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- 0
- 00:00:05,000 --> 00:00:15,000
- INDOXXI
- Support dengan like & share :)
- 1
- 00:00:43,373 --> 00:00:45,375
- - We haven't seen
- Jackson in over a year.
- 2
- 00:00:47,072 --> 00:00:48,160
- His friends said he
- went to that old hotel
- 3
- 00:00:48,204 --> 00:00:49,901
- to look for a
- souvenir or something.
- 4
- 00:00:52,473 --> 00:00:54,692
- That was the last time
- anybody ever heard from him.
- 5
- 00:01:05,529 --> 00:01:07,836
- Every time we're about to
- let go, something happens,
- 6
- 00:01:07,879 --> 00:01:08,880
- something
- 7
- 00:01:10,138 --> 00:01:12,227
- strange,
- 8
- 00:01:12,571 --> 00:01:14,616
- and it just rips our hearts out.
- 9
- 00:01:16,262 --> 00:01:18,394
- It started with text messages,
- 10
- 00:01:19,569 --> 00:01:22,093
- randomly in the
- middle of the night.
- 11
- 00:01:22,137 --> 00:01:24,226
- I told the police and
- they looked into it
- 12
- 00:01:24,270 --> 00:01:26,272
- and they found...
- 13
- 00:01:30,276 --> 00:01:32,887
- They found they were coming
- from inside the hotel.
- 14
- 00:01:53,647 --> 00:01:57,128
- My husband watched the
- video of Jackson lost inside
- 15
- 00:01:57,172 --> 00:02:01,089
- the hotel but I can't bring
- myself to sit through it.
- 16
- 00:02:03,657 --> 00:02:06,442
- I know he used his phone
- to try and get help.
- 17
- 00:02:07,791 --> 00:02:11,273
- Phone calls and video messages
- 18
- 00:02:11,317 --> 00:02:12,187
- and texts.
- 19
- 00:02:18,149 --> 00:02:19,281
- - If you get this message,
- 20
- 00:02:19,325 --> 00:02:21,979
- please send help to
- the Abaddon Hotel.
- 21
- 00:02:22,023 --> 00:02:24,243
- I can't, there's no way out.
- 22
- 00:02:25,548 --> 00:02:26,288
- I saw them all.
- 23
- 00:02:26,332 --> 00:02:28,334
- They're all here.
- 24
- 00:02:28,377 --> 00:02:29,987
- They're all still here.
- 25
- 00:02:32,120 --> 00:02:35,036
- Please, somebody hear me!
- 26
- 00:02:35,079 --> 00:02:35,906
- Somebody!
- 27
- 00:02:37,556 --> 00:02:40,036
- They want me to go with them.
- 28
- 00:02:40,130 --> 00:02:41,479
- They want me to go with them.
- 29
- 00:02:43,394 --> 00:02:44,917
- Please!
- 30
- 00:02:44,961 --> 00:02:46,440
- Please, someone help.
- 31
- 00:02:49,443 --> 00:02:50,662
- They have no eyes.
- 32
- 00:03:20,788 --> 00:03:22,703
- No one's coming for me.
- 33
- 00:03:26,577 --> 00:03:28,927
- I'm sorry I ever came here.
- 34
- 00:03:31,712 --> 00:03:34,933
- I don't know where
- they all came from.
- 35
- 00:03:39,411 --> 00:03:43,110
- They're all in the dining room.
- 36
- 00:03:43,154 --> 00:03:44,982
- They're all in Hell.
- 37
- 00:03:47,158 --> 00:03:48,420
- They're all with him.
- 38
- 00:03:51,728 --> 00:03:53,251
- Mom, I'm sorry...
- 39
- 00:03:55,122 --> 00:03:58,343
- - About two weeks
- later I got an email
- 40
- 00:03:58,387 --> 00:03:59,475
- from Jackson's account,
- 41
- 00:04:02,303 --> 00:04:03,522
- I didn't wanna open it.
- 42
- 00:04:05,045 --> 00:04:07,221
- I mean, I knew it couldn't
- be from him, right?
- 43
- 00:04:07,265 --> 00:04:08,005
- I opened it.
- 44
- 00:04:10,877 --> 00:04:12,401
- And I watched the video.
- 45
- 00:04:14,315 --> 00:04:17,754
- Oh, my God.
- 46
- 00:04:17,797 --> 00:04:19,059
- God, I wish I hadn't.
- 47
- 00:04:24,369 --> 00:04:26,110
- It was an empty room
- 48
- 00:04:30,767 --> 00:04:33,334
- and then I could hear
- Jackson's screams.
- 49
- 00:04:35,946 --> 00:04:37,208
- And there was something else,
- 50
- 00:04:37,251 --> 00:04:40,603
- there was this piano
- playing somewhere
- 51
- 00:04:42,343 --> 00:04:44,215
- and I knew immediately I'd
- heard that tune before.
- 52
- 00:04:44,258 --> 00:04:46,173
- It was so familiar.
- 53
- 00:04:50,874 --> 00:04:52,092
- - Please!
- 54
- 00:04:52,136 --> 00:04:54,225
- Please, somebody!
- 55
- 00:04:54,268 --> 00:04:55,879
- Somebody help me!
- 56
- 00:04:55,922 --> 00:04:56,662
- Please!
- 57
- 00:05:02,494 --> 00:05:04,757
- - We've heard that
- piano tune before
- 58
- 00:05:04,801 --> 00:05:06,846
- in the Hell House documentary,
- 59
- 00:05:06,890 --> 00:05:09,414
- but when the Mallet's say
- that they've heard it,
- 60
- 00:05:09,458 --> 00:05:12,896
- they're referring to
- long before Hell House.
- 61
- 00:05:12,939 --> 00:05:14,506
- - Orca.
- - Go Fish.
- 62
- 00:05:14,550 --> 00:05:16,334
- - Anyone got an orca?
- 63
- 00:05:16,377 --> 00:05:18,075
- - I got one.
- - I got an orca.
- 64
- 00:05:18,118 --> 00:05:19,555
- - Orca.
- - Okay, thank you.
- 65
- 00:05:19,598 --> 00:05:22,079
- - Hey, I saw you,
- you're cheating!
- 66
- 00:05:22,122 --> 00:05:24,168
- - I'm not cheating!
- - Hey, hey, hey.
- 67
- 00:05:24,211 --> 00:05:25,691
- - Mom!
- - Mom, are you getting this?
- 68
- 00:05:25,735 --> 00:05:27,998
- - Guys, calm down,
- Jackson's asleep, come on.
- 69
- 00:05:28,041 --> 00:05:30,261
- - Oh, my God.
- - So unfair.
- 70
- 00:05:31,088 --> 00:05:32,306
- - Play nicely, come on.
- 71
- 00:05:32,350 --> 00:05:34,004
- - Got a fish?
- - Got a crab?
- 72
- 00:05:35,048 --> 00:05:36,485
- - Carlie, do you have a crab?
- 73
- 00:05:36,528 --> 00:05:39,096
- - Hey guys, do you hear that?
- 74
- 00:05:39,139 --> 00:05:40,445
- Where's that coming from?
- 75
- 00:05:59,420 --> 00:06:01,510
- - Jackson, I
- thought you were in bed.
- 76
- 00:06:03,033 --> 00:06:05,775
- - The hotel opens
- in 2009, tell everyone.
- 77
- 00:06:06,732 --> 00:06:08,255
- - What, what hotel?
- 78
- 00:06:10,431 --> 00:06:11,302
- - Who turned
- out the lights?
- 79
- 00:06:19,440 --> 00:06:21,530
- - Hey,
- Jackson, are you okay?
- 80
- 00:06:21,573 --> 00:06:23,096
- - Yeah.
- 81
- 00:06:23,140 --> 00:06:25,272
- - Are you sure,
- what were you talking about?
- 82
- 00:06:25,316 --> 00:06:26,883
- - Nothing, I didn't
- say anything.
- 83
- 00:06:29,059 --> 00:06:30,800
- - Later on, and I played it back
- 84
- 00:06:30,843 --> 00:06:32,453
- with my husband, we heard it.
- 85
- 00:06:34,586 --> 00:06:36,893
- There's another
- voice in that room.
- 86
- 00:06:38,459 --> 00:06:39,373
- It's almost,
- 87
- 00:06:41,375 --> 00:06:43,290
- almost like it could
- hear my question
- 88
- 00:06:43,334 --> 00:06:45,597
- and was telling
- Jackson what to say.
- 89
- 00:06:50,167 --> 00:06:51,037
- - Who turned
- out the lights?
- 90
- 00:06:51,081 --> 00:06:52,473
- - The Abaddon Hotel.
- 91
- 00:06:55,520 --> 00:06:58,610
- - This hotel has a
- long history of eerie
- 92
- 00:06:58,654 --> 00:07:02,179
- and unexplained events
- being caught on camera.
- 93
- 00:07:02,222 --> 00:07:06,139
- Even our own cameras weren't
- immune to catching something
- 94
- 00:07:06,183 --> 00:07:09,360
- spooky when we rehearsed
- this very segment.
- 95
- 00:07:10,448 --> 00:07:12,189
- Okay, am I close in enough?
- 96
- 00:07:13,016 --> 00:07:13,886
- How's my frame?
- 97
- 00:07:15,627 --> 00:07:16,410
- Good?
- 98
- 00:07:17,542 --> 00:07:18,543
- Gary, what?
- 99
- 00:07:43,612 --> 00:07:46,440
- It's been two years since
- the controversial release
- 100
- 00:07:46,484 --> 00:07:48,355
- of the Hell House documentary
- 101
- 00:07:48,399 --> 00:07:50,401
- and many of us still
- have questions.
- 102
- 00:07:50,444 --> 00:07:52,925
- The biggest question
- on everyone's mind,
- 103
- 00:07:52,969 --> 00:07:55,536
- was it real or was
- it an elaborate hoax
- 104
- 00:07:55,580 --> 00:07:58,148
- planned by the documentarians
- to sell the film?
- 105
- 00:07:58,191 --> 00:08:01,542
- Here today we have a full
- panel to discuss this question.
- 106
- 00:08:01,586 --> 00:08:03,632
- Arnold Tasselman, who worked
- for the Rockland County
- 107
- 00:08:03,675 --> 00:08:06,939
- Magistrate's Office at the
- time of the Hell House incident
- 108
- 00:08:06,983 --> 00:08:10,073
- seven years ago and
- Mitchell Cavanaugh,
- 109
- 00:08:10,116 --> 00:08:12,466
- the Mitchell Cavanaugh
- from the documentary,
- 110
- 00:08:12,510 --> 00:08:15,687
- allegedly the only surviving
- member of the film.
- 111
- 00:08:15,731 --> 00:08:17,297
- We'll get into that.
- 112
- 00:08:17,341 --> 00:08:20,474
- And lastly, we have Brock
- Davies, a medium and psychic
- 113
- 00:08:20,518 --> 00:08:22,389
- who you may know from
- his work on several
- 114
- 00:08:22,433 --> 00:08:26,132
- missing persons cases that
- gained nation-wide attention.
- 115
- 00:08:26,176 --> 00:08:27,438
- - Thanks for having me on, Suzy.
- 116
- 00:08:27,481 --> 00:08:30,223
- Somehow I knew you'd call.
- 117
- 00:08:30,267 --> 00:08:33,270
- Be sure to check out
- Brock Davies From Beyond,
- 118
- 00:08:33,313 --> 00:08:35,446
- coming next fall to--
- - Thank you, Brock.
- 119
- 00:08:36,621 --> 00:08:38,754
- So, why don't we start--
- - Suzy, do you mind
- 120
- 00:08:38,797 --> 00:08:40,886
- if I start with a
- comment and a question?
- 121
- 00:08:41,974 --> 00:08:42,975
- - Sure.
- - Thanks.
- 122
- 00:08:43,019 --> 00:08:44,063
- - You're a dick.
- 123
- 00:08:45,282 --> 00:08:47,719
- Comment, and my
- question is, why?
- 124
- 00:08:47,763 --> 00:08:49,199
- Look at this.
- - Camera's up.
- 125
- 00:08:52,202 --> 00:08:53,725
- - Who is that?
- 126
- 00:08:53,769 --> 00:08:55,858
- - That's Mitchell Cavanaugh
- from the Hell House documentary.
- 127
- 00:08:55,901 --> 00:08:58,164
- That's who we need to
- get us into the Abaddon.
- 128
- 00:08:58,208 --> 00:09:00,863
- - Well, from what we saw,
- getting in isn't the problem,
- 129
- 00:09:00,906 --> 00:09:02,342
- it's finding our
- way to the basement
- 130
- 00:09:02,386 --> 00:09:04,388
- and finding our way out.
- - Well, exactly.
- 131
- 00:09:04,431 --> 00:09:05,911
- He edited all the
- Hell House footage,
- 132
- 00:09:05,955 --> 00:09:08,566
- he must know the
- hotel inside out.
- 133
- 00:09:08,609 --> 00:09:09,610
- - Maybe.
- 134
- 00:09:11,482 --> 00:09:13,789
- - Arnold here has
- served me with a lawsuit
- 135
- 00:09:13,832 --> 00:09:17,053
- trying to get my film off the
- market so no one can see it.
- 136
- 00:09:17,096 --> 00:09:18,619
- - Mr. Tasselman,
- 137
- 00:09:18,663 --> 00:09:20,578
- can you discuss the
- lawsuit against Mitchell?
- 138
- 00:09:20,621 --> 00:09:24,103
- - I'm not able to discuss
- details about pending litigation
- 139
- 00:09:24,147 --> 00:09:27,324
- but what I can tell you
- is that his fake movie
- 140
- 00:09:27,367 --> 00:09:29,587
- has caused harm to
- the town of Abaddon.
- 141
- 00:09:29,630 --> 00:09:32,198
- - Cold cases in old hotels
- is not really our thing,
- 142
- 00:09:32,242 --> 00:09:34,244
- we put a state Senator in jail!
- 143
- 00:09:35,462 --> 00:09:36,725
- Yeah, and that was
- a really good thing
- 144
- 00:09:36,768 --> 00:09:38,814
- but now they're saying
- this place is haunted.
- 145
- 00:09:38,857 --> 00:09:41,468
- - Oh, come on, Molly, don't
- tell me you believe in ghosts.
- 146
- 00:09:41,512 --> 00:09:44,080
- Look, we're going to the
- Abaddon, that's final.
- 147
- 00:09:44,123 --> 00:09:45,559
- You two track down
- Mitchell today
- 148
- 00:09:45,603 --> 00:09:47,431
- and get him to meet me.
- 149
- 00:09:47,474 --> 00:09:49,259
- - Got ya.
- - What are you doing?
- 150
- 00:09:49,302 --> 00:09:51,130
- - I'm calling into this show.
- 151
- 00:09:51,174 --> 00:09:53,437
- This guy is such a fucking liar.
- 152
- 00:09:55,482 --> 00:09:57,484
- - Hell House was a tragedy
- 153
- 00:09:57,528 --> 00:09:59,791
- and we still mourn
- the loss of life.
- 154
- 00:09:59,835 --> 00:10:02,402
- What I'm talking about is
- faking everything about
- 155
- 00:10:02,446 --> 00:10:06,363
- the hotel's owner, the
- supposed Hell House tapes.
- 156
- 00:10:06,406 --> 00:10:09,061
- Putting that quack author
- Robert Lyons on camera,
- 157
- 00:10:09,105 --> 00:10:11,107
- faking a full scene
- with your own crew
- 158
- 00:10:11,150 --> 00:10:12,673
- in a room where you
- knew that people--
- 159
- 00:10:12,717 --> 00:10:15,415
- - You're talking
- about Diane Graves,
- 160
- 00:10:15,459 --> 00:10:17,940
- the missing documentarian
- who was last seen
- 161
- 00:10:17,983 --> 00:10:20,116
- on her own video
- inside the hotel.
- 162
- 00:10:20,159 --> 00:10:22,596
- - That is exactly what
- I am talking about.
- 163
- 00:10:22,640 --> 00:10:25,469
- - Excuse me, Diane is dead.
- 164
- 00:10:25,512 --> 00:10:27,384
- Okay, Johnathan is dead.
- 165
- 00:10:27,427 --> 00:10:29,560
- They died inside that
- hotel.
- 166
- 00:10:29,603 --> 00:10:31,431
- - Can we not use that word?
- - I'm sorry.
- 167
- 00:10:31,475 --> 00:10:34,043
- - Please, everyone
- knows that no one died
- 168
- 00:10:34,086 --> 00:10:36,567
- outside of the
- Halloween malfunction.
- 169
- 00:10:36,610 --> 00:10:38,656
- - You're still going
- with malfunction,
- 170
- 00:10:38,699 --> 00:10:41,833
- like a prop fell from the
- ceiling and killed 15 people?
- 171
- 00:10:41,877 --> 00:10:44,749
- - I'd actually like to
- jump in on that point.
- 172
- 00:10:44,793 --> 00:10:47,708
- I, too, would like to
- know how the police
- 173
- 00:10:47,752 --> 00:10:50,668
- arrived at calling
- it a malfunction?
- 174
- 00:10:50,711 --> 00:10:53,236
- - The details of that
- night are still not allowed
- 175
- 00:10:53,279 --> 00:10:56,761
- to be discussed publicly.
- - Of course.
- 176
- 00:10:56,805 --> 00:10:59,808
- - But, from everything
- that I've seen,
- 177
- 00:10:59,851 --> 00:11:03,420
- I can guarantee the public
- that the hotel is safe
- 178
- 00:11:03,463 --> 00:11:06,727
- and is not responsible in
- any way for the tragedy
- 179
- 00:11:06,771 --> 00:11:09,252
- nor anything else that people
- are alleging happened since.
- 180
- 00:11:09,295 --> 00:11:11,863
- - If it's so safe,
- why does the town keep
- 181
- 00:11:11,907 --> 00:11:14,300
- police cars outside
- at all times,
- 182
- 00:11:14,344 --> 00:11:16,128
- making sure no one goes in?
- 183
- 00:11:16,172 --> 00:11:17,738
- - We were
- here like yesterday
- 184
- 00:11:17,782 --> 00:11:20,654
- while you guys were off
- filming that goofy TV thing
- 185
- 00:11:20,698 --> 00:11:24,963
- and we deduced that there
- was a 10 minute window
- 186
- 00:11:25,007 --> 00:11:26,225
- and we can get it.
- 187
- 00:11:27,661 --> 00:11:29,968
- Badass, right?
- - Why do they guard it so much
- 188
- 00:11:30,012 --> 00:11:31,752
- if they're saying there's
- nothing wrong with it?
- 189
- 00:11:31,796 --> 00:11:33,885
- - Yeah, man, like--
- - Well, it's not just
- 190
- 00:11:33,929 --> 00:11:36,583
- the Hell House incident
- or Diane, there are also
- 191
- 00:11:36,627 --> 00:11:40,152
- two teenagers from the nearby
- area that have disappeared.
- 192
- 00:11:40,196 --> 00:11:43,634
- - And people think that has
- something to do with the hotel?
- 193
- 00:11:43,677 --> 00:11:46,463
- - Well, of course anything
- could have happened to them
- 194
- 00:11:46,506 --> 00:11:50,597
- but, one poor kid streamed
- himself on Facebook
- 195
- 00:11:50,641 --> 00:11:52,643
- while breaking in and it was
- the last time he was ever seen.
- 196
- 00:11:52,686 --> 00:11:54,775
- - Are you serious,
- when did that happen?
- 197
- 00:11:54,819 --> 00:11:57,517
- - I mean, I'm sure
- Jessica knows all of this.
- 198
- 00:11:57,561 --> 00:11:59,911
- - Dude, she doesn't
- even believe in ghosts.
