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INDOXXI
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1
00:00:08,889 --> 00:00:11,767
[CELL PHONE VIBRATING]

2
00:00:14,269 --> 00:00:16,813
[HEAVY BREATHING]

3
00:00:20,609 --> 00:00:22,152
- HELLO?
-[MAN] MR. LINCOLN?

4
00:00:26,406 --> 00:00:28,325
- YEAH. -[MAN] ARE
You STILL SINGLE?

5
00:00:31,912 --> 00:00:36,208
- YES. -[MAN] STILL NO IMMEDIATE
TIES VVITH FAMILY CF ANY KIND?

6
00:00:39,503 --> 00:00:42,673
I'M STILL AN ORPHAN, YEAH.

7
00:00:42,881 --> 00:00:44,591
[MAN] NO RECENT ACHIEVEMENTS

8
00:00:44,800 --> 00:00:47,970
OR ADVANCEMENTS,
CAREER OR OTHERWISE?

9
00:00:48,178 --> 00:00:49,680
YEAH, NOBODY KNOWS
I'M ALIVE.

10
00:00:49,888 --> 00:00:52,933
[MAN] ALL RIGHT. VVE'VE
MATCHED YOU VVITH A PARTNER.

11
00:00:53,141 --> 00:00:55,561
SHE CAN MEET YOU AT A BUS
STATION, AN HOUR WEST OF CHICAGO

12
00:00:55,769 --> 00:00:59,189
AT 1:00 P.M., A WEEK FROM
TOMORROW. IS THIS ACCEPTABLE?

13
00:01:01,024 --> 00:01:02,818
- SURE. -[MAN] DETAILS
ARE BEING FORVVARDED

14
00:01:03,026 --> 00:01:04,570
ALONG WITH INSTRUCTIONS.

15
00:01:07,114 --> 00:01:10,158
- OKAY.
-[MAN] DANIEL?

16
00:01:10,367 --> 00:01:12,578
YOU KNOW YOU'RE GOING TO HAVE
TO DISCONNECT THIS NUMBER.

17
00:01:17,040 --> 00:01:19,960
[MUSIC PLAYING]

18
00:01:25,465 --> 00:01:27,342
[DAN] ALL RIGHT, VVHERE
ARE VVE GOING AGAIN?

19
00:01:30,637 --> 00:01:32,681
MITCHELL, SOUTH DAKOTA.

20
00:01:34,057 --> 00:01:36,059
NO, THE PLACE.

21
00:01:36,268 --> 00:01:38,520
OH...

22
00:01:38,729 --> 00:01:40,939
IT'S A SECRET.
I'LL TELL YOU WHEN WE GET THERE.

23
00:01:42,691 --> 00:01:45,319
- TELL ME VVHEN VVE GET THERE?
- YEAH.

24
00:01:46,987 --> 00:01:48,614
[DAN]
I DON'T REALLY LIKE SURPRISES.

25
00:01:48,822 --> 00:01:50,073
[WOMAN]
TOO BAD.

26
00:02:12,346 --> 00:02:13,930
THE CORN PALACE.

27
00:02:15,599 --> 00:02:19,645
I WAS SAVING IT
FOR A SPECIAL OCCASION.

28
00:02:19,853 --> 00:02:22,230
YOUR FIRST NIGHT SEEMS
APPROPRIATE ENOUGH.

29
00:02:23,607 --> 00:02:24,733
OKAY, LET'S GO.

30
00:02:24,941 --> 00:02:26,443
WAIT A SECOND.

31
00:02:26,652 --> 00:02:27,819
[WOMAN]
SHIT.

32
00:02:40,457 --> 00:02:41,541
PUT THIS ON.

33
00:02:41,750 --> 00:02:43,251
ALL RIGHT,
LET'S NOT DO THIS.

34
00:02:52,844 --> 00:02:54,388
-[AIR HISSING]
- WHAT ARE YOU DOING?

35
00:02:54,596 --> 00:02:57,557
[GRUNT]
IT'S A CONTINGENCY PLAN.

36
00:02:57,766 --> 00:03:00,727
NOVV YOU GO TELL THE GUYS ON THE BENCH
YOU NEED HELP CHANGING THE TIRE.

37
00:03:00,936 --> 00:03:02,562
YOU CAN'T DO IT BECAUSE
OF YOUR WRIST, RIGHT?

38
00:03:02,771 --> 00:03:05,273
THEN YOU BRING THEM BACK HERE
AND I'LL RUN OUT AND DO IT.

39
00:03:06,817 --> 00:03:08,610
I DON'T WANNA DO THAT.

40
00:03:08,819 --> 00:03:12,656
FINE, THEN YOU'LL
HAVE TO DO IT... BY YOURSELF.

41
00:03:12,864 --> 00:03:15,826
AND YOU REALLY VVANT TVVO DRUNK GUYS
GOING DOVVN SQME STREET VVITH ME?

42
00:03:16,034 --> 00:03:18,954
- I THINK YOU'LL BE FINE.
- I WASN'T WORRIED ABOUT ME.

43
00:03:19,162 --> 00:03:21,790
WHY DON'T WE JUST DO IT HERE?
NOBODY'S GONNA SEE US HERE.

44
00:03:21,998 --> 00:03:25,585
COME ON,
IT'S THE CORN PALACE.

45
00:03:36,138 --> 00:03:38,932
[HEAVY BREATHING]

46
00:03:47,149 --> 00:03:49,693
[CHIT CHAT]

47
00:03:52,028 --> 00:03:53,029
WELL, LOOK AT THIS...

48
00:03:53,238 --> 00:03:54,406
YOU IN TROUBLE, FRIEND?

49
00:03:54,614 --> 00:03:55,949
I REALLY, REALLY HOPE NOT.

50
00:04:15,719 --> 00:04:17,137
[MAN]
COME ON, DAMN IT.

51
00:04:19,765 --> 00:04:21,475
[MAN #2] YOU'RE DOING
THIS THE WRONG WAY, MAN.

52
00:04:25,020 --> 00:04:25,937
[GRUNTING]

53
00:04:32,027 --> 00:04:35,155
[MUSIC PLAYING]

54
00:05:29,584 --> 00:05:31,169
- ALL RIGHT.
- THANK YOU, GUYS.

55
00:05:31,378 --> 00:05:32,921
- NO PROBLEM, MAN. ALL RIGHT.
- THANK YOU.

56
00:05:44,182 --> 00:05:45,976
- DID YOU DO IT?
- YEAH.

57
00:05:58,488 --> 00:05:59,739
YOU ALL RIGHT?

58
00:06:06,621 --> 00:06:09,332
[MUSIC PLAYING]

59
00:06:23,388 --> 00:06:28,226
-[CROWD MURMURING]
-[DAN] [HEAVY BREATHING]

60
00:06:35,358 --> 00:06:37,819
[FIDDLE MUSIC PLAYING]

61
00:06:39,613 --> 00:06:41,781
-[RADIO VOLUME DECREASES]
- HEY, YOU.

62
00:06:41,990 --> 00:06:44,743
THE COLONIAL PINE HILLS
WELCOME YOU.

63
00:06:44,951 --> 00:06:46,953
OR AT LEAST, I THINK THEY DO,
THEY DIDN'T SAY.

64
00:06:49,623 --> 00:06:50,874
WE NEED TO SLEEP.

65
00:06:53,752 --> 00:06:57,005
- IT'S MORNING?
- YEAH.

66
00:06:57,213 --> 00:06:59,716
[YAWNING] I DEFINITELY
NEED TO SLEEP.

67
00:06:59,925 --> 00:07:03,219
[MUSIC PLAYING]

68
00:07:17,734 --> 00:07:21,696
YOU CAN TAKE THE TENT ON ACCOUNT
OF IT'S YOUR FIRST NIGHT AND ALL.

69
00:07:21,905 --> 00:07:23,239
IT'S EASY TO SET UP.

70
00:07:23,448 --> 00:07:25,075
THANKS.

71
00:07:25,283 --> 00:07:26,242
WHERE ARE YOU GONNA SLEEP?

72
00:07:26,451 --> 00:07:27,494
IN THE BACKSEAT.

73
00:07:27,702 --> 00:07:29,245
IT'S A GOOD THING ABOUT
WORKING SO LATE.

74
00:07:29,454 --> 00:07:30,997
YOU CAN SLEEP
JUST ABOUT ANYWHERE.

75
00:07:31,206 --> 00:07:32,707
BUT SLEEP, OKAY?

76
00:07:34,834 --> 00:07:36,962
WE HAVEN'T EVEN GONE
OVER THE BASICS. THE WHOLE:

77
00:07:37,170 --> 00:07:38,380
DON'T GET THERE
BEFORE MIDNIGHT,

78
00:07:38,588 --> 00:07:40,048
NEVER PARK WHILE
YOU'RE LAYING THE TILE,

79
00:07:40,256 --> 00:07:45,095
IDEALLY NO ONE SHOULD EVER
SEE US... AT ALL... EVER.

80
00:07:45,303 --> 00:07:46,805
THINK ABOUT WHERE
YOU WANNA GO TOMORROW.

81
00:07:47,013 --> 00:07:48,598
I DON'T KNOW IF THEY TOLD YOU
THIS, BUT I REALLY--

82
00:07:48,807 --> 00:07:50,809
I DON'T LIKE SLEEPING.

83
00:07:51,017 --> 00:07:52,435
WE REALLY DON'T HAVE
A ROUTE OR ANYTHING?

84
00:07:52,644 --> 00:07:53,979
WE JUST HAVE TO
CALL EVERY FEW DAYS

85
00:07:54,187 --> 00:07:56,231
TO GET BUDGET APPROVAL,
TELL THEM WHERE WE'VE BEEN

86
00:07:56,439 --> 00:07:59,192
SO WE DON'T CROSS PATHS
WITH ANYBODY.

87
00:07:59,401 --> 00:08:02,529
I CHOSE THE CORN PALACE.
SO, TAG, YOU'RE IT.

88
00:08:05,699 --> 00:08:07,117
THINK ABOUT IT.

89
00:08:50,785 --> 00:08:52,704
[BIRDS CHIRPING]

90
00:08:59,335 --> 00:09:01,129
[LABORED BREATHING]

91
00:09:04,382 --> 00:09:05,300
BAD DREAMS?

92
00:09:10,513 --> 00:09:11,431
I DON'T KNOW.

93
00:09:13,308 --> 00:09:16,436
I JUST HAVE A...
IT'S, LIKE, A HEART THING.

94
00:09:18,063 --> 00:09:19,731
- BROKEN?
- UH...

95
00:09:20,940 --> 00:09:22,233
A LITTLE FAULTY.

96
00:09:24,903 --> 00:09:27,989
ANYWAY, IT JUST GOES, LIKE,
CRAZY WITHOUT WARNING SOMETIMES

97
00:09:28,198 --> 00:09:31,242
AND IT DOESN'T REALLY
RESPOND TOO GOOD TO STRESS.

98
00:09:32,786 --> 00:09:34,954
NOT SUPPOSED TO
OVER-EXERT MYSELF.

99
00:09:36,289 --> 00:09:39,334
YOU SHOULD TRY
TO EXERT YOURSELF.

100
00:09:39,542 --> 00:09:40,794
I MIGHT DIE.

101
00:09:42,712 --> 00:09:45,006
YOU'LL DIE IF YOU DON'T,
I'LL TELL YOU THAT.

102
00:09:46,925 --> 00:09:48,510
ALL RIGHT. EAT.

103
00:09:48,718 --> 00:09:50,011
I'LL BREAK DOWN THE TENT.

104
00:10:03,233 --> 00:10:05,819
HAVE YOU EVER
SEEN IT BEFORE?

105
00:10:06,027 --> 00:10:07,987
NOT THIS YEAR.

106
00:10:08,196 --> 00:10:10,406
DID I SEE IT
THIS YEAR OR...?

107
00:10:10,615 --> 00:10:12,200
AH, NOT THIS YEAR.

108
00:10:19,207 --> 00:10:21,417
YOU KNOW I'VE NEVER EVEN
BEEN OUTSIDE OF ILLINOIS?

109
00:10:23,962 --> 00:10:25,922
SO WHERE ARE WE
GOING TODAY?

110
00:10:27,298 --> 00:10:30,385
I... DON'T KNOW.
WHY DON'T YOU DECIDE?

111
00:10:30,593 --> 00:10:34,305
YOU HAVE TO VVANNA DO THIS, OTHERVVISE
I MIGHT AS VVELL TAKE YOU HOME.

112
00:10:34,514 --> 00:10:36,099
ARE THE ROCKIES NEARBY?

113
00:10:36,307 --> 00:10:37,642
I'VE ALWAYS WANTED
TO SEE THEM.

114
00:10:39,185 --> 00:10:41,312
SOMEONE ALREADY GOT ASPEN.

115
00:10:42,856 --> 00:10:46,776
HOW'S ESTES PARK?
GATEWAY TO THE ROCKIES.

116
00:10:46,985 --> 00:10:48,444
YEAH, THAT SOUNDS GOOD.

117
00:10:49,904 --> 00:10:51,447
- YEAH?
- YEAH.

118
00:10:53,158 --> 00:10:55,785
[MUSIC PLAYING]

119
00:11:13,178 --> 00:11:16,014
- OKAY, LET'S PUT IT HERE.
- HERE?

120
00:11:16,222 --> 00:11:19,225
- HOVV DO YOU FEEL?
- I FEEL GOOD, I FEEL REALLY, REALLY GOOD.

121
00:11:19,434 --> 00:11:21,186
BOTH:
[LAUGHING]

122
00:11:21,394 --> 00:11:23,062
ALL RIGHT, GOOD? WANNA TAKE IT?
OR YOU'RE GOOD?

123
00:11:23,271 --> 00:11:24,522
YEAH.

124
00:11:24,731 --> 00:11:27,609
ALL RIGHT, LET'S GO.
LET'S GO.

125
00:11:27,817 --> 00:11:30,028
[MUSIC PLAYING]

126
00:11:41,164 --> 00:11:44,792
I GUESS ALL RIGHT,
I'VE BEEN LIVING IN ILLINOIS

127
00:11:45,001 --> 00:11:46,586
FOR AS LONG AS
I CAN REMEMBER.

128
00:11:46,794 --> 00:11:48,796
I WORKED FOR DIFFERENT
NON-PROFITS,

129
00:11:49,005 --> 00:11:51,633
LIKE, SOUP KITCHENS,
LITERACY CENTERS,

130
00:11:51,841 --> 00:11:56,888
SO I GUESS I'M LIKE A PROFESSIONAL,
YOU KNOVV, VOLUNTEER COORDINATOR.

131
00:11:57,096 --> 00:12:00,141
THAT SOUNDS REWARDING...
WHY DID YOU STOP?

132
00:12:00,350 --> 00:12:03,937
UH, I DON'T KNOW, I MEAN, THINGS
SORTA FELL APART A WHILE BACK

133
00:12:04,145 --> 00:12:07,357
AND I REALIZE I DIDN'T HAVE
ANYBODY IN MY LIFE.

134
00:12:08,566 --> 00:12:10,568
OKAY, LET'S DO THIS.

135
00:12:10,777 --> 00:12:13,071
BUT, UH...

136
00:12:13,279 --> 00:12:16,199
BACK IT UP, THOUGH, LET'S...
TELL ME ABOUT YOUR PARENTS.

137
00:12:16,407 --> 00:12:17,700
- NEVER KNEW 'EM.
-ol-|... UM--

138
00:12:17,909 --> 00:12:19,327
IT'S NOT LIKE THAT, I JUST--

139
00:12:19,535 --> 00:12:22,247
I WAS IN FOSTER CARE FOR
AS FAR BACK AS I CAN REMEMBER

140
00:12:22,455 --> 00:12:25,917
SO I NEVER KNEW 'EM
AND I DON'T NEED TO.

141
00:12:26,125 --> 00:12:28,211
BUT DID YOU HAVE A FAMILY,
LIKE, LONG-TERM CARE?

142
00:12:28,419 --> 00:12:30,755
WELL, FIRST I WAS UH...

143
00:12:30,964 --> 00:12:32,382
HOW DO YOU EXPLAIN THIS--?
A NOVELTY BABY.

144
00:12:32,590 --> 00:12:33,925
YOU KNOW WHAT THAT IS?

145
00:12:34,133 --> 00:12:36,803
IT'S LIKE A NEW HOME
FOR EVERY BIRTHDAY.

146
00:12:37,011 --> 00:12:38,721
YOU SEE, BECAUSE,
LIKE SOME COUPLES,

147
00:12:38,930 --> 00:12:41,182
THEY ONLY SEEM TO WANT
A BABY OF A CERTAIN AGE.

148
00:12:41,391 --> 00:12:43,768
AND THEN WHEN THE KID
GROWS OUT OF THAT AGE,

149
00:12:43,977 --> 00:12:46,854
THEY REALIZE THAT THEY'RE
STARING DOVVN THE BARREL OF,

150
00:12:47,063 --> 00:12:48,231
YOU KNOW,
THE REST OF A LIFE.

