The Other Side of the Wind (2018)

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[wind blowing]

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[jazz music playing]

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[man 1] That's the car.
What was left of it after the accident.

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If it was an accident.

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Hannaford, before he changed his mind,
was gonna give the car

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to the young leading actor
of his last movie,

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John Dale.

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And Hannaford was supposed
to have saved him, at some earlier date,

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from committing suicide.

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Or so the story goes.

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As for his own death,

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his admirers were sure
that Hannaford did not intend

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to drive the car off that bridge.

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"A corny ending," they said.

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J.J. Hannaford would never be guilty
of that.

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But there were other opinions.

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He died many summers ago, [sighs slightly]

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...July 2nd.

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For years, I personally didn't want
this document shown

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because, frankly, I didn't like the way
I came off in the piece.

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But I'm old enough now
not to care anymore...

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how my role in Jake's life is interpreted.

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My name is Brooks Otterlake,

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probably Hannaford's
most successful acolyte.

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Anyway, this little historical document
has been put together from many sources.

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From all the footage shot by TV
and documentary filmmakers,

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and also the students, critics,
and young directors

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who happened to bring
16 and eight-millimeter cameras,

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having been invited to Jake's...
70th birthday party.

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That was long before cell phone cameras
and computerized images.

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The choice of this material is an attempt

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to sketch a film likeness
of the man himself as he looked...

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through all those different viewfinders.

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Hannaford's own unfinished
last motion picture

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is part of this testimony,

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The Other Side of the Wind.

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It has been left just as it was
when they showed it at his party,

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on what turned out to be...

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the last day of his life.

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- [crewman 1] Lock it.
- [crewman 2] Steam bath, take nine.

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[women laughing]

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[Jake] Action.

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[women chattering]

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[hands clapping]

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[shrieks]

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[Jake]
All right, sweetie. You know where to go.

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Cut. Thank you, everybody. That's a wrap.

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[bell rings]

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[man 1] Jake, Brooksie's riding with you,
if that's okay.

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[assistant] Mr. Hannaford, your meeting
with wardrobe is at 8:00 a.m.

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[Jake] Make it 7:00.
Let's get the hell out of here.

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[man 2] Same scene, nine o'clock, Monday.

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Zarah Valeska is the one giving the party.

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According to Jake,
she's the greatest cook in the world.

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Is she the one who talked Jake

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into letting all the media get at him
at once?

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We're the Close-up on Hannaford people.

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- These ladies are from Life, I guess.
- [photographer] Up here, look here!

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I'm independent.

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Pister, from The Film Institute.

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Everybody else not assigned transportation

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can collect in the carpool.

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[man 3] Maggie, you can be chaperone.

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Mostly,
the nudies are driving their own cars.

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I want to make sure they can get home.

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- And the beards?
- A TV special for the BBC.

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[cameraman] No, ma'am, CBC.

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I'm doing a film,
and he's doing a book on Mr. Hannaford.

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And I know somebody, somewhere,
who isn't.

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Uh-huh.
But mine is the authorized biography.

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It's certainly one of them, Ms. Rich.

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May I present, Maggie Warden,
our film editor.

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Ms. Juliette Rich, the celebrated critic.

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[engine starts]

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[man 3] Isn't that trying
just a little hard to be funny?

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Come on, Matt,
I ain't trying to be funny. Ask the boss.

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- He thinks they're lousy.
- [man 4] I know what he thinks.

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Hey, Costello, step over here, will you?

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Who let you in?

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He'll want you with him, Mr. Otterlake.
He always does.

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- [Otterlake] Where is he?
- [assistant] Who?

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- [engine revs]
- Wh... Where's Jake's car? Do you know?

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Hey! You wanna ride out with the boss?

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You can just catch him at the studio gate.

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Mr. Pister.

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The first name is Marvin.

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- What?
- [man 3] Isn't it?

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This is Matt Costello,
he's Mr. Hannaford's personal assistant.

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Yeah, I do all the dirty jobs.

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[man 1]
I'm supposed to be selling the picture.

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- You'll just have to wait.
- Hi, Billy.

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Sorry. Sorry, Brooksie,
I was talking to him.

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I... I guess you'll be riding with Jake,
won't you?

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- [Otterlake] So they tell me.
- I...

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[man 2, over megaphone] Once again,
the bus with the green stripes,

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marked "students," is for the students!

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[filmmaker 1] Jake said we should ride
with you.

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[filmmaker 2] Let's go.

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Can you wait for our second camera?
You're gonna make a... [yelps]

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- Hang on, guys! Wait for me.
- [filmmaker 1] Come on! Come on!

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[man 2] The jazz musicians...

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and the midgets...
in the blue charter bus.

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[Matt] Where's The Baron?

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Here, sir.

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[Matt] What's the plan
for the head of the studio?

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Billy's screening the film with him.

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I know it should have been you,
Baron, but according to Jake,

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I'm more Max's style. [chuckles]
Oh, who knows? Maybe he's right.

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Jake? [chuckles]

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- Isn't he always?
- Huh. We'll see about that.

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I had hoped to ride with the naked ladies.

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[man 5]
You're lucky you aren't with the midgets.

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[man 4] All students from the Movie
University of Southern California...

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or whatever you are...

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in the bus with the green stripes!

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Uh, according to Jake,
I'm more Max's style.

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Maybe he's right.

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[watch ticking]

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[door opens and creaks]

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Hi, Max, remember me? Billy Boyle.

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I've seen you in some Hannaford films,
haven't I?

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[Billy] Well, some early ones
on very late TV.

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He let me play a few friends
of the heroes for a while.

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- We're both reformed...
- Where is he?

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...actors, aren't we?

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Uh, Jake? Oh, I...
I don't think we ought to wait for him.

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He's still on the set?

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Well, I don't actually know
just where he is at the moment.

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[man 2] All right, the crew,

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the jazz musicians,

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and the midgets...

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on the blue charter bus!

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[Matt] Zimmer, I've got a message for you.

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From Jake? [sighs] I got that message.

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Everybody got it.

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[Matt] Not this message.

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I'm fired?

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That's the message?

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Why?

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Why? Would somebody please tell me
why I'm going to his party?

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You're invited.

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All these stupid dummies.

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They're invited.

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[camera rolling]

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[projector whirring]

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- [beeps]
- [Billy] This is toward the beginning.

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It comes
right after what we were shooting today.

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She leaves the steam room,
and here's this character waiting for her.

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[jazz music playing]

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[line ringing]

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- [sighs]
- [phone booth door opens]

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[door closes]

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- [engine revs]
- [tires squeal]

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[cameraman] Right here!

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Through the window, right there.
Come on, man.

156
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Life was never like this
in Hicksville, huh, Julie?

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- [Rich] Hicksville?
- Yeah, that little town you were born in.

158
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I remember, Polack extraction.

159
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Richeviski, huh?

160
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You certainly seem to know quite a lot
about me, Mr. Costello.

161
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Call me Matt.

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- Oh, Matt here, he knows about everybody.
- [Matt] Keep it quiet.

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He's on that committee,

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the one that decides
if you're an American.

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Maybe you didn't know
that these people are still in business.

166
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You mean
that Mr. Hannaford's investigating me?

167
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We're still in business, huh?

168
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So what am I gonna see,
everything he's shot up until now?

169
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Well, the first couple of reels, Max.

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The last part's already at the ranch.

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Zarah's giving him this party.

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She's invited all these movie freaks.

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We'll see the rest of the stuff
when we get out there.

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Zarah's expecting you, Max.

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So is Jake.

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I was expecting him here.

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Fine. Rolling. Hello, hello, hello...
Okay, I'm ready to go.

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Just go right ahead and talk,
Mr. Hannaford.

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- Don't mind us.
- [Pister] I'll go first.

180
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Mr. Hannaford, is the camera eye
a reflection of reality?

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00:11:35,917 --> 00:11:38,792
Or is reality a reflection
of the camera eye?

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Or is the camera merely a phallus?

183
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- I want a drink.
- You heard him. Let's get it out here!

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[filmmaker 4] We ought to start
with a broader spectrum.

185
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- Here.
- Don't you agree, Otterlake?

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[filmmaker 5] True,
the interview is for everybody,

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not just us.

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[Pister] But today,
there's a special dispensation.

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[filmmaker 6] Mr. Hannaford,
could you please slow down?

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Otherwise, I'm gonna fall off the car.

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- [shouts] Mr. Hannaford!
- [engine revs]

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- [Max] Dale something.
- John Dale, Max.

193
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He... He's the kid on the motorcycle.

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- Look.
- [tires squeal]

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According to Jake, the box likes him.

196
00:12:18,542 --> 00:12:20,833
- Box?
- The old magic box.

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If the camera doesn't like an actor,

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it just stares at him.

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Well, that's what Jake says.

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And if the actor doesn't like
the old magic director?

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[sighs] Yeah.

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[Max] Is it true
Dale walked off the movie?

203
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Well...

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[stutters] He'll come back.

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[car door closes]

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And if he doesn't come back,
how will you finish it?

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[Matt] Come on, Zimmie, Jake's fine.
He's just like he always was.

208
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You know how he is sometimes.

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He's... turning sour, Matt.
He's going bad.

210
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- Oh, put a can on it, will you?
- [Zimmer] I'm a makeup man, an expert.

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00:13:06,875 --> 00:13:09,792
All my life, I've been sticking my nose

212
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into other people's wrinkles.

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I know the little signs.

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It's something you can almost... smell.

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[chuckling] That's what the gypsies say.

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Gypsies?

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Nine months, we practically lived
with them.

218
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Jake's first picture, in Spain.

219
00:13:27,792 --> 00:13:29,708
[lively piano music playing]

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[filmmaker 7] Come on. Get next to...

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[filmmaker 8] All right. Bring it. Good.
Right there on her.

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00:13:41,708 --> 00:13:44,667
Hey, hey.
Can you look over here? That's it...

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- [Max] She's an Indian?
- A red, red Indian.

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In the story.

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You... You'll meet her at the party, Max.

226
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[projector whirring]

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How does the box feel about her?

228
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To assess, Mr. Hannaford,
just how fully that theme in your work

229
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may be a reflection
of your father's suicide...

230
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The suicide can wait.

231
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We ought to start
with a broader spectrum.

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00:14:11,958 --> 00:14:13,292
Don't you agree, Otterlake?

233
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[imitating James Cagney]
Hannaford began his career...

234
00:14:16,375 --> 00:14:18,833
as a propman...
for the ol' cliffhangers.

235
00:14:18,917 --> 00:14:20,000
You were a property man?

236
00:14:20,083 --> 00:14:23,875
Bombs, you know? Buzz saws,
pits... pits full of deadly serpents...

237
00:14:23,958 --> 00:14:25,417
He provided all the...

238
00:14:25,500 --> 00:14:27,851
- [flamenco music playing on radio]
- Don't turn on the radio.

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00:14:27,875 --> 00:14:30,833
I'm in the middle...
I'm telling your life story.

240
00:14:31,042 --> 00:14:32,417
This was in Hollywood?

241
00:14:32,500 --> 00:14:33,750
Of course it was Hollywood.

242
00:14:33,833 --> 00:14:34,875
He, uh...

243
00:14:35,833 --> 00:14:39,583
He shared a... a bungalow
with his first leading man, you know?

244
00:14:39,958 --> 00:14:42,917
I even know his name. Frank Fryer.
How about that, Skipper?

245
00:14:43,250 --> 00:14:45,130
And I'm the only one
not doing a book about you.

246
00:14:46,333 --> 00:14:48,958
My book on Hannaford has been canceled.

247
00:14:49,292 --> 00:14:50,958
- [Pister] Canceled?
- Indefinitely.

248
00:14:51,583 --> 00:14:53,042
The first five chapters

249
00:14:53,333 --> 00:14:57,125
took the two of us
three and a half years to... to do.

250
00:14:57,250 --> 00:15:00,042
I finally... I had
to start directing myself so I could eat.

251
00:15:00,125 --> 00:15:01,583
[Jake] The rest is history.

252
00:15:01,833 --> 00:15:03,333
And now, I suppose you're too busy.

253
00:15:03,958 --> 00:15:07,083
No. Well, we both are.
Take it from me, fellas...

254
00:15:07,458 --> 00:15:10,250
our friend here,
he just purely hates being interviewed.

255
00:15:11,042 --> 00:15:13,917
So, I... I donated a lot of my old tapes,
you know?

256
00:15:14,000 --> 00:15:18,042
Scattered them here and there,
among you cineastes, you know?

257
00:15:19,458 --> 00:15:21,667
To spare him as many questions
as possible.

258
00:15:22,583 --> 00:15:23,583
Answers.

259
00:15:24,250 --> 00:15:25,625
Answers are my department.

260
00:15:26,250 --> 00:15:27,750
John Dale, for instance.

261
00:15:30,917 --> 00:15:33,583
[sighs] He looks like a girl.

262
00:15:34,333 --> 00:15:38,375
[chuckles] They all do nowadays,
don't they? That's how they want to look.

263
00:15:38,500 --> 00:15:39,792
That's the scene.

264
00:15:40,625 --> 00:15:41,625
Which scene?

265
00:15:41,792 --> 00:15:42,917
Well, the scene.

266
00:15:46,250 --> 00:15:48,750
[Max] Oh, and you old guys are trying
to get with it.

267
00:15:50,792 --> 00:15:52,458
Is that what this movie's about?

268
00:15:52,833 --> 00:15:53,833
Kids today...

269
00:15:53,917 --> 00:15:56,250
Kids today?
What the hell do you know about it?

270
00:15:57,417 --> 00:15:59,417
What does Jake know at his age?

271
00:15:59,500 --> 00:16:00,542
He better know.

272
00:16:00,625 --> 00:16:03,750
[Zimmer] The way I hear it,
he's, uh, putting up his own money.

273
00:16:03,833 --> 00:16:05,458
[Maggie] The bank wanted a name.

274
00:16:05,708 --> 00:16:08,667
Jake wanted him. A baby.

275
00:16:09,375 --> 00:16:11,417
[Maggie] The world's full of them, Zimmie.

276
00:16:11,750 --> 00:16:13,667
Or haven't you noticed?

277
00:16:13,833 --> 00:16:16,792
- Early Hannaford films.
- [flamenco music continues playing]

278
00:16:16,875 --> 00:16:18,500
- Silents.
- Silents?

279
00:16:18,583 --> 00:16:22,708
Shh! Um...
Action pictures. Plenty of action.

280
00:16:23,083 --> 00:16:25,625
Jake and Frank used to strip to the waist,

281
00:16:25,958 --> 00:16:28,917
every Saturday night,
and they'd put their pay envelopes...

282
00:16:29,167 --> 00:16:32,625
on the, uh... on the mantelpiece,
and they'd fight each other for the pot.

283
00:16:32,708 --> 00:16:34,958
- What ever happened to him?
- Fryer?

284
00:16:36,083 --> 00:16:37,083
I don't know, kid.

