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- 0
- 00:00:05,000 --> 00:00:15,000
- INDOXXI
- Support dengan like & share :)
- 1
- 00:00:51,636 --> 00:00:53,304
- Their industry is in crisis,
- 2
- 00:00:53,388 --> 00:00:55,228
- its survival uncertain...
- 3
- 00:01:02,981 --> 00:01:04,458
- So, Julie,
- welcome to Sunderland.
- 4
- 00:01:04,482 --> 00:01:06,693
- It's great that you want
- to make a film in the town.
- 5
- 00:01:06,776 --> 00:01:09,446
- Um, maybe you could tell us
- a little bit about it, please.
- 6
- 00:01:09,529 --> 00:01:13,116
- Yes, it's about
- a 16-year-old boy called Tony,
- 7
- 00:01:13,199 --> 00:01:16,453
- and he's very insecure and he's shy,
- 8
- 00:01:16,536 --> 00:01:18,621
- and he's lived in Sunderland
- his whole life,
- 9
- 00:01:18,705 --> 00:01:25,670
- and he has this overwhelming
- affection and love for his mother.
- 10
- 00:01:26,671 --> 00:01:28,673
- He absolutely adores her,
- 11
- 00:01:28,757 --> 00:01:31,176
- he almost has an obsession with her,
- 12
- 00:01:31,259 --> 00:01:33,595
- and has a constant dream of her dying.
- 13
- 00:01:34,596 --> 00:01:37,599
- This fear inside him,
- 14
- 00:01:37,682 --> 00:01:39,934
- he just can't bear
- the idea of losing her,
- 15
- 00:01:40,018 --> 00:01:42,896
- and, of course, in the end, she dies.
- 16
- 00:01:54,491 --> 00:01:55,784
- Are you?
- 17
- 00:01:58,453 --> 00:02:00,789
- Hey, hey, hey, hey, there's
- no need for that, Frankie.
- 18
- 00:02:00,872 --> 00:02:03,208
- There's no need for that, all right?
- I was going, I was...
- 19
- 00:02:05,627 --> 00:02:07,086
- - Sorry.
- - Hello, sausage.
- 20
- 00:02:07,170 --> 00:02:08,671
- - Hi.
- - Here she is.
- 21
- 00:02:22,769 --> 00:02:24,020
- - Hey.
- - Hi.
- 22
- 00:02:24,103 --> 00:02:26,064
- Oh, this is Anthony. He's my lodger.
- 23
- 00:02:26,147 --> 00:02:27,732
- - Hello.
- - Ray.
- 24
- 00:02:27,816 --> 00:02:28,983
- Hi.
- 25
- 00:02:35,281 --> 00:02:37,534
- Gets up and walks out
- the room with another fella,
- 26
- 00:02:37,617 --> 00:02:39,661
- in front of all my mates,
- everyone sees it.
- 27
- 00:02:39,744 --> 00:02:41,263
- What's that about? That's not nice, is it?
- 28
- 00:02:41,287 --> 00:02:43,007
- I don't know where
- you're getting that from.
- 29
- 00:02:46,876 --> 00:02:50,505
- Steady income,
- and I've known him for a while. Um...
- 30
- 00:02:51,714 --> 00:02:56,135
- He's often away, uh, in the provinces,
- 31
- 00:02:56,219 --> 00:02:59,013
- um, so that's why we felt
- this would work out,
- 32
- 00:02:59,097 --> 00:03:01,850
- because I'm often away,
- 33
- 00:03:01,933 --> 00:03:03,977
- - and between us we could...
- - Just split it.
- 34
- 00:03:04,060 --> 00:03:06,187
- Share that room and split the cost.
- 35
- 00:03:06,271 --> 00:03:07,480
- - Okay.
- - Yeah.
- 36
- 00:03:07,564 --> 00:03:09,232
- Well, as long as he's all right with it.
- 37
- 00:03:09,315 --> 00:03:12,527
- He's fine with it,
- and he's very keen to meet you.
- 38
- 00:03:12,610 --> 00:03:14,863
- - I've told him all about you.
- - What have you said?
- 39
- 00:03:14,946 --> 00:03:17,341
- - I've said you're a wild...
- - Because you can be very cheeky.
- 40
- 00:03:17,365 --> 00:03:19,659
- Exotic, social creature.
- 41
- 00:03:22,495 --> 00:03:24,455
- He has this fear of losing her.
- 42
- 00:03:24,539 --> 00:03:27,709
- - Hmm.
- - And this overwhelming...
- 43
- 00:03:27,792 --> 00:03:30,086
- he has this overwhelming attachment
- 44
- 00:03:30,169 --> 00:03:34,507
- to her always being with him
- and always being present,
- 45
- 00:03:34,591 --> 00:03:37,135
- and I found that really interesting,
- 46
- 00:03:37,218 --> 00:03:42,223
- because I kind of linked that
- with his mother city of Sunderland,
- 47
- 00:03:42,307 --> 00:03:47,520
- um, being, you know, dying
- and decaying and rotting,
- 48
- 00:03:47,604 --> 00:03:50,773
- and then at the end of the film,
- 49
- 00:03:50,857 --> 00:03:54,736
- there would ultimately be
- the death of his mother,
- 50
- 00:03:54,819 --> 00:03:56,446
- and I found that really...
- 51
- 00:03:57,447 --> 00:04:00,909
- Yeah, really interesting for me,
- that metaphor.
- 52
- 00:04:00,992 --> 00:04:03,661
- - And you've been up there?
- - Yes. Yes, I have.
- 53
- 00:04:03,745 --> 00:04:08,249
- I was taking pictures of, um,
- some installations by some artists I know,
- 54
- 00:04:08,333 --> 00:04:11,544
- um, which I found
- really, really interesting.
- 55
- 00:04:11,628 --> 00:04:14,839
- - Um, yeah.
- - Then you got fascinated in the rot?
- 56
- 00:04:14,923 --> 00:04:17,467
- Yes, yes. In the streets.
- 57
- 00:04:25,183 --> 00:04:28,019
- - She's got the dosh, so why not?
- - Exactly, exactly.
- 58
- 00:04:28,102 --> 00:04:32,023
- I think if you can get hold of a camera
- like that, fair enough. Do your thing...
- 59
- 00:04:32,106 --> 00:04:33,667
- I think you're doing
- all right, aren't you?
- 60
- 00:04:33,691 --> 00:04:36,211
- Yeah, she's having a go,
- ain't she? Just like the rest of us, so...
- 61
- 00:04:36,235 --> 00:04:39,030
- Yeah, she's having a go,
- but there's other people having a go
- 62
- 00:04:39,113 --> 00:04:41,324
- who can't get that camera,
- you know what I mean, so...
- 63
- 00:04:41,407 --> 00:04:42,635
- Yeah, but, listen, you can't...
- 64
- 00:04:42,659 --> 00:04:43,886
- I think you should probably, um...
- 65
- 00:04:43,910 --> 00:04:45,429
- You gotta play
- to your advantages.
- 66
- 00:04:45,453 --> 00:04:47,288
- Yeah, absolutely, fair play.
- 67
- 00:04:47,372 --> 00:04:50,667
- Mate, if you was in the same
- position, you'd do the same thing.
- 68
- 00:04:50,750 --> 00:04:52,394
- Don't get me wrong,
- fair play to her,
- 69
- 00:04:52,418 --> 00:04:57,924
- but you gotta... when you're in, you know,
- a position of privilege, dare I say,
- 70
- 00:04:58,007 --> 00:05:00,760
- then you've gotta accept it.
- 71
- 00:05:00,843 --> 00:05:04,097
- If you was successful
- and you had your kids, yeah, all right,
- 72
- 00:05:04,180 --> 00:05:06,260
- you want 'em to make the most
- out of every situation.
- 73
- 00:05:06,307 --> 00:05:09,686
- Exactly, but I'd want 'em
- to be aware of it. Be aware of it.
- 74
- 00:05:09,769 --> 00:05:12,313
- Good girl. Come on. Come on.
- 75
- 00:05:21,948 --> 00:05:22,991
- Can I take something?
- 76
- 00:05:23,074 --> 00:05:24,343
- I'm all right.
- 77
- 00:05:24,367 --> 00:05:25,952
- - I'm laden.
- - Hello!
- 78
- 00:05:26,035 --> 00:05:28,162
- - Oh, my Lord.
- - Rosie! Rosie!
- 79
- 00:05:28,246 --> 00:05:32,000
- Daddy was going to put this in the hunt
- jumble, and I thought, you know,
- 80
- 00:05:32,083 --> 00:05:35,753
- you never have enough lights in here,
- and I thought this might be quite good.
- 81
- 00:05:35,837 --> 00:05:37,714
- What do you think?
- 82
- 00:05:37,797 --> 00:05:39,632
- Where do you think this could go?
- 83
- 00:05:39,716 --> 00:05:41,801
- - It's a little too tall.
- - Could go down...
- 84
- 00:05:41,884 --> 00:05:43,886
- Well, I don't... what, there?
- 85
- 00:05:43,970 --> 00:05:47,140
- Or what do you think about over here?
- 86
- 00:05:48,182 --> 00:05:49,517
- Yeah, it could go on my desk.
- 87
- 00:06:11,956 --> 00:06:13,249
- Are you all right?
- 88
- 00:06:16,127 --> 00:06:18,629
- - Are you all right?
- - Yeah. Shopping headache.
- 89
- 00:06:28,014 --> 00:06:30,391
- Don't you think they'd be nice?
- 90
- 00:06:30,475 --> 00:06:32,727
- - Yeah.
- - You could hang them up and around.
- 91
- 00:06:35,146 --> 00:06:41,110
- Hang them on the... hang them on those,
- up there. Would look Christmassy.
- 92
- 00:06:47,492 --> 00:06:49,243
- What do you think, Dora?
- 93
- 00:07:15,436 --> 00:07:18,147
- Just come and... - Stay. - Stay.
- 94
- 00:07:18,231 --> 00:07:19,690
- But I'd need to get a real job.
- 95
- 00:07:22,110 --> 00:07:24,445
- - Don't want to do that.
- - You don't need to.
- 96
- 00:07:24,529 --> 00:07:27,156
- - I do. Need to pay rent.
- - You kind of do, actually, yeah.
- 97
- 00:07:27,240 --> 00:07:30,034
- To you. You'd be a terrible landlord.
- 98
- 00:07:31,035 --> 00:07:33,704
- I am a terrible landlord.
- 99
- 00:07:33,788 --> 00:07:37,625
- 'Cause he's so lovely, Frankie,
- but he's... he smokes a lot.
- 100
- 00:07:37,708 --> 00:07:41,712
- - Does his girlfriend pay rent?
- - No. No.
- 101
- 00:07:41,796 --> 00:07:44,132
- She hasn't even, like, suggested it.
- 102
- 00:07:44,215 --> 00:07:46,568
- - Doesn't put anything towards it?
- - I'm not gonna ask him. No.
- 103
- 00:07:46,592 --> 00:07:49,512
- - No, you have to.
- - 'Cause it's not like she's here...
- 104
- 00:07:49,595 --> 00:07:53,933
- You're too nice. You need
- to properly sit them down
- 105
- 00:07:54,016 --> 00:07:58,020
- and be, like, "There's three people
- living in this flat. Pay me rent."
- 106
- 00:07:58,104 --> 00:07:59,605
- Get aggressive, get a baseball bat.
- 107
- 00:08:07,155 --> 00:08:08,549
- - Morning.
- - Morning, Frank.
- 108
- 00:08:08,573 --> 00:08:10,074
- - All right?
- - Did you sleep well?
- 109
- 00:08:10,158 --> 00:08:11,325
- Yeah, it was all right.
- 110
- 00:08:11,409 --> 00:08:12,743
- - Nothing for you, sorry.
- - No?
- 111
- 00:08:12,827 --> 00:08:14,662
- Are you expecting anything important?
- 112
- 00:08:14,745 --> 00:08:16,330
- - No.
- - No?
- 113
- 00:08:16,414 --> 00:08:19,125
- - D'you want a cup of tea?
- - Yeah, please. Thank you.
- 114
- 00:08:19,208 --> 00:08:21,294
- - All right.
- - No sugar, please.
- 115
- 00:08:21,377 --> 00:08:22,378
- All right, mate.
- 116
- 00:08:24,547 --> 00:08:26,191
- Can you make me
- a cup of tea in a minute?
- 117
- 00:08:26,215 --> 00:08:27,466
- So lazy.
- 118
- 00:08:50,156 --> 00:08:53,492
- We don't know what the inner
- machinations of their mind are,
- 119
- 00:08:53,576 --> 00:08:56,454
- or their heart. We don't know.
- 120
- 00:08:58,998 --> 00:09:02,210
- But that's what we want to know
- when we go and see a film.
- 121
- 00:09:04,295 --> 00:09:08,925
- We don't wanna just see
- life played out as is.
- 122
- 00:09:09,008 --> 00:09:12,803
- We wanna see life as it is experienced,
- 123
- 00:09:14,222 --> 00:09:18,142
- within this soft machine, within this...
- 124
- 00:09:25,691 --> 00:09:29,320
- But the life of Tony and his mother,
- they're the lives of real people.
- 125
- 00:09:30,404 --> 00:09:32,031
- I'm not... I'm not making that up.
- 126
- 00:09:32,114 --> 00:09:35,910
- - Why are they more real than me?
- - They're not more real than you.
- 127
- 00:09:35,993 --> 00:09:38,579
- Am I more real than you?
- 128
- 00:09:38,663 --> 00:09:39,664
- No.
- 129
- 00:09:45,002 --> 00:09:49,632
- I think we're all equal in that.
- I think we're all as real as each other.
- 130
- 00:09:49,715 --> 00:09:51,759
- There's no competition.
- 131
- 00:09:51,842 --> 00:09:56,555
- It doesn't matter that they're
- not real people.
- 132
- 00:09:56,639 --> 00:09:59,350
- I mean, I'm not trying
- to make a documentary.
- 133
- 00:09:59,433 --> 00:10:01,894
- - I'm making a feature film.
- - Now, are you sure?
- 134
- 00:10:01,978 --> 00:10:03,271
- Yes, I am.
- 135
- 00:10:06,607 --> 00:10:09,068
- I'm making a feature film.
- 136
- 00:10:09,151 --> 00:10:11,112
- You're not trying to document
- 137
- 00:10:11,195 --> 00:10:17,952
- some received idea of... life up there,
- 138
- 00:10:18,035 --> 00:10:21,497
- on the docks, the daily grind...
- 139
- 00:10:25,376 --> 00:10:27,753
- huddled listening to the wireless?
- 140
- 00:10:27,837 --> 00:10:32,675
- Well, I am, but I'm creating
- something new with it.
- 141
- 00:10:32,758 --> 00:10:33,843
- Well, good.
- 142
- 00:10:33,926 --> 00:10:38,848
- So the material is real,
- those people exist,
- 143
- 00:10:38,931 --> 00:10:41,183
- but I am designing new ones...
- 144
- 00:10:42,852 --> 00:10:44,854
- to fit what I want to make.
- 145
- 00:10:45,938 --> 00:10:48,566
- Well, good. That sounds great.
- 146
- 00:10:48,649 --> 00:10:52,278
- - I'm a big fan of Powell and Pressburger.
- - Hmm.
- 147
- 00:10:52,361 --> 00:10:53,779
- I think they...
- 148
- 00:10:56,240 --> 00:10:59,201
- I think they're very truthful
- 149
- 00:10:59,285 --> 00:11:01,245
- without necessarily being real.
- 150
- 00:11:03,497 --> 00:11:04,999
- So what do you do?
- 151
- 00:11:05,082 --> 00:11:07,001
- I work for the Foreign Office.
- 152
- 00:11:09,712 --> 00:11:12,465
- - Is it very boring?
- - Incredibly.
- 153
- 00:11:58,636 --> 00:12:00,221
- The many misadventures.
- 154
- 00:12:00,304 --> 00:12:02,431
- - What'll be the name?
- - Yeah, the name.
- 155
- 00:12:03,599 --> 00:12:05,786
- - The word on the street.
- - The word on the street.
- 156
- 00:12:05,810 --> 00:12:08,622
- What'll be my name? What'll be my name?
