WoodLore

Anonicide

Oct 10th, 2016
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  1. >"My little ponies, Anonymous needs to die."
  2. >Princess Celestia stands stoically in front of her ornate throne, towering over the six subjects before her
  3. >The ponies are left speechless at the princess' words
  4. >They nervously shift their eyes and exchange glances for a few seconds before Rainbow Dash speaks up.
  5. >"Wait, like... DIE die? Like for real kick the bucket?"
  6. >"Yes, Rainbow Dash. Anon is rude, manipulative, and abusive to everypony around him. He is toxic to this community, and he's showing no signs of changing. He is a pest and he needs to be exterminated."
  7. >Pinkie giggles apprehensively
  8. >"You mean like... His SPIRIT needs to die, right? We can't actually KILL him because if we ACTUALLY kill him, Hasbro is NOT going to-"
  9. >Celestia removes pinkies mouth from the current plane of existence
  10. >"No, Pinkie Pie. I want Anonymous to be killed. By the end of the day tomorrow, I don't want his heart to be beating. Do I make myself clear?"
  11. >Twilight nervously steps forward and chimes in
  12. >"Princess Celestia. Sure, Anon is a moron, but does he really deserve to-"
  13. >Celestia interrupts
  14. >"Surely I don't have to remind of you all of last week's incident."
  15. >The six of them shrug and nod in agreement as Twilight stands down
  16. >"Okay, fine. But what does this have to do with us? Why did you call us here?"
  17. >"Because one of you is going to kill him."
  18.  
  19. >All six of them recoil at the suggestion
  20. >"But... wait a second, Princess Celestia. Let's be reasonable here. This is NOT a job for us, right? We solve FRIENDSHIP problems. We're not hitponies. I mean, last time I tried to kill somepony, my HOUSE exploded."
  21. >"Believe me, Twilight. Little Anon is not going to put up any kind of fight. Besides, I'm planning to compensate the assassin quite... liberally."
  22. >The ponies look at one another inquisitively
  23. >Applejack curiously lifts her hoof
  24. >"Err... HOW liberally, exactly?"
  25. >Celestia calmly uses her magic to retrieve a fancy looking black case from behind her throne, and levitates it above of the ponies' faces
  26. >"Trust me, girls. I'll make it worth your while."
  27. >Rainbow Dash hovers up to the case to get a closer look
  28. >"Alright, Princess. Enough with the games. What's in the box?"
  29. >The princess shows a wicked smile
  30. >"You girls like... ice cream, don't you?"
  31. >A mouthless Pinkie Pie manages to produce a muffled guttural shriek of excitement
  32. >As if to say 'why yes, Princess Celestia. I do like ice cream.'
  33. >Celestia chuckles
  34. >"That's what I thought."
  35. >Slowly, she lowers the mysterious black case to the ground
  36. >Celestia's tone of voice becomes whispery and creepy
  37. >"Then why don't you girls take a good look at this?"
  38. >With a quiet click, Celestia unlocks the case
  39. >The lid slowly lifts open on its own, releasing an impossibly massive cloud of dry ice into the room
  40. >After seven full minutes, the dry ice finally dissipates enough that its contents are visible
  41. >The six ponies timidly peer in
  42. >It's an ice cream cone
  43.  
  44. >Twilight cocks her head
  45. >"An ice cream cone? What are you trying to tell us here, Princess?"
  46. >"Isn't it obvious? Whoever kills Anon gets this ice cream cone."
  47. >Rarity scoffs
  48. >"Princess Celestia! You can't really expect us to commit a murder for just a single ice cream cone, can you?"
  49. >"I don't know. It's a pretty decent ice cream cone if you ask me."
  50. >Dash licks her lips
  51. >"I mean, it does look pretty good."
  52. >Applejack clears her throat
  53. >"So, uh, Princess. Let's say on a scale from one to ten, how good is that ice cream cone?"
  54. >"Solid eight out of ten, easy. A soft nine if I add sprinkles."
  55. >Applejack starts salivating
  56. >"That... that's a pretty good ice cream cone."
  57. >All six ponies stare longingly at the frozen treat for a while
  58. >Fluttershy finally chimes in
  59. >"Um... I think I want to kill Anon and eat that ice cream cone."
  60. >Dash knits her brow
  61. >"Um fuck you Fluttershy I want the ice cream cone."
  62. >"I would trade four apples for HALF of that ice cream cone."
  63. >"I suppose my diet-"
  64. >"Actually girls I'm a princess now so I get the ice cream cone."
  65. >Pinkie Pie, still without a mouth, begins panicking and thrashing from her inability to exclaim how much she wants the ice cream cone
  66. >Celestia puts on a dastardly grin
  67. >"Now, now, girls. There's no need to argue. But let me be clear..."
  68. >The princess leans down and positions her horse mouth less than an inch away from Twilight's ear, and begins to whisper extremely loudly so all the ponies can hear
  69. >"If you want that ice cream cone, I want Anon to suffer. Do you understand me? I want you to make him wish he was never born. If that boy isn't crying through the last seconds of his life, I might just enjoy this ice cream myself. You got it?"
  70. >Twilight leans away and wipes the spittle from her ear
  71. >"Leave it to me, Princess. I mean, he's bumming in my castle, so it would be easiest for me anyway."
  72. >The other five jealously glare at Twilight as Celestia returns Pinkie's mouth and they all head back to Ponyville
  73.  
  74. >Be Anon
  75. >It's around 11 AM when you finally roll out of bed
  76. >You didn't sleep very well, since Twilight got up at dawn and starting making a bunch of noise
  77. >What was she doing all morning, anyway?
  78. >You find her in her laboratory working on some sort of wacky machine that wasn't there yesterday
  79. >It looks like it came out of a science fiction movie
  80. >It's big and chrome with flashing lights all over it
  81. "The fuck, Twi?"
  82. >"Oh, hi Anon! I'm SO glad you're awake!"
  83. "What? Why?"
  84. >"Can't I just be happy to see you?"
  85. "No. I mean you haven't ever been before."
  86. >The purple pony forces a smile through awkward silence
  87. "So... what's that?"
  88. >Twilight glances at the gizmo and plays dumb
  89. >"What, you mean this old thing?"
  90. >You roll your eyes and sigh
  91. "Yes, Twilight. 'That old thing'. What is it."
  92. >"It is a postsynaptic interceptor!"
  93. "We both know those words mean nothing to me. What does it DO."
  94. >"It's a surprise! Just put on this helmet."
  95. >She grabs a weird metal helmet with an antenna from behind the machine and floats it over to you
  96. "I'm not gonna put on the helmet unless you tell me what it does, Twilight."
  97. >"Ugh. FINE. I'll tell you. You know how for some weird reason, you have a big crush on Rarity?"
  98. >Twilight gently rolls her eyes
  99. >Whenever you bring up how pretty Rarity is, Twilight always gets really irritated and insecure
  100. >It's hilarious
  101. >That's the reason you bring her up half the time
  102. "Yes. And you know why I have a crush on her, Twi. It's because she's actually attractive."
  103. >Twilight's eye twitches as she struggles to maintain a fake smile
  104. >"Right. Okay. Well... I'm going to help you... um... 'score' with her"
  105. >What the fuck is she talking about
  106. "Just... tell me what the damn helmet does Twilight."
  107. >"It's for MIND CONTROL!"
  108.  
  109. >You stare in disbelief for a few seconds
  110. "Wh- really?"
  111. >"Mmhm!"
  112. "And you're saying that if I put on this helmet, I can control her mind and make her fuck me?"
  113. >"Yep!"
  114. >You raise an eyebrow
  115. "And just why are you trying to help me rail Rarity?"
  116. >"We're friends, Anon! I just want you to be happy! I mean, if I really wanted an ice cream cone, you'd help me get one, right?"
  117. "No, probably not."
  118. >"Do you want to get with Rarity or not?"
  119. >Fuck it
  120. >No risk, no reward
  121. >You put on the helmet
  122. "There. How do I look?"
