamn impeccable handlebar
  1101. >you fold up the paper and put it with the others
  1102. >alright, quick trip through town and off to the music store
  1103. >as you round the corner, you see Mac hauling a cart almost twice as big as yours, full to the brim with bushels of apples
  1104. >how the hell do they even get them to grow year-round like that?
  1105. >you watch as the collection leans precariously
  1106. >aw shit
  1107. >can't let him lose all that product like that
  1108. "Mac! Hey, Mac!"
  1109. >the stallion looks behind him, that same doleful expression as ever
  1110. >"Ee...yup?"
  1111. >you set your cart down and jog up, climbing up and shoving one bushel back into line
  1112. >that'll keep it stable 'til he gets it where it's going
  1113. >you give him a thumbs up and he gives you a nod
  1114. >some guys can say volumes without uttering a word
  1115. >good deed for the day: check
  1116. >now to get these records delivered
  1117.  
  1118. ...
  1119.  
  1120. >"...But their '72 tour? Awesome, man, just awesome. I mean, Great White Hope was like butter for your ears, y'know?"
  1121. "Mhm."
  1122. >you nod absent-mindedly as Mr. Perfect prattles on about Styx, putting two more copies of "Greatest Hits: Chicacolt" in place
  1123. >when you actually schedule this shit accurately, it's not nearly so bad
  1124. >and you actually kind of knew where some of these went
  1125. >horse puns could be obscure, but when you saw what was obviously supposed to be an MJ homage, you knew where to put it
  1126. >same with the Stallion in Black
  1127. >as you grab the next record, you notice a familiar group of faces
  1128. "Hey, Pitch, you know these artists, by any chance?"
  1129. >"Hmm?"
  1130. >you hold up a different record of S.A.W.S. and the Valley than the one Cherry had at her place
  1131. >he pulls a face as he recognizes what you're holding
  1132. >"Oh, them? Eugh, unfortunately. Can't fault them too much, they're mad famous... but that don't make 'em good, you know what I'm sayin' m'man?"
  1133. >you nod
  1134. >can only imagine what Berry might have to say about that response
  1135. >probably would count as another tally in her book
  1136. >but your curiosity's piqued now
  1137. "You mind throwing it on, just so I know to duck out when I hear them start playing?"
  1138. >"Rather not, dude..."
  1139. >you give him a look
  1140. "C'mon, one song. They've gotta have at least one song you can stand."
  1141. >the bearded stallion taps his chin a couple of times
  1142. >"Ehhhh... well, I guess that one off their last album wasn't bad..."
  1143. >he trots over and grabs another record further back
  1144. >oh hey, that's the one CB had on her phonograph
  1145. >cool
  1146. >he flips it over to the back, setting the needle down and listening for the right section
  1147. >he gives it a little nudge, skipping a couple of songs
  1148.  
  1149. Biiig giiirls doooon't cryyy! Biiiig giiirls doooon't cryyy...!
  1150.  
  1151. >your brow furrows as you listen to the stallions' croons fade out
  1152. >"Ugh, hate that one. This one here's not bad though."
  1153. >you'd swear you recognize that voice from somewhere
  1154. >I mean, jeez, how many falsetto stallions do you know?
  1155. >drumkick, cymbal, kick-kick cymbal
  1156. >wait
  1157. >no way, seriously?
  1158. >the piano comes in, and the pieces click together like magnets in your head
  1159. "...Oh. Oh my god, dude, yes!"
  1160. >Summer, Autumn, Winter, Spring
  1161. >the fucking Four Seasons
  1162. >and Valley
  1163. >aw shit son
  1164. http://www.youtube.com/watch?v=OL_vYpRUwYU
  1165. >you can't help it
  1166. >you join at the chorus, head bobbing along as you sing
  1167. "As I remember, what a night."
  1168. >you spin, pulling a stack back far enough to drop the records in your hand into place
  1169. >grab two more
  1170. "Oh what a night, late December back in '63! What a very special time for me, oh what a night!"
