NHK VR E73 (12/14) w/Kanaria

NHK VR E73 (12/14) w/Kanaria

(0:00) Good evening, everyone! This is VTuber Suisei Hoshimachi.
(0:05) Today's guest is the creator behind the radiant masterpiece of the Vocaloid scene,
(0:09) the one who brought us the legendary song KING.
(0:12) To show respect to our guest today,
(0:14) I'm starting as a more intense "Suiking" version of myself.
(0:19) Alright, let's get started!

(0:22) VR VTuber Music Radio!

(Song begins)
(0:26) Let your voice be heard, let your voice resonate.
(0:32) Look, the words of "good morning" still haven’t faded.
(0:38) Raise your voice and search for the answer.
(0:44) Look, the meaning of my existence is still unclear.

(0:52) And with that, VR VTuber Music Radio has begun!
(0:55) I'm your host, Atsuko Uchida.
(0:56) This show spotlights VTubers—virtual creators who post videos and stream online using illustrated or CG avatars.
(1:00) It's a music program that showcases various VTuber songs
(1:05) and welcomes popular VTubers and creators as guests to spread the appeal of VTuber music to the world.

(1:15) Joining me today as my co-host is...
(1:18) the sparkling star in the VTuber world, the virtual idol herself,
(1:22) Suisei Hoshimachi!
(1:26) Suichan, as always, you're adorable.

(1:28) Thank you, Tamiyo!
(1:30) Acting as Tamiyo, you're doing great!
(1:32) I'm glad you picked up on that!
(1:34) Thank you. I'm honored!
(1:36) But, uh, it doesn't feel intimidating enough.
(1:37) Are you really "Tamiyo"?

(1:40) I'm glad you understood, though.
(1:42) Anyway, today’s guest is Suisei Hoshimachi,
(1:45) a beloved Hololive member and one of the most iconic VTuber singers.
(1:49) Thank you for being here, Suichan!

(1:51) Let’s start by introducing a listener's message.
(1:55) This is from Ikuchan, a male in his teens.
(1:58) "Suichan, Gucci, good evening!
(2:01) I'm part of the organizing committee for a choir competition in December.
(2:06) I've never taken on a role like this before, and I’m nervous about leading everyone effectively.
(2:09) Do you have any advice on how to manage or lead a group?"

(2:16) So, this is about leadership.
(2:18) Speaking of leadership, Suichan, you've excelled as the leader of Hololive's dance project,
(2:22) the Hoshimatic Project.
(2:26) You’re often in a position of managing others. Any advice to share?

(2:32) The Hoshimatic Project operates on the concept of me doing what I want to do.
(2:41) I have full decision-making authority.
(2:44) While I take everyone's input into account,
(2:49) once a decision is made, I ensure it remains final without wavering.

(2:55) If you keep second-guessing,
(2:56) everyone starts wondering, "What are we actually supposed to do?"
(3:00) While some people might think, "I prefer this other option,"
(3:05) you need them to set that aside and follow your lead.
(3:12) Otherwise, they'll feel stuck in their own opinions.
(3:18) So, standing firm on final decisions is key.

(3:22) That’s really important.
(3:24) Wise words, indeed!

(3:27) To wrap up, could you give some encouragement to Ikuchan?

(3:31) Ikuchan, your choices will guide everyone.
(3:36) Lead like a king and give it your all!

(3:42) And now, we’d like to introduce a song from the Hoshimatic Project.
(3:47) Suichan, please introduce the track.

(3:48) Sure! Here it is:
(3:50) "Get the Crown" by the Hoshimatic Project.

(Song begins)

(4:23) Crossing limits beyond borders, whose words are these?
(4:27) Tired clichés won’t reach me.
(4:31) No friends, no friends; they can’t touch me.
(4:34) It’s up to me, all I gotta be.

(4:38) Hey, go—keep moving forward.
(4:41) I charge ahead, unstoppable.
(4:45) The higher the wall, the better.

(4:52) I’ll grab the crown with these hands.
(4:56) I don’t need anything handed to me.
(5:00) Stand up if you want more.
(5:03) Yesterday’s self doesn’t interest me.

(5:07) Look into the future.
(5:08) I’ll create it myself.
(5:11) I’ll aim for glory.

(5:15) Grab the crown with these hands.
(5:19) I can’t be stopped.