- 199
- 00:12:01,173 --> 00:12:03,654
- - Neither did Diane.
- - I'd like to point out,
- 200
- 00:12:03,697 --> 00:12:06,439
- and I think it's important
- to clarify for the audience,
- 201
- 00:12:06,483 --> 00:12:10,226
- that these poor individuals
- who have gone missing
- 202
- 00:12:10,269 --> 00:12:12,750
- were amateur ghost
- hunters, these were not
- 203
- 00:12:12,793 --> 00:12:15,927
- trained professional
- paranormal investigators.
- 204
- 00:12:15,971 --> 00:12:18,495
- - Thank you, Brock,
- and let's go ahead
- 205
- 00:12:18,538 --> 00:12:20,627
- and show our viewers
- the Facebook Live video
- 206
- 00:12:20,671 --> 00:12:22,499
- for those who
- haven't yet seen it.
- 207
- 00:12:22,542 --> 00:12:23,326
- Go ahead.
- 208
- 00:12:28,635 --> 00:12:29,854
- - All right.
- 209
- 00:12:29,898 --> 00:12:31,900
- It looks like nobody's
- here right now.
- 210
- 00:12:33,945 --> 00:12:35,120
- Should be able to get in and out
- 211
- 00:12:35,164 --> 00:12:37,296
- without being seen, all right.
- 212
- 00:12:40,909 --> 00:12:43,520
- To my fans, love
- you all very much,
- 213
- 00:12:43,563 --> 00:12:44,825
- I told you I would do this.
- 214
- 00:12:44,869 --> 00:12:46,653
- Yeet, eh?
- 215
- 00:12:46,697 --> 00:12:47,480
- All right.
- 216
- 00:12:49,178 --> 00:12:51,136
- You can just check
- out my channel,
- 217
- 00:12:51,180 --> 00:12:54,487
- the old warehouse video, all
- kinds of stuff like that.
- 218
- 00:12:54,531 --> 00:12:56,707
- The abandoned mineshaft
- just two weeks ago.
- 219
- 00:12:58,752 --> 00:12:59,753
- All right.
- 220
- 00:13:02,843 --> 00:13:06,108
- No, Rachel, I actually, I'm
- wearing boxer briefs right now.
- 221
- 00:13:14,029 --> 00:13:15,204
- I'm not stopping.
- 222
- 00:13:16,683 --> 00:13:18,337
- You've just gotta
- admit that was,
- 223
- 00:13:19,469 --> 00:13:22,254
- that was pretty weird.
- 224
- 00:13:22,298 --> 00:13:23,081
- All right.
- 225
- 00:13:28,869 --> 00:13:30,784
- Not taking any chances.
- 226
- 00:13:33,831 --> 00:13:34,875
- Here we go.
- 227
- 00:14:01,424 --> 00:14:02,729
- I'm sorry,
- 228
- 00:14:02,773 --> 00:14:03,774
- I'll go now.
- 229
- 00:14:21,052 --> 00:14:24,186
- - What's strange about
- that video is that
- 230
- 00:14:24,229 --> 00:14:27,841
- it never cut, it kept on
- streaming through the night
- 231
- 00:14:27,885 --> 00:14:30,844
- in that exact position
- until the phone's battery
- 232
- 00:14:30,888 --> 00:14:32,455
- ran out at dusk.
- 233
- 00:14:40,854 --> 00:14:44,119
- Police arrived later
- that day at the pleading
- 234
- 00:14:44,162 --> 00:14:46,034
- from friends and
- family of Cameron,
- 235
- 00:14:46,077 --> 00:14:48,427
- but they were not
- able to find a thing,
- 236
- 00:14:48,471 --> 00:14:50,908
- not a trace of Cameron.
- - Well, I'm sorry.
- 237
- 00:14:50,951 --> 00:14:54,129
- This video doesn't show
- anything happening to Cameron.
- 238
- 00:14:54,172 --> 00:14:55,695
- I think you want people to think
- 239
- 00:14:55,739 --> 00:14:56,957
- there's something
- dangerous inside
- 240
- 00:14:57,001 --> 00:14:58,959
- so that you can sell more DVDs.
- 241
- 00:14:59,003 --> 00:15:01,658
- All you've done is
- given this kid the idea
- 242
- 00:15:01,701 --> 00:15:02,963
- to sneak into private property.
- 243
- 00:15:03,007 --> 00:15:04,704
- - Try to prove it's all a hoax.
- 244
- 00:15:05,531 --> 00:15:07,055
- Prove it.
- 245
- 00:15:07,098 --> 00:15:10,232
- There's just too much you
- can't explain and you know it.
- 246
- 00:15:10,275 --> 00:15:11,624
- Like where the hell do you think
- 247
- 00:15:11,668 --> 00:15:13,626
- I've been hiding
- Diane all these years?
- 248
- 00:15:14,845 --> 00:15:17,021
- Where, I just kept
- her in my basement?
- 249
- 00:15:17,065 --> 00:15:18,109
- She has family.
- 250
- 00:15:19,458 --> 00:15:21,025
- Do you really think
- she would abandon them
- 251
- 00:15:21,069 --> 00:15:23,680
- just to sell her documentary?
- - Well, I have to ask then,
- 252
- 00:15:23,723 --> 00:15:26,335
- Arnold, if you do think
- everything was a hoax,
- 253
- 00:15:26,378 --> 00:15:28,511
- what do you conclude
- happened to those people
- 254
- 00:15:28,554 --> 00:15:30,904
- who died on opening
- night at Hell House?
- 255
- 00:15:30,948 --> 00:15:34,734
- - Well, we know that Alex
- probably killed himself,
- 256
- 00:15:34,778 --> 00:15:38,260
- Tony was in the basement
- and was probably killed
- 257
- 00:15:38,303 --> 00:15:40,436
- during the mass panic
- to get out after
- 258
- 00:15:40,479 --> 00:15:42,873
- the malfunction of some sort.
- 259
- 00:15:44,309 --> 00:15:48,444
- If this Mack were as
- smart as he claimed to be,
- 260
- 00:15:49,706 --> 00:15:51,490
- then he would've
- killed himself too
- 261
- 00:15:51,534 --> 00:15:55,146
- because he was gonna wake
- up to a pile of lawsuits
- 262
- 00:15:55,190 --> 00:15:57,366
- for negligent homicide.
- 263
- 00:15:57,409 --> 00:16:02,414
- We know now that Sarah was the
- smart one, she disappeared.
- 264
- 00:16:03,937 --> 00:16:06,331
- - Sarah wasn't afraid of
- lawsuits, she wasn't even...
- 265
- 00:16:12,032 --> 00:16:13,077
- She
- 266
- 00:16:14,687 --> 00:16:16,994
- used Diane.
- - How do you mean?
- 267
- 00:16:18,213 --> 00:16:19,692
- - Look, everything
- about the hotel
- 268
- 00:16:19,736 --> 00:16:21,346
- goes back to Andrew Tully.
- 269
- 00:16:21,390 --> 00:16:24,175
- - Andrew Tully, the hotel's
- owner who was accused
- 270
- 00:16:24,219 --> 00:16:27,787
- of performing Satanic rituals
- in the basement and also
- 271
- 00:16:27,831 --> 00:16:31,313
- accused of being involved with
- some guest disappearances.
- 272
- 00:16:31,356 --> 00:16:34,272
- - Yeah, the problem is
- Andrew Tully is dead.
- 273
- 00:16:36,579 --> 00:16:40,104
- He hanged himself after the
- hotel closed back in the 80s.
- 274
- 00:16:40,148 --> 00:16:43,020
- None, none of the
- evil cult activity
- 275
- 00:16:43,063 --> 00:16:44,717
- was actually ever proven.
- 276
- 00:16:49,157 --> 00:16:50,636
- - Well when
- should I ask my question?
- 277
- 00:16:50,680 --> 00:16:52,943
- - Wait until you
- hear me bring up the basement.
- 278
- 00:16:52,986 --> 00:16:55,032
- - So you'll say,
- "It's in the basement."
- 279
- 00:16:55,075 --> 00:16:57,991
- And I'll ask something
- like, "How do you know
- 280
- 00:16:58,035 --> 00:17:00,429
- "that it's in the basement?"
- - Right.
- 281
- 00:17:02,735 --> 00:17:04,041
- On me.
- 282
- 00:17:04,084 --> 00:17:06,522
- Hi, I'm Jessica Fox,
- it's October seventh
- 283
- 00:17:06,565 --> 00:17:08,872
- and I'm here with Molly Reynolds
- 284
- 00:17:08,915 --> 00:17:10,003
- and David Morris.
- - Yo.
- 285
- 00:17:10,047 --> 00:17:12,658
- - And with us is
- Mitchell Cavanaugh.
- 286
- 00:17:12,702 --> 00:17:16,488
- - What are you guys, some sort
- of an investigative outfit?
- 287
- 00:17:16,532 --> 00:17:18,925
- Like a boutique
- Vice or 60 Minutes?
- 288
- 00:17:18,969 --> 00:17:22,451
- - Yeah, but unlike other
- journalists, we film every part
- 289
- 00:17:22,494 --> 00:17:24,975
- of our story from inception
- through publication.
- 290
- 00:17:25,018 --> 00:17:26,542
- And we're totally transparent,
- 291
- 00:17:26,585 --> 00:17:28,196
- everything is released
- once we publish.
- 292
- 00:17:28,239 --> 00:17:30,328
- - Jess has
- me record everything,
- 293
- 00:17:30,372 --> 00:17:31,634
- I don't stop rolling.
- 294
- 00:17:31,677 --> 00:17:33,723
- I go to the can,
- this goes with me.
- 295
- 00:17:33,766 --> 00:17:35,725
- - That's
- great but I...
- 296
- 00:17:46,388 --> 00:17:48,694
- - The hotel is like
- a maze and of course
- 297
- 00:17:48,738 --> 00:17:51,001
- that's not by accident,
- Tully designed it
- 298
- 00:17:51,044 --> 00:17:54,091
- based on H.H. Holmes'
- murder house, I've heard.
- 299
- 00:17:54,134 --> 00:17:56,528
- So he made it as hard as
- possible to find your way out
- 300
- 00:17:56,572 --> 00:17:57,834
- in the middle of the night.
- 301
- 00:17:57,877 --> 00:18:00,010
- And we need to find our
- way to the basement.
- 302
- 00:18:00,053 --> 00:18:02,752
- - But how do you know
- what we're looking for
- 303
- 00:18:02,795 --> 00:18:05,015
- is in the basement?
- - That's a good question,
- 304
- 00:18:05,058 --> 00:18:07,931
- Molly, everything that Tully
- wanted to keep a secret
- 305
- 00:18:07,974 --> 00:18:10,150
- was kept in the basement,
- so we're talking about
- 306
- 00:18:10,194 --> 00:18:13,545
- proof of cult activity
- and information about
- 307
- 00:18:13,589 --> 00:18:15,199
- the missing guests,
- it's all there.
- 308
- 00:18:15,243 --> 00:18:18,071
- - You had no proof when
- you called into the show,
- 309
- 00:18:18,115 --> 00:18:21,336
- you just knew how to find it?
- 310
- 00:18:21,379 --> 00:18:25,209
- And that's what you
- needed me for, right?
- 311
- 00:18:25,253 --> 00:18:26,819
- - Right.
- 312
- 00:18:26,863 --> 00:18:30,649
- - How do you even know that
- this supposed evidence exists?
- 313
- 00:18:30,693 --> 00:18:32,303
- - Because of one
- flipped witness.
- 314
- 00:18:32,347 --> 00:18:34,436
- That's all it took and
- I have the transcript.
- 315
- 00:18:34,479 --> 00:18:36,264
- - Who flipped and
- why don't we know about it?
- 316
- 00:18:36,307 --> 00:18:39,136
- - Because once Tully
- and his cult members
- 317
- 00:18:39,179 --> 00:18:41,007
- committed suicide, the
- whole thing got dropped,
- 318
- 00:18:41,051 --> 00:18:42,705
- everything, it just disappeared.
- 319
- 00:18:42,748 --> 00:18:44,576
- But this guy,
- 320
- 00:18:44,620 --> 00:18:46,056
- Patrick Carmichael,
- 321
- 00:18:46,099 --> 00:18:49,581
- he worked at the hotel, he
- was a member of Tully's cult
- 322
- 00:18:49,625 --> 00:18:51,322
- but he was arrested on a
- separate assault charge
- 323
- 00:18:51,366 --> 00:18:53,411
- so he missed the suicide party.
- 324
- 00:18:53,455 --> 00:18:54,369
- He says
- 325
- 00:18:55,370 --> 00:18:58,024
- that Tully kept video footage
- 326
- 00:18:58,068 --> 00:19:00,505
- and photos of what was
- happening at the hotel.
- 327
- 00:19:00,549 --> 00:19:04,117
- And then here, he says it
- was kept in the fridges.
- 328
- 00:19:04,161 --> 00:19:05,118
- - What fridges?
- 329
- 00:19:05,162 --> 00:19:07,164
- Nobody searched the fridges?
- 330
- 00:19:07,207 --> 00:19:10,298
- - Yes but what if they assumed
- he meant the kitchen fridges?
- 331
- 00:19:10,341 --> 00:19:12,430
- - The cops only searched
- the kitchen fridges
- 332
- 00:19:12,474 --> 00:19:13,692
- but not the one in the basement
- 333
- 00:19:13,736 --> 00:19:16,652
- which I think, with
- all due respect,
- 334
- 00:19:16,695 --> 00:19:19,002
- it is a ridiculous theory.
- 335
- 00:19:19,045 --> 00:19:21,265
- - We're dealing with a police
- force that hasn't been able
- 336
- 00:19:21,309 --> 00:19:23,398
- to solve a series
- of disappearances
- 337
- 00:19:23,441 --> 00:19:25,095
- for decades in the same place.
- 338
- 00:19:25,138 --> 00:19:27,315
- - Okay, so what is the plan?
- 339
- 00:19:27,358 --> 00:19:31,057
- We go into the basement,
- search the fridge
- 340
- 00:19:31,101 --> 00:19:33,451
- and find the evidence.
- - Yes.
- 341
- 00:19:33,495 --> 00:19:35,061
- I don't believe in ghost stories
- 342
- 00:19:35,105 --> 00:19:36,802
- but I don't wanna take
- any chances with you guys,
- 343
- 00:19:36,846 --> 00:19:39,065
- we're gonna be in and
- out in an hour, tops.
- 344
- 00:19:39,109 --> 00:19:41,329
- If Mitchell is with us,
- we'll be even quicker
- 345
- 00:19:41,372 --> 00:19:43,722
- because he knows the
- hotel better than anyone.
- 346
- 00:19:45,333 --> 00:19:48,423
- - That's a really fucked up
- place to try to break into.
- 347
- 00:19:48,466 --> 00:19:50,816
- You know that, right?
- - Yes.
- 348
- 00:19:50,860 --> 00:19:51,861
- Mitchell, we
- absolutely know that.
- 349
- 00:19:51,904 --> 00:19:53,515
- The evidence is there.
- 350
- 00:19:54,429 --> 00:19:57,301
- I know it, it has to be.
- 351
- 00:19:57,345 --> 00:19:59,129
- Okay, and if we
- find it then maybe
- 352
- 00:19:59,172 --> 00:20:01,174
- we will find out what
- happened to Diane.
- 353
- 00:20:02,001 --> 00:20:02,785
- Finally.
- 354
- 00:20:04,656 --> 00:20:05,701
- Don't you wanna know?
- 355
- 00:20:12,447 --> 00:20:13,970
- We can't do this without you.
- 356
- 00:20:18,104 --> 00:20:20,542
- - Will you turn
- that off, please?
- 357
- 00:20:20,585 --> 00:20:23,153
- - Jess?
- - Yep, turn it off.
- 358
- 00:20:23,196 --> 00:20:24,415
- - I'd like to share
- with our audience
- 359
- 00:20:24,459 --> 00:20:27,592
- some of the stranger
- unexplained occurrences
- 360
- 00:20:27,636 --> 00:20:30,987
- that have been recorded
- since the documentary aired
- 361
- 00:20:31,030 --> 00:20:33,381
- in what many refer to as
- the Hell House fallout.
- 362
- 00:20:33,424 --> 00:20:36,253
- - So people believe
- that this stuff is real?
- 363
- 00:20:36,296 --> 00:20:39,082
- - Well, nothing's been
- proven either way yet.
- 364
- 00:20:39,125 --> 00:20:42,433
- - Look, as long as that
- hotel emits this kinetic
- 365
- 00:20:42,477 --> 00:20:45,305
- spiritual energy, people
- are going to continue
- 366
- 00:20:45,349 --> 00:20:47,395
- to be drawn to it,
- which is precisely why
- 367
- 00:20:47,438 --> 00:20:50,659
- someone like me is invaluable
- to the investigation.
- 368
- 00:20:50,702 --> 00:20:53,096
- I need to be allowed
- in that hotel.
- 369
- 00:20:53,139 --> 00:20:54,706
- I need access to it.
- 370
- 00:20:54,750 --> 00:20:57,753
- - Let's hold off on commenting
- until we've seen the footage.
- 371
- 00:20:57,796 --> 00:20:58,536
- Go ahead.
- 372
- 00:21:10,592 --> 00:21:13,290
- - All right, Ben,
- challenge accepted.
- 373
- 00:21:13,333 --> 00:21:14,247
- I'm goin' in.
- 374
- 00:21:15,335 --> 00:21:17,947
- All right, coast
- is clear, no cops.
- 375
- 00:21:23,169 --> 00:21:23,953
- Holy shit.
- 376
- 00:21:58,814 --> 00:22:01,817
- All right, I think
- that's far enough.
- 377
- 00:22:01,860 --> 00:22:02,992
- Challenge completed.
- 378
- 00:22:08,388 --> 00:22:09,389
- Get ready to pay up, Ben.
- 379
- 00:22:20,444 --> 00:22:21,619
- Holy shit.
- 380
- 00:22:21,663 --> 00:22:22,664
- - I haven't
- seen Paul around
- 381
- 00:22:22,707 --> 00:22:25,362
- in a few days, is he okay?
- 382
- 00:22:25,405 --> 00:22:27,016
- - Holy shit.
- 383
- 00:22:37,853 --> 00:22:39,332
- Oh shit!
- 384
- 00:22:43,946 --> 00:22:47,384
- - Hey guys, so we just got
- back from our fashion show,
- 385
- 00:22:47,427 --> 00:22:48,298
- was kinda disappointed
- 386
- 00:22:49,517 --> 00:22:51,040
- we came from such
- a faraway place
- 387
- 00:22:51,083 --> 00:22:53,216
- just to see a thrift shop.
- 388
- 00:22:53,259 --> 00:22:55,740
- I was expecting some
- sort of high end
- 389
- 00:22:55,784 --> 00:22:58,526
- awesome, amazing fashion line.
- - Hey, Nate, sorry.
- 390
- 00:22:59,483 --> 00:23:01,006
- Is that girl hitchhiking?
- 391
- 00:23:01,050 --> 00:23:02,486
- - Babe who hitchhikes anymore?
- - I don't know, come on,
- 392
- 00:23:02,530 --> 00:23:04,880
- it's so shitty out,
- let's pick her up.
- 393
- 00:23:04,923 --> 00:23:05,968
- - Fine, okay, fine.
- 394
- 00:23:13,976 --> 00:23:15,368
- Honey, do you need a ride?
- 395
- 00:23:17,370 --> 00:23:18,589
- Do you think we should do this?
- 396
- 00:23:18,633 --> 00:23:21,331
- - Yeah, it too cold out.
- - Come on, she might--
- 397
- 00:23:21,374 --> 00:23:22,201
- - Oh, hey.
