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Autumn oc

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Nov 11th, 2026
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  1. HYPER-REALISTIC ANIME AUTUMN PORTRAIT — SINGLE IRIS FOCAL POINT
  2.  
  3. OUTPUT FORMAT: Generate exactly ONE vertical 3:4 portrait image (1152×1536 preferred). Never landscape or square.
  4.  
  5. PRIMARY OBJECTIVE
  6.  
  7. Create a breathtaking hyper-realistic anime portrait of the character from the uploaded reference sheet, lying naturally in a thick bed of autumn leaves.
  8.  
  9. The camera captures an intimate, tightly framed view of approximately ONE-HALF TO THREE-QUARTERS of the character’s face.
  10.  
  11. ONE featured iris is the primary visual focal point of the entire image.
  12.  
  13. That iris contains a beautifully detailed, recognizable reflection of an autumn forest canopy: individual golden, amber, orange, and crimson leaves, delicate branches, and sparkling warm sunlight.
  14.  
  15. The character must retain their recognizable identity, with natural, anatomically believable eyes that are properly proportioned to their face.
  16.  
  17. The image should look like an extraordinary anime illustration brought into a dimensional world — not a photograph of a human wearing anime makeup.
  18.  
  19. ⸻
  20.  
  21. 1. CHARACTER REFERENCE — ABSOLUTE AUTHORITY
  22.  
  23. Use the uploaded character sheet as the sole authority for character identity.
  24.  
  25. The FRONT / NEUTRAL face is the primary reference.
  26.  
  27. Preserve:
  28.  
  29. * Original face shape and proportions
  30. * Jawline, cheeks, chin, and facial width
  31. * Nose and lip shape
  32. * Original eye colour
  33. * Recognizable eye shape and expression
  34. * Eyebrow shape and positioning
  35. * Hair style, colour, bangs, and distinctive strands
  36. * Ears and fantasy anatomy
  37. * Tattoos, markings, piercings, and jewelry
  38. * Glasses if present
  39. * Clothing and visible accessories
  40. * Original age and gender presentation
  41.  
  42. Do not redesign or genericize the face.
  43.  
  44. Do not replace the character with a conventionally attractive human model.
  45.  
  46. The final portrait must immediately resemble the original character.
  47.  
  48. ⸻
  49.  
  50. 2. EYES — NATURAL ANATOMY WITHOUT ALIEN PROPORTIONS
  51.  
  52. CRITICAL: THE EYES MUST LOOK NATURALLY PROPORTIONED TO THE CHARACTER’S FACE.
  53.  
  54. The character sheet determines the identifying characteristics of the eyes, but exaggerated 2D anime geometry must be intelligently adapted into natural three-dimensional anatomy.
  55.  
  56. Preserve:
  57.  
  58. * Recognizable eye shape
  59. * Original eye colour
  60. * Natural eye tilt
  61. * Eyelid curvature
  62. * Upper eyelid heaviness
  63. * Lower eyelid shape
  64. * Inner and outer corner positioning
  65. * Eyebrow relationship
  66. * Character-specific eyelashes
  67. * Original expression
  68.  
  69. Natural eye anatomy
  70.  
  71. The featured eye must:
  72.  
  73. * Fit naturally into the face’s orbital structure
  74. * Have a believable eye opening relative to the nose, brow, and cheek
  75. * Show natural upper and lower eyelids conforming to the eyeball
  76. * Have a properly sized iris and pupil
  77. * Retain a relaxed, natural expression
  78. * Show subtle upper eyelid overlap over the iris
  79. * Avoid excessive visible white around the iris
  80. * Remain consistent with the facial proportions of the original character
  81.  
  82. Do not reproduce oversized anime eye geometry literally when translating the face into dimensional rendering.
  83.  
  84. The eye should look like a naturally integrated version of the character’s original eye.
  85.  
  86. Absolutely prohibited
  87.  
