AchingScaphoid

why did i write this: misc. one-shots and stupidity

Apr 2nd, 2013
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  1. In response to the "Why is it ponies IN Earth?" posts (Tom counts as a pony shut up)
  2. The Unremarkable Life and Death of Thomas Daniels
  3.  
  4. >Day Tom on Earth
  5. >You are a boulder
  6. >But you're not just any boulder
  7. >You are a boulder FROM EQUESTRIA!
  8. >Unfortunately, boulders from Earth and Equestria are indistinguishable
  9. >You erode over several millenia and become dust before anyone discovers your secret
  10. >People stop complaining about the name of the thread because now you're part of the Earth and therefore in it
  11. >Your sacrifice is forgotten, but the consequences of it last forever
  12.  
  13.  
  14. Planetside 2 gets pone'd
  15. Your Best Is My Worst
  16.  
  17. >Day 'live free in the NC' on Auraxis
  18. >The nanites put your body together at the Indar warpgate, same as always
  19. >You suited up as an engineer and got ready to kill and die, same as always
  20. >You went to the vehicle terminal and had the nanites put together a Vanguard heavy tank with a 150 millimeter autoloading mixed chemical/magnetic propulsion main cannon loaded with high explosive shells, an E540 recoilless rifle in a remote mounting on the turret's roof, a heavy nanite mesh armor generator for when you don't feel getting the custom camo-job scratched, explosive reactive applique armor plates, and a high maneuverability chassis with neon blue undercarriage lights because FUCK LIGHT DISCIPLINE, YOU HAVE A TANK
  21. >You love your job
  22. >You could have made this tank closer to the front lines, but you feel like taking the scenic route to Crown Plateau, aka Grinder Hill, aka that stupid tactically insignificant rock that everyone fights over for some reason
  23. >It's an uneventful drive
  24. >You hit the cruise control and check the map on a straightaway
  25. >Looks like the Terran Republic fascists/commies/whatevers are attacking from Crossroads Watchtower across the valley
  26. >You drive over Snake Ravine and spot the motherload of dismounted infantry coming out of an Advanced Mobile Station
  27. >You drive a bit closer to get a better shot
  28. >And you hit two tank mines simultaneously, destroying you and your sweet ride instantaneously
  29. >Fuckin' tank mines
  30.  
  31.  
  32. >You get put back together at the top of "The Crown" and suit up as an engie again
  33. >You start walking around, distributing ammunition where it's needed
  34. >You go up to the top of the defense tower and settle in with the armored exoskeleton guys who are shooting down the TR's "Mosquito" interceptor jets with the twin flak cannons on their suits' arms
  35. >Slowly, the fighting dies down
  36. >You think that's kind of weird, because there are obviously still people attacking and defending
  37. >Everyone you can see from the top of the tower is looking at a single point
  38. >Dafuq is going on?
  39. >You lean over the guardrail to see what it is
  40. >It looks like some white horse unicorn pegasus thing with weird hair
  41. >It speaks in a loud, booming, female voice
  42. >"Quit yer shit! I'm taking this rock!"
  43. >EVERONE'S guns are aimed at her now
  44. >There is a single, omnidirectional *click* as you pull the trigger
  45. >"The fuck, man? My gun doesn't work!"
  46. >"Mine too!"
  47. >"This is bullshit! This thing's trial period ends in ten minutes!"
  48. >Horse lady speaks again
  49. >"YEEEAAHH I OWN THIS SHIT! FUCK OFF, ALL OF YOU!"
  50. "You took our guns, you bitch!"
  51. >"DAMN STRAIGHT, MOFUGGAS!"
  52. "Control is a means of oppression!"
  53. >"I want my gun back!"
  54. >"Nine and a half!"
  55. >Just then, a Mosquito pilot buzzes right over her head, no less than two meters from her and inverted
  56. >He's got the cockpit popped open and is yelling something
  57. >The Doppler effect makes it sort of hard to tell what he's saying
  58. >"lllleeeeOOOOONNNNEHHH IS BETTuuuuuuuuur!"
  59.  
  60.  
  61. >A chorus of agreement erupts
  62. >"Celestia is worst pony!"
  63. >"Booooo!"
  64. >"I didn't vote for you!"
  65. >"Nine minutes!"
  66. >You hear a whirring behind you, then silence
  67. >Someone is speaking in a scratchy, walkie-talkie sounding voice
  68. >It shouts
  69. >"TWILIGHT IS BEST PONY!"
  70. >Right into your ear
  71. >You look away from horse lady for a split second
  72. >Directly behind you, there is a Vanu Soverignty infiltrator in spandex and one of those weird robotic-ass helmets, force blade in hand, paused mid-stab
  73. >He let his cloak run out to say that
  74. "Ow! The hell, bro? My ears are ringing!"