  123. >"Oh, you look perfect, Anon. Let me just do one thing here, and you'll be all ready to go."
  124. >Twilight turns and grabs a second helmet and puts it on
  125. >You snicker
  126. "What, are you planning on fucking someone too, Twi?"
  127. >"You could say that."
  128. "Who's the unlucky fellow?"
  129. >"That's none of your concern, Anon."
  130. >You notice that her helmet looks a little different than yours
  131. >You also see that hers says "MASTER" on the side
  132. "Wait, what-"
  133. >"Shut up Anon."
  134. >She pulls a lever on the machine
  135. >BZZT
  136. >
  137. >"It worked! It worked! That ice cream cone is so mine! Let's try it out..."
  138. >WOW, TWILIGHT SPARKLE IS SO SMART
  139. >YOU SHOULD TELL HER HOW SMART SHE IS
  140. "Twilight, you are so smart."
  141. >"Why thank you, Anon. That's very nice of you to say."
  142. >YOU ARE A GOOD BOY
  143. >WHAT SHOULD YOU DO NOW
  144. >"Well Anon, I guess I should put you to good use before I claim that ice cream."
  145. >YOU WANT TO ORGANIZE THE BOOKS IN TWILIGHT SPARKLE'S LIBRARY
  146. "I'm going to organize the books in your library, Twilight Sparkle."
  147. >"What a fantastic idea, Anon."
  148.  
  149. "You have such an impressive library, Twilight Sparkle."
  150. >"Anon, you're so sweet. It looks like you're just about finished."
  151. "I am just about finished."
  152. >TWILIGHT SPARKLE IS SUCH A PRETTY PONY
  153. >SHE IS THE PRETTIEST PONY YOU HAVE EVER SEEN
  154. >HER BUTT IS NOT FLABBY AT ALL
  155. >HER BUTT IS THE BEST BUTT
  156. >SHE IS SO MUCH PRETTIER THAN RARITY
  157. >RARITY IS A WHORE
  158. >YOU WOULD RATHER SLEEP WITH TWILIGHT SPARKLE THAN THAT WHORE RARITY
  159. >THE ONLY REASON TWILIGHT DOES NOT SLEEP WITH STALLIONS IS BECAUSE SHE IS NOT A WHORE LIKE RARITY
  160. >SHE COULD IF SHE WANTED TO
  161. >STALLIONS THAT LIKE RARITY ARE STUPID
  162. >TWILIGHT SPARKLE IS PRETTIER AND SMARTER
  163. >"Whatcha thinkin' about, Anon?"
  164. "I am thinking about you because you are pretty."
  165. >"You're such a big sweetheart, Anon. It's a shame you're about to have an accident."
  166. >IT IS A SHAME YOU ARE ABOUT TO HAVE AN ACCIDENT
  167. >"Do you want to follow me to the balcony, Anon?"
  168. "I want to follow you to the balcony. Because you are pretty."
  169. >YOU ARE SO LUCKY YOU GET TO LOOK AT TWILIGHT'S PRETTY BUTT ON THE WAY TO THE BALCONY
  170. >"Do you want to touch my butt Anon?"
  171. "I want to touch your pretty butt."
  172. >"Well you can't because I'm not a whore."
  173. >WHAT A RESPECTABLE MARE
  174. >"Do you want to be my boyfriend, Anon?"
  175. "I want to be your boyfriend because you're prettier than Rarity."
  176. >"What would you do for me to become my boyfriend?"
  177. "I would do anything to become your boyfriend."
  178. >"I want you to jump off of the balcony. Then you can be my boyfriend."
  179. "I will jump off of the balcony so I can become your boyfriend."
  180. >"Make sure you land on your neck, Anon."
  181.  
  182. >"Is there anything you'd like to say before you jump?"
  183. "I don't deserve you."
  184. >"Tell me why."
  185. "You're perfect in every way. Especially your butt."
  186. >"You're god damned right."
  187. >IT IS TIME TO JUMP NECK FIRST OFF OF THE BALCONY
  188. >HERE YOU GO
  189. >WEEE
  190. >WHY DID YOU LAND ON A TRAMPOLINE
  191. >Pinkie Pie rips off your helmet
  192. >What the fuck just happened
  193. >Did you nail Rarity yet?
  194. >Is that why your neck hurts so bad?
  195. >You see flabby-assed Twilight above you on her balcony
  196. >She looks pissed
  197. >"WHAT ARE YOU DOING, PINKIE PIE?"
  198. >Pinkie helps you off the trampoline
  199. >"Sorry Twilight! I think you underestimated how much I love ice cream cones! He's mine!"
  200. >You're so confused
  201. >Twilight huffs childishly
  202. >"This isn't over, Pinkie!"
  203. >"Don't listen to her, Nonny. Come with me."
  204. >You head off with Pinkie towards Sugar Cube Corner
  205. "Um... okay. Ow. What just happened?"
  206. >"Twilight tried to kill you."
  207. "WHAT? WHY?"
  208. >"Dunno. She just kinda snapped. Hey, do you like ice cream cones?"
  209. >Your head is pounding
  210. "Yeah. Ice cream sounds good right now. Hey can I live with you? I kind of don't want live with Twilight any more. You know, the whole murder thing."
  211. >"Sure, Nonny! You can live with me until the day you die!"
  212. "Alright, cool."
  213. >You arrive at an eerily vacant Sugar Cube Corner
  214. "Where are Mr. and Mrs. Cake, Pinkie?"
  215. >"They're down in the basement. We're in the middle of playing a game!"
  216. "What, and you just ditched them?"
  217. >"We're waiting for you, silly! Come on!"
  218.  
  219. >You follow Pinkie behind the counter and down the shitty, rickety stairs
  220. >The basement is literally pitch black and silent
  221. >It smells like a meadow would smell if meadows smelled like mold and scabs
  222. "Can you hit the lights Pinkie?"
  223. >"Why don't you head over to your podium Anon?"
  224. "My... what?"
  225. >"Anon I think it's time for you to head on over to your podium right now."
  226. "I don't... I can't SEE anything, Pinkie. What are-"
  227. >"Anon if you're not at your podium in fifteen seconds I will send you right back to Twilight."
  228. "FINE. Fine. Here I go. The fuck."
  229. >You hastily explore the basement with your arms swinging in front of you defensively
  230. >After running into two walls, a lamp (that's off), and Mrs. Cake's face, you arrive at a surface that could possibly be 'your podium'
  231. >"Are you there yet Anon? I can't tell if you're there yet because it's too dark down here to see."
  232. "Yeah, I think. What's going-"
  233. >You're interrupted by blindingly bright flashing lights and obnoxiously loud hokey music
  234. >"Aaaaaaand welcome to Sugar Cube Coroner! We've got a real treat for all of you today - we're gonna ask you all some trivia questions and also one of you might die. IS EVERYPONY READY?"
  235. >You look around as your eyes adjust to the light
  236. >You're on what seems to be an outdated game show set, with Pinkie at a desk in front of you in a tuxedo and the Cakes to your right at their own podiums
  237. >You give them a confused look and they shrug, just as confused as you are
  238. >To your left are three numbered curtains that look important
  239. "Pinkie. What is going on?"
  240. >"I'm glad you asked, Anon. I'm going to ask you the questions written on these sticky notes, and if you get one wrong, we open a curtain to find out what your punishment will be. Isn't that FUN?"
  241. "How do we win?"
  242. >"You don't! FIRST QUESTION!"
  243.  
  244. >"The first contestant is.... MOM."
  245. >Mrs. Cake nervously smiles
  246. >"Pinkie, dear. We talked about this. Please call me Mrs. Cake."
  247. >"Are you ready for your question?"
  248. >"Sure, honey."
  249. >Pinkie clears her throat
  250. >"Okay. Here's your question: What color... is my hair?"
  251. >Mrs. Cake shifts her eyes
  252. >"Mmm... pink?"
  253. >An unbelievably loud dinging sound comes from seemingly everywhere at once
  254. >"THAT'S CORRECT! Great job Mom."