- Let me think of something special.
- 157
- 00:12:08,646 --> 00:12:10,397
- - Wear one of these.
- - Roger.
- 158
- 00:12:10,481 --> 00:12:11,565
- - Roger?
- - Yeah.
- 159
- 00:12:11,649 --> 00:12:13,484
- Roger? No, Roger sounds too rugged.
- 160
- 00:12:15,986 --> 00:12:19,323
- - All right, you got it?
- - You're not gonna get it.
- 161
- 00:12:19,406 --> 00:12:22,302
- - Oh, that was a terrible shot.
- - That was always gonna happen.
- 162
- 00:12:22,326 --> 00:12:23,494
- Get raided.
- 163
- 00:12:23,577 --> 00:12:26,389
- - You sure you want another one?
- - Take one of us. Come here.
- 164
- 00:12:26,413 --> 00:12:28,999
- Yeah, I can drive.
- Haven't got a license, though.
- 165
- 00:12:29,083 --> 00:12:30,084
- Stop.
- 166
- 00:12:34,421 --> 00:12:35,965
- That ruined it.
- 167
- 00:12:36,048 --> 00:12:37,800
- - Would you like another one?
- - No.
- 168
- 00:12:37,883 --> 00:12:39,844
- - No? You sure?
- - Yeah, I'm sure, thank you.
- 169
- 00:12:39,927 --> 00:12:41,971
- - Would you like another one?
- - I've just had one.
- 170
- 00:12:42,054 --> 00:12:44,140
- Bloody hell.
- 171
- 00:14:11,226 --> 00:14:14,355
- - Do you like her?
- - I love her.
- 172
- 00:14:18,108 --> 00:14:20,611
- She's just received
- word from her lover,
- 173
- 00:14:20,694 --> 00:14:24,657
- and she's carving his initial
- into the tree.
- 174
- 00:14:24,740 --> 00:14:26,533
- She looks sad.
- 175
- 00:14:27,826 --> 00:14:29,620
- I think she looks determined.
- 176
- 00:14:31,622 --> 00:14:32,706
- Mm-hmm.
- 177
- 00:14:34,541 --> 00:14:38,003
- - And very much in love.
- - Very much in love.
- 178
- 00:14:47,429 --> 00:14:51,266
- - Do you like horses?
- - Yes. But not to ride.
- 179
- 00:14:51,350 --> 00:14:55,396
- Ah. Well, Ray's rather fond of them,
- 180
- 00:14:55,479 --> 00:15:00,067
- and Janet said we could take her
- to my parents for the weekend.
- 181
- 00:15:00,150 --> 00:15:03,529
- - Mm-hmm. Yeah, I'd love that.
- - Good.
- 182
- 00:15:04,780 --> 00:15:07,199
- Made it. Ray.
- 183
- 00:15:07,282 --> 00:15:09,368
- - Hi.
- - Hi, hello. I'm Barbara.
- 184
- 00:15:09,451 --> 00:15:11,537
- - Hello, Barbara. I'm Ray.
- - Ray.
- 185
- 00:15:11,620 --> 00:15:13,580
- - Hello, Ray. I'm James.
- - Hello, James.
- 186
- 00:15:13,664 --> 00:15:15,165
- - Hello, darling.
- - Hello.
- 187
- 00:15:17,626 --> 00:15:19,044
- - Julie.
- - Julie.
- 188
- 00:15:19,128 --> 00:15:21,463
- - Hello, Julie. I'm Barbara.
- - Lovely to meet you.
- 189
- 00:15:21,547 --> 00:15:23,227
- - You're welcome. Welcome.
- - Hi. I'm Julie.
- 190
- 00:15:23,298 --> 00:15:25,718
- Lovely to meet you.
- If you'd like to follow me...
- 191
- 00:15:25,801 --> 00:15:27,928
- - Come on in.
- - Thank you.
- 192
- 00:15:30,764 --> 00:15:33,142
- What are you working on
- at the moment?
- 193
- 00:15:33,225 --> 00:15:38,063
- I, um... uh, my next project
- is a feature film,
- 194
- 00:15:38,147 --> 00:15:39,732
- uh, set in Sunderland.
- 195
- 00:15:39,815 --> 00:15:41,567
- - Oh.
- - Great part of the world.
- 196
- 00:15:41,650 --> 00:15:42,651
- Mm.
- 197
- 00:15:42,735 --> 00:15:48,407
- Um, Barbara comes from Newcastle,
- so she's got some family up that way.
- 198
- 00:15:48,490 --> 00:15:50,951
- Might be able to put you up,
- maybe, if you were up there.
- 199
- 00:15:51,035 --> 00:15:52,161
- Mm. Thank you.
- 200
- 00:15:52,244 --> 00:15:53,662
- Um... Oh, great subject matter.
- 201
- 00:15:53,746 --> 00:15:57,207
- Are you involved... wanting to film
- in the shipyards, or...
- 202
- 00:15:57,291 --> 00:15:59,376
- - Mm. Yeah.
- - Wonderful.
- 203
- 00:15:59,460 --> 00:16:02,880
- They really need somebody
- to do a documentary on them,
- 204
- 00:16:02,963 --> 00:16:05,466
- because they're under threat
- at the moment.
- 205
- 00:16:05,549 --> 00:16:10,137
- Uh, I worked in a shipyard when I was
- a boy, before I went off to art school.
- 206
- 00:16:10,220 --> 00:16:11,388
- - Hmm.
- - And, uh...
- 207
- 00:16:11,472 --> 00:16:13,974
- not in that part of the world,
- but, uh... um...
- 208
- 00:16:14,975 --> 00:16:18,604
- It's been my subject matter
- and inspiration, really,
- 209
- 00:16:18,687 --> 00:16:21,190
- you know, the beautiful shapes
- of the boats and...
- 210
- 00:16:35,162 --> 00:16:36,639
- Did I hear Frankie say something
- 211
- 00:16:36,663 --> 00:16:40,709
- about staying with his girlfriend
- for a few days?
- 212
- 00:16:40,793 --> 00:16:42,544
- Yeah, he's always with her.
- 213
- 00:16:44,088 --> 00:16:46,757
- Beginning of next week or...
- 214
- 00:16:48,175 --> 00:16:52,429
- Yeah. I'm not sure,
- I'd have to check, but...
- 215
- 00:16:52,513 --> 00:16:54,556
- I was wondering
- if I could stay a few days.
- 216
- 00:16:56,058 --> 00:16:57,059
- Why?
- 217
- 00:16:58,060 --> 00:17:01,063
- It's to do with my work.
- It's rather complicated to explain.
- 218
- 00:17:01,146 --> 00:17:05,109
- In fact... I can't really
- explain it at all.
- 219
- 00:17:05,192 --> 00:17:10,239
- I completely understand
- if there's an issue with that.
- 220
- 00:17:10,322 --> 00:17:13,117
- - I can always find somewhere else.
- - No, it's okay.
- 221
- 00:17:14,535 --> 00:17:16,495
- - Are you sure?
- - Hmm.
- 222
- 00:17:20,165 --> 00:17:23,836
- - That's very kind.
- - It's all right.
- 223
- 00:17:27,631 --> 00:17:29,174
- You're very special, Julie.
- 224
- 00:17:30,801 --> 00:17:32,469
- I don't think I am.
- 225
- 00:17:32,553 --> 00:17:34,930
- Oh, no, you don't think you are.
- 226
- 00:17:35,013 --> 00:17:38,392
- - Very normal, really.
- - Yeah, normal.
- 227
- 00:17:38,475 --> 00:17:41,687
- You're not normal at all.
- You're a freak.
- 228
- 00:17:42,688 --> 00:17:44,064
- Thank you.
- 229
- 00:17:48,235 --> 00:17:50,487
- - How am I a freak?
- - Your fragility.
- 230
- 00:17:53,699 --> 00:17:56,869
- - Is that a good thing?
- - I think you know.
- 231
- 00:17:58,162 --> 00:17:59,663
- I think I'm quite average.
- 232
- 00:18:01,665 --> 00:18:03,000
- You're not average.
- 233
- 00:18:07,713 --> 00:18:09,131
- You're lost.
- 234
- 00:18:10,549 --> 00:18:12,551
- And you'll always be lost.
- 235
- 00:18:35,032 --> 00:18:37,576
- - Are you hungry?
- - Famished.
- 236
- 00:18:38,660 --> 00:18:41,580
- - How did you get on?
- - Really well, thank you.
- 237
- 00:18:41,663 --> 00:18:44,249
- - Good old Harrods?
- - Yeah.
- 238
- 00:18:44,333 --> 00:18:46,960
- - A nice bit of fillet steak.
- - Hmm.
- 239
- 00:18:48,754 --> 00:18:51,798
- - I've had a very nice time here.
- - Good.
- 240
- 00:18:52,799 --> 00:18:55,302
- - Very relaxing.
- - Good.
- 241
- 00:18:57,262 --> 00:19:00,933
- Checked in on Janet.
- Everything's fine there.
- 242
- 00:19:01,016 --> 00:19:02,142
- Good.
- 243
- 00:19:04,561 --> 00:19:09,524
- I mean, I dare say they've had
- the odd person, uh...
- 244
- 00:19:11,401 --> 00:19:15,447
- watching over, but I don't think
- there's been any disturbance.
- 245
- 00:19:15,530 --> 00:19:17,991
- Hmm. I'm glad.
- 246
- 00:19:18,075 --> 00:19:21,245
- That's partly why I wanted to get Ray
- out of there for the weekend.
- 247
- 00:19:21,328 --> 00:19:23,973
- There were fears
- that the Russians might try to come in
- 248
- 00:19:23,997 --> 00:19:26,416
- and slew the submarine off the rocks,
- 249
- 00:19:26,500 --> 00:19:27,918
- and those fears were reinforced
- 250
- 00:19:28,001 --> 00:19:31,838
- when a second foreign submarine
- was detected earlier this morning.
- 251
- 00:19:31,922 --> 00:19:36,218
- Today, the government revealed that
- they're considering a charge of espionage.
- 252
- 00:19:36,301 --> 00:19:39,137
- The case is seen as very similar
- to that of Gary Powers,
- 253
- 00:19:39,221 --> 00:19:44,434
- the American pilot of a U-2 spy plane
- shot down over Russia in 1960.
- 254
- 00:19:44,518 --> 00:19:46,770
- The Russians tried him as a spy.
- 255
- 00:20:26,560 --> 00:20:29,062
- "You've got to see Venice,"
- he began.
- 256
- 00:20:29,146 --> 00:20:32,816
- "You've got to see a city
- of slender towers and white domes,
- 257
- 00:20:32,899 --> 00:20:37,029
- sleeping in the water
- like a mass of water lilies.
- 258
- 00:20:37,112 --> 00:20:39,072
- You've got to see dark waterways,
- 259
- 00:20:39,156 --> 00:20:41,199
- mysterious threads of shadow,
- 260
- 00:20:41,283 --> 00:20:43,785
- binding all these flowers
- of stone together."
- 261
- 00:21:18,987 --> 00:21:21,490
- I like this.
- 262
- 00:21:28,747 --> 00:21:29,956
- And where was this taken?
- 263
- 00:21:30,040 --> 00:21:33,251
- - Afghanistan. '73.
- - Oh.
- 264
- 00:21:41,843 --> 00:21:44,346
- I'm going to wash the lettuce.
- 265
- 00:21:52,729 --> 00:21:56,691
- "I don't feel that I fully
- understand the qualities of entertainment,
- 266
- 00:21:56,775 --> 00:21:59,152
- but I realize the importance
- of entertaining people
- 267
- 00:21:59,236 --> 00:22:01,029
- to get a message across.
- 268
- 00:22:01,113 --> 00:22:04,241
- I hope to learn to entertain
- as well as communicate."
- 269
- 00:22:04,324 --> 00:22:06,368
- - That's good.
- - Yeah.
- 270
- 00:22:06,451 --> 00:22:10,122
- That's the bit I like, at the end.
- 271
- 00:22:10,205 --> 00:22:12,833
- What's all that about therapy?
- 272
- 00:22:12,916 --> 00:22:16,461
- Well, it's my version of therapy, really.
- 273
- 00:22:16,545 --> 00:22:19,422
- - Okay.
- - My self-expression.
- 274
- 00:22:20,882 --> 00:22:24,261
- Through art, through film,
- you know, that's my...
- 275
- 00:22:24,344 --> 00:22:27,264
- Do you think
- that makes you special?
- 276
- 00:22:27,347 --> 00:22:30,767
- Well, it's not, you know,
- it's not about me being special.
- 277
- 00:22:30,851 --> 00:22:33,353
- It's about, you know, them, you know...
- 278
- 00:22:38,150 --> 00:22:41,278
- it's just, I want them to know that...
- 279
- 00:22:41,361 --> 00:22:44,406
- I want them to kind of know
- that about me, you know?
- 280
- 00:22:44,489 --> 00:22:46,032
- - Okay. Okay.
- - Is that...
- 281
- 00:22:46,116 --> 00:22:48,118
- - Do you think it's too...
- - No.
- 282
- 00:22:48,201 --> 00:22:51,496
- I'm not sure, uh,
- sincerity is always enough.
- 283
- 00:22:51,580 --> 00:22:53,707
- But go on.
- Let's hear the next bit.
- 284
- 00:22:53,790 --> 00:22:58,879
- Okay. You mean... you mean you don't think
- I should be this honest?
- 285
- 00:22:58,962 --> 00:23:04,092
- Um, well, no, I just think it's,
- um, you know...
- 286
- 00:23:04,176 --> 00:23:07,846
- People use that word
- as if it's an end in itself,
- 287
- 00:23:07,929 --> 00:23:12,517
- and, uh, I mean, you know,
- we can all be sincere,
- 288
- 00:23:12,601 --> 00:23:16,021
- we can all be authentic,
- 289
- 00:23:16,104 --> 00:23:18,607
- but, um, what's it all for?
- 290
- 00:23:23,403 --> 00:23:25,488
- I mean, it just slightly reads
- 291
- 00:23:25,572 --> 00:23:30,952
- like you've been sort of backed
- into a corner by life,
- 292
- 00:23:31,036 --> 00:23:35,332
- and it's like, "Oh, well, I'd better be
- a film director."
- 293
- 00:23:35,415 --> 00:23:37,417
- As opposed to, "I want to be
- a film director."
- 294
- 00:23:37,500 --> 00:23:39,002
- Is that what it sounds like?
- 295
- 00:23:39,085 --> 00:23:41,379
- What happened last night
- 296
- 00:23:41,463 --> 00:23:46,176
- is every time you rolled over
- and then rolled back again...
- 297
- 00:23:47,844 --> 00:23:53,558
- you came closer to me
- and took up more of the bed.
- 298
- 00:23:55,435 --> 00:24:00,065
- And you're already, I would say,
- further over than I am.
- 299
- 00:24:02,484 --> 00:24:03,902
- That's not true.
- 300
- 00:24:03,985 --> 00:24:05,737
- - It is true.
- - No, it's not.
- 301
- 00:24:05,820 --> 00:24:09,199
- - I haven't got that much...
- - You have bed dysmorphia.
- 302
- 00:24:11,076 --> 00:24:13,245
- And you... then you accuse me of...
- 303
- 00:24:13,328 --> 00:24:17,249
- I wasn't trying to cross
- any sort of threshold.
- 304
- 00:24:21,670 --> 00:24:23,338
- I have not got that much room.
- 305
- 00:24:23,421 --> 00:24:27,676
- - You've got a foot on that side.
- - That's not a foot.
- 306
- 00:24:27,759 --> 00:24:30,011
- And I literally am on a ledge.
- 307
- 00:24:32,264 --> 00:24:34,599
- I've got nowhere left to go.
- 308
- 00:24:38,812 --> 00:24:41,690
- Well, where's the...
- Where's the halfway line?
- 309
- 00:24:41,773 --> 00:24:44,526
- Well, I think it's where your arm is,
- but, like, under your arm.
- 310
- 00:24:44,609 --> 00:24:46,027
- No, I think it's there.
- 311
- 00:24:46,111 --> 00:24:49,030
- No, I think it's, like, there.