  75. >"My bad."
  76. >Someone else yells out
  77. >"Applejack is superior!"
  78. >And then another
  79. >"Fluttershy or death!"
  80. >And then another
  81. >"Rarity is mai waifu!"
  82. >And then another
  83. >"Eight and a half!"
  84. >And another and another and another until it becomes an indecipherable rabble
  85. >This eventually becomes a fight between the TwiShyfags, the AppleDashfags, and the RariPiefags
  86. >Everyone got new guns, and the fighting started anew
  87. >Nothing changed on the day that Celestia got drunk and solo-capped The Crown
  88. >Just another day on Auraxis
  89.  
  90.  
  91.  
  92. In response to requests for another pony in LD + my weird conviction that Rainbow Dash would love kungfu movies
  93. LD-based one-shot: Dashie comes to Earth somehow. Goes fangirl, ruins everything. Film at 11.
  94.  
  95. "I'm just saying that I think you're unhealthily obsessed."
  96. >Her magenta eyes lock with your not-magenta eyes as she dives into a perfect eye-level hover
  97. >She's giving you the 'Jackie Chan' look
  98. >Yes, you actually had to come up with a name for that expression
  99. >It's a mixture of frustration at having to explain how awesome Jackie Chan is, disappointment for not liking Jackie Chan as much as her, and pity for those who will never know the joys of Jackie Chan
  100. >To the untrained eye, it's identical to the 'Wonderbolts' look
  101. >"No, Jake, you don't get it. This is JACKIE CHAN we're talking about, okay?!"
  102. "I realize that. We've had this conversation more times than I care to count."
  103. >"And it never gets through your thick zombie-monkey skull! Jackie Chan is awesome!"
  104. "I hear your voice repeating those words when I'm trying to sleep."
  105. >"And it still doesn't get through. Jackie Chan is the funniest, awesomest human alive. Twilight, is there a single word that means funny and awesome?"
  106. >"I need to wake up...It's all a dream...I need to wake up..."
  107. >Twi didn't exactly take it well when RD decided to 'borrow' your wallet for an unauthorized trip to Walmart last week
  108. >By the time you caught up with her, she'd already taken twelve DVDs, nine MLP figurines (the mane 6, Spike, Scootaloo, and an extra one of herself), confused a cashier, and was headed back to your house
  109.  
  110.  
  111. >When you caught up with her again, Twilight was in the pone equivalent of the fetal position and encased in a sphere of magic while screaming about how everything is impossible
  112. >The screaming stopped and the spell broke, but she hasn't moved since
  113. >Spike's been force-feeding her to keep her alive
  114. >Minutes after you got home, the police arrived
  115. >And then the FBI came a few hours later
  116. >Even the government had no idea what the fuck they're supposed to do in this situation
  117. >It took a while until they decided, "Fuck it. Seal them under an inflatable dome and do science to them."
  118. >Their words, not yours
  119. >There are CCTV cameras in every room, MRE's in the fridge, Geiger counters and shit taped to the walls, and a few platoons of National Guardsmen trying to keep the media and crowds at a distance
  120. >All this because Dash caught a Jackie Chan marathon on cable one day and couldn't help herself
  121. >Celestia sent you Dash's shredded certificate of Equestrian citizenship and a stern letter (not that it matters to RD, because she's not intent on going back anyway)
  122. >She still insists that it was "totally worth it, 'cause I'd marry Jackie Chan in a heartbeat if he wasn't already taken and also wasn't not a pony."
  123. "I don't think she can answer because YOU BROKE HER."
  124. >"I'm sure she'll get over it eventually. She just needs to see the bright side of it. We're famous!"
  125. "And this is the sort of fame we all wanted. Yipee."
  126.  
  127.  
  128. Inspired by the realization that these two characters share some alarmingly similar traits
  129. The Magic (Tragic) Schoolbus: Arnold Will Never Have A Normal Field Trip
  130.  
  131. >Day 'normal day at college' on Earth
  132. >Be Arnold M. Perlstein
  133. >You have the exact same class as you had in elementary school, middle school, and high school
  134. >How does that even happen?