285
00:16:38,792 --> 00:16:41,750
- They come and they go.
- John Dale, for instance?

286
00:16:42,375 --> 00:16:44,917
Yes, the latest of all those actors
you've discovered.

287
00:16:45,292 --> 00:16:47,667
Discovered?
Like we went pearling for 'em?

288
00:16:48,292 --> 00:16:50,875
Squeezed your movie star
out of an oyster?

289
00:16:53,208 --> 00:16:54,208
[engine roars]

290
00:16:55,125 --> 00:16:56,208
[tires squeal]

291
00:17:09,917 --> 00:17:12,708
Well, no editing, really.
It's just the slates cut off.

292
00:17:13,250 --> 00:17:14,292
Gumdrop?

293
00:17:14,875 --> 00:17:18,333
All right, men, let's get organized.
Now, where should we start?

294
00:17:18,917 --> 00:17:20,708
Where ol' Dad here ran away to sea

295
00:17:20,792 --> 00:17:23,750
or, uh, way back with the ancestors?

296
00:17:24,292 --> 00:17:27,333
All right, save your voice, Skipper.
It's all here on the tapes.

297
00:17:27,417 --> 00:17:28,708
- Listen.
- [player clicks]

298
00:17:29,292 --> 00:17:32,042
[Jake, on recording] Most
of the old actor managers were micks.

299
00:17:32,125 --> 00:17:35,542
Barrett, McCullough, Hannaford, O'Neil...
What else was there to be?

300
00:17:36,000 --> 00:17:39,375
You carried bricks, or got into politics,
or went on the stage.

301
00:17:39,833 --> 00:17:42,958
Ol' Junius Hannaford was pretty big
in high tragedy.

302
00:17:43,375 --> 00:17:46,375
And Junius Junior,
as befits the second generation,

303
00:17:47,083 --> 00:17:48,667
made it into high society.

304
00:17:49,167 --> 00:17:52,667
A pioneer snob, blazing the trail
for the Kellys and the Kennedys.

305
00:17:52,750 --> 00:17:54,500
[engine revs]

306
00:17:54,583 --> 00:17:56,542
[man 2, on recording] Randy Moore,
for instance,

307
00:17:56,625 --> 00:17:57,958
he was a prop boy.

308
00:17:58,417 --> 00:17:59,958
David Leigh was an extra.

309
00:18:00,542 --> 00:18:02,250
Neil Trevor, Branch Sutter,

310
00:18:02,333 --> 00:18:05,250
- Glen Garvey...
- [Jake] I happened to notice them.

311
00:18:05,333 --> 00:18:06,333
Just listen.

312
00:18:06,542 --> 00:18:08,917
[Jake] But Dale, I found. Literally.

313
00:18:09,250 --> 00:18:12,833
Fished him out of the sea.
Yeah, that's what you'd call a discovery.

314
00:18:12,917 --> 00:18:14,000
Do you get it?

315
00:18:14,417 --> 00:18:16,750
He saved the cat's life.

316
00:18:16,833 --> 00:18:19,792
[filmmaker 2] So, the boy's indebted
to him, even for that.

317
00:18:20,667 --> 00:18:23,708
Can you imagine
a relationship more all-consuming...

318
00:18:24,375 --> 00:18:26,167
between master and slave?

319
00:18:26,375 --> 00:18:29,625
[Jake] Dale was flopping around
like something you'd bring up in a net.

320
00:18:29,875 --> 00:18:30,792
We did what we could.

321
00:18:30,875 --> 00:18:32,958
Kept him on the yacht,
signed him on as a deckhand,

322
00:18:33,042 --> 00:18:35,208
and made a sailor out of him, or tried to.

323
00:18:35,375 --> 00:18:36,792
Sure, I rescued him.

324
00:18:37,042 --> 00:18:38,958
And I've been rescuing him ever since.

325
00:18:39,208 --> 00:18:42,708
Look what he did with the others.
Glen Garvey, Courtney Saxon...

326
00:18:42,792 --> 00:18:46,250
Courtney? He was selling vacuum cleaners
when Jake discovered him.

327
00:18:46,917 --> 00:18:49,208
And as for Hannaford hisself...

328
00:18:49,292 --> 00:18:50,125
What about him?

329
00:18:50,250 --> 00:18:55,000
- Branch Sutter, he was a dishwasher.
- It could be he's wrong this time.

330
00:18:55,083 --> 00:18:55,917
Who says so?

331
00:18:56,000 --> 00:18:57,375
Zimmer says so. Ha!

332
00:18:57,917 --> 00:19:00,417
I don't know what I think of this one.

333
00:19:00,583 --> 00:19:01,583
[man 2] Who does?

334
00:19:01,625 --> 00:19:03,292
- [exhales]
- [Pister] Jack Simon?

335
00:19:03,750 --> 00:19:05,000
See that cop back there?

336
00:19:05,167 --> 00:19:07,167
[shivering]

337
00:19:07,417 --> 00:19:09,667
Uh... you guys are overloaded.

338
00:19:09,875 --> 00:19:10,917
Thanks, Jack.

339
00:19:11,333 --> 00:19:14,167
- Somebody's gonna have to go.
- [engine roars]

340
00:19:14,292 --> 00:19:16,500
- [filmmaker 5] Pister, you're it.
- [Pister] Come on.

341
00:19:17,042 --> 00:19:20,583
- Can he ride with you, Jack?
- Uh, I haven't got the insurance.

342
00:19:22,458 --> 00:19:23,542
See you at the party.

343
00:19:24,000 --> 00:19:25,000
Thanks, Jack.

344
00:19:25,292 --> 00:19:27,792
[filmmaker 5]
Good luck getting to the party, Pister!

345
00:19:28,208 --> 00:19:30,208
[jazz music playing]

346
00:19:37,958 --> 00:19:39,167
[Max] What happens here?

347
00:19:41,167 --> 00:19:42,708
I'm not really sure, Max.

348
00:19:44,417 --> 00:19:47,000
Uh, maybe... maybe it's here
she leaves the... the...

349
00:19:47,792 --> 00:19:48,917
the bomb.

350
00:19:59,125 --> 00:20:00,792
[brakes squeal]

351
00:20:05,208 --> 00:20:06,583
Having fun, Mr. Pister?

352
00:20:06,917 --> 00:20:09,417
The people in that last car
were kind of... awful.

353
00:20:09,500 --> 00:20:10,875
Mr. Hannaford's car?

354
00:20:10,958 --> 00:20:11,875
They threw me out.

355
00:20:11,958 --> 00:20:16,333
And then I... I tried... I got a ride
with a bunch of video freaks.

356
00:20:16,500 --> 00:20:19,292
But they ran out of gas,
or needed a fix or something.

357
00:20:20,417 --> 00:20:23,083
- [toys squeaking]
- [Max] So, what are the toys about?

358
00:20:23,458 --> 00:20:26,000
Well, be... before this,
she'll be pretending

359
00:20:26,083 --> 00:20:27,708
to look in the window at 'em.

360
00:20:27,958 --> 00:20:30,167
That is, when we get around
to shooting it.

361
00:20:33,875 --> 00:20:37,375
- [Max] She's some kind of crook?
- [Billy] Well, some kind of radical.

362
00:20:37,458 --> 00:20:40,458
[stammering] Anyway, there's...
there's some more shops there,

363
00:20:40,542 --> 00:20:43,708
and then, the boy thinks
she's been looking at these dolls.

364
00:20:46,958 --> 00:20:47,958
[Max] Which doll?

365
00:20:48,500 --> 00:20:49,917
Well, the one she...

366
00:20:50,375 --> 00:20:52,000
he thinks she was looking at.

367
00:20:53,167 --> 00:20:54,167
So...

368
00:20:54,333 --> 00:20:57,042
well, he goes in and buys it for her.

369
00:20:57,875 --> 00:20:59,167
May I see that, please?

370
00:21:01,042 --> 00:21:03,708
- Jake wrote that?
- It's transcribed from tapes, I guess,

371
00:21:03,792 --> 00:21:05,125
but it hasn't been typed.

372
00:21:05,542 --> 00:21:07,375
"The hippies and the beatnicks.

373
00:21:07,458 --> 00:21:10,167
The bums. Call them what you want to.

374
00:21:10,833 --> 00:21:15,708
They slouch and slack around the floor
because they like it down there.

375
00:21:16,292 --> 00:21:18,625
Talk about the return to the womb,

376
00:21:18,958 --> 00:21:21,208
what about the return to the cave?

377
00:21:21,292 --> 00:21:22,875
[laughs and slurps]

378
00:21:23,042 --> 00:21:25,833
Junk. Junk is how you get there.

379
00:21:26,167 --> 00:21:28,167
That's how you dig your way back!"

380
00:21:28,625 --> 00:21:30,250
- Drugs.
- [man 2] "Junk,

381
00:21:30,333 --> 00:21:36,458
for the cool dreams, kid.
And the cool, dim, anonymous gang shag.

382
00:21:36,917 --> 00:21:38,583
The mutual jack-off."

383
00:21:39,250 --> 00:21:42,375
[laughing]
That's sure telling it like it is, huh?

384
00:21:44,000 --> 00:21:45,833
[projector whirring]

385
00:21:50,542 --> 00:21:51,667
What's in the package?

386
00:21:51,792 --> 00:21:54,458
Uh, the package.
You... You mean, what she's got in her bag?

387
00:21:55,250 --> 00:21:57,542
[Max]
Well, it's either a bomb or her lunch.

388
00:21:57,917 --> 00:21:59,583
[Billy] In the kid's package.

389
00:21:59,875 --> 00:22:01,167
That... That's the doll!

390
00:22:02,750 --> 00:22:03,833
[footsteps approaching]

391
00:22:05,208 --> 00:22:07,542
- [Max] Now, tell me, Jimmy.
- Oh, Billy.

392
00:22:08,208 --> 00:22:09,208
Okay, Billy.

393
00:22:10,375 --> 00:22:13,917
There is going to be film showing
that there's a doll in this package?

394
00:22:14,000 --> 00:22:15,875
Oh, sure, that's easy, Max.

395
00:22:15,958 --> 00:22:17,250
Just... Just an insert.

396
00:22:18,125 --> 00:22:20,000
[engine starts]

397
00:22:22,417 --> 00:22:23,417
And the bomb?

398
00:22:30,667 --> 00:22:33,792
[Max] And if there is a bomb,
when does it blow up?

399
00:22:34,042 --> 00:22:37,542
[stammering] Well,
we don't actually know.

400
00:22:42,417 --> 00:22:43,625
What do we know?

401
00:22:45,750 --> 00:22:47,375
You... You better ask Jake.

402
00:22:47,583 --> 00:22:49,208
I better read the script.

403
00:22:53,250 --> 00:22:54,375
[Billy clears throat]

404
00:22:54,917 --> 00:22:56,708
Oh. There isn't one.

405
00:23:00,542 --> 00:23:02,708
Jake is just making it up
as he goes along.

406
00:23:04,958 --> 00:23:06,333
He's done it before.

407
00:23:07,833 --> 00:23:10,250
[journalist] Dream projections
of Hannaford himself.

408
00:23:10,708 --> 00:23:11,958
Man, they're real.

409
00:23:12,042 --> 00:23:14,125
He made them real.
He gave them existence.

410
00:23:14,708 --> 00:23:16,333
He molded them out of clay.

411
00:23:16,417 --> 00:23:18,417
[camerawoman]
Or cut them out with scissors.

412
00:23:18,500 --> 00:23:19,750
He conceived them.

413
00:23:20,375 --> 00:23:21,375
Like a God.

414
00:23:23,250 --> 00:23:24,917
A terrible and jealous God.

415
00:23:25,000 --> 00:23:27,333
That's what he's been
with this new boy of his.

416
00:23:27,625 --> 00:23:30,583
John Dale
is Hannaford's personal creation.

417
00:23:31,583 --> 00:23:33,000
There's something else, too.

418
00:23:33,333 --> 00:23:34,750
An even stronger claim.

419
00:23:35,625 --> 00:23:38,250
Very much in the Hannaford style.

420
00:23:38,833 --> 00:23:40,833
[engine idles]

421
00:23:45,792 --> 00:23:48,917
[Billy] Understand, Max,
this isn't even a rough cut.

422
00:23:49,458 --> 00:23:52,208
- [Max] Sure.
- [Billy] You have to see the rest.

423
00:23:52,625 --> 00:23:54,583
And Jake's gonna have to shoot it.

424
00:23:55,125 --> 00:23:56,458
Oh, like I told you, Max,

425
00:23:56,542 --> 00:23:59,458
an awful lot of the footage is
out at the ranch.

426
00:23:59,792 --> 00:24:02,292
We'll be screening it for you...
at the party.

427
00:24:03,333 --> 00:24:05,042
[Max] Tell Jake he wasted my time.

428
00:24:13,875 --> 00:24:15,042
[people chattering]

429
00:24:15,125 --> 00:24:18,625
[speaking German]

430
00:24:18,792 --> 00:24:21,917
- [male guest] Either one...
- [guests chattering and laughing]

431
00:24:22,000 --> 00:24:24,583
- [lively jazz music playing]
- [female guest] Oh, my God!

432
00:24:29,333 --> 00:24:31,792
Just a little more basil.
Otherwise, it's good.

433
00:24:33,958 --> 00:24:35,958
- [male guest 2] I know!
- [male guest 3] Come on!

434
00:24:36,042 --> 00:24:39,917
[speaking German]

435
00:24:40,000 --> 00:24:41,917
- [female guest 2] He's over there.
- Oh, yeah.

436
00:24:42,500 --> 00:24:44,667
[interviewer] Nobody can do it like you,
Ms. Valeska.

437
00:24:44,750 --> 00:24:45,833
No. Nobody.

438
00:24:46,000 --> 00:24:48,958
- [whistles] Keep moving.
- [photographer] Add another four feet.

439
00:24:50,292 --> 00:24:52,417
It's open season tonight, Mr. Otterlake.

440
00:24:52,750 --> 00:24:54,250
We are in public domain.

441
00:24:54,375 --> 00:24:56,500
[all laughing]

442
00:25:01,083 --> 00:25:03,708
"Major studio" is a bullshit word,
but that's the word.

443
00:25:03,917 --> 00:25:06,018
I made a picture that made money.
That's what I had to do.

444
00:25:06,042 --> 00:25:07,268
That's right. What about those people

445
00:25:07,292 --> 00:25:09,172
who can't first make a picture
that makes money?

446
00:25:09,375 --> 00:25:12,101
They're not interested in making a picture
that makes money. That's my point!

447
00:25:12,125 --> 00:25:14,000
He's a man who could take a mediocre idea,

448
00:25:14,083 --> 00:25:15,958
and do something absolutely atrocious
with it.

449
00:25:16,042 --> 00:25:18,833
- But it's absurd!
- [male guest 4] It's absurd. I thought...

450
00:25:18,917 --> 00:25:20,268
Inevitably, the need to make money

451
00:25:20,292 --> 00:25:22,132
creates the need
for a certain kind of picture.