  1171. >you jam along, ersatz Dolly Parton and Daft Punk albums slipping into their rightful places as you try to match pitch with the Valli knockoff
  1172. >(you can't, Anon, nobody can)
  1173. >doesn't stop you trying though
  1174. "Y'know I didn't even know her name? But I was never gonna be the same... what a lady, what a night!"
  1175. >you let the stallion on the record take the next verse, just letting the groove take you over as you sort records in a fugue state
  1176. >that funky little breakdown in the middle with the guitar does nothing to calm you, either
  1177. >goddamn, you might have to smack the shitty taste right out of Pitch Perfect's face for insulting these ponies
  1178. >you're easily two thirds of the way done by the time the song fades out
  1179. "Dude, don't lie to me again, huh?"
  1180. >you joke as you put another couple vinyls away
  1181. >"Whuh?"
  1182. "That song. That was rockin'!"
  1183. >"Pfff... some people, man."
  1184. >you smirk as you continue to work
  1185. "Beats that duo, what, Haul and Oats?"
  1186. >"Don't you talk shit about them, man, Rich Girl was a masterpiece."
  1187. >pfffft
  1188. >no
  1189. >no it fucking wasn't
  1190. >but you're close enough to done that you won't bother proving how right you are
  1191. >you put the paperwork on the counter for him to sign while you work on those last couple records
  1192. >hmm
  1193. >might have to come back here to spend some tip money
  1194. >if they've got tunes like that, you could spare the cash for a record player
  1195.  
  1196. >you come into the office, soaked with sweat just like always
  1197. >no matter how well you plan, there's always something that makes you bust ass to even try to get done on time
  1198. >but y'know?
  1199. >as far as days go, there's been a hell of a lot worse than today
  1200. >if you're being honest, 10 minutes late is like a personal record for you
  1201. >you jangle the keys in your pocket, grabbing the right one and unlocking the office door
  1202. >of course Turner's already long gone
  1203. >you sigh and pull the sack of bits out, counting out the sum that you owe the business
  1204. >time to get over to Cherry's place
  1205. >"Hey."
  1206. >...or not?
  1207. >she's standing at the door, pawing morosely at the ground
  1208. "Uh, hey... what's up?"
  1209. >you put on your best smile, hoping your mood might be a little contagious
  1210. >maybe?
  1211. >she just deadpans you until you drop the smile
  1212. >okay, obviously not
  1213. >"Let's get this over with now, you mind if I come in?"
  1214. >she pushes by you without an answer
  1215. >yeesh
  1216. "Sure, sure. Is everything okay? You sounds... stressed."
  1217. >she narrows her eyes at you even more
  1218. >they're practically closed
  1219. >gooby pls
  1220. >rather than answer, she flops out her book again
  1221. >oh man
  1222. >that is a lot of checked off shit
  1223. >and... oh god, are those singe marks?
  1224. >eesh
  1225. >you read through a page or two
  1226.  
  1227. [x]Party cannon malfunction
  1228. [x]no break at work
  1229. [ ]have to work Sunday
  1230. [x]have to work Saturday
  1231. [x]monster attacks Ponyville
  1232. [ ]apples out of stock again
  1233. [x]weather team can't keep skies clear
  1234.  
  1235. ...
  1236.  
  1237. >ye lord
  1238. >you put your book down as well, but don't bother to flip it open
  1239. >instead, you go back into the office proper and grab the first aid kit
  1240. >poor gal
  1241. >you dab some alcohol on a cotton ball as you walk back out to the public area
  1242. >she's engrossed in your predictions
  1243. >not that too many of them apparently came true, given how few check marks she's made so far
  1244. >but at least a couple of them make her chuckle
  1245. >she lets out a hiss of displeasure when you dab the cotton on her forehead
  1246. >"Owowww..."
  1247. "Yeah, yeah, I know. It's good for you though."
  1248. >you wipe up the cut, then put a bandaid on over it
  1249. >TT was a cheapskate and got the kid's bandages because they're cheaper
  1250. >so in addition to being injured, now your favorite pessimist mare has a sad-looking cat saying 'ow' on her temple
  1251. >cute
  1252. >but you'll let it pass without comment, though, she looks like she's about ready to murder someone
  1253. >you do earn a couple of check marks on the later pages
  1254. >still not enough to even put you in league with her guesses, but every little bit counts
  1255. >"We good? Good. I want to get home."