- 398
- 00:23:23,507 --> 00:23:24,552
- - Hi, sweetie.
- 399
- 00:23:24,595 --> 00:23:25,770
- - How's it going?
- 400
- 00:23:27,467 --> 00:23:28,904
- - Where you
- headed sweetie?
- 401
- 00:23:28,947 --> 00:23:30,383
- - The Abaddon Hotel.
- 402
- 00:23:31,428 --> 00:23:33,561
- - The Abaddon Hotel, honey,
- 403
- 00:23:33,604 --> 00:23:35,998
- that place has been closed
- for a few years now.
- 404
- 00:23:37,260 --> 00:23:38,696
- - I checked in already.
- 405
- 00:23:40,655 --> 00:23:42,265
- - Okay, when did you check in?
- 406
- 00:23:43,483 --> 00:23:44,572
- - October eighth.
- 407
- 00:23:46,225 --> 00:23:48,097
- - It's September 30th.
- 408
- 00:23:49,359 --> 00:23:50,621
- - Let's just
- get her home, okay?
- 409
- 00:23:51,666 --> 00:23:52,667
- - Fine, we're going.
- 410
- 00:23:55,191 --> 00:23:56,584
- - I'm sorry,
- are you okay?
- 411
- 00:23:56,627 --> 00:23:57,846
- You just, you look
- a little pale.
- 412
- 00:23:57,889 --> 00:24:00,544
- Do you need some
- water or something?
- 413
- 00:24:02,938 --> 00:24:04,200
- - Not so talkative, huh?
- 414
- 00:24:05,723 --> 00:24:07,203
- I guess I wouldn't be
- either if I was stuck
- 415
- 00:24:07,246 --> 00:24:08,944
- on the side of the
- road in the cold.
- 416
- 00:24:15,515 --> 00:24:17,909
- I think this is it.
- - It's all boarded up.
- 417
- 00:24:17,953 --> 00:24:20,042
- - I know, this
- doesn't look right.
- 418
- 00:24:20,085 --> 00:24:22,131
- - Miss, is this where
- you wanted us to drop you?
- 419
- 00:24:22,174 --> 00:24:23,654
- - Does this place
- look familiar to you?
- 420
- 00:24:23,698 --> 00:24:24,568
- - Hold on, miss.
- - Hold on, wait,
- 421
- 00:24:24,612 --> 00:24:26,091
- please don't get out of the car!
- 422
- 00:24:26,135 --> 00:24:26,962
- - This place is
- boarded up, I'm not letting
- 423
- 00:24:27,005 --> 00:24:28,050
- her go in there.
- - I know!
- 424
- 00:24:28,093 --> 00:24:29,094
- - Hold on.
- - Babe, wait, hold on.
- 425
- 00:24:29,138 --> 00:24:29,921
- - Miss?
- 426
- 00:24:32,837 --> 00:24:34,926
- Miss, do you need some
- help or something?
- 427
- 00:24:35,797 --> 00:24:37,276
- She went in.
- 428
- 00:24:37,320 --> 00:24:39,975
- - Adam, I don't like this.
- - I know, come on.
- 429
- 00:24:40,018 --> 00:24:41,324
- - I don't think
- she knows where she is.
- 430
- 00:24:41,367 --> 00:24:43,456
- - I know, she's...
- 431
- 00:24:43,500 --> 00:24:44,632
- - Sweetie?
- - Hello?
- 432
- 00:24:46,329 --> 00:24:48,984
- Do you have a
- flashlight or something?
- 433
- 00:24:49,027 --> 00:24:50,681
- - Yeah.
- - On your phone?
- 434
- 00:24:50,725 --> 00:24:51,508
- - Hello?
- 435
- 00:24:53,292 --> 00:24:54,772
- - Oh, there she
- is, honey, can you?
- 436
- 00:24:56,034 --> 00:24:57,253
- - Adam, I don't think she--
- - It's fine.
- 437
- 00:24:57,296 --> 00:24:59,255
- - I don't think this is her--
- - Hold on.
- 438
- 00:24:59,298 --> 00:25:00,082
- Miss?
- 439
- 00:25:02,084 --> 00:25:03,520
- Hello?
- 440
- 00:25:03,563 --> 00:25:05,653
- - Sweetie,
- we just wanna help.
- 441
- 00:25:09,569 --> 00:25:10,745
- Oh my god.
- 442
- 00:25:10,788 --> 00:25:11,615
- - Miss.
- 443
- 00:25:13,399 --> 00:25:14,531
- - Adam, I
- don't think we need
- 444
- 00:25:14,574 --> 00:25:16,098
- to be here anymore.
- - It's okay.
- 445
- 00:25:16,141 --> 00:25:17,142
- There's something
- wrong with her.
- 446
- 00:25:17,186 --> 00:25:18,100
- Honey?
- - I know, it's not--
- 447
- 00:25:18,143 --> 00:25:19,405
- - Listen!
- - Worth it.
- 448
- 00:25:19,449 --> 00:25:20,668
- - You shouldn't
- be down here, okay?
- 449
- 00:25:20,711 --> 00:25:23,453
- Just come up with us
- and we'll help you,
- 450
- 00:25:23,496 --> 00:25:25,716
- whatever you need, okay?
- - So cold in here.
- 451
- 00:25:26,717 --> 00:25:28,110
- - Oh fuck!
- - Oh my god.
- 452
- 00:25:28,153 --> 00:25:29,024
- - Get outta here, go!
- - Adam!
- 453
- 00:25:29,067 --> 00:25:31,548
- - Go, go, go, go, go, go!
- 454
- 00:26:15,244 --> 00:26:16,593
- - And like, you've...
- 455
- 00:26:18,203 --> 00:26:21,250
- And so because I like him,
- now I'm okay with the tattoos.
- 456
- 00:26:21,293 --> 00:26:23,252
- - You say this like
- it's an accomplishment.
- 457
- 00:26:23,295 --> 00:26:25,515
- It's like, "Oh, I've never
- dated a werewolf before."
- 458
- 00:26:25,558 --> 00:26:30,085
- - No, I used to hate
- them and now I don't.
- 459
- 00:26:30,128 --> 00:26:32,914
- - She comes from the town
- from the movie Footloose,
- 460
- 00:26:32,957 --> 00:26:34,002
- it's real.
- - Well...
- 461
- 00:26:35,830 --> 00:26:37,832
- - We go to meet
- her parents, right?
- 462
- 00:26:37,875 --> 00:26:40,878
- And she grabs me and she's
- like, "Just don't dance."
- 463
- 00:26:40,922 --> 00:26:42,358
- - I did not say that!
- - Wait, what?
- 464
- 00:26:42,401 --> 00:26:43,620
- What did she say?
- - No dancing.
- 465
- 00:26:43,663 --> 00:26:45,230
- - I said nothing
- to do with dance.
- 466
- 00:26:45,274 --> 00:26:47,537
- I said, "Don't be weird."
- 467
- 00:26:48,930 --> 00:26:50,801
- - Is that better?
- - You can always be weird
- 468
- 00:26:50,845 --> 00:26:52,368
- in front of me.
- - Okay.
- 469
- 00:26:52,411 --> 00:26:54,587
- - But in front of my parents?
- - I feel a bout of weird.
- 470
- 00:26:54,631 --> 00:26:56,328
- - Oh no.
- - Coming on, the dance floor.
- 471
- 00:26:56,372 --> 00:26:57,721
- - Oh god.
- 472
- 00:26:57,765 --> 00:26:59,027
- - Well, it's okay.
- - Dance Commander coming out.
- 473
- 00:26:59,070 --> 00:27:00,463
- - Command that.
- - This is really happening.
- 474
- 00:27:00,506 --> 00:27:02,030
- - I know, yes.
- - Jess, you can do
- 475
- 00:27:02,073 --> 00:27:03,640
- whatever you want with
- that because I don't care.
- 476
- 00:27:03,683 --> 00:27:05,555
- - Oh, I'm not turning it off.
- 477
- 00:27:05,598 --> 00:27:07,383
- I'm gonna use this.
- - I don't work 'til tomorrow.
- 478
- 00:27:07,426 --> 00:27:08,297
- - Uh-huh.
- 479
- 00:27:08,340 --> 00:27:09,646
- You're gonna regret this.
- 480
- 00:27:33,975 --> 00:27:34,802
- You okay?
- 481
- 00:27:35,803 --> 00:27:37,761
- - What, yeah, yeah.
- 482
- 00:27:37,805 --> 00:27:38,980
- - You look kinda sad.
- 483
- 00:27:40,895 --> 00:27:41,634
- - Nah, I'm fine.
- 484
- 00:27:43,071 --> 00:27:44,899
- What are you hoping
- to get outta this?
- 485
- 00:27:44,942 --> 00:27:46,683
- What, are you just
- looking to get
- 486
- 00:27:46,726 --> 00:27:48,859
- your niche company on the map?
- 487
- 00:27:48,903 --> 00:27:50,513
- - Oh, I think we're
- already on the map.
- 488
- 00:27:50,556 --> 00:27:52,080
- - Oh, pardon me.
- 489
- 00:27:52,123 --> 00:27:53,733
- - But this,
- 490
- 00:27:53,777 --> 00:27:57,476
- this story, if I'm
- honest, is like the most
- 491
- 00:27:57,520 --> 00:27:59,870
- interesting thing that's come
- across my desk in a long time.
- 492
- 00:27:59,914 --> 00:28:01,176
- - Otherwise you
- wouldn't be out here
- 493
- 00:28:01,219 --> 00:28:03,961
- in the middle of nowhere
- trying to sneak into a
- 494
- 00:28:04,005 --> 00:28:06,746
- rumored haunted hotel.
- - Mm-hmm.
- 495
- 00:28:06,790 --> 00:28:08,748
- Can I ask you something?
- 496
- 00:28:08,792 --> 00:28:09,706
- - Yeah, sure, shoot.
- 497
- 00:28:11,099 --> 00:28:14,015
- - What do you think really
- happened to Sarah Happle?
- 498
- 00:28:14,058 --> 00:28:17,801
- I mean, you don't think you
- interviewed a dead girl, right?
- 499
- 00:28:17,845 --> 00:28:19,585
- You can't believe that.
- 500
- 00:28:22,284 --> 00:28:25,722
- - Let me answer that one for
- you some other time when,
- 501
- 00:28:25,765 --> 00:28:28,029
- when the camera's not on me.
- - Oh, I can turn it off.
- 502
- 00:28:28,072 --> 00:28:29,378
- - Nah.
- 503
- 00:28:29,421 --> 00:28:32,163
- What, and miss this,
- are you kidding me?
- 504
- 00:28:33,208 --> 00:28:35,253
- - Oh no, oh no, it's begun.
- 505
- 00:28:38,648 --> 00:28:41,651
- Wait, what do you think of
- Brock Davies coming with us?
- 506
- 00:28:42,870 --> 00:28:44,349
- - I'm not thrilled by the idea.
- 507
- 00:28:44,393 --> 00:28:47,352
- Wait, how does he even
- know that we're doing this?
- 508
- 00:28:47,396 --> 00:28:49,398
- I told him after the talk
- show that there was no way
- 509
- 00:28:49,441 --> 00:28:50,616
- I was gonna go back
- to the Abaddon.
- 510
- 00:28:50,660 --> 00:28:52,444
- - Okay, it's Brock,
- he knows shit.
- 511
- 00:28:52,488 --> 00:28:53,706
- - But it's--
- - It's weird.
- 512
- 00:28:53,750 --> 00:28:55,056
- - No, it's a bad
- idea is what it is.
- 513
- 00:28:55,099 --> 00:28:57,797
- - Okay, well, I told him
- that, I said it's not--
- 514
- 00:28:57,841 --> 00:28:59,669
- - And?
- - Guess what he said.
- 515
- 00:29:00,975 --> 00:29:02,759
- Do your best.
- - Yeah, if you're looking
- 516
- 00:29:02,802 --> 00:29:05,675
- for the secrets that
- only ghosts keep,
- 517
- 00:29:05,718 --> 00:29:08,156
- you need Brock Davies.
- - Of course.
- 518
- 00:29:08,199 --> 00:29:09,548
- - Look, what doesn't
- seem to be sinking in
- 519
- 00:29:09,592 --> 00:29:11,594
- with you or Brock is that
- 520
- 00:29:12,856 --> 00:29:13,857
- this is dangerous.
- 521
- 00:29:15,293 --> 00:29:18,253
- The hotel is, look at me,
- the hotel is dangerous.
- 522
- 00:29:18,296 --> 00:29:19,950
- We have to be in and
- out, we don't have time,
- 523
- 00:29:19,994 --> 00:29:21,865
- we can't wait for
- Brock to be filming
- 524
- 00:29:21,909 --> 00:29:24,085
- his newest reality show.
- - I hear you,
- 525
- 00:29:24,128 --> 00:29:25,956
- I agree, I told him that.
- 526
- 00:29:26,000 --> 00:29:27,653
- - Okay, but do you believe it?
- 527
- 00:29:28,916 --> 00:29:30,700
- - I have to see things
- to believe them.
- 528
- 00:29:34,704 --> 00:29:35,748
- - Well let's hope
- 529
- 00:29:37,576 --> 00:29:39,622
- that you'll still be a
- skeptic at the end of this.
- 530
- 00:29:39,665 --> 00:29:41,145
- - We're back!
- 531
- 00:29:41,189 --> 00:29:42,799
- - Guys, I was roofied.
- 532
- 00:29:42,842 --> 00:29:44,714
- - You what?
- - No he was not!
- 533
- 00:29:44,757 --> 00:29:47,021
- - By Molly?
- - No, no.
- 534
- 00:29:47,064 --> 00:29:48,674
- - Doing shots, wow.
- - She's taking advantage
- 535
- 00:29:48,718 --> 00:29:50,720
- of you.
- - Moved onto shots, guys.
- 536
- 00:29:50,763 --> 00:29:52,896
- - He got some shots.
- - That's terrifying.
- 537
- 00:30:09,130 --> 00:30:11,306
- - Camera's up.
- - Got spare batteries?
- 538
- 00:30:11,349 --> 00:30:12,872
- - Absolutely.
- - Cards?
- 539
- 00:30:12,916 --> 00:30:14,744
- - Plenty.
- - Are they clean?
- 540
- 00:30:14,787 --> 00:30:16,876
- - They are
- free of adult content.
- 541
- 00:30:16,920 --> 00:30:18,443
- - All right, just
- keep the camera steady.
- 542
- 00:30:18,487 --> 00:30:19,270
- - Got ya.
- 543
- 00:30:21,229 --> 00:30:22,708
- All right, tough guy,
- what's the likelihood
- 544
- 00:30:22,752 --> 00:30:24,928
- of us actually
- getting in the back?
- 545
- 00:30:24,972 --> 00:30:26,712
- - Well, that's the best way in.
- 546
- 00:30:26,756 --> 00:30:28,714
- I know my way to
- everywhere from there.
- 547
- 00:30:28,758 --> 00:30:30,890
- I'll break that door down before
- I look for an alternative.
- 548
- 00:30:30,934 --> 00:30:32,153
- - See, tough guy.
- 549
- 00:30:32,196 --> 00:30:36,200
- - Plus, nobody will
- be able to see us
- 550
- 00:30:36,244 --> 00:30:38,028
- when we're in the back, right?
- - Right.
- 551
- 00:30:38,072 --> 00:30:40,204
- - Yeah.
- - Right.
- 552
- 00:30:40,248 --> 00:30:41,379
- - Molly, are you okay?
- 553
- 00:30:44,034 --> 00:30:47,995
- - I don't like going into
- any Halloween haunted houses
- 554
- 00:30:49,257 --> 00:30:52,477
- let alone ones that have been
- abandoned for seven years.
- 555
- 00:30:52,521 --> 00:30:54,740
- - Well if you're
- uncomfortable right now,
- 556
- 00:30:54,784 --> 00:30:56,220
- how are you gonna do inside?
- 557
- 00:31:00,659 --> 00:31:02,226
- - I'll be okay.
- 558
- 00:31:03,836 --> 00:31:06,665
- - Look, actually, Molly,
- we need someone out here
- 559
- 00:31:06,709 --> 00:31:09,842
- to keep an eye on things.
- - No, no, I will be fine
- 560
- 00:31:09,886 --> 00:31:11,844
- in there, I'm just--
- - But one of us,
- 561
- 00:31:11,888 --> 00:31:13,672
- one of us needs to do
- it, if the cops come
- 562
- 00:31:13,716 --> 00:31:15,805
- we need to know where
- they are, when they are,
- 563
- 00:31:15,848 --> 00:31:18,503
- so it's, we need you out here.
- 564
- 00:31:18,547 --> 00:31:20,288
- - Are you sure?
- - Yeah, absolutely.
- 565
- 00:31:20,331 --> 00:31:22,072
- We need someone.
- - Yeah, but it's 8:15
- 566
- 00:31:22,116 --> 00:31:23,856
- and we gotta go because the
- next shift is on its way.
- 567
- 00:31:23,900 --> 00:31:25,075
- - Okay.
- - You got this?
- 568
- 00:31:25,119 --> 00:31:26,511
- - If you
- think it's best, yeah.
- 569
- 00:31:26,555 --> 00:31:28,687
- - We're on the walkies, okay?
- - Yeah, yeah, okay.
- 570
- 00:31:28,731 --> 00:31:30,907
- - Look, we're
- gonna be fine, okay?
- 571
- 00:31:30,950 --> 00:31:32,387
- Like it's gonna
- be an hour, tops,
- 572
- 00:31:32,430 --> 00:31:33,866
- we're gonna steal us
- some Abaddon goodies,
- 573
- 00:31:33,910 --> 00:31:36,391
- we're gonna shoot right
- back out here to you.
- 574
- 00:31:36,434 --> 00:31:37,870
- - Come on, man, let's move it.
- - All right, I'm comin'.
- 575
- 00:31:37,914 --> 00:31:38,697
- Bossy.
- 576
- 00:31:40,351 --> 00:31:41,396
- - Be careful.
- 577
- 00:31:50,013 --> 00:31:51,797
- - No dicking around, understand?
- 578
- 00:31:51,841 --> 00:31:53,799
- - Completely agree.
- 579
- 00:31:53,843 --> 00:31:57,847
- - If I say drop whatever you're
- doing and head for the exit,
- 580
- 00:31:57,890 --> 00:31:59,762
- you do exactly that.
- 581
- 00:31:59,805 --> 00:32:01,024
- - We're on the same page.
- - Do you think that
- 582
- 00:32:01,068 --> 00:32:02,591
- we're gonna have a problem?
- - No, no, no.
- 583
- 00:32:02,634 --> 00:32:04,723
- He's just saying that
- on the off chance
- 584
- 00:32:04,767 --> 00:32:06,247
- that something goes
- wrong, it's fine.
- 585
- 00:32:14,733 --> 00:32:15,865
- - If we're in any
- kind of danger,
- 586
- 00:32:15,908 --> 00:32:17,258
- you drop the camera and run.
- 587
- 00:32:18,824 --> 00:32:21,653
- - No, no, no, we're not a
- drop the camera and run group,
- 588
- 00:32:21,697 --> 00:32:23,699
- we get everything, the
- camera never goes off,
- 589
- 00:32:23,742 --> 00:32:25,048
- that is non negotiable.
- 590
- 00:32:27,137 --> 00:32:28,704
- - Fine.
- 591
- 00:32:28,747 --> 00:32:30,445
- You just remember your way out.
- 592
- 00:32:46,243 --> 00:32:47,070
- This one.
- 593
- 00:32:48,419 --> 00:32:50,465
- This is the door all the
- tour goers fled out of.
