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A Brief History of the Clowns In America

Jul 20th, 2019
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  1. A Brief History of the Clowns In America
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  3. In order to really appreciate and understand where we are today, knowing the history of how they got started and their first couple decades of existence helps a lot, so I'll share with you what I've learned from the rabbit holes I've explored the last couple years.
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  5. I first really started diving into the subject of how the clowns got started because of an anon on twatter that a group of activist/truther friends and I started following a few months before Q got going. This poster was dropping a lot of breadcrumbs about his family's connection to the clowns including his grandfather having been part of creating the agency with one other person. He told us the name of the other person, William "Wild Bill" Donovan, but only gave us breadcrumbs about his grandfather. So I took those crumbs, did some digging and baking, and came up with a name that seemed to fit not just the clues I had, but made a lot of sense as to why this was a very important figure in the building of the apparatus and ranks. I never got a confirmation from the poster, I did ask, but that doesn't change the true story of Hollywood director John Ford and his involvement with the creation of what would become the CIA.
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  7. I'm not going to cover all the details of his career as a filmmaker or his start in the intelligence service, you can IMDB him and get a good bit of his Hollywood background and a decent bit of his and his family's bio. Here is a bit of a bio and military service profile from the CIA's website - https://www.cia.gov/news-information/featured-story-archive/john-ford.html and here is a more in depth history of his service that has a few interesting and notable points in it - https://warfarehistorynetwork.com/daily/wwii/john-fords-navy-a-filmmaker-in-the-oss/ . A quick summary is that he was a bad ass movie maker, a bad ass in the face of danger, and a real Patriot who loved this nation enough to stand in the line of fire with just a movie camera in order to tell the story.
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  9. This next part of the story I am going to tell as if that anon poster on twatter is legit because I cannot find a better candidate to fit what he described as his grandfather, and regardless I can't find a better figure to describe as second fiddle to Wild Bill's creation of the OSS which became the beast we know as the clowns now. Wild Bill was selected for his ability to organize conventional intel services, which had existed prior to WW2 but always under direct military service control.
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  11. John Ford brought 32 other movie makers from Hollywood, brought their movie magic, and the availability of a whole new spectrum of interface with the American people, and world citizenry. John Ford back then would be like a combo of Martin Scorsese and Stephen Spielberg in standing and impact to the cinematic world, but he was the guy at the helm when it was all starting. And this bad ass Patriot was willing to give what he had to help fight the evils he saw with the Japanese and Nazi world domination scenario being playing out.
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  13. Among the assets that Hollywood offered during and after WW2 was a constant flow of willing figures to be utilized by the intel services. And just in this list of six notables you can see so much crossover including UK>US interface (Carey Grant), the male sex honeypot (Roald Dahl), mafia>clown carriers (Sinatra), and other more mysterious interactions (Julia Child) - https://thoughtcatalog.com/marie-mobery/2014/08/6-celebrities-who-were-also-spies/
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  15. When the war was over the OSS was supposed to be dissolved, that's the way it was sold to congress and that's how Ford understood what he had helped create would conclude. When Ford realized that wasn't the reality there was a falling out between Wild Bill and Ford, but Ford wasn't in control. We know that a considerable number of Nazi's were folded into American programs via the intel/secret services via Op Paperclip. It's also important to note that the UK intel services were heavily involved with getting our now permanent "intelligence" agency up and running, and both of the US and UK worked together to get Israel established in the ME, so it's safe to say that these three nation/state's intel services have always had a cooperative working relationship and a shared vision of the future. I don't have a lot more about John Ford, but his offspring and grandchildren kept some involvement in the film industry, and maybe the intel industry if my theory holds true. Ford was involved with some documentary work (at least) for the US military (clowns?!) during the Korean War, which is were I'll jump to next in this story.
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  17. This next big set of crumbs come from an interview with David Wilcock (of History Channel's Ancient Aliens series and blog Divine Cosmos fame). I wish it was just about anyone else that was interviewing him than Seaman, but I haven't heard Wilcock talk about this anywhere else yet (if you have another DW source for this info PLEASE LMK!). You can check out that interview here - https://www.youtube.com/watch?v=iMZ3tIEMTMg The whole interview is pretty decent especially as a look back at where things were back then, and it's mostly all just info straight from Wilcock and not tainted by Seaman. The part most relevant to this story should be keyed up at about the 8 min mark.
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  19. The first big thing that gets referenced is a book by G. Edward Griffin called The Fearful Master which documents the UN's role in some bad things in the Korean war, including giving away US troop positions/actions to the enemy. Griffin has been better known for his The Creature From Jekyll Island book Red Pilling about the historical Fed Reserve scam. In The Fearful Master Griffin tells the tale of his research into how the US military Generals figured out that the UN was passing on US movements and positions to the enemy which allowed for responsive action/ambushes that killed thousands of our troops and prolonged the [war]. This is where they, the Generals and first real White Hats, developed their own efforts to counter what they saw as an effort to work against us within our ranks. This would have to be the clowns work, evidenced by the fact that the Generals didn't turn to them to deal with this serious problem with the UN.