- 312
- 00:24:49,114 --> 00:24:51,908
- No. That doesn't give me enough room.
- 313
- 00:24:51,992 --> 00:24:54,244
- - There.
- - All right, there.
- 314
- 00:24:54,327 --> 00:24:58,081
- But I can barely lie flat like that.
- 315
- 00:24:58,164 --> 00:24:59,749
- We're saying there, okay.
- 316
- 00:24:59,833 --> 00:25:05,297
- I'm going to do
- a Claudette Colbert-Clark Gable
- 317
- 00:25:05,380 --> 00:25:10,385
- wall of Jericho with your friends here.
- 318
- 00:25:12,637 --> 00:25:14,639
- I haven't got much room.
- 319
- 00:25:14,723 --> 00:25:16,850
- You've got a foot!
- 320
- 00:25:16,933 --> 00:25:19,311
- You've got a foot. I have nothing.
- 321
- 00:25:21,271 --> 00:25:23,315
- I've nothing. There's nothing here.
- 322
- 00:25:49,257 --> 00:25:51,634
- I'm going to be in Paris for a while.
- 323
- 00:25:54,345 --> 00:25:55,430
- Okay.
- 324
- 00:25:58,016 --> 00:25:59,601
- See you soon.
- 325
- 00:26:14,657 --> 00:26:16,659
- "My dear Julie.
- 326
- 00:26:16,743 --> 00:26:19,329
- Just a letter of thanks.
- 327
- 00:26:19,412 --> 00:26:22,332
- You see, I've almost forgotten
- what happened in December.
- 328
- 00:26:23,917 --> 00:26:26,586
- I may have been born in 1980,
- 329
- 00:26:26,669 --> 00:26:28,880
- and that was the year
- I first fell in love.
- 330
- 00:26:30,048 --> 00:26:32,133
- And I have wondered
- if that were possible.
- 331
- 00:26:33,968 --> 00:26:36,679
- I have gained so much
- to thank you for.
- 332
- 00:26:36,763 --> 00:26:40,308
- Inexpressible, though,
- this thing of delight and trust.
- 333
- 00:26:42,018 --> 00:26:44,854
- Most importantly and at the center
- 334
- 00:26:44,938 --> 00:26:48,942
- is that I am mainly thanking you
- for my love for you.
- 335
- 00:26:50,026 --> 00:26:52,112
- Ergo sum.
- 336
- 00:26:52,195 --> 00:26:55,448
- A grateful and loving Anthony."
- 337
- 00:27:27,897 --> 00:27:29,524
- Is this my book?
- 338
- 00:27:29,607 --> 00:27:32,610
- - Oh, yeah. Sorry.
- - You... you keep it.
- 339
- 00:27:35,989 --> 00:27:38,658
- All right. Cheers.
- 340
- 00:27:40,201 --> 00:27:42,370
- - All right.
- - Do you want a hand?
- 341
- 00:27:42,453 --> 00:27:44,914
- Yeah, I'd better get downstairs.
- Jack's got the van, ain't he?
- 342
- 00:27:47,208 --> 00:27:49,794
- I might torch this.
- 343
- 00:27:49,878 --> 00:27:52,380
- - You give my love to Tracy.
- - Yeah, I will.
- 344
- 00:27:52,463 --> 00:27:53,464
- Yeah.
- 345
- 00:27:54,924 --> 00:27:57,260
- - Love you, Frank.
- - All right, mate. Love you, too.
- 346
- 00:27:57,343 --> 00:28:00,096
- - Have fun.
- - I will.
- 347
- 00:28:00,180 --> 00:28:02,265
- See you on the flip side.
- 348
- 00:28:06,102 --> 00:28:07,770
- - Ta-ta.
- - Bye.
- 349
- 00:28:11,649 --> 00:28:17,614
- The, uh... the thing that struck me about
- the main character, Tony, in my story,
- 350
- 00:28:17,697 --> 00:28:23,578
- is that he is being forced to rate,
- to be raised, and to come to terms
- 351
- 00:28:23,661 --> 00:28:29,209
- with the incredible struggles that
- his family is going through at that time,
- 352
- 00:28:29,292 --> 00:28:32,837
- and all his peers at school as well.
- 353
- 00:28:32,921 --> 00:28:37,175
- And this very cruel,
- 354
- 00:28:37,258 --> 00:28:42,180
- very raw, you know... um...
- 355
- 00:28:42,263 --> 00:28:45,308
- Sorry, I'm not expressing
- myself very well. Um...
- 356
- 00:28:46,309 --> 00:28:48,311
- You know, being forced to come to terms
- 357
- 00:28:48,394 --> 00:28:51,564
- with something so harsh
- for someone that's so young.
- 358
- 00:28:52,565 --> 00:28:53,983
- - Very vulnerable.
- - Right.
- 359
- 00:28:54,067 --> 00:28:56,819
- And yet, you're wanting to make a film
- 360
- 00:28:56,903 --> 00:29:00,782
- about an experience
- that's very different from yours.
- 361
- 00:29:00,865 --> 00:29:04,994
- I mean, you could argue that really
- it would be much better for you
- 362
- 00:29:05,078 --> 00:29:09,165
- to work from your own experience,
- particularly at an early stage.
- 363
- 00:29:09,249 --> 00:29:14,796
- I mean, what makes you want to leave
- your own experience so radically
- 364
- 00:29:14,879 --> 00:29:16,798
- and enter into this very different world?
- 365
- 00:29:16,881 --> 00:29:18,967
- I mean, it's suggested
- that you almost have
- 366
- 00:29:19,050 --> 00:29:21,928
- a kind of moral, sort of political aim?
- 367
- 00:29:22,011 --> 00:29:24,222
- - I mean, can you just...
- - Very moral, to me.
- 368
- 00:29:24,305 --> 00:29:25,985
- Talk about that, perhaps, for a moment?
- 369
- 00:29:26,015 --> 00:29:27,225
- Yes, uh...
- 370
- 00:29:27,308 --> 00:29:32,230
- I feel as though I want
- to not live my whole life
- 371
- 00:29:32,313 --> 00:29:37,402
- in this very privileged part of the world
- I come from,
- 372
- 00:29:37,485 --> 00:29:39,362
- uh, part of the country.
- 373
- 00:29:39,445 --> 00:29:45,451
- And I want to be really aware
- about what's going on around me,
- 374
- 00:29:45,535 --> 00:29:51,207
- with people, and community,
- and politically as well.
- 375
- 00:29:51,291 --> 00:29:54,919
- Um, I don't want to be
- in that bubble my entire life.
- 376
- 00:30:03,678 --> 00:30:07,515
- - Where's the wall?
- - The wall is...
- 377
- 00:30:07,598 --> 00:30:10,935
- The wall was. It is no more.
- 378
- 00:30:11,019 --> 00:30:13,771
- - We dismantled it.
- - Ah.
- 379
- 00:30:13,855 --> 00:30:15,940
- There was a whole ceremony.
- You missed it.
- 380
- 00:30:16,024 --> 00:30:19,944
- - I'm sorry I missed that.
- - We all felt very snubbed.
- 381
- 00:30:20,945 --> 00:30:23,990
- - Is this for me?
- - Mm-hmm.
- 382
- 00:30:24,073 --> 00:30:26,325
- - Thank you.
- - From Paris.
- 383
- 00:30:29,871 --> 00:30:31,205
- Put it on.
- 384
- 00:31:55,873 --> 00:31:58,334
- You're a dark horse, Julie.
- 385
- 00:32:05,508 --> 00:32:08,010
- I love pale skin.
- 386
- 00:32:09,846 --> 00:32:11,931
- Why? Why?
- 387
- 00:32:12,014 --> 00:32:15,643
- 'Cause everyone's getting a tan nowadays.
- 388
- 00:32:15,726 --> 00:32:18,229
- - But I burn.
- - Good.
- 389
- 00:32:20,690 --> 00:32:22,567
- We'll keep you out the sun.
- 390
- 00:32:25,444 --> 00:32:27,113
- I like freckles.
- 391
- 00:32:47,049 --> 00:32:50,970
- - Did you hurt yourself?
- - No, I don't know what that is.
- 392
- 00:32:52,680 --> 00:32:55,766
- - It looks really sore.
- - It is a bit sore.
- 393
- 00:32:57,518 --> 00:32:59,770
- - Okay.
- - What do you think I should do?
- 394
- 00:33:01,480 --> 00:33:02,857
- I think you should...
- 395
- 00:33:04,942 --> 00:33:10,072
- just leave it...
- and let it go away.
- 396
- 00:34:07,713 --> 00:34:10,758
- - I'm going out.
- - Okay.
- 397
- 00:34:10,841 --> 00:34:12,593
- I'll be back later.
- 398
- 00:34:12,677 --> 00:34:14,262
- - See you later.
- - What?
- 399
- 00:34:14,345 --> 00:34:15,846
- See you later.
- 400
- 00:34:24,772 --> 00:34:27,275
- Can you lend me a couple of quid?
- 401
- 00:34:27,358 --> 00:34:29,944
- - Yeah, sure.
- - Thank you.
- 402
- 00:34:32,571 --> 00:34:34,865
- - How much?
- - Uh...
- 403
- 00:34:36,909 --> 00:34:38,244
- Six.
- 404
- 00:34:38,327 --> 00:34:40,329
- Have you got ten?
- Give me ten.
- 405
- 00:34:40,413 --> 00:34:44,917
- Won't need ten, but, uh, just in case.
- 406
- 00:34:53,634 --> 00:34:55,928
- - Bye.
- - Bye.
- 407
- 00:35:21,579 --> 00:35:25,249
- I thought we'd put Anthony down the end.
- Be more comfortable.
- 408
- 00:35:26,250 --> 00:35:28,419
- It's not that kind
- of relationship anyway, is it?
- 409
- 00:35:31,797 --> 00:35:33,841
- He's got his own bathroom, and...
- 410
- 00:35:36,093 --> 00:35:39,305
- he'd be quite comfy there.
- 411
- 00:35:41,182 --> 00:35:43,434
- Yes. That feels good.
- 412
- 00:35:45,728 --> 00:35:48,189
- Rosie.
- 413
- 00:35:48,272 --> 00:35:52,818
- Mummy, can I borrow
- some money, please?
- 414
- 00:35:52,902 --> 00:35:55,696
- - More money? Oh.
- - Yes.
- 415
- 00:35:55,780 --> 00:35:57,780
- It's just...
- It's for college, you know.
- 416
- 00:35:57,823 --> 00:36:00,493
- - It's for cameras and...
- - It's not long since the last.
- 417
- 00:36:00,576 --> 00:36:02,370
- - I know.
- - Hmm.
- 418
- 00:36:02,453 --> 00:36:04,013
- And I know I haven't
- paid that back yet.
- 419
- 00:36:04,038 --> 00:36:08,209
- - How much this time?
- - Two hundred pounds.
- 420
- 00:36:08,292 --> 00:36:09,919
- Oh, another one.
- 421
- 00:36:11,796 --> 00:36:14,590
- - All right.
- - It's just for equipment.
- 422
- 00:36:14,673 --> 00:36:17,301
- - For film school, you know.
- - Ah. Ah.
- 423
- 00:36:17,385 --> 00:36:20,179
- - Are you keeping a tally?
- - Yeah, of course.
- 424
- 00:36:20,262 --> 00:36:23,599
- All right. All right, well, yeah.
- 425
- 00:36:23,682 --> 00:36:26,143
- - I will pay you back.
- - All right. All right.
- 426
- 00:36:32,608 --> 00:36:35,444
- Rosie! Rose!
- 427
- 00:36:35,528 --> 00:36:38,656
- Well, we didn't really mix
- with King's much, but...
- 428
- 00:36:38,739 --> 00:36:41,659
- I think all the colleges
- kept themselves to themselves.
- 429
- 00:36:41,742 --> 00:36:43,011
- In my day. They probably don't...
- 430
- 00:36:43,035 --> 00:36:45,475
- - Didn't when you were there.
- - Yeah, no, no. Absolutely, yes.
- 431
- 00:36:46,414 --> 00:36:49,708
- I studied history of art
- and then continued at the Courtauld.
- 432
- 00:36:49,792 --> 00:36:51,353
- It was a funny time then,
- 'cause it was just
- 433
- 00:36:51,377 --> 00:36:53,462
- - after the war, so...
- - Uh-huh.
- 434
- 00:36:53,546 --> 00:36:56,382
- I suppose it was
- rather different in your day.
- 435
- 00:36:56,465 --> 00:36:57,633
- Hmm... well, I don't know.
- 436
- 00:36:57,716 --> 00:36:59,069
- I think we're off.
- I think we're off.
- 437
- 00:36:59,093 --> 00:37:00,570
- We're ready for lunch.
- Come on through.
- 438
- 00:37:00,594 --> 00:37:02,847
- - Hmm. Jolly good.
- - Do come through.
- 439
- 00:37:02,930 --> 00:37:04,098
- Julie, darling, can you just
- 440
- 00:37:04,181 --> 00:37:05,808
- - come and help me?
- - Yes.
- 441
- 00:37:07,268 --> 00:37:09,728
- Starting on the wine, I suppose.
- 442
- 00:37:09,812 --> 00:37:13,524
- Hopefully. Yep, I think we've
- got a nice bottle of something there.
- 443
- 00:37:15,109 --> 00:37:17,319
- - Through here?
- - No, straight on. Straight ahead.
- 444
- 00:37:17,403 --> 00:37:19,196
- Got to get over the barrier, though.
- 445
- 00:37:19,280 --> 00:37:21,907
- It's a rather curious tradition
- we have in this house.
- 446
- 00:37:21,991 --> 00:37:24,952
- It's meant to keep the dogs out,
- but actually it keeps people out.
- 447
- 00:37:32,334 --> 00:37:34,879
- I think a lot of them are young men
- 448
- 00:37:34,962 --> 00:37:38,674
- who were dragged from their beds
- at the crack of dawn,
- 449
- 00:37:38,757 --> 00:37:43,554
- with little or no hard evidence
- to say that they were...
- 450
- 00:37:45,181 --> 00:37:50,144
- what we would consider criminals.
- 451
- 00:37:51,854 --> 00:37:58,277
- I don't think granting these men
- political status is such a big deal.
- 452
- 00:37:58,360 --> 00:38:03,824
- We don't know that
- they're necessarily affiliated
- 453
- 00:38:03,908 --> 00:38:08,621
- with the exact same organization
- who put bombs under cars
- 454
- 00:38:08,704 --> 00:38:14,460
- and shoot prison wardens while they're
- going about their everyday lives.
- 455
- 00:38:14,543 --> 00:38:17,254
- It's terribly complicated.
- 456
- 00:38:17,338 --> 00:38:21,091
- Complicated? But we've got
- to protect society, haven't we?
- 457
- 00:38:21,175 --> 00:38:24,595
- But they're just as much part
- of society as anybody else,
- 458
- 00:38:24,678 --> 00:38:26,263
- that's what they would say.
- 459
- 00:38:26,347 --> 00:38:27,848
- And, uh, do you...
- 460
- 00:38:27,932 --> 00:38:30,476
- Well, I haven't set
- any bombs recently. Have you?
- 461
- 00:38:30,559 --> 00:38:32,853
- No, but you haven't
- necessarily felt the need to,
- 462
- 00:38:32,937 --> 00:38:36,148
- 'cause you've felt that
- you have a political voice.
- 463
- 00:38:36,232 --> 00:38:38,692
- Mm-hmm.
- 464
- 00:38:38,776 --> 00:38:41,320
- Or-or am I wrong about that?
- 465
- 00:38:42,905 --> 00:38:45,741
- I think you're wrong, really,
- if you don't mind my saying so.
- 466
- 00:38:45,824 --> 00:38:49,912
- I think... I'm amazed to hear
- you say this, but, um...
- 467
- 00:38:49,995 --> 00:38:52,248
- - It's refreshing to hear this.
- - I'm quite sure
- 468
- 00:38:52,331 --> 00:38:55,459
- they're not all guilty as charged.
- 469
- 00:38:55,543 --> 00:38:59,088
- But I'm sure the majority of them are.
- 470
- 00:38:59,171 --> 00:39:02,758
- Some of them are proven guilty,
- some are not. Um...
