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NighlyTwilightStorie

Waltzing Matilda

Nov 16th, 2013
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  1. Someone Posted this in the AiE thread awhile back.
  2.  
  3.  
  4. >You’ve heard this song before.
  5. >Tribute bands. How horrifying.
  6. >It’s about to end, and you’re up next.
  7. >Your name is Anonymous.
  8. >And a lot of things have changed. You’re not sure how you came to this world of talking ponies, but it was a mixed blessing.
  9. >You’re young, you’re full of energy, and you’ve been given a new start.
  10. >You owe your new start to a unicorn named Twilight. She reminded a lot of a girl you were sweet on, back in grammar school. And she wanted to know everything about your old life and what it was like back on earth.
  11. >And you had no problem telling her everything you could.
  12. >…
  13. >Except a few unsavory details.
  14. >But it’s all okay now. You’re pretty friendly with three quarters of the town. It wasn’t hard
  15. >Now here you are. At the end of the Summer Sun festival, with all your friends, all of you enjoying the fine vintage cider Applejack has cooked up.
  16. >You were to be the last act. You and three other the first, playing the accordion, the second on the drums, the third on bass, and you on the banjo. You felt your song needed some brass, but that was kind of hard considering ponies don’t have fingers.
  17. >Regardless of how many times you’ve sung back home, you still feel your stomach tie into a knot.
  18. >You’ve spent several months writing this song. You’ve always been good at singing song, but you were shit at writing them.
  19. >But then again, you wanted this song to be perfect. It had to be.
  20. >There’s a lot of history behind it.
  21. >Twilight is standing next to you watching the band play and tapping her hoof along with the beat.
  22. >You back your chair up slightly and turn it around, to make your way to the table with all the cider.
  23. >You barely make it a few feet before Twilight notices you rolling off.
  24. >”Anon?”
  25. >She catches up and walks along with you to the stand.
  26. >”Are you alright?”
  27. Wha? Yeah, I’m fine.
  28. >”Nerves?”
  29. >You smile.
  30. Yeah.
  31. >You tuck your banjo on the back of your chair and pour yourself a pint.
  32. >”So are you going to tell me what this songs about?”
  33. >You stop mid gulp and shake your head.
  34. I think you can wait a few minutes.
  35. >She pouts.
  36. >There’s a slight awkward silence, before the band finishes up. The sound of cheering tells your boys back stage to start getting ready while the other band packs up.
  37. Twilight…
  38. >”Yeah Anon?”
  39. Do you know why I never told you how I got like this?
  40. >She looks over at you. And her expression goes from confusion to worry.
  41. >She replies by shaking her head.
  42. And do you ever wonder why there are bits of my life that I’ve never told you about?
  43. >She cover her mouth with her hoof and shakes her head again.
  44. >”And for tonight’s finishing act, The Rovers!”
  45. >You give deep sigh.
  46. Tonight… You’re gonna find out…
  47. >Twilight remains silent as you wheel your way through the crowd.
  48. >Ponies look back to see you coming and immediately move out of the way.
  49. >Your heart is pounding out of your chest.
  50. >You’ve rehearsed the instrumental, but you’ve never actually done any singing
  51. >You’ve rehearsed the instrumental, but you’ve never actually done any singing.
  52. >Maybe that was a mistake.
  53. >Maybe it was, but it’s too late to go back.
  54. >The people coordinating the festival were kind enough to put a ramp onto the stage.
  55. >You’ve tuned your banjo. You’ve rehearsed a dozen times. You’re ready.
  56. >You stop in front of the microphone and bring it down to your level; you smile as a few ponies chuckle in the crowd
  57. >The Minotaur who just sand, clearly has no manners.
  58. >you pause and look into the crowd to see Twilight looking at you with that same look of worry.
  59. >You clear your throat.
  60. Friends. There’s a story that I need to tell, I story not only of how I came to be this way. But of how many more came to be like me, and of how many more weren't so lucky.
  61. >The band begins to play. And after a few notes, you begin to sing.
  62.  
  63. When I was a young man I carried my pack
  64. And I lived the free life of a rover
  65. From the Murrays green basin to the dusty outback
  66. I waltzed my Matilda all over
  67. Then in nineteen fifteen my country said Son
  68. It's time to stop rambling
  69. 'cause there's work to be done
  70. So they gave me a tin hat and they gave me a gun
  71. And they sent me away to the war
  72. And the band played Waltzing Matilda
  73. As we sailed away from the quay
  74. And amidst all the tears and the shouts and the cheers
  75. We sailed off to Gallipoli
  76.  