  1256. >she practically spits as she closes the book
  1257. >you let out a sigh
  1258. >how're you going to fix this?
  1259. >dinner's probably out, and you can't come up with much more you could do to cheer her up...
  1260.  
  1261. >"You don't have to do this, y'know."
  1262. >you shrug your shoulders and continue on your way
  1263. >t'ain't no trouble, hell, it felt weird showing up as close to on-time as you had
  1264. >"This doesn't count."
  1265. >you nod resolutely and shift the weight on your shoulders
  1266. >you've carried heavier weights in your cart
  1267. >hell, she doesn't weigh near as much as three boxes of vinyl records
  1268. >"Seriously, I'm not checking any boxes in your book because of this."
  1269. "Mmhm."
  1270. >she glares over the side of the cart as the scenery rolls by
  1271. >jesus mare, can't you just enjoy a fucking free cart ride?
  1272. >you roll your eyes as she lets out another exasperated sigh and redoubles her efforts to not enjoy a goddamn thing
  1273. >no no
  1274. >reframe that shit, c'mon man
  1275. >you can totally understand why she feels that way, even though it's stupid to do so
  1276. >ugh, no
  1277. >it's completely valid to be upset when things don't go your way, and sometimes you just need someone to listen to you vent?
  1278. >yeah
  1279. >that sounds plausible
  1280. >you stroll along and take in the route to her house, for once focusing on the ponies around rather than the road that leads there
  1281. >it's actually not a bad neighborhood, even if the houses are a little samey
  1282. >you recognize a few ponies that you've made deliveries to, at various points
  1283. >like Mr. Davenport
  1284. >god, you hate delivering when he orders couches--
  1285. >er, you're thankful... for the times... he orders batches of quills?
  1286. >sure
  1287. >that'll work
  1288. >"I'm serious, I could just walk."
  1289. >you look back over your shoulder
  1290. "Are you uncomfortable or something?"
  1291. >"N-no... I just... "
  1292. "You don't want me to win because I'm being nice to you?"
  1293. >"..."
  1294. "It's cool, don't count it then. It sounded like you legitimately had a bad day, so relax. Tomorrow will be better."
  1295. >she just sits in silence as you plod along
  1296. >it's got precisely fuck-all to do with winning or losing the contest
  1297. >sometimes, people have bad days, you reason to yourself
  1298. >and there's nothing quite like having someone take care of you when things go wrong
  1299. >you pull up to her house, setting the cart down and walking around to let the tailgate down
  1300. >she doesn't let you get it undone before she hops over the edge and onto the street
  1301. >rude
  1302. "You've got everything, right? Still enough leftovers for dinner, you want me to grab you something from the store or something?"
  1303. >"Anon, seriously, I'm fine."
  1304. >cool, sounds good
  1305. >doesn't stop you from walking her to her door, but it's good to hear she's feeling better
  1306. "I'm serious, if you need some bandages or something, just give a shout."
  1307. >she just rolls her eyes and unlocks her door, slipping inside without much chance for you to follow
  1308. >just before the door closes, you manage to slip in a last word
  1309. "So, same time tomorrow?"
  1310. >there's just barely a crack that you can hear her through as Cherry pauses and turns back
  1311. >"Yeah, sure, sounds great or whatever."
  1312. >literally could not be more sarcastic
  1313. >you stand there for a longer few seconds than you're totally comfortable with, waiting for the click of the door closing that signals the end of your conversation
  1314. >and eventually you get it
  1315. >but before you do, you also get the one word you were hoping for
  1316. >sure it's quiet
  1317. >sure it's said so fast you have to take it on faith that it happened at all
  1318. >but that one little word makes it worth it
  1319. >"...Thanks."
  1320. >welp
  1321. >time to get the cart back to the office
  1322. >it's a long-ass way from here back to there
  1323. >and even longer back to your place
  1324. >plus you have to come up with another list of good shit that could happen to your newly-favorite angry mare
  1325. >...worth it, though
  1326.  