  255. >Mrs. Cake rolls her eyes
  256. >"Next up... it's Mr. Cake! Your question is: What is six plus zero? I'll repeat. What is six... plus zero?"
  257. >Mr. Cake looked paranoid
  258. >"...Six?"
  259. >"THAT'S CORRECT. We're on a roll, folks. Are you ready for your question, Anon?"
  260. >You were confident, to say the least
  261. "Yeah, let's hear it."
  262. >"The topic is spectroscopy. Consider a standard Hydrogen atom and consider an electron dropping from the second orbital to the first. What color will the resulting photon create? I will get you started by telling you that the amount of energy emitted from this shift is one-point-six-two-three times ten to the negative eighteenth joules, although you should of course already know that. You have ten seconds, time starts now."
  263. >Of course
  264. >Might as well just guess a color
  265. "Um. Blue?"
  266. >Both Cakes snicker at your incompetence
  267. >Pinkie looks at you condescendingly
  268. >"That... is INCORRECT. The correct answer was actually that no color at all would be emitted as the resulting photon would have an ultraviolet wavelength."
  269. "Come on, my question was so much harder than theirs!"
  270. >"Grow up, Nonny. I'm just reading the sticky notes."
  271. "Ugh. Whatever. What do I have to do?"
  272. >"OPEN CURTAIN NUMBER ONE!"
  273.  
  274. >Behind the curtain is what could only be described as hell in Equestria
  275. >A massive cavern was excavated from the basement wall
  276. >In it was glowing pool of magma with rope swings, balance beams, and other obstacles leading to the other side
  277. >The immense heat from the magma quickly spills into the room
  278. >Mrs. Cake's jaw drops
  279. >"Pinkie! What... what is all this?"
  280. >"Well, since Anon got his question wrong, he's gonna try to get through this obstacle course while I throw Saltine crackers at him like ninja stars."
  281. >Nope
  282. "Yeah I'm gonna go ahead and not do that. I'm leaving."
  283. >Pinkie's eyes start getting that crazy look to them
  284. >"Oh, you'll do it, Nonny. We're playing a game. You can't leave."
  285. "Watch me."
  286. >As soon as you take a step, Pinkie whips a remote control out of nowhere and mashes a big red button
  287. >This causes a heavy metal gate to drop down in front of the doorway, blocking the only exit
  288. >This is fucking insane
  289. >Mrs. Cake starts to cry
  290. >A smile never leaves Pinkie's face
  291. >"You can't escape the game Nonny. Not until we're done having fun."
  292. >You start to panic a little
  293. "Why are you doing this, Pinkie?"
  294. >"Because I fucking love ice cream."
  295. "That doesn't seem relevant, but okay."
  296. >Pinkie chucks a cracker at you
  297. >"Now get going."
  298. >Well, let's hope that one time you went to a gym pays off
  299. >You approach the edge of the sea of magma, the finish line maybe a football field's length away
  300. >You grip the rope swing right in front of you, scanning the fifteen foot gap you'll have to clear
  301. "So... I just go whenever?"
  302. >Pinkie just whips another cracker at you
  303.  
  304. >You take a deep breath, clutch the rope swing, and jump
  305. >You swing across the gap, but you let go of the rope way too late, causing you to lose momentum and slam your testicles on the corner of the ledge
  306. >You do manage to climb onto the platform and not die, though
  307. >You look back at the others
  308. >Just as you turn around, a hi-speed cracker makes direct impact with your eyeball
  309. >"KEEP GOING ANON!"
  310. >You keep going
  311. >It's twenty-five minutes of what is an absolutely harrowing experience
  312. >You almost die during every single obstacle
  313. >Even more terrifying than the obstacles is Pinkie's unbelievable pinpoint accuracy with those fucking crackers
  314. >She successfully got one wedged between your ass cheeks from no less than eighty meters away
  315. >But you somehow make it through alive
  316. >You lay wheezing on top of the finish line when that hokey jingle starts playing again
  317. >Pinkie claps her hooves unenthusiastically
  318. >"We have ourselves a survivor! Now get back here Anon, I have, like, eight more sticky notes."
  319. >You slowly hobble around the pool of magma back and to your podium
  320. >On your return, a teary-eyed Mrs. Cake hugs you in relief
  321. >"Now Mom, please refrain from fraternizing with the enemy."
  322. >"Pinkie, please-"
  323. >"ROUND 2!"
  324. >Mrs. Cake hangs her head and makes her way back to her podium
  325. >"Here's your question. What is... my pet alligator's name?"
  326. >Mrs. Cake sighs
  327. >"Gummy."
  328. >"Yay, you're right! Okay Mr. Cake, here's yours. Another math question. What is six plus ONE?"
  329. >A look of confusion has not left Mr. Cake's face since this began
  330. >"Six plus one is seven."
  331. >"Woooow, you're gooooood. Your turn again Anon. Ready?"
  332. "No."
  333.  
  334. >"Okay, here it goes. What did I have for breakfast this morning?"
  335. >For the love of god
  336. >Well, the last one was a trick question, so maybe this one is too
  337. "I'm gonna guess that you didn't have breakfast this morning."
  338. >"WRONG AGAIN, LOSER. Come on Anon, you honestly think that I of all ponies would skip breakfast? Do you even know me?"
  339. >That's a good point
  340. >"I had oatmeal this morning. You really should have seen that coming."
  341. >That's also a good point
  342. "Pinkie, this game isn't fun at all."
  343. >"Glad to hear it Anon. OPEN THE SECOND CURTAIN."
  344. >The curtain reveals a big cage with an angry looking timberwolf inside
  345. >Mrs. Cake faints at the sight of it
  346. >The creature immediately begins to snarl at you, as if it had been trained to hate you
  347. "Pinkie, how the fuck did you get a Timberwolf?"
  348. >"Anon, I'm in a little bit of a predicament. Will you do me a quick favor?"
  349. "Please no."
  350. >"I seem to have left my fake moustache in Timmy's cage. Why don't you go get it for me?"
  351. >There was in fact a tiny moustache in the far corner of the cage
  352. >You take a deep breath
  353. "That's it? I just have to get the moustache?"
  354. >"That's it!"
  355. >It'll be a cool way to die at least
  356. "Fine. Let's go."
  357. >"Yay! I should warn you though, for the past six hours, I've been shooting spitballs at him while showing him pictures of your face, so he's probably a little pissed."
  358. >The timberwolf growls
  359. "Just open the cage."
  360. >Pinkie unlocks the cage's door
  361. >You slip inside, locking eyes with the beast
  362. >Pinkie slams the door behind you
  363. >The wolf exhales through its nose and gets ready to pounce
  364. >You run for it
  365.  
  366. >In two steps, your weak, pathetic legs give out and you trip and fall onto your face
  367. >The wolf, not having calculated your clumsiness into its approach, trips over your limp body and smashes its face into the side of the cage
  368. >While it's dazed, you sprint as fast as you can to retrieve the moustache
  369. >Once you have it, you turn around and see the wolf getting ready to attack again
  370. "OPEN THE DOOR, PINKIE."
  371. >"Say pretty please!"
  372. >You start dashing towards the door
  373. >The wolf takes off, looking to cut you off
  374. "PRETTY PLEASE."
  375. >Pinkie opens the cage door, and you make a dive for it
  376. >The wolf latches onto your leg as you land in the doorway
  377. >You're going to lose a fucking leg
  378. >As you feel the animal's jaws closing on your calf, you throw the moustache at Pinkie
  379. >Pinkie smiles
  380. >She whistles, causing the timberwolf to let go of your leg and run to Pinkie's side
  381. >Pinkie scratches the crazed beast behind the ears
  382. >"Good show, Anon. Back to your podium."
  383. >You're still laying on the ground at the cage door
  384. "Can I have a minute? I'm a little busy bleeding."
  385. >"Either get up, or you can play with Timmy again."
  386. >You hobble back to your podium
  387. >"Alright, folks! Three more sticky notes, one more curtain, it's round three! Mom, you're up!"