452
00:25:22,292 --> 00:25:23,333
And the picture...

453
00:25:23,500 --> 00:25:25,708
- [Mazursky] Shh. That's Jewish logic.
- Oh, I'm Jewish.

454
00:25:25,792 --> 00:25:29,042
- [female guest 3] That's your opinion.
- The ontology of its iconography...

455
00:25:29,125 --> 00:25:30,958
is so incredibly facile.

456
00:25:31,042 --> 00:25:33,625
If you indulged in aestheticism
for its own sake,

457
00:25:33,708 --> 00:25:35,417
it could be called an abstract.

458
00:25:35,500 --> 00:25:36,934
[male guest 5]
If the audience can't get it,

459
00:25:36,958 --> 00:25:38,434
what's the point of going to the movie?

460
00:25:38,458 --> 00:25:39,851
[Hopper] I'm trying to, you know...

461
00:25:39,875 --> 00:25:42,292
I'd like to get John Wayne's audience
in to see my movie.

462
00:25:42,375 --> 00:25:45,625
[Jaglom] You've got an entire revolution
going on in this country on every level.

463
00:25:45,708 --> 00:25:48,434
- It's not gonna be reflected in films?
- [Mazursky] It's not a revolution.

464
00:25:48,458 --> 00:25:50,268
- Not in the way you think it is.
- Well, okay.

465
00:25:50,292 --> 00:25:53,000
There's still rich people,
poor people starving, and a middle class.

466
00:25:53,083 --> 00:25:55,708
Why wouldn't they listen to me?
What assholes they were,

467
00:25:55,792 --> 00:25:58,167
and what a dying dinosaur
they were involved in.

468
00:25:58,250 --> 00:26:01,570
- Why are you defending a corrupt system?
- [Mazursky] I'm not defending the system!

469
00:26:01,625 --> 00:26:03,458
You don't see the point at all.

470
00:26:03,542 --> 00:26:04,542
I hate the system.

471
00:26:04,625 --> 00:26:08,708
I think that it's relatively easy
to make a good... movie.

472
00:26:09,625 --> 00:26:10,708
Not a great one.

473
00:26:11,125 --> 00:26:12,417
That's... something else.

474
00:26:12,500 --> 00:26:15,208
- Hannaford's new movie?
- You do know about that.

475
00:26:15,292 --> 00:26:17,708
Yes, indeedy, ma'am.
We'll be seeing it here tonight.

476
00:26:17,792 --> 00:26:19,542
Not this character.
You won't be seeing him.

477
00:26:19,625 --> 00:26:21,708
Not until they find an actor for it.

478
00:26:21,792 --> 00:26:24,833
"Mostly, we're just supposed to feel him
spying on the boy

479
00:26:25,292 --> 00:26:28,208
and on the girl, too, of course...
from the shadows."

480
00:26:28,292 --> 00:26:30,083
Am I quoting you correctly?
Of course I am.

481
00:26:30,167 --> 00:26:32,833
- [Baron] Of course.
- She has total recall.

482
00:26:32,958 --> 00:26:34,667
And a perfectly splendid imagination.

483
00:26:34,750 --> 00:26:36,430
Don't try and be cute.
Answer the question.

484
00:26:36,458 --> 00:26:37,875
Would you just repeat it, please?

485
00:26:37,958 --> 00:26:39,318
I didn't think you asked anything.

486
00:26:39,458 --> 00:26:41,667
[sighs] I guess I haven't asked it.

487
00:26:41,750 --> 00:26:44,167
I just want to know what he represents.

488
00:26:44,250 --> 00:26:46,958
[Pister] Well, as I conceive of it,
this character in the film,

489
00:26:47,042 --> 00:26:49,250
well, he's...
he's sort of a hermit living out there.

490
00:26:49,625 --> 00:26:51,625
There is a possibility.

491
00:26:51,792 --> 00:26:54,458
A Peeping Tom. You tell us.

492
00:26:54,917 --> 00:26:56,417
This part, we didn't cast.

493
00:26:56,917 --> 00:26:58,292
This old man.

494
00:26:58,958 --> 00:26:59,958
He's Hannaford.

495
00:27:02,333 --> 00:27:03,417
Hannaford himself.

496
00:27:03,750 --> 00:27:07,667
- [guests cheering and applauding]
- [camera shutters clicking]

497
00:27:08,667 --> 00:27:11,500
- [reporter 1] Mr. Hannaford!
- [reporter 2] Mr. Hannaford! Hey!

498
00:27:16,792 --> 00:27:18,917
Mr. Hannaford! Mr. Hannaford! It's me!

499
00:27:19,000 --> 00:27:20,542
Happy birthday, Jake! Happy birthday!

500
00:27:21,375 --> 00:27:23,458
- Mr. Hannaford? Mr. Hannaford?
- Happy birthday.

501
00:27:24,000 --> 00:27:26,208
I'm Marvin P. Fassbender.

502
00:27:26,750 --> 00:27:27,792
Of course you are.

503
00:27:30,917 --> 00:27:32,833
[Fassbender] Mr. Hannaford? Mr. Hannaford?

504
00:27:39,042 --> 00:27:42,000
[indistinct chatter]

505
00:27:57,292 --> 00:27:59,768
[reporter 3] Mr. Otterlake,
is it true you're planning a Western?

506
00:27:59,792 --> 00:28:03,333
This is Mr. Hannaford's night.
Let's save the questions for him, huh?

507
00:28:03,417 --> 00:28:05,167
You two are very close, aren't you?

508
00:28:05,250 --> 00:28:07,083
Yes, I'd like to ask you about that.

509
00:28:07,167 --> 00:28:09,292
- Why?
- Come on, Otterlake. [groans]

510
00:28:09,375 --> 00:28:11,458
Why do you think you have to be
as rude as he is?

511
00:28:11,542 --> 00:28:13,417
As rude as you are. In print, anyway...

512
00:28:13,500 --> 00:28:15,140
- I liked your last picture.
- Yeah, sure.

513
00:28:15,250 --> 00:28:17,750
No, I know that it was...
it was repetitive...

514
00:28:17,833 --> 00:28:19,958
[stutters]...but, uh, uh... But I, oh...

515
00:28:20,042 --> 00:28:23,375
And... Oh, shit.
For what it was, it worked.

516
00:28:23,458 --> 00:28:25,917
Yeah, well, she wasn't that kind to me
in her review.

517
00:28:26,000 --> 00:28:28,125
Not that you did much harm.
How much harm can you do

518
00:28:28,208 --> 00:28:30,417
to the third biggest grosser
in movie history?

519
00:28:30,500 --> 00:28:32,667
Did it really make that much?
How marvelous.

520
00:28:32,792 --> 00:28:35,583
Yes. Did you know that when
his own production company goes public,

521
00:28:35,667 --> 00:28:39,250
that your friend there stands to walk away
with $40 million.

522
00:28:39,333 --> 00:28:41,917
- [Jake] Forty million dollars?
- And she'll keep on writing

523
00:28:42,000 --> 00:28:43,875
that I stole everything from you, Skipper.

524
00:28:43,958 --> 00:28:47,417
- I'm never going to walk away from that.
- It's all right to borrow from each other.

525
00:28:47,542 --> 00:28:49,458
What we must never do
is borrow from ourselves.

526
00:28:49,542 --> 00:28:52,167
[guests laugh]

527
00:28:53,750 --> 00:28:55,708
Of course you are close, you two.

528
00:28:56,500 --> 00:28:57,625
You have to be.

529
00:28:58,792 --> 00:29:00,083
You have no choice.

530
00:29:02,708 --> 00:29:04,042
Please, dear lady...

531
00:29:04,875 --> 00:29:07,083
don't tell us what you mean by that.

532
00:29:07,167 --> 00:29:08,958
[guests laugh]

533
00:29:09,042 --> 00:29:10,583
[chuckling]

534
00:29:13,042 --> 00:29:16,083
[Matt] Kill the music, will you?
They're still shooting Zarah there.

535
00:29:16,167 --> 00:29:17,917
That's what she wanted,
don't you think?

536
00:29:18,000 --> 00:29:19,125
Okay, if she says so.

537
00:29:19,208 --> 00:29:21,125
She's picking up the tab. [chuckles]

538
00:29:21,417 --> 00:29:24,792
Gypsies, jazz, and mariachis,
all for a bunch of creeps

539
00:29:24,875 --> 00:29:27,000
who only want to listen
to themselves talking.

540
00:29:27,083 --> 00:29:28,417
Jesus Christ, I tell you!

541
00:29:28,875 --> 00:29:31,375
[crewman]
Zarah Valeska, take one, scene two.

542
00:29:32,417 --> 00:29:34,333
[interviewer] Zarah,
speaking of great men,

543
00:29:34,417 --> 00:29:36,542
your name has been linked romantically

544
00:29:36,625 --> 00:29:38,458
with quite a few celebrities.

545
00:29:39,625 --> 00:29:42,542
Wasn't it understood
that we weren't going to talk

546
00:29:42,625 --> 00:29:43,625
about love affairs?

547
00:29:44,958 --> 00:29:47,708
What you agreed to talk
about is Mr. Hannaford.

548
00:29:47,792 --> 00:29:49,992
- A fascist, for Chrissake.
- [Otterlake] Hannaford? No.

549
00:29:50,125 --> 00:29:53,208
- How about Jack Simon, right here?
- You tell us, Brooksie.

550
00:29:53,333 --> 00:29:55,167
Jack's got it in his contract.
Right, Jack?

551
00:29:55,250 --> 00:29:58,458
Every picture he directs,
he gets to shoot the animals personally...

552
00:29:58,542 --> 00:29:59,542
with a gun!

553
00:29:59,958 --> 00:30:02,917
- They even pay him off in guns.
- No, they pay me money, kid.

554
00:30:03,000 --> 00:30:05,542
Oh. And they say I imitate him.

555
00:30:07,417 --> 00:30:10,542
Well, that's your thing, Otterlake,
you're good at imitations.

556
00:30:11,250 --> 00:30:12,750
[young woman] Do Jack Benny.

557
00:30:12,833 --> 00:30:14,458
[man 6] He's the one that's into guns.

558
00:30:14,542 --> 00:30:16,542
A fascist? Shall we define our terms?

559
00:30:16,625 --> 00:30:18,625
Spades, spics, micks, hunkies,

560
00:30:18,792 --> 00:30:21,417
honkies, hebes, those kind of terms?

561
00:30:21,917 --> 00:30:24,667
Fasci-tists?
We don't like them kinda people.

562
00:30:24,833 --> 00:30:27,000
- What kind of people does he like?
- Nobody.

563
00:30:27,292 --> 00:30:28,292
Nobody at all.

564
00:30:28,833 --> 00:30:30,208
Nobody in the plural.

565
00:30:30,417 --> 00:30:32,167
And then, who in the particular?

566
00:30:33,208 --> 00:30:36,458
Mr. Otterlake, for instance. Ms. Valeska.

567
00:30:37,083 --> 00:30:41,958
[interviewer] Uh, it's been reported
that you call him, uh, GF sometimes.

568
00:30:42,792 --> 00:30:44,333
Jokingly, of course.

569
00:30:44,667 --> 00:30:45,792
Is that right?

570
00:30:45,875 --> 00:30:48,167
GF meaning "God the Father."

571
00:30:49,833 --> 00:30:51,458
I call Mr. Hannaford... [sighs]

572
00:30:52,083 --> 00:30:53,125
...Mr. Hannaford.

573
00:30:53,375 --> 00:30:56,136
[Otterlake, on recording] God isn't dead.
Reflection of your attitude.

574
00:30:56,542 --> 00:30:57,792
Right, Mr. Hannaford?

575
00:30:57,958 --> 00:31:00,167
[Jake, on recording]
Well, kid. He's certainly Jewish.

576
00:31:00,250 --> 00:31:01,333
Thus spaketh Jake.

577
00:31:01,833 --> 00:31:02,750
What's that about?

578
00:31:02,833 --> 00:31:06,083
- One of your old tapes, Brooksie?
- [Otterlake] I deeded them to the cause.

579
00:31:06,458 --> 00:31:09,833
- [man 7] From that book you're doing?
- [Otterlake] From the one we're not doing.

580
00:31:09,917 --> 00:31:12,833
[man 5] You're the first big director
that ever tried to write about him.

581
00:31:12,917 --> 00:31:15,292
The first one to give up.
But I still know all the material.

582
00:31:15,375 --> 00:31:16,375
You know, religion...

583
00:31:16,958 --> 00:31:19,125
Here it is,
the Gospel According to Jake.

584
00:31:19,833 --> 00:31:22,625
"God the Father is an old Jew...

585
00:31:23,125 --> 00:31:25,167
invented by a lot of other old Jews...

586
00:31:25,250 --> 00:31:27,708
in a hopeless attempt
to put down the Jewish mother."

587
00:31:27,792 --> 00:31:29,875
- [guests laugh]
- [male guest 7] Jewish mother?

588
00:31:29,958 --> 00:31:33,042
That's what the whole new scene's about,
you know? Everything...

589
00:31:33,500 --> 00:31:35,833
- even his movie.
- Um, what's that about the movie?

590
00:31:35,917 --> 00:31:38,292
- You mean the one...
- We don't talk about the movie.

591
00:31:38,375 --> 00:31:39,583
Try the Baron here.

592
00:31:40,000 --> 00:31:42,042
Under torture, he might squeal a little.

593
00:31:42,333 --> 00:31:45,458
- He writes the scripts.
- So Mr. Hannaford likes to say.

594
00:31:45,667 --> 00:31:48,684
Please, don't pretend to be stupid.
Now, you're supposed to be the brainy one

595
00:31:48,708 --> 00:31:51,125
in this club or this, I don't know,
this clan, whatever...

596
00:31:51,208 --> 00:31:53,583
It's a highly informal organization, lady.

597
00:31:53,708 --> 00:31:55,208
The tape that we were hearing.

598
00:31:55,292 --> 00:31:57,042
The subject is God. Is he a member?

599
00:31:57,125 --> 00:31:58,125
She.

600
00:32:00,750 --> 00:32:03,083
We're all ruled by the wind,
aren't we, lady?

601
00:32:03,875 --> 00:32:05,583
So, uh, if the Lord is a lady,

602
00:32:05,667 --> 00:32:07,292
and God's will is Her will,

603
00:32:07,375 --> 00:32:08,833
then we can all relax and...

604
00:32:09,333 --> 00:32:11,417
stop expecting the universe to be logical.

605
00:32:11,833 --> 00:32:13,458
[Otterlake] You heard the man, lady.

606
00:32:13,708 --> 00:32:15,500
"We're right back where we started.

607
00:32:16,417 --> 00:32:17,458
Back to Mama."

608
00:32:17,542 --> 00:32:19,750
[Jack]
Now, that's when Brooksie's at his best.

609
00:32:19,833 --> 00:32:22,583
When he's using
straight Hannaford dialogue.