- 471
- 00:39:04,760 --> 00:39:08,097
- But can we risk having bombs,
- pipe bombs,
- 472
- 00:39:08,180 --> 00:39:12,351
- all sorts of foul things that are going on
- all over Northern Ireland?
- 473
- 00:39:12,434 --> 00:39:13,602
- Can we allow that?
- 474
- 00:39:13,686 --> 00:39:15,563
- - I'm not an apologist.
- - Darling.
- 475
- 00:39:15,646 --> 00:39:17,457
- And if we lock up a few
- innocents in the process,
- 476
- 00:39:17,481 --> 00:39:19,942
- well, that's part of it.
- 477
- 00:39:20,025 --> 00:39:22,236
- - I'm not an apologist...
- - No, thank you, darling.
- 478
- 00:39:23,612 --> 00:39:26,532
- For violence on either side.
- 479
- 00:39:29,410 --> 00:39:30,911
- And it is on both.
- 480
- 00:39:32,371 --> 00:39:36,125
- And what, is that a foreign
- office view, or is that your view?
- 481
- 00:39:36,208 --> 00:39:38,335
- Probably not, no.
- That's my view.
- 482
- 00:39:38,419 --> 00:39:40,522
- That looks rather
- like my cap you're wearing.
- 483
- 00:39:40,546 --> 00:39:42,673
- - It is your cap.
- - I thought it was.
- 484
- 00:39:42,756 --> 00:39:44,466
- It looks better on me, I think.
- 485
- 00:39:44,550 --> 00:39:46,870
- - Yeah. I want that back.
- - You might lose that.
- 486
- 00:39:52,266 --> 00:39:53,601
- Dogs all right.
- 487
- 00:40:30,179 --> 00:40:32,431
- Rosie! Come!
- 488
- 00:40:33,682 --> 00:40:36,310
- - Dora!
- - Dora!
- 489
- 00:40:36,393 --> 00:40:38,395
- Rosie! Come on!
- 490
- 00:40:44,902 --> 00:40:47,462
- - My godfather gave it to me.
- - Little swallow.
- 491
- 00:40:47,529 --> 00:40:49,031
- - Yeah.
- - It's charming.
- 492
- 00:40:49,114 --> 00:40:51,659
- Thank you. I never... I never wear it.
- 493
- 00:40:52,785 --> 00:40:58,332
- But it's time for it to...
- Its first flight.
- 494
- 00:41:05,422 --> 00:41:08,842
- - Yeah, it looks good there.
- - Hmm? Okay.
- 495
- 00:41:15,933 --> 00:41:19,937
- It's the ultimate form,
- because it's maximum cinema.
- 496
- 00:41:20,020 --> 00:41:23,982
- It's movement, music, energy, color.
- 497
- 00:41:25,150 --> 00:41:27,945
- Everything that film should be.
- 498
- 00:41:28,028 --> 00:41:32,241
- And there's never been a good
- musical made in Britain, I don't think.
- 499
- 00:41:32,324 --> 00:41:34,952
- I mean, there's been some Cliff Richard.
- 500
- 00:41:35,035 --> 00:41:36,245
- - Mm-hmm.
- - You know,
- 501
- 00:41:36,328 --> 00:41:39,081
- "Knees Up Mother Brown,"
- whatever, but, you know,
- 502
- 00:41:39,164 --> 00:41:43,001
- for a country that has The Stones,
- The Kinks, Small Faces,
- 503
- 00:41:43,085 --> 00:41:47,548
- for there not to be
- a good musical here is just...
- 504
- 00:41:47,631 --> 00:41:49,216
- - It's almost impressive.
- - Mm. I'd say.
- 505
- 00:41:50,217 --> 00:41:53,721
- Julie met a load of
- your old Raynham lot the other day.
- 506
- 00:41:53,804 --> 00:41:55,389
- - Mm?
- - Mm.
- 507
- 00:41:55,472 --> 00:41:58,308
- Sounded rather
- a humorless bunch.
- 508
- 00:41:58,392 --> 00:42:00,894
- I don't know if you'd have
- known any of them.
- 509
- 00:42:00,978 --> 00:42:04,022
- Do you remember their names?
- 510
- 00:42:04,106 --> 00:42:06,150
- No, I can't, I'm afraid.
- I was so nervous.
- 511
- 00:42:06,233 --> 00:42:12,239
- Well, it's only confidence
- because the whole thing is a con.
- 512
- 00:42:12,322 --> 00:42:13,824
- Hmm.
- 513
- 00:42:13,907 --> 00:42:17,161
- And they're the biggest con artists
- out there who are in film school.
- 514
- 00:42:17,244 --> 00:42:22,207
- I just used it as a kind
- of supply center, really.
- 515
- 00:42:22,291 --> 00:42:24,126
- Are you glad you went at all?
- 516
- 00:42:24,209 --> 00:42:28,714
- It's the cheapest
- camera-hire place in the world.
- 517
- 00:42:28,797 --> 00:42:30,549
- I mean, they don't lock
- the store cupboard.
- 518
- 00:42:30,632 --> 00:42:34,470
- You go in there, get the camera,
- 519
- 00:42:34,553 --> 00:42:37,723
- and, you know, I made two features
- 520
- 00:42:37,806 --> 00:42:42,227
- while I was there for, I mean, no money.
- 521
- 00:42:42,311 --> 00:42:43,979
- They don't check the stock, really.
- 522
- 00:42:45,564 --> 00:42:47,691
- Couple of trims. I mean, it's great.
- 523
- 00:42:47,775 --> 00:42:52,362
- You have to listen to a lot of people
- who think they know about film
- 524
- 00:42:52,446 --> 00:42:53,739
- telling you how to make a film.
- 525
- 00:42:53,822 --> 00:42:58,076
- It's like telling someone
- how to breathe or how to think or...
- 526
- 00:42:59,077 --> 00:43:00,829
- - Yeah.
- - It's ridiculous.
- 527
- 00:43:00,913 --> 00:43:02,998
- And there are no rules.
- 528
- 00:43:03,081 --> 00:43:05,167
- I mean, you know
- the Tolstoy definition of art?
- 529
- 00:43:05,250 --> 00:43:06,293
- Mm.
- 530
- 00:43:08,879 --> 00:43:11,131
- Well, you just have a feeling,
- 531
- 00:43:11,215 --> 00:43:13,926
- and by means of external signs
- you communicate it to someone else.
- 532
- 00:43:16,136 --> 00:43:18,013
- That's it.
- 533
- 00:43:18,096 --> 00:43:20,891
- So, no reason
- to feel intimidated.
- 534
- 00:43:20,974 --> 00:43:24,770
- I mean, unless you don't have feelings,
- which doesn't seem to be the case.
- 535
- 00:43:24,853 --> 00:43:28,941
- I don't see why
- you would be intimidated.
- 536
- 00:43:29,024 --> 00:43:32,361
- Well, people can feel intimidated.
- I don't think that's...
- 537
- 00:43:32,444 --> 00:43:33,737
- Yeah, I mean, they can, but...
- 538
- 00:43:33,821 --> 00:43:37,199
- - Perfectly normal.
- - Not of people who teach.
- 539
- 00:43:37,282 --> 00:43:39,722
- This has got rather warm.
- I'm gonna switch it round.
- 540
- 00:43:39,785 --> 00:43:41,328
- "Those who can't."
- 541
- 00:43:41,411 --> 00:43:44,331
- Can you swap the warm wine's
- heat into this?
- 542
- 00:43:44,414 --> 00:43:47,209
- - Shush.
- - Thank you.
- 543
- 00:43:47,292 --> 00:43:49,753
- Thank you for your advice.
- It's really...
- 544
- 00:43:49,837 --> 00:43:51,713
- - it's really helpful.
- - Mm.
- 545
- 00:43:51,797 --> 00:43:54,967
- - You don't seem druggie to me.
- - No, I'm not. No, I'm not.
- 546
- 00:43:55,050 --> 00:43:56,468
- - Interesting.
- - Mm.
- 547
- 00:43:56,552 --> 00:44:00,055
- So, I'm trying to work out...
- 548
- 00:44:01,890 --> 00:44:05,435
- where you two tessellate here.
- 549
- 00:44:09,857 --> 00:44:14,486
- - I'm not good with euphemism, so...
- - Sorry, I don't understand.
- 550
- 00:44:15,696 --> 00:44:19,867
- Okay, so habitual heroin user,
- 551
- 00:44:19,950 --> 00:44:22,286
- trainee Rotarian...
- 552
- 00:44:23,662 --> 00:44:26,790
- Which is a good look.
- I mean it nicely.
- 553
- 00:44:28,542 --> 00:44:31,920
- How? What? Why? When?
- 554
- 00:44:38,886 --> 00:44:40,429
- Sorry, I don't...
- 555
- 00:44:42,389 --> 00:44:44,474
- - You don't even dabble?
- - No.
- 556
- 00:44:44,558 --> 00:44:47,477
- Okay. I mean, I don't.
- 557
- 00:44:47,561 --> 00:44:50,522
- I feel it's very mainstream behavior.
- I've said to him...
- 558
- 00:44:53,358 --> 00:44:55,068
- It's mainstream.
- 559
- 00:44:56,737 --> 00:44:58,280
- I actually think, you know...
- 560
- 00:44:59,448 --> 00:45:01,700
- I mean, it was fine in the '40s, but...
- 561
- 00:45:02,701 --> 00:45:05,162
- - All okay?
- - Great.
- 562
- 00:45:05,245 --> 00:45:08,373
- We are having a charming time.
- 563
- 00:45:08,457 --> 00:45:11,126
- - Good.
- - I say.
- 564
- 00:45:12,461 --> 00:45:14,004
- If only you could top up these olives,
- 565
- 00:45:14,087 --> 00:45:17,591
- I think we might be able to
- get through the rest of the meal.
- 566
- 00:45:51,541 --> 00:45:55,545
- This is a scene... a rehearsal scene.
- 567
- 00:45:55,629 --> 00:46:00,092
- This is the first rehearsal he had
- with this bunch of young musicians
- 568
- 00:46:00,175 --> 00:46:04,846
- that he was going to create
- a new band with.
- 569
- 00:46:07,057 --> 00:46:10,852
- And there he is. He's quite old.
- 570
- 00:46:10,936 --> 00:46:13,814
- You can see that they look a bit nervous,
- a bit like you, I think.
- 571
- 00:46:16,525 --> 00:46:21,238
- Listening to the master
- tell them the facts of life.
- 572
- 00:46:21,321 --> 00:46:24,157
- And also saying...
- 573
- 00:46:25,617 --> 00:46:29,287
- how much it mattered to him,
- playing this music.
- 574
- 00:46:30,288 --> 00:46:36,878
- So it's very parallel, in my mind, to what
- you are beginning to go through now.
- 575
- 00:47:05,323 --> 00:47:07,576
- Their son's getting married,
- 576
- 00:47:08,702 --> 00:47:12,664
- and they can't decide whether
- they like the girl or not.
- 577
- 00:47:13,665 --> 00:47:15,167
- Mm.
- 578
- 00:47:15,250 --> 00:47:19,004
- - And he's a doctor.
- - Mm-hmm.
- 579
- 00:47:19,087 --> 00:47:20,547
- 'Cause he's got good hands.
- 580
- 00:47:26,887 --> 00:47:29,347
- And she's a schoolteacher.
- 581
- 00:47:32,976 --> 00:47:35,270
- Does she have secrets?
- 582
- 00:47:35,353 --> 00:47:38,023
- - Of course she does.
- - Of course.
- 583
- 00:47:39,483 --> 00:47:40,484
- Does he?
- 584
- 00:47:42,194 --> 00:47:43,195
- No.
- 585
- 00:47:44,488 --> 00:47:45,655
- Oh.
- 586
- 00:47:54,915 --> 00:47:56,708
- How would you feel
- about going to Venice?
- 587
- 00:47:57,709 --> 00:48:00,378
- - Venice?
- - Mm-hmm.
- 588
- 00:48:00,462 --> 00:48:01,922
- I'd love to go.
- 589
- 00:48:02,005 --> 00:48:04,007
- - I would love that.
- - Good.
- 590
- 00:48:04,091 --> 00:48:06,301
- - Thank you.
- - Thank you.
- 591
- 00:48:09,679 --> 00:48:11,389
- Have you been before?
- 592
- 00:48:11,473 --> 00:48:13,433
- Yes. Three times.
- 593
- 00:48:13,517 --> 00:48:15,435
- - Three times?
- - Once in summer.
- 594
- 00:48:15,519 --> 00:48:18,563
- - Twice in winter.
- - Mm-hmm.
- 595
- 00:48:18,647 --> 00:48:21,650
- Why did you go?
- Did you go by yourself?
- 596
- 00:48:21,733 --> 00:48:25,737
- Uh, no, I went with, uh, Desiree.
- 597
- 00:48:28,240 --> 00:48:30,992
- She went mad with jealousy
- and jumped in a canal.
- 598
- 00:48:33,870 --> 00:48:35,080
- Never saw her again.
- 599
- 00:48:36,081 --> 00:48:39,793
- At least, that was
- what her suicide note implied.
- 600
- 00:48:39,876 --> 00:48:42,045
- I think she ran off with a gondolier.
- 601
- 00:48:43,130 --> 00:48:44,923
- No wonder.
- 602
- 00:48:49,928 --> 00:48:51,721
- So, three girlfriends.
- 603
- 00:48:52,806 --> 00:48:55,559
- - Yes, all called Desiree.
- - Mm-hmm.
- 604
- 00:48:55,642 --> 00:48:57,018
- Strange, that.
- 605
- 00:48:59,938 --> 00:49:01,982
- What were their names?
- 606
- 00:49:02,065 --> 00:49:03,233
- Miriam.
- 607
- 00:49:05,318 --> 00:49:06,444
- Caroline.
- 608
- 00:49:07,779 --> 00:49:09,156
- And Angela.
- 609
- 00:49:09,239 --> 00:49:11,366
- - Angela.
- - Mm.
- 610
- 00:49:12,534 --> 00:49:15,996
- - Angela sang jazz.
- - They sound unbearable.
- 611
- 00:49:20,333 --> 00:49:26,089
- I suppose they were frightfully beautiful,
- and lots of fun and rode horses.
- 612
- 00:49:26,173 --> 00:49:28,550
- If you don't want to know...
- 613
- 00:49:28,633 --> 00:49:32,304
- - I do want to know. I do want to know.
- - Then don't ask.
- 614
- 00:49:32,387 --> 00:49:34,055
- Did Miriam play the cello?
- 615
- 00:49:35,557 --> 00:49:36,766
- No.
- 616
- 00:49:37,767 --> 00:49:41,438
- - The violin.
- - No, she wasn't at all musical.
- 617
- 00:49:44,274 --> 00:49:46,651
- She wasn't even pretty, actually.
- 618
- 00:49:46,735 --> 00:49:48,612
- That's not true.
- 619
- 00:49:48,695 --> 00:49:50,280
- Well, she had other qualities.
- 620
- 00:49:53,575 --> 00:49:54,910
- Like what?
- 621
- 00:49:56,161 --> 00:49:57,746
- Darling, I can't tell you in here.
- 622
- 00:49:57,829 --> 00:50:01,499
- Thank you. Excuse me?
- 623
- 00:50:03,001 --> 00:50:05,128
- I'm just playing, Julie.
- 624
- 00:50:06,713 --> 00:50:08,340
- Stop torturing yourself.
- 625
- 00:50:08,423 --> 00:50:11,092
- - I'm not tort...
- - Stop inviting me to torture you.
- 626
- 00:50:13,595 --> 00:50:14,596
- Ugh!
- 627
- 00:50:15,597 --> 00:50:17,098
- - Ugh!
- - Ugh!
- 628
- 00:50:17,182 --> 00:50:20,227
- That's exactly how you make me feel
- when you're being like this.
- 629
- 00:50:22,312 --> 00:50:24,564
- Thank you.
- 630
- 00:51:05,188 --> 00:51:07,774
- That is so beautiful.
- 631
- 00:51:37,220 --> 00:51:38,555
- I'm not trying that.
- 632
- 00:51:38,638 --> 00:51:41,850
- No, it's way too... it's too adventurous.