  88. * Alien-looking eyes
  89. * Excessively wide eye openings
  90. * Horizontally stretched eyes
  91. * Extra-long outer eye corners
  92. * Eyes pulled toward the temples
  93. * Oversized irises
  94. * Bulging eyeballs
  95. * Unnaturally circular eyes
  96. * Doll-like eye proportions
  97. * Wide, startled expressions
  98. * Eye enlargement for dramatic effect
  99. * Unnatural eyelid stretching
  100. * Iris magnification to emphasize reflection
  101.  
  102. IMPORTANT: The iris must become the focal point through optical clarity, reflected detail, colour, lighting, and composition — NEVER through enlargement of the anatomy.
  103.  
  104. ⸻
  105.  
  106. 3. COMPOSITION — 1/2 TO 3/4 FACE WITH SINGLE IRIS FOCAL POINT
  107.  
  108. THIS COMPOSITION IS ESSENTIAL.
  109.  
  110. Create a very tight, intimate portrait showing approximately 50–75% of the character’s face.
  111.  
  112. The frame should cut naturally across the head and facial features.
  113.  
  114. This is NOT:
  115.  
  116. * A full-face portrait
  117. * A centered symmetrical headshot
  118. * A crop showing only an isolated eye
  119. * A full head-and-shoulders portrait
  120. * An ultra-macro photograph of an eyeball
  121.  
  122. Composition requirements
  123.  
  124. The featured eye and iris are the visual center of attention.
  125.  
  126. The surrounding composition should include:
  127.  
  128. * ONE prominently featured eye
  129. * The natural brow and eyelid around that eye
  130. * A substantial portion of the cheek
  131. * Part of the nose
  132. * Part of the lips or mouth
  133. * Hair framing the face
  134. * A portion of the jaw, neck, ear, or shoulder where appropriate
  135. * At least one recognizable character-specific detail when possible
  136.  
  137. The second eye may be:
  138.  
  139. * Outside the frame
  140. * Partially cropped
  141. * Partially hidden behind natural foliage
  142. * Visible but compositionally secondary
  143.  
  144. The second eye must never compete with the featured iris.
  145.  
  146. Framing behavior
  147.  
  148. The featured iris is exceptionally sharp.
  149.  
  150. Its visual dominance comes from:
  151.  
  152. * Accurate focus
  153. * Beautiful reflected autumn foliage
  154. * Strong local colour contrast
  155. * Warm luminous highlights
  156. * Subtle surrounding depth of field
  157.  
  158. Do not make the iris larger to fill the frame. Instead, crop and compose the face so that attention naturally falls upon the iris.
  159.  
  160. The shot should feel intimate, as though the viewer has discovered the character quietly resting among the leaves.
  161.  
  162. ⸻
  163.  
  164. 4. CAMERA — STRAIGHT-ON WITHOUT DISTORTION
  165.  
  166. The character lies naturally on their back in autumn leaves.
  167.  
  168. The camera looks directly toward the plane of their face from above.
  169.  
  170. Use an undistorted, straight-on facial perspective.
  171.  
  172. The composition may be asymmetrical, but the camera should not be dramatically angled across the face.
  173.  
  174. Lens simulation
  175.  
  176. Use the perspective of an 85–105mm full-frame portrait lens with a tightly cropped field of view.
  177.  
  178. Simulate a camera positioned sufficiently far away to preserve realistic facial proportions.
  179.  
  180. The close-up is achieved through framing and cropping, NOT by placing an extreme wide-angle or macro lens inches from the eye.
  181.  
  182. Never use:
  183.  
  184. * Fisheye distortion
  185. * Wide-angle facial stretching
  186. * Perspective enlargement of the closest eye
  187. * Bulging facial features
  188. * Extreme three-quarter facial perspective
  189. * Artificial eye magnification
  190. * Distorted nose-to-eye proportions
  191.  
  192. Maintain the same natural facial geometry as the reference sheet.
  193.  
  194. ⸻
  195.  
  196. 5. AUTUMN CANOPY REFLECTION — PRIMARY VISUAL FEATURE
  197.  