610
00:32:23,417 --> 00:32:25,250
Gee, that's real nice, Jack,
coming from you.

611
00:32:27,375 --> 00:32:29,792
- [Rich] What I'd like to clarify...
- Yes?

612
00:32:30,042 --> 00:32:32,042
- is... um...
- Yes?

613
00:32:34,625 --> 00:32:36,250
- Is... Is...
- [Otterlake] Mm-hmm?

614
00:32:36,750 --> 00:32:39,208
how his disciple feels
about the new Hannaford film.

615
00:32:39,292 --> 00:32:41,458
- [Otterlake] Who?
- Who? You.

616
00:32:41,583 --> 00:32:45,042
Hey, why pick on me?
The man is infested with disciples.

617
00:32:45,125 --> 00:32:46,542
I'm the apostle, lady.

618
00:32:47,000 --> 00:32:49,917
Sure, just like Saint Paul.
I know the lyrics to that one, too.

619
00:32:50,000 --> 00:32:52,083
Oh, we're sure you do, Brooksie. Uh...

620
00:32:52,625 --> 00:32:54,750
Yeah. The Apostle Paul packaged it.

621
00:32:55,167 --> 00:32:56,567
You know, by now, Jesus was dead...

622
00:32:56,625 --> 00:32:59,833
- [Jack] You tell us...
- Be quiet about 30 seconds. And, um...

623
00:32:59,958 --> 00:33:02,042
so the subject was in public domain,

624
00:33:02,125 --> 00:33:03,917
and, um... um...

625
00:33:04,042 --> 00:33:05,958
Let's see, now. Where was I, folks?

626
00:33:06,042 --> 00:33:07,083
[guests laughing]

627
00:33:07,583 --> 00:33:09,917
So, when Paul dreamed up Christianity...

628
00:33:10,875 --> 00:33:11,708
and...

629
00:33:11,792 --> 00:33:14,083
- [cameras rolling]
- [people laughing]

630
00:33:15,417 --> 00:33:17,625
...and stuck the - anity into Christ...

631
00:33:17,708 --> 00:33:21,333
As long as I'm still twitching, Brooksie,
you ain't gonna stick it into me.

632
00:33:21,417 --> 00:33:23,833
- [guests laughing]
- Isn't that just what he's doing?

633
00:33:24,125 --> 00:33:27,458
Movies and friendship.
Those are mysteries.

634
00:33:27,542 --> 00:33:31,042
And religion. The Baron's into that,
and I know his material, too.

635
00:33:31,125 --> 00:33:32,458
You ought to get away from both.

636
00:33:32,625 --> 00:33:35,083
[in a German accent]
"A mystery may reveal.

637
00:33:35,625 --> 00:33:37,667
It never explains." Right?

638
00:33:38,000 --> 00:33:40,500
Yes. Just like you, Mr. Hannaford.

639
00:33:40,583 --> 00:33:42,333
Just like me and God.

640
00:33:42,708 --> 00:33:46,125
If it weren't for the difference in sex,
how could you tell us apart?

641
00:33:46,375 --> 00:33:48,375
[piano music playing]

642
00:33:49,625 --> 00:33:51,292
[Rich]
Are those supposed to be John Dale?

643
00:33:51,375 --> 00:33:55,083
He asked for them.
It was Mr. Hannaford's idea.

644
00:33:55,958 --> 00:33:56,958
How's this one?

645
00:33:57,458 --> 00:33:58,583
Fine, Joey.

646
00:34:00,458 --> 00:34:02,250
So, how do they look? Hmm?

647
00:34:04,917 --> 00:34:06,375
Stupid, that's how they look.

648
00:34:07,000 --> 00:34:10,708
[Matt] Your leading man.
The poor, sick, hungry kid

649
00:34:10,792 --> 00:34:13,917
you pulled out of the water
and stuck into pictures.

650
00:34:14,417 --> 00:34:17,708
The orphan, Mr. Johnny Dale.
Do you know where he came from?

651
00:34:18,375 --> 00:34:19,875
Where he really came from?

652
00:34:20,083 --> 00:34:24,083
A big rich family in Ohio.
How do you like them apples, huh?

653
00:34:24,458 --> 00:34:27,042
[Matt] Yeah,
he didn't break out of any reformatory.

654
00:34:27,542 --> 00:34:31,542
He graduated from boarding school,
one of the snotty, expensive ones.

655
00:34:32,042 --> 00:34:35,708
We found one of his teachers.
He's coming right out here with Billy.

656
00:34:36,208 --> 00:34:38,083
[Jake]
Billy's supposed to bring Max David.

657
00:34:38,167 --> 00:34:39,583
When is he joining the party?

658
00:34:40,458 --> 00:34:41,458
He isn't.

659
00:34:42,417 --> 00:34:43,417
No?

660
00:34:43,875 --> 00:34:46,333
- Any word from Texas?
- The oil money?

661
00:34:49,292 --> 00:34:50,292
Not yet.

662
00:34:53,250 --> 00:34:54,375
Well, here it is...

663
00:34:55,250 --> 00:34:56,875
if anybody wants to see it.

664
00:34:57,583 --> 00:35:00,208
[interviewer] Darling, this marvelous bash
you're giving him,

665
00:35:00,292 --> 00:35:04,417
and if I understand, your whole idea
was to get Jake Hannaford in touch

666
00:35:04,500 --> 00:35:05,875
with the new generation.

667
00:35:06,583 --> 00:35:08,500
And vice versa. Yes. [sighs]

668
00:35:09,000 --> 00:35:11,875
[interviewer]
Very few of your guests are his own age.

669
00:35:13,292 --> 00:35:16,958
Most people of Mr. Hannaford's age
are too old for him.

670
00:35:17,042 --> 00:35:18,167
[Jake] Hey, beautiful.

671
00:35:19,875 --> 00:35:20,875
Hello.

672
00:35:22,000 --> 00:35:24,667
We don't have much of a past...
do we, beautiful?

673
00:35:25,000 --> 00:35:27,333
We made just half of a picture together.

674
00:35:27,417 --> 00:35:29,458
That was in Ms. Valeska's country.

675
00:35:30,250 --> 00:35:31,375
[Valeska] In Austria.

676
00:35:31,667 --> 00:35:33,542
- [interviewer] What happened?
- Hitler.

677
00:35:33,708 --> 00:35:35,934
- That's what happened.
- [interviewer] He threw you out?

678
00:35:35,958 --> 00:35:37,250
She threw him out.

679
00:35:38,417 --> 00:35:40,083
Her USO Troop led our...

680
00:35:40,333 --> 00:35:43,625
armies into battle.
I witnessed it from the rear.

681
00:35:43,750 --> 00:35:45,708
But you did liberate the Ritz.

682
00:35:45,792 --> 00:35:48,250
No, her friend Hemingway put in
for that one.

683
00:35:48,375 --> 00:35:50,292
Jake was three bottles ahead of him.

684
00:35:50,375 --> 00:35:51,750
Where did you come from?

685
00:35:52,333 --> 00:35:53,542
The studio.

686
00:35:53,875 --> 00:35:55,042
Jake, I told you.

687
00:35:56,250 --> 00:35:57,250
Hemingway? [sighs]

688
00:35:58,000 --> 00:36:00,875
That left hook of his was overrated.

689
00:36:01,125 --> 00:36:04,500
"Every man contains within himself...

690
00:36:05,292 --> 00:36:07,333
the whole condition of humanity."

691
00:36:07,417 --> 00:36:08,875
Write that down, somebody.

692
00:36:09,375 --> 00:36:10,375
Somebody did.

693
00:36:10,667 --> 00:36:12,125
She even gave me the book.

694
00:36:12,292 --> 00:36:14,750
Mr. Hannaford enjoys
pretending to be ignorant.

695
00:36:14,833 --> 00:36:17,125
Then she spoiled the present by, uh...

696
00:36:17,500 --> 00:36:19,042
telling me who gave it to her.

697
00:36:19,125 --> 00:36:20,125
[interviewer] Who?

698
00:36:20,208 --> 00:36:22,458
Oh, just someone
he doesn't happen to like.

699
00:36:22,542 --> 00:36:24,250
The queers adore great women.

700
00:36:24,500 --> 00:36:28,125
They like all women, Uncle.
They're the only sex that does.

701
00:36:28,208 --> 00:36:29,208
True.

702
00:36:29,958 --> 00:36:33,500
Real men never like us. Men only like men.

703
00:36:33,667 --> 00:36:34,667
And, um...

704
00:36:35,125 --> 00:36:37,042
Women keep us away from each other.

705
00:36:37,375 --> 00:36:40,500
"Ah, but if I cut him off,"
we ask ourselves.

706
00:36:41,208 --> 00:36:43,875
"Cut him off from all his good companions,

707
00:36:44,458 --> 00:36:45,833
what will be left of him?

708
00:36:46,417 --> 00:36:47,708
An amputee, perhaps?

709
00:36:48,042 --> 00:36:49,583
An emotional basket case?"

710
00:36:49,917 --> 00:36:52,875
[in singsong] You chop away...
all the same.

711
00:36:54,625 --> 00:36:57,083
[in normal voice] Half a man is better
than none.

712
00:36:57,583 --> 00:36:59,893
- [guests] Happy Birthday, Jake.
- [cheering and applauding]

713
00:36:59,917 --> 00:37:03,375
As I open my mouth, we raise our glasses
to a great gentleman,

714
00:37:04,042 --> 00:37:06,375
who is not only a great artist,

715
00:37:06,542 --> 00:37:09,583
but one who's been called
the Ernest Hemingway of the cinema.

716
00:37:10,208 --> 00:37:14,958
The Murnau of the American motion picture.
Who Murnau is, I don't remember.

717
00:37:15,625 --> 00:37:17,875
Let me see...
Murnau and Dean, the vaudeville act.

718
00:37:17,958 --> 00:37:20,542
As I recall,
they played in either Lowes Newark,

719
00:37:20,625 --> 00:37:23,083
or Pickleton on Thames in Great Britain.

720
00:37:23,167 --> 00:37:24,833
That's enough, Georgie.

721
00:37:24,917 --> 00:37:27,458
- [guests laugh]
- You ought to make a wish.

722
00:37:28,250 --> 00:37:29,250
What for?

723
00:37:29,583 --> 00:37:31,667
The one thing you'd most like to have.

724
00:37:33,000 --> 00:37:36,625
Or... one last thing you'd like to do.

725
00:37:37,958 --> 00:37:39,542
Don't you think it can happen?

726
00:37:40,375 --> 00:37:41,792
It'll take a lot of blowing.

727
00:37:43,167 --> 00:37:45,125
That should be a job for Ms. Rich.

728
00:37:46,583 --> 00:37:51,375
She'd huff and puff
and blow the house down.

729
00:37:51,667 --> 00:37:53,667
[guests laughing]

730
00:37:57,167 --> 00:37:59,167
[guests blowing with him]

731
00:38:01,375 --> 00:38:03,375
[laughing]

732
00:38:03,958 --> 00:38:05,958
[guests cheering and applauding]

733
00:38:09,333 --> 00:38:11,292
Okay, let's get to the movie, shall we?

734
00:38:11,375 --> 00:38:14,083
[projector whirring]

735
00:38:17,708 --> 00:38:19,708
[guitar solo playing]

736
00:38:29,042 --> 00:38:31,042
[rock music playing]

737
00:38:38,542 --> 00:38:41,208
[indistinct chatter]

738
00:38:42,958 --> 00:38:47,458
♪ It's so nice to feel the colors ♪

739
00:38:47,875 --> 00:38:52,083
♪ All days when you are new ♪

740
00:38:52,750 --> 00:38:55,208
- ♪ You close your eyes ♪
- [electricity crackles]

741
00:38:55,292 --> 00:39:00,542
♪ And feel the foam of silence ♪

742
00:39:03,708 --> 00:39:09,042
♪ Running home and cease to happen ♪

743
00:39:09,292 --> 00:39:14,000
♪ Phase across the path of time ♪

744
00:39:14,667 --> 00:39:19,875
♪ In it all, you see them coming ♪

745
00:39:19,958 --> 00:39:23,792
♪ That heaven left behind ♪

746
00:39:38,625 --> 00:39:42,875
♪ I can see you when you're laughing ♪

747
00:39:44,083 --> 00:39:48,625
♪ Laughing when you're having fun ♪

748
00:39:49,000 --> 00:39:51,375
♪ Your head is glowing ♪

749
00:39:52,042 --> 00:39:57,292
♪ Overflowing with good times ♪

750
00:40:00,375 --> 00:40:05,458
♪ Listen for the water droplets ♪

751
00:40:06,000 --> 00:40:09,958
♪ Falling from the ledge ♪

752
00:40:10,750 --> 00:40:16,333
♪ Of birds you heard
From grapevine sounds ♪

753
00:40:16,417 --> 00:40:21,375
♪ Of people that you need ♪

754
00:40:33,333 --> 00:40:35,333
[indistinct chatter]

755
00:40:53,292 --> 00:40:57,250
♪ It's so nice to feel the colors ♪

756
00:40:58,167 --> 00:41:02,542
♪ All the day when you are new ♪

757
00:41:03,333 --> 00:41:05,958
♪ You close your eyes ♪

758
00:41:06,042 --> 00:41:11,542
♪ And feel the foam of silence ♪

759
00:41:14,792 --> 00:41:19,667
♪ Listen for the water droplets ♪

760
00:41:20,375 --> 00:41:24,333
♪ Falling from the ledge ♪

761
00:41:25,417 --> 00:41:30,958
♪ Of birds you heard
From grapevine sounds ♪

762
00:41:31,042 --> 00:41:35,708
♪ Of people that you need ♪

763
00:44:00,417 --> 00:44:03,083
[windshield wipers clicking]

764
00:44:14,917 --> 00:44:17,833
[engine revs]

765
00:44:21,500 --> 00:44:23,958
- [car honks]
- [tires squeal]

766
00:46:32,458 --> 00:46:35,375
[railroad crossing bell dinging]

767
00:46:37,417 --> 00:46:40,250
[engine roars]

768
00:46:58,292 --> 00:47:00,292
[necklaces clacking]

769
00:47:21,292 --> 00:47:22,833
[panting]

770
00:48:08,042 --> 00:48:10,042
[tires squeal]

771
00:48:10,417 --> 00:48:11,417
[handbrake clicks]

772
00:48:32,792 --> 00:48:36,125
- [engine roars]
- [tires squeal]

773
00:48:37,458 --> 00:48:39,792
[projector whirring]

774
00:48:43,167 --> 00:48:45,000
[watermill creaking]

775
00:49:32,500 --> 00:49:35,208
- [projector stops whirring]
- [guests groan]

776
00:49:35,458 --> 00:49:36,292
Yes?

777
00:49:36,458 --> 00:49:38,875
- Start the movie again.
- I can't.

778
00:49:38,958 --> 00:49:40,083
[Baron] Why can't you?

779
00:49:40,292 --> 00:49:42,917
- Because it doesn't work.
- [Baron] What doesn't work?