  135. >All these people living totally separate lives, but they come together again and again through sheer chance
  136. >The answer is that there is a god
  137. >And that god is trying to drive you insane
  138. >The teacher you've had for the last 15 years is this god's representative on Earth
  139. >She's a witch
  140. >She's got a lizard familiar and a magic schoolbus in place of a magic broomstick
  141. >Ms. Frizzle is a witch
  142. >That's the only explanation for the things you've seen
  143. >A field trip to the outer edge of the solar system or the bottom of the sea is laughably infeasible
  144. >A field trip which shrinks its passengers to the size of plant cells or changes them into salmon eggs is totally impossible
  145. >But it's happened
  146. >You've been there and seen it happen
  147. >And everyone else in the class thinks it's normal
  148. >Phoebe was suspicious for a time
  149. >She said things like "This didn't happen at my old school!"
  150. >Wanda and Keesha expressed worry, but didn't seem to recognize that anything out of the ordinary was happening
  151. >Over the years, they've become accustomed to the reality-bending that occurs in this class
  152. >Now you're the last holdout of sanity
  153.  
  154.  
  155. >Every day, you hope for a normal day of school
  156. >Not normal for this class
  157. >Normal as in "what any other student would consider normal"
  158. >No field trips every day
  159. >No situations that science can't explain, or can't rescue you from if something goes wrong
  160. >No transforming into animals or going back in time
  161. >Just a normal day
  162. >You walk to the classroom with Ralphie and speak to yourself
  163. "Please let this be a normal day at school..."
  164. >Ralphie's still a jock
  165. >He hasn't changed
  166. >None of them change
  167. >They age, but they always wear the same style of clothes and act just as they did after they broke
  168. >Your wardrobe spontaneously replaced itself with an infinite number of striped yellow sweaters and blue jeans one night, and nobody cared
  169. >Not even your parents
  170. >You might be a student in this hellish class forever, and you'd be the only one who notices
  171. >Ralph smiles at you and gives the reply you've come to expect
  172. >"With the Frizz? No way!"
  173. >You groan like you were expecting him to say "I'm sure it will be normal"
  174. >He'll never say that
  175.  
  176.  
  177. >Arriving at the classroom, there is a glimmer of hope
  178. >There's a note on the door saying that Ms. Frizzle will be out sick today, and a substitute is taking her place
  179. >The usual students are gathered around the note, speculating about who the teacher will be and whether they'll take the class on a field trip
  180. >"Frizzle's not here?"
  181. >"Aw man, I was gonna give her this sketch I made of Liz."
  182. >"I wonder when she'll be back?"
  183. >A soft, rhythmic clicking comes from down the hallway
  184. >They all turn to see what the source of the sound is
  185. >You follow suit
  186. >It's a small, pink horse with a curly mane and tail, balloons painted on either side of its hips, and a small reptile dangling by its mouth from the horse's tail
  187. >And then it speaks in a high-pitched, enthusiastic female voice
  188. >"Hello everyhuman! My name is Pinkie Pie and I'll be your substitute for the day."
  189. >The entirety of the class ignores what this... thing just said, addressing it as Ms. Frizzle
  190. >"Oh, hi Miss Frizzle. You're a bit late today."
  191. >"Good morning, Frizz! How've you been?"
  192.  
  193.  
  194. >The pink creature returns their oblivious affection
  195. >"I've been alright. The Gyro-pedal-Pinkiecopter has been running a bit rough lately, but it should be okay for today's field trip."
  196. >You look for the note on the door, hoping to prove that this isn't Frizz, but the note has disappeared
  197. >Tim offers a drawing to the equine menace
  198. >"I brought a sketch for you. What do you think of it?"
  199. >"Nice sketch, Tim! It looks just like Gummy. Don't you think so, Gummy?"
  200. >The thing is looking back to its tail where the reptile hangs
  201. >It looks like some sort of baby alligator
  202. >It makes no acknowledgement toward its host's question
  203. >Despite this, 'Pinkie' balances the drawing on a front hoof and gives it to the reptile, which bites down on the paper to hold it against the limb it has clamped down upon
  204. >'Pinkie' returns to the conversation and praises Tim's work further
  205. >"Gummy loves it!"
  206.  
  207.  
  208. >In a hopeless gamble, you sidle up to Carlos
  209. >He seems to be the most far gone, but you can't whisper to anyone else without causing a scene
  210. "Psst. Carlos."
  211. >"What is it?"
  212. "Does anything seem off about Ms. Frizzle today?"
  213. >"I don't see anything. She's got the pet lizard, the frizzly hair, the works."
  214. "What about the hooves? Or the sick note on the door?"
  215. >"I don't know what you're talking about."
  216. >Carlos raises his voice to a normal volume
  217. >"Actually, now that you mention it, her voice sounds a tiny bit different."
  218. "You think so?"