- 633
- 00:51:49,691 --> 00:51:50,942
- Are you packed?
- 634
- 00:51:52,694 --> 00:51:54,112
- 'Course.
- 635
- 00:51:58,825 --> 00:52:01,995
- Liver? I'm not eating... I'm not...
- 636
- 00:52:03,371 --> 00:52:05,457
- No, I'm not interested.
- 637
- 00:52:09,127 --> 00:52:12,839
- No. No, no.
- I'm gonna stick with pasta.
- 638
- 00:52:12,922 --> 00:52:15,300
- Nice, normal pasta.
- 639
- 00:52:16,384 --> 00:52:17,719
- Mm, 'course.
- 640
- 00:52:18,720 --> 00:52:22,640
- Okay, well, um...
- Yeah, I'll see you later.
- 641
- 00:52:23,767 --> 00:52:25,560
- I... yeah, I can't wait.
- 642
- 00:52:25,727 --> 00:52:28,480
- Hitchcock knew this.
- I mean, he would change tack.
- 643
- 00:52:28,563 --> 00:52:32,817
- I mean, if Psycho, you know,
- the scene in-in Psycho, the shower scene,
- 644
- 00:52:32,901 --> 00:52:34,128
- - is very much fragments...
- - Yeah.
- 645
- 00:52:34,152 --> 00:52:38,239
- Very much withholding. But then
- elsewhere, he's quite conventional.
- 646
- 00:52:38,323 --> 00:52:41,242
- So he knows when
- to make those adjustments.
- 647
- 00:52:41,326 --> 00:52:43,745
- Uh, because it is
- a process, a growth,
- 648
- 00:52:43,828 --> 00:52:48,291
- a building of our sensibilities
- and our perceptions,
- 649
- 00:52:48,375 --> 00:52:50,210
- and we've got to realize
- that sometimes
- 650
- 00:52:50,293 --> 00:52:54,255
- we have to change our approach
- as the journey unfolds.
- 651
- 00:52:54,339 --> 00:52:57,926
- This scene could be related
- to that scene in-in Psycho.
- 652
- 00:52:58,009 --> 00:53:00,845
- So you don't see the stab wounds.
- So you don't see the pain.
- 653
- 00:53:00,929 --> 00:53:03,098
- - Mm.
- - You just hear it.
- 654
- 00:53:03,181 --> 00:53:04,742
- You know, you hear
- the scream of the woman.
- 655
- 00:53:04,766 --> 00:53:05,951
- - Yeah.
- - You hear the conflict.
- 656
- 00:53:05,975 --> 00:53:08,144
- - Yeah.
- - So it's... could be quite like that.
- 657
- 00:53:08,228 --> 00:53:10,915
- Yes, of course. And, of course,
- as, I think, you know, the books tell us,
- 658
- 00:53:10,939 --> 00:53:12,208
- - we never do see anything...
- - Mm.
- 659
- 00:53:12,232 --> 00:53:13,876
- - In that shower scene.
- - No, you don't see.
- 660
- 00:53:13,900 --> 00:53:15,610
- Although we have all the...
- 661
- 00:53:15,693 --> 00:53:18,655
- What appear to be all the bits and pieces
- that we need for the murder,
- 662
- 00:53:18,738 --> 00:53:20,990
- but then nothing ever happens,
- all we see is the knife.
- 663
- 00:53:21,074 --> 00:53:24,452
- - You just see the knife.
- - The knife and the showerhead.
- 664
- 00:53:24,536 --> 00:53:29,082
- And in this case, possibly, the conflict,
- the noise of the argument, is the weapon.
- 665
- 00:53:29,165 --> 00:53:31,501
- - Yes.
- - You see the end result,
- 666
- 00:53:31,584 --> 00:53:34,963
- which could be, in Psycho,
- her dead body,
- 667
- 00:53:35,046 --> 00:53:39,717
- and then, in this case,
- the two broken siblings at the end.
- 668
- 00:54:00,822 --> 00:54:02,490
- They've taken everything.
- 669
- 00:54:53,291 --> 00:54:55,835
- I'm gonna call the police.
- 670
- 00:55:16,397 --> 00:55:19,275
- Argh! God.
- 671
- 00:55:21,402 --> 00:55:22,403
- Fuck!
- 672
- 00:55:28,952 --> 00:55:31,454
- I shouldn't have fucking done that.
- 673
- 00:56:58,916 --> 00:57:01,419
- - Thank you.
- - You're welcome.
- 674
- 00:57:19,979 --> 00:57:22,440
- Thank you.
- 675
- 00:58:26,421 --> 00:58:28,923
- Please tell me what I've done.
- 676
- 00:58:32,552 --> 00:58:34,137
- Please, because...
- 677
- 00:58:37,473 --> 00:58:39,976
- This is punishing...
- 678
- 00:58:41,561 --> 00:58:44,439
- seeing you like this
- and then not knowing why.
- 679
- 01:00:26,833 --> 01:00:30,294
- I can't go into all this.
- It was an emergency.
- 680
- 01:00:35,007 --> 01:00:37,927
- - What fucking emergency?
- - If I hadn't done that on that day,
- 681
- 01:00:38,010 --> 01:00:39,971
- I wouldn't be here now. I...
- 682
- 01:00:40,054 --> 01:00:44,141
- - That's all I can tell you.
- - What's that supposed to mean?
- 683
- 01:00:44,225 --> 01:00:46,394
- You can't say stuff like that
- and then not...
- 684
- 01:00:46,477 --> 01:00:49,272
- I appreciate that there are
- some things you can't tell me.
- 685
- 01:00:49,355 --> 01:00:51,941
- Well, you know, I appreciate
- there's things about me
- 686
- 01:00:52,024 --> 01:00:53,442
- that you find unacceptable.
- 687
- 01:00:53,526 --> 01:00:55,570
- There's things about you
- I find unacceptable.
- 688
- 01:00:55,653 --> 01:00:58,573
- There's things about this conversation
- I find unacceptable.
- 689
- 01:00:58,656 --> 01:01:00,801
- - The fact that you're a thief.
- - We're gonna have to meet somewhere.
- 690
- 01:01:00,825 --> 01:01:05,121
- Anthony, you stole my stuff.
- You stole my things.
- 691
- 01:01:05,204 --> 01:01:07,498
- Do you understand?
- Do you understand that?
- 692
- 01:01:08,499 --> 01:01:10,185
- Do you understand
- how that would make me feel?
- 693
- 01:01:10,209 --> 01:01:11,961
- I didn't think you'd...
- 694
- 01:01:12,044 --> 01:01:15,423
- You wouldn't think I...
- You didn't think I would mind?
- 695
- 01:01:15,506 --> 01:01:17,925
- - Is that what you're saying?
- - No. No.
- 696
- 01:01:20,636 --> 01:01:23,472
- I knew you'd mind.
- That's why I didn't tell you.
- 697
- 01:01:25,057 --> 01:01:29,353
- I do what I do so that you can have
- the life you're having
- 698
- 01:01:29,437 --> 01:01:31,147
- and sleep safe at night,
- 699
- 01:01:31,230 --> 01:01:36,068
- and there's not a fucking
- car bomb on King's Road.
- 700
- 01:01:38,279 --> 01:01:40,281
- Let's laugh about it. Why not?
- 701
- 01:01:42,033 --> 01:01:45,328
- I can't... I can't believe you.
- 702
- 01:01:47,663 --> 01:01:49,874
- Well, if you can't believe me,
- 703
- 01:01:49,957 --> 01:01:53,753
- why don't you take some time
- to get your head around it?
- 704
- 01:01:53,836 --> 01:01:57,965
- Because I've got nothing more to tell you,
- I've got nothing more to explain,
- 705
- 01:01:58,049 --> 01:02:00,551
- and I've got nothing more
- to offer to this.
- 706
- 01:02:14,190 --> 01:02:15,483
- I'm sorry. I...
- 707
- 01:02:17,735 --> 01:02:20,404
- I understand. I get why you didn't...
- 708
- 01:02:21,489 --> 01:02:24,659
- There are some things
- 709
- 01:02:24,742 --> 01:02:29,580
- you need to... you need to not tell me,
- and I understand that.
- 710
- 01:02:30,665 --> 01:02:32,792
- - Thank you.
- - So I'm sorry.
- 711
- 01:02:32,875 --> 01:02:36,170
- I don't wanna give you a hard time.
- I'm sorry. I'm sorry.
- 712
- 01:02:41,759 --> 01:02:44,029
- At the siege
- of the Libyan People's Bureau
- 713
- 01:02:44,053 --> 01:02:45,596
- in the West End of London,
- 714
- 01:02:45,680 --> 01:02:48,140
- hundreds of armed police have
- been on the alert all night,
- 715
- 01:02:48,224 --> 01:02:51,310
- with marksmen surrounding the building
- in St James's Square.
- 716
- 01:02:51,394 --> 01:02:53,646
- Other police officers
- have installed equipment
- 717
- 01:02:53,729 --> 01:02:55,815
- to monitor movements inside the bureau
- 718
- 01:02:55,898 --> 01:02:58,859
- and contact has been
- established with those inside.
- 719
- 01:02:58,943 --> 01:03:02,446
- The whole area around the square
- has been sealed off.
- 720
- 01:03:02,530 --> 01:03:04,758
- From here they looked
- like plans of the layout
- 721
- 01:03:04,782 --> 01:03:06,492
- of the embassy building.
- 722
- 01:03:06,575 --> 01:03:08,619
- In this, the dreaded
- first hour of the siege,
- 723
- 01:03:08,703 --> 01:03:10,871
- the talks are going on to try to end it.
- 724
- 01:03:10,955 --> 01:03:13,457
- And on the rooftops
- of the buildings above me,
- 725
- 01:03:13,541 --> 01:03:15,793
- police marksmen are trained
- on the embassy.
- 726
- 01:03:19,130 --> 01:03:21,465
- I understand one option
- open to them though
- 727
- 01:03:21,549 --> 01:03:24,051
- is to offer the Libyans
- safe passage to Heathrow...
- 728
- 01:03:35,146 --> 01:03:38,774
- - This is for work?
- - This is for the work, yes.
- 729
- 01:03:45,823 --> 01:03:50,411
- Have you read the notice that I put up
- yesterday about the musicians' union,
- 730
- 01:03:50,494 --> 01:03:51,722
- the agreement we've just reached?
- 731
- 01:03:51,746 --> 01:03:53,789
- - No, no, I haven't.
- - No. You should read it.
- 732
- 01:03:53,873 --> 01:03:55,791
- - Mm-hmm.
- - It's important.
- 733
- 01:03:55,875 --> 01:03:57,877
- I mean, it's good for us
- to reach an agreement.
- 734
- 01:03:57,960 --> 01:04:00,838
- They're a tricky bunch.
- But, you know, here we are,
- 735
- 01:04:00,921 --> 01:04:04,050
- - twenty-five pounds per musician...
- - Mm-hmm.
- 736
- 01:04:04,133 --> 01:04:06,594
- For a three-hour session.
- 737
- 01:04:06,677 --> 01:04:07,928
- If you're using an orchestra,
- 738
- 01:04:08,012 --> 01:04:10,639
- you're gonna run through your budget
- very quickly indeed.
- 739
- 01:04:10,723 --> 01:04:12,224
- We'll need to talk about the budget.
- 740
- 01:04:12,308 --> 01:04:15,186
- We need to think about budgets
- at this school.
- 741
- 01:04:15,269 --> 01:04:18,272
- We're not just loaning equipment out
- 742
- 01:04:18,355 --> 01:04:20,858
- - on the willy-nilly. Um...
- - Mm-hmm.
- 743
- 01:04:23,778 --> 01:04:27,007
- It's quite irregular, really, to be coming
- and talking about a project and equipment
- 744
- 01:04:27,031 --> 01:04:28,592
- when you haven't even
- thought about the budget,
- 745
- 01:04:28,616 --> 01:04:30,701
- but then I don't suppose
- you really have to think
- 746
- 01:04:30,785 --> 01:04:32,703
- about budget
- in Knightsbridge, do you?
- 747
- 01:04:34,038 --> 01:04:35,748
- How are you getting on?
- 748
- 01:04:38,125 --> 01:04:39,561
- I'm going out
- for an hour or two.
- 749
- 01:04:39,585 --> 01:04:42,129
- - Can you lend me a tenner?
- - Yeah.
- 750
- 01:04:49,178 --> 01:04:51,055
- - You staying here?
- - Mm-hmm.
- 751
- 01:04:51,138 --> 01:04:52,306
- See you later.
- 752
- 01:05:21,585 --> 01:05:23,587
- Does all this make sense?
- 753
- 01:05:23,671 --> 01:05:26,549
- Mm-hmm. Yeah.
- 754
- 01:05:27,550 --> 01:05:31,137
- - Nothing looks unclear?
- - Don't think so.
- 755
- 01:05:41,063 --> 01:05:43,232
- I think get her to do that for real.
- 756
- 01:05:43,315 --> 01:05:45,943
- I mean, tangle her up if necessary.
- 757
- 01:05:46,944 --> 01:05:48,487
- Okay.
- 758
- 01:05:48,571 --> 01:05:51,115
- - You don't want it to look stagey...
- - Mm-hmm.
- 759
- 01:05:51,198 --> 01:05:54,285
- Because the whole thing is,
- 760
- 01:05:54,368 --> 01:05:57,955
- you know, stagey in intention.
- 761
- 01:06:02,918 --> 01:06:07,339
- - Did you score today?
- - No. Don't ask me that.
- 762
- 01:06:09,133 --> 01:06:10,301
- No.
- 763
- 01:06:12,052 --> 01:06:14,805
- 'Cause I feel like
- you're on something right now.
- 764
- 01:06:14,889 --> 01:06:15,931
- Well...
- 765
- 01:06:18,475 --> 01:06:20,311
- I'm not.
- 766
- 01:06:20,394 --> 01:06:22,229
- - Well, I think you are.
- - Well, I'm not.
- 767
- 01:06:22,313 --> 01:06:23,689
- Because you're not yourself.
- 768
- 01:06:31,030 --> 01:06:33,199
- What?
- 769
- 01:06:33,282 --> 01:06:35,868
- - Well, I mean...
- - Don't...
- 770
- 01:06:35,951 --> 01:06:38,412
- Don't lie, Anthony.
- I know that you're...
- 771
- 01:06:38,495 --> 01:06:44,793
- I know you have a received version of who
- I am supposed to be at any one time.
- 772
- 01:06:44,877 --> 01:06:47,671
- - I don't... that's not...
- - But nobody has...
- 773
- 01:06:47,755 --> 01:06:49,882
- You know? I have...
- 774
- 01:06:50,883 --> 01:06:52,468
- You more than anyone should understand
- 775
- 01:06:52,551 --> 01:06:56,931
- that people go through different emotions
- at different times of the day,
- 776
- 01:06:57,014 --> 01:07:00,059
- and feel different things
- and behave in different ways.
- 777
- 01:07:00,142 --> 01:07:01,769
- I know that, but I know you,
- 778
- 01:07:01,852 --> 01:07:06,065
- and I know this is not
- what you're like sometimes.
- 779
- 01:07:06,148 --> 01:07:08,909
- I think you're nervous, and I think you're
- trying to distract yourself
- 780
- 01:07:08,943 --> 01:07:13,447
- from your fear of the task ahead,
- 781
- 01:07:13,530 --> 01:07:18,369
- and I think you just need to relax
- and make sure you're prepared...
- 782
- 01:07:18,452 --> 01:07:22,539
- I am prepared. I am.
- This is... this is preparing.
- 783
- 01:07:22,873 --> 01:07:24,291
- Julie, what am I doing with this?
- 784
- 01:07:24,375 --> 01:07:29,588
- Um, just kind of...
- do a little, um...
- 785
- 01:07:29,672 --> 01:07:31,924
- - You okay?
- - Yep, yep. Um...
- 786
- 01:07:33,092 --> 01:07:34,736
- Well, I mean, it's not in shot.
- 787
- 01:07:34,760 --> 01:07:36,512
- Why's she doing anything with it?
- 788
- 01:07:36,595 --> 01:07:39,890
- - We're filming the hair.