780
00:49:43,000 --> 00:49:45,250
- The projector.
- [Baron] Which projector?

781
00:49:45,333 --> 00:49:46,458
Both of them.

782
00:49:46,583 --> 00:49:48,292
[indistinct chatter]

783
00:49:48,458 --> 00:49:49,708
[man 6] What happened, Jake?

784
00:49:49,792 --> 00:49:52,125
Who knows. Johnny Dale, maybe.

785
00:49:52,292 --> 00:49:53,893
- [Otterlake] Dale?
- [Jake] Could have snuck

786
00:49:53,917 --> 00:49:55,917
into the generator
with his monkey wrench.

787
00:49:56,000 --> 00:49:58,750
[man 8] What is this,
another energy crisis?

788
00:49:58,833 --> 00:50:00,268
[Fassbender] Too many camera lights.

789
00:50:00,292 --> 00:50:03,333
Never went in much for symbolism,
did we, Baron?

790
00:50:03,417 --> 00:50:06,208
[man 2, over megaphone]
All right now, let me have your attention.

791
00:50:06,458 --> 00:50:08,792
We've got a power failure on our hands.

792
00:50:09,208 --> 00:50:11,917
The ranch's generators have broken down.

793
00:50:12,000 --> 00:50:15,792
But, we hope
the situation will be temporary.

794
00:50:16,458 --> 00:50:20,458
Meanwhile, we'll be getting lamps for you
from out in the stables

795
00:50:20,750 --> 00:50:22,458
and lighting up candles,

796
00:50:22,583 --> 00:50:25,917
so you can all find your ways to the booze
and the eats.

797
00:50:26,667 --> 00:50:29,083
Projection
of Mr. Hannaford's motion picture,

798
00:50:29,417 --> 00:50:31,042
TheOther Side of the Wind,

799
00:50:31,250 --> 00:50:35,083
will, naturally, be suspended
until the juice comes on.

800
00:50:35,167 --> 00:50:36,792
We trust you good folks

801
00:50:36,875 --> 00:50:40,292
will find your own ways
to amuse yourselves.

802
00:50:40,375 --> 00:50:42,375
[man 9] All passengers to the lifeboats.

803
00:50:42,458 --> 00:50:45,208
Our gallant musicians will keep
right on till the end.

804
00:50:45,333 --> 00:50:48,458
They can't see the notes, but that's
all right, they can't read them.

805
00:50:48,708 --> 00:50:52,250
Abe, how nice to see you looking so old.

806
00:50:52,542 --> 00:50:54,809
- [crewman] Getting anything?
- [camerawoman] Not with color.

807
00:50:54,833 --> 00:50:56,750
[crewman] Black and white, maybe?

808
00:50:56,833 --> 00:50:58,500
Whistling in the dark, old man?

809
00:50:58,583 --> 00:51:01,625
Well, kid, you whistle or you whimper.
How is it in your corner?

810
00:51:01,708 --> 00:51:03,375
[Abe] Who got him an invitation?

811
00:51:03,458 --> 00:51:05,292
Confrontation's the word for it.

812
00:51:05,500 --> 00:51:09,542
- Abe, take it up with the hostess.
- Zarah? You must be nuts.

813
00:51:09,667 --> 00:51:12,375
Mother seems to think a little young blood
would be good for us.

814
00:51:12,458 --> 00:51:15,292
- [male guest 8] She could be right.
- Well, she's always right.

815
00:51:16,208 --> 00:51:17,208
Excuse me, fellas,

816
00:51:17,250 --> 00:51:19,417
I think we have ourselves
a confrontation.

817
00:51:19,667 --> 00:51:23,458
I dig. It's not that he didn't make
any female stars.

818
00:51:23,792 --> 00:51:26,292
It's just that he didn't make them stars.

819
00:51:26,375 --> 00:51:27,750
That's my whole thesis.

820
00:51:27,917 --> 00:51:30,000
Great thesis.
So, the old man can still score.

821
00:51:30,083 --> 00:51:31,083
Who says so?

822
00:51:31,542 --> 00:51:34,458
How he scores, and who he scores with.

823
00:51:35,208 --> 00:51:37,917
That, my friend, gets us
into some very interesting country.

824
00:51:38,750 --> 00:51:42,708
- [interviewer] Okay, Zarah, no romance.
- You meant with Mr. Hannaford, I suppose?

825
00:51:42,917 --> 00:51:44,125
There wasn't any.

826
00:51:44,208 --> 00:51:47,542
[interviewer] I do wish you could open up
just a little on Jake.

827
00:51:47,625 --> 00:51:48,792
No sex at all.

828
00:51:50,625 --> 00:51:52,500
- [piano playing]
- [guests chattering]

829
00:51:58,417 --> 00:52:01,208
- [Billy] This way, Mr. Burroughs.
- Dr. Burroughs.

830
00:52:01,292 --> 00:52:04,625
[Billy] We have our own generator.
This sometimes happens.

831
00:52:04,792 --> 00:52:06,792
These are our storyboards.

832
00:52:06,875 --> 00:52:08,875
[Burroughs] Oh, oh.

833
00:52:08,958 --> 00:52:10,917
- All... All these.
- Oh.

834
00:52:11,167 --> 00:52:12,958
- Here.
- Oh, thank you.

835
00:52:13,417 --> 00:52:15,750
[filmmaker 10] These show
they're going for a closer shot.

836
00:52:15,833 --> 00:52:18,434
- [man 7] A zoom or a dolly?
- [filmmaker 10] Doesn't make a difference.

837
00:52:18,458 --> 00:52:23,417
- [man 7] Of course it does.
- [filmmaker 10] Looks like a crutch.

838
00:52:23,500 --> 00:52:25,417
Some people are old fashioned.

839
00:52:27,083 --> 00:52:29,750
[male guest 8] Jake,
he started out in silent movies.

840
00:52:30,042 --> 00:52:31,125
He goes way back.

841
00:52:31,792 --> 00:52:32,917
The movie he's making now,

842
00:52:33,000 --> 00:52:35,600
- it's a real departure for him.
- [male guest 10] He's losing it.

843
00:52:40,000 --> 00:52:42,101
- [camerawoman] Run the cable?
- [cameraman] I'm good here.

844
00:52:42,125 --> 00:52:43,726
- [camerawoman] Watch the boom.
- He's coming.

845
00:52:43,750 --> 00:52:47,958
[Jake] Tomorrow's Sunday, Mavis.
You'll be flying down with us to Mexico.

846
00:52:48,042 --> 00:52:50,083
- [Mavis] What for?
- Montaña rojas.

847
00:52:50,250 --> 00:52:51,542
- [Mavis] Who?
- Bulls.

848
00:52:52,167 --> 00:52:56,583
A very dangerous breed, sweetie.
One of them once killed a friend of ours.

849
00:52:57,333 --> 00:52:59,667
We'll see what happens
to our new boy tomorrow.

850
00:52:59,833 --> 00:53:02,417
[Mavis] Gee, I don't know.
I have school on Monday.

851
00:53:02,958 --> 00:53:06,333
I'll write a note to your teacher.
[laughs]

852
00:53:06,417 --> 00:53:08,097
[man 5]
Who's the joker with the cigarette?

853
00:53:08,667 --> 00:53:09,500
Miguel.

854
00:53:09,583 --> 00:53:11,083
[Baron] He was the best of all.

855
00:53:11,167 --> 00:53:12,333
[man 5] Best of what?

856
00:53:12,417 --> 00:53:17,125
[man 9] The best of all our bullfighters.
We followed old Miguel all over Spain.

857
00:53:17,667 --> 00:53:20,792
That's Jake, aiming his gun at him
in the shooting gallery.

858
00:53:20,875 --> 00:53:21,875
[Jake] Another birthday.

859
00:53:23,500 --> 00:53:25,583
What a party that was. [laughs]

860
00:53:25,667 --> 00:53:27,750
No bums, no movie buffs,

861
00:53:27,833 --> 00:53:30,042
no spies, no spooks, just...

862
00:53:30,333 --> 00:53:31,958
paid-up members of the club.

863
00:53:32,292 --> 00:53:34,625
- [man 5] Miguel Ortega.
- [Baron] The best.

864
00:53:34,958 --> 00:53:37,042
- Number one.
- Till he got killed.

865
00:53:37,250 --> 00:53:39,333
[man 5] Dad,
I hope you weren't responsible for that.

866
00:53:39,417 --> 00:53:41,083
I just had one shot at him.

867
00:53:41,167 --> 00:53:42,167
I missed.

868
00:53:42,250 --> 00:53:44,417
- [Billy] But he got the cigarette.
- [laughter]

869
00:53:44,500 --> 00:53:45,833
Get that spook out of here.

870
00:53:45,917 --> 00:53:47,917
- [camera rolling]
- [Baron yelling]

871
00:53:48,042 --> 00:53:49,667
Get out of here!

872
00:53:50,042 --> 00:53:52,000
[Baron] Respect Mr. Hannaford's privacy.

873
00:53:52,083 --> 00:53:53,958
You, too. [scoffs]

874
00:53:55,208 --> 00:53:56,292
[jukebox clicking]

875
00:53:56,417 --> 00:53:59,000
[man 9] Hey Billy,
why don't you leave that jukebox alone?

876
00:53:59,083 --> 00:54:01,000
That thing doesn't work with solar energy.

877
00:54:01,083 --> 00:54:02,625
I need some new music.

878
00:54:02,875 --> 00:54:04,250
And you shall have it, boy,

879
00:54:04,333 --> 00:54:05,417
wherever you go.

880
00:54:05,958 --> 00:54:08,250
A one, and a two and a three.

881
00:54:08,417 --> 00:54:10,417
[upbeat instrumental music playing]

882
00:54:15,500 --> 00:54:18,167
- It's great.
- [camera shutters clicking]

883
00:54:18,375 --> 00:54:21,083
[man 2] Where the hell's Matt?
He should be taking this call.

884
00:54:21,417 --> 00:54:23,125
Stupid, that's how they look.

885
00:54:24,292 --> 00:54:25,292
Yeah?

886
00:54:27,083 --> 00:54:29,292
Oh, go on, then, Zimmie. Have a drink.

887
00:54:29,583 --> 00:54:31,167
Oh, how could I?

888
00:54:34,042 --> 00:54:35,042
Besides...

889
00:54:35,958 --> 00:54:37,917
I don't know these people.

890
00:54:38,167 --> 00:54:40,208
It's a whole new business.

891
00:54:42,167 --> 00:54:44,792
These leading actors nowadays... [sighs]

892
00:54:45,875 --> 00:54:47,667
...stars, even. [chuckles]

893
00:54:48,000 --> 00:54:49,417
I don't know their names.

894
00:54:49,917 --> 00:54:53,667
You know the dummy's name?
Old Pat here says we can never guess.

895
00:54:54,042 --> 00:54:55,042
John Dale?

896
00:54:55,375 --> 00:54:57,375
Oscar, that was his real name.

897
00:54:57,833 --> 00:55:00,042
You know,
at school, what he was famous for?

898
00:55:00,125 --> 00:55:01,250
Fornication?

899
00:55:01,625 --> 00:55:05,583
We got somebody coming here tonight
who's going to tell us all about it.

900
00:55:06,458 --> 00:55:07,458
Yeah?

901
00:55:08,458 --> 00:55:10,917
- [Maggie] Darryl Zanuck?
- [Pat] Got a message for him.

902
00:55:11,000 --> 00:55:14,417
It's for Pocahontas,
or whatever it is Jake calls her.

903
00:55:14,500 --> 00:55:16,375
She's in there, at the screening.

904
00:55:16,458 --> 00:55:19,250
Come on in, Zimmie.
Join the fun and games.

905
00:55:20,458 --> 00:55:23,583
[Pister] All those Mr. Dales of yours
are certainly lifelike.

906
00:55:24,917 --> 00:55:26,208
So is Mr. Dale.

907
00:55:26,500 --> 00:55:28,583
To look at him,
you'd swear he was real.

908
00:55:28,958 --> 00:55:30,958
[guests chattering]

909
00:55:31,542 --> 00:55:35,583
[Matt] I got a message
for you, Minnehaha. It's for you.

910
00:55:36,333 --> 00:55:39,667
From Zanuck. Call the secretary
first thing Monday morning

911
00:55:39,750 --> 00:55:40,750
for an appointment.

912
00:55:40,833 --> 00:55:43,625
- He's got a picture for her.
- Darryl? Swell.

913
00:55:43,708 --> 00:55:46,042
- When's he joining the party?
- He isn't.

914
00:55:46,458 --> 00:55:49,208
The Hannaford mafia isn't looking
very festive. What's...

915
00:55:49,292 --> 00:55:52,375
- What's the big worry, Skipper?
- They like to worry.

916
00:55:54,417 --> 00:55:55,750
Worry is their thing.

917
00:55:55,833 --> 00:55:57,333
Four days is a long time.

918
00:55:57,542 --> 00:55:59,667
- Four days until what?
- [Jake] Friday.

919
00:55:59,750 --> 00:56:00,792
Thanks, sweetie.

920
00:56:01,000 --> 00:56:03,417
- [Otterlake] Could you get me one, please?
- What?

921
00:56:07,625 --> 00:56:08,833
[Otterlake] What's Friday?

922
00:56:09,167 --> 00:56:10,167
Friday we, um...

923
00:56:10,625 --> 00:56:11,625
close down.

924
00:56:12,000 --> 00:56:15,208
[Otterlake] Jesus, you can't finish
the picture in four days.

925
00:56:15,458 --> 00:56:17,625
I've been overscheduled before.

926
00:56:17,708 --> 00:56:18,750
Let's drink to that.

927
00:56:21,292 --> 00:56:23,833
How many times
have you been broke, Skipper?

928
00:56:25,167 --> 00:56:30,542
At my present age, Brooksie, um...
just, um... once.

929
00:56:31,875 --> 00:56:33,875
[laughs]

930
00:56:34,125 --> 00:56:36,458
Oh, terrific. It's nice being alone.

931
00:56:36,833 --> 00:56:38,833
[Jake clears throat]

932
00:56:41,125 --> 00:56:44,125
[Pat] All right, now.
Let me have your attention.

933
00:56:44,333 --> 00:56:47,625
A small auxiliary generator
from the stables

934
00:56:47,708 --> 00:56:50,917
has been hooked up
to the movie projector.

935
00:56:51,292 --> 00:56:53,292
If you'll all proceed quietly

936
00:56:53,458 --> 00:56:55,750
to Mr. Hannaford's
private projection room.

937
00:56:55,833 --> 00:56:57,208
[Jake] Yes, Mavis.

938
00:56:57,292 --> 00:56:59,333
They got the projector fixed.
Didn't you hear?

939
00:56:59,458 --> 00:57:00,458
[Jake] Didn't we all.

940
00:57:00,500 --> 00:57:01,750
Aren't you coming to the movie?