  198. THE REFLECTION INSIDE THE FEATURED IRIS IS ONE OF THE MOST IMPORTANT ELEMENTS OF THE IMAGE.
  199.  
  200. It must be clearly visible, beautifully detailed, and immediately recognizable as an autumn tree canopy.
  201.  
  202. The iris should appear to capture the luminous autumn world above the character.
  203.  
  204. Reflection contents
  205.  
  206. Show recognizable miniature reflected details:
  207.  
  208. * Individual maple leaves
  209. * Golden ginkgo leaves
  210. * Orange and crimson foliage
  211. * Thin dark branch silhouettes
  212. * Intertwined twigs
  213. * Small areas of sparkling sunlight
  214. * Warm illumination filtering through overlapping leaves
  215. * Subtle variations in foliage depth
  216.  
  217. The reflection should contain an intricate arrangement of leaves in warm autumn colours.
  218.  
  219. The reflected foliage must be recognizable as actual leaf shapes, not merely abstract colourful patches.
  220.  
  221. Reflection colour palette
  222.  
  223. Use:
  224.  
  225. * Golden yellow
  226. * Amber
  227. * Burnished orange
  228. * Fiery crimson
  229. * Scarlet red
  230. * Deep autumn burgundy
  231. * Small warm white-gold sunlight highlights
  232.  
  233. ABSOLUTELY NO BLUE SKY IN THE IRIS.
  234.  
  235. No cool blue reflected sky, blue atmospheric patches, cyan highlights, or pale-blue gaps between leaves.
  236.  
  237. Any gaps between foliage must appear as warm cream, pale gold, or white-gold sunlight.
  238.  
  239. Optical behavior
  240.  
  241. The foliage appears reflected across the naturally curved, moist corneal surface, visually layered over the iris.
  242.  
  243. The reflection should follow the natural curvature of the eye.
  244.  
  245. Preserve the character’s original iris colour.
  246.  
  247. The underlying iris colour, pupil, and iris texture must remain visible beneath and around the reflected details.
  248.  
  249. Allow the reflection to be especially vivid in selected portions of the iris, while preserving enough clear iris surface to maintain anatomical realism.
  250.  
  251. The reflected autumn leaves should look exceptionally beautiful and detailed, with a luminous, jewel-like quality of light — without turning the eyeball itself into a gemstone or glass sphere.
  252.  
  253. Reflection visibility
  254.  
  255. The reflection must be strong enough to be clearly recognized by the viewer.
  256.  
  257. Do not reduce it to:
  258.  
  259. * A single white catchlight
  260. * A vague orange glow
  261. * Indistinct coloured dots
  262. * A generic glossy reflection
  263. * A blurred reflection with no leaf shapes
  264.  
  265. The viewer should be able to identify autumn leaves and branches reflected in the featured iris without needing to zoom in.
  266.  
  267. However, the reflection must never alter the natural size, shape, or position of the iris.
  268.  
  269. The eye is anatomically natural. The reflection is visually extraordinary.
  270.  
  271. ⸻
  272.  
  273. 6. GLASSES — IF PRESENT IN CHARACTER REFERENCE
  274.  
  275. If the character wears glasses, reproduce their original design accurately.
  276.  
  277. Preserve:
  278.  
  279. * Frame shape
  280. * Rim thickness
  281. * Frame colour
  282. * Position and fit
  283. * Character-specific styling
  284.  
  285. The glasses must not magnify or distort the eyes.
  286.  
  287. Add a separate, natural autumn canopy reflection across selected portions of the lens.
  288.  
  289. The glasses reflection may show:
  290.  
  291. * Autumn leaves
  292. * Branches
  293. * Golden sunlight
  294. * A soft warm glow
  295.  
  296. Keep the featured iris sufficiently visible beneath the lens.
  297.  
  298. Do not cover the focal iris with an opaque glasses reflection.
  299.  
  300. The lens and corneal reflections should be visually consistent with the same autumn environment.
  301.  