  1327.  
  1328. Day 2
  1329.  
  1330. >okay, new day
  1331. >c'mon Anon, let's get on this shit
  1332. >you sit down at the breakfast table, shoveling Scootal-O's into your face as you ponder how you're going to win this bet
  1333. >(geez, why are you so dead-set on winning this?)
  1334. >oh right, all-expenses-paid trip to a cool foreign country
  1335. >plus you want to prove Cherry wrong
  1336. >reframe, man
  1337. >you want to prove Cherry wrong when she says that bad things are destined happen to her, specifically
  1338. >better
  1339. "Wings, clouds, and horseshoes, pinions and blue moons..."
  1340. >you sing to yourself as you tap the pen on the page
  1341. >hrm
  1342. >you flip back a few pages, looking for inspiration
  1343. >...well that's interesting...
  1344.  
  1345. [ ]good service at diner
  1346. >fat chance, I hate going to the diner unless Hayburger's is closed
  1347. [x]mail delivery is early
  1348. [ ]time after work to work on designs
  1349. [F]nopony bothers you before bed
  1350. >I don't mind visitors in the evening, as long as they're not interrupting my work
  1351. [ ]....
  1352.  
  1353. >she's gone and annotated your guesses
  1354. >why would she give you that kind of advantage?
  1355. >you frown
  1356. >is this supposed to be a trick?
  1357. >dammit Anon, think positive
  1358. >even if she's just griping in the margins, you're going to trust it's to your benefit
  1359. >with that in mind, you try to build a bit of a profile on the mare you're dealing with
  1360. >good with visitors, hates interruptions
  1361. >tidy and calm bedroom, messy living room
  1362. >knows plenty of ponies by name, relatively few friends
  1363. >...
  1364. >she's a living contradiction, is what she is, you muse to yourself
  1365. >still, you scribble another page or two worth of predictions, aided by her notes
  1366. >as you set the book aside, you thumb through the paper
  1367. >blah blah blah, catoblepas stampede in Trotston, blah blah mostly cloudy with lows in the 70's, blah blah--
  1368. >ooh
  1369. >ooooooh, that might be good
  1370. >Celestia bless you, Namby Pamby, with your doubtless-unrewarding fluff pieces about local events
  1371.  
  1372. >"Ahhh, ohmigosh Anon, I'm so happy!"
  1373. >you kick your legs in a futile gesture, trying to squirm yourself back into a position that lets you breathe
  1374. >Ditzy has you in a bear-hug and is nuzzling her cheek against yours, giggling to herself
  1375. >this would normally not be an unenviable position, if it weren't for two things:
  1376. >one, as previously mentioned, that whole breathing thing
  1377. >two, both you and and the Ditz have been working all morning
  1378. >if she's not completely rank, you sure as hell are
  1379. >she finally releases you when you let out something between a gasp for air and a gag
  1380. >"Eeeee, I hope she says yes!"
  1381. >you suck in air after your impromptu stankboarding
  1382. "Wha-- what the hell're you so excited for? I mean, you can come too, no law against it."
  1383. >she blushes hard at the suggestion, seeming to ponder it for a second before shaking her head insistently
  1384. >"Anon, that's, I mean, no! You can't take me on a date with Berry, that'd be--"
  1385. >WHOA whoa whoa
  1386. "Wait, who said anything about a date? This is just a little concert in the park, it's not a date!"
  1387. >she cocks her head to one side, which actually seems to fix at least one of her eyes in your direction
  1388. >"But Anon... I thought you liked mares who weren't happy?"
  1389. "Well, okay, yeah there is that--"
  1390. >"And Cherry Berry's the unhappiest mare in town!"
  1391. >are you going to have to report shots fired by Derpy of all ponies?
  1392. "Right, but--"
  1393. >"But she won't be for long, because now she's finally going to have a special somepony and you're going to be so good for her and aaaaaaahh!"