- - Oh, yeah, okay. Um...
- 789
- 01:07:39,974 --> 01:07:43,227
- Yeah, let's just put it on the table
- so you don't have to hold it.
- 790
- 01:07:43,310 --> 01:07:44,311
- True.
- 791
- 01:07:46,772 --> 01:07:49,191
- Okay, let's bring
- this round a bit
- 792
- 01:07:49,275 --> 01:07:51,068
- so it's a bit more profile-y. Sorry?
- 793
- 01:07:51,151 --> 01:07:53,338
- - Can't pull it any further round.
- - No, no, the other way.
- 794
- 01:07:53,362 --> 01:07:54,697
- To the left. Lamp left.
- 795
- 01:07:57,199 --> 01:07:59,219
- I've just put
- these clips in, just to hold.
- 796
- 01:07:59,243 --> 01:08:00,828
- Perfect. Perfect, yep, yep.
- 797
- 01:08:00,911 --> 01:08:03,998
- Hopefully when we're ready to go here,
- I can hopefully...
- 798
- 01:08:04,081 --> 01:08:07,501
- - Mm-hmm. Yeah.
- - And have a tighter curl.
- 799
- 01:08:07,584 --> 01:08:10,087
- - Okay.
- - Hold on.
- 800
- 01:08:14,633 --> 01:08:17,845
- This is sort of all right.
- 801
- 01:08:17,928 --> 01:08:19,221
- No, it's great.
- 802
- 01:08:21,432 --> 01:08:22,850
- - Ooh, sorry.
- - For fuck's sake.
- 803
- 01:08:22,933 --> 01:08:24,226
- Sorry, sorry.
- 804
- 01:08:26,228 --> 01:08:28,105
- Just be careful.
- 805
- 01:08:28,188 --> 01:08:31,025
- It's okay for a few more takes.
- 806
- 01:08:31,108 --> 01:08:35,321
- Yeah, yeah, we only need another,
- I mean, another one or two takes.
- 807
- 01:08:35,404 --> 01:08:39,742
- Do you think? How many takes
- do you think we'll do?
- 808
- 01:08:39,825 --> 01:08:41,386
- Well,
- how long is a piece of string?
- 809
- 01:08:41,410 --> 01:08:43,996
- - We shoot till we've got it, right?
- - Okay, yeah.
- 810
- 01:08:44,079 --> 01:08:46,123
- But we will need to reset
- if that's the case.
- 811
- 01:08:46,206 --> 01:08:49,126
- Yeah, okay, we'll make sure
- that it's... it will stay.
- 812
- 01:08:49,209 --> 01:08:50,544
- - Yeah.
- - You know.
- 813
- 01:08:52,254 --> 01:08:53,672
- Are you all right?
- 814
- 01:08:56,091 --> 01:08:58,844
- No, I just, I just, um...
- 815
- 01:08:58,927 --> 01:09:00,679
- I'm just longing to be home.
- 816
- 01:09:02,139 --> 01:09:03,515
- Mm.
- 817
- 01:09:12,149 --> 01:09:14,651
- Do you want me to come back?
- 818
- 01:09:22,701 --> 01:09:25,329
- Okay. Well, I'll see you later.
- 819
- 01:09:26,997 --> 01:09:28,499
- Okay, bye-bye.
- 820
- 01:10:38,485 --> 01:10:39,486
- My dear Julie.
- 821
- 01:10:39,570 --> 01:10:42,698
- The vile beast knows itself,
- and miserable he is with it.
- 822
- 01:10:43,949 --> 01:10:46,743
- It is you who has power over the beast.
- 823
- 01:10:46,827 --> 01:10:51,999
- To cheer, to encourage,
- to reprimand, to forgive.
- 824
- 01:10:53,500 --> 01:10:57,171
- He loves you so, and you are
- invested with great power.
- 825
- 01:10:57,254 --> 01:10:59,798
- Use it wisely, and with mercy.
- 826
- 01:11:01,216 --> 01:11:05,762
- Your words means much to him, and that
- shall gradually become clear to you.
- 827
- 01:11:07,389 --> 01:11:12,102
- He has never laid open himself before,
- and he could love you for that alone.
- 828
- 01:11:14,146 --> 01:11:18,775
- Trust in yourself
- and try and see clearly,
- 829
- 01:11:18,859 --> 01:11:21,987
- and a small passing cloud
- will not appear to another's lie.
- 830
- 01:11:23,280 --> 01:11:26,408
- There wasn't really anything
- that I didn't do.
- 831
- 01:11:26,492 --> 01:11:28,368
- Um, I ended up in a coma,
- 832
- 01:11:28,452 --> 01:11:31,205
- I had seizures, I had overdoses.
- 833
- 01:11:32,414 --> 01:11:34,458
- I'm an only child, and my parents,
- 834
- 01:11:34,541 --> 01:11:36,084
- what that was like for them...
- 835
- 01:11:37,252 --> 01:11:40,797
- and yet they never
- gave up on me, you know.
- 836
- 01:11:40,881 --> 01:11:45,427
- Um, in fact,
- my father blackmailed me.
- 837
- 01:11:45,511 --> 01:11:48,764
- He said to me one time, he said,
- 838
- 01:11:48,847 --> 01:11:52,351
- "I'll give you this Physeptone
- if you just call this number."
- 839
- 01:11:52,434 --> 01:11:54,770
- And that was the helpline.
- 840
- 01:11:54,853 --> 01:11:58,398
- And, of course, I made the call.
- 841
- 01:11:58,482 --> 01:12:01,652
- And I came to meetings,
- went out again, as I said...
- 842
- 01:12:04,613 --> 01:12:07,366
- Until finally, I'd just had it,
- 843
- 01:12:07,449 --> 01:12:09,326
- I'd just absolutely had it.
- 844
- 01:12:09,409 --> 01:12:11,245
- My body wouldn't take it anymore.
- 845
- 01:12:12,246 --> 01:12:15,749
- And I've ended up in police stations,
- 846
- 01:12:15,832 --> 01:12:19,628
- in cells, in mental hospitals,
- 847
- 01:12:19,711 --> 01:12:23,549
- straitjacketed,
- screaming, psychosis.
- 848
- 01:12:25,092 --> 01:12:29,680
- None of it good, you know,
- all for that feeling of the drug,
- 849
- 01:12:29,763 --> 01:12:32,891
- which sometimes, even in recovery,
- you know, I get feelings and things,
- 850
- 01:12:32,975 --> 01:12:35,227
- and I think, "Oh, Jesus,
- I just need a hit."
- 851
- 01:12:36,687 --> 01:12:40,357
- Uh... but not today. Just for today.
- 852
- 01:15:02,624 --> 01:15:03,935
- Police spent the night
- 853
- 01:15:03,959 --> 01:15:07,087
- carrying out a painstaking search
- of the scene of the explosion,
- 854
- 01:15:07,170 --> 01:15:09,381
- fearing there could be other devices.
- 855
- 01:15:09,464 --> 01:15:12,092
- This morning,
- the area is still sealed off.
- 856
- 01:15:12,175 --> 01:15:17,139
- Ten to 15 pounds of explosives had been
- planted in a car outside the store.
- 857
- 01:16:04,436 --> 01:16:06,316
- Okay,
- I'm just gonna check the frame.
- 858
- 01:16:06,396 --> 01:16:07,439
- Yeah, of course.
- 859
- 01:16:09,900 --> 01:16:10,901
- Mate.
- 860
- 01:16:12,486 --> 01:16:15,781
- Are you all right? Do you want a...
- Do you want a jacket?
- 861
- 01:16:15,864 --> 01:16:17,365
- I'm okay. Thank you.
- 862
- 01:16:17,449 --> 01:16:22,287
- - What's going on?
- - I don't know. I think I've got flu.
- 863
- 01:16:22,370 --> 01:16:24,122
- - Are you hungover?
- - Oh.
- 864
- 01:16:24,206 --> 01:16:25,665
- - No.
- - You look it.
- 865
- 01:16:25,749 --> 01:16:29,377
- You look like you've been,
- like, out smashing it.
- 866
- 01:16:29,461 --> 01:16:31,880
- I don't know what... what's going on.
- 867
- 01:16:31,963 --> 01:16:33,924
- - But I'm fine. I'm okay.
- - No, you're not.
- 868
- 01:16:34,007 --> 01:16:35,651
- I was literally watching you
- through that whole take.
- 869
- 01:16:35,675 --> 01:16:36,819
- You looked like
- you were about to pass out.
- 870
- 01:16:36,843 --> 01:16:39,971
- No, I'm okay. I'm fine. I'm just...
- I'm just doing that.
- 871
- 01:16:40,055 --> 01:16:43,600
- Don't be polite about it. If you're
- unwell, just go home.
- 872
- 01:16:43,683 --> 01:16:46,478
- - D'you know what I mean?
- - I'm... I'm fine. I'm okay.
- 873
- 01:16:48,688 --> 01:16:49,689
- Anthony?
- 874
- 01:16:50,899 --> 01:16:52,609
- - Hello?
- - Hello?
- 875
- 01:16:52,692 --> 01:16:54,694
- - I'm sorry, love.
- - Who are you?
- 876
- 01:16:54,778 --> 01:16:57,364
- - You must be Anthony's...
- - Sorry, you need to leave.
- 877
- 01:16:57,447 --> 01:16:59,324
- Sorry, you need to leave. Please go.
- 878
- 01:16:59,407 --> 01:17:00,718
- No, please...
- 879
- 01:17:00,742 --> 01:17:02,502
- No, I'm not gonna hurt you.
- Just Anthony's...
- 880
- 01:17:02,577 --> 01:17:04,830
- Please, please leave.
- No, no, you need to go.
- 881
- 01:17:04,913 --> 01:17:06,182
- - You need to leave right now.
- - I'm sorry, yeah?
- 882
- 01:17:06,206 --> 01:17:08,959
- No. You need to leave.
- I'm sorry. I'm sorry, I'm sorry.
- 883
- 01:17:09,042 --> 01:17:10,877
- - Okay.
- - It's okay. I'm sorry.
- 884
- 01:17:17,467 --> 01:17:19,052
- Forgot my coat.
- 885
- 01:17:22,097 --> 01:17:23,390
- Hello?
- 886
- 01:17:27,018 --> 01:17:28,436
- Sorry.
- 887
- 01:17:32,691 --> 01:17:34,317
- How do I know when I...
- 888
- 01:17:34,401 --> 01:17:36,736
- When I get the money,
- I'll pay you back.
- 889
- 01:17:36,820 --> 01:17:39,155
- But I...
- 890
- 01:17:39,239 --> 01:17:43,577
- Well, you know, I wouldn't ask
- unless I really needed it, you know.
- 891
- 01:17:50,166 --> 01:17:52,794
- No, I'm not being extravagant.
- I'm using...
- 892
- 01:17:52,878 --> 01:17:54,963
- you know, I need
- this equipment for school.
- 893
- 01:17:57,257 --> 01:18:00,844
- It's cameras and film and...
- Hmm.
- 894
- 01:18:04,973 --> 01:18:06,892
- I will pay you back.
- 895
- 01:18:14,816 --> 01:18:17,903
- I mean, definitely you can catch
- infections from other people.
- 896
- 01:18:17,986 --> 01:18:22,282
- Um, when people breathe, they can transmit
- particles of an infection,
- 897
- 01:18:22,365 --> 01:18:25,076
- uh, but sometimes, you can also get
- infections from other means,
- 898
- 01:18:25,160 --> 01:18:29,497
- by, for example,
- um, personal contacts.
- 899
- 01:18:30,916 --> 01:18:32,685
- Anything you wanna tell me
- that you haven't told me
- 900
- 01:18:32,709 --> 01:18:34,502
- about what's happening so far?
- 901
- 01:18:37,881 --> 01:18:41,259
- Um...
- No, I think... I think I'm...
- 902
- 01:18:41,343 --> 01:18:44,262
- I think I feel
- better now I've seen you.
- 903
- 01:18:45,472 --> 01:18:48,558
- - Okay, nice to see you again.
- - Thank you. Nice to see you.
- 904
- 01:18:48,642 --> 01:18:52,646
- Okay, I'd better run. And, um, I hope
- you get better soon.
- 905
- 01:18:52,729 --> 01:18:54,230
- - Okay. Bye-bye.
- - Thank you.
- 906
- 01:20:02,048 --> 01:20:04,884
- Hello?
- 907
- 01:20:04,968 --> 01:20:06,803
- Hi, Barbara. How are you?
- 908
- 01:20:10,140 --> 01:20:13,601
- I'm fine, thank you.
- Are you all right?
- 909
- 01:20:27,741 --> 01:20:31,036
- No, no, it's fine. Thank you
- for phoning. I, um...
- 910
- 01:20:32,037 --> 01:20:34,539
- Why-why was he arrested?
- 911
- 01:21:29,594 --> 01:21:31,679
- Please go away.
- 912
- 01:21:57,122 --> 01:22:00,750
- I guess I just haven't found,
- like, a specific voice.
- 913
- 01:22:00,834 --> 01:22:02,836
- D'you know what I mean?
- I don't know how to...
- 914
- 01:22:02,919 --> 01:22:04,838
- - Hmm.
- - I don't know how to articulate
- 915
- 01:22:04,921 --> 01:22:08,049
- what I'm... what I want
- to create yet, I think.
- 916
- 01:22:09,425 --> 01:22:11,511
- - Can I ask you a question?
- - Mm-hmm.
- 917
- 01:22:13,388 --> 01:22:15,849
- Okay, it's a bit of a weird one.
- 918
- 01:22:15,932 --> 01:22:20,186
- But this past six months and a bit,
- 919
- 01:22:20,270 --> 01:22:24,399
- like, I haven't seen you
- around in school very much.
- 920
- 01:22:26,317 --> 01:22:29,779
- Um... can I ask why?
- 921
- 01:22:33,908 --> 01:22:35,034
- I...
- 922
- 01:22:38,746 --> 01:22:43,668
- I was in a really difficult
- relationship with somebody...
- 923
- 01:22:43,751 --> 01:22:46,588
- - Mm-hmm.
- - And I found it difficult
- 924
- 01:22:46,671 --> 01:22:50,049
- to juggle that and film school.
- 925
- 01:22:51,050 --> 01:22:53,636
- And it just didn't...
- 926
- 01:22:53,720 --> 01:22:56,848
- it didn't leave me much time
- for myself and my interests,
- 927
- 01:22:56,931 --> 01:23:00,393
- so I just didn't really...
- 928
- 01:23:00,476 --> 01:23:03,062
- - Okay.
- - Have time. But...
- 929
- 01:23:03,146 --> 01:23:05,190
- I'm-I'm... I'm better now, so...
- 930
- 01:23:05,273 --> 01:23:06,733
- - Yeah?
- - A big yeah.
- 931
- 01:23:06,900 --> 01:23:08,919
- I mean,
- you've changed quite a lot
- 932
- 01:23:08,943 --> 01:23:11,905
- since you came, haven't you,
- in your intentions?
- 933
- 01:23:11,988 --> 01:23:14,240
- - Mm. Mm.
- - And, uh, that's okay.
- 934
- 01:23:14,324 --> 01:23:18,912
- I mean, people are supposed
- to grow in this process.
- 935
- 01:23:18,995 --> 01:23:21,080
- But how is that working out for you?
- 936
- 01:23:23,625 --> 01:23:27,337
- It's very, very...
- 937
- 01:23:28,880 --> 01:23:31,132
- complicated and, um,
- 938
- 01:23:31,216 --> 01:23:33,718
- difficult sometimes, but it's...
- 939
- 01:23:35,011 --> 01:23:37,847
- you know, it has its ups and downs.
- 940
- 01:23:38,932 --> 01:23:40,808
- - But it's working?
- - Mm, yeah.
- 941
- 01:23:40,892 --> 01:23:42,810
- - It is?
- - Mm-hmm. Mm.
- 942
- 01:23:42,894 --> 01:23:44,562
- Good, because, I mean, the big...