  388. >Mrs. Cake is still passed out on the floor from seeing that timberwolf
  389. >"Your question is... what town do we live in?"
  390. >
  391. >Nothing
  392. >"Mom? Your answer?"
  393. >
  394. >Pinkie's hair deflates
  395. >"Um... I'm afraid... since I didn't get an answer... Mrs. Cake is gonna have to get the third punishment. It's the rules of the game."
  396. >She begins to tear up
  397. >"...open curtain number three."
  398. >Behind the curtain is a single shotgun
  399. >You and Mr. Cake watch in disbelief
  400. "Pinkie, stop. You don't have to do this."
  401. >"It's the rules. I have to."
  402. >She holds up a sticky note that says 'The Rules: I have to.'
  403. >"You should probably head out, Anon. You don't need to stay for this."
  404. >She opens up the basement's exit
  405. >You do what she says and go upstairs
  406.  
  407. >You slowly leave Sugarcube Corner, absolutely mortified
  408. >You'll never be the same
  409. >"Oh Anonymous!! Over here, darling!"
  410. >You look up to see Rarity fluttering her eyelashes at you
  411. "H... Hi."
  412. >What a sexually attractive horse
  413. >"Why don't you come with me to the boutique, hmm? I'd REALLY like to spend some time with you."
  414. >She flips her mane
  415. "Wha... really?"
  416. >"But of course! I've been having this CRAVING for something that only YOU can give me."
  417. >Is she really hitting on you?
  418. >Rarity has barely ever even looked at you before, let alone hit on you
  419. "Um... what is it that you're craving?"
  420. >"Well, it's white. And it's a little sticky. And I can't wait to have it in my mouth."
  421. >You know, for a slut, Rarity should really be better than this at flirting
  422. >Not that you care
  423. "Yeah, I'm in. Let's go."
  424. >You follow her to the boutique
  425. >You can't believe how much better Rarity's butt is compared to Twilight's
  426. >You notice her swaying her hips even more than normal, showing off for you
  427. >This is amazing
  428. >It almost makes up for having narrowly escaped death three times today
  429. >The two of you walk into the Carousel Boutique and Rarity leads you into the back
  430. >"I hope you don't mind that I make myself a little more... comfortable."
  431. >Rarity struts across the room and climbs into a lounge chair
  432. >She lays back on the chair with her belly and legs pointed towards the ceiling
  433. >She keeps her tail up, veiling her marehood
  434. >"Well Anon? Do you see anything you like?"
  435. >Fuck yes
  436. >You try to keep your cool
  437. "Well, I mean... your tail..."
  438. >She wags it a little bit
  439. >"What's the matter, Anon? Don't you like my tail?"
  440. "Well, no. It's not that. It's-"
  441. >"Oh, I understand. You want a look at my poussoir, do you?"
  442. >You nod
  443. >"Well why didn't you just say so?"
  444. >She slowly lowers her tail, revealing the most beautiful vagina that you've ever laid eyes upon
  445.  
  446. >As it comes into sight, the dewy contours of Rarity's sweet briar reflect the sun's rays from the window
  447. >You shield your eyes for a moment to allow your pupils to adjust to the brilliance
  448. >Finally, you're able to focus on the majesty before you
  449. >Her labia frames her delicate honey pot like an ornate artisan tapestry perfected to the most minute detail
  450. >Her clitoris, a beacon of delicacy and feminine arousal, barely peeks into view from her rosy musculature
  451. >Your eyes can't help but wander into the beckoning depths of her vagina, the very image of sexual health and maturity
  452. >It was sanguine and prospering, wealthy with an abundance of nutrients and moisture
  453. >As your gaze continued deeper into her golden valley, you begin to see the flourishing ecosystem therein
  454. >You follow a babbling stream of fluids until it gets lost a thick understory of shrubs and vines, accompanied by beautiful and exotic looking fauna
  455. >The forest canopy reaches nearly to the cavern ceiling, the entwinement of its brambles providing home to numerous vibrant birds and fruits alike
  456. >Indeed, the environment was dense, thriving, and overflowing with life
  457. >In the distance, you just barely notice the stream flow into a what seems to be a wooden water wheel
  458. >Upon closer inspection, not only do you find that the brook indeed leads to a water wheel attached to a small mill, but to a spacious grove in the heart of the woodlands
  459. >In the clearing is a quaint agricultural village, with only about fifteen or sixteen buildings total
  460.  
  461. >Although small, the village bustles with activity as its residents happily go about their daily business
  462. >You see a farmer out inspecting and harvesting his crops
  463. >Two young and sprightly children, one boy and one girl, laugh and run about while helping tend to the farm animals
  464. >Their attention is stolen by their mother, placing a delicious looking cherry pie on the sill on an open window to cool
  465. >Across the road from the farm is a very muscular man repairing the roof of the local post office
  466. >As the postman lugs the day's mail out the front door, they both take a moment to wave to one another and exchange how-do-you-do's
  467. >It looked like a fine place to live indeed
  468. >Among the amiability, though, was one very distressed looking man
  469. >He was the town doctor, and although you couldn't hear his voice through the bustle of the town, you could just barely read the words on his lips
  470. >"Have you seen my wife and daughter"
  471. >"Have you seen my wife and daughter"
  472. >"Please, have you seen my wife and daughter"
  473. >Nobody had
  474. >He ran from person to person in desperation, on the verge of tears
  475. >Finally, he got an answer from the farmer
  476. >You couldn't make out exactly what the farmer told the man, but a look of horror washed over the man's face upon hearing it
  477. >Slowly, he turned and faced the dark forest situated on the far side of the village
  478. >Even during the daytime, this forest was one of shadow and mystery
  479. >Only a few brave souls ever ventured there and returned to tell the tale
  480. >And now this man's beloved wife and daughter were lost within
  481. >The man solemnly looked to the skies, as if to a god or a passed relative
  482. >And he hoped
  483. >He hoped, because hope was all he had
  484. >For only fate could save them now
  485.  
  486. >Deep within the dark forest, nothing was certain
  487. >You couldn't tell a tree from a man
  488. >The wind from a whimper
  489. >A pair of leaves from a pair of eyes
  490. >You couldn't even tell the night from the day
  491. >There was one thing you could tell, though
  492. >The dark forest... was alive
  493. >It was alive and it did not appreciate trespassers
  494. >It wanted you out, or it wanted you dead
  495. >And since the blanket of darkness made it nearly impossible to escape, your only option was to die
  496. >Today however, the forest bore something which it very seldom bore
  497. >A light
  498. >A weak and flickering one, but a light nonetheless
  499. >It came from an old brass lantern, and it was barely illuminating a dismal scene
  500. >It was a mother and daughter
  501. >The mother wept, knelt with her child in her arms
  502. >The child was alive, but she was suffering
  503. >Her breathing was slow, and her movements lazy
  504. >Her ailment was unclear, but anyone could tell it that was dire
  505. >There wasn't much time
  506. >Through heavy sobs, the mother looked to the heavens to deliver a final desperate call for help
  507. >"Someone! Anyone..."
  508. >In hysterics, she ran her fingers through her daughter's hair
  509. >"Is anybody listening?!"
  510. >She took a moment to gather herself
  511. >"If anyone can hear me... my daughter..."
  512. >She paused to kiss the child's forehead
  513. >"She needs... she needs cum!! If she goes without cum for much longer..."
  514. >The mother broke into more tears at the thought
  515. >"If she goes without cum for much longer... then this will be the end."
  516. >She raised the child to her breast in a warm embrace
  517. >"... please... anyone"
  518. >You knew what you had to do
  519.  
  520. >You lock eyes with Rarity
  521. >She gives you the look
  522. >You know the look
  523. >You shimmy off your pants as fast as you possibly can, revealing a penis more erect than you thought possible
  524. >She winks
  525. >"Come and get it, big boy."