941
00:57:01,833 --> 00:57:03,958
Yes,
but first we need a little more booze.

942
00:57:04,083 --> 00:57:06,500
We wouldn't want to go in there alone now,
would we?

943
00:57:06,583 --> 00:57:07,667
Oh.

944
00:57:17,083 --> 00:57:20,583
[Jake] I want to show you something
you may like. Best seat in the house.

945
00:57:21,125 --> 00:57:23,125
[projector whirring]

946
00:57:23,917 --> 00:57:25,917
[dramatic music playing]

947
00:58:10,208 --> 00:58:11,750
Excuse me.

948
00:58:12,750 --> 00:58:16,333
He's in there. With all...
With all the other guests.

949
00:58:17,208 --> 00:58:19,458
Watching himself on the screen, isn't he?

950
00:58:19,875 --> 00:58:21,000
Isn't who?

951
00:58:21,458 --> 00:58:24,250
- Oscar... Oh, John, John Dale.
- [projectionist] Yeah?

952
00:58:24,417 --> 00:58:26,750
Yes, your leading man.

953
00:58:26,833 --> 00:58:29,125
[projectionist]
Not my leading man, buddy boy.

954
00:58:51,042 --> 00:58:55,375
You've seen this before.
How is it that they don't have any...

955
00:58:55,958 --> 00:58:56,958
clothes?

956
00:58:57,125 --> 00:58:58,125
They got wet.

957
00:58:58,583 --> 00:58:59,583
In the other reel.

958
00:58:59,833 --> 00:59:01,208
- Wet?
- She didn't know him,

959
00:59:01,292 --> 00:59:04,833
but she grabbed his raincoat.
That was last night in this other reel.

960
00:59:05,458 --> 00:59:08,167
And now it's today.
She took off her clothes in the toilet...

961
00:59:08,792 --> 00:59:12,292
in here. And this morning, he's got
his pants hung up to dry on the train.

962
00:59:12,750 --> 00:59:13,958
Train.

963
01:00:15,583 --> 01:00:17,583
[drum music playing]

964
01:00:48,292 --> 01:00:51,500
[Jake] Are we still rolling?
I've got to keep shooting.

965
01:00:57,875 --> 01:00:59,875
[soft instrumental music playing]

966
01:01:20,167 --> 01:01:21,792
[laughs]

967
01:01:22,125 --> 01:01:23,167
[Jake] Listen, kid.

968
01:01:23,667 --> 01:01:24,667
Listen.

969
01:01:26,833 --> 01:01:28,292
Somebody's watching you.

970
01:01:28,417 --> 01:01:29,542
You can feel it.

971
01:01:31,625 --> 01:01:33,250
There's somebody else out there.

972
01:01:40,542 --> 01:01:41,958
Up there in that window...

973
01:01:42,625 --> 01:01:44,333
there's nothing behind that window.

974
01:01:44,417 --> 01:01:47,625
They're all the same,
there's somebody in there peeking down.

975
01:01:48,750 --> 01:01:50,250
[clattering]

976
01:01:50,333 --> 01:01:51,833
Did he drop the scissors?

977
01:01:55,083 --> 01:01:57,083
[upbeat music playing]

978
01:01:58,208 --> 01:02:00,042
[Jake] But... watch it, boy.

979
01:02:04,750 --> 01:02:05,958
She has her own ideas.

980
01:02:08,667 --> 01:02:09,667
[Rich] Leigh...

981
01:02:10,292 --> 01:02:11,292
Kingman...

982
01:02:11,708 --> 01:02:12,792
Branch Sutter...

983
01:02:13,583 --> 01:02:14,583
Garvey...

984
01:02:15,250 --> 01:02:16,958
Absent friends.

985
01:02:20,333 --> 01:02:21,458
...and John Dale.

986
01:02:22,042 --> 01:02:23,625
Not in the same league.

987
01:02:24,417 --> 01:02:25,417
Believe me.

988
01:02:27,375 --> 01:02:28,375
It's funny...

989
01:02:28,542 --> 01:02:30,875
I don't see one of those men
here at your party tonight.

990
01:02:30,958 --> 01:02:33,458
[Maggie] Tonight is for the freakos
and the snoops, lady.

991
01:02:33,750 --> 01:02:35,458
If you'll excuse us, please.

992
01:02:35,542 --> 01:02:37,726
[Otterlake] Did you know they had
dissolves in Shakespeare?

993
01:02:37,750 --> 01:02:39,851
Ask Mr. Hannaford. He knows
everything in Shakespeare.

994
01:02:39,875 --> 01:02:41,715
Shakespeare,
that's the Hannaford family curse.

995
01:02:41,750 --> 01:02:44,833
He knows everything about the Hannafords,
which is my curse.

996
01:02:45,167 --> 01:02:47,167
Everybody knows about ol' Granddad.

997
01:02:47,667 --> 01:02:50,833
[Otterlake]
Junius the First, in the tinsel toga.

998
01:02:50,958 --> 01:02:53,875
His limbs were always covered
in dirty pink tights.

999
01:02:53,958 --> 01:02:55,708
So as not to, um...

1000
01:02:55,875 --> 01:02:58,625
inflame the female members
of his audience.

1001
01:02:58,708 --> 01:03:01,375
Right, Skipper? That's where
the Shakespeare first comes from.

1002
01:03:01,458 --> 01:03:03,292
[photographer] Mr. Hannaford,
would you sit

1003
01:03:03,375 --> 01:03:05,000
on the ancestral throne, Mr. Hannaford?

1004
01:03:05,125 --> 01:03:06,765
[Otterlake] Shall we give them a picture?

1005
01:03:14,000 --> 01:03:16,542
Shall we not? [chuckles]
Later, okay?

1006
01:03:16,917 --> 01:03:18,934
- [Rich] Come on, let's go.
- [Otterlake] Way later.

1007
01:03:18,958 --> 01:03:20,958
[Rich] This is a waste of time anyway.

1008
01:03:39,458 --> 01:03:40,958
The noblest Roman.

1009
01:03:41,833 --> 01:03:42,833
Mm-hmm.

1010
01:03:43,917 --> 01:03:45,167
Shanty Irish.

1011
01:03:48,375 --> 01:03:49,500
Lace curtain.

1012
01:03:50,500 --> 01:03:52,042
Like Seneca,

1013
01:03:52,625 --> 01:03:54,292
he bled to death in the bathtub.

1014
01:03:57,458 --> 01:03:59,167
One of the few times he'd ever...

1015
01:03:59,625 --> 01:04:00,792
sat in one.

1016
01:04:14,250 --> 01:04:16,167
Now, Junius Junior...

1017
01:04:16,292 --> 01:04:17,458
Yeah, he, uh...

1018
01:04:18,583 --> 01:04:21,167
He really made it into high society.
Piss-elegant.

1019
01:04:21,250 --> 01:04:22,667
[Jake urinating]

1020
01:04:22,750 --> 01:04:24,333
"Blazing the trail for the...

1021
01:04:24,750 --> 01:04:26,208
Kellys and the Kennedys."

1022
01:04:26,292 --> 01:04:29,542
[Jake] Otterlake, the human tape recorder.

1023
01:04:30,833 --> 01:04:33,583
That's me, Skipper. That's me.

1024
01:04:38,625 --> 01:04:39,625
Then, um...

1025
01:04:41,333 --> 01:04:43,042
you know about the chandelier.

1026
01:04:49,458 --> 01:04:50,500
I'm the authority.

1027
01:04:52,667 --> 01:04:55,125
The old Hollywood Hotel, was it?

1028
01:05:07,333 --> 01:05:09,708
They found him one Sunday morning.

1029
01:05:12,208 --> 01:05:13,208
Hanging from it.

1030
01:05:14,833 --> 01:05:16,042
[sighs]

1031
01:05:17,375 --> 01:05:19,833
After which, you had to go to work
for a living.

1032
01:05:22,167 --> 01:05:23,625
So, what do you do next?

1033
01:05:25,333 --> 01:05:26,792
[Jake] What does anybody do?

1034
01:05:31,750 --> 01:05:33,750
[camera rolling]

1035
01:05:34,750 --> 01:05:37,375
And he's on all the credits
of Jake's screenplays.

1036
01:05:37,500 --> 01:05:38,333
Right?

1037
01:05:38,458 --> 01:05:40,167
I amuse Mr. Hannaford.

1038
01:05:40,667 --> 01:05:41,958
He has curious pleasures.

1039
01:05:42,875 --> 01:05:45,083
Games, he likes to play games.

1040
01:05:45,917 --> 01:05:50,167
I'm a writer who stopped writing
one afternoon in Budapest in 1929.

1041
01:05:51,333 --> 01:05:52,375
Do I have a camera?

1042
01:05:54,083 --> 01:05:55,125
Oh.

1043
01:05:55,958 --> 01:05:59,208
I'm prepared
to make a limited declaration.

1044
01:06:01,083 --> 01:06:02,333
This famous...

1045
01:06:03,000 --> 01:06:04,458
old lion of yours,

1046
01:06:05,292 --> 01:06:08,292
- he's not what you think, you know?
- Lions are cats.

1047
01:06:08,708 --> 01:06:10,625
And Jake, my dear, is a cat.

1048
01:06:11,500 --> 01:06:13,208
A cat that walks like a bear.

1049
01:06:13,708 --> 01:06:15,417
I'd call him a necromancer.

1050
01:06:16,583 --> 01:06:19,208
But I do not know if he's raised the dead.

1051
01:06:21,458 --> 01:06:22,542
[beeping]

1052
01:06:22,667 --> 01:06:24,667
[jazz music playing]

1053
01:06:27,792 --> 01:06:29,625
Oh, there you are.

1054
01:06:30,042 --> 01:06:32,333
Yes. This gentleman...

1055
01:06:32,625 --> 01:06:33,833
kindly gave me...

1056
01:06:34,000 --> 01:06:35,917
- [projector whirring]
- ...permission.

1057
01:06:36,042 --> 01:06:38,083
Just stay there. Do you mind?

1058
01:06:39,583 --> 01:06:42,375
[chuckles] Not at all.

1059
01:06:52,583 --> 01:06:54,125
[Jake] Here she comes again.

1060
01:07:01,750 --> 01:07:02,833
Push him down, dear.

1061
01:07:05,708 --> 01:07:08,583
Hold him down, choke him,
drive that tongue in his throat.

1062
01:07:08,667 --> 01:07:09,667
Choke him.

1063
01:07:11,333 --> 01:07:12,417
All right, sweetie.

1064
01:07:12,500 --> 01:07:13,583
You know where to go.

1065
01:07:13,708 --> 01:07:15,917
Let's have that tongue. Let's see it.

1066
01:07:32,375 --> 01:07:34,625
Come on, sweetie. Slowly.

1067
01:07:37,792 --> 01:07:38,917
Slow...

1068
01:07:51,542 --> 01:07:52,958
Yeah. Go on.

1069
01:07:53,417 --> 01:07:55,125
- Kid! Kid!
- [scissors clatter]

1070
01:07:55,250 --> 01:07:57,750
Listen, kid.
Now you're getting your courage up.

1071
01:08:02,250 --> 01:08:03,417
Are you getting it up?

1072
01:08:03,500 --> 01:08:05,375
Or are we fresh out of courage, kid?

1073
01:08:07,417 --> 01:08:09,333
Okay. Now the necklace is caught in it.

1074
01:08:10,250 --> 01:08:11,958
Give us the reaction, John.

1075
01:08:18,333 --> 01:08:21,083
[Jake laughing]

1076
01:08:22,917 --> 01:08:24,625
You've gotta believe this could happen.

1077
01:08:25,667 --> 01:08:28,417
What if the truth isn't
so goddamned impressive.

1078
01:08:28,542 --> 01:08:29,542
That's our secret.

1079
01:08:30,042 --> 01:08:31,042
Scissors.

1080
01:08:35,250 --> 01:08:36,875
Now she's going to cut it away.

1081
01:08:40,083 --> 01:08:41,208
Snip, snip.

1082
01:08:43,958 --> 01:08:45,000
Snip it.

1083
01:08:45,500 --> 01:08:46,500
Cut.

1084
01:08:49,292 --> 01:08:52,333
What has she cut, kid?
Your little jewels, Johnny, or...

1085
01:08:53,667 --> 01:08:54,667
hers?

1086
01:08:54,750 --> 01:08:57,708
Let's feel that suspense, shall we?
Come on, honey. Feel it.

1087
01:08:57,958 --> 01:08:58,958
Suspense, baby.

1088
01:08:59,250 --> 01:09:00,542
Pure Hitchcock.

1089
01:09:00,625 --> 01:09:02,750
If you'll pardon my language, sweetie.

1090
01:09:02,833 --> 01:09:04,167
Hold still, Johnny.

1091
01:09:04,708 --> 01:09:06,292
You can do that, can't you?

1092
01:09:08,333 --> 01:09:10,500
- [cameraman] Is that a cut?
- [Jake] Keep it rolling.

1093
01:09:11,542 --> 01:09:12,542
Follow him.

1094
01:09:14,292 --> 01:09:15,833
Hold on him and keep rolling.

1095
01:09:16,042 --> 01:09:18,434
[cameraman] He said to keep rolling.
Everybody, keep rolling.

1096
01:09:18,458 --> 01:09:20,875
[Jake] Both cameras.
I'd like a record of this.

1097
01:09:20,958 --> 01:09:22,333
That's it. Hold it on him.

1098
01:09:22,417 --> 01:09:24,417
And goodbye, Johnny Dale.

1099
01:09:33,208 --> 01:09:34,833
Hey, look what you dropped.

1100
01:09:35,083 --> 01:09:38,625
Fifteen precious minutes of Hannaford.
Every little bit...

1101
01:09:38,708 --> 01:09:42,167
added to what we've got,
makes it just that much more.

1102
01:09:42,250 --> 01:09:44,958
- [chattering]
- [male guest 11] I told those guys

1103
01:09:45,042 --> 01:09:47,583
those spots were too much.
Where's the circuit breaker?

1104
01:09:47,667 --> 01:09:50,467
- [female guest 4] A circuit breaker?
- [male guest 11] I'm pulling up.

1105
01:09:51,458 --> 01:09:52,833
Oh, not again.

1106
01:09:54,792 --> 01:09:56,958
[man 9] We are blacked out for good.

1107
01:09:57,250 --> 01:09:58,792
- Excuse me.
- [murmurs]

1108
01:09:58,875 --> 01:10:02,208
[man 9] Just watch the birthrate
nine months from tonight.

1109
01:10:02,417 --> 01:10:04,833
[Billy] What happened?
Did that gennie break down again?

1110
01:10:05,167 --> 01:10:07,958
[Otterlake] Twice in one night.
This is no accident. It's sabotage.

1111
01:10:08,042 --> 01:10:11,250
Good heavens. Who do you suspect?
This cineaste?

1112
01:10:11,333 --> 01:10:13,500
He wouldn't know a cineaste
from a hole in the ground.

1113
01:10:13,583 --> 01:10:15,292
Probably a midget with a grudge.