- 943
- 01:23:45,813 --> 01:23:50,109
- I think I said this when
- you arrived at some point,
- 944
- 01:23:50,193 --> 01:23:53,404
- and I'm sure other people have said
- the same kind of thing,
- 945
- 01:23:53,488 --> 01:23:57,784
- that, uh, the most important thing,
- 946
- 01:23:57,867 --> 01:24:01,579
- uh, about learning in this situation
- 947
- 01:24:02,789 --> 01:24:07,502
- is that you somehow make a connection
- between your experience
- 948
- 01:24:07,585 --> 01:24:10,004
- and the experience you're trying to film.
- 949
- 01:25:20,950 --> 01:25:22,720
- This is not real cashmere.
- 950
- 01:25:22,744 --> 01:25:24,638
- Come on, Jules. I got it from Harrods.
- What are you talking about?
- 951
- 01:25:24,662 --> 01:25:26,932
- - It's nice, but it's not cashmere.
- - He got it from Harold.
- 952
- 01:25:26,956 --> 01:25:27,999
- Harrods.
- 953
- 01:25:28,082 --> 01:25:29,162
- Sells them down the market.
- 954
- 01:25:29,208 --> 01:25:30,960
- - The green shop, yeah?
- - Yeah.
- 955
- 01:25:31,044 --> 01:25:32,187
- Where the classy
- 956
- 01:25:32,211 --> 01:25:33,439
- and people
- with decorum and class go.
- 957
- 01:25:33,463 --> 01:25:35,816
- Looks good on you, lad,
- but you need to shut up about it.
- 958
- 01:25:35,840 --> 01:25:37,480
- Listen, bro, listen.
- 959
- 01:25:37,550 --> 01:25:38,944
- Haters are gonna hate.
- D'you know what I mean?
- 960
- 01:25:38,968 --> 01:25:40,529
- People don't wanna see me win.
- It's all right.
- 961
- 01:25:40,553 --> 01:25:43,097
- - This is nice.
- - It's fine, it's fine, you know.
- 962
- 01:25:43,181 --> 01:25:45,099
- I get a bit of dough,
- move up in the world
- 963
- 01:25:45,183 --> 01:25:47,103
- and everyone's dissing
- my clothes and my clobber.
- 964
- 01:25:47,185 --> 01:25:48,662
- You know, that's all right.
- 965
- 01:25:48,686 --> 01:25:49,687
- That's all right.
- 966
- 01:25:51,314 --> 01:25:54,275
- And I wondered
- if you've seen Anthony at all?
- 967
- 01:25:54,359 --> 01:25:56,194
- No, I haven't seen him for a while.
- 968
- 01:25:56,277 --> 01:25:59,405
- We've been so worried about him.
- 969
- 01:25:59,489 --> 01:26:02,992
- - Well, I'm so sorry.
- - Oh, I'm sorry to disturb you...
- 970
- 01:26:05,161 --> 01:26:09,540
- No, no, it's fine.
- You have to call... you call me any time.
- 971
- 01:26:09,624 --> 01:26:13,544
- But we have no other way
- of knowing where he is.
- 972
- 01:26:13,628 --> 01:26:16,130
- You're the only person we can call.
- 973
- 01:26:16,214 --> 01:26:18,049
- If you see him,
- would you let us know?
- 974
- 01:26:18,132 --> 01:26:19,425
- Yeah, of course.
- 975
- 01:26:19,509 --> 01:26:22,345
- And you have to call me if...
- When you see him, okay?
- 976
- 01:26:22,428 --> 01:26:24,847
- Of course. Thanks...
- 977
- 01:26:24,931 --> 01:26:27,975
- Thank you for... thank you
- for calling, Barbara.
- 978
- 01:26:28,059 --> 01:26:29,894
- I'm so sorry I can't help.
- 979
- 01:26:29,977 --> 01:26:31,938
- Lots of love...
- 980
- 01:26:32,939 --> 01:26:35,108
- - Night, night.
- - Night, night.
- 981
- 01:27:10,476 --> 01:27:11,978
- Does he like the groom?
- 982
- 01:27:14,564 --> 01:27:15,731
- Yes.
- 983
- 01:27:18,901 --> 01:27:21,946
- - Maybe he introduced them.
- - Hmm.
- 984
- 01:27:29,829 --> 01:27:31,831
- Talking to them about money.
- 985
- 01:27:34,292 --> 01:27:36,169
- About planning ahead.
- 986
- 01:27:36,252 --> 01:27:40,006
- - Mm. Investments.
- - Yes.
- 987
- 01:27:41,340 --> 01:27:42,925
- And frugality.
- 988
- 01:28:02,570 --> 01:28:07,617
- I always use the wrong fork
- on purpose... for salad.
- 989
- 01:28:07,700 --> 01:28:09,702
- Both of mine are the same size.
- 990
- 01:28:10,703 --> 01:28:11,829
- Mm.
- 991
- 01:29:24,443 --> 01:29:25,945
- Do you still love me?
- 992
- 01:29:29,407 --> 01:29:30,491
- Yes.
- 993
- 01:29:32,577 --> 01:29:35,079
- - Yes?
- - Yes.
- 994
- 01:29:42,336 --> 01:29:44,380
- What makes you think I don't?
- 995
- 01:29:45,715 --> 01:29:48,467
- I'm not very nice to you sometimes.
- 996
- 01:29:52,305 --> 01:29:55,099
- - I'm a beast to you.
- - You're not a beast. I'm the beast.
- 997
- 01:29:55,182 --> 01:29:58,227
- - No, I'm the beast.
- - I'm the beast.
- 998
- 01:29:58,311 --> 01:30:02,231
- - We'll share the beast.
- - That would be nice, actually.
- 999
- 01:30:05,943 --> 01:30:08,988
- There was a lot going on before this.
- 1000
- 01:30:11,490 --> 01:30:13,409
- The Libyan hostages.
- 1001
- 01:30:15,870 --> 01:30:17,121
- Still going on now.
- 1002
- 01:30:18,122 --> 01:30:21,459
- Did you have to deal
- with that at work?
- 1003
- 01:30:21,542 --> 01:30:24,503
- - Yeah.
- - I didn't realize.
- 1004
- 01:32:12,820 --> 01:32:15,823
- Days fading into nights,
- fading into day.
- 1005
- 01:32:17,533 --> 01:32:22,371
- Day and night creeping together
- to a gray nothingness, and no thought.
- 1006
- 01:32:23,581 --> 01:32:25,833
- Only each minute's fear of the next.
- 1007
- 01:32:27,585 --> 01:32:31,338
- So tired after six days
- without a moment's rest.
- 1008
- 01:32:31,422 --> 01:32:34,383
- And so restless,
- through the slow hours of night.
- 1009
- 01:32:36,135 --> 01:32:39,597
- I lost any consciousness of will,
- and then nothing at all.
- 1010
- 01:32:40,598 --> 01:32:42,349
- A gray nothingness.
- 1011
- 01:32:43,559 --> 01:32:46,896
- I didn't even have a second
- to measure pain by,
- 1012
- 01:32:46,979 --> 01:32:51,525
- there being now no time without pain,
- thus pain ceased to exist.
- 1013
- 01:32:53,402 --> 01:32:57,031
- There was nothing at all, and I was
- walking in the ways of the dead.
- 1014
- 01:32:59,116 --> 01:33:02,745
- But then the autumn bled,
- like my cufflinks,
- 1015
- 01:33:02,828 --> 01:33:04,663
- a searing pain,
- 1016
- 01:33:04,747 --> 01:33:06,457
- and I could see like second sight,
- 1017
- 01:33:08,209 --> 01:33:09,877
- and I am born again.
- 1018
- 01:33:12,004 --> 01:33:14,215
- Janet's to die in the next 12 hours.
- 1019
- 01:33:15,216 --> 01:33:17,718
- Both of us couldn't
- keep going, I suppose.
- 1020
- 01:33:28,354 --> 01:33:30,022
- One of them's got out.
- 1021
- 01:33:31,315 --> 01:33:33,818
- Probably Mr. Staffasack.
- 1022
- 01:33:33,901 --> 01:33:36,487
- - Mister who?
- - Staffasack.
- 1023
- 01:33:36,570 --> 01:33:39,198
- Keeps escaping from the Brendan ward.
- 1024
- 01:33:39,281 --> 01:33:41,534
- It's highly patrolled.
- 1025
- 01:33:41,617 --> 01:33:44,203
- Dangerous to themselves
- and other people.
- 1026
- 01:33:45,204 --> 01:33:46,844
- They found him the other day with an axe.
- 1027
- 01:33:49,917 --> 01:33:51,168
- I'm joking.
- 1028
- 01:33:56,924 --> 01:34:01,136
- But then, some people started to get
- very competitive about it.
- 1029
- 01:34:03,347 --> 01:34:06,308
- A couple of stair races
- ended quite badly,
- 1030
- 01:34:06,392 --> 01:34:09,019
- so they had to level it off.
- 1031
- 01:34:10,354 --> 01:34:12,231
- She said she had three images.
- 1032
- 01:34:14,650 --> 01:34:17,695
- A large empty pair of big boots,
- 1033
- 01:34:18,988 --> 01:34:23,951
- a hummingbird and storm clouds
- over a seascape.
- 1034
- 01:34:24,034 --> 01:34:26,537
- You can listen to it all if you want.
- 1035
- 01:34:44,263 --> 01:34:45,723
- I'm fine.
- 1036
- 01:34:48,601 --> 01:34:51,896
- Good. I am as well.
- 1037
- 01:34:53,105 --> 01:34:55,566
- I don't want to keep feeling
- I need to, um...
- 1038
- 01:34:58,736 --> 01:35:01,280
- illustrate that I'm fine.
- 1039
- 01:35:05,159 --> 01:35:06,744
- You don't have to.
- 1040
- 01:35:08,996 --> 01:35:14,710
- You don't have to put up
- a front or anything, ever, with me.
- 1041
- 01:35:16,128 --> 01:35:19,131
- Good, 'cause I am fine.
- 1042
- 01:35:19,214 --> 01:35:21,508
- I might not look fine, but I am fine.
- 1043
- 01:35:24,386 --> 01:35:27,556
- - Are you worried about me now?
- - No.
- 1044
- 01:35:29,892 --> 01:35:32,144
- No, I'm not, for once.
- 1045
- 01:36:03,467 --> 01:36:05,135
- Thank you very much.
- 1046
- 01:36:05,219 --> 01:36:07,238
- Sounded rather
- as though someone had died.
- 1047
- 01:36:08,472 --> 01:36:11,058
- - Go on, go on, go on.
- - Go on, keep going.
- 1048
- 01:36:11,141 --> 01:36:14,520
- - Hooray!
- - Hooray. Well done. Happy birthday.
- 1049
- 01:36:14,603 --> 01:36:16,289
- I think we're allowed to clink
- glasses on your birthday.
- 1050
- 01:36:16,313 --> 01:36:17,856
- - Twenty-five.
- - Mm.
- 1051
- 01:36:19,274 --> 01:36:21,443
- - Amazing.
- - Twenty-five.
- 1052
- 01:36:24,279 --> 01:36:26,365
- - Halfway to 50.
- - Am I allowed a fork?
- 1053
- 01:36:26,448 --> 01:36:28,701
- Halfway to 50. What a thought.
- I'm so sorry.
- 1054
- 01:36:28,784 --> 01:36:30,202
- That's so enormous.
- 1055
- 01:36:30,285 --> 01:36:32,514
- - No, you keep that for you.
- - That's like half the cake.
- 1056
- 01:36:32,538 --> 01:36:34,015
- - Keep that for you.
- - That'll be your bit.
- 1057
- 01:36:34,039 --> 01:36:36,375
- It's ridiculous.
- That'll be mine.
- 1058
- 01:36:36,458 --> 01:36:39,878
- I want to ask
- your advice about something.
- 1059
- 01:36:39,962 --> 01:36:43,173
- Um, and you're not to tease me about this.
- 1060
- 01:36:43,257 --> 01:36:44,985
- You're going to pretend you
- don't know anything about it.
- 1061
- 01:36:45,009 --> 01:36:47,511
- - I never tease you.
- - Um...
- 1062
- 01:36:47,594 --> 01:36:52,057
- Anyway, I'm thinking of doing
- some sort of practical degree course
- 1063
- 01:36:52,141 --> 01:36:55,644
- in some fine art, maybe ceramics,
- 1064
- 01:36:55,728 --> 01:36:58,981
- and I wondered if, uh,
- with your Courtauld connections,
- 1065
- 01:36:59,064 --> 01:37:02,693
- you might either know a course
- that would be an interesting thing
- 1066
- 01:37:02,776 --> 01:37:05,779
- or somebody who might be able
- to put me in the right direction.
- 1067
- 01:37:05,863 --> 01:37:08,323
- I don't, but I know
- people you could talk to.
- 1068
- 01:37:08,407 --> 01:37:10,051
- - Well, that's wonderful...
- - There's a chap called Bruce
- 1069
- 01:37:10,075 --> 01:37:11,785
- who's practically made out of clay.
- 1070
- 01:37:11,869 --> 01:37:13,662
- That's exactly
- what I'd hoped you'd say.
- 1071
- 01:37:13,746 --> 01:37:15,330
- I'll connect you two up and, um...
- 1072
- 01:37:15,414 --> 01:37:17,600
- - Would you?
- - Back to my eggs, then.
- 1073
- 01:37:17,624 --> 01:37:21,003
- Well, you're gonna have to do
- a catering course, clearly.
- 1074
- 01:37:21,086 --> 01:37:24,506
- I know. We'll have
- two members of the family
- 1075
- 01:37:24,590 --> 01:37:27,760
- both at college at the same time.
- 1076
- 01:37:27,843 --> 01:37:31,263
- - What are you going to do?
- - I may as well go back to university.
- 1077
- 01:37:31,346 --> 01:37:32,473
- Maybe.
- 1078
- 01:37:32,556 --> 01:37:33,992
- What, and just give up farming altogether?
- 1079
- 01:37:34,016 --> 01:37:35,893
- Get an education.
- 1080
- 01:37:35,976 --> 01:37:38,455
- - What would you study?
- - Well, how long... what would I study?
- 1081
- 01:37:38,479 --> 01:37:40,199
- - Mm.
- - Yes, what would you study?
- 1082
- 01:37:41,648 --> 01:37:43,368
- - Very good question.
- - What, now?
- 1083
- 01:37:46,445 --> 01:37:47,738
- Well, I did land management,
- 1084
- 01:37:47,821 --> 01:37:51,075
- so I suppose now I would do
- something rather more interesting.
- 1085
- 01:37:51,158 --> 01:37:55,662
- - I think I would do, uh...
- - I'd read history.
- 1086
- 01:37:55,746 --> 01:37:57,664
- - Mm.
- - Yeah.
- 1087
- 01:37:57,748 --> 01:38:00,709
- But, um, anyhow, it isn't about me.
- 1088
- 01:38:00,793 --> 01:38:03,796
- It's about these budding
- students that we've got.
- 1089
- 01:38:03,879 --> 01:38:06,423
- Well, we're talking, as you say,
- about pipe dreams and...
- 1090
- 01:38:06,507 --> 01:38:08,801
- I think that's very exciting.
- 1091
- 01:38:08,884 --> 01:38:13,430
- Please, please, please,
- darling, let the poor man go to sleep.
- 1092
- 01:38:13,514 --> 01:38:16,975
- And go to sleep yourself. Mm?
- 1093
- 01:38:17,059 --> 01:38:19,853
- These dull wits, they need
- a little bit of shut-eye.
- 1094
- 01:38:19,937 --> 01:38:22,064
- These dull wits?
- 1095
- 01:38:22,147 --> 01:38:24,566
- - How dare you?
- - Dull wits.
- 1096
- 01:38:24,650 --> 01:38:26,026
- - Go on.
- - No.
- 1097
- 01:38:26,110 --> 01:38:28,529
- - Go on.
- - No. I need to...
- 1098
- 01:38:28,612 --> 01:38:30,447
- - Listen to Anthony.
- - Finish this.
- 1099
- 01:38:30,531 --> 01:38:32,908
- Thank you very much
- for that lovely dinner.
- 1100
- 01:38:32,991 --> 01:38:35,285
- - Good night.
- - Sleep tight.
- 1101
- 01:38:36,703 --> 01:38:40,999
- Don't be worthy. Be arrogant.
- It's much more sexy.