151
00:12:48,439 --> 00:12:50,275
WELL, TWO LIVES.
YOU KNOW, THEIRS AND HIS,

152
00:12:50,483 --> 00:12:53,945
WHICH I GUESS CAN BE,
YOU KNOW, ONE THING IN THEORY

153
00:12:54,153 --> 00:12:56,322
BUT IT'S ANOTHER THING WHEN
THAT REALITY REALLY LIKES...

154
00:12:56,531 --> 00:12:59,033
YOU KNOW, CLOTHES AND FOOD
AND ALWAYS WILL.

155
00:13:01,244 --> 00:13:05,206
BUT, I MEAN, I SPENT TIME
IN EVERY CLICHE IMAGINABLE.

156
00:13:05,415 --> 00:13:08,001
ARE YOU AN OPTIMIST, DAN?

157
00:13:08,209 --> 00:13:10,378
AN OPTIMIST...

158
00:13:10,586 --> 00:13:12,130
CAN YOU BE
A CAUTIOUS OPTIMIST?

159
00:13:12,338 --> 00:13:15,133
HOW ABOUT A HOPEFUL OPTIMIST?

160
00:13:15,341 --> 00:13:17,969
- OKAY.
- GOOD.

161
00:13:18,177 --> 00:13:19,887
I WOULDN'T WANT TO DRIVE
TO COLORADO WITH ANYONE

162
00:13:20,096 --> 00:13:21,639
WHO WASN'T A HOPEFUL OPTIMIST.

163
00:13:21,848 --> 00:13:25,435
ESPECIALLY IN THE CASE
OF A DICKENSIAN CHILDHOOD.

164
00:13:27,603 --> 00:13:28,855
YOU KNOW,
WHEN I WAS, UH...

165
00:13:29,063 --> 00:13:30,606
YOU KNOW, 13 I MOVED
IN WITH THIS COUPLE,

166
00:13:30,815 --> 00:13:33,484
WITH A GIRL WHO WAS ABOUT,
YOU KNOW, A YEAR OLDER THAN ME.

167
00:13:34,777 --> 00:13:36,696
SO IT TURNS OUT
THAT THIS COUPLE,

168
00:13:36,904 --> 00:13:39,198
THEY HAD TWO KIDS WHO DIED,
YOU KNOW, WHEN THEY WERE YOUNG.

169
00:13:39,407 --> 00:13:43,119
SO, SOMEHOW, THIS COUPLE,
RIGHT, THESE PARENTS,

170
00:13:43,328 --> 00:13:45,913
THEY FOUND A WAY TO GET TWO KIDS
THAT WERE THE SAME AGE

171
00:13:46,122 --> 00:13:47,540
AS THEIR KIDS WERE
WHEN THEY DIED.

172
00:13:47,749 --> 00:13:50,960
BUT THEY ALSO FOUND A WAY--
AND DON'T ASK ME HOW--

173
00:13:51,169 --> 00:13:55,631
TO ENSURE THAT THEY GOT KIDS
WITH SPECIFIC BIRTHDAYS.

174
00:13:55,840 --> 00:13:57,675
THE SAME EXACT BIRTHDAYS
THAT THEIR KIDS HAD BUT,

175
00:13:57,884 --> 00:14:00,136
YOU KNOVV, A YEAR LATER TO ACCOUNT
FOR THE TIME IT TOOK TO FIND US.

176
00:14:00,345 --> 00:14:02,513
- THIS IS BULLSHIT, RIGHT?
- IT'S NOT BULLSHIT AT ALL.

177
00:14:02,722 --> 00:14:05,641
NOVV, THE BIRTHDAYS THING, IT'S IMPORTANT
BECAUSE IT MEANT THAT ME AND THIS GIRL

178
00:14:05,850 --> 00:14:09,228
REALLY FELT THIS STRANGE,
SORT OF CONNECTION.

179
00:14:09,437 --> 00:14:12,523
DOES THIS STORY END WITH YOU
KISSING YOUR SISTER?

180
00:14:12,732 --> 00:14:13,983
SHE WASN'T REALLY MY SISTER.

181
00:14:14,192 --> 00:14:15,985
IT WAS LIKE, OKAY--
PICTURE IT THIS WAY...

182
00:14:16,194 --> 00:14:17,779
RIGHT, WE WERE STUDENTS.

183
00:14:17,987 --> 00:14:21,157
OKAY, ROOMMATES, AT SOME REALLY
INAPPROPRIATE BOARDING SCHOOL.

184
00:14:21,366 --> 00:14:24,869
NOVV, THIS COUPLE, THEY VVERE VVELL-OFF
SO VVE COULD AFFORD SEPARATE BATHROOMS...

185
00:14:25,078 --> 00:14:26,662
OH, AND THAT MAKES IT OKAY.

186
00:14:26,871 --> 00:14:28,373
YOU ASKED ME,
I'M TELLING YOU.

187
00:14:28,581 --> 00:14:32,168
I'M SORRY, GO ON. YOU HAVE THE
BENEFIT OF THE DOUBT.

188
00:14:32,377 --> 00:14:35,338
OKAY, IT'S NOT--
IT'S NOT AS WEIRD AS IT SOUNDS,

189
00:14:35,546 --> 00:14:37,215
I MEAN, WE HIT IT OFF...

190
00:14:37,423 --> 00:14:40,676
AS SOON AS WE MET, RIGHT?

191
00:14:40,885 --> 00:14:43,596
SHE WAS IN HIGH SCHOOL,
I WAS IN THE EIGHTH GRADE.

192
00:14:43,805 --> 00:14:46,933
VVE VVERE BOTH NEVV, SO VVE DIDN'T REALLY
HAVE ANYBODY BUT VVE HAD EACH OTHER

193
00:14:47,141 --> 00:14:50,520
AND, YOU KNOW,
WE STARTED TO DATE.

194
00:14:50,728 --> 00:14:53,231
THAT WAS IT. AND I MEAN,
WE TRIED REALLY HARD

195
00:14:53,439 --> 00:14:55,942
TO HIDE IT FROM THIS COUPLE

196
00:14:56,150 --> 00:14:58,903
THAT WE NEVER EVEN REALLY
THOUGHT AS OUR PARENTS ANYWAY.

197
00:14:59,112 --> 00:15:02,698
AND I GUESS
WE DIDN'T TRY HARD ENOUGH.

198
00:15:02,907 --> 00:15:05,159
AND WHEN THEY FOUND OUT,
IT, YOU KNOW, IT WRECKED THEM.

199
00:15:07,703 --> 00:15:09,872
WHAT HAPPENED?

200
00:15:10,081 --> 00:15:12,708
WELL, SHE TURNED 18
AND THEN, YOU KNOW,

201
00:15:12,917 --> 00:15:14,710
YOU NO LONGER APPLY
FOR FOSTER CARE, THEN,

202
00:15:14,919 --> 00:15:17,505
SO THE PARENTS, THEY DECIDE VVHETHER
OR NOT THEY VVANNA ADOPT YOU

203
00:15:17,713 --> 00:15:20,133
AND I THINK THAT,
YOU KNOW, AT THIS POINT, YEAH,

204
00:15:20,341 --> 00:15:24,220
I THINK THEY CONSIDERED IT,
BUT NOW IT WAS IMPOSSIBLE.

205
00:15:24,429 --> 00:15:28,474
SO SHE MOVED OUT AND I WAS
NOT REALLY IN LOVE WITH SCHOOL.

206
00:15:28,683 --> 00:15:31,936
BUT I WAS SORT OF IN LOVE
WITH HER SO I DROPPED OUT

207
00:15:32,145 --> 00:15:34,856
AND MOVED INTO THE CITY
AND IT WAS GOOD FOR A WHILE,

208
00:15:35,064 --> 00:15:39,485
YOU KNOW, BUT I JUST GOT THIS,
YOU KNOW, THIS WEIRD HEART...

209
00:15:39,694 --> 00:15:42,113
WHAT I'M TRYING TO SAY
TO YOU IS THAT SOMETIMES,

210
00:15:42,321 --> 00:15:43,865
WHEN YOU DON'T LOVE
ANOTHER PERSON, LOVE--

211
00:15:44,073 --> 00:15:46,951
IT CAN JUST BE A REALLY,
REALLY HARD THING TO FAKE.

212
00:15:48,119 --> 00:15:49,954
BELIEVE ME,
I'VE TRIED.

213
00:15:53,082 --> 00:15:56,377
SO, WHO ARE YOU?

214
00:15:56,586 --> 00:15:58,129
I'M JANE.

215
00:15:58,337 --> 00:15:59,922
RIGHT, AND I'M DAN,
THAT'S DONE.

216
00:16:00,131 --> 00:16:02,008
SO, WHO ARE YOU?
LET'S HEAR IT.

217
00:16:02,216 --> 00:16:04,135
NO, HONEY,
I'M JUST JANE.

218
00:16:07,889 --> 00:16:10,558
[MUSIC PLAYING]

219
00:16:52,892 --> 00:16:55,436
THIS IS JUST WHAT I WANT
WHEN I HAVE A HOUSE.

220
00:16:55,645 --> 00:16:57,522
BULLSHIT LEADING UP TO MY...

221
00:16:57,730 --> 00:16:58,981
-[GIGGLES]
="DOOR.

222
00:16:59,190 --> 00:17:01,025
THAT'S IT, JUST HORSE SHIT.
STRAIGHT SHIT.

223
00:17:01,234 --> 00:17:02,318
I THINK IT'S MULE--
MULE...

224
00:17:02,527 --> 00:17:06,155
[MUSIC PLAYING]

225
00:17:10,284 --> 00:17:11,702
[GROANS]

226
00:17:11,911 --> 00:17:13,329
WANNA TRY IT?

227
00:17:13,538 --> 00:17:15,206
- GETTING DOWN IS GONNA THE BAD PART.
-[GRUNT]

228
00:17:17,708 --> 00:17:20,002
[MUSIC PLAYING]

229
00:17:28,427 --> 00:17:30,513
HERE YOU GO.
WANT SOME WEEDS?

230
00:17:33,641 --> 00:17:35,810
[LAUGHING]

231
00:17:36,018 --> 00:17:37,853
HE'S GONNA FUCKING FLIP--

232
00:17:38,062 --> 00:17:39,814
HE'S STOMPING HIS FEET,
HE'S NOT HAPPY.

233
00:17:40,022 --> 00:17:42,149
NO, HE DOESN'T CARE.

234
00:17:42,358 --> 00:17:44,485
[C LEARS TH ROAT]

235
00:17:44,694 --> 00:17:48,197
YOU VVANNA BE LIKE EVERYONE ELSE AND CARVE
YOUR NAME INTO ONE OF THESE VVOODEN THINGS?

236
00:17:48,406 --> 00:17:50,741
NO ONE'S GONNA EVER SEE THIS.

237
00:17:50,950 --> 00:17:55,371
SOMEONE SOME DAY IS GONNA COME
BY HERE AND SAY, "J?"

238
00:18:04,797 --> 00:18:06,841
HERE YOU GO.
THESE ARE FOR YOU.

239
00:18:07,049 --> 00:18:08,551
-[LAUGHING]
- HORSE WEEDS.

240
00:18:08,759 --> 00:18:09,844
OH, THANK YOU!

241
00:18:10,052 --> 00:18:11,887
- NO?
- I LOVE HORSE WEEDS.

242
00:18:12,096 --> 00:18:15,725
- YOU LOVE HORSE WEEDS?
-[LAUGHING] YOU DORK.

243
00:18:17,310 --> 00:18:20,396
[MUSIC PLAYING]

244
00:18:41,667 --> 00:18:43,919
YOU REALLY COULDN'T LIVE LIKE THIS?
I THINK THIS VVOULD BE GREAT.

245
00:18:44,128 --> 00:18:47,131
- REALLY?
- YOU DO NOTHING.

246
00:18:47,340 --> 00:18:49,342
EXACTLY. YOU DO NOTHING.

247
00:18:49,550 --> 00:18:52,511
[MUSIC PLAYING]

248
00:19:01,896 --> 00:19:04,565
[DAN]
YOU HAVE VERY--

249
00:19:04,774 --> 00:19:06,400
MANY MISCONCEPTIONS OF ME,
I THINK.

250
00:19:06,609 --> 00:19:08,819
MAYBE YOU HAVE
MISCONCEPTIONS ABOUT ME.

251
00:19:09,028 --> 00:19:10,488
LTHINK
I GOT YOU PRETTY MUCH...

252
00:19:10,696 --> 00:19:12,907
- SPOT ON.
- OH, YEAH?

253
00:19:13,115 --> 00:19:16,035
- OH, I THINK SO. - DON'T YOU JUST
LOOK LIKE THE CAT THAT ATE THE CANARY.

254
00:19:16,243 --> 00:19:17,536
[DAN mucus]

255
00:19:19,830 --> 00:19:22,208
[MUSIC PLAYING]

256
00:19:38,099 --> 00:19:40,267
[GRASS RUSTLING]

257
00:19:43,646 --> 00:19:46,399
HOPE YOU LIKE THESE.
IT'S ALL I EAT ON THE ROAD.

258
00:19:48,109 --> 00:19:51,404
GOT SOME FRUITS, SOME GRAINS,
A LITTLE BIT OF PROTEIN,

259
00:19:51,612 --> 00:19:52,738
IT'S PERFECT.

260
00:19:55,324 --> 00:19:58,786
SO...
WHAT DOES IT MAKE YOU FEEL?

261
00:19:59,954 --> 00:20:01,414
FEEL ANYTHING?

262
00:20:03,749 --> 00:20:05,543
WHAT, THE SANDWICH?
IT'S FINE.

263
00:20:05,751 --> 00:20:07,294
NO, I MEAN...

264
00:20:07,503 --> 00:20:10,965
SEEING THE SAME THING THE PEOPLE
IN THE COVERED WAGONS SAW.

265
00:20:11,173 --> 00:20:15,428
IF YOU HOLD YOUR HAND UP
AND YOU COVER THE ROAD,

266
00:20:15,636 --> 00:20:17,763
YOU SEE PRETTY MUCH
THE SAME THING THEY DID.

267
00:20:22,351 --> 00:20:23,769
DOES IT MAKE YOU
FEEL SOMETHING?

268
00:20:23,978 --> 00:20:27,189
[CHUCKLES]
l GUESS NOT, NO.

269
00:20:27,398 --> 00:20:28,691
I LOOK AT THAT
AND ALL I CAN THINK OF IS

270
00:20:28,899 --> 00:20:31,360
THANK GOD WE CAN GO
FASTER THAN THEM.

271
00:20:37,658 --> 00:20:38,659
SO...?

272
00:20:41,036 --> 00:20:42,329
WHY ARE YOU DOING THIS?

273
00:20:43,581 --> 00:20:44,790
WHAT DO YOU MEAN?

274
00:20:44,999 --> 00:20:46,083
WHY DID YOU ANSWER THE AD?

275
00:20:47,460 --> 00:20:51,756
I MEAN, I DON'T KNOW,
I GUESS I JUST--

276
00:20:51,964 --> 00:20:55,009
I LIKE THE IDEA OF BEING,
YOU KNOW,

277
00:20:55,217 --> 00:20:58,304
PART OF SOMETHING
BIGGER THAN MYSELF.

278
00:20:58,512 --> 00:21:00,473
YOU KNOW WHAT I MEAN?
NOT BEING JUST ME ANYMORE,

279
00:21:00,681 --> 00:21:02,391
I GUESS IS WHAT
I'M TRYING TO SAY.

280
00:21:06,061 --> 00:21:09,648
THIS IS WHAT I WANNA DO, YOU
KNOW, TO BE PART OF SOMETHING.

281
00:21:09,857 --> 00:21:12,485
AND THIS IS A
BIGGER SOMETHING?

282
00:21:12,693 --> 00:21:16,280
I MEAN, MAYBE, YOU KNOW,
IT FEELS LIKE IT.

283
00:21:19,241 --> 00:21:21,368
TELL ME, UH...

284
00:21:22,995 --> 00:21:24,747
TELL ME ABOUT YOUR INTERVIEW.

285
00:21:25,915 --> 00:21:27,291
DIDN'T HAVE ONE.

286
00:21:27,500 --> 00:21:28,334
WHAT ABOUT YOU?

287
00:21:28,542 --> 00:21:31,045
NOPE, JUST A PHONE CALL.

288
00:21:31,253 --> 00:21:32,505
YEAH, I SAW A, UH...

289
00:21:32,713 --> 00:21:36,091
A FLYER IN A COFFEE SHOP.

290
00:21:36,300 --> 00:21:37,968
- PHONE POLE.
- YEAH.

291
00:21:38,177 --> 00:21:41,096
MM, I MEAN, I HUNG IT ON
MY FRIDGE FOR PROBABLY, LIKE,

292
00:21:41,305 --> 00:21:43,432
I DON'T KNOW, LIKE,
MAYBE TWO WEEKS.

293
00:21:43,641 --> 00:21:46,811
AND THEN I GOT CURIOUS,
YOU KNOW, SO I CALLED.

294
00:21:47,019 --> 00:21:49,647
AND MOSTLY I THOUGHT
I WAS JUST GONNA GET,

295
00:21:49,855 --> 00:21:53,067
YOU KNOW, SOME ANSWERS
AS TO WHAT WAS GOING ON.