  526. >Time's up, let's do this
  527. >Blue-skidoo, we can too
  528. >Come on, vamanos, everybody let's go
  529. >But before you take a step, you see her reach her hoof between the cushions of the couch
  530. >She pulls out a huge kitchen knife
  531. >No
  532. >It was a trap
  533. >"What are you waiting for, Anon?"
  534. >It was a trap all along
  535. >You're frozen in place by an impossible combination of primal lust and mortal fear
  536. >Suddenly, you notice an unnatural draft coming from behind
  537. >The curtains begin to sway
  538. >You hear the furniture begin to rattle
  539. >You begin to realize what's happening
  540. >A ball of yarn flies past your head towards Rarity, whose vagina completely consumes it
  541. >"Resisting is only going to make this more painful, Anon."
  542. >All of the odds and ends in the room are swept into the vacuum, becoming lost in Rarity's depths
  543. >The shutters clank against the side of the boutique repeatedly
  544. >The windows shatter
  545. >Rarity lets out a dastardly cackle
  546. >As leaves and twigs begin to be sucked into the building, you start to lose your footing
  547. >The soles of your shoes begin to slide across the floorboards as you're being pulled dick-first towards Rarity's demon cunt
  548. >Somehow, your erection has grown to almost twice its normal size, stubbornly pointing towards Rarity's pussy like the needle of a compass
  549. >You try to struggle out of the current, but it's too strong
  550. >Shrieks of terror come from outside as an assortment of mailboxes, wooden carts, and roof shingles flies through the shattered window
  551.  
  552. >You're accelerating towards your doom
  553. >Only a couple of feet separate the head of your penis from the entrance of Rarity's all-consuming void
  554. >Only a couple of feet separate your ribcage from the tip of that knife
  555. >What a way to go
  556. >At the very least, you hope your dick reaches her vagina before the knife reaches your heart
  557. >Just like you've always said, if you're gonna die, you might as well die with your penis inside of a slutty horse
  558. >All of a sudden, out of nowhere, a stallion who must have been standing somewhere outside gets sucked through the window (dick-first, of course)
  559. >Like a javelin, his horse penis penetrates Rarity at about mach-2, sealing the vacuum, and saving you from certain death in the nick of time
  560. >Rarity was fortunately able to withdraw her knife in time to spare the now very confused stallion
  561. >You immediately become flaccid
  562. >"Oh, phooey!"
  563. "Rarity, what... what ARE you?"
  564. >She peeks around the stallion who is still inside her
  565. >"What do you mean, love?"
  566. "Your vagina... are you some kind of monster? Are you possessed?"
  567. >"Oh don't be silly, dear! A bit of feminine charm can go a long way, that's all."
  568. >She redirects her gaze to her unexpected suitor
  569. >"Er... pardon me, sir? I think we're done here. Please... exit."
  570. >The stallion, still looking very disoriented, gets off of Rarity and meanders out the front door of the boutique
  571. "Tell me why everyone's trying to kill me."
  572. >"Whatever do you mean, Anonymous?"
  573. "This is the third time today that someone has tried to kill me. I want to know what's up."
  574. >"Well, if you really want to know..."
  575. >Rarity sighs as her eyes wander across the room
  576. "Just tell me."
  577.  
  578. >Before she gets a chance to respond, something massive smashes through the roof of the boutique
  579. >Rarity shrieks as a hefty portion of her shop crumbles to the ground
  580. >You instinctively shield you face and recoil
  581. >Before the dust settles, you're stricken hard in the chest with a steel grappling hook, which wraps around your arms and leaves you completely restrained
  582. >You hear a familiar raspy voice call through the rubble
  583. >"You're coming with me, mister."
  584. "Huh? Rainbow Dash?"
  585. >As soon as you hear her take off, your body is violently torn from the ground
  586. >Before you know it, you're being keelhauled 5000 feet in the air, dragged by nothing more than a 40 foot grappling hook rope attached to flimsy looking crossbow that looks like it came out of a toy store
  587. "DASH. WHAT THE FUCK?!"
  588. >She peeks back at you and playfully sticks out her tongue
  589. "DO YOU THINK THIS IS FUNNY?"
  590. >"Geez, Anon, chill out. I just have to kill you quick, okay?"
  591. >At least she was honest
  592. "NO. NOT 'OKAY'. OF COURSE THAT'S NOT OKAY. WHY DO YOU WANT TO KILL ME?!"
  593. >Dash smiles and makes a B-line towards city hall
  594. >"Get ready for the legislative DIS-assembly!"
  595. "Real bad joke, Rainbow."
  596. >She veers barely out of the way of the building, causing you to swing out and smash clear through the upper tower
  597. >Your body spectacularly takes out a window and a couple rafters before smashing back out of the far wall
  598. >You miraculously survive
  599. >In shock, you try to inspect your body for injuries
  600. >You couldn't really figure much out while you were stuck in the grappling hook
  601. "DASH, JUST TELL ME WHAT'S WRONG. WE CAN TALK ABOUT IT"
  602. >"Can't hear you, Anon."
  603. >You look up to see that she somehow is now wearing sunglasses and shredding on an electric guitar
  604. "LET ME DOWN!"
  605. >"Whatever you say, boss."
  606. >Rainbow Dash lets go of the grappling hook between sick guitar riffs
  607. >You quickly realize that you are now free-falling face first from a thousand feet up while bleeding and stuck in a grappling hook
  608. >Fuck
  609.  
  610. >You've got to think fast
  611. >A bit off to the left, you notice a massive open cart of quills being delivered to Davenport's
  612. >It's gonna be ugly, but it's your only shot
  613. >You do your best to point your body towards the cart
  614. >Fuck, it's gonna be close
  615. >You just barely manage to land in the pile of quills, completely destroying both the grappling hook and the cart in the process
  616. >As you try to gather yourself, Davenport runs out of his store to see the carnage
  617. >"MY QUILLS!"
  618. >You manage to get to your feet, white feathers sticking to all of your wounds
  619. >Dash lands about twenty feet in front of you and squints
  620. >"Your CLUCK is about to run out, Anon."
  621. >Oh, see, because of the feathers
  622. >Rainbow Dash whips out a second pair of sunglasses and puts them on over top of the first
  623. >She pulls out a third pair of shades and gives you a nod
  624. >Oh, she wants...
  625. >Okay
  626. "I... quill not surrender!"
  627. >She doesn't look impressed but she tosses you the shades anyway
  628. >As you put them on, Dash pulls out a dumb looking sword and looks at you expectantly
  629. "Where the fuck did you get a sword?!"
  630. >"IT'S MY KATANA, IDIOT. Now... prepare to die."
  631. >Shit, yo
  632. >You dart through town square looking for anything that might help
  633. >It isn't long before the fastest pony in Equestria catches up to you
  634. >Holding the sword in her mouth, she takes a clumsy swing
  635. >You pretty easily avoid the blade
  636. >It seemed like she didn't really know how to use it, but spent maybe a half an hour practicing with it in front of a mirror
  637. >She corners you up against a market stall that sells hats
  638. >As she winds up to take another swing, you quickly pull a hat rack in front of you in defense
  639. >Her swing is deflected by the rack in a shower of fedoras
  640. >She snickers
  641. >"Hold on to your hats, folks. We're just getting started."
  642. >On goes a third pair of sunglasses
  643.  
  644. >The skirmish continues through town square
  645. >You continue to defend against her pathetic advances using the hat rack
  646. >The two of you have a run in with the flour stall, leaving the whole area in a dense white cloud
  647. >Your blades are locked amidst the disarray
  648. >"Aw, Anon, flours for me? YOU SHOULN'T HAVE."
  649. >Another pair of shades
  650. >Where is she even keeping all these?
  651. >She shoves you into the nearby produce stall, and you fall back into a pile of fruit
  652. >She lunges towards you to plunge the sword into your chest, but you're able to roll out of the way just in time
  653. >She withdraws her sword, an orange skewered on the tip
  654. >"Come on, Anon. Orange you getting tired of running?"
  655. >Yet another pair
  656. "Your puns are almost as bad as your swordmanship, Dashie."
