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NukePone

(Bat) A Feeling of Rebirth - 1

Aug 7th, 2013
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  1. >Day Rise of the Phoenix in Equestria.
  2. >A gentle wind blows through P0nyville.
  3. >The sun hangs high in the sky, signalling that it is currently about mid-day.
  4. >Few clouds blemish the sun's stage.
  5. >Today was almost perfect.
  6. >The only thing that could complement the day was...
  7. >"Here you are, dearie."
  8. >Mrs. Cake set a small box on the table in front of you.
  9. "Thank you, Mrs. Cake."
  10. >She nods and trots back inside.
  11. >You continue to take in the gorgeous day as you sit outside of Sugarcube Corner.
  12. >It's been a few weeks since you and Anon came home.
  13. >Life just went back to what it's always been.
  14. >No conflict, no worries, no problems.
  15. >Instead of staying at home and waiting for Anon to get off work, you opted to wander around town for most of the day.
  16. >Somehow, you always found yourself sitting at one of the small tables outside of Sugarcube Corner around lunch-time.
  17. >A sweet smell emanates from the box in front of you.
  18. >Your stomach rumbles a little bit.
  19. >The smell is too much, even though you ordered it specifically to take home.
  20. >The box opens with a tap of your hoof, revealing a large slice of the Cakes' famous Marzipan Mascarpone Meringue Madness cake.
  21. >Your mouth waters as you lean in to take a bite.
  22. >Your teeth sink into the cake as the front door of Sugarcube Corner bursts open.
  23. >A large bipedal creature comes sprinting through the door.
  24. >Its clothes are on fire.
  25. >You sigh as it starts rolling on the ground.
  26. >Several of the books Anon took from the tower were cookbooks.
  27. >One in particular had a cake Anon kept trying to bake for the Cakes.
  28. >He called it baked Alaska or something.
  29. >It's been three days of trial and error with that recipe, and every day at lunch-time he comes running and screaming out of the store.
  30. >You continue to eat your cake as you watch him finally put the fire out.
  31. "Having fun, dear?"
  32. >He looks up at you.
  33. >His shirt was almost burnt off of him.
  34. >"Absolutely."
  35. >He sits across from you at the table.
  36. >"I think I've almost got it. I just need to stop getting oil on my clothes."
  37. >A hand reaches for your cake.
  38. >You swat it away with a hoof.
  39. "Get your own."
  40. >He scoffs and starts to pout.
  41. >"Oh come on, Speck! There's no way you're going to eat all of that."
  42. >You close your eyes and smirk smugly.
  43. "Watch me."
  44. >You go to take another bite of your cake, but find it isn't in front of you.
  45. >Your eyes snap open to find Anon holding the cake in his hand.
  46. "Put it down, Anon."
  47. >"Make me."
  48.  
  49. >You climb onto the table and glare at him.
  50. "Give it back, Anon."
  51. >"Nope. And your stare could only kill lesser men. I am not one of those men."
  52. >You screech and tackle him.
  53. >He holds the cake close, careful not to drop it.
  54. >He laughs as you bat your hooves at his face.
  55. >"Speck, stop! That tickles!"
  56. >A crowd starts to form as you try to beat Anon senseless.
  57. >All he does is laugh.
  58. >He doesn't even try to block your hits.
  59. >Tears start to form in your eyes as you slow your assault.
  60. >You sit down on his stomach and start sniffling.
  61. "Why are you always so mean to me?!"
  62. >"Because, it's funny watching you over-react to someone touching your food."
  63. >He sits up and you tumble into his lap.
  64. >You look up at him as your tears fall from your eyes.
  65. "I don't find it very funny."
  66. >He rolls his eyes and gives you the cake back, which you hold in your hooves.
  67. >"So can we come in and order our sweets, now?"
  68. >Anon looks over at the offending pegasus.
  69. >"Nope. I'm not done having a moment with my special little bat."
  70. >The crowd sighs and disperses a little.
  71. >Anon picks you up and sets you back in your chair.
  72. >You grumble at him and continue eating your cake.
  73. >"I have to get back to work. I'll see you later, okay?"
  74. >You nod and finish the cake.
  75. >Anon walks back inside.
  76. >Four hours to go.
  77.  
  78. >"Dearie? Could you please stop trying to light the cakes on fire?"
  79. >You pull another almost-finished baked Alaska out of the oven.
  80. "Absolutely."
  81. >She smiles at you and continues frosting some cupcakes.
  82. >You quickly pour a bit of oil over the cake and hold a match to it.
  83. "Not."
  84. >The cake successfully lights on fire.
  85. >You throw your hands up in success.
  86. >Mrs. Cake stares at you, her face almost resembling the day she met Speck.
  87. >"ANON YOUR HAIR'S ON FIRE!"
  88. >You smirk and start whispering to yourself.
  89. "You must have lost your wits, yeah."
  90. >The smell of burnt hair reaches your nostrils.
  91. >You look over at Mrs. Cake with a raised eyebrow.
  92. "Is something burning?"
  93. >She rushes at you with a small bucket of water and throws it at your face.