296
00:21:53,275 --> 00:21:56,403
AND I GUESS, YOU KNOW, PART OF
YOU ALWAYS HOPES THAT MAYBE

297
00:21:56,612 --> 00:21:58,030
THERE'S SOMETHING
YOU COULD ACTUALLY DO.

298
00:21:58,239 --> 00:21:59,949
[MAN]
HELLO AND THANK YOU FOR CALLING.

299
00:22:00,157 --> 00:22:02,535
[DAN] AND I LITERALLY KEPT
EXPECTING THE GUY TO TELL ME

300
00:22:02,743 --> 00:22:05,871
THAT I WAS "NOW ENTERING THE
TWILIGHT ZONE."

301
00:22:07,957 --> 00:22:10,709
[JANE] WHY? WHAT m0 HE ASK YOU?
SOMETHING-- SOMETHING STRANGE?

302
00:22:10,918 --> 00:22:13,254
[MAN] VVHAT VVAS YOUR
EARLIEST DISAPPOINTMENT?

303
00:22:13,462 --> 00:22:15,631
NO, I MEAN, NOT REALLY, YOU KNOVV,
ANYTHING OUT OF THE ORDINARY.

304
00:22:15,840 --> 00:22:17,341
THERE WERE MOSTLY, LIKE,
PERSONAL QUESTIONS.

305
00:22:17,550 --> 00:22:18,801
YOU KNOW, LIKE,
THE KIND OF THING,

306
00:22:19,009 --> 00:22:22,638
IT'S A LITTLE HARD TO,
YOU KNOW, LIE ABOUT.

307
00:22:22,847 --> 00:22:25,015
[MAN] WHAT SINGLE FACTOR HAS
MOST SIGNIFICANTLY CONTRIBUTED

308
00:22:25,224 --> 00:22:27,059
TO YOUR ASPIRATIONS?

309
00:22:27,268 --> 00:22:29,520
[DAN] AT THE TIME I THOUGHT THERE
VVAS SOME SORT OF, YOU KNQVV,

310
00:22:29,728 --> 00:22:32,189
LIKE A COMPLEX
MATRIX TO SORT OF

311
00:22:32,398 --> 00:22:34,775
ASSESS MY SUITABILITY
BUT, I DON'T KNOW.

312
00:22:34,984 --> 00:22:37,194
[MAN] ARE You FAMILIAR
WITH THE TROMSQ TILES?

313
00:22:37,403 --> 00:22:41,824
YEAH, I MEAN, IT'S HARD NOT
TO BE. I DO LIVE IN A CITY.

314
00:22:42,032 --> 00:22:43,951
[DAN] BUT, I MEAN, THEY'RE
POPPING UP EVERYVVHERE.

315
00:22:44,159 --> 00:22:46,036
YOU KNOW, THEY'RE NOT JUST
IN MAJOR US CITIES ANYMORE.

316
00:22:46,245 --> 00:22:49,373
THERE'S ONE
IN VANCOUVER. RIGHT?

317
00:22:49,582 --> 00:22:51,375
AND I HEARD A GUY SAY
THERE'S ONE IN PANAMA.

318
00:22:51,584 --> 00:22:53,794
CUBA, THEY GOT ONE.
YOU KNOW?

319
00:22:54,003 --> 00:22:56,755
SO WE ALL SEEN THEM,
WE WONDER THAT THEY MEANT.

320
00:22:56,964 --> 00:22:58,716
I DON'T KNOW,
THAT'S WHY I'M OUT HERE.

321
00:22:58,924 --> 00:23:01,552
[MAN] I'M NOT AT LIBERTY To
mscuss ANY SPECIFICS VIS-A-VIS,

322
00:23:01,760 --> 00:23:05,890
LARGER GOALS... I CAN DIVULGE
THAT I REPRESENT AN ORGANIZATION

323
00:23:06,098 --> 00:23:08,767
FOR WHOM THE TILES ARE
AN IMPORTANT PROJECT.

324
00:23:08,976 --> 00:23:12,521
VVE'RE CURRENTLY AIDING IN THE RECRUITMENT
OF NEVV MEMBERS FOR THE GROUND TEAM.

325
00:23:16,775 --> 00:23:20,279
LOOK, I CAN TELL YOU THINK I
KNOVV SOMETHING ABOUT THE TILES.

326
00:23:20,487 --> 00:23:23,449
BUT, UH...

327
00:23:23,657 --> 00:23:27,453
IF THERE'S SOME
EXPLANATORY BROCHURE,

328
00:23:27,661 --> 00:23:29,371
MY COPY HASN'T
ARRIVED YET.

329
00:23:31,832 --> 00:23:33,208
I DON'T KNOW ANY MORE
THAN YOU DO.

330
00:23:33,417 --> 00:23:34,501
YOU SURE ABOUT THAT?

331
00:23:34,710 --> 00:23:35,794
YEAH.

332
00:23:37,671 --> 00:23:38,589
ALL RIGHT.

333
00:23:40,758 --> 00:23:43,594
BUT I MEAN, THERE HAS TO BE SOME
TYPE OF A MEANING TO THE MESSAGE.

334
00:23:43,802 --> 00:23:46,388
YOU KNOVV, IN THE FIRST PART-- OKAY,
BREAK DOVVN THE FIRST PART FOR A SECOND,

335
00:23:46,597 --> 00:23:48,349
RIGHT, THE FIRST
PART IS A RIDDLE.

336
00:23:48,557 --> 00:23:51,393
AND I REMEMBER FROM LOOKING
AT THE TILE IN CHICAGO,

337
00:23:51,602 --> 00:23:54,772
IT SAID, "WHAT'S THE DIFFERENCE
BETWEEN A LIFE'S...

338
00:23:54,980 --> 00:23:57,358
...TIMECARD
AND A CHILD-ESTIMATED FEAR?"

339
00:23:59,860 --> 00:24:02,112
THAT'S IT SO THERE HAS
TO BE SOME SORT OF AN ANSWER.

340
00:24:03,489 --> 00:24:05,616
OH, HERE'S AN ANSWER.
I WORKED IT OUT.

341
00:24:05,824 --> 00:24:09,453
UH... THE TWO PHRASES,
"A CHILD-ESTIMATED FEAR"

342
00:24:09,662 --> 00:24:13,248
AND "LIFE'S TIMECARD"
HAVE ALL THE SAME LETTERS

343
00:24:13,457 --> 00:24:16,710
EXCEPT THE FIRST
ONE CONTAINS FIVE MORE.

344
00:24:16,919 --> 00:24:19,630
IIE'II IIAII'
A IIT'II IIHII A llD-ll

345
00:24:19,838 --> 00:24:21,382
SO THE ANSWER IS

346
00:24:21,590 --> 00:24:24,927
"D-E-A-T... AND H."

347
00:24:26,470 --> 00:24:29,098
[MUSIC PLAYING]

348
00:24:38,065 --> 00:24:41,568
SO, THE TOP LAYER...

349
00:24:41,777 --> 00:24:44,363
IS BLACK AND WHITE LINOLEUM.

350
00:24:44,571 --> 00:24:47,908
AND BELOW THAT IS A COMBINATION
OF PLAIN LINOLEUM

351
00:24:48,117 --> 00:24:52,538
AND THIS CRACK-FILLING STUFF
THEY USE FOR PAVEMENT.

352
00:24:52,746 --> 00:24:55,040
YEAH, THE ADHESIVE IS REALLY JUST
THERE FOR FIRST FEVV DAYS, THOUGH.

353
00:24:55,249 --> 00:24:58,085
ONCE IT'S THERE THE TILE IS NOT
GOING ANYWHERE, I PROMISE.

354
00:25:00,629 --> 00:25:03,132
WHAT'S IMPORTANT IS TO MAKE SURE
YOU POSITION THE THING

355
00:25:03,340 --> 00:25:05,134
SO THAT THE TIRES HIT IT.

356
00:25:05,342 --> 00:25:07,469
'CAUSE THAT'S WHAT DRIVES
INTO THE PAVEMENT.

357
00:25:07,678 --> 00:25:10,848
AND IT JUST MELTS
INTO THE STREET.

358
00:25:11,056 --> 00:25:12,933
LIKE A FOSSIL.
IT'S WEIRD, I KNOW,

359
00:25:13,142 --> 00:25:16,020
IT'S SOME SORT OF COMBINATION
OF THE WEIGHT OF THE TIRES

360
00:25:16,228 --> 00:25:17,980
AND THE CRACK-FILLING STUFF.

361
00:25:19,398 --> 00:25:21,400
SO WHAT SHOULD
WE PUT ON THE BORDER?

362
00:25:21,608 --> 00:25:25,237
THEY GIVE US
SOME FREEDOM THERE.

363
00:25:25,446 --> 00:25:27,990
SOME PEOPLE LIKE TO USE QUOTES,

364
00:25:28,198 --> 00:25:29,116
LYRICS,

365
00:25:29,324 --> 00:25:31,410
POLITICAL FRINGE IDEAS.

366
00:25:33,579 --> 00:25:35,372
I LIKE TO USE POETRY,

367
00:25:35,581 --> 00:25:37,124
UNLESS
YOU HAVE A BETTER IDEA.

368
00:25:41,462 --> 00:25:43,464
"FULL FATHOM FIVE

369
00:25:43,672 --> 00:25:47,843
THY FATHER LIES...
OF HIS BONES ARE CORAL MADE.

370
00:25:48,052 --> 00:25:50,804
THOSE ARE PEARLS
THAT WERE HIS EYES."

371
00:25:52,306 --> 00:25:54,349
IT'S "THE TEMPEST."

372
00:25:54,558 --> 00:25:57,144
I KNOW WHAT IT IS.

373
00:25:57,352 --> 00:25:59,146
AND IT'S AN AWFULLY
A GOOD IDEA.

374
00:26:01,523 --> 00:26:03,484
COME ON, YOU GOTTA HELP ME
CUT OUT THIS STUFF

375
00:26:03,692 --> 00:26:05,152
IF WE'RE GONNA
FINISH IT IN TIME.

376
00:26:10,491 --> 00:26:12,618
[GROANS]

377
00:26:12,826 --> 00:26:14,411
- IT'S REALLY TOUGH STUFF,
- YOU JABBED MY KNEE.

378
00:26:14,620 --> 00:26:15,537
- I'M SORRY.
- OH, MY GOD.

379
00:26:15,746 --> 00:26:18,207
- IT'S REALLY HARD. LOOK.
- OKAY.

380
00:26:18,415 --> 00:26:19,708
[LAUGHS]

381
00:26:19,917 --> 00:26:23,253
[MUSIC PLAYING]

382
00:27:06,588 --> 00:27:08,507
DOES IT MAKE
YOU FEEL SMALL?

383
00:27:13,929 --> 00:27:15,514
MORE THAN SMALL.

384
00:27:21,061 --> 00:27:22,437
IWAS JOKING.

385
00:27:25,482 --> 00:27:26,817
SO WAS I.

386
00:27:30,445 --> 00:27:31,989
REALLY?

387
00:27:47,045 --> 00:27:49,089
YOU KNOW WHAT THE WEIRDEST THING
IS? LIKE, IF YOU REALLY--

388
00:27:49,298 --> 00:27:52,926
YOU SIT AND YOU THINK ABOUT
BEING DEAD FOREVER.

389
00:27:53,135 --> 00:27:56,763
YOU KNOVV? YOU CAN-- YOU HAVE AN
IDEA IN YOUR HEAD OF VVHAT THAT IS,

390
00:27:56,972 --> 00:27:58,932
BUT SOMETIMES WHEN YOU STOP
AND YOU CLOSE YOUR EYES

391
00:27:59,141 --> 00:28:01,101
AND YOU REALLY THINK ABOUT
THAT-- LIKE, THINK ABOUT,

392
00:28:01,310 --> 00:28:02,936
LIKE, JUST FOREVER.

393
00:28:04,313 --> 00:28:06,023
AND HOW LONG
THAT GOES ON FOR.

394
00:28:06,231 --> 00:28:09,776
I MEAN, lF--
IF YOU HAD--

395
00:28:09,985 --> 00:28:11,069
IF EVERYTHING LASTED FOREVER,

396
00:28:11,278 --> 00:28:12,779
YOU WOULDN'T APPRECIATE IT.

397
00:28:15,365 --> 00:28:17,826
[CHUCKLES]
MAYBE.

398
00:28:20,370 --> 00:28:22,164
OR YOU THINK YOU WOULD.

399
00:28:22,372 --> 00:28:24,917
NO, I THINK
YOU'RE RIGHT.

400
00:28:25,125 --> 00:28:27,419
Ol= COURSE l'lvl RIGHT.
[GIGGLES]

401
00:28:28,837 --> 00:28:30,380
THIS IS A GOOD ONE.

402
00:28:30,589 --> 00:28:32,216
[CHUCKLE] DON'T DISTRACT
ME WITH THE ROCKS.

403
00:28:32,424 --> 00:28:34,259
ONE, TWO, THREE, FOUR, FIVE,
SIX, SEVEN, EIGHT, NINE.

404
00:28:34,468 --> 00:28:35,594
ALL RIGHT, READY?

405
00:28:37,429 --> 00:28:41,433
- Two, Tw0-- OH, SHIT, MAN, I'M BAD.
-[LAUGHING]

406
00:28:43,435 --> 00:28:45,604
DON'T YOU FEEL JUST A LITTLE
BIT SAFER AROUND WATER?

407
00:28:45,812 --> 00:28:47,147
A LITTLE MORE COMFORTABLE?

408
00:28:50,067 --> 00:28:52,027
NO?

409
00:28:52,236 --> 00:28:55,364
- WHERE DO YOU FEEL COMFORTABLE?
- I LIKE THE DESERT.

410
00:28:55,572 --> 00:28:57,324
-[DAN] You LIKE THE DESERT, YEAH?
- YEAH.

411
00:28:59,034 --> 00:29:00,452
MY BUTT'S COLD.

412
00:29:00,661 --> 00:29:02,162
MY ASS IS FREEZING.

413
00:29:05,457 --> 00:29:06,375
[DAN]
[GRUNTING]

414
00:29:10,796 --> 00:29:12,881
[HEAVY BREATHING]

415
00:29:19,179 --> 00:29:22,391
J' 50 NIFTY UNITED STATES

416
00:29:22,599 --> 00:29:26,520
J' FROM 13 ORIGINAL COLONIES...

417
00:29:26,728 --> 00:29:30,190
-[MUFFLED] J' SHOUT 'EM SCOUT 'EM.
TELL ALL ABOUT 'EM -[HEAVY BREATHING]

418
00:29:30,399 --> 00:29:32,985
[PANICKED BREATHING]

419
00:29:44,246 --> 00:29:45,998
YOU FEELING PATRIOTIC?

420
00:29:50,002 --> 00:29:52,587
I'M DOING A STAR FOR EVERY STATE

421
00:29:52,796 --> 00:29:54,506
I'VE LAID A TILE IN.

422
00:30:02,639 --> 00:30:04,099
DON'T LOOK SO IMPRESSED.

423
00:30:04,308 --> 00:30:06,310
YOU CAN GET MOST OF
NEW ENGLAND IN ONE NIGHT.

424
00:30:09,771 --> 00:30:13,275
AND...

425
00:30:13,483 --> 00:30:15,610
I WANT ALL THE STARS.

426
00:30:15,819 --> 00:30:19,531
[COUNTRY MUSIC PLAYING]

427
00:30:32,377 --> 00:30:34,421
SO HAVE YOU SEEN
THE TILE IN CHICAGO?

428
00:30:34,629 --> 00:30:39,051
YEAH, THERE'S A BAR. VVELL, ACTUALLY,
IT'S LIKE A COCKTAIL LOUNGE.

429
00:30:39,259 --> 00:30:41,261
THEY SAY IT WAS--
YOU KNOW AL CAPONE?

430
00:30:41,470 --> 00:30:43,347
THEY SAY IT WAS
HIS FAVORITE PLACE.

431
00:30:43,555 --> 00:30:45,682
AND THERE'S ONE RIGHT
OUTSIDE OF THERE.

432
00:30:45,891 --> 00:30:48,310
I MEAN, I WORKED
AT A SHELTER NEARBY

433
00:30:48,518 --> 00:30:50,437
AND I WALKED PAST
THERE EVERY DAY.

434
00:30:50,645 --> 00:30:52,272
AND I DIDN'T SEE IT
AT FIRST...

435
00:30:54,066 --> 00:30:56,943
AND ONE DAY IT WAS JUST--
IT WAS THERE.

436
00:30:57,152 --> 00:30:58,862
YOU KNOW,
I WAS WALKING DOWN THE STREET.

437
00:30:59,071 --> 00:31:03,492
AND I STEPPED INTO THE STREET,
AND MY FOOT TOUCHES SOMETHING,

438
00:31:03,700 --> 00:31:06,495
YOU KNOW, AND IT DOESN'T REALLY
FEEL LIKE STREET.

439
00:31:06,703 --> 00:31:08,538
AND...

440
00:31:08,747 --> 00:31:11,458
I GOT STUCK THERE FOR,

441
00:31:11,666 --> 00:31:12,667
LIKE, 15 MINUTES.