(Song ends)

(5:24) That was "Get the Crown" by the Hoshimatic Project.
(5:28) It’s an original track by Suisei Hoshimachi’s unit.
(5:32) Lyrics and composition are by Chihiro Tamaki.
(5:35) I was deeply involved in its production.
(5:39) From selecting it during the competition to tweaking the intro,
(5:43) and even giving directions on how I wanted it sung,
(5:48) I had a lot of input in shaping the final piece.

(5:56) It reflects decision-making and responsibility at its core.
(6:02) I’m very proud of the result.

(6:03) This program is broadcast in mono.
(6:07) To hear the original songs with their intended sound quality,
(6:12) please check subscription services or platforms like YouTube.

(6:18) We’re also accepting song recommendations from listeners.
(6:21) Use our website form or post on X (formerly Twitter) with #VR.
(6:27) Feel free to share feedback, questions, or messages!
(6:30) We’re also welcoming comments, messages, and questions or advice requests for us.
(6:35) Let’s keep the excitement going together!

(6:54) Now, let’s dive into the favorite song recommendations from our listeners!
(6:59) Here’s a message from listener Tansetsu Hanpen, a female in her teens.
(7:02) "My favorite song is Thank You for the Encounter by Sumeshi-gumi.
(7:07) I listen to this song several times a day.
(7:10) As a huge fan of Sumeshi-gumi, I feel like the lyrics of this song really reflect the relationship among the three members.
(7:15) Their singing is so amazing that it lifts my spirits even when I’m feeling down.
(7:19) Suichan, I hope listening to this makes you feel energized too!"
(7:21) "Energized—definitely!"

(7:22) Such an adorable message!
(7:25) This request is for an original song by the Sumeshi-gumi unit,
(7:28) which features Nijisanji members Hirose Fuyuki,
(7:29) Yorumi Rena, and Kagami Hayato.
(7:32) Let’s take a listen to Thank You for the Encounter!

(15:01) (Song ends)
(15:04) It’s such a strong idol presence!
(15:11) Their visuals feel distinct compared to Japan’s VTuber culture—
(15:14) almost more grounded in reality.
(15:18) I think we’ll see more groups like this in the future.
(15:23) It feels like they’re pioneering this trend.
(15:26) I’d love to see more of this in Japan as well.
(15:30) It really feels like a fresh wave of innovation is coming!

(15:30) So far, we’ve been featuring the favorite songs of our listeners.
(15:33) Up next, it’s time for the Creator Spotlight segment!

(15:46) NHK Radio 1 presents VR VTuber Music Radio.
(15:52) Continuing on VR VTuber Music Radio, here’s the next segment:
(15:56) Creators' Voice, also known as Cribo!
(16:00) Cribo!
(16:01) Cribo!

(16:05) This is the segment where we invite the incredible composers who support the VTuber music scene
(16:10) to dive into their creative philosophies and inspirations—this is the Creator Spotlight: Cribo!
(16:15) So far, we’ve had amazing guests like Takui Noe-san, Tsumiki-san, and Natori-san.
(16:19) It’s a popular feature where we get to hear valuable insights from these creators.
(16:22) Every time, I learn so much from these episodes.

(16:27) All right, let’s bring out today’s guest!
(16:32) The creator for this session is...
(16:34) Vocaloid producer Kanaria! Welcome!
(16:37) Thank you for having me.
(16:38) Glad to be here!

(16:43) So, our guest today is Kanaria, the Vocaloid producer.
(16:46) Let me reintroduce their profile.
(16:49) They began their activities in May 2020 at the age of 17.
(16:52) Just three months later, their track King exploded in popularity,
(16:57) skyrocketing them to fame at the speed of light.
(17:00) A true young genius of Vocaloid music!

(17:03) They’ve collaborated with our very own MC, Suichan,
(17:06) and have provided music for talents like Murasaki Shion from Hololive
(17:08) and Chronoir from Nijisanji, making a huge impact in the VTuber music scene.

(17:16) Then, on August 24 this year, Kanaria made waves again.
(17:18) What caused the sensation?
(17:21) The announcement that Kanaria had become a VTuber!
(17:25) They began streaming activities in their virtual form,
(17:28) which became a hot topic in the community.

(17:30) Today, we welcome Kanaria, the brilliant music creator
(17:34) and newly debuted VTuber, for an in-depth chat about VTuber music.
(17:37) Thank you for being here!