  219. >The pink creature produces the classroom key from thin air, holding it with an invisible force to its front hoof
  220. >As it turns the key in the classroom's lock, you see a different note that appeared on the door while you weren't looking
  221. >This one says that Miss Frizzle is going to be late, not substituted
  222. >The pony-like animal winks to Carlos, who takes this as a cue to speak
  223. [spoiler]>"Yeah. She's a little horse."[/spoiler]
  224.  
  225.  
  226.  
  227. Inspired by HOLY SHIT IT'S BEEN TWO YEARS SINCE I STARTED WRITING LONG DISTANCE?! THIS WAS SUPPOSED TO BE DONE BEFORE SEASON 4 STARTED!
  228. At Least I Kept To My Deadline For Writing This
  229.  
  230. >Be a construction company executive
  231. >Specifically, an ACME Construction Co. executive
  232. >Paying a visit to a worksite that's going to be the crown jewel of the city and a perfect specimen of modern skyscraper design
  233. >Shit like this ain't been done before, not even in Dubai
  234. >This skyscraper's being built with magic
  235. >More than half of the work crew is ponies
  236. >The top deck is already half-done
  237. >Everything between the observation level and the business suites is literally hovering on clouds brought in by pegasi and magic fields made by unicorns, and the girders are specially reinforced by earth ponies to catch the top deck if it ever falls
  238. >You have no idea how earth pony magic can do that, but hell, even earth ponies don't seem to understand what earth pony magic is
  239. >At least all the testing and modeling's proven it would work
  240. >It should be stressed that this building is GOING to be the crown jewel
  241. >Unfortunately, it's way behind schedule
  242. >The purpose of this visit is to deal with the reason for the delays
  243. >And here it is now
  244. >You walk up behind the pink pony issuing orders through a walkie-talkie
  245. >She was selected for the job because she has a way of organizing crowds
  246. >Also because the people reading this are already going to be familiar with her character
  247.  
  248.  
  249. >"The five by fifteen banners need to be up by Tuesday at the latest. You've got the floor plan for where the refreshments and food will be, right? Yeah. The one I drew in crayon. Uh-huh, I'll have Dashie fly some more nails up for you."
  250. "Ms. Pie?"
  251. >The tiny hardhat jammed into her mane sways and wiggles as she turns to face you
  252. >"Foremare Pinkie Pie, reporting for duty!"
  253. "Yes, yes. I'm here to speak with you about your job."
  254. >"Actually, I've been meaning to ask: could we change my job title? Foremare sounds a lot like 'former,' but it also clearly has the word 'mare' in there. I think it might be sending the wrong message. I'm a mare, not a former mare! I'm probably always going to be a mare, and-"
  255. "Ms. Pie."
  256. >Your attempted interjection doesn't even register with her
  257. >"And I just thought that could offend some people who are really offendable. Maybe I should throw an 'everyone is who they are and that's great' party. I bet that would make them happy! Or maybe not. They're hard to ple-"
  258. "Ms. Pie, I'd like to talk about your performance."
  259. >This attempt manages to catch her attention
  260. >"I'm proud to report that worker morale is at an all-time high."
  261. >About that...
  262. "I'd commend you for that, but hosting parties in the construction site is not an acceptable use of company time and resources."
  263. >Confusion creeps across her face
  264. >"...It isn't?"
  265. "No, Ms. Pie. It is not."
  266.  
  267.  
  268. >"But it's only semi-weekly, and I pay for all of the food and decorations myself!"
  269. "We are aware of that. I'm not here to fire you, if you were wondering. I simply want to let you know that you must stop organizing and preparing for parties during working hours, and you may not host parties on company property."
  270. >Pinkie sticks out her lower lip and raises her eyebr-
  271. >Oh fuck, they warned you about this
  272. >She's giving you the puppydog eyes!
  273. >"If I can't host parties, how will I make the workers happy?"
  274. >Uh
  275. >UHHH
  276. "Well, I- er... I suppose you COULD have some parties here."
  277. >There's a hopeful twinkle in her eye
  278. >It's a sign that you've given way too much ground already
  279. >It's also a break from the irresistable cuteness of this pony when she's begging
  280. >You needed that break
  281. "But it's, uh... wouldn't they be better in the finished building, where you can share them with everyone?"
  282. >The pouting stops entirely, inverting into a tight expression of contemplation
  283. >A moment later, Pinkie responds
  284. >"All right, you've got a point. We are pretty far behind schedule, but most of the framework is done."
  285. "I'm glad you see it our way. Just remember, a building is more than a foundation and supports."
  286. >"Yeah, it needs to be filled in. This is ACME Construction, not ACME Scaffolds."
  287. "Indeed. By the way, Ms. Dash tells me she wants you to stop calling her 'Dashie' over the radio."
  288.  
  289.  