  657. >Now she's pissed
  658. >"THAT'S IT."
  659. >She throws the sword aside and zooms into your chest
  660. >She piledrives you into a stack of hay
  661. >Her five pairs of sunglasses somehow stay on her face
  662. >"YOU NEED TO DIE ANON. STOP FIGHTING BACK."
  663. "I don't think so, Dash. And you know what else?"
  664. >Dash knits her brow
  665. >You stand back up from the haystack and suplex her into it
  666. "...Hay is for horses."
  667. >Her jaw drops, impressed at your superior punsmithing
  668. >"Holy shit Anon, that one was amazing."
  669. "I know, I'm pretty proud of it."
  670. >"Honestly, that was better than any of mine so far. Did you think of that off the top of your head?"
  671. "Yeah, it just came to me."
  672. >"Damn. I'm jealous."
  673. "Good."
  674. >You bitch slap her run for it
  675. >The sun is starting to set
  676. >You come up with a plan
  677.  
  678. >You quickly get Rainbow Dash to chase you back into the marketplace
  679. >There's no time to waste
  680. >The first stall you get to is a clock shop
  681. >You hurl a clock at Dash
  682. >She dodges it
  683. >"It's only a matter of TIME 'til I catch you, Anon."
  684. >She puts on another pair of shades
  685. >Perfect
  686. >You get to a pillow shop and whip a pillow at her
  687. >"Sweet dreams, Anon."
  688. >Another pair
  689. >Just a few more
  690. >This time you throw a lamp
  691. >"Any more BRIGHT IDEAS?"
  692. >A shovel
  693. >"You're DIGGING YOUR OWN GRAVE, Anon."
  694. >A cake
  695. >"You want a piece of me?!"
  696. >One more should do it
  697. >You get desperate and hurl a small child at Dash
  698. >"Quit acting like a BABY, Anon!"
  699. >At this point, Rainbow Dash is running into things left and right
  700. >It's pretty hard to see through eleven pairs of sunglasses
  701. >Especially when the sun's almost down
  702. >While Dash is slowly stumbling her way towards you, you run behind a table selling stuffed animals and lean down, making your face blend in with the faces of the toys
  703. >She's completely lost track of you at this point
  704. >With her dukes up, she cluelessly meanders past you
  705. >"Show yourself, coward! Where did you go?! You can't hide from me forever!"
  706. >You're finally free
  707. >You look back at the carnage behind you
  708. >The marketplace is destroyed
  709. >Your body is absolutely wrecked
  710. >You'd go home, but Twilight tried to kill you earlier today
  711. >You decide to start limping to the infirmary
  712. >That wolf bite opened back up during the fight, and it was looking pretty nasty
  713. >Better get it cleaned out before it gets infected
  714. >Halfway there, you're stopped by a familiar voice
  715. >"Oh Anonymous, you poor, poor thing!"
  716. "Oh. Hi Fluttershy."
  717. >"Anon, you just HAVE to come back to my cottage and let me take care of you! Look at you! You need care! And who knows how long the wait at the infirmary might be?"
  718. >You're hesitant
  719. "I don't know..."
  720. >"I insist! Those sterile old nurses at the infirmary could never give the love and attention that your friend Fluttershy can give you. Now come along, quickly!"
  721.  
  722. >Fluttershy takes you into her cottage and lays you down on an examination table in her living room
  723. "Fluttershy why do you have this table in your living room?"
  724. >"I take care of animals, Anon. Now please just relax. I'll be right back with some supplies."
  725. >You take a deep breath as Fluttershy heads into another room
  726. >It feels nice to relax after all the shit you've been through today
  727. >Almost immediately you begin to doze off
  728. >
  729. "Ow! What the fuck?!"
  730. >You wake to a seething pain on your leg
  731. >It feels like Fluttershy is scrubbing out the wound with alcohol
  732. >"Oh, I'm sorry, Anon. Did I scare you?"
  733. "No! I mean, yeah, but it's okay."
  734. >You try to readjust, and realize that your legs and arms are tied down to the table
  735. "Uh..."
  736. >"Anon, just relax. We can't have you squirming around while I'm treating you, or you might hurt yourself even more. And we wouldn't want that, would we?"
  737. >She gently strokes the top of your head
  738. >You can smell alcohol on her breath
  739. "Fluttershy please let me leave."
  740. >She softly kisses your forehead
  741. >"You're beautiful, do you know that?"
  742. >What in the everloving fuck is going on
  743. "Fluttershy, you smell like tequila and cat piss, just please let me go."
  744. >"Not until I'm done FIXING you."
  745. >She's psychotic
  746. >Fluttershy ties an old piece of pink fabric around your leg to dress the wound
  747. >It's extremely coarse, and she doesn't put it on very carefully
  748. >"Oh, look how pretty that is. Much prettier than those ugly scars."
  749. "Fluttershy-"
  750. >"SHUT UP. Good girls don't speak out of turn, REMEMBER?"
  751. >What does she mean, 'remember'?
  752. >She reaches into a brown paper bag and pulls out two sticks of lipstick
  753. >"Which do think would look better, Anon? A natural pink, or a sexy red?"
  754. >What the fuck
  755. >"Let's just use them both, hmm?"
  756. >She pins your head to the table and gets to work
  757.  
  758. >She scribbles all over your lips with both colors of lipstick
  759. >She's clearly not even trying to do a good job
  760. >"Oh, look how PRETTY you are!"
  761. >She holds a mirror to your face
  762. >The lipstick is all over the place
  763. >You look like a child who stole his mother's makeup
  764. >"That's what little girls are SUPPOSED to look like."
  765. "Jesus, Fluttershy, who hurt you?"
  766. >Her eyes grow even wider
  767. >"This isn't about me, Anon. This is about you. I need to make you better."
  768. >She pulls blush out of the bag
  769. >Starts dabbing it only your cheeks
  770. "Tell me why you're doing this."
  771. >"Because you should be beautiful, Anon. All little girls should be beautiful. Little girls wear MAKEUP and DRESSES, not BANDAIDS. Little girls should be playing with DOLLS, not with BUGS. No one will like you if you spend all day playing with those filthy animals. If you don't learn to act like a LADY, THEN YOU'LL NEVER GET MARRIED. YOU'LL NEVER HAVE BABIES. YOU'LL BE A COMPLETE WASTE OF LIFE AND NO ONE WILL EVER LOVE YOU. I'll be right back."
  772. >She goes to her kitchen and you hear the clinking of glass bottles
  773. >This is fucked
  774. >You try to squirm free of the ropes, but to no avail
  775. >Damn, Fluttershy is good with knots
  776. >She hears you moving around and rushes back in
  777. >She's crying and smiling
  778. >The creepiest combination
  779. >"Who the FUCK do you think you are?"
  780. "...Anon?"
  781. >She bursts into tears
  782. >"I DON'T CARE IF YOU THINK I SHOULD BE DIFFERENT. YOU'RE NOT IN CHARGE OF ME."
  783. >She takes a deep breath and stops crying on a fucking dime
  784. >"Let's get these clothes off of you so I can give you a proper examination."
  785.  
  786. >She aggressively shimmies your pants down to your knees, revealing your boxers
  787. >"WHAT A PRETTY LITTLE YELLOW PUSSY."
  788. >She punches you in the face
  789. >This is some seriously disturbing behavior
  790. >You try to talk her out of it
  791. "Fluttershy, I don't know what's going on, but I like you just the way you are."
  792. >She calms down
  793. >Almost too much
  794. >"Oh, Anon"
  795. >She strokes your cheek
  796. >"What did I tell you about speaking out of turn?"
  797. >She pulls a cat o' nine tails whip out of the paper bag
  798. >"One day you'll learn to behave."
  799. >With the whip in her mouth, she winds up her whole body, and uses all the force she can muster to strike you
  800. >The whip's tails gently land on your abdomen
  801. >You can tell she's frustrated with her lack of strength
  802. >You decide to fake it in an attempt to move things along
  803. "Ow! Ow! Please don't do that again!"