442
00:31:12,876 --> 00:31:16,254
JUST READING IT,

443
00:31:16,463 --> 00:31:18,632
TOUCHING IT, FEELING IT,

444
00:31:18,840 --> 00:31:20,133
OVER AND OVER.

445
00:31:21,718 --> 00:31:25,680
J' 'CAUSE YOU ONCE
BELONGED TO ME

446
00:31:25,889 --> 00:31:30,143
J' WHEN I LOST YOU,
I DIDN'T LOSE

447
00:31:30,352 --> 00:31:33,730
J' YOUR MEMORY

448
00:31:46,201 --> 00:31:48,662
WHY DO YOU THINK THEY MEAN
SO MUCH TO PEOPLE?

449
00:31:48,870 --> 00:31:51,581
WHO SAYS THEY MEAN
SOMETHING TO PEOPLE?

450
00:31:51,790 --> 00:31:53,959
WELL, I MEAN,
THEY MEAN SOMETHING TO ME.

451
00:31:54,167 --> 00:31:56,336
THEY MUST MEAN SOMETHING
TO YOU IF YOU'RE HERE.

452
00:31:56,545 --> 00:31:58,338
AND THEY MUST MEAN SOMETHING
TO SOMEBODY ELSE,

453
00:31:58,547 --> 00:32:01,174
OR ELSE IT WOULD HAVE
NEVER MADE THE NEWS.

454
00:32:01,383 --> 00:32:03,593
THE TILES
ARE INTERESTING BECAUSE

455
00:32:03,802 --> 00:32:06,179
AMBIGUITY IS INTERESTING.

456
00:32:06,388 --> 00:32:08,140
NOBODY KNOWS
HOW IT GOT THERE

457
00:32:08,348 --> 00:32:12,102
SO WE FILL IT WITH
AN EXCITING, SHADOWY MYSTERY.

458
00:32:13,979 --> 00:32:16,982
I HAD A FRIEND
WHOSE GRANDFATHER--

459
00:32:17,190 --> 00:32:20,026
HE USED TO PUT ON
MAGIC SHOWS AT CHRISTMAS,

460
00:32:20,235 --> 00:32:22,279
FOR HER AND ALL HER COUSINS.

461
00:32:22,487 --> 00:32:23,780
AND SHE TOLD ME SHE HATED IT

462
00:32:23,989 --> 00:32:26,491
UNTIL ONE YEAR

463
00:32:26,700 --> 00:32:28,869
HE, UH...

464
00:32:29,077 --> 00:32:31,538
LET HER BE THE
MAGICIAN'S ASSISTANT.

465
00:32:31,746 --> 00:32:33,832
AND AFTER HE MADE HER
SWEAR UP AND DOWN

466
00:32:34,040 --> 00:32:35,667
NOT TO TELL
THE LITTLE ONES THE SECRETS.

467
00:32:39,004 --> 00:32:41,840
SHE SAID IT WAS THE MOST

468
00:32:42,048 --> 00:32:45,760
FULFILLING, HAPPY EXPERIENCE
SHE'D EVER HAD.

469
00:32:48,805 --> 00:32:53,185
YEAH, I GET THAT, BUT I THINK
THAT IT IS SOMETHING--

470
00:32:53,393 --> 00:32:54,769
I DON'T KNOW, IT'S NOT JUST
THE MYSTERY.

471
00:32:54,978 --> 00:32:57,772
I THINK IT HAS SOMETHING
TO DO WITH THE MESSAGE.

472
00:32:57,981 --> 00:33:00,609
I MEAN, OBVIOUSLY THERE'S
SOMETHING COMFORTING IN IT.

473
00:33:00,817 --> 00:33:03,820
I MEAN, DEATH IS THE ONE FEAR WE
ALL HAVE IN COMMON, RIGHT?

474
00:33:04,029 --> 00:33:05,614
AND THE TILES
ARE ABOUT DEATH.

475
00:33:05,822 --> 00:33:07,616
THE DEAD DIE BACKWARDS,
TROMSQ POLARSIRKEL,

476
00:33:07,824 --> 00:33:10,911
WHATEVER THAT IS.
THEY CAN COME BACK.

477
00:33:11,119 --> 00:33:12,913
DO YOU EVEN KNOW
WHAT TROMSQ IS?

478
00:33:15,499 --> 00:33:17,083
NO.

479
00:33:17,292 --> 00:33:18,960
IT'S A TOWN IN NORWAY.

480
00:33:21,713 --> 00:33:23,673
THE LAND OF THE MIDNIGHT SUN.

481
00:33:27,177 --> 00:33:30,222
THAT'S WHAT POLARSIRKEL MEANS.

482
00:33:30,430 --> 00:33:32,766
IT'S JUST NORWEGIAN FOR
"ARTIC CIRCLE."

483
00:33:34,935 --> 00:33:38,355
TROMSQ IS THE SEVENTH
LARGEST CITY IN NORWAY.

484
00:33:38,563 --> 00:33:40,857
IT'S NOT AS BIG AS TRONDHEIM,
BUT BIGGER THAN TQNSBERG.

485
00:33:41,066 --> 00:33:44,694
IT HAS THE LARGEST NUMBER OF VVOODEN
HOUSES IN ALL OF NORTHERN NORVVAY.

486
00:33:44,903 --> 00:33:47,113
IT HAS A BUSY ELECTRONIC
MUSIC SCENE

487
00:33:47,322 --> 00:33:51,660
AND I HAVEN'T CHECKED
BUT CAN VIRTUALLY GUARANTEE

488
00:33:51,868 --> 00:33:55,956
THAT NOBODY IN THAT TOWN IS
EXPERIMENTING SUCCESSFULLY

489
00:33:56,164 --> 00:33:59,459
OR OTHERWISE
IN RESURRECTION.

490
00:33:59,668 --> 00:34:03,630
LOOK, I THINK IT'S GOOD THAT
YOU BELIEVE IN WHAT WE'RE DOING.

491
00:34:03,838 --> 00:34:05,757
I MEAN, I THINK WHAT
WE'RE DOING IS GREAT.

492
00:34:05,966 --> 00:34:08,260
IT BRINGS SOME WHIMSY
BACK INTO THE PICTURE.

493
00:34:08,468 --> 00:34:12,681
I JUST DON'T THINK
YOU SHOULD PUT...

494
00:34:14,224 --> 00:34:17,227
ANY MORE MEANING INTO IT
THAN IT HAS.

495
00:34:23,900 --> 00:34:26,987
DID YOU NOTICE ANYTHING ELSE
ABOUT THE TILES IN CHICAGO?

496
00:34:29,781 --> 00:34:31,116
UH...

497
00:34:31,324 --> 00:34:34,744
I THINK
THERE WAS SOME POETRY.

498
00:34:34,953 --> 00:34:39,666
MAYBE SOME T. S. ELIOT,
YEAH, IT WAS T. S. ELIOT.

499
00:34:42,043 --> 00:34:43,712
"PHLEBAS THE OF PHOENICIAN,

500
00:34:43,920 --> 00:34:48,883
A FORTNIGHT DEAD,
FORGOT THE CRY OF THE GULLS

501
00:34:49,092 --> 00:34:53,263
AND DEEP SEAS SWELL
AND THE PROFIT AND THE LOSS.

502
00:34:53,471 --> 00:34:58,018
A CURRENT UNDER SEA PICKED
HIS BONES IN WHISPERS.

503
00:34:58,226 --> 00:35:00,186
AS HE ROSE AND FELL,

504
00:35:00,395 --> 00:35:04,566
HE PASSED THE STAGES
OF HIS AGE AND YOUTH

505
00:35:04,774 --> 00:35:07,527
ENTERING THE WHIRLPOOL."

506
00:35:07,736 --> 00:35:09,821
J' YOU'RE DRIFTING
TOO FAR FROM THE SHORE...

507
00:35:10,030 --> 00:35:13,116
[COUNTRY SONG CONTINUES]

508
00:35:19,539 --> 00:35:21,666
[THUNDER RUMBLING]

509
00:35:27,631 --> 00:35:30,717
- I'M NOT DOING ANYTHING.
- I'LL LET YOU PRESS.

510
00:35:40,018 --> 00:35:41,645
SHIT, SHIT, SHIT.

511
00:35:49,611 --> 00:35:50,570
[JANE]
SHIT.

512
00:35:53,114 --> 00:35:55,033
-[MAN] HEY!
- HEY, l-l0w's IT some?

513
00:35:55,241 --> 00:35:58,078
- VVHAT'S GCING ON HERE?
- UH, NOTHING, SHE'S JUST HAVING--

514
00:35:58,286 --> 00:36:00,246
SHE JUST NEEDS A
MOMENT TO HERSELF.

515
00:36:00,455 --> 00:36:03,458
SHE HAS-- A FRIEND OF HERS GOT HIT
BYA CAR, HE VVAS RIDING HIS BIKE

516
00:36:03,667 --> 00:36:05,543
UP THIS ROAD AND
SHE'S KINDA JUST TRYING TO,

517
00:36:05,752 --> 00:36:09,631
YOU KNOVV, GET PAST IT. A LITTLE
CATHARTIC MOMENT, YOU KNOVV?

518
00:36:09,839 --> 00:36:12,592
VVE'RE ALL RIGHT, REALLY, BUT VVE
DON'T VVANT ANY OTHER CAR STOPPING

519
00:36:12,801 --> 00:36:14,427
'CAUSE IT COULD BE A LITTLE
DANGEROUS FOR HER,

520
00:36:14,636 --> 00:36:16,554
SO, REALLY, WE APPRECIATE
YOU CHECKING IN ON US.

521
00:36:16,763 --> 00:36:18,640
-[MAN] ALL RIGHT. BE CAREFUL.
- HOW ARE YOU DOING?

522
00:36:18,848 --> 00:36:20,517
I'M SORRY, WE DIDN'T MEAN
TO STARTLE YOU.

523
00:36:20,725 --> 00:36:22,435
-[WOMAN] YEAH, BE CAREFUL OUT HERE.
- ALL RIGHT.

524
00:36:22,644 --> 00:36:24,354
-[WOMAN] THEY DRIVE REAL FAST.
- THEY DO?

525
00:36:24,562 --> 00:36:26,398
I BET THEY DO.
OKAY.

526
00:36:30,151 --> 00:36:32,153
THANK YOU.
HAVE A GOOD NIGHT.

527
00:36:34,197 --> 00:36:36,116
[THUNDERING]

528
00:36:37,325 --> 00:36:38,743
-[LAUGHING]
- WHAT WAS THAT?

529
00:36:38,952 --> 00:36:40,537
IT WAS A CONTINGENCY PLAN.

530
00:36:49,045 --> 00:36:51,214
HOW DOES A DAY OFF SOUND?

531
00:36:52,424 --> 00:36:53,758
REALLY?

532
00:36:53,967 --> 00:36:55,385
OF COURSE.

533
00:36:55,593 --> 00:36:58,388
ALWAYS TAKE ONE DAY OFF A WEEK
FOR YOUR MENTAL HEALTH.

534
00:36:59,848 --> 00:37:01,850
O KAY.

535
00:37:02,058 --> 00:37:04,018
MAYBE I'LL EVEN, UH...

536
00:37:04,227 --> 00:37:05,979
LET YOU TAKE ME OUT TO DINNER.

537
00:37:09,274 --> 00:37:10,525
I'D LIKE THAT.

538
00:37:12,360 --> 00:37:14,195
BUT I HAVE NO MONEY.

539
00:37:15,405 --> 00:37:18,366
OR... CREDIT CARDS.

540
00:37:18,575 --> 00:37:20,410
OR ELECTRONIC DEVICES,

541
00:37:20,618 --> 00:37:23,955
OR IDENTIFICATION,

542
00:37:24,164 --> 00:37:28,793
OR ANYTHING OUTSIDE OF A
STORAGE UNIT IN HUMBOLDT PARK.

543
00:37:31,921 --> 00:37:35,592
IT'S OKAY.
WE'LL, UH, CHARGE IT TO THEM.

544
00:37:35,800 --> 00:37:38,344
[MUSIC PLAYING]

545
00:38:00,366 --> 00:38:01,910
[DAN]
CH-CH-CH-CH-CH...

546
00:38:06,414 --> 00:38:08,416
HOW LONG ARE YOU
GONNA RUN FOR?

547
00:38:09,793 --> 00:38:11,294
[JANE]
[SIGHs]

548
00:38:15,173 --> 00:38:16,508
WHAT ARE YOU DOING?

549
00:38:16,716 --> 00:38:18,009
YOU'RE VERY MUCH
LIKE JANE.

550
00:38:19,719 --> 00:38:22,514
YOU'RE A DOG.
NUMBER ONE.

551
00:38:22,722 --> 00:38:24,390
YOU SHED, NUMBER TWO.

552
00:38:24,599 --> 00:38:27,185
-[LAUGHS] - AND YOU'RE
A LITTLE BIT SKITTISH.

553
00:38:28,269 --> 00:38:30,897
GET THAT THERE.

554
00:38:31,105 --> 00:38:33,441
GET YOUR EYEBALL

555
00:38:33,650 --> 00:38:34,776
AND YOUR MOUTH.

556
00:38:37,403 --> 00:38:40,323
IF YOU COULD'VE LIVED IN ANY
OTHER TIME, WHAT WOULD IT BE?

557
00:38:40,532 --> 00:38:41,449
ANY OTHER TIME?

558
00:38:41,658 --> 00:38:43,159
- YEAH.
- I WOULD LIVE IN...

559
00:38:45,620 --> 00:38:47,664
I WOULD LIVE IN,
I DON'T KNOW, PROBABLY lN--

560
00:38:47,872 --> 00:38:51,960
I WOULD LIKE TO RIDE IN A WAGON
AND STUFF, BE LIKE A MINER--

561
00:38:52,168 --> 00:38:54,671
- REALLY? - BACK IN THE DAY,
VVHAT DO THEY CALL THOSE GUYS?

562
00:38:54,879 --> 00:38:57,006
- PROSPECTOR?
- PROSPECTOR.

563
00:38:57,215 --> 00:38:58,508
- SEE?
- WOW.

564
00:38:58,716 --> 00:39:00,677
THAT ACTUALLY IS PRETTY GOOD.

565
00:39:00,885 --> 00:39:02,512
NICE.

566
00:39:02,720 --> 00:39:04,389
I HAVEN'T SAID
ONE LIE TO YOU.

567
00:39:04,597 --> 00:39:05,473
YEAH?

568
00:39:06,975 --> 00:39:08,476
WELL, ONCE I SAID
A HALF LIE.

569
00:39:09,602 --> 00:39:10,979
THAT WAS IT.

570
00:39:11,187 --> 00:39:13,690
YOU'VE-- COME ON,
YOU'VE SAID SOME LIES TO ME.

571
00:39:13,898 --> 00:39:14,774
HAVEN'T YOU?

572
00:39:14,983 --> 00:39:16,568
I'VE NOT LIED TO YOU.

573
00:39:27,412 --> 00:39:29,247
[THUNDER RUMBLING]

574
00:39:32,458 --> 00:39:33,835
WHAT ARE YOU THINKING ABOUT?

575
00:39:44,679 --> 00:39:45,805
I DON'T KNOW.

576
00:39:49,434 --> 00:39:51,185
YOU-- I DON'T KNOW
HOW TO WORD THIS

577
00:39:51,394 --> 00:39:53,354
WITHOUT IT COMING OUT WRONG.

578
00:39:53,563 --> 00:39:57,025
I THINK YOU'RE THE MOST BEAUTIFUL GIRL
THAT EVER REALLY PAID ATTENTION TO ME.

579
00:39:57,233 --> 00:40:01,154
AND I KNOVV THAT YOU'RE ONLY PAYING ATTENTION
TO ME BECAUSE OF OUR SITUATION, BUT...

580
00:40:04,574 --> 00:40:07,827
AND THAT'S WHY I WOULD LIKE
TO KNOW JUST...

581
00:40:08,036 --> 00:40:10,038
YOU KNOW,
A LITTLE BIT MORE.

582
00:40:18,463 --> 00:40:20,882
[DAN] I DON'T KNOVV
VVHAT I'M SAYING.

583
00:40:21,090 --> 00:40:23,593
I DON'T KNOW WHAT
TO SAY TO YOU.

584
00:40:23,801 --> 00:40:25,803
[JANE]
YOU'RE A WHOLE LOTTA TALK.

585
00:40:33,102 --> 00:40:34,395
[KNOCK ON DOOR]

586
00:40:51,955 --> 00:40:54,082
[BOTH CHUCKLE]

587
00:40:57,377 --> 00:40:59,462
LISTEN, I'M, UH...
I'M SORRY. I SHOULD'VE...

588
00:40:59,671 --> 00:41:01,214
-[LAUGHS]
-...KNOCKED LOUDER.

589
00:41:05,009 --> 00:41:06,135
[LAUGHS]

590
00:41:06,344 --> 00:41:07,720
- SORRY.
- SURE. WHATEVER.

591
00:41:09,430 --> 00:41:11,349
GO GET US A TABLE.
I HAVE TO CALL GROUND CONTROL.

592
00:41:11,557 --> 00:41:12,934
O KAY.