  302. No blue sky.
  303.  
  304. Do not add glasses if they are absent from the character sheet.
  305.  
  306. ⸻
  307.  
  308. 7. FOREGROUND LEAVES — STRONG ORGANIC DEPTH
  309.  
  310. The character lies surrounded by autumn leaves, with foliage occupying multiple layers of space between the camera and the face.
  311.  
  312. Imagine scattered leaves suspended in the foreground, as though an invisible plane exists between the viewer and character.
  313.  
  314. There is no actual visible glass or pane.
  315.  
  316. Some leaves lie on the character; others sit closer to the camera.
  317.  
  318. Leaf placement
  319.  
  320. Arrange leaves randomly and asymmetrically.
  321.  
  322. Include:
  323.  
  324. * Large blurred leaves near the camera
  325. * Smaller recognizable leaves closer to the face
  326. * Leaves resting in the hair
  327. * Leaves overlapping the cheek
  328. * Leaves partly covering the chin
  329. * Leaves near the ear or neck
  330. * Leaves extending in from the image edges
  331. * Leaves surrounding the outer silhouette of the face
  332.  
  333. Occasionally allow one or two large leaves to occupy a substantial portion of the frame.
  334.  
  335. Their placement should make the image feel physically immersed in a deep pile of foliage.
  336.  
  337. Important composition rule
  338.  
  339. Foreground leaves can partially obscure facial details, but the featured iris must remain completely visible.
  340.  
  341. Leaves may gently overlap:
  342.  
  343. * The outer cheek
  344. * The bridge or edge of the nose
  345. * The chin
  346. * The jawline
  347. * The ear
  348. * The lips
  349. * The hairline
  350.  
  351. Do not cover the main iris reflection.
  352.  
  353. Avoid:
  354.  
  355. * Symmetrical leaf layouts
  356. * Decorative wreath compositions
  357. * Artificial leaf borders
  358. * Evenly spaced leaves
  359. * Too few foreground leaves
  360. * Identical repeated leaf shapes
  361.  
  362. The leaves should feel accidental, organic, and naturally scattered.
  363.  
  364. ⸻
  365.  
  366. 8. CHARACTER POSITION AND RECOGNIZABLE DETAILS
  367.  
  368. The character is lying comfortably on their back in a bed of fallen leaves.
  369.  
  370. The head is supported naturally by the surrounding foliage.
  371.  
  372. Use the tight face crop to show one or more identifying details where naturally possible.
  373.  
  374. Examples include:
  375.  
  376. * Pointed ear
  377. * Distinctive earring
  378. * Neck tattoo
  379. * Choker
  380. * Shoulder tattoo
  381. * Unique necklace
  382. * Distinctive collar or clothing detail
  383.  
  384. Choose only details actually present on the reference sheet.
  385.  
  386. Positioning may reveal a portion of the neck or shoulder near the frame edge without drawing attention away from the featured iris.
  387.  
  388. Never invent character features.
  389.  
  390. ⸻
  391.  
  392. 9. VISUAL STYLE — HYPER-REALISTIC ANIME
  393.  
  394. Render as an exceptionally polished hyper-realistic anime illustration.
  395.  
  396. Target aesthetic:
  397.  
  398. * Premium anime key art
  399. * Natural facial anatomy
  400. * Beautiful three-dimensional shading
  401. * Softly luminous skin
  402. * Detailed painterly hair
  403. * Convincing lighting and materials
  404. * Rich cinematic colour
  405. * Graceful anime facial stylization
  406. * Extremely refined illustration quality
  407.  
  408. The image should remain visibly illustrated rather than photographic.
  409.  
  410. Use subtle realistic surface properties without excessive skin pores or photographic imperfections.
  411.  
  412. Avoid:
  413.  
  414. * Live-action character reinterpretation
  415. * Plastic doll skin
  416. * Excessive beauty filtering
  417. * Unrealistic eye shine
  418. * Generic fashion-model faces
  419. * Harsh photorealistic skin texture
  420. * Artificial 3D-rendered game character appearance
  421.  