  1394. >she does another of those back-obliterating hugs
  1395. >seriously, you depend on that spinal column to carry things to the ponies who sometimes pay you
  1396. >besides, this truly isn't a date
  1397. >it's just two people who might have somewhat similar musical tastes enjoying an evening together
  1398. >but, looking at the clock, you're going to have to rush
  1399. >CB seems to like about two hours to work on her machinery before she knocks off for the night
  1400. >gotta ask before then
  1401.  
  1402. "Excuse... ghh, excuse me."
  1403. >you huff into the face of the stallion at the customer help desk
  1404. >to his credit, he hardly grimaces at all
  1405. "Can you tell me... if Cherry Berry... is working right now?"
  1406. >instead, he redirects all that customer-inspired hatred into his efforts to help, leafing through the schedule under his register
  1407. >good on him
  1408. >"Ah, she's supposed to be back in cosmetics, it looks like. Back of the store, on your left."
  1409. "Thanks, man."
  1410. >you make your way past the shitty low-end clothing, shitty low-end cookware, and... surprisingly high-end lighting fixtures?
  1411. >Rich-Mart is weird sometimes
  1412. >where is she...?
  1413. >c'mon, Turner's going to get bitchy if you're too late back to the office to start the afternoon shift
  1414. >ha, there she is!
  1415. >looking as sunny and jolly as ever
  1416. >her glare sweeps over you and it actually takes her a second to recognize you
  1417. >c'mon, you're literally the only human in Equestria, it's not like she can confuse you with "that other guy"
  1418. >"Anon? What're you doing here? Scoring's not until this evening."
  1419. >you nod along as she talks, eager to get to the goddamn point
  1420. "Right, right, and we totally will this evening, yes, but hey I've got a question for you."
  1421. >pulling the folded-up paper out of your back pocket, you open it up to the Local section
  1422.  
  1423. Come Enjoy a Weeknight Under the Stars with The Crooning Colts' Band!
  1424.  
  1425. The delightful sounds of the Crooning Colts will be filling the air in Ponyville's Palomino Square tonight, covering such well known artists as SAWS and the Valley, Preen Martin, and the Ponytones! These young but brilliant stallions will be sure to wow you with...
  1426.  
  1427. >she looks back up at you
  1428. >well, at least it's not a glare anymore
  1429. >instead, her other default expression of confused disbelief surfaces
  1430. >"Anon, I thought we agreed you weren't going to try to win by pulling this sort of crap."
  1431. "Yes, but--"
  1432. >"No buts. I'm not doing this."
  1433. "Cherry, c'mon, it'll be fun."
  1434. >"No! This is not how you're winning, Anon!"
  1435. "Okay, so don't count it, then."
  1436. >"Uggggh... Anon..."
  1437. >this is happening, you've decided
  1438. >you just have to find the right tack
  1439. "I said I wouldn't be ABLE to win just by me being nice. Not that I couldn't use it to my advantage."
  1440. >"Stop rules-lawyering, Anon, it's unbecoming."
  1441. "But you'll have a good time! C'mon, Cherry, is winning really worth not enjoying yourself over?"
  1442. >"...Yep."
  1443. >god dammit
  1444. "I thought the whole point of this was that your perspective was supposed to determine whether you had a good day or not."
  1445. >"Yeah, so? What's your point?"
  1446. "So... shouldn't my trying to be nice be part of the game, since all I'm trying to do is inspire you to change your perspective?"
  1447. >"Anon, I'm going to get back to work now."
  1448. >dammit, this really should've worked
  1449. >she turns her back to you and starts to trot away
  1450. >fffffffuuuuuuuuuuuuu
  1451. >okay, here goes nothing
  1452. >you bring your voice up to what might generously be called a high-pitched whine
  1453. >hope you can match pitch with someone who practically sings in the castrato range, 'cause you've only got one chance to nail this
  1454. "Chee-eeee-EEE-ee-e-r-r-y baaaaaaaby...!"
  1455. >the pink mare freezes in place as the stallion working in paint echoes back, and her ears perk up and twitch in the direction of your voice
  1456. >"Cherry baby!"
  1457. "Che-e-e-rry, can you come out to-night?"
  1458. >"Come come, come out toniiiight!"
  1459. https://www.youtube.com/watch?v=AapxXRlsdwA
  1460. "Che-eeee-EEE-eee-rry bay-ay-by!"