  290. Written for a certain holiday in 2015 after an anon's post reminded me it was coming up. Also my first non-anonymous story with the Ponies in(on) Earth original characters. Pillow Case a qt.
  291. Pillow Case's Irrational (but well rounded) Exuberance
  292.  
  293. "Casey, I thought you invited me over for brunch? This doesn't look like a normal brunch spread to me."
  294. >"That's because today's special. We've got to celebrate, Strawberry!"
  295. "Is it your second-and-a-half anniversary of moving to Earth?"
  296. >"That was last month. Have a look at my table. Maybe that will help you figure it out?"
  297. >You stare at the dining room table before you, trying to make sense of your friend's choices of food and decoration
  298. >There's a delicious-smelling raspberry pie steaming up inside a circle of pinecones at the center of the table
  299. >Two pink plates sit next to eachother on one end of the matching tablecloth, both places set with utensils and clear glass cups of a murky yellow liquid
  300. >At the other end, there's a circuit board just larger than your hoof trailing wires towards what looks like a webcam and digital clock that are stripped out of their casings
  301. >None of this brings you any closer to figuring out what's special about today
  302. "It all looks pretty random to me."
  303. >"It does? I thought it'd have a pretty clear pattern."
  304. "I skipped on having breakfast with Michael for this and I don't take coffee on an empty stomach if I can help it."
  305. >Pillow Case rolls her eyes, bringing a wing forward and lightly slapping herself upside the head with it
  306. >"Oh right, duh. I was so excited that I forgot you had the closing shift at the bar last night. Sorry for being so featherbrained. You deserve a few hints."
  307.  
  308.  
  309. >She saunters up next to the table
  310. >"Everything on the table has one thing in common."
  311. >You're not even sure what all of the stuff on the table is
  312. >"Today's date is what makes it special."
  313. >The fourteenth of March?
  314. >Still no idea
  315. >"Specifically, two letters are what they have in common."
  316. "I know my drinks, but I'm not sure what's actually in those glasses."
  317. >Pillow wraps a hoof around a glass and offers it to you
  318. >"I'm sure you'll recognize the taste."
  319. >You take the glass and sip at it
  320. >It tastes like...
  321. >"I filled them with p-"
  322. >Your eyebrows shift upward as you recognize the taste
  323. >Casey interrupts herself as she realizes you're putting it together
  324. >"... have you figured it out?"
  325. "Pineapple juice?"
  326. >She's so excited that her wings are doing little reflexive flaps
  327. >"Yup! So do you know what day it is?"
  328. >Well, it's Saturday, but pineapple juice is spelled P-I-...
  329. >Oh, you heard one of the bar patrons mention this last night!
  330. "Pi Day?"
  331. >She smiles and nods with her eyes shut
  332. >"Mhmm!"
  333. "I thought you were into programming more than math."
  334.  
  335.  
  336. >"Oh, but it's not just any Pi Day. It's THE Pi Day! 3/14/15 only happens once a century, you know!"
  337. >Huh
  338. >No wonder the guy last night seemed so excited
  339. "You wanted to share a once in a lifetime event just with me?"
  340. >She gives another smiling nod, looking you in the eye this time
  341. >"We've known eachother since we were fillies. I don't think anypony else deserves this more than you."
  342. "Aww, Casey..."
  343. >You walk to the table, put the cup down, and wrap your forelegs around her
  344. >A second later, you feel her reciprocate the hug
  345. >The two of you share the moment for the better part of a minute
  346. >It might last a little longer if you didn't have a question
  347. >You gently break the silence
  348. "One question, though."
  349. >"Yeah?"
  350. "What's that at the other end of the table?"
  351. >Pillow Case lets go with one hoof to gesture across the table spread
  352. >"That thing? It's just a Raspberry Pi."
  353. >Unless the pie moved, the two of you are talking about different things
  354. >A quick glance shows that the pie hasn't moved an inch
  355. >You drop one hoof off of her to point at the thing you're actually asking about
  356. "Not the pie, the circuit board. Is it supposed to be a 'Pi-le' of electronics?"
  357. >"Oh, that kind of board is called a Raspberry Pi. It's good for little programming projects. I bought it just for today."
  358. >Makes sense
  359. "What does it do?"
  360.  
  361.  
  362. >"Pretty much anything, but right now, I have it set up to trigger that camera seven seconds before 9:27."
  363. >Casey looks at the clock for a split-second
  364. >"Ooh! We've only got a minute left to pose. Scoot to the left a little?"
  365. >You shuffle a bit to the side, making sure to keep one foreleg wrapped around your friend while smoothing out your mane with the other
  366. >"Alright, fifty seconds. Let's say 'pi' after it beeps slowly three times in a row."