(17:41) Thank you so much!
(17:44) I’m feeling a little nervous right now.
(17:46) You’re calling me a “brilliant music creator” and all...
(17:50) But it’s true!
(17:52) You really are a young genius!
(17:54) Please go easy on me today.

(17:57) Suichan, you and Kanaria have released two collaborative tracks:
(18:00) REQUIEM and NEVERFICTION.
(18:04) Is it true that it’s been a while since you last met?

(18:07) Well, Kanaria came to see my performance in Saitama.
(18:10) I was invited to visit backstage,
(18:12) and we talked briefly.
(18:14) Do you remember what we talked about?

(18:16) You were amazing—that’s what I said!
(18:21) That’s right, I remember now!
(18:23) Oh, and I made a mistake in the lyrics for NEVERFICTION during the performance,
(18:28) and I apologized to Kanaria.
(18:31) I didn’t even notice!
(18:32) You were so confident on stage.

(18:36) At first, there wasn’t much information about Kanaria, was there?
(18:41) Like, no one knew if you were male or female,
(18:42) or what kind of personality you had.
(18:45) But as we got to know each other...
(18:52) I realized something:
(18:54) You’re unhealthy.
(18:56) I feel like I need to make you healthy.
(18:59) I have this maternal urge to take care of you.

(19:01) Are you really that unhealthy?
(19:04) I wouldn’t exactly call myself healthy.
(19:06) Every time we meet, Suichan asks, “What did you eat today?”
(19:11) “Eat something nutritious!”
(19:13) She really wants me to eat healthy food.

(19:16) All right, let’s move on to a request message from a listener!
(19:20) This is from Dot Comet-san, a teenage male.
(19:24) My favorite song is REQUIEM by Hoshimachi Suisei and Kanaria.
(19:26) Kanaria’s fast-paced, insanely cool track combined
(19:28) with Suichan’s clear and stunning voice electrifies my whole body.
(19:36) It’s like mixing dangerous chemicals—you shouldn’t do it!

(19:42) Wow, that’s a great comment.
(19:44) This is a request for REQUIEM,
(19:46) the first collaborative song between Kanaria and Suichan, released in April last year.

(19:49) That song was...
(19:50) Actually written as a CM song.
(19:54) I wanted it to be a duet between a male and female voice,
(19:57) so I reached out to Suichan to collaborate,
(20:00) and that’s how the song came to be.

(20:03) So it was initiated by Kanaria?
(20:05) Yes, and I was so happy to be approached by them!
(20:08) Would you like to wrap it up, Kanaria-san?
(20:10) Why me?
(20:12) Because I really love your voice.
(20:16) That’s flattering.
(20:18) For people of all ages and genders…
(20:20) I think everyone would fall in love with it.
(20:22) Your singing style conveys so much emotion, but…
(20:29) It doesn’t feel overbearing or forced.
(20:31) It’s truly unique.
(20:33) Kanaria-chan.
(20:36) Then, Kanaria-san, could you please introduce the next song?
(20:39) Alright, here’s a request from Dot Comment-san.
(20:42) It’s Requiem, featuring Hoshimachi Suisei by Kanaria.

(22:36) Let’s take this momentum to talk about another collaboration song between Kanaria-san and Suisei-san.
(22:41) This time, it’s about Never Fiction.
(22:43) This track was released this August.
(22:45) Could you tell us how this second collaboration came to be after Requiem?
(22:48) When I watched Hoshimachi-san’s stream…
(22:55) She mentioned that the key in Requiem was quite high, and I thought, “True, it is.”
(23:02) So, for the next song, I decided to lower the key range a bit…
(23:09) And create something with a completely different vibe from Requiem.
(23:12) I’ve always wanted to make another duet song.
(23:17) So I reached out to her.
(23:19) I’m so glad! You were thinking about me.
(23:21) That’s why Never Fiction was so easy to sing.
(23:25) My main goal was to make something entirely distinct from Requiem.
(23:30) I worked hard to ensure the sound design was also different.
(23:35) It’s true; it felt completely different.
(23:38) It had a sort of R&B vibe…
(23:40) That’s exactly it.
(23:43) That’s the impression I got.
(23:45) Kanaria-san, you were present during the recording, right?
(23:49) Yes, I directed it.
(23:52) I go by “Director AI Kanaria” (laughs).
(23:55) Since I’m experienced in adjusting Vocaloid voices…
(23:58) I have a lot of specific requests, like, “Add a scoop here,” or…
(24:01) “Make this part breathier.”
(24:06) For example, “Use chest voice until here, then switch to falsetto,”
(24:09) Or, “Add a scoop at this point.”
(24:13) I deliver really precise instructions.
(24:16) They execute them perfectly.
(24:20) Then I just confirm, like, “How about this?”
(24:21) And they’re like, “Great, let’s do five more takes like that.”
(24:25) Exactly (laughs).
(24:27) But honestly, no matter how Hoshimachi-san sings,
(24:30) It’s always so cool and amazing.
(24:33) Beyond that, it’s a matter of personal preference, like…
(24:37) “I prefer pattern B over pattern A.”
(24:41) That’s how I usually suggest things, and she’s very receptive.
(24:45) Alright, now let’s hear Never Fiction in full.
(24:49) Kanaria-san, please introduce the track.
(24:51) Certainly. Please enjoy Never Fiction featuring Hoshimachi Suisei by Kanaria.