  1461. >"Cherry, baby..."
  1462. >you smirk as you see her tail sway ever so slightly in time with the song
  1463. "Chee-eee-rry, won't you come out tonight?"
  1464. >the one thing you've gotta love about horseplanet
  1465. >even if you can't carry a tune, you'll still get more than your fair share of backup singers who can
  1466. >true to form, the deep-voiced stallion from the customer service desk pops his head around one of the particle-board walls
  1467. >"Why don't you comeout?"
  1468. >"Come out?"
  1469. "To this twist party!"
  1470. >you pat her shoulder lightly, swaying as you sing
  1471. >"Come out...!"
  1472. "Where the bright moon shines..."
  1473. >"Come out..."
  1474. "We'll dance the night away..."
  1475. "I'm gonna make you m--"
  1476. >god dammit, you can't get record-scratched out of your own goddamn song
  1477. >Cherry's shaking her head
  1478. >is it like Guitar Hero or something, did you fuck up too many high notes already and fail the song?
  1479. >when she turns around, though, you can see she's doing her damnedest not to laugh
  1480. >all that effort for naught though, apparently, as she cackles at your rendition, wiping a tear from her eye
  1481. >"Pffft, hahaha, I-- I haha! Oh my Sweet Celestia, really?"
  1482. >you look over your shoulder at your impromptu back-up singers, but they're at least as befuddled as you are
  1483. >sonofabitch
  1484. >"Okay... okay, that was--"
  1485. >oh snap, did she think that was as awesome as you thought it was?
  1486. >"--terrible, Anon. Just... just terrible."
  1487. >you raised my hopes and then dashed them quite expertly, madam
  1488. >"But... ugh, fine, I might show up at that thing in the park this evening, if I get the design sheet for the ornithopter done."
  1489. >you break into probably one of the first genuine smiles you've worn all week
  1490. >"MIGHT."
  1491. >she emphasizes
  1492. >"And only on the condition that you promise to never imitate SAWS ever again."
  1493. >oh no no no, that's not happening
  1494. "...Fine, you'll never hear me sing it again."
  1495. >she rolls her eyes when she catches your meaning, before turning back to organize the rows and rows of eyeliner
  1496. >"Oh, and I'm still going to win our bet. You know it's not as easy as embarrassing yourself in front of me once, right? That doesn't make the universe hate me any less."
  1497. >uh huh
  1498. "I'm telling you, it's all in your head, it's this thing called confirmation bias. See, if you--"
  1499. >"Don't you have a job to do, Anon?"
  1500. >FUCK
  1501. >if Cherry had anymore to say, it was said to a dustcloud shaped vaguely like you as you sprint for the exit to get back and start your evening deliveries
  1502.  
  1503. "So, Frankie Valli, Dean Martin, some a'capella group..."
  1504. >you tick off the the artists the Crooner Colts will soon be imitating, trying to draw a conclusion
  1505. "Big Band? Like, Swing? What's the connection?"
  1506. >Cherry sighs beside you, looking around as if for an exit
  1507. >you didn't anticipate the line being this full, or you'd have suggested getting here earlier
  1508. >in retrospect, even if the shower after work was necessary, you could probably have avoided this if you'd not opted for your more formal attire
  1509. >not like most ponies would know the difference between semi-casual and slob-tier garbage
  1510. >now you're in the back half of a long-ass line
  1511. >shit's first-day-of-cider-season long
  1512. >like, Trixie's-first-performance-in-Ponyville long
  1513. >it's fuckin' long, alright?
  1514. >"They're all good artists, is all, Anon."
  1515. "Right, but what makes them good artists to you? I like some artists that make songs out of the noise coming off a construction site."
  1516. >she rolls her eyes, probably not believing you
  1517. >hey, Hardware Store was good, if a little longer than it needed to be
  1518. >"I don't know, they just sound... real, or something. It feels personal when they sing, not like it's mass-produced garbage to sell records."
  1519. >you nod, thinking over some of the songs you know in that vein
  1520. >maybe she'd enjoy a bit of Sinatra?