- 594
- 00:32:53,859 --> 00:32:55,600
- - Ah, well, there's no lock.
- 595
- 00:32:56,993 --> 00:33:00,039
- - All right, so
- how do we get in now?
- 596
- 00:33:00,083 --> 00:33:02,041
- - Well it depends on
- what kind of sys...
- 597
- 00:33:03,042 --> 00:33:04,914
- - Okay, I was not
- expecting that.
- 598
- 00:33:06,655 --> 00:33:07,917
- - It makes sense.
- 599
- 00:33:09,919 --> 00:33:11,399
- - Hi.
- 600
- 00:33:11,442 --> 00:33:13,227
- - We thought you were a no show.
- 601
- 00:33:13,270 --> 00:33:16,012
- - Are you kidding, I wouldn't
- miss this for anything.
- 602
- 00:33:16,055 --> 00:33:18,493
- This is my cameraman
- and tech department
- 603
- 00:33:18,536 --> 00:33:20,756
- all in one, Malcolm.
- - Hey.
- 604
- 00:33:22,192 --> 00:33:23,933
- Sorry, what makes sense?
- 605
- 00:33:23,976 --> 00:33:27,415
- - The door being open,
- they knew we were coming.
- 606
- 00:33:30,505 --> 00:33:33,247
- - Okay, well, do you
- think this is safe?
- 607
- 00:33:34,465 --> 00:33:37,120
- - You know everything I
- know about this place.
- 608
- 00:33:37,164 --> 00:33:39,078
- But that door being open
- doesn't change anything for me.
- 609
- 00:33:39,122 --> 00:33:40,906
- - I think it's a good sign.
- 610
- 00:33:40,950 --> 00:33:42,778
- The hotel wants to be heard.
- 611
- 00:33:42,821 --> 00:33:44,040
- It knows I can help.
- 612
- 00:33:45,650 --> 00:33:46,434
- Let's go in.
- 613
- 00:33:49,088 --> 00:33:50,612
- - Okay.
- 614
- 00:33:51,700 --> 00:33:54,398
- - Do not stop rolling.
- - You got it.
- 615
- 00:33:56,835 --> 00:33:57,619
- - Here we go.
- 616
- 00:33:59,142 --> 00:34:00,926
- - Don't forget, the
- hotel wants to be heard.
- 617
- 00:34:00,970 --> 00:34:01,797
- - Shut up.
- 618
- 00:34:02,580 --> 00:34:04,408
- - What the fuck is that?
- 619
- 00:34:21,817 --> 00:34:23,688
- - Ms. Fox, we're going
- to record this conversation
- 620
- 00:34:23,732 --> 00:34:24,646
- now if that's okay.
- 621
- 00:34:28,389 --> 00:34:31,000
- Can you tell us anything
- you remember of how
- 622
- 00:34:31,043 --> 00:34:34,046
- you wound up walking along on
- the side of the road tonight?
- 623
- 00:34:37,224 --> 00:34:39,574
- Do you remember anything
- from the last few days?
- 624
- 00:34:43,795 --> 00:34:44,666
- Ms. Fox?
- 625
- 00:34:46,537 --> 00:34:48,496
- You've been missing
- for five days now.
- 626
- 00:34:50,585 --> 00:34:52,195
- Can you tell us anything
- about where you've been
- 627
- 00:34:52,239 --> 00:34:55,154
- since last Sunday?
- 628
- 00:34:57,853 --> 00:34:58,636
- Ms. Fox.
- 629
- 00:35:05,077 --> 00:35:06,209
- - Lights out.
- 630
- 00:35:17,046 --> 00:35:18,265
- - Brock, we're
- splitting up right here,
- 631
- 00:35:18,308 --> 00:35:20,310
- the fastest way to the
- dining room is that way,
- 632
- 00:35:20,354 --> 00:35:21,616
- fastest way to the
- basement is that--
- 633
- 00:35:21,659 --> 00:35:23,357
- - Got it, we're
- gonna go that way.
- 634
- 00:35:25,881 --> 00:35:28,971
- Oh, and if you hear any
- noises, just ignore it.
- 635
- 00:35:29,014 --> 00:35:30,973
- I have a feeling this hotel
- 636
- 00:35:32,191 --> 00:35:34,150
- is going to be very
- responsive to us.
- 637
- 00:35:35,282 --> 00:35:37,501
- - Yeah, whatever, good luck.
- 638
- 00:35:37,545 --> 00:35:39,982
- Just don't fuck around though.
- 639
- 00:35:40,025 --> 00:35:42,811
- I still have no idea
- what happened to Diane.
- 640
- 00:35:42,854 --> 00:35:45,161
- - I think I'm gonna find
- that out while I'm here.
- 641
- 00:35:46,902 --> 00:35:47,685
- This way.
- 642
- 00:35:58,261 --> 00:36:00,655
- - Good creak
- door, that's a good creak.
- 643
- 00:36:04,136 --> 00:36:05,355
- - You okay?
- - Yeah, I'm fine,
- 644
- 00:36:05,399 --> 00:36:07,052
- just watch your
- step in here, okay?
- 645
- 00:36:07,096 --> 00:36:09,272
- - Fuck, man.
- - Goddamn mess.
- 646
- 00:36:09,316 --> 00:36:10,665
- Yeah, well they left in a rush.
- 647
- 00:36:12,144 --> 00:36:13,972
- - That's
- one way to put it.
- 648
- 00:36:14,016 --> 00:36:17,193
- - Yeah, just watch
- out it's, step there.
- 649
- 00:36:19,891 --> 00:36:21,240
- - Fuck.
- - Sorry.
- 650
- 00:36:25,941 --> 00:36:27,159
- - Ugh.
- 651
- 00:36:29,248 --> 00:36:30,685
- - Wait, what is that?
- 652
- 00:36:31,947 --> 00:36:34,384
- - It's
- Latin, I think?
- 653
- 00:36:34,428 --> 00:36:36,691
- - What does it
- mean, do you know?
- 654
- 00:36:36,734 --> 00:36:39,258
- - Porta means door
- but I don't know.
- 655
- 00:36:41,391 --> 00:36:43,132
- - I don't remember
- that from the docu--
- 656
- 00:36:43,175 --> 00:36:45,177
- - Dude, seriously,
- we're not gonna talk about this?
- 657
- 00:36:45,221 --> 00:36:46,744
- I mean, the big
- harbinger of doom
- 658
- 00:36:46,788 --> 00:36:47,876
- on the walls.
- - Wait, wait, wait.
- 659
- 00:36:50,705 --> 00:36:51,880
- - What the fuck is that?
- 660
- 00:36:54,796 --> 00:36:55,579
- - Sarah?
- 661
- 00:37:09,201 --> 00:37:11,247
- - Let's
- keep going on, come on.
- 662
- 00:37:12,814 --> 00:37:16,121
- - Not gonna lie, for a
- haunted house company,
- 663
- 00:37:16,165 --> 00:37:19,603
- nothing about this tour
- seems especially spectacular.
- 664
- 00:37:19,647 --> 00:37:20,517
- - You kidding?
- 665
- 00:37:20,561 --> 00:37:22,563
- I heard it was a killer haunt.
- 666
- 00:37:23,912 --> 00:37:25,261
- - Okay, seriously?
- 667
- 00:37:25,304 --> 00:37:27,263
- How long have you been
- waiting to say that line?
- 668
- 00:37:27,306 --> 00:37:29,134
- - Had to wait
- to get it on camera.
- 669
- 00:37:30,484 --> 00:37:31,659
- - Oh, this is it.
- 670
- 00:37:37,752 --> 00:37:39,275
- This is where it all went down.
- 671
- 00:37:41,364 --> 00:37:45,150
- This is where Andrew
- Tully and his followers
- 672
- 00:37:45,194 --> 00:37:47,370
- killed themselves.
- 673
- 00:37:49,416 --> 00:37:50,721
- Isn't that right, Tully?
- 674
- 00:37:53,594 --> 00:37:54,986
- This is where it happened?
- 675
- 00:37:58,033 --> 00:37:59,426
- - Whoa.
- 676
- 00:37:59,469 --> 00:38:00,339
- - Oh,
- 677
- 00:38:00,383 --> 00:38:01,428
- kay.
- 678
- 00:38:02,254 --> 00:38:03,865
- That's a little unsettling.
- 679
- 00:38:05,867 --> 00:38:08,173
- Were those there before?
- 680
- 00:38:09,436 --> 00:38:10,828
- - Brock,
- I don't think so.
- 681
- 00:38:14,876 --> 00:38:17,748
- - Then I guess we
- should get to work.
- 682
- 00:38:19,446 --> 00:38:20,447
- On me.
- 683
- 00:38:39,683 --> 00:38:40,771
- - That's it.
- 684
- 00:38:46,255 --> 00:38:48,039
- - And we're
- gonna go down there?
- 685
- 00:38:48,083 --> 00:38:48,997
- - Yep.
- - David, you go first,
- 686
- 00:38:49,040 --> 00:38:50,955
- your light's the best.
- 687
- 00:38:50,999 --> 00:38:53,218
- - You've gotta be
- shitting me right now, really?
- 688
- 00:38:53,262 --> 00:38:54,306
- - No.
- 689
- 00:38:56,831 --> 00:38:59,311
- - Okay, okay, all
- right, cool, I can do it.
- 690
- 00:39:00,530 --> 00:39:02,401
- - Just
- watch your step.
- 691
- 00:39:06,362 --> 00:39:07,494
- - That's
- awesome, guys, thank you.
- 692
- 00:39:07,537 --> 00:39:09,321
- Sacrificial lamb and
- all, that's great.
- 693
- 00:39:14,283 --> 00:39:16,415
- Smells like shit down here!
- 694
- 00:39:20,898 --> 00:39:21,769
- Oh fuck me.
- 695
- 00:39:23,466 --> 00:39:25,337
- - Here we are.
- 696
- 00:39:27,557 --> 00:39:30,342
- Right, so it should be
- somewhere on the right.
- 697
- 00:39:30,386 --> 00:39:31,169
- Somewhere.
- 698
- 00:39:34,259 --> 00:39:36,392
- This one?
- 699
- 00:39:40,309 --> 00:39:42,093
- - Oh, no shit.
- 700
- 00:39:46,228 --> 00:39:49,013
- Can you imagine being
- chained up in that all day?
- 701
- 00:39:49,057 --> 00:39:50,493
- - No.
- 702
- 00:39:50,537 --> 00:39:52,364
- - Yeah,
- let's not, let's not.
- 703
- 00:39:52,408 --> 00:39:54,410
- - Jesus.
- - Just don't look at them,
- 704
- 00:39:54,453 --> 00:39:55,803
- just ignore them.
- 705
- 00:39:55,846 --> 00:39:58,066
- They'll just freak you
- out, here it is, this one.
- 706
- 00:40:01,373 --> 00:40:02,679
- - Is this it?
- - Yeah.
- 707
- 00:40:02,723 --> 00:40:04,681
- - Here we go.
- 708
- 00:40:04,725 --> 00:40:06,553
- Whoa, mother lode.
- 709
- 00:40:07,858 --> 00:40:09,556
- - It's gotta
- be in here, right?
- 710
- 00:40:09,599 --> 00:40:10,818
- - What
- else could it be?
- 711
- 00:40:10,861 --> 00:40:11,775
- - I dunno,
- maybe all this shit
- 712
- 00:40:11,819 --> 00:40:13,560
- just belongs to Hell House, man.
- 713
- 00:40:13,603 --> 00:40:14,604
- - Why would
- they bring all this shit
- 714
- 00:40:14,648 --> 00:40:15,953
- all the way from the city?
- 715
- 00:40:15,997 --> 00:40:17,607
- - Gotta keep
- your shit somewhere.
- 716
- 00:40:17,651 --> 00:40:18,956
- - Let's
- just get to work,
- 717
- 00:40:19,000 --> 00:40:19,870
- everybody just grab a
- box and start digging.
- 718
- 00:40:19,914 --> 00:40:21,611
- - All right, don't stop filming,
- 719
- 00:40:21,655 --> 00:40:23,352
- just set the camera
- down somewhere.
- 720
- 00:40:24,571 --> 00:40:25,659
- Mitchell, you should film too.
- 721
- 00:40:25,702 --> 00:40:27,399
- - Filming
- famous last words.
- 722
- 00:40:29,532 --> 00:40:31,795
- - The reason we've
- decided to commune here
- 723
- 00:40:31,839 --> 00:40:33,623
- in the dining room is because
- 724
- 00:40:33,667 --> 00:40:37,322
- this is where Tully's
- cult committed suicide
- 725
- 00:40:37,366 --> 00:40:40,543
- en masse nearly 30 years ago.
- 726
- 00:40:40,587 --> 00:40:42,763
- Usually the strongest
- source for spiritual energy
- 727
- 00:40:42,806 --> 00:40:45,069
- is the last place the dead
- 728
- 00:40:45,113 --> 00:40:48,159
- had contact with
- the living world.
- 729
- 00:40:48,203 --> 00:40:51,423
- My planchette will help us
- get unanswered questions
- 730
- 00:40:51,467 --> 00:40:54,513
- from any presence
- here left unseen.
- 731
- 00:40:56,341 --> 00:40:57,212
- Andrew Tully,
- 732
- 00:40:58,648 --> 00:41:02,478
- this is your house, we
- only want to ask questions.
- 733
- 00:41:02,521 --> 00:41:03,522
- We are guests.
- 734
- 00:41:05,089 --> 00:41:08,397
- Andrew Tully, are
- you here with us now?
- 735
- 00:41:14,272 --> 00:41:15,056
- Not Tully.
- 736
- 00:41:16,623 --> 00:41:19,408
- Are you a member of
- Tully's group then
- 737
- 00:41:19,451 --> 00:41:20,583
- here at the hotel?
- 738
- 00:41:23,412 --> 00:41:25,806
- Not a member of the cult either.
- 739
- 00:41:25,849 --> 00:41:28,460
- Are you a member of Hell House?
- 740
- 00:41:30,767 --> 00:41:33,944
- Are you one of the people
- who've gone disappearing
- 741
- 00:41:33,988 --> 00:41:35,598
- since the opening of this hotel?
- 742
- 00:41:37,774 --> 00:41:39,646
- Spirit, are you lying to me?
- 743
- 00:41:43,519 --> 00:41:45,695
- Spirit, do you
- have anything to do
- 744
- 00:41:45,739 --> 00:41:48,393
- with the disappearance
- of Diane Graves,
- 745
- 00:41:48,437 --> 00:41:51,570
- Jackson Mallet or any of
- the people of Hell House?
- 746
- 00:41:54,051 --> 00:41:56,880
- - Whoa, let's settle
- down a little bit, Brock.
- 747
- 00:41:56,924 --> 00:41:57,838
- - Spirit,
- 748
- 00:41:59,448 --> 00:42:02,843
- do you intend to do any harm
- to anyone here in the hotel?
- 749
- 00:42:06,890 --> 00:42:10,067
- Spirit will, oh shit!
- - What the fuck is that?
- 750
- 00:42:10,111 --> 00:42:12,461
- - Okay, we're leaving,
- we're leaving.
- 751
- 00:42:12,504 --> 00:42:15,333
- We don't want anything,
- we are going right now.
- 752
- 00:42:15,377 --> 00:42:16,378
- - Brock, let's
- get the fuck outta here.
- 753
- 00:42:16,421 --> 00:42:17,553
- - Go, go, go, go!
- 754
- 00:42:43,144 --> 00:42:45,668
- - There ya go.
- - What is this?
- 755
- 00:42:54,503 --> 00:42:56,505
- Okay, I think I have some
- 756
- 00:42:58,202 --> 00:43:00,639
- hotel blueprints, maybe?
- 757
- 00:43:00,683 --> 00:43:03,817
- Some sketches.
- - It could be important.
- 758
- 00:43:03,860 --> 00:43:05,732
- - The
- layout of the place.
- 759
- 00:43:07,255 --> 00:43:09,213
- - All right.
- 760
- 00:43:09,257 --> 00:43:09,953
- - Ugh.
- 761
- 00:43:12,086 --> 00:43:13,609
- Well, they definitely have rats.
- 762
- 00:43:17,395 --> 00:43:18,179
- Gross.
- 763
- 00:43:21,660 --> 00:43:23,532
- - God,
- it's dusty, fuck.
- 764
- 00:43:28,015 --> 00:43:29,494
- Don't know what it is.
- 765
- 00:43:29,538 --> 00:43:31,453
- Lot of shit down here.
- 766
- 00:43:31,496 --> 00:43:33,977
- - Hey, were you guys aware
- 767
- 00:43:34,021 --> 00:43:36,588
- that they have whole
- steamed lobster
- 768
- 00:43:36,632 --> 00:43:39,722
- and a whole range of
- items but no nachos?
- 769
- 00:43:40,941 --> 00:43:43,030
- - Some people like
- real food, David.
- 770
- 00:43:43,073 --> 00:43:45,336
- - Nachos are real
- food and I love them.
- 771
- 00:43:46,685 --> 00:43:48,949
- - Can you focus?
- - I am focused on the nachos
- 772
- 00:43:48,992 --> 00:43:50,864
- that I'm eventually
- going to put in my belly.
- 773
- 00:43:50,907 --> 00:43:52,169
- - All right, well,
- 774
- 00:43:52,213 --> 00:43:53,823
- we'll get you some
- as soon as we leave.
- 775
- 00:43:53,867 --> 00:43:55,564
- - Awesome.
- 776
- 00:43:55,607 --> 00:43:58,872
- Even more awesome,
- I found tapes.
- 777
- 00:43:58,915 --> 00:43:59,829
- - What?
- 778
- 00:43:59,873 --> 00:44:01,962
- - All right, Abaddon Hotel,
- 779
- 00:44:02,005 --> 00:44:03,790
- From Construction to Completion.
- 780
- 00:44:05,356 --> 00:44:07,837
- Tully made a documentary.
- - That's good, that's good.
- 781
- 00:44:07,881 --> 00:44:09,708
- Yes.
- - All right.
- 782
- 00:44:09,752 --> 00:44:11,972
- - All right,
- that's a keeper for sure.
- 783
- 00:44:12,015 --> 00:44:14,713
- - Spooky.
- - I've got a tape too.
- 784
- 00:44:14,757 --> 00:44:16,890
- This could be interesting,
- it says, it's labeled
- 785
- 00:44:16,933 --> 00:44:19,588
- "Unaired Commercial."
- - Huh, we'll take it.
- 786
- 00:44:19,631 --> 00:44:21,590
- Take them all, I mean, if it
- looks remotely interesting
- 787
- 00:44:21,633 --> 00:44:23,810
- we should keep it.
- 788
- 00:44:23,853 --> 00:44:25,333
- - What the?
- 789
- 00:44:25,376 --> 00:44:27,465
- - Guys, I'm
- here, where are you?
- 790
- 00:44:27,509 --> 00:44:29,859
- - What the fuck?
- - Molly, why?
- 791
- 00:44:29,903 --> 00:44:33,645
- That sounds like Molly.
- - I think it was.
- 792
- 00:44:33,689 --> 00:44:34,733
- - Yo, Molly, is that you?
- 793
- 00:44:36,431 --> 00:44:38,563
- - Yeah, I'm upstairs.
- 794
- 00:44:38,607 --> 00:44:40,348
- - She's in, why is she inside?
- 795
- 00:44:40,391 --> 00:44:43,655
- - Why are you inside when
- you're supposed to be outside?
- 796
- 00:44:45,396 --> 00:44:48,617
- - What, I am at
- the main entranceway,
- 797
- 00:44:48,660 --> 00:44:50,140
- what the hell?