  367. >Both of you stare at the camera
  368. >The clock shows at least thirty seconds left now
  369. >Just enough time to ask another question
  370. "Pillow Case?"
  371. >"Yeah?"
  372. "Do you know that you're my very best friend?"
  373. >"I sure do."
  374. >The circuit board emits a single beep
  375. >A moment later, it beeps twice quickly
  376. >"Here it comes."
  377. >Beep
  378. >Beep
  379. >Beep
  380. >Both of you call out "Pi!"
  381.  
  382.  
  383. Inspired by a request for Vito to vector a grumpy royal guard mare in a specific situation.
  384. Stun-stick and Gas Mask Not Included
  385.  
  386. >"You, human!"
  387. >The gruff, feminine voice drifting into your ears from about waist-height could only mean one thing
  388. >Equine Neigh-borhood Watch
  389. >It's bad enough that pony neighborhoods in this city are gentrified as hell
  390. >Why do they insist on having these damn hall-monitors, too?
  391. >At least the shopkeepers are friendly and the streets are clean
  392. >Your sneakers scrape on the sidewalk as you turn toward the source of the voice
  393. >Sitting on a doorstep is the embodiment of the ENW stereotype
  394. >A cream-colored earth pony mare wears a cheap imitation of Royal Guard armor, a radio headset, and a serious expression
  395. >"Come over here and put out your hand."
  396. >You roll your eyes and do as she says
  397. >She must want to check if you have dirt under your nails or something stupid like that
  398. >As you stop in front of her, she leans back on the steps
  399. >"Now put it on my belly."
  400. >Wat
  401. >You stare at her
  402. >She stares back
  403. >"Put your hand on my belly."
  404. >Okay, so you didn't mishear her
  405. >You rest your palm on her belly, just below her ribs
  406. >"Start rubbing."
  407. >Uh
  408. >Okay then
  409. >You slowly rub up and down her belly, keeping a good distance between your hand and the 'no-no' zone on the downward stroke
  410. >The mare closes her eyes and leans back further
  411. >A dopey smile comes to her lips as she taps a hoof on the side of her headset
  412. >"10-85, human conscripted for relaxation assistance."
  413.  
  414.  
  415.  
  416. Inspired by hearing "Christmastime in the City" one too many times and the distinct lack of Changelings in Earth stories
  417. Faust Food
  418.  
  419. >Be harvest drone 458
  420. >This number is to be displayed on the flank of your carapace at all times
  421. >Identities within the hive
  422. >How strange
  423. >It is an adaptation for a strange time
  424. >The Queen has relocated the hive to a planet called 'Earth' that the ponies discovered
  425. >Many caverns have been excavated from the dusty soil of a country known as 'India'
  426. >A central location on Earth's largest cluster of continents
  427. >The Queen is wise
  428. >Feeding is easier than it has ever been
  429. >Humans are the primary inhabitants of this planet
  430. >They are a strange species
  431. >Few other species would give their love willingly
  432. >And yet thousands of humans do so every day
  433. >Drones need not even leave the hive to make their harvests
  434. >Humans have created devices that can carry sounds from one location to another instantaneously
  435. >The hive has acquired many of these devices through commerce
  436. >A large chamber of the hive is dedicated to their use
  437. >The humans who are paid for their installation and upkeep refer to the chamber as a 'call center'
  438. >India has many call centers and can support them well
  439. >If the hired humans continue to describe the hive's odors using comparisons to vomit and unwashed flesh, other humans with similar expertise will not be difficult to find
  440. >The Queen is wise indeed
  441.  
  442.  
  443. >You are seated at one of the 'North American English' harvesting stations
  444. >The harvesting device has been placed before you on a slightly elevated platform with another device beside it for financial transactions and record-keeping
  445. >You are tethered to the device by a plastic implement that clamps over your head and extends toward your mouth
  446. >The chatter of hundreds of drones speaking dozens of languages pervades the chamber
  447. >Some impersonate estranged romantic partners and forbidden relations
  448. >Others impersonate the deceased or unavailable
  449. >Little time passes before your station trills for attention like a needy larva
  450. >You activate the harvest device and begin feeding, speaking in a gentle, female voice
  451. "Hello, and thank you for calling Ring-a-'Ling. You are speaking with operator #458. Will you be using our free, standard service or our premium service today?"
  452. >A female voice much like the one you presented replies through the device
  453. >"I- uh... standard. Standard service, please."
  454. >Excellent
  455. >No delay while financial information is exchanged, and no pointless description of reproductive acts
  456. >You can taste urgency in her words
  457. >She longs for someone desperately
  458. >This will be a good harvest
  459. "Good to hear! Please be advised that your phone service may charge you for this call. May I have your name and a description of the person you would like to hear from?"