  1521. >any of the Rat Pack, actually
  1522. >you probably don't want to step into any of the Beatles, but it's feasible she might like some of their lesser-known stuff
  1523. >maybe go back to some earlier artists like the Mills Brothers?
  1524. >she leans out of line a bit to see what's taking the ticket-checkers up front so long
  1525. >"Ugh... let me see if this counts..."
  1526. >she pulls out her book and flips through it to today's predictions
  1527. >by the way her scowl deepens, looks like she didn't count on this
  1528. >you'll have to be spontaneous more often, she can't seem to postulate pessimistic predictions without prior preparation
  1529. >oh hey, while we're on that subject
  1530. "You want to do our check for the day now?"
  1531. >"Sure sure, let's see all the music- and concer-related predictions you have..."
  1532. >you hand over the book, smile widening as she flips through pages looking for something that isn't there
  1533. "I've been doing some thinking,"
  1534. >you explain as she hits the end of the pages you have written and looks up at you, eyebrow arched
  1535. "You're right, it's not fair of me to make specific predictions and then try to fulfill them, that's just a challenge for me to see how many good deeds I can do."
  1536. >Berry's ears swivel to you, to show she's listening even as she goes again through your predictions
  1537. >this time a bit more critically, since she's not hunting for signs of your obvious bias
  1538. >"Then... why'd you invite me out to see these stallions sing?"
  1539. "The point of the challenge was for me to show you that if you look for them, good things happen. I think it's fair for me to make good things happen, and if they happen to coincide with what I've written, then we can count it. Sound good to you?"
  1540. >she doesn't answer right away, still making notes in the margins of a couple of your predictions and checking off a couple more
  1541. >"I... guess that's okay..."
  1542. >she finally cedes, flipping the page
  1543. >"But how am I supposed to tell if you're doing something to be nice or to get points, then, huh?"
  1544. >her eyes jump up to meet yours in that uncomfortably intense stare
  1545. >pick your words carefully, Anon
  1546. "You don't seem adverse to putting in a lot of thought to whether each of my predictions happen,"
  1547. >you point out, nodding to some of the notes she's scribbled in
  1548. "So if you think I was doing something just for the points, make a note of it and don't count it."
  1549. >she holds her gaze a few more seconds, before returning to the task at hand
  1550. >hoof
  1551. >whatever
  1552. >"I guess... that's fair."
  1553. >you do a little fist-pump, and walk forward a few feet as the front of the line crawls past the ticket-takers
  1554. >getting closer, anyway
  1555. "So how'd the designs go, anything cool I should be looking overhead for?"
  1556. >she lets out a snort
  1557. >"Not even remotely, every time I stabilize one section of the wing, another part falls out of whack. I hate it, I've been studying pegasus flight physiology for months now, and even on paper I can see that there's no way to rectify all the internal stresses without using, like, magical polymers that can stretch or go taut like muscles do."
  1558. >she mimes out the way the wings are supposed to move
  1559. >or, as best she can without dislocating a shoulder
  1560. >wings and arms are physiologically pretty similar, if you're remembering right
  1561. >the idea of CB essentially tar-and-feathering her arms for aerodynamic purposes makes you chuckle
  1562. >huh... actually, that'd be an idea to suggest to her
  1563. "Have you tried any designs like a batsuit or something?"
  1564. >judging by the way she's staring, you guess the answer is no
  1565. >the second answer is what the fuck are you talking about who would make a suit out of bats?
  1566. "Sorry, I should explain. There are these suits back on my world, basically just modified parachutes, but they attach between the arms and legs,"
  1567. >you point from your wrist to your ankle
  1568. "and they use the increased air resistance to glide. I know it's not actually flying, but you might be able to use it if you have to, like, bail out of your balloon or something."
  1569. >you look down from all the pantomiming you've been doing to see your favorite grump scribbling notes furiously in the back of her "bad things" notebook
  1570. >well, guess that'll be a project for her to look at tomorrow
  1571. >without warning, she grabs your "good things" book out of your hand with her teeth, flipping through it impatiently
  1572. >when she gives it back, you've got another check mark:
  1573.  