593
00:41:14,435 --> 00:41:16,020
O KAY.

594
00:41:16,229 --> 00:41:17,814
[BOTH CHUCKLE]

595
00:41:20,525 --> 00:41:22,527
WHO ANSWERS THERE?

596
00:41:22,735 --> 00:41:24,737
WHAT WILL YOU TALK ABOUT?

597
00:41:24,946 --> 00:41:26,823
I'M JUST GONNA TELL THEM
WHAT TOWNS WE HIT. THAT'S IT.

598
00:41:27,031 --> 00:41:29,409
- THAT'S ALL?
- THAT'S ALL.

599
00:41:31,494 --> 00:41:33,037
O KAY.

600
00:41:33,246 --> 00:41:34,872
ALRIGHT. IS THERE ANYTHING ELSE
I CAN DO FOR YOU?

601
00:41:35,081 --> 00:41:36,374
- GET OUT OF HERE!
-[LAUGHS] ARE YOU SURE?

602
00:41:36,582 --> 00:41:37,458
- YES!
- ALRIGHT, TABLE FOR TWO?

603
00:41:37,667 --> 00:41:39,210
- YES!
- OKAY.

604
00:41:39,419 --> 00:41:41,212
[JANE GIGGLES]

605
00:41:42,296 --> 00:41:43,381
[DAN]
ALRIGHT.

606
00:41:49,971 --> 00:41:52,807
[JANE ON PHONE]
KAREN LATUILIPPE.

607
00:41:53,016 --> 00:41:55,476
04-26-170.

608
00:42:16,581 --> 00:42:19,125
- WHAT?
- WELL? WHAT DID THEY SAY?

609
00:42:19,333 --> 00:42:21,127
[SCOFFS]
WELL, NOTHING.

610
00:42:21,335 --> 00:42:23,963
JUST, "THANK YOU
FOR ALL YOUR HARD WORK.

611
00:42:24,172 --> 00:42:26,841
WE REALLY APPRECIATE IT.
COULDN'T DO IT WITHOUT YOU."

612
00:42:27,050 --> 00:42:29,594
- THAT'S IT.
- I PROMISE. THAT'S ALL.

613
00:42:29,802 --> 00:42:31,846
YOU THINK I VVAS UP THERE LONG
ENOUGH FOR SOME SORT OF, UH...

614
00:42:32,055 --> 00:42:34,640
SECRET TRANSMISSION?
SOMETHING IN CODE?

615
00:42:38,478 --> 00:42:39,437
H EY.

616
00:42:41,606 --> 00:42:43,816
WHY DO YOU NEED
TO BELIEVE IN THIS SO BADLY?

617
00:42:45,610 --> 00:42:47,278
IT'S JUST--
YOU KNOW IT'S JUST GIVING

618
00:42:47,487 --> 00:42:48,863
PEOPLE SOMETHING
TO WONDER ABOUT.

619
00:42:49,072 --> 00:42:51,699
IT'S UH...lT'S A JOKE.

620
00:42:51,908 --> 00:42:53,117
A CAPER.

621
00:42:53,326 --> 00:42:54,952
THAT'S IT,
SOMETHING TO JUST, YOU KNOW,

622
00:42:55,161 --> 00:42:57,163
BREAK UP THE MONOTONY
OF LIFE.

623
00:42:58,998 --> 00:43:01,626
- THAT'S IT.
- THAT'S IT?

624
00:43:01,834 --> 00:43:03,127
YEAH.

625
00:43:04,962 --> 00:43:06,756
THAT'S IT?
IT'S A JOKE TO YOU?

626
00:43:08,341 --> 00:43:09,926
WHO IN THEIR RIGHT MIND,

627
00:43:10,134 --> 00:43:11,928
WOULD GO THROUGH
ALL THIS TROUBLE,

628
00:43:12,136 --> 00:43:14,180
TO DO ALL OF THIS STUFF,
IF IT WAS JUST A JOKE?

629
00:43:14,388 --> 00:43:15,556
THERE'S NOT.
THERE'S JUST--

630
00:43:15,765 --> 00:43:17,350
I DON'T KNOW.
I MEAN, THERE'S, LIKE--

631
00:43:17,558 --> 00:43:20,895
I JUST ALWAYS ASSUMED IT WAS
SOME ECCENTRIC BILLIONAIRE.

632
00:43:21,104 --> 00:43:24,482
YOU KNOW, PROBABLY
A LITTLE BIT INSANE.

633
00:43:25,983 --> 00:43:27,735
YOU KNOW,
"WIZARD OF OZ."

634
00:43:30,696 --> 00:43:32,782
LOOK. I DON'T KNOW ANY MORE
ABOUT THIS THAN YOU DO.

635
00:43:32,990 --> 00:43:35,910
I'VE--I'VE JUST
BEEN DOING IT FOR LONGER.

636
00:43:36,119 --> 00:43:37,537
THAT'S IT.

637
00:43:39,038 --> 00:43:41,749
BORED. SORT OF LIKE,
HOWARD HUGHES,

638
00:43:41,958 --> 00:43:45,128
UP IN HIS, I DON'T KNOW,
XANADU TEMPLE.

639
00:43:45,336 --> 00:43:47,255
[LAUGHS]

640
00:44:09,360 --> 00:44:11,154
I'LL GIVE YOU ONE MORE CHANCE.

641
00:44:13,447 --> 00:44:15,658
WHY DO YOU HAVE TO
BELIEVE IN THIS SO MUCH?

642
00:44:20,246 --> 00:44:21,664
BECAUSE...

643
00:44:23,499 --> 00:44:26,294
BECAUSE, I DON'T--
I DON'T BELIEVE

644
00:44:26,502 --> 00:44:28,171
IN ANYTHING ELSE.

645
00:44:29,964 --> 00:44:32,967
BECAUSE, YOU KNOW,
THEY'RE TELLING ME SOMETHING

646
00:44:33,176 --> 00:44:35,136
THAT I WANT
TO BELIEVE IS TRUE.

647
00:44:36,679 --> 00:44:39,056
YOU KNOW, IF THERE COULD BE
ANYTHING ELSE,

648
00:44:40,683 --> 00:44:43,394
THEN MAYBE EVERYBODY
ENDS UP ALRIGHT

649
00:44:43,603 --> 00:44:45,062
AND SO WILL I.

650
00:44:46,981 --> 00:44:49,984
I MEAN, I'VE NEVER
FELT ALL RIGHT.

651
00:44:50,193 --> 00:44:53,821
YOU KNOW?
I ALWAYS FELT LIKE, UM,

652
00:44:54,030 --> 00:44:57,617
I DON'T KNOVV, LIKE A JIGSAVV
PIECE FROM THE VVRONG PUZZLE.

653
00:44:57,825 --> 00:44:59,243
THAT MAKE SENSE TO YOU?

654
00:45:01,078 --> 00:45:03,080
YOU FEEL LIKE
A PUZZLE PIECE?

655
00:45:03,289 --> 00:45:06,167
WELL, I FEEL,

656
00:45:06,375 --> 00:45:10,004
I DON'T KNOW. MAYBE WE'RE
ALL JUST PIECES, YOU KNOW?

657
00:45:10,213 --> 00:45:11,756
PIECES FROM DIFFERENT PUZZLES.
RANDOM ONES.

658
00:45:11,964 --> 00:45:14,467
AND THERE'S NO POINT
IN FIGURING IT OUT AT ALL.

659
00:45:15,927 --> 00:45:18,638
ALL I KNOW IS THAT...

660
00:45:18,846 --> 00:45:22,975
THEY GIVE ME
A CHANCE AT...

661
00:45:25,061 --> 00:45:28,064
MAKING ME NOT FEEL
THAT WAY ANYMORE.

662
00:45:37,531 --> 00:45:39,200
DO YOU FEEL LIKE A LOT
OF PUZZLE PIECES,

663
00:45:39,408 --> 00:45:41,285
-[CHUCKLES]
- OR JUST ONE PUZZLE PIECE?

664
00:45:41,494 --> 00:45:42,995
YOU KNOW WHAT I MEAN.

665
00:45:45,539 --> 00:45:48,000
YEAH,
I WISH I DIDN'T.

666
00:45:48,209 --> 00:45:49,752
I MEAN...

667
00:45:52,004 --> 00:45:53,839
MAYBE WE'RE ALL JUST...

668
00:45:57,677 --> 00:46:01,847
AND WE DON'T KNOW
WHAT THE PICTURE'S OF.

669
00:46:02,056 --> 00:46:05,059
MAYBE. I THINK YOU'RE ONTO
SOMETHING THERE.

670
00:46:05,268 --> 00:46:07,311
- YEAH?
- YEAH, I DO.

671
00:46:19,407 --> 00:46:22,493
THIS IS AS FAR AS I GO. YOU'RE GONNA
HAVE TO COME THE REST OF THE VVAY.

672
00:46:24,495 --> 00:46:25,454
[CHUCKLES]

673
00:46:27,081 --> 00:46:28,541
FINE.

674
00:46:55,151 --> 00:46:57,111
DON'T...

675
00:46:57,320 --> 00:46:59,613
EVER TELL ME
YOU'RE IN LOVE WITH ME.

676
00:47:06,454 --> 00:47:07,705
[WHISPERS]
EVER.

677
00:47:09,915 --> 00:47:11,459
WHAT IF IT WERE TRUE?

678
00:47:13,002 --> 00:47:16,964
[slel-ls DEEPLY]
THAT WOULD BE TOO BAD.

679
00:47:36,150 --> 00:47:37,526
HI.

680
00:47:42,656 --> 00:47:44,950
WE'RE GIVING PEOPLE
SOMETHING TO BELIEVE IN?

681
00:47:48,287 --> 00:47:51,874
MAYBE. BUT, I THINK
AT THE END OF THE DAY

682
00:47:52,083 --> 00:47:53,667
IT'S GONNA BE UP TO THEM
WHETHER OR NOT

683
00:47:53,876 --> 00:47:55,669
THEY WANNA BELIEVE IT.

684
00:47:58,714 --> 00:48:00,800
WHAT IF...
[SIGHS]

685
00:48:03,135 --> 00:48:06,931
VVHAT IF VVE GAVE THEM SOMETHING TO
BELIEVE IN VVITHOUT NEEDING TO...

686
00:48:13,270 --> 00:48:15,606
WHAT IF WE LET THEM
IN ON THE SECRET WITHOUT...

687
00:48:18,484 --> 00:48:20,569
KEEPING IT FROM THEM.
JUST...

688
00:48:24,657 --> 00:48:26,450
BUT WHAT'S THE SECRET?

689
00:48:29,537 --> 00:48:31,080
DO YOU WANNA GO
TO THE GRAND CANYON?

690
00:48:31,288 --> 00:48:33,165
- REALLY?
- YEAH.

691
00:48:33,374 --> 00:48:35,918
YEAH, ALWAYS.
I'VE NEVER BEEN THERE.

692
00:48:36,127 --> 00:48:37,795
- OKAY.
- IS IT CLOSE?

693
00:48:38,003 --> 00:48:41,340
- YEAH!
- YEAH? GIVE ME FIVE MORE MINUTES.

694
00:48:41,549 --> 00:48:42,633
LET'S GO!

695
00:48:44,176 --> 00:48:46,303
[GROANING] ALRIGHT! I'M UP!
I'M UP! I'M UP!

696
00:48:46,512 --> 00:48:48,055
-[JANE LAUGHS]
-[DAN GROANS]

697
00:48:48,264 --> 00:48:51,475
- COME ON.
- ALL RIGHT.

698
00:48:56,689 --> 00:48:59,650
- I'M TERRIFIED OF HEIGHTS.
- I LOVE THEM. I REALLY DO.

699
00:48:59,859 --> 00:49:02,361
- YOU LIKE HEIGHTS?
- YEAH.

700
00:49:02,570 --> 00:49:04,238
I DON'T KNOW.

701
00:49:04,447 --> 00:49:07,491
L--l LIKE, LIKE, SORT
OF THAT TINGLY SENSATION.

702
00:49:07,700 --> 00:49:09,577
- REALLY?
- YEAH.

703
00:49:09,785 --> 00:49:11,912
- YOU DON'T?
- NO, I REALLY DON'T.

704
00:49:12,121 --> 00:49:13,622
- WHY?
- I DON'T KNOW.

705
00:49:13,831 --> 00:49:15,332
IALWAYS FEEL LIKE
SOMETHING'S GONNA HAPPEN

706
00:49:15,541 --> 00:49:17,585
AND I'M GONNA JUST HEAVE
MYSELF OVER THE EDGE--

707
00:49:17,793 --> 00:49:19,295
-l'LL PUSH YOU.
- DON'T! PLEASE! DON'T DO IT!

708
00:49:19,503 --> 00:49:20,463
[LAUGHS]

709
00:49:20,671 --> 00:49:22,381
DON'T DO IT.

710
00:49:22,590 --> 00:49:25,092
- YOU JUMPED SO BAD!
- I WILL LEAVE YOU HERE.

711
00:49:25,301 --> 00:49:27,136
I'M SORRY, I'M SORRY, I'M SORRY,
I'M SORRY, I'M SORRY.

712
00:49:27,344 --> 00:49:28,971
I'M SORRY. I'M SORRY.

713
00:49:29,180 --> 00:49:30,848
- I DIDN'T MEAN TO SCARE YOU.
- YOU'RE FORGIVEN.

714
00:49:31,056 --> 00:49:32,183
- YEAH?
- MM-HM.

715
00:49:34,727 --> 00:49:36,937
- YOU GONNA KISS ME?
- YOU WANT ME TO KISS YOU?

716
00:49:37,146 --> 00:49:40,191
- You LOOK LIKE You WERE some To.
-[LAUGHS]

717
00:49:40,399 --> 00:49:41,817
I THOUGHT ABOUT IT.
NO, I'M NOT.

718
00:49:42,026 --> 00:49:43,110
NO?

719
00:49:43,319 --> 00:49:45,196
I'M GOING TO EXFOLIATE
ON YOUR STUBBLE.

720
00:49:45,404 --> 00:49:47,281
[LAUGHS]

721
00:49:47,490 --> 00:49:48,866
- THAT WORKS.
- YEAH?

722
00:49:49,074 --> 00:49:51,535
- IT'S LIKE A SHOE MAT.
-[LAUGHS]

723
00:49:51,744 --> 00:49:53,954
- YOU'RE SAYING MY FACE IS DIRTY?
- IT LOOKS LIKE A SHOE.

724
00:49:54,163 --> 00:49:55,748
[LAUGHS]

725
00:49:55,956 --> 00:49:59,877
- I'M KIDDING.
- LIKE A NICE SHOE, OR LIKE A HIKING BOOT?

726
00:50:00,085 --> 00:50:01,545
LIKE A...

727
00:50:02,963 --> 00:50:05,382
LIKE A BIG MOTORCYCLE BOOT.

728
00:50:05,591 --> 00:50:07,426
MY FACE LOOKS LIKE
A MOTORCYCLE BOOT?

729
00:50:07,635 --> 00:50:09,136
YEAH, SOMETIMES.

730
00:50:09,345 --> 00:50:11,180
- VVHAT?
- IN A CERTAIN LIGHT, IT ALL DEPENDS.

731
00:50:11,388 --> 00:50:12,431
- WHAT?
- NO, I'M KIDDING.

732
00:50:12,640 --> 00:50:14,433
YOU LOOK LIKE
A STRAPPY SANDAL.

733
00:50:14,642 --> 00:50:16,393
[BOTH LAUGH]

734
00:50:16,602 --> 00:50:19,563
- COME ON.
- YEAH.

735
00:50:19,772 --> 00:50:20,940
ALL RIGHT.

736
00:50:21,148 --> 00:50:22,983
WELL, IF I LOOK LIKE
A MOTORCYCLE BOOT,

737
00:50:23,192 --> 00:50:25,277
- IF MY FACE LOOKS LIKE A MOTORCYCLE
BOOT... - NO, IT DOESN'T.

738
00:50:25,486 --> 00:50:27,029
-[GASPS]
- YOU HAVE A BEAUTIFUL FACE.

739
00:50:27,238 --> 00:50:30,199
-[THUNDER RUMBLES]
- SHUT UP.

740
00:50:33,452 --> 00:50:36,247
[THUNDER RUMBLING]

741
00:50:45,506 --> 00:50:48,050
I KEEP MISSING THESE.
YOU'RE DISTRACTING ME.

742
00:50:48,259 --> 00:50:50,386
- YEAH?
- I FEEL LIKE THIS IS COMING TOVVARDS US.

743
00:50:50,594 --> 00:50:52,638
I'M DISTRACTING YOU
FROM THIS?

744
00:50:52,846 --> 00:50:54,515
YOU'RE DISTRACTING ME
FROM ALL OF THIS.

745
00:51:02,690 --> 00:51:05,234
YES?

746
00:51:05,442 --> 00:51:06,443
[THUNDER RUMBLING]

747
00:51:06,652 --> 00:51:08,571
AH.

748
00:51:10,531 --> 00:51:12,866
[MUSIC PLAYING]

749
00:51:41,604 --> 00:51:44,106
[wmn BLOWING]

750
00:51:52,197 --> 00:51:54,033
WHAT'S WRONG?