(26:40) You’ve just heard Never Fiction by Kanaria featuring Hoshimachi Suisei.
(26:46) This track, released in August,
(26:48) Was written and composed by Kanaria-san.
(26:51) When I first received it, I thought, “What an amazing song!”
(26:54) I started to solidify my interpretation of it and…
(26:58) Approached the recording with that mindset.
(26:59) Kanaria-san recorded her parts afterward, right?
(27:03) Yes, I usually record at home and finalize everything myself.
(27:22) It’s like a home studio with professional-grade equipment.
(27:27) I heard you’re a gear enthusiast?
(27:30) That’s not wrong.
(27:31) I see (laughs).

(27:35) Next, let’s listen to a cover that’s a must-mention when discussing Kanaria-san and VTuber music.
(27:43) First, we have a request message from a listener.
(27:46) Mei-san, a woman in her 20s, writes:
(27:49) “My favorite song is Kuzuha’s King.
(27:51) I love all his songs, but this one is my absolute favorite.”
(27:56) This is a cover of Kanaria’s iconic track King,
(27:58) Performed by Nijisanji’s Kuzuha in 2020.
(28:02) It’s one of the most popular covers in the VTuber scene, with over 50 million views.
(28:10) What does this song mean to you, Kanaria-san?
(28:13) I think King is an essential song when discussing VTuber covers.
(28:16) Kuzuha-san himself is like the “king” of male VTubers,
(28:21) So his character matches perfectly with the song.
(28:26) I’ve been listening to it a lot.
(28:33) Does Kuzuha-san know this?
(28:35) Probably not.
(28:37) Kuzuha, are you listening?
(28:39) I hope he is.
(28:42) It really fits his image.
(28:45) I deeply respect Kuzuha-san myself, and…
(28:49) Among male VTubers, he’s truly a king.
(28:53) He’s at the top.
(28:56) So when I heard the cover, I thought, “This is King.”
(29:00) It was because of this cover that I…
(29:05) Had the courage to ask Kuzuha-san to do a cover.
(29:06) I knew this track needed to be his.
(29:10) I wanted that regal aura,
(29:12) And only Kuzuha-san could embody it.
(29:18) Now, Kanaria-san, please introduce the song.
(29:21) Here’s Mei-san’s request: King by Kuzuha.