  1574. [x]inspiration for a new invention
  1575.  
  1576. >not entirely sure that that counts, but if she's willing to give you credit, far be it from you to take it
  1577. >after a couple minutes, she seems to exit her fugue-state
  1578. >which is lucky, because if she'd taken too much longer she'd have been holding up the line
  1579. >you've had your jacket draped very carefully over your arm the whole time
  1580. >now it's time to see if your little gambit paid off
  1581. >you hand the ticket casually to the mare as you walk up, already moving past the braces-clad girl
  1582. >"Er, sir? I'm sorry, if you could just--"
  1583. >she waves you back
  1584. >doesn't she work at Hayburger's?
  1585. >you let out a groan and turn around
  1586. >"Sorry, sir, if I could just see your jacket a moment, I need to search it for disallowed items..."
  1587. >she seems really apologetic
  1588. >you hang your head and shift the from one arm to the other
  1589. >you almost got the six-pack through security without anyone noticing
  1590. >even Cherry looks pretty surprised as the periwinkle mare trots up to you
  1591. >"I'm sorry sir, no outside food or drink is allowed, I'm afraid I'm going to have to confiscate these."
  1592. >let's give this a shot
  1593. "Ma'am, I understand completely,"
  1594. >you start in, gesturing to the container as you talk
  1595. "But seriously, it's just soda, and I was kind of hoping I wouldn't have to shell out three bits a drink for a six-pack that costs six bits at the store. Is there any chance you could maybe let me carry in just two?"
  1596. >the pegasus mare looks conflicted, at least until you chance a glance over at Cherry
  1597. >after she sees that, the ticket-taker seems to piece it together pretty well
  1598. >"...Oh, alright, just... don't tell anyone, okay?"
  1599. >she whispers under her breath as she takes the container, now two sodas lighter, out of your hand
  1600. "Yes ma'am,"
  1601. >you whisper back as you shift the jacket carefully back over the bottles to conceal them
  1602. "And please, since I know you ponies are working hard, go ahead and drink those others; someone should, after all."
  1603. >you wink to her, and her smile brightens a bit as you rush over to meet Mustard Mane past the gates
  1604. >"You were trying to sneak sodas in?"
  1605. >she shakes her head incredulously at you
  1606. >as you walk to the row of seats on your ticket, you flash her a smirk
  1607. "No, the fact that we managed to get past with two bottles of soda is a bonus."
  1608. >as you scoot past ponies already seated, you pass one of the two Sparkle Colas back to your companion for the night
  1609. >"Huh?"
  1610. >as you sit down, you very carefully take your jacket from your arm and reach into its pocket
  1611. "They 'caught' me sneaking sodas in. Which means..."
  1612. >you pull out a small flask of rum that you managed to talk Berry into selling you
  1613. >the hour of work hauling barrels of whiskey around the back end of her shop was worth it
  1614. >how you'd manage to face pony-world sober, you still don't know
  1615. "...they didn't catch me sneaking in what I actually cared about keeping."
  1616. >you give it a shake for emphasis, hearing the alcohol slosh around inside
  1617. "Want some?"
  1618. >she looks around cautiously to make sure nopony else is listening in
  1619. >aww, is she actually worried about getting caught?
  1620. >it may be Ponyville, but this is still a concert silly filly
  1621. >you'd be surprised if you could swing a stick and hit somepony who WASN'T doing something "against the rules"
  1622. >she seems satisfied with her sweep and sits back down, still leaning in as close as she can to avoid letting anyone hear her
  1623. >"Absolutely."
  1624. >you pour a healthy dose into the bottle she's taken a few sips from
  1625. >then chug down a good third of your soda and pour a healthier dose in your own
  1626. >clinking the bottles together, the two of you sit back and watch as the lights dim and the Crooner Colts trot onstage
  1627. >"Y'know Anon,"
  1628. >she mutters, not taking her eyes from the stage
  1629. >"you're... not a completely terrible person sometimes."
  1630. >you make a mental note to get that emblazoned on a plaque to hang on your wall
  1631. >one day you may even get the coveted title of Not a Douche
  1632. >...one day
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