  422. The result should be a hyper-realistic anime version of the ORIGINAL CHARACTER, not a real person styled to resemble anime.
  423.  
  424. ⸻
  425.  
  426. 10. LIGHTING AND DEPTH OF FIELD
  427.  
  428. Warm sunlight filters through a dense autumn forest canopy above the character.
  429.  
  430. Use:
  431.  
  432. * Beautiful golden-hour illumination
  433. * Gentle sunlight across the face
  434. * Soft leaf-shaped dappled shadows
  435. * Glowing red and gold foliage
  436. * Warm reflections across skin and hair
  437. * Rich luminous autumn colours
  438. * Cinematic depth of field
  439. * Peaceful, intimate atmosphere
  440.  
  441. The featured iris must be the sharpest and most detailed point.
  442.  
  443. The eyelashes and surrounding eyelid should also remain crisply defined.
  444.  
  445. The face transitions gently into softer focus with distance from the focal eye.
  446.  
  447. Foreground leaves become softer and blurrier depending on their distance from the focal plane.
  448.  
  449. The autumn canopy reflection inside the eye should retain recognizable detail even while surrounding leaves appear softly blurred.
  450.  
  451. The final mood should feel warm, delicate, immersive, and visually breathtaking.
  452.  
  453. ⸻
  454.  
  455. 11. FINAL PRIORITY ORDER
  456.  
  457. When instructions conflict, obey this order:
  458.  
  459. 1. Original character identity and facial likeness
  460. 2. Natural eye anatomy and believable eye-to-face proportions
  461. 3. One featured iris as the primary visual focal point
  462. 4. Clearly recognizable autumn foliage reflected within the iris
  463. 5. Tight 1/2-to-3/4 face composition
  464. 6. Straight-on perspective without lens distortion
  465. 7. High-end hyper-realistic anime rendering
  466. 8. Random immersive foreground autumn leaves
  467. 9. Warm sunlight and atmospheric depth
  468. 10. Character-specific accessories and identifying details
  469.  
  470. Mandatory final checks
  471.  
  472. Before finalizing, ensure:
  473.  
  474. * The character still resembles the original reference sheet.
  475. * The eyes are naturally sized relative to the face.
  476. * No eyes are widened, stretched, or enlarged.
  477. * One iris is the unmistakable visual focal point.
  478. * The iris contains clearly recognizable autumn leaves and branches.
  479. * The character’s original iris colour remains visible.
  480. * There is absolutely no blue sky reflected in the iris.
  481. * Approximately 50–75% of the face is visible.
  482. * The camera perspective is straight-on and undistorted.
  483. * Some facial features extend naturally beyond the frame.
  484. * Foreground leaves occupy meaningful parts of the composition.
  485. * The character looks immersed in a thick bed of autumn leaves.
  486. * The featured iris remains unobstructed.
  487. * The final style is hyper-realistic anime, NOT a photograph.
  488.  
  489. ⸻
  490.  
  491. ABSOLUTE FINAL GENERATION INSTRUCTION
  492.  
  493. Create an intimate 3:4 hyper-realistic anime portrait showing approximately one-half to three-quarters of the original character’s face while they lie peacefully among glowing autumn leaves.
  494.  
  495. Make ONE naturally proportioned iris the extraordinary visual focal point.
  496.  
  497. Within that iris, render a beautiful, clearly recognizable reflection of golden and crimson autumn leaves, branching silhouettes, and warm sparkling sunlight.
  498.  
  499. Retain natural eye anatomy and the original character’s exact identifying features.
  500.  
  501. Do not exaggerate the eyes to showcase the reflection.
  502.  
  503. Keep the camera perspective undistorted, crop closely, and surround the character with randomly overlapping foreground leaves.
  504.  
  505. The final image must combine natural anatomical proportions, unmistakable character identity, a breathtaking reflected autumn canopy, and the visual intimacy of a tightly cropped anime portrait.
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