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  21. Wilcock then moves us forward to the later 50's and introduces Howard Hughes as a character, in more ways than one. They discuss Hughes as the inspiration of the comic book persona Tony Stark which has a lot behind it, but then Wilcock goes on to talk about how he came to learn about the truly evil ways and means working within a shadow gov cabal in our system and how he aligned with the White Hat movement that was planning on eliminating this dark force that adhered to satanism.
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  23. The way Wilcock describes it, or what was described to him, is that Hughes uses "prostitute" honeypots to seduce info out of targets post coitus in order to gain the upper foot in the election to get WH JFK into office, and through that dismantle the clowns/DS/NWO infiltration. Backtracking my other research into all this the "prostitutes" being described are likely a pool of Hollywood Honeypots already trusted and utilized as assets that were flipped against their handlers by Hughes. I'm not going to argue that out here/now, but this is where I'm working from.
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  25. Howard Hughes at his time was like the pre-POTUS Donald Trump of the 30's-50's (seriously I'm not trying to make this a book, bare with me). He was a playboy businessman, initially advantaged as a heir, and an innovator that held a decent segment of media and controlled a major media outlet, he was not appreciated inside the box, and he always had to fight the system in his rise. Hughes owned RKO Picture Studios which was the biggest Hollywood studio at the time for a relevant time. My grandfather, Noah Dietrich, ran Hughes' businesses as his right hand man, and was his friend and confidant. My grandfather was especially infamous for making Hughes' visions a reality.
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  27. I'm going long already so I'm cutting this down to basically Hughes ran the reverse op against the cabal using Hollywood honeypots starting in '57 in league with the WHs, the same time he had the publicized "split" with my grandfather which I believe was staged, my grandfather kept control of Hughes $$ with his blessing through power of attorney for decades longer, and there are lots of rumors that Hughes switched with a known body double about this time. Noah always ran Howard's ops. I posit that this was part of The Plan back then and it almost worked... until the DS hit back in'63 taking out JFK.
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  29. Important and parallel to this is another revelation that came to me more directly than this online research. On his deathbed my grandfather called my estranged grandmother to say a few things, but one was specifically meant for relation to eventually me (my grandfathers book giving insight into his work with Hughes was also dedicated at the beginning to us children and grandchildren to help us understand). What he told her was that the Roswell incident was really an ETI craft crash and that the US gov had collected that vehicle and they, through the Hughes Aerospace division, were tasked to reverse engineering parts of it. Hughes aircraft and aerospace divisions then developed some of the first big advancements especially in satellites, secure communications, and eventually weapons from what I found in my research.
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  31. So all this culminates in the election of JFK, a good guy selected by White Hats supported by a coalition that included Hughes who had insider info and access into the Hollywood deep state, an understanding of the infiltration of a moral free society of satanists/luciferians into the state/gov, as well as understanding of ETI tech and how that was being both used and hidden from the public eye by those in corrupt power positions.
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  33. All of that meets an end in '63 in Texas. Not the end, but an end of a line. It sucked. It still sucks. Like Wilcock relates from his insider source, Kennedy had set things up to go back to a silver/gold standard currency among other moves, and was talking about breaking up the clowns and a secret gov in a couple of key speeches to prep the public. They stopped it, and made sure his family got the message a few years later. Hughes paid a dramatic price for sure. My grandfather paid a big price, and I think the rest of his most direct relatives/descendants have as well to some degree.
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  35. So there it is, as brief as I can get for now, the creation of a beast that was never supposed to leave the confines of the second world war, and the first real effort to put it down. There's a lot more that happened during this early time of their existance and ability to roam, like their relationship to the Sicilian mafia that started in WW2 and how they used that to connect with the Corsican mafia in France after the war to help put down a Peoples movement dissenting from an oppressive/fascist gov there by facilitating the import of drugs into their ranks. But for now I wanted to focus on how they started and how they used Hollywood for both propaganda and honeypots since the beginning, because that directly relates to the takedown of the Epstein, Weinstein, and NXIVM ops being run in the US by the clowns and their cohorts. Provided I still have an interested audience my next write up will start where this leaves off, with the assassination of JFK, and cover the story of the Prescotts>Bushs and Clintons, drug and weapons smuggling, human trafficking, Muslim terrorists and multinational gangs in the Americas, and illegal regime change and wars.
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  37. Mahalos for reading and feel free to share however works best for you!
  38. #WeAreTheNewsNow
  39. We are #TheGreatAwakening
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  41. Here's the last piece I did, which has a link to the first piece - https://www.facebook.com/aaron.dietrich.14/posts/10217675505031881
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