751
00:51:54,241 --> 00:51:55,492
NOTHING.

752
00:51:55,701 --> 00:51:57,661
- WHY ARE YOU CRYING?
- I'M NOT CRYING.

753
00:51:57,870 --> 00:52:00,456
- YOU'RE UPSET.
- I'M NOT.

754
00:52:00,664 --> 00:52:02,583
IT'S JUST WINDY.

755
00:52:11,884 --> 00:52:14,511
[MUSIC PLAYING
ON CAR STEREO]

756
00:52:17,222 --> 00:52:19,850
[RAINDROPS PELTING WINDOW]

757
00:52:21,310 --> 00:52:23,812
I THINK WE SHOULD
GO TO PHOENIX TODAY.

758
00:52:25,731 --> 00:52:28,233
I'VE BEEN WANTING TO GO THERE.

759
00:52:28,442 --> 00:52:31,528
NOT WANTING TO,
BUT I THINK WE SHOULD GO.

760
00:52:32,613 --> 00:52:33,781
ALL RIGHT.

761
00:52:33,989 --> 00:52:35,449
WHY DIDN'T YOU SAY
SOMETHING EARLIER?

762
00:52:35,658 --> 00:52:37,576
I MEAN, WE COULD'VE REALLY
BEEN THERE DAYS AGO.

763
00:52:37,785 --> 00:52:40,454
I'VE BEEN AIMING US THERE
SINCE WE GOT TO COLORADO.

764
00:52:40,663 --> 00:52:42,748
REALLY?

765
00:52:42,956 --> 00:52:45,793
THANKS FOR MENTIONING IT.

766
00:52:46,001 --> 00:52:48,170
LOOK, DANNY, IF YOU WANTED
TO TRAVEL WITH SOMEONE

767
00:52:48,379 --> 00:52:50,506
WHO WOULD GIVE YOU ACCESS
TO HER EVERY THOUGHT,

768
00:52:50,714 --> 00:52:52,716
YOU SHOULD'VE GOTTEN IN SOMEONE
ELSE'S CAR IN ILLINOIS.

769
00:52:55,135 --> 00:52:56,720
WHO'S KAREN LATUILIPPE?

770
00:52:58,222 --> 00:53:01,183
I DON'T KNOW.
I DON'T LIKE HER NAME.

771
00:53:01,392 --> 00:53:03,310
I HEARD YOU SAY THAT NAME
THE OTHER NIGHT ON THE PHONE.

772
00:53:06,480 --> 00:53:08,565
- I TOLD YOU NOT TO LISTEN TO THAT CALL.
- VVELL, YOU KNOVV VVHAT?

773
00:53:08,774 --> 00:53:10,067
YOU SHOULD'VE GIVEN ME
JUST A LITTLE BIT MORE TIME

774
00:53:10,275 --> 00:53:11,318
TO GET DOWN THE HALLWAY
BEFORE YOU DECIDED--

775
00:53:11,527 --> 00:53:13,320
GIVEN YOU MORE TIME?

776
00:53:13,529 --> 00:53:15,614
HCVV VVAS I SUPPOSED TO KNOVV YOU
VVERE, LIKE, SNOOPING BY MY DOOR?

777
00:53:15,823 --> 00:53:17,449
- I TOLD YOU TO GO DOWN.
- I WASN'T SNOOPING BY YOUR DOOR.

778
00:53:17,658 --> 00:53:20,244
I LEFT YOUR ROOM,
I WAS STANDING RIGHT THERE.

779
00:53:20,452 --> 00:53:21,954
WHO IS IT?
IS IT YOU?

780
00:53:23,622 --> 00:53:25,207
SO I HAVE AN ALIAS.

781
00:53:27,084 --> 00:53:29,002
YOU HAVE AN ALIAS. VVHICH ONE
IS IT, OR IS IT BOTH OF THEM?

782
00:53:29,211 --> 00:53:30,963
WHAT-- WHAT DOES IT MATTER?

783
00:53:31,171 --> 00:53:32,673
IT MATTERS TO ME.

784
00:53:36,760 --> 00:53:38,470
YOU KNOW, I'M JUST GET--
I'M A LITTLE BIT SICK OF THIS,

785
00:53:38,679 --> 00:53:40,055
BECAUSE EVERY TIME
YOU ASK ME SOMETHING,

786
00:53:40,264 --> 00:53:42,057
I'M PRETTY FORWARD WITH IT.

787
00:53:42,266 --> 00:53:43,600
I MEAN, YOU KNOW MOSTLY
EVERYTHING ABOUT ME.

788
00:53:43,809 --> 00:53:45,269
YOU KNOW THE BLUEPRINTS
AND STUFF.

789
00:53:45,477 --> 00:53:49,231
[TURNS VOLUME UP]

790
00:53:49,440 --> 00:53:52,025
J' ROLL ON

791
00:53:52,234 --> 00:53:54,319
J' ROLL ON

792
00:53:54,528 --> 00:53:59,867
J' ROLL ON, LITTLE DOGIES,
ROLL ON, ROLL ON

793
00:54:00,075 --> 00:54:02,453
J' ROLL ON

794
00:54:02,661 --> 00:54:05,080
J' ROLL ON

795
00:54:05,289 --> 00:54:09,251
J' ROLL ON, LITTLE DOGIES,
ROLL ON.

796
00:54:14,715 --> 00:54:16,675
SO THIS IS WHERE
WE'RE LAYING IT?

797
00:54:16,884 --> 00:54:18,552
- OUTSIDE?
- YEP.

798
00:54:22,514 --> 00:54:25,267
- OKAY, LET'S GO.
- ALL RIGHT, LET'S GO.

799
00:54:25,476 --> 00:54:27,186
YOU KNOW, I NORMALLY
SUPPORT YOU 100%,

800
00:54:27,394 --> 00:54:29,104
BUT I THOUGHT THAT WE WERE
SUPPOSED TO KIND OF, YOU KNOW,

801
00:54:29,313 --> 00:54:32,524
STAY OUT OF AREAS
WHERE PEOPLE MIGHT SEE US.

802
00:54:32,733 --> 00:54:34,777
IF YOU WANT TO LAY A TILE
ACROSS TOWN, BE MY GUEST.

803
00:54:34,985 --> 00:54:36,236
THIS ONE'S GOING HERE.

804
00:54:36,445 --> 00:54:38,739
ALL RIGHT.

805
00:54:38,947 --> 00:54:40,407
[SIGHS]

806
00:54:40,616 --> 00:54:42,576
I HATE MYSELF TONIGHT.
I'LL BE BETTER TOMORROW.

807
00:54:42,785 --> 00:54:44,578
- GET A FRESH START.
- ALL RIGHT.

808
00:54:44,787 --> 00:54:46,997
- JUST LET ME DO THIS, OKAY?
- OKAY.

809
00:54:48,457 --> 00:54:50,083
SHIT.

810
00:54:53,962 --> 00:54:54,963
SHIT!

811
00:54:55,172 --> 00:54:56,840
- YOU ALL RIGHT?
-[MAN] HEY!

812
00:54:57,049 --> 00:54:59,051
WHAT THE HELL?

813
00:54:59,259 --> 00:55:00,719
WHAT'S SHE DOING
OVER THERE?

814
00:55:00,928 --> 00:55:04,848
UM, JUST-- HER FRIEND
DIED ABOUT LIKE A YEAR AGO

815
00:55:05,057 --> 00:55:08,644
OR THREE YEARS-- HE GOT HIT BYA
BIKE AND HE VVAS, YOU KNQVV--

816
00:55:08,852 --> 00:55:10,229
AND SO SHE'S JUST
PAYING HER RESPECTS.

817
00:55:10,437 --> 00:55:11,772
- WHO'S THIS?
-[WOMAN] WHAT'S GOING ON?

818
00:55:11,980 --> 00:55:13,357
NOTHING, WE WERE
DOING SOMETHING

819
00:55:13,565 --> 00:55:14,650
AND WE'RE LEAVING,
WE'RE DONE.

820
00:55:14,858 --> 00:55:17,653
- ARE WE LEAVING?
- NO, WE'RE NOT LEAVING.

821
00:55:17,861 --> 00:55:19,154
- YOU STAYED.
- YEAH.

822
00:55:19,363 --> 00:55:20,572
YOU KNOW, I THOUGHT
YOU MIGHT'VE STAYED,

823
00:55:20,781 --> 00:55:22,741
BUT I DIDN'T THINK
YOU'D STAY HERE.

824
00:55:22,950 --> 00:55:25,786
- VVHAT'S GOING ON? - CAN YOU STOP
ASKING VVHAT'S GOING ON, PLEASE?

825
00:55:25,994 --> 00:55:27,120
WHY DID YOU COME BACK?

826
00:55:27,329 --> 00:55:28,747
I STILL NEEDED
TO GET ARIZONA.

827
00:55:28,956 --> 00:55:31,834
OH, OH, THIS IS
MY REPLACEMENT, HUH?

828
00:55:32,042 --> 00:55:33,669
YOU KNOW WHAT?
SCREW YOU.

829
00:55:33,877 --> 00:55:35,254
NO, DON'T
INTELLECTUALIZE IT.

830
00:55:35,462 --> 00:55:37,506
DON'T MAKE
A NARRATIVE OF IT.

831
00:55:37,714 --> 00:55:39,758
VVHAT NARR-- l'M NOT MAKING A NARRATIVE.
VVHAT ARE YOU TALKING ABOUT?

832
00:55:39,967 --> 00:55:42,803
- YOU'VE GOT TO STOP.
- FINE, I'LL STOP. FUCK YOU.

833
00:55:43,011 --> 00:55:45,889
I'M NOT YOUR
FUCKING SCHOOL GIRL.

834
00:55:46,098 --> 00:55:47,391
YOU KNOW WHAT?
HAVE FUN WITH HIM.

835
00:55:47,599 --> 00:55:49,268
WATCH HIS NOSE.
IT CRINKLES WHEN HE'S LYING.

836
00:55:49,476 --> 00:55:50,978
- THAT'S HIS TELL.
- THAT'S A TIC.

837
00:55:51,186 --> 00:55:53,856
-[BREATHING HEAVILY]
- THAT'S REALLY SAD.

838
00:55:54,064 --> 00:55:56,316
YEAH, HAVE FUN TOGETHER.
COME ON, DAN, LET'S GO.

839
00:55:56,525 --> 00:55:58,902
- WHAT'S HAPPENING TO HIM?
- I DON'T KNOW. COME ON.

840
00:55:59,111 --> 00:56:00,529
- WHAT THE HELL?
- COME ON.

841
00:56:00,737 --> 00:56:02,865
-[GIRL] WHAT THE--?
-[MAN] JUST GET IN THE CAR.

842
00:56:03,073 --> 00:56:05,909
- I'M ALL RIGHT.
- I GOT THIS.

843
00:56:06,118 --> 00:56:07,536
- HEY, I'M RIGHT HERE.
-l'M SORRY.

844
00:56:07,744 --> 00:56:08,954
IT'S OKAY.

845
00:56:09,162 --> 00:56:10,247
NO, I'M SORRY.
I'M REALLY SORRY.

846
00:56:10,455 --> 00:56:12,040
JUST BREATHE.
JUST TRY TO BREATHE.

847
00:56:12,249 --> 00:56:14,543
-[HYPERVENTILATING]
- OKAY, LOOK.

848
00:56:14,751 --> 00:56:16,753
OKAY, HEY.

849
00:56:16,962 --> 00:56:20,424
I'M SORRY.

850
00:56:20,632 --> 00:56:23,510
HEY, HEY, WE'LL GO HOME,
WE'LL GO HOME, OKAY?

851
00:56:24,595 --> 00:56:27,306
[RAPID BREATHING CONTINUES]

852
00:56:47,993 --> 00:56:51,496
ALL RIGHT, WHAT WAS THAT?
HUH? WHO WAS HE?

853
00:56:51,705 --> 00:56:53,040
YOU KNOW,
EVERYTHING YOU NEED TO KNOW

854
00:56:53,248 --> 00:56:55,626
IT'S A FOOTNOTE,
NOT A STORY WORTH TELLING.

855
00:56:55,834 --> 00:56:58,378
ALL RIGHT, BUT WHY WON'T YOU
JUST TELL ME ANY STORY?

856
00:56:58,587 --> 00:56:59,713
ANYTHING?
ONE THING.

857
00:56:59,922 --> 00:57:01,423
[SIGHS]

858
00:57:06,011 --> 00:57:10,432
DO YOU REMEMBER THE ONE
ABOUT MY FRIEND, THE--

859
00:57:10,641 --> 00:57:15,020
MY FRIEND WITH
THE MAGICIAN GRANDFATHER?

860
00:57:15,228 --> 00:57:17,564
YES.

861
00:57:17,773 --> 00:57:19,858
I'LL TELL YOU A STORY
ABOUT HER, IF YOU WANT.

862
00:57:21,360 --> 00:57:22,569
O KAY.

863
00:57:22,778 --> 00:57:24,905
SHE'S NOT AROUND ANYMORE
SO SHE WON'T MIND.

864
00:57:29,534 --> 00:57:31,036
WELL, WHAT WAS SHE LIKE?

865
00:57:32,204 --> 00:57:33,622
SHE LIKED FIRE.

866
00:57:35,290 --> 00:57:38,710
NOT LIKE AN ARSONIST DOES
BUT, YOU KNOW, LIKE,

867
00:57:38,919 --> 00:57:42,798
THE WAY IT JUMPED,
THE WARMTH, THE GLOW.

868
00:57:47,094 --> 00:57:50,055
WHERE DID SHE LIVE?

869
00:57:50,263 --> 00:57:52,724
IN A VERY NICE NEIGHBORHOOD.

870
00:57:56,520 --> 00:58:00,107
SHE LIVED IN THE SORTA OF HOUSE
WHERE A FAMILY COULD GO

871
00:58:00,315 --> 00:58:04,361
AN ENTIRE WEEKEND WITHOUT
SEEING EACH OTHER, YOU KNOW?

872
00:58:04,569 --> 00:58:08,615
SORT OF LIKE A HOUSE,
NOT A HOME.

873
00:58:08,824 --> 00:58:11,618
WHAT? THERE WASN'T
ANY LOVE IN THE HOUSE?

874
00:58:11,827 --> 00:58:14,538
NO, THE PARENTS LOVED
THE CHILDREN, IT'S JUST...

875
00:58:17,332 --> 00:58:20,210
THE KIND OF LOVE THAT
YOU HAVE TO GIVE

876
00:58:20,419 --> 00:58:24,715
WHEN YOU HAVEN'T BEEN
GIVEN ANY LOVE, YOU KNOW?

877
00:58:26,925 --> 00:58:28,385
I THINK SO.

878
00:58:31,221 --> 00:58:35,308
AND WHEN THAT'S THE
KIND OF LOVE A GIRL GETS,

879
00:58:35,517 --> 00:58:39,896
THE KIND OF LOVE SHE HAS TO GIVE IS
BOUND TO HAVE A FEVV KINKS IN IT.

880
00:58:44,151 --> 00:58:46,445
SO WHAT WAS HER LOVE LIKE?

881
00:58:48,947 --> 00:58:53,118
IT WAS BIG,
THAT WAS THE PROBLEM.

882
00:58:53,326 --> 00:58:56,705
AND SOMETIMES
THAT'S WONDERFUL, BUT...

883
00:58:58,582 --> 00:59:02,377
IT ALSO MEANT THAT
THERE WERE LENGTHY PERIODS

884
00:59:02,586 --> 00:59:03,795
WHEN...

885
00:59:06,798 --> 00:59:09,134
BEING HIGH WAS NORMAL

886
00:59:09,342 --> 00:59:10,802
AND...

887
00:59:12,888 --> 00:59:14,431
SOBER WAS HELL.

888
00:59:18,185 --> 00:59:22,230
IT WAS A ROUGH FEW YEARS
AND AT THE END OF IT,

889
00:59:22,439 --> 00:59:23,815
SHE WAS PREGNANT.

890
00:59:27,903 --> 00:59:30,030
AND...
[SNIFFS]

891
00:59:30,238 --> 00:59:33,992
WHEN SHE DECIDED
NOT TO KEEP THE BABY...

892
00:59:38,497 --> 00:59:42,542
ALL THAT MATTERS
IS SHE KNEW.

893
00:59:42,751 --> 00:59:46,088
SHE REALLY KNEVV THAT SHE
COULDN'T BE THIS CHILD'S MOTHER.

894
00:59:48,006 --> 00:59:50,425
AND THAT MADE IT ALL
THE MORE CHALLENGING

895
00:59:50,634 --> 00:59:54,513
WHEN HER PARENTS TOLD HER
IT WASN'T HER DECISION AT ALL.

896
00:59:56,139 --> 01:00:00,143
FROM THE MOMENT
SHE TOLD THEM, IT WAS VERY CLEAR

897
01:00:00,352 --> 01:00:05,565
THAT SHE VVOULD BE RAISING THIS
CHILD, THAT THE LEAST SHE COULD DC

898
01:00:05,774 --> 01:00:09,027
IF SHE GOT PREGNANT WAS ACT
LIKE SHE MEANT TO BE.