- 798
- 00:44:50,184 --> 00:44:51,794
- - If she's at the
- main entranceway,
- 799
- 00:44:51,838 --> 00:44:54,797
- just go get her and ask her
- what the hell she's doing.
- 800
- 00:44:54,841 --> 00:44:57,060
- - I get nominated again.
- - Okay, if it's the cops
- 801
- 00:44:57,104 --> 00:44:59,889
- just tell her to stay
- calm, lay low, it's fine.
- 802
- 00:44:59,933 --> 00:45:00,847
- - Cops, okay.
- 803
- 00:45:01,978 --> 00:45:03,284
- All right, I'm
- leaving this here.
- 804
- 00:45:03,327 --> 00:45:04,111
- - Is that too hard?
- - All right, Molly,
- 805
- 00:45:04,154 --> 00:45:05,068
- I'm on my way.
- 806
- 00:45:06,678 --> 00:45:08,767
- Hold on to this, in case we
- need to get ahold of you guys.
- 807
- 00:45:08,811 --> 00:45:09,986
- - Just--
- 808
- 00:45:10,030 --> 00:45:11,118
- - I just don't
- want to get shot.
- 809
- 00:45:11,161 --> 00:45:12,293
- - Just keep her
- where she is, okay?
- 810
- 00:45:12,336 --> 00:45:14,077
- It's not a big deal,
- it's just fucking,
- 811
- 00:45:15,644 --> 00:45:16,950
- you're not gonna get shot.
- 812
- 00:45:19,866 --> 00:45:22,651
- - Fuck, Molly.
- - Oh my god, you scared me!
- 813
- 00:45:22,694 --> 00:45:24,696
- What's going on?
- - Look, I'm sorry,
- 814
- 00:45:24,740 --> 00:45:27,003
- but what are you doing in here?
- 815
- 00:45:27,047 --> 00:45:28,700
- - What are you talking about?
- 816
- 00:45:28,744 --> 00:45:31,007
- - Look, Jessica
- told you to stay outside.
- 817
- 00:45:31,051 --> 00:45:34,315
- - I know, so why did you tell
- me to come inside this door?
- 818
- 00:45:34,358 --> 00:45:35,664
- - Me?
- - Yeah.
- 819
- 00:45:35,707 --> 00:45:37,100
- - I didn't
- tell you anything.
- 820
- 00:45:37,144 --> 00:45:38,710
- - You didn't radio me and
- tell me to come inside?
- 821
- 00:45:38,754 --> 00:45:40,843
- Yeah, you did, David.
- - No, I've been down
- 822
- 00:45:40,887 --> 00:45:43,933
- in the basement digging
- through like tapes from 1986,
- 823
- 00:45:43,977 --> 00:45:46,936
- I didn't tell you anything,
- I haven't even touched that
- 824
- 00:45:46,980 --> 00:45:49,765
- until you called.
- - You went on the radio
- 825
- 00:45:49,808 --> 00:45:51,898
- and you said, "Hey,
- Molly, we could use
- 826
- 00:45:51,941 --> 00:45:55,162
- "some extra hands in here,
- why don't you come inside
- 827
- 00:45:55,205 --> 00:45:56,685
- "and I'll open up the front
- door and meet you there."
- 828
- 00:45:56,728 --> 00:45:59,731
- It was you, why are you screwing
- with me, this is not okay!
- 829
- 00:45:59,775 --> 00:46:02,125
- - Look, look, Molly--
- - Stop, I'm not kidding!
- 830
- 00:46:02,169 --> 00:46:03,692
- Why would you do this to me now?
- 831
- 00:46:03,735 --> 00:46:05,346
- This is bullshit!
- - I didn't do any of that,
- 832
- 00:46:05,389 --> 00:46:07,522
- I wouldn't do that, let me see.
- 833
- 00:46:07,565 --> 00:46:09,524
- Just let me see this, okay?
- 834
- 00:46:09,567 --> 00:46:11,221
- I'm gonna call.
- - It's not funny.
- 835
- 00:46:15,660 --> 00:46:19,795
- - Hey guys, something
- very weird is going on here.
- 836
- 00:46:22,929 --> 00:46:23,668
- - David, are you there?
- 837
- 00:46:23,712 --> 00:46:24,756
- Are you with Molly?
- 838
- 00:46:25,801 --> 00:46:26,628
- What's happening?
- 839
- 00:46:28,412 --> 00:46:31,285
- - Yeah, I'm with her,
- she said that I called her
- 840
- 00:46:31,328 --> 00:46:32,590
- and told her to come in.
- 841
- 00:46:33,809 --> 00:46:34,766
- - What do you mean
- you called her?
- 842
- 00:46:34,810 --> 00:46:36,116
- We told her to stay outside.
- 843
- 00:46:37,769 --> 00:46:40,120
- - David, listen, what
- door did she come in?
- 844
- 00:46:41,817 --> 00:46:43,819
- - She came in through
- the front door, the tour door.
- 845
- 00:46:43,862 --> 00:46:45,734
- - And the door she
- used, is it closed?
- 846
- 00:46:47,562 --> 00:46:48,911
- - Oh yeah, it's closed.
- 847
- 00:46:48,955 --> 00:46:49,825
- - Can you open it?
- 848
- 00:46:54,961 --> 00:46:56,832
- - No, it's
- locked, I don't--
- 849
- 00:46:56,875 --> 00:46:58,834
- - All right, we're
- coming up right now.
- 850
- 00:47:00,096 --> 00:47:01,706
- Just grab whatever you can,
- we've gotta go right now.
- 851
- 00:47:01,750 --> 00:47:03,056
- - Wait, what's
- happening, what's wrong?
- 852
- 00:47:03,099 --> 00:47:05,884
- - She wasn't supposed
- to be in here, get it?
- 853
- 00:47:05,928 --> 00:47:07,712
- Just go, let's just
- go, just move, move.
- 854
- 00:47:07,756 --> 00:47:09,062
- - We're fine,
- nothing's happened.
- 855
- 00:47:09,105 --> 00:47:10,324
- Calm down, Mitchell, it's fine.
- 856
- 00:47:10,367 --> 00:47:12,239
- - Jessica, this was
- a mistake, okay?
- 857
- 00:47:12,282 --> 00:47:15,416
- There's something
- definitely wrong about this.
- 858
- 00:47:15,459 --> 00:47:17,461
- - I don't understand, you
- just need to calm down
- 859
- 00:47:17,505 --> 00:47:18,245
- it's fine.
- - Just think about it,
- 860
- 00:47:18,288 --> 00:47:19,986
- think about it.
- 861
- 00:47:20,029 --> 00:47:22,901
- Just how did you happen
- to get the evidence?
- 862
- 00:47:22,945 --> 00:47:24,860
- Someone knew that it
- was gonna draw us here
- 863
- 00:47:24,903 --> 00:47:26,166
- and it did, it worked.
- 864
- 00:47:27,384 --> 00:47:28,733
- Fuck, let's go, let's
- go, let's go right now.
- 865
- 00:47:28,777 --> 00:47:30,039
- - Okay, okay, I'm moving.
- 866
- 00:47:32,955 --> 00:47:34,391
- Okay.
- - Just forget about the rest,
- 867
- 00:47:34,435 --> 00:47:35,653
- let's just go.
- 868
- 00:47:35,697 --> 00:47:36,567
- - Can you
- just calm down a second?
- 869
- 00:47:36,611 --> 00:47:37,742
- - I am, I'm very calm, let's go.
- 870
- 00:47:37,786 --> 00:47:39,222
- - Yeah, right, okay.
- 871
- 00:47:41,703 --> 00:47:44,358
- - What's taking so long?
- - They'll be here, I promise.
- 872
- 00:47:44,401 --> 00:47:45,185
- See!
- 873
- 00:47:50,973 --> 00:47:52,931
- - Shit.
- - Yeah, see?
- 874
- 00:47:52,975 --> 00:47:56,239
- Tight, now seriously,
- guys, who contacted her?
- 875
- 00:47:56,283 --> 00:47:57,893
- - Nobody did.
- - Exactly, that's why
- 876
- 00:47:57,936 --> 00:47:59,547
- we gotta get outta
- here right now.
- 877
- 00:47:59,590 --> 00:48:01,331
- We've gotta go back the way
- we came, I wedged that open.
- 878
- 00:48:01,375 --> 00:48:03,072
- - Wait, what about Brock?
- 879
- 00:48:03,116 --> 00:48:04,943
- - Yeah, I kinda
- forgot Brock was here.
- 880
- 00:48:04,987 --> 00:48:06,989
- - Fine,
- we'll go that way,
- 881
- 00:48:07,033 --> 00:48:08,817
- it goes to the dining
- room and then to the exit.
- 882
- 00:48:08,860 --> 00:48:10,079
- - Calm down, okay?
- 883
- 00:48:13,039 --> 00:48:14,910
- - Jesus Christ.
- 884
- 00:48:16,390 --> 00:48:19,393
- Is that one working?
- - Fuck!
- 885
- 00:48:23,005 --> 00:48:25,094
- Come on!
- - Just calm down,
- 886
- 00:48:25,138 --> 00:48:27,096
- just keep going.
- 887
- 00:48:27,140 --> 00:48:30,752
- - Here we
- go, come on, come on.
- 888
- 00:48:37,280 --> 00:48:39,021
- Ugh, this is nasty.
- 889
- 00:48:46,811 --> 00:48:47,595
- - What?
- 890
- 00:48:48,639 --> 00:48:49,988
- - What?
- 891
- 00:48:57,431 --> 00:48:58,954
- - Oh no.
- 892
- 00:49:03,350 --> 00:49:05,656
- - Shit, is
- that Brock and Malcolm?
- 893
- 00:49:05,700 --> 00:49:07,354
- - What the
- fuck is happening?
- 894
- 00:49:07,397 --> 00:49:09,617
- - This way's the fastest
- way to the exit, go!
- 895
- 00:49:09,660 --> 00:49:10,487
- - Go!
- - Go!
- 896
- 00:49:10,531 --> 00:49:11,532
- - Just go!
- - Just go, okay!
- 897
- 00:49:11,575 --> 00:49:12,576
- Go!
- - Go, go!
- 898
- 00:49:14,187 --> 00:49:15,666
- - Let's go.
- - Where's the exit, man?
- 899
- 00:49:15,710 --> 00:49:16,493
- Come on.
- 900
- 00:49:27,330 --> 00:49:28,897
- - Jesus Christ
- how did that get there?
- 901
- 00:49:28,940 --> 00:49:30,551
- - Oh my god!
- - Fuck, how is that there?
- 902
- 00:49:30,594 --> 00:49:32,118
- That was in the basement.
- 903
- 00:49:32,161 --> 00:49:34,032
- - That's our way out, we
- gotta go out that way.
- 904
- 00:49:34,076 --> 00:49:35,164
- - I'm not going
- near that fucking thing.
- 905
- 00:49:35,208 --> 00:49:36,905
- - Oh shit, man.
- - It's just a prop.
- 906
- 00:49:36,948 --> 00:49:39,864
- - How did it get up here?
- - It can't hurt us.
- 907
- 00:49:39,908 --> 00:49:41,518
- It doesn't move.
- 908
- 00:49:41,562 --> 00:49:42,780
- Okay, let's go.
- 909
- 00:49:47,829 --> 00:49:48,612
- Oh fuck!
- 910
- 00:49:49,961 --> 00:49:51,963
- All right, no.
- - Come on guys, move move!
- 911
- 00:49:52,007 --> 00:49:53,443
- Fuck!
- 912
- 00:49:53,487 --> 00:49:55,619
- - No, no!
- 913
- 00:49:55,663 --> 00:49:56,968
- - Go, Molly, go!
- 914
- 00:49:58,622 --> 00:49:59,928
- Go, Molly, come on!
- 915
- 00:49:59,971 --> 00:50:02,539
- Fuck!
- 916
- 00:50:03,453 --> 00:50:05,325
- What is that?
- 917
- 00:50:05,368 --> 00:50:08,763
- - Go, go, go!
- - I don't understand.
- 918
- 00:50:08,806 --> 00:50:10,330
- - I don't wanna be in here.
- 919
- 00:50:10,373 --> 00:50:13,159
- Please get me out of here.
- - Come on, Mitchell, come on.
- 920
- 00:50:13,202 --> 00:50:14,899
- - Mitchell!
- - Come on!
- 921
- 00:50:14,943 --> 00:50:16,858
- - The
- door, there's no knob!
- 922
- 00:50:16,901 --> 00:50:18,120
- - What do you mean
- there's no fucking knob?
- 923
- 00:50:18,164 --> 00:50:19,774
- - There's no knob!
- - All right, all right.
- 924
- 00:50:19,817 --> 00:50:22,168
- Jess, I've got an
- idea, we break it down.
- 925
- 00:50:22,211 --> 00:50:24,822
- - With what?
- - With ourselves.
- 926
- 00:50:24,866 --> 00:50:26,694
- Don't stop filming!
- 927
- 00:50:26,737 --> 00:50:27,521
- We got this.
- 928
- 00:50:30,263 --> 00:50:31,394
- Fuck, that sucks.
- 929
- 00:50:31,438 --> 00:50:34,005
- Yeah, I'm good.
- 930
- 00:50:34,049 --> 00:50:35,181
- What is that?
- 931
- 00:50:37,313 --> 00:50:38,662
- The fuck, okay.
- 932
- 00:50:40,229 --> 00:50:41,099
- What is that?
- 933
- 00:50:41,143 --> 00:50:42,275
- Jess, hand me the camera.
- 934
- 00:50:43,319 --> 00:50:45,016
- Okay, okay, okay.
- 935
- 00:51:04,949 --> 00:51:07,648
- - Upstairs, let's go upstairs.
- 936
- 00:51:07,691 --> 00:51:10,128
- Let's go upstairs.
- - That's a good idea.
- 937
- 00:51:10,172 --> 00:51:12,609
- Jess, Jess, we have
- to go, come on,
- 938
- 00:51:12,653 --> 00:51:15,177
- we have to go, go, go, go!
- - Okay.
- 939
- 00:51:15,221 --> 00:51:17,266
- - Come on, let's go.
- - Come on, come on, come on.
- 940
- 00:51:17,310 --> 00:51:19,007
- - Come on.
- - Come on!
- 941
- 00:51:19,050 --> 00:51:20,400
- How are these lights on?
- 942
- 00:51:20,443 --> 00:51:21,488
- The power's supposed to be out!
- 943
- 00:51:21,531 --> 00:51:22,750
- - Stop!
- - Just ignore them,
- 944
- 00:51:22,793 --> 00:51:25,013
- just keep moving.
- 945
- 00:51:26,406 --> 00:51:27,450
- Fuck.
- - Jesus.
- 946
- 00:51:27,494 --> 00:51:29,060
- You okay, you okay?
- - Yeah.
- 947
- 00:51:35,502 --> 00:51:36,851
- - Where the
- fuck are we going?
- 948
- 00:51:36,894 --> 00:51:39,201
- Guys, guys, guys, guys, look.
- 949
- 00:51:39,245 --> 00:51:40,594
- Look, we can't go up there.
- 950
- 00:51:40,637 --> 00:51:41,899
- - Why the fuck not?
- 951
- 00:51:41,943 --> 00:51:43,510
- - Because I
- saw your documentary.
- 952
- 00:51:43,553 --> 00:51:46,556
- - Where else is there to go?
- - Look, this is the only way.
- 953
- 00:51:46,600 --> 00:51:48,384
- - Okay.
- - Go, go.
- 954
- 00:51:52,867 --> 00:51:54,651
- - What, is there
- something wrong with this room?
- 955
- 00:51:54,695 --> 00:51:58,220
- - Oh my god, Mitchell,
- Mitchell, are you okay?
- 956
- 00:51:58,264 --> 00:51:59,308
- - I have to go in there.
- - No.
- 957
- 00:51:59,352 --> 00:52:00,266
- - I have to go.
- - You can't.
- 958
- 00:52:00,309 --> 00:52:01,876
- You can't go in there.
- 959
- 00:52:01,919 --> 00:52:05,445
- No, no, no, Mitchell, Mitchell,
- we have to get out of here!
- 960
- 00:52:05,488 --> 00:52:07,011
- - Down there,
- there's a way to the balcony.
- 961
- 00:52:07,055 --> 00:52:08,099
- - Let's do
- that then, okay?
- 962
- 00:52:08,143 --> 00:52:09,492
- Come on man.
- - Go.
- 963
- 00:52:09,536 --> 00:52:11,189
- - No ruminating.
- 964
- 00:52:11,233 --> 00:52:13,235
- No, no, no, no, no.
- 965
- 00:52:13,279 --> 00:52:14,628
- No, guys, come on.
- 966
- 00:52:15,455 --> 00:52:17,021
- This is not okay.
- 967
- 00:52:17,935 --> 00:52:19,067
- This is.
- 968
- 00:52:19,110 --> 00:52:20,547
- This is.
- 969
- 00:52:23,550 --> 00:52:25,247
- Oh my god!
- 970
- 00:52:25,291 --> 00:52:28,250
- Oh my fucking god,
- oh my fucking god!
- 971
- 00:52:30,121 --> 00:52:31,949
- Fuck, let's go in
- here, let's go in here.
- 972
- 00:52:31,993 --> 00:52:33,777
- Go, go, go, go!
- 973
- 00:52:33,821 --> 00:52:36,302
- - David!
- 974
- 00:52:36,345 --> 00:52:38,173
- - Go, quick.
- 975
- 00:52:40,044 --> 00:52:41,176
- - There's no lock,
- there's no lock!
- 976
- 00:52:41,219 --> 00:52:42,873
- - Get me something.
- - Here, hold it,
- 977
- 00:52:42,917 --> 00:52:44,397
- hold it, hold it, hold it shut.
- 978
- 00:52:44,440 --> 00:52:45,528
- Hold it shut.
- 979
- 00:52:48,531 --> 00:52:49,532
- Get out of the way.
- 980
- 00:52:55,886 --> 00:52:57,235
- - Mitchell, Mitchell.
- 981
- 00:52:57,279 --> 00:52:59,281
- You knew something was
- wrong when you fucking heard
- 982
- 00:52:59,325 --> 00:53:01,065
- Molly on the radio,
- what is going on?
- 983
- 00:53:08,203 --> 00:53:09,683
- - Let's talk a little
- bit about Alex Taylor
- 984
- 00:53:09,726 --> 00:53:12,250
- who's become a
- controversial figure
- 985
- 00:53:12,294 --> 00:53:15,079
- since the release of the
- documentary and even before.
- 986
- 00:53:15,123 --> 00:53:17,299
- Officials from Rockland
- County and Abaddon say
- 987
- 00:53:17,343 --> 00:53:20,215
- that he was never given
- permission to use the hotel.
- 988
- 00:53:20,258 --> 00:53:21,521
- - We didn't.
- 989
- 00:53:21,564 --> 00:53:23,436
- You know, I remember
- several instances where Alex
- 990
- 00:53:23,479 --> 00:53:25,916
- met with my colleagues and
- they cautioned him away
- 991
- 00:53:25,960 --> 00:53:27,918
- from the hotel, gave
- him other options.
- 992
- 00:53:27,962 --> 00:53:31,705
- - They cautioned him against
- or denied him access outright?
- 993
- 00:53:31,748 --> 00:53:33,837
- - Well, legally speaking,
- 994
- 00:53:33,881 --> 00:53:35,709
- I don't think they were
- allowed to forbid him
- 995
- 00:53:35,752 --> 00:53:38,929
- from using the hotel, so no.
- 996
- 00:53:38,973 --> 00:53:40,409
- - Brock, from what you've seen,
- 997
- 00:53:40,453 --> 00:53:43,456
- have you been able to draw
- any conclusions of your own?