  460. >"My name is- no. Please call me Laurie. I want to talk to a 5 year old girl."
  461.  
  462.  
  463. "Gladly. I'll need a couple more details before we begin. What is your relationship with this person, and do you have any special requests?"
  464. >"Yes, um, she would be my daughter. Call me mama, or something like that."
  465. >There is clear mournfulness in the voice of this female, 'Laurie'
  466. >You are engulfed by the bitter, unpleasant taste of death
  467. >This harvest is quite uncommon
  468. >Requests for deceased relatives are usually for elderly humans
  469. >Perhaps the Queen would sympathize with this female; she mourned those who could not be found after the attack on Canterlot
  470. >No matter
  471. >The harvest continues
  472. "We're almost ready. I'm going to start with some test phrases and you can tell me if you want any adjustments made."
  473. >You clear your throat, mostly for effect
  474. >When you speak again, it is an imitation of what Laurie's voice may have been years ago
  475. >You add a slight lisp to simulate a young human's dental development
  476. "Is there anything you want to change?"
  477. >"Yes! I mean no! That's perfect. Please, I just want to get started."
  478. >You switch back to the voice of an adult female
  479. "Okay. Before we begin, I am legally obligated to tell you that if you suddenly feel ill, fatigued, or get a strong headache, you should hang up immediately. Shall we begin?"
  480. >"Yes. Please."
  481. >Quite uncommon
  482. >How coincidental it would be to perfectly impersonate a voice without instruction
  483. >Some other factor may be at work
  484. >It shall be determined later
  485. >This female is eager to begin feeding you
  486.  
  487.  
  488. >You alter your voice to the one which pleased Laurie
  489. "Hi, mama! Can you hear me okay?"
  490. >There is an immediate, intense rush of love
  491. >It is purer and sweeter than any you have ever tasted
  492. >You were not prepared
  493. >"Hi sweetie. It's so good to hear from you. How's my Meggy?"
  494. >Conscious effort is required to maintain your facade
  495. >Too much love
  496. >There should not even be such a concept
  497. "I'm okay. I used some crayons to draw Santa! I'd show it to you, but the phone doesn't have pictures."
  498. >"That's okay, dear. I'm sure it looks great. Maybe I could draw with you sometime."
  499. >Already you feel as if you have taken five calls in a row
  500. "That sounds fun! Promise to do that with me?"
  501. >"I promise. Cross my heart and hope to fly, stick a cupcake..."
  502. >You concentrate as best you can to calculate what words she will speak next
  503. >With great effort, you say "in my eye" without breaking your impersonation
  504. >The female speaks the same words synchronously to your own
  505. >She laughs
  506. >You giggle along with her
  507. >The flow of love becomes bittersweet and begins to abate
  508. >You hear a sigh through the harvest device
  509. >"... Thank you. If I could have children, I'd want it to be like that."
  510. >On cue, you return to the voice of an adult female
  511. "We take pride in the quality of our service. Would you like to continue?"
  512. >You are unsure if you are capable of continuing
  513. >Excess love is beginning to seep from the holes in your appendages
  514. >"No. I think I've had my moment."
  515.  
  516.  
  517. "Very well. We hope you'll call back soon!"
  518. >"Thanks again."
  519. "You're welcome. Have a pleasant day."
  520. >A click sounds through the harvesting device
  521. >Love stops flowing into you
  522. >You hastily set your harvest device not to resume harvesting
  523. >The feed receptacle at your station is partly full from prior harvests
  524. >You scramble to replace it with an empty one which had been set aside and hunch over it
  525. >Green globs of jelly that are nearly the size of your head spew forth from your mouth, marked with pheromones indicating that they are to be delivered immediately to the Queen
  526. >This process takes inordinately longer than usual
  527. >You have never felt so full before
  528. >That was a very odd harvest
  529. >A female which sounded to be within breeding age had you play the role of a child she claims to be incapable of birthing
  530. >Her identification number will be archived and designated for priority harvesting
  531. >The hive will feed well today
  532.  
  533.  
  534. Inspired by an argument over what historical figure gets the Element of Honesty in a "My Little Human" spinoff for Equestrian TV
  535. He Cannot Tell A Lie
  536.  
  537.  