  804. >She gets her confidence back
  805. >"That's right, bitch. CRY."
  806. >She 'whips' you again
  807. "Please! No more! I'll do whatever you want!"
  808. >She belches
  809. >"Anything?"
  810. >No
  811. "Yes."
  812. >She hesitates, deep in thought
  813. >"...we'll have a tea party."
  814. "A tea party."
  815. >"A tea party!"
  816. "Fine. We'll have a tea party."
  817. >"I know just the dress!"
  818. >She hugs you then stumbles off and returns with a yellow sundress
  819. >"Now Anon..."
  820. >You can tell she's starting to sober up slightly
  821. >"I'm going to untie you, but you can't leave. You're still my patient. Okay?"
  822. >She smiles at you
  823. >You don't want to chance it
  824. "Fine. I won't leave."
  825. >She unties you from the table and hands you the dress
  826. >It's clearly way too small
  827. "Can I at least have some privacy?"
  828. >She doesn't respond, and just continues staring at you and smiling
  829. >You bashfully turn away from her and disrobe
  830. >She belches
  831. >You barely manage to squeeze your body into the yellow dress
  832. >"You look perfect Anon. Now please accompany me to the kitchen while I prepare the tea."
  833. >She beckons for you to go before her
  834. >Still smiling
  835. >You can't remember the last time you saw her blink
  836. >You take a seat at the table while she puts on the kettle
  837.  
  838. >After four minutes of very uncomfortable smiling, the kettle whistles
  839. >She turns away from you to prepare your tea
  840. >"How do you prefer your tea, Anon? Sugar? Cream? Honey?"
  841. "Plain is fine."
  842. >She whips her head around to look at you
  843. >"What? Surely you'd like SOMETHING in your tea!"
  844. >Oh okay, she wants to poison the tea
  845. "Nope, I like it plain."
  846. >She gets frustrated
  847. >"Anon, take it from me. This particular tea is unimaginably bitter! It tastes much better with something in it!"
  848. "Mmm, bitter. My favorite!"
  849. >"Maybe... just one cube of sugar?"
  850. "Fluttershy, I'm your guest, and I want it plain."
  851. >She grits her teeth
  852. >"Fine. One plain tea coming right up."
  853. >The two of you lock gazes for about ten seconds
  854. >You can tell she's conflicted
  855. >She shifts her eyes and begins to very slowly reach towards a cabinet as if you wouldn't notice
  856. "Whatcha doing Fluttershy?"
  857. >"What do you mean, Anon?"
  858. >She slowly opens the cabinet
  859. "Why are you opening the cabinet?"
  860. >"I'm not opening the cabinet. You wanted your tea plain."
  861. >She pulls from the cabinet a jar that's clearly labelled 'mandrake'
  862. "Why are you getting mandrake?"
  863. >"I... I'm not."
  864. >She starts to well up
  865. "Fluttershy I can clearly see you trying to poison my tea. I'm not going to drink it."
  866. >"I MESS EVERYTHING UP."
  867. >She drops the jar on the floor and starts weeping
  868. >You walk over to her and kneel down next to her
  869. "Hey, it's okay. You tried, and that's all that really counts."
  870. >"I CAN'T DO ANYTHING RIGHT. NOT EVEN MURDER. I REALLY AM A WASTE OF LIFE."
  871. "I mean... kind of, yeah. But you don't have to word it like that."
  872. >"JUST LEAVE. LEAVE ME WITH MY STUPID ANIMALS JUST LIKE EVERYONE ELSE."
  873. >Poor Fluttershy
  874. >She really needs a good friend who she can talk to about all this
  875. "Okay, bye."
  876.  
  877. >As you leave the cottage, you realize you left your clothes in there
  878. >You then realize that you're in public in a tiny yellow dress, with your face smeared with makeup
  879. >And that you're covered with wounds from being launched through a building
  880. >And that Rarity gave you blue balls
  881. >And that you have a giant gash in your leg from Pinkie's timberwolf
  882. >And that your neck feels broken from whatever Twilight did
  883. >Defeated, you sit down on the ground to relax
  884. >After a few minutes, to no surprise, Applejack walks up and sits next to you
  885. "Hi AJ"
  886. >"Howdy, Anon."
  887. "Are you going to try to kill me?"
  888. >"Yup."
  889. "Okay."
  890. >"But uh... before we get to that... why're you uh... wearing that dress?"
  891. >You nonchalantly point to Fluttershy's house
  892. >She nods in understanding
  893. >"Well listen, why don't you come with me to the barn and we'll get you cleaned up, so you can at least die with some dignity."
  894. "Okay."
  895. >She helps you up and walks you to the barn
  896. >She gets you a washcloth so you can wipe off the makeup, and gives you some old coats and towels that you can wear instead of the dress.
  897. >She brings you into her house and sits you down on a sofa with a slice of apple pie
  898. >She sits down in an armchair and pours herself a glass of scotch
  899. >"Do you like whiskey, Anon?"
  900. "Not really, no."
  901. >She pours you a glass and chuckles
  902. >"Drink it anyway. This stuff has been with me during my highest highs and lowest lows. Beautiful, too. Like liquid gold."
  903. >You cautiously smell the drink
  904. "Smells like nail polish remover."
  905. >"I don't know what in tarnation a nail polish remover is but you'd better get sippin'."
  906. >You get sippin'
  907. >It's awful, but you don't really care
  908. "So what, are you gonna force feed me apples until I die or something?"
  909. >She chuckles
  910. >"Of course not, Anon. That would be silly. You'll be put on public trial outside of town hall and then you'll be hanged."
  911.  
  912. "Public trial for what?"
  913. >"That's for the public to decide, Anon."
  914. "Then this isn't really a fucking trial, is it, AJ?"
  915. >"This is what I figure's gonna happen. You're gonna get up on the gallows at town hall, and once everyone's done yelling about how bad you are, you'll die. Sound good?"
  916. "And what if I just don't go?"
  917. >"Then I go get my gun and this whole thing gets a lot less interesting."
  918. >You're done fighting
  919. "Fine. I'll go, whatever. By the way, why does Ponyville even have a gallows? I've never even seen someone get arrested, let alone executed."
  920. >"Well, I reckon we used the gallows to kill all the bad ponies, and that's why there are none left."
  921. "I guess that makes sense."
  922. >"Now throw back that juice and let's get going."
  923. >You walk with Applejack to city hall
  924. >She doesn't even seem worked up
  925. >She's just talking to you about apples and weather
  926. >You're starting to think that Equestria is such a utopia, that they don't even understand the concept of death and mortality
  927. >Like this is just a game to them
  928. >And now you don't even get to die in a fun way
  929. >Why couldn't Rarity's plan have worked?
  930. >"Here we are, Anon."
  931. >You see a crowd of hundreds of angry looking Ponyville residents, surrounding a gallows readied with a noose
  932. >When they see you approaching, they all begin to cheer and stomp their hooves
  933. >As Applejack accompanies you to the gallows, a few ponies spit at your feet
  934. >All the while, you're just racking your brain trying to come up with one, just one single thing you could have possibly done to piss everyone off
  935. >Applejack helps you onto the gallows, ties your hands behind your back, and fixes the noose around your neck
  936. >Your head almost reaches the beam that the noose is hanging from
  937. >You stand on a big trap door, which once open will cause you to fall to your death
  938. >You wait patiently for the 'public trial', hoping to learn why the fuck everyone wants you dead
  939.  
  940. >Applejack takes her place at a podium beside the gallows and clears her throat
  941. >"My little ponies. We gather here today to publicly take the life of Anonymous."
  942. >The entire crowd boos at the mention of your name
  943. >What the fuck did you do
  944. >"Once I pull this here crank, the floor will fall beneath him and he will pass on to the great beyond."
  945. >The ponies cheer wildly
  946. >"But first, I'd like to open the floor to all the ponies who wish to air their grievances against Anon here. Really let him have it. Don't be shy now. Who's first?"