899
01:00:12,531 --> 01:00:18,453
SO SHE HAD THE CHILD AND
IT WAS A BOY, INCIDENTALLY.

900
01:00:21,540 --> 01:00:23,875
- A BOY.
- YES.

901
01:00:27,420 --> 01:00:31,508
BUT WHEN SHE HAD DECIDED
NOT TO KEEP HER SON,

902
01:00:31,716 --> 01:00:35,303
HER LOVE FOR HIM DRIED UP.

903
01:00:36,930 --> 01:00:41,101
AND FOR ALL THOSE MONTHS
HE GREW IN HER

904
01:00:41,309 --> 01:00:45,522
SHE COULDN'T FIND HER LOVE FOR HIM
AND IT SCARED HER SO DAMN MUCH.

905
01:00:49,568 --> 01:00:52,654
BUT HE WAS BORN...

906
01:00:56,074 --> 01:00:59,327
AND HE WAS ABSOLUTELY
EVERYTHING TO HER.

907
01:01:01,163 --> 01:01:05,375
HE BROUGHT ENOUGH LOVE
TO THE TABLE TO MAKE HER

908
01:01:05,584 --> 01:01:08,420
VVANNA FORGET SHE'D EVER QUESTIONED
HER ABILITY TC) LOVE HIM.

909
01:01:16,303 --> 01:01:18,847
I'M SO TIRED, IT'S BEEN
A REALLY LONG NIGHT.

910
01:01:23,643 --> 01:01:24,686
[SIGHS]

911
01:01:26,396 --> 01:01:31,318
IT WAS LIKE
A FIRST BREATH OF AIR

912
01:01:31,526 --> 01:01:33,945
AFTER BEING SURE YOU'D DROWN.

913
01:01:36,323 --> 01:01:41,203
AND THAT WAS SO PERFECT.

914
01:01:41,411 --> 01:01:46,041
ITS TIMING WAS SO SYMMETRICAL
BECAUSE WHAT HAPPENED NEXT...

915
01:01:49,753 --> 01:01:53,256
I MEAN, HAD TO CONFIRM HER
BELIEF IN SOME HIGHER POWER,

916
01:01:53,465 --> 01:01:58,136
EVEN IF THAT HIGHER POWER
WAS AT THE VERY LEAST

917
01:01:58,345 --> 01:02:01,598
DEEPLY AMBIVALENT ABOUT HER
AND EVERYONE SHE KNEW.

918
01:02:07,896 --> 01:02:11,441
I...
I MENTIONED SHE LIKED FIRE.

919
01:02:13,777 --> 01:02:15,237
AND THAT'S APPROPRIATE
BECAUSE...

920
01:02:18,198 --> 01:02:22,577
EVERYTHING THAT HAPPENED
NEXT WAS FIRE.

921
01:02:25,372 --> 01:02:27,749
SHE WALKED OUT OF THE ROOM...

922
01:02:30,168 --> 01:02:35,048
AND WHEN SHE WALKED BACK,
SHE WAS ALONE.

923
01:02:40,053 --> 01:02:41,930
HE WAS THERE, BUT...

924
01:02:44,599 --> 01:02:46,101
STILL.

925
01:02:50,647 --> 01:02:54,693
AND SHE DIDN'T SCREAM BECAUSE
THAT'S WHAT PEOPLE DO...

926
01:02:56,653 --> 01:02:57,988
AND...

927
01:02:58,196 --> 01:03:00,240
SHE WAS MADE OF FIRE NOW.

928
01:03:04,536 --> 01:03:07,747
AND SO SHE WALKED
INTO THE DESERT...

929
01:03:09,499 --> 01:03:12,877
AND THE FOOTSTEPS SHE LEFT
BEHIND WERE ON FIRE, TOO.

930
01:03:16,798 --> 01:03:18,466
AT LEAST THAT WAS
HOW SHE SAW IT.

931
01:03:27,058 --> 01:03:29,269
[MUSIC PLAYING]

932
01:03:49,789 --> 01:03:51,082
[JANE slsl-ls]

933
01:03:51,291 --> 01:03:53,793
AREN'T YOU TIRED OF BELIEVING
IN SOMETHING

934
01:03:54,002 --> 01:03:56,504
YOU CAN'T EVEN DESCRIBE?

935
01:03:56,713 --> 01:03:58,298
BUT I CAN DESCRIBE THIS.

936
01:04:02,093 --> 01:04:04,637
WHAT IS IT? THE--

937
01:04:04,846 --> 01:04:09,601
YCU GONNA TELL ME THE PICTURE'S COMPLETE?
PUZZLE'S COMPLETE?

938
01:04:09,809 --> 01:04:13,646
AS FAR AS I'M CONCERNED, YOU'RE ALONE
IN THE DESERT VVITH A VIRTUAL STRANGER.

939
01:04:16,816 --> 01:04:18,360
THEN WHAT SHOULD I BE DOING?

940
01:04:18,568 --> 01:04:21,905
- I'M SORRY, I JUST--
- WHAT SHOULD I BE DOING?

941
01:04:24,491 --> 01:04:25,408
[SIGHING]

942
01:04:33,917 --> 01:04:38,380
YOU KNOW, YOU COULD COME UP WITH
SOMETHING BETTER, SOMETHING...

943
01:04:40,632 --> 01:04:43,468
MORE AMAZING.

944
01:04:53,978 --> 01:04:54,896
MAYBE.

945
01:04:57,690 --> 01:04:59,692
ALL RIGHT, WHAT ARE WE DOING?
WHERE ARE WE GOING?

946
01:05:02,195 --> 01:05:04,322
I DON'T KNOW. YOU TELL ME.
YOU PICK.

947
01:05:04,531 --> 01:05:07,617
I DON'T CARE, YOU DECIDE, I PICKED THE
LAST TIME. DIDN'T I PICK THE LAST TIME?

948
01:05:07,826 --> 01:05:08,660
I DID.

949
01:05:08,868 --> 01:05:11,037
- FINE.
- YOU DECIDE.

950
01:05:11,246 --> 01:05:12,831
HOW ABOUT THE FOUR CORNERS?

951
01:05:15,375 --> 01:05:17,293
THAT SOUNDS LOVELY.

952
01:05:17,502 --> 01:05:18,920
- YEAH?
- YEAH, LET'S DO THAT.

953
01:05:19,129 --> 01:05:20,338
WHAT'S THE FOUR CORNERS?

954
01:05:20,547 --> 01:05:22,757
I DON'T KNOW.
WHAT ARE THE FOUR CORNERS?

955
01:05:22,966 --> 01:05:26,010
- VVHAT ARE THE FOUR-- -[GIGGLING] IT'S
VVHERE-- IT'S VVHERE THE FOUR STATES MEET

956
01:05:26,219 --> 01:05:29,681
- AT RIGHT ANGLES.
- WHAT FOUR STATES?

957
01:05:29,889 --> 01:05:33,977
UTAH, COLORADO,
ARIZONA, AND NEW MEXICO.

958
01:05:54,080 --> 01:05:58,042
J' WEST OF HER
THERE'S A PLACE I KNOW

959
01:05:59,836 --> 01:06:03,173
J' NEVER HAVE BEEN
BUT I'D LIKE TO GO

960
01:06:05,884 --> 01:06:07,218
[JANE]
TELL ME SOMETHING TRUE.

961
01:06:07,427 --> 01:06:09,345
J' SOMEWHERE OUT THERE
I BELIEVE IN ME

962
01:06:12,390 --> 01:06:14,184
J' AND WEST OF HER
IS WHERE I'D LIKE TO SEE

963
01:06:14,392 --> 01:06:18,563
I THINK... THAT I MIGHT BE
FALLING IN LOVE WITH YOU.

964
01:06:18,771 --> 01:06:22,317
J' WEST OF HER
THERE'S ANOTHER PLACE

965
01:06:25,069 --> 01:06:28,698
[JANE] You CAN'T SAY You THINK
YOU'RE FALLING m LOVE WITH SOMEONE.

966
01:06:30,116 --> 01:06:31,951
LOVE IS AN ABSOLUTE.

967
01:06:33,661 --> 01:06:36,539
YOU CAN LOVE SOMEONE
A LITTLE OR A LOT

968
01:06:36,748 --> 01:06:40,293
BUT IF YOU ONLY THINK YOU'RE
FALLING IN LOVE WITH THEM

969
01:06:40,502 --> 01:06:41,711
THEN YOU'RE NOT
IN LOVE WITH THEM.

970
01:06:44,589 --> 01:06:47,383
J' ROLL ON

971
01:06:47,592 --> 01:06:52,805
J' ROLL ON
ROLL ON

972
01:06:55,433 --> 01:06:56,726
I LOVE YOU.

973
01:06:59,896 --> 01:07:01,481
I'M NOT IN LOVE WITH YOU.

974
01:07:04,484 --> 01:07:08,154
IT'S NOTHING PERSONAL,
I'M SORRY.

975
01:07:17,121 --> 01:07:20,542
COME ON, DANNY, TELL ME
SOMETHING TRUE, JUST...

976
01:07:25,630 --> 01:07:30,218
YOU KNOVV, I DON'T BELIEVE THAT YOU
BELIEVE YOU DON'T BELIEVE IN ANYTHING.

977
01:07:33,304 --> 01:07:38,309
I MEAN, YOU... YOU BELIEVE IN
MORE THAN YOU KNOW YOU DO.

978
01:07:44,440 --> 01:07:47,819
YOU BELIEVE IN SOMETHING,
YOU JUST DON'T KNOW.

979
01:07:48,027 --> 01:07:49,696
YOU JUST DON'T KNOW IT.

980
01:07:49,904 --> 01:07:52,949
J' ROLL ON,
I JUST

981
01:07:53,157 --> 01:07:58,121
J' ROLL ON, ROLL ON

982
01:08:01,416 --> 01:08:04,419
IF YOU NEED TO GO LAY THAT TILE,
I CAN'T GO WITH YOU.

983
01:08:04,627 --> 01:08:06,504
WHAT DO YOU MEAN,
YOU CAN'T COME WITH ME?

984
01:08:06,713 --> 01:08:09,716
I'M DONE.
I CAN'T KEEP DOING THIS.

985
01:08:09,924 --> 01:08:13,469
IF YOU WANNA SPREAD SOMETHING
TOGETHER, SOMETHING ELSE,

986
01:08:13,678 --> 01:08:16,889
I WILL, WE'LL COME UP
WITH SOMETHING.

987
01:08:17,098 --> 01:08:21,686
I'LL SPREAD IT ALL OVER
THE WORLD, BUT I'M... DONE.

988
01:08:21,894 --> 01:08:24,022
I CAN'T-- I CAN'T...

989
01:08:24,230 --> 01:08:26,899
SPREAD A RIDDLE
AND AN EMPTY PROMISE.

990
01:08:32,822 --> 01:08:37,535
I THINK THAT I MIGHT BE FALLING
IN LOVE WITH YOU.

991
01:08:42,749 --> 01:08:44,417
YOU'VE BEEN SAYING THIS
FROM THE BEGINNING.

992
01:08:44,626 --> 01:08:48,546
BUT IT'S NOT EMPTY.
NOTHING ABOUT THIS IS EMPTY.

993
01:08:54,177 --> 01:08:55,887
THEN...

994
01:08:56,095 --> 01:08:58,389
TELL ME SPECIFICALLY
WHAT IT MEANS.

995
01:09:06,147 --> 01:09:09,233
RIGHT, SEE?

996
01:09:09,442 --> 01:09:12,403
J' ROLL ON

997
01:09:12,612 --> 01:09:14,280
J' ROLL ON

998
01:09:14,489 --> 01:09:17,116
- AND, UM, HERE...
-[PAPER WRINKLING]

999
01:09:18,493 --> 01:09:21,120
YOU TAKE YOUR ORDERS
FROM THEM NOW.

1000
01:09:23,998 --> 01:09:25,416
IT'S MAINE.

1001
01:09:26,751 --> 01:09:29,337
[slel-ls]
WHAT AN ANTI-CLIMAX, RIGHT?

1002
01:09:37,637 --> 01:09:38,888
J' ROLL ON

1003
01:09:40,890 --> 01:09:46,437
J' ROLL ON,
ROLL ON

1004
01:09:48,773 --> 01:09:51,442
[JANE]
YEAH, YOU KNOW.

1005
01:09:51,651 --> 01:09:54,904
J' ROLL ON, I JUST

1006
01:09:55,113 --> 01:09:59,784
J' ROLL ON,
ROLL ON

1007
01:10:01,035 --> 01:10:02,829
STAY HONEST,
MR. LINCOLN.

1008
01:10:35,486 --> 01:10:37,739
[HEAVY BREATHING]

1009
01:10:37,947 --> 01:10:39,782
[POUNDING FOOTSTEPS]

1010
01:10:59,427 --> 01:11:01,846
STOP IT.
[EXHALES SHARPLY]

1011
01:11:03,681 --> 01:11:05,516
[LABORED BREATHING]

1012
01:11:27,330 --> 01:11:28,873
[swans DEEPLY]

1013
01:11:47,308 --> 01:11:49,185
[Lowme]

1014
01:11:50,645 --> 01:11:52,855
[MUSIC PLAYING]

1015
01:12:37,191 --> 01:12:39,318
THIS IS WHAT YOU WANTED
ME TO DO, HUH?

1016
01:12:39,527 --> 01:12:42,530
THIS IS WHAT YOU...
LEFT ME TO DO BY MYSELF?

1017
01:12:45,074 --> 01:12:48,327
SOME HORSE SHIT
FUCKING NO-NAME TOWN.

1018
01:12:49,871 --> 01:12:51,205
ALL RIGHT.

1019
01:12:56,252 --> 01:12:57,962
AH, FUCK ME.

1020
01:13:13,769 --> 01:13:15,271
[GROANING]

1021
01:13:51,807 --> 01:13:53,809
[TV MOVIE]
[MAN] NO, EVANS.

1022
01:13:54,018 --> 01:13:56,979
I CAN'T FIGURE OUT VVHY YOU KEEP
STEPPING CN MY TOES ALL THE TIME.

1023
01:13:57,188 --> 01:13:58,648
OF COURSE THAT'S YOUR BUSINESS.

1024
01:13:58,856 --> 01:14:00,441
I'M A GOOD LOSER.

1025
01:14:00,650 --> 01:14:02,526
[JOHN WAYNE]
l LIKE A GOOD LOSER.

1026
01:14:02,735 --> 01:14:05,029
'COURSE I LIKE ANY KIND OF A
LOSER BETTER THAN A WINNER...

1027
01:14:06,614 --> 01:14:09,075
[MUSIC PLAYING]

1028
01:14:31,806 --> 01:14:34,642
[CROWD MURMURING]

1029
01:14:45,945 --> 01:14:47,405
[LAUGHTER]

1030
01:14:55,496 --> 01:14:56,414
THANK YOU VERY MUCH.

1031
01:14:58,916 --> 01:15:01,002
[CROWD CHATTER]

1032
01:15:04,880 --> 01:15:07,174
[MARCHING BAND
DRUMLINE PLAYING]

1033
01:15:19,729 --> 01:15:22,314
[DRUMMING CONTINUES]

1034
01:15:41,125 --> 01:15:44,253
[HEAVY BREATHING]

1035
01:16:22,708 --> 01:16:24,085
HELLO?

1036
01:16:28,714 --> 01:16:30,508
WHAT'S IN THAT BAG?

1037
01:16:32,134 --> 01:16:33,135
[GROANING]

1038
01:16:37,014 --> 01:16:37,932
WHAT DO YOU WANNA KNOW?

1039
01:16:40,601 --> 01:16:41,519
WHAT'S IN THE BAG?

1040
01:16:44,855 --> 01:16:48,192
- SECRETS.
- TELL ME THE SECRET.

1041
01:16:49,819 --> 01:16:53,155
I'M REALLY GOOD
AT KEEPING SECRETS.

1042
01:16:53,364 --> 01:16:56,450
ALL RIGHT. YOU LOCK LIKE A GUY I CAN
TRUST SO I'M GONNA LEVEL VVITH YOU.

1043
01:16:59,662 --> 01:17:02,581
THE SECRET IS, I THINK,

1044
01:17:02,790 --> 01:17:06,585
THAT EVERYBODY
ENDS UP ALL RIGHT.

1045
01:17:06,794 --> 01:17:07,878
AND SO WILL YOU.

1046
01:17:08,921 --> 01:17:11,924
OH... OH...
OKAY.

1047
01:17:14,969 --> 01:17:17,972
THAT'S KIND
OF A STUPID SECRET.

1048
01:17:41,120 --> 01:17:42,788
HEY, EXCUSE ME...

1049
01:17:42,997 --> 01:17:46,375
THIS IS GONNA SOUND REALLY BAD,
WEIRD, I'M SORRY.

1050
01:17:46,584 --> 01:17:47,835
I NORMALLY DON'T DO
THIS TO PEOPLE

1051
01:17:48,043 --> 01:17:50,546
'CAUSE I HATE IT WHEN
THEY DO IT TO ME, BUT...