  94. >"Your hair was."
  95. >She glares at you.
  96. >"Go home, Anon. You've been lighting the cakes on fire all day."
  97. "But that's how they're supposed to be."
  98. >She sighs.
  99. >"Not in my store, Anon. Go home."
  100. >There was no arguing with her.
  101. >She shooed you out as you hung your apron by the door.
  102. "I'll be back tomorrow then."
  103. >She rolls her eyes.
  104. >"Leave the matches at home, then."
  105. "No promises."
  106. >She shuts the door on you.
  107. >Nowhere to go but hang around town.
  108. "Wonder where Speck is..."
  109. >It wasn't four o'clock yet, so she wouldn't be home.
  110. >Maybe she was on the other side of town.
  111. >There was a good bit to do over there.
  112. >You decide it would be a good idea to go there, in case she was wandering around.
  113. >At the very least, it would be a good time killer.
  114. >You start to head towards the east end of town.
  115.  
  116. >This shouldn't surprise you.
  117. >Speck sits outside of the schoolyard as the children enjoy their recess.
  118. >She sighs to herself as the children run by and play.
  119. >Time for one of those depressing conversations she loves to have.
  120. >They started up and became more and more frequent since her mother passed last month.
  121. >You sit beside her and she immediately looks up at you with a slight frown.
  122. >She's so cute, and she isn't even trying.
  123. >"Anon, can we have a foal?"
  124. >There are so many things wrong with that.
  125. >You slowly place your face in your hands.
  126. "Speck."
  127. >There is absolutely no easy way to say this.
  128. "I don't think it'll work like that. I'm not a p0ny."
  129. >She raises an eyebrow.
  130. >"I... I was thinking about adoption, Anon."
  131. >Well this is awkward.
  132. >You look away from her and blush.
  133. >She keeps staring at you.
  134. >"What did you think I meant?"
  135. >You cough into your hand and start shaking your head.
  136. "Some human thing, you wouldn't understand."
  137. >She smiles and sighs.
  138. >"You're so strange."
  139. "Yeah, let's go with that."
  140. >She leans against you and smiles.
  141. >"So can we adopt?"
  142. "We've only known each other for, what? Three months?"
  143. >"So? You said you'll never leave me again. We love each other. Why not?"
  144. >She has a point.
  145. >That was a thing you said, and that is a thing you feel.
  146. "Let me think about it, Speck."
  147.  
  148. >A muffled scream catches your attention.
  149. >Speck looks towards a corner of the school building, a concerned look on her face
  150. >Three little pegasus fillies come trotting around the corner, giggling to themselves.
  151. >Your little bat darts past them and around the corner.
  152. >The fillies pass by you, and you hear them mutter something about a "freaky looking pegasus."
  153. >Oh wonderful.
  154. >Three months in town obviously wasn't long enough for the children to start accepting Speck.
  155. >If you did decide to adopt, how would the fillies and colts there react?
  156. "Guess that'll just be dealt with when we get there."
  157. >You start walking over to where Speck ran off to.
  158. >As you approach, you hear a light whimpering accompanied by Speck humming a sweet little tune.
  159. >You've heard that tune before.
  160. >She sang something that sounded like it shortly after her mother's funeral.
  161. >You were going to turn this corner to find a dead p0ny, weren't you?
  162. >No, apparently not.
  163. >Speck lay about a foot away from a little bat filly.
  164. >The filly's left eye is nearly swollen shut, and a small stream of blood trickles out of her right nostril.
  165. >Her left wing looks broken and she has scratches dug into her coat.
  166. >Tears fall down her cheeks as Speck hums to her.
  167. >She does her best to crawl towards your bat.
  168. >You turn to go alert one of the teachers of what happened, but coincidentally, you run into one right around the corner.
  169. >"O-oh my. Excuse me."
  170. >She tries to pass you.
  171. >She gasps and starts to approach Speck, who pulls the filly closer to her.
  172. >You speak up to prevent her from getting closer to Speck.
  173. "Hang on, three little pegasus fillies just assaulted that bat filly."
  174. >She turns and raises an eyebrow.
  175. >"Oh? Three little pegasus fillies just told me they found a bat filly beaten and crying in a corner."
  176. >Oh, you see how it's going to be.
  177. "They were muttering something about a weird looking pegasus."
  178. >"Are you accusing my students of harming one of their fellow students?"
  179. >Speck goes back to calming the filly down.
  180. "Yes, I am. What's the alternative? That she hurt the filly?"
  181. >You point at Speck, who's starting humming again.
  182. "You know what, forget it. Call the kid's parents, I'm reporting this to Luna and Celestia."
  183. >The teacher looks startled, her cyan eyes going wide.
  184. >"P-princess Celestia?"
  185. >You nod slowly.
  186. >"Th-that won't be necessary."
  187. >She laughs nervously.
  188. >"Besides, she doesn't have parents. She comes over here from the orphanage with a few other p0nies."
  189.  
  190. >Coincidence after coincidence, right?
  191. >Speck asks you if you can adopt a child, a child gets beaten up, she rushes to it, the bat filly turns out to be an orphan.