- 1102
- 01:38:42,376 --> 01:38:45,212
- - Do you like arrogance?
- - I think it'll get you further.
- 1103
- 01:38:45,295 --> 01:38:48,006
- - Because you are arrogant.
- - I know I'm arrogant.
- 1104
- 01:38:48,090 --> 01:38:52,010
- - Do you find yourself sexy?
- - Yes, all the time.
- 1105
- 01:38:52,094 --> 01:38:53,655
- It's hard for me to get
- through the day without...
- 1106
- 01:38:53,679 --> 01:38:57,141
- - I bet.
- - Taking a couple of moments out and...
- 1107
- 01:38:59,393 --> 01:39:02,354
- I'm trying
- to concentrate on this.
- 1108
- 01:39:02,437 --> 01:39:05,482
- Don't distract me with your arrogance
- 1109
- 01:39:05,566 --> 01:39:06,900
- and sexiness and...
- 1110
- 01:39:06,984 --> 01:39:08,110
- I'll give it three minutes.
- 1111
- 01:39:08,193 --> 01:39:11,196
- Talking about your... God knows what.
- 1112
- 01:39:11,280 --> 01:39:12,882
- - You know what I'm saying.
- - I totally...
- 1113
- 01:39:12,906 --> 01:39:14,908
- You've got some preconceived idea
- 1114
- 01:39:14,992 --> 01:39:18,704
- about some Oxbridge version
- of a film director
- 1115
- 01:39:18,787 --> 01:39:19,997
- and it's all bollocks.
- 1116
- 01:39:20,080 --> 01:39:23,208
- You just need to get out there
- and start filming. It's like Patrick said.
- 1117
- 01:39:25,502 --> 01:39:27,004
- Well...
- 1118
- 01:39:27,087 --> 01:39:29,673
- I know he's a cunt,
- but he's got a point.
- 1119
- 01:39:31,341 --> 01:39:33,677
- - I liked him.
- - No, you didn't.
- 1120
- 01:39:33,760 --> 01:39:36,889
- I didn't, actually. No, I didn't.
- 1121
- 01:39:36,972 --> 01:39:39,600
- - Um, I liked his wife.
- - Did you?
- 1122
- 01:39:39,683 --> 01:39:42,102
- - Mm. Very much.
- - Mm.
- 1123
- 01:39:42,186 --> 01:39:43,770
- Um...
- 1124
- 01:39:43,854 --> 01:39:48,901
- I feel like I haven't got
- this enough, so I need to...
- 1125
- 01:39:48,984 --> 01:39:51,304
- I need to stay up and do this,
- but you need to go to sleep.
- 1126
- 01:39:51,361 --> 01:39:53,631
- I'm waiting for two minutes
- for your mother to go to sleep
- 1127
- 01:39:53,655 --> 01:39:54,948
- and then I'm going to go down.
- 1128
- 01:39:58,243 --> 01:40:02,039
- Do you think she suspects
- that you creep down to my bed?
- 1129
- 01:40:02,122 --> 01:40:03,123
- No.
- 1130
- 01:40:04,541 --> 01:40:07,669
- - Do you think she does?
- - I don't know.
- 1131
- 01:40:07,753 --> 01:40:10,255
- If she does, that was
- an amazing performance.
- 1132
- 01:40:12,382 --> 01:40:14,218
- I don't think she has any idea.
- 1133
- 01:40:15,886 --> 01:40:16,970
- I don't know.
- 1134
- 01:40:17,971 --> 01:40:19,681
- I think she's asleep.
- 1135
- 01:40:20,682 --> 01:40:23,185
- I'm gonna take my shoes off,
- so I don't wake her.
- 1136
- 01:40:30,525 --> 01:40:32,277
- Here.
- 1137
- 01:40:36,698 --> 01:40:38,283
- - Please come to bed.
- - Go to bed.
- 1138
- 01:40:38,367 --> 01:40:41,370
- - Please come to bed.
- - No. No, I need to do this.
- 1139
- 01:40:45,582 --> 01:40:47,459
- Are you gonna drink all that brandy?
- 1140
- 01:40:47,542 --> 01:40:50,254
- Well, I'm not gonna
- just leave it there. Probably.
- 1141
- 01:40:51,838 --> 01:40:53,215
- Come to bed.
- 1142
- 01:41:31,795 --> 01:41:35,966
- Then, Isabel, live chaste,
- 1143
- 01:41:38,093 --> 01:41:39,386
- and, brother, die.
- 1144
- 01:41:42,973 --> 01:41:45,100
- More than our brother
- is our chastity.
- 1145
- 01:41:49,229 --> 01:41:51,189
- I'll tell him yet
- of Angelo's request,
- 1146
- 01:41:53,358 --> 01:41:57,404
- and fit his mind to death,
- for his soul's rest.
- 1147
- 01:42:01,783 --> 01:42:03,368
- Wonderful.
- 1148
- 01:42:03,452 --> 01:42:05,346
- - No, I totally fucked that up.
- - No, you... no, you didn't.
- 1149
- 01:42:05,370 --> 01:42:06,723
- - No, I did.
- - No, you really didn't.
- 1150
- 01:42:06,747 --> 01:42:07,914
- You really didn't.
- 1151
- 01:42:07,998 --> 01:42:10,042
- Do you wanna go from...
- 1152
- 01:42:12,502 --> 01:42:13,712
- Where's easiest?
- 1153
- 01:42:13,795 --> 01:42:15,756
- "That he had 20 heads
- to tender down..."
- 1154
- 01:42:15,839 --> 01:42:16,983
- - No, wait.
- - Mm-hmm.
- 1155
- 01:42:17,007 --> 01:42:18,592
- From there, 'cause it's a full stop.
- 1156
- 01:42:18,675 --> 01:42:21,970
- "Though he hath fallen
- by prompture..."
- 1157
- 01:42:22,054 --> 01:42:23,805
- I'm gonna go from...
- 1158
- 01:42:23,889 --> 01:42:26,433
- And you were completely right.
- 1159
- 01:42:28,226 --> 01:42:29,770
- Of course you were.
- 1160
- 01:42:29,853 --> 01:42:32,647
- Uh, we're having a break,
- but I should get back.
- 1161
- 01:42:32,731 --> 01:42:37,611
- But I just wanted to call to just say
- that I shouldn't have worried so much.
- 1162
- 01:42:38,945 --> 01:42:40,405
- Okay.
- 1163
- 01:42:40,489 --> 01:42:42,908
- Okay, I'll see you later.
- 1164
- 01:42:42,991 --> 01:42:44,201
- Bye-bye.
- 1165
- 01:43:03,011 --> 01:43:04,489
- It does stink.
- 1166
- 01:43:04,513 --> 01:43:06,640
- Yeah. It does, though, it does.
- 1167
- 01:43:06,723 --> 01:43:08,242
- It's gonna stink even more soon.
- 1168
- 01:43:08,266 --> 01:43:09,786
- - Mm. Yeah.
- - Yeah.
- 1169
- 01:43:09,851 --> 01:43:11,061
- - He's here.
- - Yay!
- 1170
- 01:43:11,144 --> 01:43:12,687
- Hey, Pedro.
- 1171
- 01:43:12,771 --> 01:43:14,207
- - Come on.
- - Take your time.
- 1172
- 01:43:14,231 --> 01:43:16,501
- - Yeah, just take your time.
- - There's no rush.
- 1173
- 01:43:16,525 --> 01:43:17,925
- No rush at all.
- 1174
- 01:43:20,946 --> 01:43:22,697
- Right. Merci.
- 1175
- 01:43:32,916 --> 01:43:34,977
- After the fucking
- Nouvelle Vague and everything,
- 1176
- 01:43:35,001 --> 01:43:39,047
- we kind of actually now realize
- that we can use all the techniques
- 1177
- 01:43:39,131 --> 01:43:42,426
- and the new look of, you know,
- pure contemporary type of image.
- 1178
- 01:43:42,509 --> 01:43:44,946
- That's the thing. It's just
- look. It's a style over substance.
- 1179
- 01:43:44,970 --> 01:43:46,513
- No, no, I disagree totally with that,
- 1180
- 01:43:46,596 --> 01:43:49,224
- because it has this very
- formal kind of structure
- 1181
- 01:43:49,307 --> 01:43:51,643
- and it's very, very, contemporary,
- 1182
- 01:43:51,726 --> 01:43:53,937
- and it opens... I think it opens doors
- 1183
- 01:43:54,020 --> 01:43:56,606
- and it touches people
- in a much more deep way
- 1184
- 01:43:56,690 --> 01:43:59,651
- than just choosing like, you know,
- chitchat in a cafe,
- 1185
- 01:43:59,734 --> 01:44:01,153
- like in Godard's film or something.
- 1186
- 01:44:01,236 --> 01:44:05,157
- It's much more...
- Somehow it's more sensual.
- 1187
- 01:44:05,240 --> 01:44:07,051
- I don't know,
- but it feels like they just transposed
- 1188
- 01:44:07,075 --> 01:44:09,619
- the commercial aesthetic over to cinema,
- and that's not cinema.
- 1189
- 01:44:09,703 --> 01:44:11,556
- That's, that's, so...
- like a critic is saying that.
- 1190
- 01:44:11,580 --> 01:44:15,000
- It's so stupid because it's
- all about using these tools
- 1191
- 01:44:15,083 --> 01:44:18,003
- and what the people
- in commercial actually created
- 1192
- 01:44:18,086 --> 01:44:20,881
- and use it
- in a very powerful art form.
- 1193
- 01:44:20,964 --> 01:44:23,341
- Think about
- what Rivette did in '74, '75,
- 1194
- 01:44:23,425 --> 01:44:26,261
- compared to what Besson's doing now.
- That says it all.
- 1195
- 01:44:29,181 --> 01:44:32,934
- There is some meaning
- to be gathered.
- 1196
- 01:44:33,018 --> 01:44:34,978
- I want it to become, like, beautiful,
- 1197
- 01:44:35,061 --> 01:44:37,081
- all this blood and all this dirt
- and all this shit...
- 1198
- 01:44:37,105 --> 01:44:40,108
- Mate, it's gonna be beautiful
- if you let me shoot it, like,
- 1199
- 01:44:40,192 --> 01:44:41,294
- that way, I'm telling you.
- 1200
- 01:44:41,318 --> 01:44:44,863
- - It's gonna look amazing.
- - Yeah, if you think about this,
- 1201
- 01:44:44,946 --> 01:44:48,033
- I got black and white, that's Diva.
- 1202
- 01:44:48,116 --> 01:44:49,552
- - You haven't seen that?
- - Who's it by?
- 1203
- 01:44:49,576 --> 01:44:52,037
- It's a great film.
- It's Jean-Jacques Beineix.
- 1204
- 01:44:52,120 --> 01:44:53,973
- - I don't know him.
- - He's an amazing director.
- 1205
- 01:44:53,997 --> 01:44:56,875
- - One of my favorites, I think.
- - Is it his new one?
- 1206
- 01:44:56,958 --> 01:44:59,145
- No, it was, like,
- four years ago or something.
- 1207
- 01:44:59,169 --> 01:45:00,855
- I thought
- you loved French films.
- 1208
- 01:45:00,879 --> 01:45:03,006
- Yeah, but not this new stuff.
- 1209
- 01:45:03,089 --> 01:45:06,009
- Like, I saw that one,
- uh, Subway, by Besson.
- 1210
- 01:45:11,806 --> 01:45:14,309
- I love that bit.
- 1211
- 01:46:07,696 --> 01:46:09,364
- I think we should go to bed.
- 1212
- 01:46:11,491 --> 01:46:12,659
- Don't you?
- 1213
- 01:46:20,000 --> 01:46:21,459
- I think so.
- 1214
- 01:46:25,130 --> 01:46:26,131
- Come on.
- 1215
- 01:46:28,675 --> 01:46:29,759
- Come on.
- 1216
- 01:46:33,096 --> 01:46:36,349
- Come on.
- Put your pajamas on at least.
- 1217
- 01:46:38,602 --> 01:46:39,811
- Where are you off to?
- 1218
- 01:46:39,894 --> 01:46:41,896
- I'm putting a note downstairs for Anthony.
- 1219
- 01:46:41,980 --> 01:46:44,441
- - What, in the street?
- - No, just on the front door.
- 1220
- 01:46:44,524 --> 01:46:46,043
- Oh, well, darling,
- I'll come with you, then.
- 1221
- 01:46:46,067 --> 01:46:48,236
- No. I'll be one minute.
- I'll be one minute.
- 1222
- 01:46:48,320 --> 01:46:51,781
- - Well, down and straight up.
- - I will.
- 1223
- 01:46:51,865 --> 01:46:53,575
- Leave the door.
- 1224
- 01:47:38,036 --> 01:47:40,538
- Right, now, bedtime.
- 1225
- 01:47:47,921 --> 01:47:49,381
- Snuggle in.
- 1226
- 01:47:52,258 --> 01:47:54,219
- There we go.
- 1227
- 01:47:54,302 --> 01:47:57,972
- Sausage and Croc and Piggy.
- 1228
- 01:48:00,642 --> 01:48:02,686
- - Shall I close your blinds?
- - No, I like them open.
- 1229
- 01:48:02,769 --> 01:48:04,354
- - Really?
- - Yeah.
- 1230
- 01:48:12,195 --> 01:48:13,196
- Now, then.
- 1231
- 01:48:14,239 --> 01:48:17,450
- Mm, very sleepy.
- 1232
- 01:48:17,534 --> 01:48:18,868
- Good night, my darling.
- 1233
- 01:48:20,495 --> 01:48:24,457
- - I'm really happy you're here.
- - Mm, I'm very happy I'm here, too.
- 1234
- 01:48:24,541 --> 01:48:27,043
- - Thank you.
- - Well done for today.
- 1235
- 01:48:28,420 --> 01:48:30,714
- So proud of you.
- 1236
- 01:48:30,797 --> 01:48:32,966
- See you in the morning.
- Sleep well. Sleep tight.
- 1237
- 01:49:23,558 --> 01:49:25,143
- She's here.
- 1238
- 01:49:28,772 --> 01:49:30,315
- Are you all right?
- 1239
- 01:49:39,699 --> 01:49:43,912
- Barbara, don't think about it.
- Don't think about it.
- 1240
- 01:49:43,995 --> 01:49:47,707
- We'll talk soon.
- Thank you so much for ringing.
- 1241
- 01:49:47,791 --> 01:49:49,000
- Bye-bye.
- 1242
- 01:50:17,320 --> 01:50:19,823
- The worst.
- 1243
- 01:51:27,974 --> 01:51:33,563
- Anthony had been found in the lavatories
- of the Wallace Collection
- 1244
- 01:51:33,646 --> 01:51:36,649
- where he had, uh, taken an overdose.
- 1245
- 01:51:38,776 --> 01:51:42,030
- And, uh, an ambulance was called,
- 1246
- 01:51:42,113 --> 01:51:45,700
- um, and there was an attempt
- to resuscitate him there.
- 1247
- 01:51:46,743 --> 01:51:51,247
- And he was then taken to the Middlesex
- Hospital in Mortimer Street...
- 1248
- 01:51:52,665 --> 01:51:54,167
- where he died.
- 1249
- 01:52:00,590 --> 01:52:01,716
- And, um...
- 1250
- 01:52:05,970 --> 01:52:07,305
- Yeah.
- 1251
- 01:53:02,360 --> 01:53:04,862
- When I am dead, my darling,
- 1252
- 01:53:08,574 --> 01:53:11,077
- sing no sad songs for me.
- 1253
- 01:53:13,705 --> 01:53:17,333
- Plant thou no roses at my head,
- 1254
- 01:53:17,417 --> 01:53:19,919
- nor shady cypress tree.
- 1255
- 01:53:24,757 --> 01:53:27,260
- Be the grass green above me
- 1256
- 01:53:29,387 --> 01:53:32,682
- with showers and dewdrops wet.
- 1257
- 01:53:36,519 --> 01:53:39,814
- And if thou wilt, remember,
- 1258
- 01:53:44,902 --> 01:53:46,821
- and if thou wilt, forget.
- 1259
- 01:59:36,128 --> 01:59:37,296
- Action!
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