+(30:00)
(1:00) "That's how it is, right?"
(1:01) "Totally, totally."
(1:01) "And that's where a person's personal touch really comes out."
(1:05) "Oh, Suisei-san, you’ve also sung KING, haven’t you?"
(1:07) "How was it when you tried singing it?"
(1:10) "I lowered it by three keys from the original."
(1:13) "And then I thought, ‘Oh, this feels just right to sing.’"
(1:17) "I felt like I could bring out a bit of that KING vibe in myself."
(1:20) "So I worked hard to sing it."
(1:22) "As for Kaibutsu (Monster), I took like 100 takes for real."
(1:25) "What? Seriously?"
(1:27) "I couldn’t decide—should it be calm? Should it be intense? Should it be playful?"
(1:31) "I spent a lot of time worrying about which one was best, but now I’m happy with the one that's out there."
(1:36) "Ah, I see!"
(1:38) "Kanaria-san, have you listened to Suisei-san’s covers?"
(1:42) "Oh, of course, yes, I have."
(1:43) "I really like her voice. It’s very cool."
(1:48) "And yes, even with her Kaibutsu cover."
(1:49) "Since it’s originally a Vocaloid song, there isn’t really a definitive way to express certain emotions."
(1:54) "It’s up to the artist’s interpretation."
(1:58) "But Suisei-san’s interpretation of Kaibutsu totally aligned with mine."
(2:00) "I’m so happy to hear that!"
(2:02) "Glad I chose that version."
(2:07) "Do you often watch cover videos of your own songs, Kanaria-san?"
(2:11) "Yes, I do."
(2:13) "Sometimes they even pop up in YouTube’s recommendations."
(2:14) "Also, I’m personally a big fan of streamers and VTubers as a genre."
(2:21) "So I listen to a lot of different people."
(2:26) "From Hololive, I particularly love Omaru Polka-san’s Envy Baby and Laplus Darkness-san’s Demon Lord."
(2:30) "They really fit their personalities, don’t they?"
(2:35) "Yes, the themes match so perfectly."
(2:38) "It’s like the songs were tailor-made for them."
(2:41) "Exactly what I thought when I watched them too."
(2:44) "So, Kanaria-san, I’d like to ask you a question."
(2:47) "What do you think is the unique charm of VTuber music?"
(2:52) "Well, it’s definitely how the VTubers’ character traits and personalities."
(2:57) "And their songs create a mutual relationship that enhances both."
(3:02) "That interplay makes it incredibly compelling."
(3:05) "It’s not just the music itself; it’s also the MV production."
(3:10) "Because of their unique world-building, they can do things others can’t."
(3:13) "Thinking about all that while watching makes it so interesting."
(3:19) "True."
(3:20) "With VTubers, unlike real-world artists, you have so many different species and concepts."
(3:24) "Beast people, demons, aliens, and so on."
(3:26) "There are just so many."
(3:29) "I think everyone tries to choose songs that best suit their attributes."
(3:36) "Don’t you think so?"
(3:39) "When you’re creating songs for others, Kanaria-san."
(3:45) "Do you also consider their character traits?"
(3:47) "Oh, absolutely."
(3:48) "That’s probably the aspect I value the most."
(3:49) "While creating, having those character traits in mind."
(3:54) "Actually inspires ideas that I wouldn’t normally think of."
(4:02) "So it’s really fascinating."
(4:03) "Alright, now let’s hear one of the songs that embodies VTuber music’s unique charm."
(4:07) "Kanaria-san, which song is it?"
(4:10) "Yes, it’s a song I composed for Chronoir called Bloody Groovy."
(4:13) "Chronoir is a unit under Nijisanji, featuring Kanae-san and Kuzuha-san."
(4:17) "What did you focus on when creating Bloody Groovy?"
(4:25) "Before starting, I had a meeting with them."
(4:28) "They asked me not to write for Kanae-san or Kuzuha-san individually."
(4:31) "But to focus on the world of Chronoir as a unit."
(4:34) "That was challenging."
(4:36) "Their world involves vampires and newspapers, right?"
(4:46) "Kanaria-san, could you introduce the song for us?"
(4:54) "Yes, here it is, Bloody Groovy by Chronoir."
(5:16) [Lyrics from the song]
(5:53) "You’ve just heard Bloody Groovy by Chronoir, a Nijisanji duo."
(5:56) "This song, released in 2022, was composed by Kanaria-san."
(6:08) "For this song, I normally wouldn’t repeat the chorus melody as much."
(6:10) "But with their voices, it really works. It even elevates the coolness factor."
(6:13) "So I decided to go with that structure."
(6:16) "It turned out amazing."
(6:18) "Their expressive abilities are truly outstanding."
(6:26) "Kanaria-san, you recently debuted as a VTuber in August."
(6:33) "Can you share why you decided to become a VTuber?"
(6:42) "Well, at first, I wasn’t sure if I could even call myself a VTuber."
(6:46) "But the main reason I came forward was to address impersonation issues."
(6:52) "Also, I’ve always admired artists who maintain anonymity."
(7:04) "This style felt like the best way to balance being visible while staying true to that ideal."
(7:16) "I was also looking to challenge myself with something new."
(7:24) "After making music every day for so long, I felt like I needed a fresh start."
(7:42) "How has it been since you started VTuber activities?"
(7:46) "It’s been so much fun, but also really challenging."
(8:01) "Long streams, for example—those are tough!"
(8:10) "I have so much respect for people who do it all day."
(8:15) "Since Suisei-san is a veteran VTuber, do you have any advice?"
(8:25) "What’s something you’ve always held firm to?"
(8:35) "Doing what I want to do, no matter what."
(8:47) "Listening to fans is important, but staying true to yourself is essential."
(9:35) "That’s such inspiring advice."
(9:57) "Now, Kanaria-san, could you recommend a VTuber song from your perspective as a creator?"
(10:08) "I recommend KAF’s Eating the Past."
(10:13) "I love Kanzaki Iori’s compositions, and KAF’s voice makes this song unforgettable."
(10:16) And then, combined with KAF’s truly emotional and heart-stirring voice,
(10:22) I think it’s a song that really leaves a deep impression on your heart.
(10:25) Now, Kanaria-san, please introduce the song.
(10:28) Alright, let’s listen to it.
(10:30) Here’s KAF with "Kakowokurau" (Devouring the Past).