1052
01:17:50,754 --> 01:17:54,258
-[GIGGLING] OKAY. -...l HAVE TO
MAKE JUST A SMALL PHONE CALL.

1053
01:17:54,466 --> 01:17:56,510
- LIKE, TWO SECONDS.
- YEAH, YOU NEED TO USE MY PHONE.

1054
01:17:56,719 --> 01:17:58,554
THAT'S RIGHT.
I DON'T HAVE MY PHONE.

1055
01:17:58,762 --> 01:18:00,848
- YEAH, NO, IT'S NO PROBLEM. HERE...
- IT'S JUST IMPQRTANT.

1056
01:18:01,056 --> 01:18:03,559
-[MAN] HELLO?
- WHAT'S HAPPENING IN TROMSQ?

1057
01:18:03,767 --> 01:18:05,352
AND WHEN IS IT GONNA HAPPEN?

1058
01:18:05,561 --> 01:18:09,190
[MAN] FIRST...
LET ME ASK You SOMETHING.

1059
01:18:09,398 --> 01:18:11,567
HOW DOES OUR MESSAGE
MAKE YOU FEEL?

1060
01:18:15,362 --> 01:18:17,281
I DON'T THINK
THAT MATTERS ANYMORE.

1061
01:18:17,489 --> 01:18:21,660
JUST TELL ME SPECIFICALLY VVHAT
IS GOING TO HAPPEN IN NORVVAY.

1062
01:18:22,912 --> 01:18:25,748
[MAN]
THAT'S VERY COMPLICATED.

1063
01:18:25,956 --> 01:18:26,832
THERE ARE-- THERE--

1064
01:18:28,709 --> 01:18:30,544
WELL, IT SHOULDN'T BE.

1065
01:18:30,753 --> 01:18:34,548
IT SHOULDN'T BE COMPLICATED AT
ALL, JUST TELL ME ONE THING.

1066
01:18:34,757 --> 01:18:38,177
ANYTHING.
JUST ONE SMALL THING

1067
01:18:38,385 --> 01:18:39,887
YOU KNOW THAT I DON'T KNOW.

1068
01:18:43,933 --> 01:18:47,978
OKAY. LISTEN, I LEFT--

1069
01:18:48,187 --> 01:18:51,482
I LEFT A CAR NEXT TO THE GIBSON
GUITAR FACTORY IN MEMPHIS.

1070
01:18:51,690 --> 01:18:53,776
[MAN]
WHAT?

1071
01:18:53,984 --> 01:18:56,237
AND IT ISN'T LOCKED, SO YOU'RE GONNA
VVANT SEND SOMEONE SOON, OKAY?

1072
01:18:56,445 --> 01:18:59,782
-[MAN] THIS ls HIGHLY UNUSUAL.
HELLO? -[PHONE CLICKS OFF]

1073
01:19:01,533 --> 01:19:03,077
THANK YOU VERY MUCH,
I REALLY APPRECIATE IT.

1074
01:19:03,285 --> 01:19:04,703
WHAT'S HAPPENING IN TROMSQ?

1075
01:19:08,165 --> 01:19:11,585
YOU KNOW WHAT, I DON'T THINK
ANYTHING IS HAPPENING IN TROMSQ.

1076
01:19:11,794 --> 01:19:13,254
MAYBE LIKE ELECTRONIC MUSIC.

1077
01:19:13,462 --> 01:19:15,631
- OKAY.
- NOTHING TOO BIG.

1078
01:19:15,839 --> 01:19:19,385
LISTEN, IS THERE A--
IS THERE A HOTEL SOMEWHERE?

1079
01:19:19,593 --> 01:19:23,097
- IN EITHER DIRECTICN? - OH, YEAH, YEAH.
THERE'S ONE, LIKE, A BLOCK THAT VVAY.

1080
01:19:23,305 --> 01:19:25,224
SO IT'S WALKING DISTANCE?

1081
01:19:25,432 --> 01:19:28,018
YEAH, I THINK IT'S LIKE A MOTEL, IT'S
LIKE, $60 BUCKS A NIGHT OR SOMETHING.

1082
01:19:28,227 --> 01:19:30,104
$60 BUCKS A NIGHT?
[MAKES SUCKING SOUND]

1083
01:19:32,273 --> 01:19:34,275
- AH...
- OH, MAN.

1084
01:19:36,610 --> 01:19:38,862
ALL RIGHT, HCVV ABOUT COFFEE? IS THERE--
IS THERE A COFFEE PLACE AROUND?

1085
01:19:39,071 --> 01:19:40,698
YEAH, I'M GOING TO GET COFFEE
RIGHT NOW ACTUALLY.

1086
01:19:40,906 --> 01:19:41,865
- YOU VVANNA COME?
- YOU'RE REALLY GOING TO GET COFFEE?

1087
01:19:42,074 --> 01:19:43,409
- YEAH, I'LL SHOW YOU.
- YEAH?

1088
01:19:43,617 --> 01:19:44,702
- YEAH, COME ON.
- IT'S NOT WEIRD OR ANYTHING?

1089
01:19:44,910 --> 01:19:47,121
- NO, NO.
- AM I CREEPING YOU OUT?

1090
01:19:47,329 --> 01:19:51,583
- NO, NOT YET [LAUGHING] -| NOT
NORMALLY LIKE THIS. NORMALLY, I'M...

1091
01:19:51,792 --> 01:19:54,295
- NQ, YEAH... YOU LOOK A LITTLE
DISHEVELED, I'M NOT GONNA LIE. - CLEAN...

1092
01:19:54,503 --> 01:19:55,963
DO I LOOK A LITTLE MANGY
YEAH?

1093
01:19:58,048 --> 01:20:00,259
[CELL PHONE VIBRATING]

1094
01:20:05,723 --> 01:20:06,849
HELLO?

1095
01:20:07,057 --> 01:20:08,517
[MAN]
DANIEL?

1096
01:20:08,726 --> 01:20:10,769
WE RECEIVED A VERY DISTRESSING
CALL FROM THIS NUMBER.

1097
01:20:10,978 --> 01:20:13,647
I THINK WE NEED
TO SPEAK ABOUT YOUR BEHAVIOR.

1098
01:20:19,653 --> 01:20:21,113
[WOMAN]
HEY, WHO WAS THAT?

1099
01:20:21,322 --> 01:20:23,532
UHH...MOVING COMPANY.

1100
01:20:23,741 --> 01:20:25,868
THEY SAID THAT THEY'RE GOING
OUT TO THE STORAGE UNIT TODAY

1101
01:20:26,076 --> 01:20:29,204
AND THAT MY STUFF SHOULD BE
READY BY THE END OF THE WEEK.

1102
01:20:29,413 --> 01:20:32,416
YOU'LL GET THIS JOB AND THEN
YOU'LL GET A BIG PROMOTION.

1103
01:20:32,624 --> 01:20:34,626
AND THEN YOU'LL GET OUT
OF MY PLACE.

1104
01:20:34,835 --> 01:20:36,795
AND THEN YOU'LL
GET OUT OF MY HAIR.

1105
01:20:37,004 --> 01:20:39,006
- GET OUT OF YOUR HAIR?
- YEAH.

1106
01:20:39,214 --> 01:20:42,509
YOU KNOVV VVHAT? I DON'T THINK YOU COULD
HANDLE YQUR HAIR VVITH ME OUT OF IT.

1107
01:20:42,718 --> 01:20:45,387
YOU'RE RIGHT.
I'D SHAVE IT OFF IN MOURNING.

1108
01:20:45,596 --> 01:20:47,139
[BOTH CHUCKLE]

1109
01:20:48,932 --> 01:20:49,975
YOU OKAY?

1110
01:20:51,185 --> 01:20:52,895
WHAT ARE YOU THINKING ABOUT?

1111
01:20:56,273 --> 01:20:57,524
PUZZLE PIECES.

1112
01:20:57,733 --> 01:21:00,569
WHY ARE YOU THINKING
ABOUT PUZZLE PIECES?

1113
01:21:00,778 --> 01:21:04,323
BECAUSE, SOMETIMES...

1114
01:21:06,450 --> 01:21:08,994
I FEEL LIKE...

1115
01:21:09,203 --> 01:21:12,331
I DON'T KNOW.
I'M JUST FROM THE WRONG PUZZLE.

1116
01:21:12,539 --> 01:21:14,500
- YEAH?
- YEAH.

1117
01:21:14,708 --> 01:21:17,795
AND SOMEBODY TOLD ME
ONCE THAT...

1118
01:21:18,003 --> 01:21:20,631
MAYBE IT'S BECAUSE MAYBE VVE JUST DON'T
KNOVV VVHAT THE BIG PICTURE'S OF.

1119
01:21:20,839 --> 01:21:24,134
YOU KNOW?
BUT I DON'T KNOW.

1120
01:21:24,343 --> 01:21:26,887
I DON'T KNOVV IF THAT'S TRUE. IT
DOESN'T REALLY SEEM QUITE RIGHT TO ME.

1121
01:21:27,096 --> 01:21:28,055
YOU KNOW?

1122
01:21:29,598 --> 01:21:33,394
I THINK THAT MAYBE,
IN THE END,

1123
01:21:33,602 --> 01:21:35,938
I'M JUST, YOU KNOW,
MORE LIKE A TILE.

1124
01:21:37,398 --> 01:21:39,817
OR LIKE A...

1125
01:21:40,025 --> 01:21:43,028
I DON'T KNOVV, LIKE A TINY
POINT IN A BIG MOSAIC.

1126
01:21:43,237 --> 01:21:44,071
- YEAH?
- YEAH.

1127
01:21:44,279 --> 01:21:45,280
AND YOU'RE ONE.

1128
01:21:45,489 --> 01:21:48,492
AND SO'S EVERYONE
I'VE EVER KNOWN.

1129
01:21:48,700 --> 01:21:50,994
YOU KNOW, OR LOVED.

1130
01:21:51,203 --> 01:21:54,957
AND, YOU KNOW, IT'S UP TO US
WHETHER OUR PICTURE IS...

1131
01:21:56,417 --> 01:21:58,836
A BEAUTIFUL ONE, YOU KNOW,
OR AN UGLY ONE.

1132
01:21:59,044 --> 01:22:02,339
-Il= THAT'S WHAT YOU'RE INTO.
-[CHUCKLES]

1133
01:22:03,882 --> 01:22:06,176
YOU KNOW, THERE HAVE BEEN TIMES
WHEN I'VE KNOWN

1134
01:22:06,385 --> 01:22:08,512
MY PICTURE WAS HAPPY
IN THE MOMENT.

1135
01:22:08,720 --> 01:22:10,139
AND IT WAS, YOU KNOW,
IT WAS BEAUTIFUL.

1136
01:22:10,347 --> 01:22:12,182
HMMM.

1137
01:22:12,391 --> 01:22:15,436
BUT I THINK I'M STARTING
TO REALIZE

1138
01:22:15,644 --> 01:22:18,856
THAT, YOU KNOW, I'M THE ONE
WHO GETS TO DECIDE

1139
01:22:19,064 --> 01:22:20,524
WHERE MY TILES LIE.

1140
01:22:21,859 --> 01:22:23,402
WELL, THAT'S VERY
PHILOSOPHICAL.

1141
01:22:23,610 --> 01:22:25,404
- IS IT PHILQSOPHICAL? I THOUGHT SO.
- YEAH.

1142
01:22:25,612 --> 01:22:27,489
THAT'S WHY THEY CALL ME SPINOZA.
YOU KNOW THAT, RIGHT?

1143
01:22:27,698 --> 01:22:28,907
- NOBODY CALLS YOU THAT.
- THEY DON'T?

1144
01:22:29,116 --> 01:22:30,659
SORRY. NO. MM-MM.

1145
01:22:30,868 --> 01:22:33,412
- VVELL, YOU COULD BE THE FIRST.
- HMM.

1146
01:22:35,372 --> 01:22:37,207
- I BETTER GET GOING.
- GOOD LUCK, SPINOZA.

1147
01:22:37,416 --> 01:22:39,001
THANK YOU.

1148
01:22:39,209 --> 01:22:41,670
LIKE MY BROTHERS ALWAYS SAY,
BEST ADVICE BEFORE A BIG GAME:

1149
01:22:41,879 --> 01:22:43,130
- MM-HMM?
-"WIN."

1150
01:22:43,338 --> 01:22:45,757
-[CHUCKLES] wm.
- YES, so GET THE JOB, OKAY?

1151
01:22:45,966 --> 01:22:48,886
JUST DON'T EXERT YOURSELF TOO MUCH.
I VVANT YOU AROUND FOR A LONG TIME.

1152
01:22:49,094 --> 01:22:51,889
- WHY? NEFARIOUS PURPOSES?
- UH, YEAH.

1153
01:22:52,097 --> 01:22:53,140
- I COULD SEE IT.
- SURE.

1154
01:22:53,348 --> 01:22:55,309
I SEE HOW YOU WORK.

1155
01:22:55,517 --> 01:22:59,730
YOU KNOVV I AM TRYING TO EXERT MYSELF
AT LEAST ONCE A DAY THESE DAYS.

1156
01:22:59,938 --> 01:23:01,899
- OH, YEAH? OH, GOOD.
- MM-HMM.

1157
01:23:02,107 --> 01:23:05,319
GOOD. SO YOU VVANT TO GET YOUR
EXERTION OUT OF THE VVAY EARLY TODAY?

1158
01:23:05,527 --> 01:23:07,654
- DO I?
- MM-HMM. YEAH.

1159
01:23:07,863 --> 01:23:10,115
MMM, I GOTTA GO.
WHY DO YOU ALWAYS DO THIS TO ME?

1160
01:23:10,324 --> 01:23:12,034
- COME ON. - AS SOON AS I'M
READY TO VVALK OUT THE DOOR

1161
01:23:12,242 --> 01:23:14,369
- COME ON. JUST FIVE MINUTES.
- THIS IS WHAT HAPPENS.

1162
01:23:14,578 --> 01:23:17,748
[OVERLAPPING CHATTER]

1163
01:23:29,885 --> 01:23:32,304
[MAN]
"...AND THEN TAKE HANDS."

1164
01:23:32,513 --> 01:23:33,972
"THESE ARMS ARE TIRED."

1165
01:23:35,682 --> 01:23:37,351
SOMETHING TO THINK ABOUT,
I GUESS.

1166
01:23:37,559 --> 01:23:39,269
YEAH, I GUESS SO. HUH.

1167
01:23:42,147 --> 01:23:44,900
"...CURTSY WHEN YOU HAVE
AND KISSED."

1168
01:24:17,015 --> 01:24:19,226
[GUITAR PLAYS]

1169
01:24:28,986 --> 01:24:32,781
J' WOKEN BY A FAULTY HEART

1170
01:24:34,283 --> 01:24:37,953
J' HORSES DRAWN
BEHIND YOUR CART

1171
01:24:39,496 --> 01:24:43,250
J' DROWNING
IN THE RIVER BLUE

1172
01:24:44,376 --> 01:24:47,004
J' THE ONLY VEST

1173
01:24:48,589 --> 01:24:50,757
J' IS STRAPPED TO YOU

1174
01:24:53,844 --> 01:24:59,057
J' WHEN YOU HAVE
YOUR PIECES SET

1175
01:24:59,266 --> 01:25:05,272
J' SOMEONE WILL GLUE YOU

1176
01:25:05,480 --> 01:25:09,735
J' AND SELL YOU
TO AN ANTIQUE STORE

1177
01:25:09,943 --> 01:25:15,198
J' BUT SHE DIDN'T WANT YOU

1178
01:25:16,617 --> 01:25:19,536
J' OR NEED YOU

1179
01:25:19,745 --> 01:25:22,372
J' AS YOU ARE

1180
01:25:25,292 --> 01:25:30,422
J' TYPING UP
HANDWRITTEN NOTES

1181
01:25:30,631 --> 01:25:35,385
J' CARRYING THEM
LIKE TALLIED VOTES

1182
01:25:35,594 --> 01:25:40,307
J' OF THOSE WHO HAVE
ABANDONED YOU

1183
01:25:40,515 --> 01:25:44,269
J' AND BRUISED THE ROOTS

1184
01:25:44,478 --> 01:25:47,147
J' FROM WHICH YOU GREW

1185
01:25:50,233 --> 01:25:55,155
J' STEALING THE MEMORIES

1186
01:25:55,364 --> 01:26:01,662
J' OF THOSE YOU ADMIRE

1187
01:26:01,870 --> 01:26:06,667
J' BUYING WOOD
TO BUILD A HOME

1188
01:26:06,875 --> 01:26:12,923
J' WHEN WHAT
YOU BUILD IS FIRE

1189
01:26:19,471 --> 01:26:25,686
J' SHE HAS BURNED

1190
01:26:25,894 --> 01:26:32,025
J' ALL THAT'S INSIDE YOU

1191
01:26:32,234 --> 01:26:38,198
J' AND SHE WOULD FIGHT

1192
01:26:38,407 --> 01:26:44,663
J' RIGHT ALONGSIDE YOU

1193
01:26:48,917 --> 01:26:52,546
[GUITAR AND FIDDLE PLAY]

1194
01:27:14,067 --> 01:27:16,403
[MUSIC FADES]