- 998
- 00:53:43,499 --> 00:53:45,022
- - Oh,
- 999
- 00:53:45,066 --> 00:53:45,806
- for sure.
- 1000
- 00:53:45,849 --> 00:53:47,373
- I mean, Alex
- 1001
- 00:53:48,548 --> 00:53:50,767
- has a certain personality
- trait that's common
- 1002
- 00:53:50,811 --> 00:53:52,116
- among people who
- start with nothing
- 1003
- 00:53:52,160 --> 00:53:55,381
- and create, build
- their own businesses.
- 1004
- 00:53:55,424 --> 00:53:58,427
- They are willing to
- take risks, they gamble.
- 1005
- 00:53:58,471 --> 00:54:02,039
- And when they lose
- those gambles,
- 1006
- 00:54:02,083 --> 00:54:03,650
- they are willing to double down
- 1007
- 00:54:03,693 --> 00:54:06,392
- and compound their risks.
- 1008
- 00:54:06,435 --> 00:54:08,742
- Things can spiral
- out of control.
- 1009
- 00:54:08,785 --> 00:54:12,310
- For Alex, things were definitely
- spiraling out of control,
- 1010
- 00:54:12,354 --> 00:54:15,444
- you could make the
- argument that Hell House
- 1011
- 00:54:15,488 --> 00:54:17,359
- was not doing well financially
- 1012
- 00:54:17,403 --> 00:54:19,840
- and nobody else in the house
- really knew about that,
- 1013
- 00:54:19,883 --> 00:54:22,146
- well, maybe Mack, but
- 1014
- 00:54:22,973 --> 00:54:23,757
- I think
- 1015
- 00:54:24,975 --> 00:54:27,325
- something darker
- was at play here,
- 1016
- 00:54:27,369 --> 00:54:30,154
- something more nefarious.
- 1017
- 00:54:30,198 --> 00:54:33,854
- Something was driving him,
- something compelling him
- 1018
- 00:54:33,897 --> 00:54:37,335
- down a path toward his demise.
- 1019
- 00:54:37,379 --> 00:54:40,948
- - Well that still
- doesn't explain why
- 1020
- 00:54:40,991 --> 00:54:43,994
- he chose the hotel
- out of all the other
- 1021
- 00:54:44,038 --> 00:54:46,344
- possible options
- available to him.
- 1022
- 00:54:46,388 --> 00:54:47,258
- - I have a theory.
- 1023
- 00:54:48,521 --> 00:54:49,652
- I believe...
- 1024
- 00:54:53,221 --> 00:54:56,659
- I believe he was
- contacted by the hotel.
- 1025
- 00:54:56,703 --> 00:54:59,009
- - How do you mean,
- the hotel's been closed for--
- 1026
- 00:54:59,053 --> 00:55:00,968
- - No, I don't mean someone
- from the front desk
- 1027
- 00:55:01,011 --> 00:55:03,013
- called him to confirm
- a reservation.
- 1028
- 00:55:03,057 --> 00:55:06,277
- I believe there's something
- within the hotel that...
- 1029
- 00:55:08,802 --> 00:55:10,630
- Orchestrates events.
- 1030
- 00:55:14,460 --> 00:55:17,724
- A chain of events
- that plays out like
- 1031
- 00:55:18,942 --> 00:55:21,162
- Almost like dominoes,
- cause and effect.
- 1032
- 00:55:22,119 --> 00:55:23,294
- - What's the effect?
- 1033
- 00:55:32,652 --> 00:55:36,917
- - Whatever happened on
- October eighth, 2009.
- 1034
- 00:55:37,874 --> 00:55:39,485
- It was set in motion
- 1035
- 00:55:40,442 --> 00:55:41,835
- long before that night.
- 1036
- 00:55:53,237 --> 00:55:55,979
- The leaked transcript,
- how did you receive it?
- 1037
- 00:55:56,023 --> 00:55:57,328
- - I got it in the mail.
- 1038
- 00:55:57,372 --> 00:55:59,592
- - Any idea where it came from?
- 1039
- 00:55:59,635 --> 00:56:02,551
- - No, it was anonymous.
- - Exactly, so,
- 1040
- 00:56:02,595 --> 00:56:04,422
- so you get an anonymous tip
- 1041
- 00:56:04,466 --> 00:56:06,990
- and you contact me and then,
- 1042
- 00:56:07,034 --> 00:56:09,210
- and then we get your crew here
- 1043
- 00:56:09,253 --> 00:56:11,429
- and then in a few days
- we're all trapped in here.
- 1044
- 00:56:11,473 --> 00:56:12,605
- Don't you see?
- 1045
- 00:56:12,648 --> 00:56:13,823
- So it was--
- - So you thought this was
- 1046
- 00:56:13,867 --> 00:56:15,390
- all manipulation, then
- why did you let us--
- 1047
- 00:56:15,433 --> 00:56:16,826
- - I didn't know,
- 1048
- 00:56:18,045 --> 00:56:19,568
- look, I--
- - You should've stopped us!
- 1049
- 00:56:19,612 --> 00:56:20,917
- - No, I honestly didn't think
- that we were being baited
- 1050
- 00:56:20,961 --> 00:56:22,702
- until I heard Molly
- on the radio, okay?
- 1051
- 00:56:22,745 --> 00:56:24,268
- Why would I even go
- in the hotel if I know
- 1052
- 00:56:24,312 --> 00:56:26,401
- I was being baited?
- - Okay, okay, we cannot--
- 1053
- 00:56:26,444 --> 00:56:28,229
- - Fuck!
- - We cannot stay here.
- 1054
- 00:56:28,272 --> 00:56:30,231
- Mitchell, we need to go
- and make a run for it.
- 1055
- 00:56:30,274 --> 00:56:31,188
- We are sitting ducks!
- - Did you not see
- 1056
- 00:56:31,232 --> 00:56:32,407
- the same thing I saw out there?
- 1057
- 00:56:32,450 --> 00:56:34,061
- - Check your phone again.
- - There's no--
- 1058
- 00:56:34,104 --> 00:56:35,715
- - Just try.
- 1059
- 00:56:35,758 --> 00:56:39,370
- - Try, I tried a million times,
- there's no goddamn coverage.
- 1060
- 00:56:39,414 --> 00:56:40,720
- I have nothing, okay,
- look, I'm trying.
- 1061
- 00:56:40,763 --> 00:56:42,939
- I'm trying, there's
- nothing, nothing.
- 1062
- 00:56:42,983 --> 00:56:44,767
- There's nothing,
- there's nothing, okay?
- 1063
- 00:56:44,811 --> 00:56:48,205
- - Wait, wait, what
- about the walkie?
- 1064
- 00:56:48,249 --> 00:56:49,076
- Why don't we try a
- different channel?
- 1065
- 00:56:49,119 --> 00:56:50,904
- We didn't try that yet.
- 1066
- 00:56:50,947 --> 00:56:52,427
- Okay, okay, okay.
- 1067
- 00:56:52,470 --> 00:56:53,471
- - Maybe someone's gonna get it.
- 1068
- 00:56:53,515 --> 00:56:55,256
- - Okay, okay.
- 1069
- 00:56:55,299 --> 00:56:57,345
- Okay, okay.
- 1070
- 00:56:57,388 --> 00:56:58,302
- Let me try it.
- 1071
- 00:56:58,346 --> 00:56:59,565
- Okay, different channel.
- 1072
- 00:57:00,783 --> 00:57:02,219
- Hello, can anyone
- hear us, hello?
- 1073
- 00:57:03,699 --> 00:57:05,005
- Fuck, okay.
- 1074
- 00:57:05,048 --> 00:57:07,660
- Can anyone hear us, hello?
- 1075
- 00:57:07,703 --> 00:57:10,271
- - Yes, yes,
- I can hear you.
- 1076
- 00:57:10,314 --> 00:57:12,621
- - Hello, we're stuck
- in the Abaddon Hotel,
- 1077
- 00:57:12,665 --> 00:57:14,492
- can you please help us, please!
- 1078
- 00:57:14,536 --> 00:57:17,408
- - Yes, we have you
- checked in for October eighth.
- 1079
- 00:57:17,452 --> 00:57:21,369
- Just for you.
- 1080
- 00:57:21,412 --> 00:57:22,413
- - Oh my god.
- 1081
- 00:57:28,594 --> 00:57:29,377
- Fuck.
- 1082
- 00:57:31,074 --> 00:57:32,902
- - Hey guys,
- 1083
- 00:57:32,946 --> 00:57:34,904
- you're gonna want
- to check this out.
- 1084
- 00:57:36,297 --> 00:57:37,994
- Like I've been digging
- through all these old,
- 1085
- 00:57:38,038 --> 00:57:39,692
- crusty-ass high eight tapes
- 1086
- 00:57:39,735 --> 00:57:41,737
- and then I come across
- a couple of these nice,
- 1087
- 00:57:41,781 --> 00:57:44,000
- shiny, new mini-DV tapes
- 1088
- 00:57:44,044 --> 00:57:46,481
- and on one of 'em
- you're not gonna believe
- 1089
- 00:57:46,524 --> 00:57:49,832
- who pops up, like seriously,
- get over here, get over here.
- 1090
- 00:57:49,876 --> 00:57:50,703
- All right.
- 1091
- 00:57:53,662 --> 00:57:55,925
- Boom, let me freeze frame it.
- 1092
- 00:57:55,969 --> 00:57:57,274
- - What the,
- 1093
- 00:57:57,318 --> 00:57:58,232
- what the fuck is he
- doing on this tape?
- 1094
- 00:57:58,275 --> 00:58:00,495
- - Wait, wait, could their tapes
- 1095
- 00:58:00,538 --> 00:58:01,757
- have gotten mixed
- up with Tully's?
- 1096
- 00:58:01,801 --> 00:58:03,498
- - No, no, no, no, these
- are from the tapes
- 1097
- 00:58:03,541 --> 00:58:04,760
- that we found in
- the basement, okay?
- 1098
- 00:58:04,804 --> 00:58:06,457
- There is literally no
- one else from Hell House
- 1099
- 00:58:06,501 --> 00:58:07,937
- on these tapes.
- - What are they saying?
- 1100
- 00:58:07,981 --> 00:58:09,373
- Have you listened?
- - They're having some kind
- 1101
- 00:58:09,417 --> 00:58:10,940
- of meeting, I can't
- really tell yet.
- 1102
- 00:58:10,984 --> 00:58:12,594
- - Who was meeting who?
- 1103
- 00:58:12,638 --> 00:58:17,207
- - Alex and then someone else
- that I haven't even seen yet.
- 1104
- 00:58:17,251 --> 00:58:19,601
- Like, okay, look at
- the hard-coded date.
- 1105
- 00:58:19,645 --> 00:58:21,255
- That's April, okay?
- 1106
- 00:58:21,298 --> 00:58:23,518
- That's six months before
- the fucking tragedy.
- 1107
- 00:58:23,561 --> 00:58:26,347
- - Alex, he.
- - Six months.
- 1108
- 00:58:26,390 --> 00:58:27,522
- - He'd always given
- the impression that--
- 1109
- 00:58:27,565 --> 00:58:30,090
- - That he had never
- been there before.
- 1110
- 00:58:30,133 --> 00:58:31,439
- - Right.
- 1111
- 00:58:31,482 --> 00:58:32,788
- - Then what the fuck,
- we have to watch this.
- 1112
- 00:58:32,832 --> 00:58:35,356
- - All right, all right,
- hold onto your butts.
- 1113
- 00:58:44,191 --> 00:58:45,801
- - And where the fuck
- have you been, huh?
- 1114
- 00:58:45,845 --> 00:58:46,715
- I've been calling you for weeks
- 1115
- 00:58:46,759 --> 00:58:48,151
- and they go to voicemail.
- 1116
- 00:58:48,195 --> 00:58:49,500
- I can sue you, you know?
- 1117
- 00:58:49,544 --> 00:58:50,937
- - You knew it was
- high risk, I told you
- 1118
- 00:58:50,980 --> 00:58:53,853
- something like this could
- happen, it was bad luck.
- 1119
- 00:58:53,896 --> 00:58:55,463
- - Bad luck?
- 1120
- 00:58:55,506 --> 00:58:59,249
- No, no, no, no, no, but I
- lost a fortune on that, okay?
- 1121
- 00:58:59,293 --> 00:59:00,729
- What the fuck am I
- supposed to do now?
- 1122
- 00:59:00,773 --> 00:59:01,991
- - What are
- you supposed to do?
- 1123
- 00:59:02,035 --> 00:59:04,385
- I don't know, Alex, take
- some responsibility?
- 1124
- 00:59:04,428 --> 00:59:08,606
- - No, no, no, no, you
- reached out to me, okay?
- 1125
- 00:59:08,650 --> 00:59:10,043
- You called me, why
- did you do that?
- 1126
- 00:59:10,086 --> 00:59:11,871
- Were you trying to scam
- me from the beginning?
- 1127
- 00:59:11,914 --> 00:59:13,655
- - You're obviously
- business savvy,
- 1128
- 00:59:13,699 --> 00:59:16,440
- Hell House is a huge success
- in the highly-successful
- 1129
- 00:59:16,484 --> 00:59:18,486
- Halloween market like New York.
- 1130
- 00:59:19,530 --> 00:59:20,575
- - Yeah, it was.
- 1131
- 00:59:22,229 --> 00:59:23,491
- It was.
- 1132
- 00:59:23,534 --> 00:59:24,405
- - What do you mean was?
- 1133
- 00:59:24,448 --> 00:59:25,580
- You've still got the business.
- 1134
- 00:59:27,582 --> 00:59:29,410
- Alex, you didn't.
- 1135
- 00:59:30,716 --> 00:59:33,588
- You invested the company's
- money and not your own,
- 1136
- 00:59:33,631 --> 00:59:37,548
- oh wow, did I have
- you pegged so wrong.
- 1137
- 00:59:37,592 --> 00:59:40,029
- That's some tough explaining
- to your pal, Mack.
- 1138
- 00:59:40,073 --> 00:59:43,206
- Say, Alex, where did
- all our money go?
- 1139
- 00:59:43,250 --> 00:59:46,601
- Well, Mack, it's gone,
- but on a brighter note,
- 1140
- 00:59:46,644 --> 00:59:49,952
- Rockland County is really
- lovely this time of year.
- 1141
- 00:59:49,996 --> 00:59:53,303
- Wish I could be a fly
- on the wall for that.
- 1142
- 00:59:53,347 --> 00:59:57,743
- Relax, Alex, I think I
- might be able to help you.
- 1143
- 00:59:57,786 --> 00:59:59,222
- - How?
- 1144
- 00:59:59,266 --> 01:00:01,311
- - What do you
- think of this place?
- 1145
- 01:00:01,355 --> 01:00:02,660
- - This hotel?
- 1146
- 01:00:02,704 --> 01:00:05,141
- It's a dump.
- - Well, sure,
- 1147
- 01:00:05,185 --> 01:00:07,404
- it hasn't had guests
- in a few decades,
- 1148
- 01:00:07,448 --> 01:00:08,884
- but what do you think about it?
- 1149
- 01:00:11,582 --> 01:00:13,497
- - I don't know,
- it's kinda freaky.
- 1150
- 01:00:13,541 --> 01:00:15,108
- Easy to get lost.
- 1151
- 01:00:15,151 --> 01:00:17,371
- I mean, who makes it that
- hard to find a dining room?
- 1152
- 01:00:17,414 --> 01:00:19,112
- - Fun, right?
- 1153
- 01:00:19,155 --> 01:00:21,679
- It's been in my possession
- for a very long time
- 1154
- 01:00:21,723 --> 01:00:23,029
- and I've been looking
- to do something
- 1155
- 01:00:23,072 --> 01:00:24,770
- to put it back on the map.
- 1156
- 01:00:26,423 --> 01:00:28,164
- - Something like what?
- 1157
- 01:00:28,208 --> 01:00:29,862
- - An attraction
- of some kind.
- 1158
- 01:00:30,863 --> 01:00:34,518
- A haunted house, perhaps?
- 1159
- 01:00:34,562 --> 01:00:38,784
- You could help me give
- this hotel a second life.
- 1160
- 01:00:59,674 --> 01:01:02,720
- - Are we all
- gonna die in here?
- 1161
- 01:01:04,679 --> 01:01:06,724
- - Molly, no, no, no, no.
- 1162
- 01:01:06,768 --> 01:01:09,118
- Just stay calm, we are
- gonna figure this out
- 1163
- 01:01:09,162 --> 01:01:12,078
- and then we're gonna get
- out of here, I promise you.
- 1164
- 01:01:12,121 --> 01:01:12,905
- Okay?
- 1165
- 01:01:15,908 --> 01:01:17,300
- I didn't think.
- 1166
- 01:01:19,650 --> 01:01:20,651
- I didn't know.
- 1167
- 01:01:23,306 --> 01:01:24,220
- There was
- 1168
- 01:01:26,005 --> 01:01:27,180
- so much blood.
- 1169
- 01:01:30,096 --> 01:01:31,358
- - Whose blood?
- 1170
- 01:01:32,620 --> 01:01:33,839
- Where did you see the blood?
- 1171
- 01:01:35,362 --> 01:01:36,145
- His blood.
- 1172
- 01:01:40,497 --> 01:01:42,804
- Her blood, my blood.
- 1173
- 01:01:47,722 --> 01:01:52,379
- They laughed and laughed
- and laughed and...
- 1174
- 01:02:20,581 --> 01:02:21,364
- Do you know,
- 1175
- 01:02:22,888 --> 01:02:25,238
- in the Bible they call
- it the lake of fire.
- 1176
- 01:02:28,241 --> 01:02:30,025
- - Can you tell
- us who you were with?
- 1177
- 01:02:31,635 --> 01:02:33,507
- Where have you been
- the last few days?
- 1178
- 01:02:34,769 --> 01:02:37,076
- - Just conserve your energy.
- - For what?
- 1179
- 01:02:37,990 --> 01:02:39,774
- What's the plan?
- 1180
- 01:02:39,817 --> 01:02:40,601
- I mean,
- 1181
- 01:02:41,863 --> 01:02:44,083
- we have to make a run
- for it, eventually,
- 1182
- 01:02:44,126 --> 01:02:46,085
- I mean we have to, didn't
- you say there was a balcony?
- 1183
- 01:02:46,128 --> 01:02:48,696
- - Yes, yes, there is a
- balcony, I saw it on the tapes.
- 1184
- 01:02:48,739 --> 01:02:50,089
- - Then that's where
- we have to go.
- 1185
- 01:02:50,132 --> 01:02:52,004
- - Yes, eventually,
- just not right now.
- 1186
- 01:02:52,918 --> 01:02:54,223
- You saw what's out there.
- 1187
- 01:02:56,704 --> 01:02:57,487
- - Fine.
- 1188
- 01:02:58,488 --> 01:02:59,881
- - If we get outta here,
- 1189
- 01:03:00,882 --> 01:03:02,014
- I want a vacation.
- 1190
- 01:03:04,581 --> 01:03:07,758
- A whole week where
- you don't get to call,
- 1191
- 01:03:07,802 --> 01:03:09,238
- text or e-mail me
- 1192
- 01:03:10,283 --> 01:03:12,633
- and I can just sit on the couch
- 1193
- 01:03:12,676 --> 01:03:15,723
- and binge watch So You
- Think You Can Dance.
- 1194
- 01:03:17,116 --> 01:03:18,465
- Is that a deal?
- 1195
- 01:03:20,946 --> 01:03:22,730
- - Yeah, it's a deal.
- 1196
- 01:03:37,179 --> 01:03:37,963
- I'm sorry.
- 1197
- 01:03:41,053 --> 01:03:41,967
- - Shh, shh.