  77. >The sound of your boys, playing right along with you, keep the little metronome in you ticking
  78. >But you feel yourself getting distracted.
  79. >Your nose itches, it's getting that itch that the spray of the ocean gives you.
  80. >And your stomach is churning. If the stage wasn't rocking back and forth like that fucking ship, then maybe you could focus.
  81.  
  82. How well I remember that terrible day
  83. the blood stained the sand and the water
  84. And how in that hell that they called Suvla Bay
  85. We were butchered like lambs at the slaughter
  86. Johnny Turk he was ready, he primed himself well
  87. He showered us with bullets, and he rained us with shells
  88.  
  89. >Damn it not now!
  90. >How the hell are you suppose to sing with that ringing in your ears!?
  91.  
  92. And in five minutes flat he'd blown us all to hell
  93. Nearly blew us right back to Australia
  94. But the band played Waltzing Matilda
  95. As we stopped to bury our slain
  96. And we buried ours and the Turks buried theirs
  97. Then started all over again
  98.  
  99. >You feel sick again.
  100. >The smell of blood, shit and powder fills your nose.
  101. >You can't throw up now.! You can't, you need to keep playing! Just keep singing!
  102.  
  103. Now those who were living
  104. did their best to survive
  105. In mad world of death blood and fire
  106. And for seven long weeks I kept myself alive
  107. But around me the corpses piled higher
  108. Then a big Turkish shell knocked me arse over tit
  109. And when I woke up in my hospital bed
  110. And saw what it had done, I wished I was dead
  111. Never knew there were worse things than dying
  112.  
  113. >There's that ringing again in your ears.
  114.  
  115. For no more I'll go waltzing Matilda
  116. All around the green bush far and near
  117. For to hump tent and pegs, a man needs two legs
  118. No more waltzing Matilda for me
  119.  
  120. So they collected the cripples, the wounded, the maimed
  121. And they shipped us back home to Australia
  122. The armless, the legless, the blind, the insane
  123. Those proud wounded heroes of Suvla
  124. And as our ship pulled into Circular Quay
  125. I looked at the place where my legs used to be
  126.  
  127. >You can feel your stomach turn again.
  128. >Only it's worse.
  129. >Like you've been strapped to a bed and kept there while some damned ship throws you around.
  130.  
  131. And thank Christ there was nobody waiting for me
  132. To grieve and to mourn and to pity
  133. And the band played Waltzing Matilda
  134. As they carried us down the gangway
  135. But nobody cheered, they just stood and stared
  136. Then turned all their faces away
  137.  
  138. And now every April I sit on my porch
  139. And I watch the parade pass before me
  140. And I watch my old comrades, how proudly they march
  141. Reliving old dreams of past glory
  142. And the old men march slowly, all bent, stiff and sore
  143.  
  144. >You can feel the warm summer air brush your face.
  145. >You're almost tempted to stop playing and reach for your whiskey and soda next to your chair.
  146.  
  147. The forgotten heroes from a forgotten war
  148. And the young people ask, "What are they marching for?"
  149. And I ask myself the same question
  150. And the band plays Waltzing Matilda
  151. And the old men answer to the call
  152. But year after year their numbers get fewer
  153. Some day no one will march there at all
  154.  
  155. Waltzing Matilda, Waltzing Matilda
  156. Who'll go a waltzing Matilda with me?
  157.  
  158.  
  159. >What's wrong with your drummer? You're not playing a marching song. What is he doing?
  160. >You're not marching in a parade!
  161. >With the last note, you open your eyes and look into the crowd. You can hear ponies sniffling and whimpering.
  162. >But all you really care about is, finding Twilight.
  163. >Where in the world did she go?
  164. >You start to feel your stomach turn again. This isn't good, you can't just throw up on stage.
  165. >The sniffling and whimpering continues as you set your instrument down next to your chair.
  166. >You turn your chair to the right and wheel your way toward the ramp.
  167. >There's a growing energy to the crowd.
  168. >The sound of hoof beats begins to rise, and it only gets louder as you wheel your way off the stage.
  169. >You just need to go home.
  170. >Your ears are ringing, your stomach is turning and you nose is filled with a rotten odor, that you've only smelt once before.
  171. >"Anon!"
  172. >You stop slightly
  173. >"Anon *sniff* w-where are you going?"
  174. I have to get home Twilight...
  175. >"W-why?"
  176. >You pause.
  177. I've told you now Twilight. Now you know everything...
  178. >"A-Anon please..."
  179. Twilight... I need to get some sleep. I have to get up early...
  180. >You start to wheel yourself back to your house.
  181. The parade is tomorrow...
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