  192. >The teacher tried to take the filly with her to the orphanage, and then the hospital.
  193. >Speck refused and insisted on keeping the filly with her.
  194. >The orphanage's Matron found it humorous and asked Speck if she'd like to adopt the filly.
  195. >You said you still had to think about it.
  196. >The Matron smiled and nodded, completely understanding.
  197. >Speck, the Matron, and you all arrived at the hospital together.
  198. >The doctors set and cast her wing, gave her some antibiotics, and set her up in a small room for the night, where she now slept.
  199. >The Matron left shortly after, but Speck insisted that you stay.
  200. "Speck. You're acting really overbearing. You don't even know this kid."
  201. >"It doesn't matter, Anon. She needs me."
  202. >That was debatable, and highly doubtful.
  203. >She hugs the filly close and kisses her on the forehead.
  204. "I doubt that, Speck. She'll be fine here for the night."
  205. >She scoffs at you.
  206. >"Anon. There are no bat p0ny orphans. There never have been, and for one to be here now is wrong."
  207. >Well she got mad real fast.
  208. >"If a bat foal's parents unfortunately pass, then they are immediately taken in by the next mare she is closest to."
  209. >That's interesting.
  210. >"I want to know what happened to this foal's parents and why she wasn't adopted by any other bat p0nies."
  211. >Speck glares at you.
  212. >"I don't care if you object or not."
  213. >You shrug.
  214. >It's impossible to argue with Speck anyway.
  215. "Sure. Whatever makes you happy."
  216. >You sit beside her and hug her close.
  217. >Speck brushes the filly's pale purple mane out of her face.
  218. >You look up at a clock that hangs in the room.
  219. >Almost five o'clock.
  220. >Time flies when you're worrying about an orphaned bat child.
  221. >Speck looks so complacent just being near that child.
  222. >It's weird.
  223. >She isn't acting like her usual hyper-active, overly excited self.
  224. >It's decided, then.
  225. >You won't adopt.
  226. >Sure, it's selfish, but you like Speck the way she is.
  227. >You don't want her to become some overbearing motherly stick in the mud.
  228. >She was going to hate you.
  229.  
  230. >You stroke Speck's shoulder.
  231. "I'm gonna head home, alright?"
  232. >She nods and gives you a kiss on the cheek.
  233. "I'll see you tomorrow."
  234. >"Okay."
  235. >The trek home was long and uneventful, but you had to get there as soon as possible.
  236. >You ran as fast as you could, darted through the front door and into your study.
  237. >You grab a piece of parchment and a pen and start scribbling.
  238. "Dear Luna,
  239. One of your stars is currently in an orphanage in P0nyville.
  240. Speck wishes to adopt her, but I fear that may not be a valid route to take.
  241. Your presence in P0nyville is urgently requested for reasons that it would be better for you to see for yourself.
  242. -Anon"
  243. >You fold the letter quickly and hold it over one of three candles on your desk.
  244. >Specifically, the blue one.
  245. >Celestia gave you three ever-burning candles when you moved to P0nyville, in case you ever needed to write to any of the Princesses.
  246. >She said it was similar to having a dragon companion, but you opted out of that.
  247. >The flames overtake the letter as it disappears.
  248. >Several moments later a small scroll plops down on your desk.
  249. >You pick it up and hurriedly open it.
  250. >"Dear Anonymous,
  251. >I will be there tomorrow as soon as the sun rises.
  252. >Please, look out for that little bat until then.
  253. >- Princess of the Night,
  254. >Luna"
  255. >Perfect.
  256. >Now to come up with a plan.
  257.  
  258. >The clock in the room chimes eight o' clock.
  259. >You've been whispering stories and songs to the sleeping filly for the past three hours.
  260. >She slowly starts to wake as you begin to hum another tune.
  261. >Her large, dark blue eyes stare up at you.
  262. >"Mom?"
  263. >You shake your head and smile softly as you stroke her mane.
  264. "No, no. My name's Speck."
  265. >She reaches her hooves up and tries to hug you.
  266. >You lean close to her and let her wrap her forelegs around your neck.
  267. >She squeezes you tightly.
  268. >"Thank you, miss Speck."
  269. "It's not a problem, little one.'
  270. >"M-my name's Sirocca."
  271. "Well, that's a cute name. Where are you from?"
  272. >"I'm fr-from the orphanage."
  273. >You smile and rest your head on the side of the bed.
  274. "Do you like it there?"
  275. >She shrugs, her frizzy, poofy mane bouncing against her shoulders.
  276. >"I guess. Some of the kids aren't t-too nice, but it's not as bad as school."
  277. "Don't worry about that, little one. Everything's going to get better soon."
  278. >She smiles and closes her eyes as best as she can.
  279. >"Good night, miss Speck."
  280. "Good night Sirocca."
  281. >You stroke her cheek as she starts to snore.
  282. >A yawn parts your lips, so you decide to adjust your chair to be able to comfortably lay your head on the edge of the bed.
  283. >Even a watchful guardian needs her sleep.
  284. >And tomorrow would bring bright new beginnings.
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