  538. >Be young George WashingtAnon
  539. >You have been left home whilst your parents are out for various errands
  540. >Mistress Applejack is to care for you in the meantime
  541. >She is an odd woman
  542. >Her accent is odd
  543. >She insists on contracting the word "you" and "all" when addressing a group, for example
  544. >Her garb, and lack thereof, is odd
  545. >Naught but a bizarrely misshapen tricorn
  546. >Her body is even odder still
  547. >In simple terms, she is an orange pony with oversized facial features and a depiction of three apples on either side of her hips
  548. >Were that not strange enough, she just gave you nap time while the sun is still three full hands-widths above the horizon
  549. >Total bullshit
  550. >Disregard the constabulary, you're playing outside
  551. >You open the bedroom door with caution
  552. >Mistress Applejack is resting a room away with her back to the door
  553. >You exit the house in the direction opposite to her
  554. >Be outside
  555. >Still feeling rebellious
  556. >Retrieve axe
  557. >Approach cherry tree on property
  558. >You swing the axe with all of your youthful might
  559. >THWACK!
  560. >Oh fuck, that was louder than expected
  561. >Already there's the sound of hoofbeats inside your home
  562. >THWACK! THWACK! THWACK!
  563. >The hoofbeats approach
  564. >You keep thwacking it like a lonely teen on prom night
  565. >"George, what in the blazes-?!"
  566. >THWACK!
  567. >Crackle, thump
  568. >Rice Crispies
  569. >You have felled the cherry tree
  570. >"Consarnit, George WashingtAnon! Your pappy's gonna be right mad with you when he gets home!"
  571. "Not if I tell him you did it."
  572. >Mistress Applejack scowls and stares you in the eye
  573. >She approaches until you are nose-to-nose with her
  574. >"That there's a lie. I don't care much for liars."
  575. >Many children of your generation die before adulthood
  576. >You gulp and silently swear not to become one of them
  577. "Okay, I'll tell him I did it."
  578. >"Good. Now, would you care to tell me WHY?"
  579. "'Cause cherries are stupid?"
  580. >She smiles and ruffles your hair with a hoof
  581. >"I knew you listened to me! Midget apples like those oughta get put out of their misery."
  582.  
  583.  
  584. Inspired by someone commenting that "laws aren't just for protecting me from you, but also for protecting you from me."
  585. An Uncompromising Vigilante
  586.  
  587. >Be Anonymous, better known by pseudonym and real name:
  588. >Horsechach
  589. >No, not pronounced like 'horse cock'
  590. >God dammit everyone makes same mistake
  591. >Public possibly obsessed with horse penis if mistake is common
  592. >Must investigate further
  593. >The public, not horse penises
  594. >Hrm
  595. >Being vigilante harder than expected
  596. >Too often involves dicks
  597. >Not detective kind
  598. >Must continue
  599. >Streets are full of scum and other things which would make good monologue material
  600. >Make note: metaphor about clogged gutters and flooding
  601. >Prime source of scum, ponies
  602. >Too friendly
  603. >Won't leave people alone
  604. >Pony approaches
  605. >Light green unicorn mare, unkempt mane
  606. >Golden harp cutie mark
  607. >Known serial friend-maker Lyra Heartstrings
  608. >"Hi there! How's it going, Anon?"
  609. "Not name. Horsechach. Go away."
  610. >"But I don't want to. I'm gonna make friends with ALL the humans."
  611. "NOT TODAY."
  612. >Reach into pocket in fast motion
  613. >Retrieve spray bottle in slow motion
  614. >Point bottle in pony's face in fast motion
  615. >Pull trigger in super-slow motion
  616. >Barely sprays at all
  617. >Trigger pulled too slowly
  618. >Pull trigger at reasonable speed
  619. >Spray of justice and lukewarm tap water strikes foe
  620. >"Hey!"
  621. >Foe not deterred yet
  622. >Continue spraying
  623. >"Could you please not?"
  624. >Pleas fall on deaf ears
  625. >Spray again
  626. >"You realize I'm used to this by now, right? Every other human does this to me."
  627. >Lower spray bottle
  628. >Grab foe by horn
  629. >Pull into headlock
  630. >"What-"
  631. >Retrieve secret weapon
  632. >Looks like switchblade
  633. "YOU DON'T MAKE FRIENDS WITH ME."
  634. >Flick open weapon
  635. "I MAKE FRIENDS WITH YOU."
  636. >Is actually comb
  637. >Begin styling mane
  638. >Brushie brushie
  639. >"Are you going to do this every time I try?"
  640. "Maybe. Better to keep in suspense. Brought mirror this time, like asked. Payment?"
  641. >"Here ya go."
  642. >Minty hoof holds up hard candy
  643. >Likely from 'best friend'
  644. >Take
  645. >Eat
  646. >Ronch ronch ronch
  647. >Tasty
  648. >"You chew hard candies? Wow, no offense but you're a weirdo."
  649. "Took long enough to notice."
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