1114
01:10:15,917 --> 01:10:16,917
I saw your film.

1115
01:10:17,292 --> 01:10:19,208
You won't see any more of it tonight.

1116
01:10:19,292 --> 01:10:20,375
Why not?

1117
01:10:20,542 --> 01:10:22,958
No lights, no projection, dum-dum.

1118
01:10:23,042 --> 01:10:25,792
- [Billy] Excuse me.
- Besides, I didn't make it.

1119
01:10:25,958 --> 01:10:29,958
You will, kid. You will.
Let me tell you what I think of it.

1120
01:10:30,208 --> 01:10:32,333
Get us a drink, will you, sweetie?

1121
01:10:32,583 --> 01:10:35,625
Just look for Jake Hannaford.
He glows in the dark.

1122
01:10:36,000 --> 01:10:37,750
- Right, Brooksie?
- [Jake grunts]

1123
01:10:38,083 --> 01:10:39,875
What you imitate is him.

1124
01:10:40,458 --> 01:10:43,083
The man, not the movie; your idea of him.

1125
01:10:43,167 --> 01:10:46,125
You know, the bull fights
and the big game,

1126
01:10:46,208 --> 01:10:47,625
the whole macho bit.

1127
01:10:47,750 --> 01:10:49,833
Now, the truth of the matter is...

1128
01:10:50,458 --> 01:10:51,833
that as a macho,

1129
01:10:52,125 --> 01:10:53,292
he ain't all that much.

1130
01:10:53,583 --> 01:10:55,833
That chest ain't near as hairy

1131
01:10:55,917 --> 01:10:58,375
as he'd like you to think. Yeah.

1132
01:10:58,917 --> 01:11:02,125
Your guy's a big pink lobster.

1133
01:11:02,792 --> 01:11:04,000
Nothing's really tough.

1134
01:11:04,542 --> 01:11:05,792
Except the shell.

1135
01:11:06,083 --> 01:11:09,000
Now what?
I ask you what's so tough about you,

1136
01:11:09,083 --> 01:11:11,708
and you ask me if I wouldn't like
to find out. Then we...

1137
01:11:11,792 --> 01:11:15,000
entertain the folks with a good
old-fashioned Hollywood fistfight?

1138
01:11:15,125 --> 01:11:16,125
Well...

1139
01:11:18,083 --> 01:11:19,833
if that's the way you want it, kid.

1140
01:11:19,917 --> 01:11:22,000
[Otterlake] Old-fashioned is the word,
all right,

1141
01:11:22,083 --> 01:11:23,750
even in the way you do Hannaford.

1142
01:11:23,833 --> 01:11:26,333
Maybe he was like that, 30 years ago.

1143
01:11:26,583 --> 01:11:28,667
I'll give him... 40 years.

1144
01:11:29,708 --> 01:11:32,167
My Jake can still lick the shit
out of yours.

1145
01:11:32,958 --> 01:11:34,958
- [Jack gasps]
- [sighs]

1146
01:11:37,417 --> 01:11:40,208
- What the hell did you do that for?
- I wasn't even here.

1147
01:11:40,500 --> 01:11:41,958
This is all going on film, you know.

1148
01:11:44,083 --> 01:11:45,750
[Billy] Come on, get him out of here.

1149
01:11:45,833 --> 01:11:49,250
- [waiter] Got him? Three, two...
- [men grunting]

1150
01:11:52,417 --> 01:11:55,417
Putting a little extra zing
on the old lobster's claw, Brooksie.

1151
01:11:56,000 --> 01:11:57,250
I'd do the same for you.

1152
01:11:57,333 --> 01:11:59,167
We imitation Hannafords...

1153
01:11:59,542 --> 01:12:01,042
have got to stick together.

1154
01:12:01,250 --> 01:12:03,875
I brought that schoolteacher.
Remember?

1155
01:12:04,333 --> 01:12:06,167
You were supposed to bring Max David.

1156
01:12:06,417 --> 01:12:08,667
Jake, I... I gotta talk to you about that.

1157
01:12:10,500 --> 01:12:12,625
[waiters speaking indistinctly]

1158
01:12:12,708 --> 01:12:13,708
[Matt] No sweat.

1159
01:12:13,875 --> 01:12:16,750
A couple of wranglers will take him
to the local first aid.

1160
01:12:16,833 --> 01:12:19,500
- [Billy] You think it'll be all right?
- Sure. [chuckles]

1161
01:12:19,750 --> 01:12:23,250
We'll donate his motorcycle to charity.
[laughs]

1162
01:12:23,333 --> 01:12:26,125
Please, if you're gonna have a fight,
invite me.

1163
01:12:28,542 --> 01:12:29,792
[laughs]

1164
01:12:30,458 --> 01:12:32,250
Who told you I was broke?

1165
01:12:37,667 --> 01:12:38,667
Well...

1166
01:12:39,542 --> 01:12:40,542
Billy said...

1167
01:12:40,750 --> 01:12:41,917
you sold the boat.

1168
01:12:42,042 --> 01:12:45,083
He did, did he?
How about the roof over my head?

1169
01:12:45,208 --> 01:12:46,417
How does that grab you?

1170
01:12:46,667 --> 01:12:47,833
You mean the ranch?

1171
01:12:48,000 --> 01:12:52,208
[Jake] Out in the snow, kid.
Over the hill and down dale...

1172
01:12:53,042 --> 01:12:56,875
But let's not ever speak
of Master John Dale again.

1173
01:13:03,083 --> 01:13:06,000
Dale! Dale.

1174
01:13:06,375 --> 01:13:09,125
That's what really bugs you, isn't it?
Dale.

1175
01:13:09,500 --> 01:13:12,167
All your troubles.
What's one lousy leading man?

1176
01:13:12,917 --> 01:13:16,875
Less than the dust
beneath my chariot wheels.

1177
01:13:20,958 --> 01:13:22,542
Cheers. I'll drink to that.

1178
01:13:26,833 --> 01:13:28,833
[sips]

1179
01:13:34,833 --> 01:13:37,042
[Baron] Is that for me? Thank you, Billy.

1180
01:13:44,000 --> 01:13:45,792
- [Billy] Pass it on.
- [glass shatters]

1181
01:13:45,917 --> 01:13:46,917
Right on.

1182
01:13:50,500 --> 01:13:52,500
[both laughing]

1183
01:14:03,625 --> 01:14:05,625
[both pant and laugh]

1184
01:14:06,625 --> 01:14:09,042
[man 6] Billy. Hey!

1185
01:14:10,167 --> 01:14:13,208
- What are you doing, Billy? Smoking?
- What does it look like?

1186
01:14:13,333 --> 01:14:16,417
[man 6] The way things are going tonight,
it could be a reefer.

1187
01:14:16,500 --> 01:14:18,292
Nowadays, we call 'em a joint.

1188
01:14:18,375 --> 01:14:21,292
[man 6] What do you need tea for?
You got gumdrops.

1189
01:14:21,875 --> 01:14:24,833
We know. That's to keep you off the juice.

1190
01:14:26,708 --> 01:14:27,875
He wants to see you.

1191
01:14:28,417 --> 01:14:29,417
[Billy] Yeah?

1192
01:14:31,167 --> 01:14:32,625
Well, I wanna see him.

1193
01:14:32,750 --> 01:14:34,390
I've got that teacher waiting. I wanna...

1194
01:14:34,458 --> 01:14:36,418
- [man 6] Get on out there!
- Guess who joined us?

1195
01:14:36,542 --> 01:14:37,625
Herman the German.

1196
01:14:37,708 --> 01:14:38,708
[Jake] Hermie?

1197
01:14:40,333 --> 01:14:42,208
How's the boy? And you, Billy?

1198
01:14:42,333 --> 01:14:43,750
Jake, I just told you.

1199
01:14:43,833 --> 01:14:47,000
Kept you busy
just collecting schoolteachers?

1200
01:14:47,667 --> 01:14:49,958
Hey, can I please get myself
something to eat?

1201
01:14:50,042 --> 01:14:52,625
I wasn't just collecting schoolteachers.

1202
01:14:52,833 --> 01:14:54,250
Didn't they feed you?

1203
01:14:54,375 --> 01:14:56,667
All they do on airplanes is feed you.

1204
01:14:57,083 --> 01:14:59,167
Turbulence. Ooh.

1205
01:14:59,833 --> 01:15:01,125
You threw up.

1206
01:15:01,875 --> 01:15:03,667
Give him some candy, Billy.

1207
01:15:03,750 --> 01:15:05,417
Jake, those oil guys...

1208
01:15:05,500 --> 01:15:06,875
Keep the voices down.

1209
01:15:07,208 --> 01:15:09,250
These freaks got the whole joint
wired for sound.

1210
01:15:09,333 --> 01:15:11,458
I caught one of 'em bugging a cactus.

1211
01:15:11,542 --> 01:15:12,833
What about the old guy?

1212
01:15:13,000 --> 01:15:15,292
Don't be bashful, Hermie.
We know the answer.

1213
01:15:15,375 --> 01:15:16,542
They want no part of us.

1214
01:15:18,000 --> 01:15:19,417
Neither does Max.

1215
01:15:19,875 --> 01:15:21,500
- Right, Billy?
- Nah!

1216
01:15:21,875 --> 01:15:23,167
Max David, that dirty crook?

1217
01:15:23,250 --> 01:15:24,583
- Who needs him?
- We do.

1218
01:15:25,042 --> 01:15:27,042
Max? He's so crooked,
he's got rubber pockets

1219
01:15:27,125 --> 01:15:28,792
so he can steal soup.

1220
01:15:29,167 --> 01:15:31,000
Our best chance was that oil money.

1221
01:15:31,375 --> 01:15:34,175
- [Billy] Otterlake, what about him?
- [Otterlake] Yeah, what about me?

1222
01:15:34,375 --> 01:15:38,833
Brooksie. We wondered if you knew
about the screening at the drive-in.

1223
01:15:39,042 --> 01:15:41,917
- We're screening the rest of the movie.
- He's seen the movie.

1224
01:15:42,375 --> 01:15:43,458
Not everything.

1225
01:15:45,042 --> 01:15:47,042
Well, we... we don't have everything.

1226
01:15:47,500 --> 01:15:49,875
Leave it to Jake,
pretty soon you'll have too much.

1227
01:15:50,083 --> 01:15:52,375
You bet, we've had our troubles before.

1228
01:15:52,542 --> 01:15:55,000
Want your little friend
to get you a drink, uh, Skipper?

1229
01:15:55,250 --> 01:15:58,333
- Thanks, Brooksie.
- He's Max's golden-haired boy, isn't he?

1230
01:15:58,708 --> 01:16:00,458
They gave Brooksie his own company.

1231
01:16:00,625 --> 01:16:05,000
- Come on. Tell us something we don't know.
- I brought that schoolteacher.

1232
01:16:05,125 --> 01:16:07,208
Jake will see him
if and when he feels like it.

1233
01:16:07,500 --> 01:16:09,000
What about Max David?

1234
01:16:09,167 --> 01:16:12,167
That's who you were to bring out here,
right after the screening.

1235
01:16:12,458 --> 01:16:15,458
He blew it.
Must be all that candy he eats.

1236
01:16:16,708 --> 01:16:17,708
Me?

1237
01:16:19,208 --> 01:16:20,667
You were the one with Max.

1238
01:16:21,500 --> 01:16:22,500
Where is he?

1239
01:16:24,750 --> 01:16:27,333
And what the hell's the candy
got to do with it?

1240
01:16:27,500 --> 01:16:29,250
Could be it's softening your brain,
Uncle.

1241
01:16:29,333 --> 01:16:31,375
It's for the sugar. You know that.

1242
01:16:31,458 --> 01:16:32,958
Since I got off that stuff.

1243
01:16:33,917 --> 01:16:37,042
- And speaking of which...
- [gulps]

1244
01:16:37,583 --> 01:16:39,708
Speaking of which, here's little Mavis,

1245
01:16:40,250 --> 01:16:42,010
who'll bring us
a little fresh encouragement,

1246
01:16:42,083 --> 01:16:43,875
um, won't you, sweetie?

1247
01:16:43,958 --> 01:16:46,167
- [Mavis] Shouldn't I go home and pack?
- Pack?

1248
01:16:46,333 --> 01:16:48,083
I mean, if we're going to Mexico.

1249
01:16:48,500 --> 01:16:50,500
Oh, we go as we are, sweetie.

1250
01:16:50,833 --> 01:16:52,375
Just as we are.

1251
01:16:54,625 --> 01:16:56,625
[both chuckle]

1252
01:17:01,375 --> 01:17:02,833
Wasn't very smart, you know.

1253
01:17:03,583 --> 01:17:05,500
Poor-mouthing like that
in front of Otterlake.

1254
01:17:05,583 --> 01:17:08,792
- You know who he is, don't you?
- Of course I do.

1255
01:17:08,875 --> 01:17:10,083
I've seen his pictures.

1256
01:17:10,167 --> 01:17:11,333
He's a big success.

1257
01:17:11,417 --> 01:17:14,042
[man 6] Brooks Otterlake is money,
not just success, but money.

1258
01:17:14,125 --> 01:17:16,333
His old man owns half the trees in Canada.

1259
01:17:16,500 --> 01:17:20,375
Yes, and you know what Billy told him.
He told him we're in trouble.

1260
01:17:20,792 --> 01:17:21,792
Well, aren't we?

1261
01:17:23,000 --> 01:17:25,500
When you talk poor to the rich,
they jump to conclusions.

1262
01:17:25,583 --> 01:17:28,125
They think we're getting ready
for the touch.

1263
01:17:28,208 --> 01:17:29,667
And that's what we're doing?

1264
01:17:30,708 --> 01:17:34,208
Could have been the general idea
until Uncle Billy loused it up.

1265
01:17:37,000 --> 01:17:39,167
But, Mr. Hannaford, excuse me...

1266
01:17:39,542 --> 01:17:41,958
Didn't I just hear you saying
about Otterlake...?

1267
01:17:42,250 --> 01:17:45,042
- [man 6] No more questions, Junior.
- Where did this yo-yo come from?

1268
01:17:45,125 --> 01:17:48,125
[Pister] As it happens, I did one
of the first positive, critical appraisals

1269
01:17:48,167 --> 01:17:51,167
- of Brooks Otterlake.
- Oh, hooray for you, buddy boy.

1270
01:17:51,250 --> 01:17:53,292
I just wanna be helpful.
From what I overheard,

1271
01:17:53,375 --> 01:17:55,255
I understand there's thought
of approaching him.

1272
01:17:55,333 --> 01:17:59,000
A word from me certainly couldn't hurt.
He's bound to feel some gratitude...

1273
01:17:59,083 --> 01:18:03,333
Mr. Otterlake's a chum.
We don't hustle our chums for dough.

1274
01:18:03,417 --> 01:18:05,083
We're kind of strict about that.

1275
01:18:05,417 --> 01:18:08,500
Always remember
that your heart is God's little garden.