  947. >No one volunteers
  948. >Only some quiet murmurs come from the crowd
  949. >Really? No one?"
  950. "This means I get to live, right?"
  951. >"You shut up. You're not getting out of this. There must be SOMEPONY who can testify."
  952. >Silence
  953. >"Well damn, why are y'all here and booing if you can't even give me a reason why you're mad?"
  954. >A mare in the front row speaks up
  955. >"We just wanted to see an execution."
  956. >Everyone nods in a agreement
  957. "I DEMAND AN APPEAL."
  958. >The audience gasps
  959. >Applejack leers at you
  960. >"There will be order in this court."
  961. "We're outside though."
  962. >"I SAID ORDER."
  963. >The crowd goes 'ooh'
  964. "Applejack, you-"
  965. >"That's 'Your Honor' to you, Anon."
  966. "Your fucking Honor, you cannot in good conscience sentence me to death without telling me what I did wrong."
  967. >"The fuck I can't!"
  968. >She grips the death crank
  969. "AJ, just-"
  970. >"YOUR HONOR."
  971. >You take a deep breath
  972. "Your Honor, just, please, tell me why you want me dead. It's my dying wish."
  973. >"Your dying wish, huh?"
  974. "It's all I want."
  975. >"Then I can kill you?"
  976. "Then you can kill me."
  977. >She stares at you for a couple seconds
  978. >"Fine. I guess I'll tell you."
  979. >She looks ashamed as she clears her throat
  980. >"Um... Celestia told me and the girls that whoever killed you would get an ice cream cone!"
  981. >The floor falls from beneath you
  982.  
  983. >You're tall enough to safely land on the ground below without the noose tightening
  984. >"Dang flabbit."
  985. "AN ICE CREAM CONE?"
  986. >The crowd makes a disappointed "aww" and begins to disperse
  987. "THAT'S WHY EVERYONE'S BEEN TRYING TO MURDER ME? FOR A FUCKING ICE CREAM CONE?"
  988. >"Well you should've seen it, Anon. It looked pretty good, and-"
  989. "It looked 'pretty good'? That's it? MAYBE I'd have some sympathy if it were a 'SPECTACULAR' looking ice cream cone. Or even a 'GREAT' looking ice cream cone. But you wanted to off me for a fucking... a 'PRETTY GOOD' looking ice cream cone? ALL ICE CREAM CONES LOOK 'PRETTY GOOD', APPLEJACK."
  990. >"Don't trivialize this, Anon."
  991. "Trivialize it? It's an ICE CREAM CONE. IT'S INHERENTLY TRIVIAL."
  992. >"Anon-"
  993. "You know what's NOT trivial? A LIFE. And I think we can agree that you trivialized my life quite a bit."
  994. >You see the other five murderers run up to the gallows, pushing one another, presumably arguing over who gets to kill you
  995. "Oh, good. You know what? I'm glad you're all here. You know what I'm most disappointed in with you six?"
  996. >They all stop bickering to listen to you
  997. "That not a single one of you stopped to realize that YOU CAN BUY YOUR OWN FUCKING ICE CREAM CONE. WITHOUT COMMITING HOMOCIDE. What kind of problem solving is that? I'm talking to a fucking princess genius, and a pink bitch that eats ice cream literally every single day. And neither of you thought to buy your own ice cream?"
  998. >You can tell they're starting to feel a little bad
  999. "In fact, Pinkie, I'll bet that you fucking bought ice cream today, didn't you?"
  1000. >Pinkie's ears droop
  1001. >"Um, maybe?"
  1002. "But you still wanted to kill me for more ice cream?!"
  1003. >"But... Princess Celestia just made it sound sooo goooood!"
  1004. "That's it. Take me. Take me to her. Twilight, poof us there. I need an explanation."
  1005. >Twilight smiles nervously
  1006. >"Are you sure, Anon? I mean... she's kind of the one who wanted you dead in the first place."
  1007. "Poof us. Poof us to the princess."
  1008. >You are poofed
  1009.  
  1010. "HEY PRINCESS BITCH!"
  1011. >You storm towards Celestia's throne as the six murderers sheepishly trail behind you
  1012. >"Anonymous! It's good to see you! Although, I thought we'd moved past the name calling."
  1013. "Why the fuck did I spend all day dealing with murder attempts?"
  1014. >She knits her brow
  1015. >"I don't know. It sounds like a personal problem."
  1016. "Don't play dumb with me. These six have been trying to kill me ALL DAY."
  1017. >She looks at the girls, then slowly back to you
  1018. >"Why? What did you do?"
  1019. "THAT'S WHAT I WANT TO KNOW."
  1020. >"Well why would I know?"
  1021. "BECAUSE YOU'RE THE ONE WHO TOLD THEM TO KILL ME."
  1022. >"Really? Oh! Oh. I remember now. For the ice cream cone, right?"
  1023. "YES. FOR THE ICE CREAM CONE."
  1024. >She giggles
  1025. >"Oh, I completely forgot about that! And none of them could finish the job, huh?"
  1026. "Clearly not."
  1027. >"I don't know whether I should be impressed with you or disappointed with them."
  1028. "I think you'd better start explaining."
  1029. >"Explaining what, exactly?"
  1030. "WHY YOU TRIED TO HAVE ME KILLED."
  1031. >"Oh! Sure! Well yesterday, I got word of your little mishap last week."
  1032. "What mishap? I barely even leave Twilight's castle, what could I have possibly done?"
  1033. >"Well Luna told me that one of the guards' girlfriends said that her niece goes to school in Ponyville. And she said that one of her friends overheard that their mom had smiled at you when you were walking past her, and you didn't smile back. Do you not remember that?"
  1034. "No, Celestia. Of course I don't remember that. Applejack, you didn't tell me jack shit about this!"
  1035. >Applejack shifts her eyes
  1036. >"Well, uh... to be honest with you, when Celestia told us that you needed to be punished for your "incident", I really had no idea what she was referring to. Didn't wanna argue with royalty, you know?"
  1037. >The other five nod in agreement
  1038.  
  1039. >You glare back at Celestia
  1040. "And now you're just over it? You went from wanting me dead to just not caring? Because you don't seem very mad."
  1041. >"Yeah, no. You're good to go."
  1042. "No. This can't just be over. I want... reparations! Or something! At least an apology!"
  1043. >Celestia looks shocked by your demand
  1044. >"Anonymous, please calm down. I just made a mistake."
  1045. "TRYING TO KILL ME IS MORE THAN JUST A MISTAKE."
  1046. >Twilight steps forward
  1047. >"Everyone makes mistakes, Anon."
  1048. >Rarity puts her hoof around Twilight
  1049. >"Even the ones you look up to most!"
  1050. "NO. YOU CAN'T JUST TURN THIS INTO A FRIENDSHIP LESSON. STOP."
  1051. >Rainbow Dash zooms into the air
  1052. >"And even though someone might accidentally make you sad..."
  1053. >Fluttershy lifts her front hoof
  1054. >"It's important to learn how to forgive."
  1055. "WHY DOES THIS ALWAYS HAPPEN."
  1056. >Pinkie Pie puts a party hat on you
  1057. >"If you don't forgive someone, then how could you have any FUN with them?"
  1058. >Applejack nudges your leg
  1059. >'Besides, who HASN'T made a mistake or two. I know I have!"
  1060. >The group chuckles
  1061. "YOU TRIED TO KILL ME."
  1062. >Celestia smiles
  1063. >"Very good, girls. You know what would make this day even better? Let's all share that ice cream cone! What do you say?"
  1064. >"YEAH!!"
  1065. >The girls run up to Celestia as you begin to cry
  1066. >Celestia retrieves a box from behind her throne and opens it up to get the ice cream cone
  1067. >But inside the box, they find Spike waking up from a nap with ice cream smudged on his face
  1068. >"What? I was hungry!"
  1069. >The ponies roll their eyes in unison
  1070. >"Spiiiiiiike!"
  1071. >Everybody shares a long, hearty laugh as you curl up and descend into soft, pastel colored insanity
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