(11:06) Thinking that someone must be to blame,
(11:09) I didn’t even notice when my footing gave way.
(11:13) What were dreams and hopes supposed to be?
(11:16) Was this what I wanted to do?
(11:19) The past is waiting for us.
(11:21) Waiting with an accusing expression.
(11:24) If there were no loneliness or sorrow,
(11:29) I wouldn’t have sung these songs every time the night died.
(11:34) If your smile were here,
(11:37) I wouldn’t have given up.
(11:40) Because I remember your words,
(11:42) I didn’t need any comfort.
(11:45) Because I only ever recall the meaning of living,
(11:47) I constantly doubted kindness.
(11:50) If I could have laughed at your tears,
(11:52) I wouldn’t have known shame even now.
(11:55) Don’t let blessings waste away.
(11:57) The torn-up diploma turned into a night sky, waiting.
(12:02) I devoured the past completely.

(12:32) Opening

(13:03) By the way, how long has it been since you last went outside?
(13:07) About half a month, I think.
(13:10) I hadn’t gone out at all since it ended.
(13:13) I really haven’t gone out properly.
(13:15) Please continue to take care of your health.
(13:18) Yes, please stay healthy.
(13:19) And thank you for being here today.
(13:20) Our guest today was Kanaria-san.
(13:23) Thank you very much.
(13:24) Thank you so much.

(13:41) Alright, from here, we’re back to listener song recommendations.
(13:45) This is from a listener named Rigu, a man in his 40s.
(13:48) My recommended song is Rokarorin-san’s cover of Ghost (Piano Version) by Hoshimachi Suisei.
(13:55) It’s incredible how expressive their singing voice is—you wouldn’t think their native language isn’t Japanese.
(14:00) I’d love for everyone to give it a listen.
(14:03) Alright, let’s listen to it now.
(14:04) Here’s Rokarorin with Ghost (Piano Version).

(15:58) It feels like I've been letting this proof lie dormant all this time.
(16:10) That was Ghost (Piano Version) by Rokarorin.
(16:16) Rokarorin, a member of the idol group EN,
(16:18) released this cover of our MC Suichan’s song in February this year,
(16:22) rearranged for piano and sung in a cover style.
(16:25) Wow.
(16:26) Amazing!
(16:27) It really hits you.
(16:29) There are little changes and arrangements added to the way they sing.
(16:33) And I thought, "This feels so professional."
(16:38) It’s really great to see a song that can reach even distant places like this.
(16:43) It makes me happy that we’re able to deliver such music.
(16:47) I definitely want to keep an eye on Rokarorin.
(16:52) Now, the VRVTuber music radio show is almost at its end.
(16:56) What a lively night, the warriors are taking a rest and gearing up for the next battle.
(17:03) Today’s show will be available on the NHK Radio Rajiru Rajiru catch-up service for a week after the broadcast ends,
(17:07) so you can listen to it anytime.
(17:12) You can also access it from the program’s website, so please check it out!
(17:16) Song requests and messages are open 24/7, 365 days a year.
(17:20) Please feel free to post on our homepage or X.
(17:23) Now, to wrap things up, we’ll leave you with a special performance of King by today’s guest, Kanaria,
(17:28) sung in an original arrangement by Suichan for this program.
(17:30) Suichan, please introduce the song.
(17:34) Yes, here’s tonight’s ending song.
(17:37) King by Hoshimachi Suisei, VR special arrangement version.
(17:42) Look forward to the next episode!