- 1198
- 01:03:47,624 --> 01:03:48,799
- - Sleep sweet.
- 1199
- 01:03:48,843 --> 01:03:50,671
- Shit!
- 1200
- 01:03:50,714 --> 01:03:51,889
- - Fuck.
- - Who turned off the lights?
- 1201
- 01:03:51,933 --> 01:03:53,152
- - David?
- - Damn it!
- 1202
- 01:03:53,195 --> 01:03:55,937
- - I can't,
- where are you, David?
- 1203
- 01:03:55,981 --> 01:03:57,069
- - I'm over
- here by the camera.
- 1204
- 01:03:57,112 --> 01:03:58,331
- - Who turned off the light?
- - Okay.
- 1205
- 01:03:58,374 --> 01:03:59,985
- - Just crawl
- towards the sound.
- 1206
- 01:04:01,987 --> 01:04:04,641
- Okay, okay, okay, I told you.
- - What's wrong with it?
- 1207
- 01:04:04,685 --> 01:04:05,860
- - There's nothing
- this camera can do
- 1208
- 01:04:05,903 --> 01:04:07,383
- that I can't fix.
- - Come on!
- 1209
- 01:04:07,427 --> 01:04:09,559
- - I'm working, Jess, and...
- 1210
- 01:04:09,603 --> 01:04:10,734
- - Come on.
- - Boom!
- 1211
- 01:04:10,778 --> 01:04:11,866
- Boom, got it.
- 1212
- 01:04:11,909 --> 01:04:12,954
- Got it, see?
- - I'm sorry, I'm sorry.
- 1213
- 01:04:12,998 --> 01:04:14,042
- - What did it tell you, got it.
- 1214
- 01:04:14,086 --> 01:04:16,131
- See, I told you.
- - Okay.
- 1215
- 01:04:17,219 --> 01:04:18,351
- What the fuck?
- 1216
- 01:04:18,394 --> 01:04:19,961
- - What, what?
- - Why is the door open?
- 1217
- 01:04:21,180 --> 01:04:23,617
- - More importantly,
- where the fuck is Molly?
- 1218
- 01:04:23,660 --> 01:04:24,792
- - Molly?
- - She wouldn't
- 1219
- 01:04:24,835 --> 01:04:27,055
- just get up and
- walk the fuck out!
- 1220
- 01:04:27,099 --> 01:04:28,404
- - She wouldn't get
- out of this room by herself.
- 1221
- 01:04:28,448 --> 01:04:29,753
- - Molly!
- - Stop!
- 1222
- 01:04:29,797 --> 01:04:32,452
- - Hey, Molly, come on!
- - Stop, stop, stop.
- 1223
- 01:04:32,495 --> 01:04:33,757
- - All right, all right.
- - Listen.
- 1224
- 01:04:33,801 --> 01:04:35,150
- I'm chill.
- - We'll go get her.
- 1225
- 01:04:35,194 --> 01:04:36,760
- We'll go get her.
- - Jessica, tell him I'm chill!
- 1226
- 01:04:36,804 --> 01:04:38,458
- - Okay, he's okay.
- - Fine, you're chill,
- 1227
- 01:04:38,501 --> 01:04:40,242
- you're chill, I get it.
- - He's okay.
- 1228
- 01:04:40,286 --> 01:04:42,157
- Okay, calm down.
- - What is that?
- 1229
- 01:04:43,941 --> 01:04:46,031
- That wasn't here before.
- 1230
- 01:04:50,861 --> 01:04:53,168
- - Mitchell,
- Mitchell, what is it?
- 1231
- 01:04:53,212 --> 01:04:54,996
- - Mitchell?
- 1232
- 01:04:57,477 --> 01:04:58,608
- - What is it?
- 1233
- 01:05:00,045 --> 01:05:02,047
- - Jessica,
- what does it say?
- 1234
- 01:05:03,831 --> 01:05:05,398
- - It says,
- 1235
- 01:05:05,441 --> 01:05:08,444
- "Lovely Molly's in the
- basement with her friends."
- 1236
- 01:05:08,488 --> 01:05:09,880
- - This basement,
- the basement here?
- 1237
- 01:05:09,924 --> 01:05:11,056
- - I don't know,
- that's what it says!
- 1238
- 01:05:11,099 --> 01:05:12,970
- - No, come on!
- - No, no, no.
- 1239
- 01:05:13,014 --> 01:05:15,408
- David, stop it!
- - Listen.
- 1240
- 01:05:15,451 --> 01:05:18,411
- - We're gonna find her.
- - I just want to get her back.
- 1241
- 01:05:18,454 --> 01:05:20,587
- - Okay, we know, we all
- want her back, just be calm.
- 1242
- 01:05:20,630 --> 01:05:22,067
- - I promise you we'll
- go get her we just--
- 1243
- 01:05:22,110 --> 01:05:25,592
- - You promise me, Mitchell.
- - Just don't, I promise,
- 1244
- 01:05:25,635 --> 01:05:27,768
- I promise, just don't be
- stupid about this, okay?
- 1245
- 01:05:27,811 --> 01:05:28,638
- I'll go first
- 1246
- 01:05:29,813 --> 01:05:31,902
- and Jessica, you go next
- 1247
- 01:05:31,946 --> 01:05:33,730
- and then you get
- our backs, okay?
- 1248
- 01:05:33,774 --> 01:05:35,036
- - Okay, we're gonna get her.
- 1249
- 01:05:35,950 --> 01:05:36,994
- - Okay.
- 1250
- 01:05:37,952 --> 01:05:38,822
- - We have to go slowly.
- - Come on.
- 1251
- 01:05:38,866 --> 01:05:42,130
- - Slowly, shh, be quiet.
- 1252
- 01:05:42,174 --> 01:05:43,914
- - Going to the basement.
- 1253
- 01:05:44,959 --> 01:05:46,743
- Going to the basement.
- 1254
- 01:05:48,005 --> 01:05:49,268
- We're going to the
- fucking basement.
- 1255
- 01:06:00,235 --> 01:06:03,108
- Watch your head, Jess.
- - Okay, okay.
- 1256
- 01:06:19,211 --> 01:06:22,039
- - It's clear,
- it's clear, let's go.
- 1257
- 01:06:22,083 --> 01:06:24,433
- - Where are you?
- - It's clear.
- 1258
- 01:06:24,477 --> 01:06:26,609
- - Stay close, stay close.
- 1259
- 01:06:34,400 --> 01:06:36,402
- - What the fuck?
- 1260
- 01:06:37,751 --> 01:06:39,970
- How are these lights working?
- 1261
- 01:06:45,976 --> 01:06:47,761
- - Let's go.
- 1262
- 01:07:09,565 --> 01:07:10,392
- Okay, okay.
- 1263
- 01:07:16,964 --> 01:07:18,008
- - Fuck.
- 1264
- 01:07:20,315 --> 01:07:21,186
- - This way.
- 1265
- 01:07:29,716 --> 01:07:32,153
- - Do you see her?
- - Shh, shh.
- 1266
- 01:07:52,086 --> 01:07:54,219
- - What, what?
- 1267
- 01:07:57,178 --> 01:07:58,962
- Oh my god!
- - What, what?
- 1268
- 01:07:59,006 --> 01:08:01,791
- - Keep it together,
- Jess, just keep it together.
- 1269
- 01:08:01,835 --> 01:08:04,272
- - Oh fuck, no, we
- have to go and get her!
- 1270
- 01:08:04,316 --> 01:08:06,100
- - No, no, no, David.
- - Go get her now.
- 1271
- 01:08:06,143 --> 01:08:08,972
- - Just be careful, we don't
- know what the fuck is in here.
- 1272
- 01:08:09,016 --> 01:08:10,539
- - Okay.
- - Just take it easy.
- 1273
- 01:08:10,583 --> 01:08:12,367
- Just take it slow, I've got
- your back but take it slow.
- 1274
- 01:08:12,411 --> 01:08:14,021
- - All right.
- 1275
- 01:08:16,066 --> 01:08:17,459
- Jess?
- - Yes.
- 1276
- 01:08:17,503 --> 01:08:21,594
- - Just take the camera.
- - Okay, okay, I've got it.
- 1277
- 01:08:21,637 --> 01:08:22,421
- Okay.
- 1278
- 01:08:24,379 --> 01:08:26,642
- Come on, Mitchell,
- let's do this.
- 1279
- 01:08:26,686 --> 01:08:28,340
- - Hold on.
- 1280
- 01:08:30,255 --> 01:08:31,081
- You go slow.
- 1281
- 01:08:32,735 --> 01:08:34,259
- I got your back but go slow.
- 1282
- 01:08:35,085 --> 01:08:36,304
- - Molly.
- 1283
- 01:08:36,348 --> 01:08:37,871
- Molly.
- 1284
- 01:08:37,914 --> 01:08:38,785
- - Easy.
- 1285
- 01:08:40,090 --> 01:08:41,222
- No sudden moves.
- 1286
- 01:08:42,267 --> 01:08:44,747
- - Fuck, something's coming!
- - Molly?
- 1287
- 01:08:44,791 --> 01:08:46,358
- - Mitchell,
- Mitchell, hurry!
- 1288
- 01:08:46,401 --> 01:08:48,447
- - Molly, I need you to get up.
- - Hurry, hurry, it's coming.
- 1289
- 01:08:48,490 --> 01:08:52,146
- Wake up now.
- 1290
- 01:08:53,060 --> 01:08:55,149
- - Hurry, it's
- coming, it's coming!
- 1291
- 01:08:55,192 --> 01:08:57,064
- - Oh my god!
- 1292
- 01:08:59,588 --> 01:09:02,025
- - Molly, come
- on, you're all right,
- 1293
- 01:09:02,069 --> 01:09:03,331
- we've gotta get you outta here!
- 1294
- 01:09:03,375 --> 01:09:06,116
- - Go, go, go,
- go, get out, get out!
- 1295
- 01:09:06,160 --> 01:09:07,204
- - Go!
- - Come on!
- 1296
- 01:09:07,248 --> 01:09:09,032
- Come on, get out, now!
- 1297
- 01:09:09,076 --> 01:09:11,165
- Go Jessica, go, go, go, go!
- 1298
- 01:09:18,433 --> 01:09:20,870
- - Oh my god!
- - David!
- 1299
- 01:09:20,914 --> 01:09:22,176
- David!
- - Get out of here!
- 1300
- 01:09:22,219 --> 01:09:23,264
- Go, go!
- 1301
- 01:09:24,091 --> 01:09:26,702
- Molly, where are you?
- 1302
- 01:09:26,746 --> 01:09:27,529
- Fuck.
- 1303
- 01:09:28,400 --> 01:09:30,227
- Oh my god, where are you?
- 1304
- 01:09:30,271 --> 01:09:31,403
- I don't know how to get out.
- 1305
- 01:09:31,446 --> 01:09:33,796
- Molly run, run, Molly, run!
- 1306
- 01:09:36,582 --> 01:09:38,932
- Quick.
- - Get the door.
- 1307
- 01:09:40,934 --> 01:09:42,196
- Fucking open!
- 1308
- 01:09:42,239 --> 01:09:44,198
- - Stop it,
- stop it, it's locked,
- 1309
- 01:09:44,241 --> 01:09:45,591
- it's locked, fuck.
- 1310
- 01:09:47,027 --> 01:09:52,032
- Molly, where are you?
- 1311
- 01:09:53,686 --> 01:09:54,861
- - Oh my god!
- 1312
- 01:09:55,949 --> 01:09:59,082
- - Stop, please, no!
- 1313
- 01:10:01,868 --> 01:10:03,565
- Come here, where is it?
- 1314
- 01:10:03,609 --> 01:10:04,827
- - Where is it?
- - Do you see it?
- 1315
- 01:10:04,871 --> 01:10:05,654
- Shh, shh.
- 1316
- 01:10:07,134 --> 01:10:08,222
- Molly?
- 1317
- 01:10:08,265 --> 01:10:10,267
- Where are you, Molly?
- - I'm here.
- 1318
- 01:10:10,311 --> 01:10:12,922
- - Look, where is it?
- 1319
- 01:10:19,320 --> 01:10:22,236
- - We have on the phone
- right now Jessica Fox,
- 1320
- 01:10:22,279 --> 01:10:26,240
- Editor of the new
- and controversial
- website The Inside,
- 1321
- 01:10:26,283 --> 01:10:29,199
- she'd like to weigh in on the
- topic of the Abaddon Hotel.
- 1322
- 01:10:29,243 --> 01:10:30,940
- Jessica, you're
- on air, go ahead.
- 1323
- 01:10:30,984 --> 01:10:32,899
- - Hi Suzy, thanks
- for this opportunity,
- 1324
- 01:10:32,942 --> 01:10:35,510
- I wanna start by saying--
- - Whoa, whoa, whoa,
- 1325
- 01:10:35,554 --> 01:10:37,120
- wait a minute, Jessica Fox?
- 1326
- 01:10:37,164 --> 01:10:38,731
- You're the one that's
- been writing about
- 1327
- 01:10:38,774 --> 01:10:40,994
- the hotel recently, right?
- 1328
- 01:10:41,037 --> 01:10:43,126
- Saying how you know for a fact
- 1329
- 01:10:43,170 --> 01:10:45,259
- that Tully was some
- kind of boogey man
- 1330
- 01:10:45,302 --> 01:10:48,784
- and that the town has been
- complicit in some ways?
- 1331
- 01:10:48,828 --> 01:10:51,178
- This is why people
- laugh at internet blogs,
- 1332
- 01:10:51,221 --> 01:10:54,268
- lies under the guise of
- journalism is fake news.
- 1333
- 01:10:54,311 --> 01:10:58,315
- You had the chance to be the
- next Buzzfeed but instead,
- 1334
- 01:10:58,359 --> 01:11:00,796
- you're chasing ghost stories
- and it's gonna be your funeral
- 1335
- 01:11:00,840 --> 01:11:02,407
- because there's nothing--
- - I have physical proof
- 1336
- 01:11:02,450 --> 01:11:05,061
- of Tully's involvement in the
- disappearance of his guests,
- 1337
- 01:11:05,105 --> 01:11:07,237
- the town's involvement
- in the subsequent coverup
- 1338
- 01:11:07,281 --> 01:11:08,804
- and the link to Hell House.
- 1339
- 01:11:08,848 --> 01:11:11,459
- - Then why aren't you
- typing away in your Brooklyn
- 1340
- 01:11:11,503 --> 01:11:14,331
- studio apartment instead
- of calling in here?
- 1341
- 01:11:14,375 --> 01:11:16,812
- By all means, break
- the case wide open.
- 1342
- 01:11:16,856 --> 01:11:18,684
- - I intend
- to do just that.
- 1343
- 01:11:18,727 --> 01:11:19,989
- If you're on the town's payroll,
- 1344
- 01:11:20,033 --> 01:11:21,904
- I would resign right
- now if I were you,
- 1345
- 01:11:21,948 --> 01:11:24,211
- things are going to get very
- messy for that little town.
- 1346
- 01:11:24,254 --> 01:11:26,213
- - What is the purpose
- of this call, really?
- 1347
- 01:11:26,256 --> 01:11:28,781
- If you had proof, you
- wouldn't be calling here
- 1348
- 01:11:28,824 --> 01:11:32,393
- with empty, vague threats.
- - Jessica, do you have proof?
- 1349
- 01:11:32,437 --> 01:11:34,439
- Do you plan on revealing it?
- 1350
- 01:11:34,482 --> 01:11:36,397
- - Mitchell, if you
- want to know what happened
- 1351
- 01:11:36,441 --> 01:11:38,443
- to Diane, then come and find me.
- 1352
- 01:11:42,229 --> 01:11:45,188
- - I'm not sure what
- she was alluding to
- 1353
- 01:11:45,232 --> 01:11:48,365
- but apparently she
- knows where Diane is.
- 1354
- 01:11:48,409 --> 01:11:51,978
- - This is what we run
- into in our town, Suzy.
- 1355
- 01:11:52,021 --> 01:11:54,415
- We have limited resources
- 1356
- 01:11:54,459 --> 01:11:56,765
- but we have to spend
- money that we don't have
- 1357
- 01:11:56,809 --> 01:12:01,204
- guarding the hotel, defending
- ourselves from slander from
- 1358
- 01:12:01,248 --> 01:12:05,557
- Mitchell here and the
- internet crazy Ms. Fox.
- 1359
- 01:12:59,785 --> 01:13:01,874
- - Yeah, I'm just nervous.
- 1360
- 01:13:03,440 --> 01:13:05,573
- I don't know, Mom, it
- just feels like Alex
- 1361
- 01:13:05,617 --> 01:13:08,445
- is just, you know,
- keeping something from us.
- 1362
- 01:13:10,360 --> 01:13:11,840
- Yeah, I know, once we
- get through opening night
- 1363
- 01:13:11,884 --> 01:13:13,886
- it'll all be
- downhill from there.
- 1364
- 01:13:13,929 --> 01:13:16,366
- No, Mom, I already told
- you, I'm dead already.
- 1365
- 01:13:16,410 --> 01:13:18,978
- He took us to Hell and
- Mitchell's coming with us.
- 1366
- 01:14:04,501 --> 01:14:06,808
- - Look, we can talk about
- this for days on end,
- 1367
- 01:14:08,288 --> 01:14:11,378
- the only thing I can
- assure the audience is that
- 1368
- 01:14:11,421 --> 01:14:14,511
- I did nothing to
- alter those tapes.
- 1369
- 01:14:14,555 --> 01:14:16,513
- I think that the hotel
- is very dangerous
- 1370
- 01:14:16,557 --> 01:14:19,125
- and everyone should
- stay away from it.
- 1371
- 01:14:19,168 --> 01:14:21,562
- It's not a joke,
- 1372
- 01:14:21,606 --> 01:14:22,607
- okay, this is real.
- 1373
- 01:14:24,391 --> 01:14:25,435
- This is real.
- 1374
- 01:14:27,350 --> 01:14:29,831
- - Do you intend to
- stay away from the hotel?
- 1375
- 01:14:47,196 --> 01:14:47,980
- - I do.
- 1376
- 01:14:51,200 --> 01:14:54,029
- Even though I wanna
- know what happened
- 1377
- 01:14:54,073 --> 01:14:57,642
- just as much as anyone
- else, probably more.
- 1378
- 01:14:59,121 --> 01:15:00,514
- - Because of Diane?
- 1379
- 01:15:03,735 --> 01:15:04,518
- - Yeah.
- 1380
- 01:15:09,523 --> 01:15:10,655
- Yeah, because of Diane.
- 1381
- 01:15:15,268 --> 01:15:16,095
- But also
- 1382
- 01:15:17,096 --> 01:15:19,489
- because of the genuine curiosity
- 1383
- 01:15:19,533 --> 01:15:22,797
- that got me into documentary
- filmmaking in the first place.
- 1384
- 01:15:24,581 --> 01:15:27,106
- But I have no intention of
- ever entering the Abaddon.
- 1385
- 01:15:28,455 --> 01:15:30,500
- - Thank you, Mitchell.
- 1386
- 01:15:30,544 --> 01:15:33,373
- You set a fine example
- by saying that.
- 1387
- 01:15:34,635 --> 01:15:37,464
- - Well, I think we'll
- end on that positive note
- 1388
- 01:15:37,507 --> 01:15:38,900
- and some agreement.
- 1389
- 01:15:38,944 --> 01:15:41,468
- Thank you to my panel
- for the lively debate
- 1390
- 01:15:41,511 --> 01:15:43,731
- and thank you for
- watching the show.
- 1391
- 01:15:43,775 --> 01:15:46,516
- Next week we'll continue to
- focus on the Abaddon Hotel
- 1392
- 01:15:46,560 --> 01:15:48,997
- and I'll be interviewing
- wealthy tech entrepreneur
- 1393
- 01:15:49,041 --> 01:15:52,174
- Russell Wynn, who claims
- he's been receiving
- 1394
- 01:15:52,218 --> 01:15:55,743
- anonymous packages
- containing unseen video
- 1395
- 01:15:55,787 --> 01:15:57,571
- from the Abaddon Hotel.
- 1396
- 01:15:57,614 --> 01:16:00,487
- And he's been quietly
- putting it all together.
- 1397
- 01:16:01,706 --> 01:16:04,578
- And we'll hear about
- that and his plans
- 1398
- 01:16:04,621 --> 01:16:09,104
- to relocate his popular
- site-specific play Insomnia.
- 1399
- 01:16:11,541 --> 01:16:13,761
- - And we're clear.
- 1400
- 01:16:17,069 --> 01:16:19,288
- - Hey man, you
- serious about that?
- 1401
- 01:16:19,332 --> 01:16:20,855
- - About what?
- 1402
- 01:16:20,899 --> 01:16:22,727
- - About not
- going back to the hotel.
- 1403
- 01:16:22,770 --> 01:16:24,990
- - I think so, why?
- 1404
- 01:16:25,033 --> 01:16:27,688
- - Because I know you're
- lying to my face.
- 1405
- 01:16:28,950 --> 01:16:31,692
- You'll come back and if you're
- trying to get to the secrets
- 1406
- 01:16:31,736 --> 01:16:35,087
- that only ghosts keep,
- you need Brock Davies.
- 1407
- 01:16:35,130 --> 01:16:37,611
- - I'm never gonna set
- foot there, Brock,
- 1408
- 01:16:37,654 --> 01:16:39,178
- you should stay away as well.
- 1409
- 01:16:42,224 --> 01:16:43,182
- - Okay.
- 1410
- 01:16:43,225 --> 01:16:45,271
- - Monica, can we
- re-do the intro?
- 1411
- 01:16:45,314 --> 01:16:46,968
- I felt like some of
- it was a bit stale
- 1412
- 01:16:47,012 --> 01:16:49,666
- and I wanna change some of
- the lines in the beginning.
- 1413
- 01:16:51,799 --> 01:16:54,323
- - We just got a
- call from Arnold Tasselman.
- 1414
- 01:16:54,367 --> 01:16:56,151
- - Yeah, he just left,
- what did he forget?
- 1415
- 01:16:56,195 --> 01:16:58,719
- - That's the weird
- thing, he called to apologize
- 1416
- 01:16:58,763 --> 01:17:00,286
- that he missed the
- interview, he said he was in
- 1417
- 01:17:00,329 --> 01:17:03,376
- a minor accident on the
- way here and he's sorry
- 1418
- 01:17:03,419 --> 01:17:05,160
- that he missed it, he
- couldn't call until now.
- 1419
- 01:17:05,204 --> 01:17:06,509
- - What do you mean
- he missed the show?
- 1420
- 01:17:06,553 --> 01:17:08,729
- I just interviewed him.
- - I know,
- 1421
- 01:17:08,773 --> 01:17:11,079
- it sounded just like him, he
- said for the last two hours
- 1422
- 01:17:11,123 --> 01:17:12,428
- he's been dealing
- with the police
- 1423
- 01:17:12,472 --> 01:17:14,691
- and the insurance and
- this woman that he hit.
- 1424
- 01:17:15,867 --> 01:17:18,434
- - The fucking same
- Arnold Tasselman
- 1425
- 01:17:18,478 --> 01:17:21,568
- who was just in the
- studio 30 seconds ago?
- 1426
- 01:17:26,834 --> 01:17:28,618
- - Mitchell.
- - Shh, shh.
- 1427
- 01:17:29,619 --> 01:17:31,665
- - Untie me.
- - Shh, shh.
- 1428
- 01:17:32,753 --> 01:17:34,581
- - Mitchell.
- - Oh my god.
- 1429
- 01:17:36,235 --> 01:17:37,410
- - Leave 'em be.
- 1430
- 01:17:40,195 --> 01:17:42,415
- - What are you doing here?
- 1431
- 01:17:44,504 --> 01:17:46,549
- What the fuck are
- you doing here?
- 1432
- 01:17:46,593 --> 01:17:48,900
- - You're having trouble
- putting this together?
- 1433
- 01:17:53,121 --> 01:17:54,122
- - But this can't be.
- 1434
- 01:17:55,080 --> 01:17:58,213
- You're--
- - I'm what, Mitchell?
- 1435
- 01:17:58,257 --> 01:18:00,650
- - You're dead, you're dead.
- 1436
- 01:18:00,694 --> 01:18:03,218
- - For a long time, now.
- 1437
- 01:18:03,262 --> 01:18:04,654
- Pick up the camera.
- 1438
- 01:18:09,659 --> 01:18:11,836
- Pick up the goddamn camera.
- 1439
- 01:18:23,717 --> 01:18:24,718
- Nice to meet you,
- 1440
- 01:18:25,980 --> 01:18:27,460
- I'm Andrew Tully
- 1441
- 01:18:27,503 --> 01:18:31,681
- and you are a guest in my hotel.
- 1442
- 01:18:31,725 --> 01:18:34,554
- A permanent guest
- like my friends here?
- 1443
- 01:18:36,382 --> 01:18:37,774
- We'll see.
- 1444
- 01:18:37,818 --> 01:18:42,649
- Oh have you ever met the
- Hell House brain trust?
- 1445
- 01:18:42,692 --> 01:18:44,825
- This here is Mack,
- 1446
- 01:18:44,869 --> 01:18:46,827
- his friendship to Alex
- 1447
- 01:18:46,871 --> 01:18:50,526
- doomed him long before they
- ever opened Hell House.
- 1448
- 01:18:50,570 --> 01:18:52,659
- We almost lost Tony if
- it weren't for Mack here
- 1449
- 01:18:52,702 --> 01:18:56,619
- spilling the beans at
- just the right moment
- 1450
- 01:18:56,663 --> 01:19:01,668
- and this is the most important
- piece of my domino set.
- 1451
- 01:19:03,278 --> 01:19:04,801
- Alex Taylor.
- 1452
- 01:19:06,499 --> 01:19:09,719
- I was surprised how easily
- you were manipulated by me.
- 1453
- 01:19:10,895 --> 01:19:14,115
- Almost as easy as Alex,
- right on television.
- 1454
- 01:19:15,987 --> 01:19:20,078
- All I ever wanted
- was for more guests.
- 1455
- 01:19:21,514 --> 01:19:23,385
- ♪ Be my guest
- 1456
- 01:19:23,429 --> 01:19:25,953
- ♪ Be my guest
- 1457
- 01:19:25,997 --> 01:19:27,389
- And you all came.
- 1458
- 01:19:28,521 --> 01:19:31,698
- Just like Alex.
- 1459
- 01:19:31,741 --> 01:19:33,134
- Just like Diane.
- 1460
- 01:19:35,702 --> 01:19:37,747
- Don't you dare drop that camera!
- 1461
- 01:19:45,712 --> 01:19:46,756
- Now,
- 1462
- 01:19:47,670 --> 01:19:48,889
- I have to warn you,
- 1463
- 01:19:50,021 --> 01:19:52,719
- this is gonna be very
- difficult for you
- 1464
- 01:19:52,762 --> 01:19:57,376
- and you are gonna have to
- make some tough decisions
- 1465
- 01:19:57,419 --> 01:20:00,596
- on how we keep the
- dominoes falling
- 1466
- 01:20:00,640 --> 01:20:03,512
- and our hotel open.
- 1467
- 01:20:07,995 --> 01:20:09,257
- Oh,
- 1468
- 01:20:10,824 --> 01:20:15,046
- you were under the impression
- that we closed the hotel.
- 1469
- 01:20:16,308 --> 01:20:20,529
- The hotel has never
- been fucking closed!
- 1470
- 01:20:20,573 --> 01:20:22,270
- When we died here 30 years ago,
- 1471
- 01:20:22,314 --> 01:20:24,969
- that was just our
- grand relaunch!
- 1472
- 01:20:26,231 --> 01:20:29,974
- Alex here, well he thought
- he was opening up Hell House
- 1473
- 01:20:30,017 --> 01:20:33,064
- in an abandoned hotel, well,
- 1474
- 01:20:33,107 --> 01:20:34,891
- we never left.
- 1475
- 01:20:36,806 --> 01:20:40,071
- The hotel has always
- been occupied.
- 1476
- 01:20:42,290 --> 01:20:44,640
- Our lake of fire
- 1477
- 01:20:44,684 --> 01:20:47,078
- that we have chosen to enter,
- 1478
- 01:20:47,121 --> 01:20:51,256
- not been cast away to
- like your Bible would say.
- 1479
- 01:20:52,474 --> 01:20:55,912
- That's right, Mitchell,
- I found the gateway.
- 1480
- 01:20:55,956 --> 01:20:58,828
- And it's glorious.
- 1481
- 01:21:01,179 --> 01:21:02,528
- Play us a song.
- 1482
- 01:21:13,017 --> 01:21:13,974
- - Diane?
- 1483
- 01:21:15,889 --> 01:21:17,891
- No!
- 1484
- 01:21:22,896 --> 01:21:24,289
- - No, no, no, no, no,
- 1485
- 01:21:24,332 --> 01:21:26,552
- we're not done here,
- Mitchell, you have more to do
- 1486
- 01:21:26,595 --> 01:21:30,817
- before you can give up,
- there are choices to make.
- 1487
- 01:21:30,860 --> 01:21:33,515
- Will someone help him
- with that damn camera!
- 1488
- 01:21:49,401 --> 01:21:50,184
- Mitchell.
- 1489
- 01:21:52,143 --> 01:21:52,969
- Mitchell.
- 1490
- 01:21:54,623 --> 01:21:56,669
- Tell me who leaves here today.
- 1491
- 01:22:00,760 --> 01:22:03,371
- In order to keep the
- dominoes falling,
- 1492
- 01:22:03,415 --> 01:22:05,417
- one of you will get to leave.
- 1493
- 01:22:05,460 --> 01:22:07,984
- Now, who is it gonna be?
- 1494
- 01:22:11,945 --> 01:22:14,208
- We thought that you wouldn't
- be too eager to choose
- 1495
- 01:22:14,252 --> 01:22:17,472
- so I'll take someone out
- of the running quickly.
- 1496
- 01:22:23,174 --> 01:22:26,133
- We are legion, we are
- servants of the snake
- 1497
- 01:22:26,177 --> 01:22:29,180
- and we will release someone
- into the lake of fire.
- 1498
- 01:22:31,704 --> 01:22:32,487
- - No.
- - No.
- 1499
- 01:22:32,531 --> 01:22:34,141
- - No.
- - No, please no.
- 1500
- 01:22:34,185 --> 01:22:35,838
- - No, no.
- - No!
- 1501
- 01:22:40,147 --> 01:22:42,062
- - Molly, no, Molly!
- 1502
- 01:22:42,106 --> 01:22:42,889
- No, Molly!
- 1503
- 01:22:43,977 --> 01:22:45,413
- Molly!
- 1504
- 01:22:45,457 --> 01:22:47,111
- No, no!
- 1505
- 01:22:51,158 --> 01:22:51,941
- Molly.
- 1506
- 01:22:53,769 --> 01:22:56,381
- - Oh, they
- chose lovely Molly.
- 1507
- 01:22:56,424 --> 01:22:58,992
- Oh, we definitely want her.
- 1508
- 01:22:59,035 --> 01:23:02,038
- The perpetually scared
- make for the best guests.
- 1509
- 01:23:03,649 --> 01:23:04,867
- - Please stop.
- 1510
- 01:23:06,521 --> 01:23:08,523
- - It won't stop,
- 1511
- 01:23:08,567 --> 01:23:10,046
- it never stops,
- 1512
- 01:23:10,090 --> 01:23:13,876
- we go on and on into eternity.
- 1513
- 01:23:14,747 --> 01:23:15,835
- Now Mitchell!
- 1514
- 01:23:17,532 --> 01:23:20,013
- Pick who gets to walk
- out of my front door,
- 1515
- 01:23:20,056 --> 01:23:23,016
- it's not my choice, I
- already made my choices.
- 1516
- 01:23:29,979 --> 01:23:32,808
- I know what comes next.
- 1517
- 01:23:32,852 --> 01:23:37,509
- And it begins with what
- happens in this room right now.
- 1518
- 01:23:37,552 --> 01:23:39,685
- Much later, way down the road,
- 1519
- 01:23:39,728 --> 01:23:42,427
- someone will come to this hotel
- 1520
- 01:23:42,470 --> 01:23:45,952
- just like Alex did and
- try to open it up again,
- 1521
- 01:23:45,995 --> 01:23:48,650
- I know this already,
- just like I knew
- 1522
- 01:23:48,694 --> 01:23:53,177
- that Jessica would come
- with one anonymous package.
- 1523
- 01:23:54,700 --> 01:23:59,008
- I have been sending this
- unfortunate person videos
- 1524
- 01:23:59,052 --> 01:24:01,228
- including this one here.
- 1525
- 01:24:02,882 --> 01:24:05,014
- I see it now, Mitchell,
- 1526
- 01:24:05,058 --> 01:24:07,626
- it's gonna be bigger
- than Hell House,
- 1527
- 01:24:07,669 --> 01:24:12,239
- more souls for our lake of fire.
- 1528
- 01:24:12,283 --> 01:24:15,634
- That series of dominoes begins
- 1529
- 01:24:17,940 --> 01:24:18,724
- now.
- 1530
- 01:24:58,111 --> 01:25:00,679
- - No, please,
- you don't have to do this,
- 1531
- 01:25:00,722 --> 01:25:02,550
- please stop, no, no,
- no, what are you doing?
- 1532
- 01:25:02,594 --> 01:25:03,725
- No!
- 1533
- 01:25:03,769 --> 01:25:04,900
- No!
- 1534
- 01:25:04,944 --> 01:25:06,685
- No!
- 1535
- 01:25:32,101 --> 01:25:33,494
- - Ma'am if you
- don't tell us anything
- 1536
- 01:25:33,538 --> 01:25:34,887
- we won't be able to find the
- people who did this to you
- 1537
- 01:25:34,930 --> 01:25:36,236
- and the people you were with.
- 1538
- 01:25:39,587 --> 01:25:42,286
- Can you give us any nearby
- landmarks where this happened?
- 1539
- 01:25:43,156 --> 01:25:44,157
- Was it near a park?
- 1540
- 01:25:45,854 --> 01:25:46,638
- A restaurant?
- 1541
- 01:25:48,248 --> 01:25:49,728
- Do you remember a road name?
- 1542
- 01:26:04,656 --> 01:26:05,439
- Yeah.
- 1543
- 01:26:06,614 --> 01:26:08,442
- Okay, I'll be right there.
- 1544
- 01:26:14,666 --> 01:26:17,233
- We're going to need to call--
- - The Abaddon.
- 1545
- 01:26:17,277 --> 01:26:18,147
- - What?
- 1546
- 01:26:18,191 --> 01:26:19,801
- - The Abaddon Hotel.
- 1547
- 01:26:23,892 --> 01:26:24,850
- That's where I was.
- 1548
- 01:26:29,768 --> 01:26:31,030
- You should go there.
- 1549
- 01:27:15,204 --> 01:27:17,032
- - What are you
- doing, what is this?
- 1550
- 01:27:17,076 --> 01:27:19,644
- - Protecting myself, I want
- this recorded for insurance.
- 1551
- 01:27:19,687 --> 01:27:21,167
- - You mean for blackmail?
- 1552
- 01:27:21,210 --> 01:27:22,255
- - Blackmail?
- 1553
- 01:27:22,298 --> 01:27:23,517
- No, Alex, I want
- it on the record
- 1554
- 01:27:23,561 --> 01:27:25,214
- that I had nothing
- to do with this.
- 1555
- 01:27:26,564 --> 01:27:28,479
- - So you're looking out
- for yourself, I get it.
- 1556
- 01:27:28,522 --> 01:27:30,219
- Is it on?
- - Yeah.
- 1557
- 01:27:30,263 --> 01:27:31,307
- - Great.
- 1558
- 01:27:32,526 --> 01:27:34,789
- Mack had nothing
- to do with this.
- 1559
- 01:27:35,616 --> 01:27:37,183
- - Just tell me what happened.
- 1560
- 01:27:37,226 --> 01:27:39,054
- - Dude, it's fine, we
- have a way out now, okay?
- 1561
- 01:27:39,098 --> 01:27:40,447
- - A way out?
- - Yeah.
- 1562
- 01:27:40,491 --> 01:27:42,318
- - Alex, you lost everything.
- 1563
- 01:27:42,362 --> 01:27:43,711
- How the hell do
- we have a way out?
- 1564
- 01:27:43,755 --> 01:27:45,626
- - Have you ever been
- to Rockland County?
- 1565
- 01:27:45,670 --> 01:27:47,236
- Little town called Abaddon?
- 1566
- 01:27:47,280 --> 01:27:49,630
- Just north of the GW,
- right along the Hudson?
- 1567
- 01:27:49,674 --> 01:27:51,937
- - No, why would I
- have ever been there?
- 1568
- 01:27:51,980 --> 01:27:53,808
- - Because there's a hotel
- there called the Abaddon Hotel
- 1569
- 01:27:53,852 --> 01:27:55,593
- and it's completely vacant.
- 1570
- 01:27:56,768 --> 01:27:57,551
- - And?
- 1571
- 01:27:59,335 --> 01:28:00,685
- What do you want, start
- a bed and breakfast?
- 1572
- 01:28:00,728 --> 01:28:02,208
- - No, Mack, that's
- where Hell House
- 1573
- 01:28:02,251 --> 01:28:03,905
- is gonna get its second life.
- 1574
- 01:28:33,979 --> 01:28:36,024
- Look the rest of them are
- gonna be here any minute, okay?
- 1575
- 01:28:36,068 --> 01:28:37,939
- I just need you to promise me
- you won't tell them anything
- 1576
- 01:28:37,983 --> 01:28:39,506
- about what happened.
- 1577
- 01:28:39,550 --> 01:28:42,117
- Nobody can know why
- we're leaving the city.
- 1578
- 01:28:42,161 --> 01:28:43,423
- All right, we go
- to Rockland County,
- 1579
- 01:28:43,467 --> 01:28:45,294
- we do our haunt there
- and if we're successful,
- 1580
- 01:28:45,338 --> 01:28:47,383
- we'll be back in New
- York next Halloween.
- 1581
- 01:28:48,950 --> 01:28:50,430
- - Have you even looked
- at the contract?
- 1582
- 01:28:50,474 --> 01:28:52,084
- - Yes I've looked
- at the contract.
- 1583
- 01:28:53,346 --> 01:28:54,565
- - I feel like you probably
- got us into something
- 1584
- 01:28:54,608 --> 01:28:56,262
- we're never gonna get out of.
- 1585
- 01:28:56,305 --> 01:28:57,785
- - Would you just trust me, Mack?
- 1586
- 01:28:57,829 --> 01:29:00,353
- This hotel's gonna
- be perfect for us.
- 1587
- 01:29:00,396 --> 01:29:02,355
- I just need you to
- back me up, all right?
- 1588
- 01:29:03,225 --> 01:29:05,271
- - They're here.
- - Dude, just,
- 1589
- 01:29:05,314 --> 01:29:07,926
- I'm serious, back me up, okay?
- 1590
- 01:29:08,709 --> 01:29:10,537
- Just do this for me.
- 1591
- 01:29:10,581 --> 01:29:12,191
- - Hey.
- - What's up?
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