1276
01:18:10,125 --> 01:18:11,645
[Matt] Is that recorder still running?

1277
01:18:11,708 --> 01:18:13,333
- No.
- Well, see that it isn't.

1278
01:18:13,458 --> 01:18:15,292
[Pister] There's a camera somewhere.

1279
01:18:15,375 --> 01:18:16,917
- [cameras rolling]
- A couple of them.

1280
01:18:20,750 --> 01:18:24,917
Studying a man like Jake Hannaford,
that's an experience.

1281
01:18:25,000 --> 01:18:27,500
Don't you miss it. Stick with the job.

1282
01:18:32,917 --> 01:18:35,125
Eat a little shit, Mr. Pister.

1283
01:18:38,667 --> 01:18:41,458
- [door slams]
- [guests chattering]

1284
01:18:42,458 --> 01:18:43,292
[Billy] Have fun.

1285
01:18:43,375 --> 01:18:45,708
- [Baron] What's that, Billy?
- That's the latest message.

1286
01:18:45,792 --> 01:18:46,792
Roger.

1287
01:18:46,833 --> 01:18:49,000
I did something I shouldn't have done.

1288
01:18:49,917 --> 01:18:51,917
[guests laughing]

1289
01:19:00,250 --> 01:19:03,583
- But I saw him go into the library.
- Well, it's groovier in here.

1290
01:19:08,542 --> 01:19:10,500
[man 6] Billy? What are you doing?

1291
01:19:12,708 --> 01:19:13,542
[man 7] Otterlake.

1292
01:19:13,625 --> 01:19:16,042
- For Chrissake, Brooksie.
- [Otterlake] What?

1293
01:19:16,125 --> 01:19:17,875
You know about Billy.

1294
01:19:18,250 --> 01:19:21,000
He's been on the program for nine years.

1295
01:19:21,083 --> 01:19:23,250
- What you wanna do that for?
- What is the fundamental

1296
01:19:23,333 --> 01:19:26,000
aesthetic distinction
between a zoom and a dolly?

1297
01:19:27,750 --> 01:19:31,417
What possible difference can that make
except to another dolly?

1298
01:19:34,042 --> 01:19:35,500
- Ah, forget it.
- What?

1299
01:19:38,125 --> 01:19:39,125
Hi.

1300
01:19:43,125 --> 01:19:45,125
[both laughing]

1301
01:19:47,708 --> 01:19:49,875
This is the one that hurts, Brooksie.

1302
01:19:52,542 --> 01:19:53,583
[Otterlake] Skipper...

1303
01:19:54,750 --> 01:19:57,375
This is a scene
we both hoped we'd never get to.

1304
01:19:58,667 --> 01:20:02,500
I don't think it's gonna play,
not even for comedy.

1305
01:20:06,792 --> 01:20:09,542
Uh, how much do you need?

1306
01:20:11,875 --> 01:20:13,167
How much have you got?

1307
01:20:15,792 --> 01:20:20,292
Hey, remember when you first appeared
on that location of mine out in Iran?

1308
01:20:20,542 --> 01:20:24,250
[Otterlake] Yeah, I didn't even have
fare back home. Just that...

1309
01:20:25,250 --> 01:20:26,708
secondhand tape recorder.

1310
01:20:26,792 --> 01:20:28,250
A raggedy-ass kid.

1311
01:20:28,833 --> 01:20:29,833
When was it?

1312
01:20:30,333 --> 01:20:32,458
Only... uh, four years ago.

1313
01:20:32,917 --> 01:20:35,458
- [Otterlake] Skipper?
- Yes?

1314
01:20:36,458 --> 01:20:39,542
[Otterlake] That... 40 million that was...

1315
01:20:40,458 --> 01:20:41,458
mentioned...

1316
01:20:43,125 --> 01:20:44,208
[sighs]

1317
01:20:46,208 --> 01:20:47,333
I know, kid.

1318
01:20:49,958 --> 01:20:53,667
It's only a distant hope.
How's that for dialogue?

1319
01:20:56,750 --> 01:21:00,625
[Jake] Tell you what, Brooksie...
You might just lean a little on...

1320
01:21:00,750 --> 01:21:02,292
- [water running]
- ...Max David.

1321
01:21:02,708 --> 01:21:04,000
You do the leaning,

1322
01:21:04,667 --> 01:21:05,833
he's got to give.

1323
01:21:06,708 --> 01:21:09,583
- I did set up the screening.
- [Jake] So you did, Brooksie.

1324
01:21:10,500 --> 01:21:12,167
And he hated every frame.

1325
01:21:12,292 --> 01:21:14,375
He's an idiot, Jake. They're all idiots.

1326
01:21:14,458 --> 01:21:15,583
You know that.

1327
01:21:15,667 --> 01:21:16,750
He's your idiot.

1328
01:21:16,833 --> 01:21:18,167
[Otterlake] Up to a point.

1329
01:21:19,083 --> 01:21:23,667
Don't be pompous, Brooksie.
You made his company all that loot.

1330
01:21:24,542 --> 01:21:25,833
Christ knows I didn't.

1331
01:21:25,917 --> 01:21:28,375
Oh, don't think I'm not ready
to put up a fight for you.

1332
01:21:28,875 --> 01:21:32,292
- Want me to spare you the embarrassment?
- It's you I'm thinking of.

1333
01:21:32,417 --> 01:21:35,042
God, I don't want to have to listen
to Max David...

1334
01:21:35,583 --> 01:21:36,833
and all those stupid...

1335
01:21:38,375 --> 01:21:39,375
Turning you down.

1336
01:21:41,042 --> 01:21:43,625
Don't give up the ship, eh, Brooksie?

1337
01:21:43,792 --> 01:21:45,375
- I'm not.
- [door opens]

1338
01:21:49,792 --> 01:21:51,917
[Jake] I told you this wouldn't play.

1339
01:21:55,167 --> 01:21:56,917
[Pat] You all right, Zimmie?

1340
01:21:57,833 --> 01:21:58,958
Oh, sure.

1341
01:22:00,000 --> 01:22:02,833
Don't worry about me.
You've got troubles of your own.

1342
01:22:03,000 --> 01:22:04,333
[Pat] Jesus, all this TV.

1343
01:22:04,417 --> 01:22:07,208
There must be plenty of work
for a good makeup man.

1344
01:22:07,375 --> 01:22:08,583
I got a suggestion.

1345
01:22:08,917 --> 01:22:09,750
[Pat] Yeah?

1346
01:22:09,833 --> 01:22:13,708
- It's what you can do with them dummies.
- I know what I can do with them.

1347
01:22:14,042 --> 01:22:16,708
Listen, Pat.
You take them dummies, see,

1348
01:22:16,958 --> 01:22:19,042
and you take this piece of iron pipe,

1349
01:22:19,625 --> 01:22:22,583
and you slash and beat and chop away

1350
01:22:22,667 --> 01:22:24,083
to your heart's content.

1351
01:22:25,833 --> 01:22:27,583
Or maybe give the pop to Jake.

1352
01:22:28,917 --> 01:22:31,708
He'd feel a whole lot better off
afterwards, believe me.

1353
01:22:32,417 --> 01:22:36,833
- The state requires you...? [mumbles]
- Well, yes, every state does.

1354
01:22:36,958 --> 01:22:39,417
- Is that so?
- So, in order to graduate by January,

1355
01:22:39,500 --> 01:22:41,792
I'd have to take
one correspondence course.

1356
01:22:42,375 --> 01:22:43,708
[Billy] Mr. Hannaford...

1357
01:22:44,125 --> 01:22:46,708
[Jake] You have two more credits to go
before...?

1358
01:22:46,792 --> 01:22:48,976
- [Billy] Mr. Hannaford.
- [Mavis speaking indistinctly]

1359
01:22:49,000 --> 01:22:51,101
- She doesn't want to pay that?
- She won't sign for it.

1360
01:22:51,125 --> 01:22:52,125
Mr. Hannaford?

1361
01:22:54,083 --> 01:22:56,708
Dr. Bradley Pierce Burroughs.

1362
01:22:57,042 --> 01:22:58,042
Pease.

1363
01:22:59,042 --> 01:23:02,292
- Pease?
- Bradley Pease Burroughs.

1364
01:23:05,833 --> 01:23:08,417
Not that it matters.
[chuckles] How do you, sir?

1365
01:23:09,875 --> 01:23:12,292
- Here you go. May I take your...?
- Oh.

1366
01:23:12,375 --> 01:23:13,708
Oh, yes. Thank you.

1367
01:23:17,167 --> 01:23:18,375
[camera rolling]

1368
01:23:26,083 --> 01:23:28,333
[man 6] The doc here is professor
of English Literature.

1369
01:23:28,417 --> 01:23:32,625
at the Frannahan Boarding Academy
for boys.

1370
01:23:33,167 --> 01:23:34,167
Clivedale.

1371
01:23:38,333 --> 01:23:42,333
- That's the name of the school.
- He also teaches Dramatics.

1372
01:23:44,667 --> 01:23:47,375
And who do you think was my star pupil?

1373
01:23:47,875 --> 01:23:50,208
Of course, we knew him then as Oscar.

1374
01:23:51,625 --> 01:23:53,083
[chuckles]

1375
01:23:53,667 --> 01:23:54,750
Oscar.

1376
01:23:55,333 --> 01:23:58,458
[man 6] Uh, tell about Aunt Daisy
with the funny hats.

1377
01:23:59,583 --> 01:24:00,667
Well, uh...

1378
01:24:01,167 --> 01:24:04,333
- They weren't... that funny.
- [man 6] She raised him, so you said.

1379
01:24:04,833 --> 01:24:09,042
And... from the time he was first able
to walk, he used to put on shows.

1380
01:24:09,333 --> 01:24:12,875
You know, with his auntie's hats
and gowns and dresses.

1381
01:24:13,833 --> 01:24:16,917
[whispers] The way Dale tells it,
he didn't even want to be an actor.

1382
01:24:17,292 --> 01:24:20,917
Supposedly Jake's idea.
He practically forced him into it.

1383
01:24:21,042 --> 01:24:22,042
[Otterlake] Huh.

1384
01:24:22,083 --> 01:24:24,333
[Jake] What was he doing, um...

1385
01:24:24,750 --> 01:24:27,583
in Acapulco, besides getting stoned?

1386
01:24:29,458 --> 01:24:31,333
He made the trip just to see you.

1387
01:24:36,167 --> 01:24:37,417
[chuckles]

1388
01:24:40,500 --> 01:24:42,958
[both laughing]

1389
01:24:48,167 --> 01:24:51,917
- [Otterlake] Does all this matter?
- [whispers] I think it does to Jake.

1390
01:24:52,708 --> 01:24:56,667
Oh, Christ. [laughs]

1391
01:24:57,833 --> 01:24:58,875
[coughs]

1392
01:25:00,083 --> 01:25:02,958
Um... And the change of name?

1393
01:25:03,250 --> 01:25:04,250
Oh, for that...

1394
01:25:04,750 --> 01:25:06,792
I'm afraid we have to blame Oscar Wilde.

1395
01:25:13,583 --> 01:25:14,583
But...

1396
01:25:14,917 --> 01:25:15,917
we had this...

1397
01:25:16,625 --> 01:25:17,625
Yeah?

1398
01:25:18,167 --> 01:25:21,625
There was, uh, an unpleasant little...
[mutters]

1399
01:25:26,792 --> 01:25:28,333
You see, there was this, um...

1400
01:25:29,750 --> 01:25:30,875
We had this teacher.

1401
01:25:32,375 --> 01:25:35,125
- He was just one of those little...
- You mean he was a faggot.

1402
01:25:37,000 --> 01:25:39,083
This teacher was a faggot.

1403
01:25:40,208 --> 01:25:41,208
Well...

1404
01:25:49,167 --> 01:25:51,375
Uh, Mr. Hannaford...

1405
01:25:57,917 --> 01:26:00,292
This story concerns my school.

1406
01:26:00,875 --> 01:26:04,083
I... I'm in no position to, uh...

1407
01:26:05,208 --> 01:26:07,500
- publish...
- Publish and be damned.

1408
01:26:08,083 --> 01:26:10,833
Look. We've run out of film.

1409
01:26:11,917 --> 01:26:13,708
You can, uh, speak off the record.

1410
01:26:15,333 --> 01:26:18,167
Dale was in no way involved, you know,

1411
01:26:18,667 --> 01:26:21,500
but... among the boys... there was a...

1412
01:26:22,083 --> 01:26:25,708
great deal of morbid conversation, um...

1413
01:26:25,792 --> 01:26:27,917
I'm afraid, on unhealthy subjects.

1414
01:26:30,083 --> 01:26:33,875
As you could imagine,
with a name like Oscar...

1415
01:26:35,083 --> 01:26:36,708
What happened to that teacher?

1416
01:26:37,583 --> 01:26:39,625
- We let him go, of course.
- Let him go?

1417
01:26:39,708 --> 01:26:41,792
- Mm-hmm.
- What about the police?

1418
01:26:42,375 --> 01:26:46,042
Well, the man was sick, Mr. Hannaford.

1419
01:26:46,125 --> 01:26:47,750
But those young boys.

1420
01:26:47,833 --> 01:26:50,458
They must have been sick
after he finished with them.

1421
01:26:50,542 --> 01:26:52,958
Uh, I hope you're not worried about Dale.

1422
01:26:54,500 --> 01:26:55,667
You think I should be?

1423
01:26:56,583 --> 01:27:00,458
Wouldn't that depend, Mr. Hannaford,
on your own... personal interest?

1424
01:27:05,792 --> 01:27:08,042
[shouts]
What are you driving at, Dr. Burroughs?

1425
01:27:08,125 --> 01:27:09,125
Nothing.

1426
01:27:14,958 --> 01:27:15,958
Nothing.

1427
01:27:16,333 --> 01:27:17,333
No, no, no!

1428
01:27:19,125 --> 01:27:21,958
I'm just his director, not his Aunt Daisy.

1429
01:27:22,333 --> 01:27:23,750
And I'm just his English teacher.

1430
01:27:27,667 --> 01:27:30,625
[both laugh]

1431
01:27:32,833 --> 01:27:35,042
Certainly, he has every reason
to be grateful to you.

1432
01:27:35,125 --> 01:27:38,042
I'm sure that one day,
when one of his fine performances

1433
01:27:38,125 --> 01:27:40,708
gets the Academy Award,
you'll be grateful to him.

1434
01:27:41,417 --> 01:27:44,500
Notice how careful he is not to refer
to it as an Oscar.

1435
01:27:50,958 --> 01:27:53,375
Would you like to take a dip,
Dr. Burroughs?

1436
01:27:53,708 --> 01:27:54,708
A dip?

1437
01:27:55,792 --> 01:27:59,375
Oh, the pool! What a grand suggestion.
[laughs]

1438
01:28:00,458 --> 01:28:03,583
A little more hooch would be helpful.
I'll be right with you.

1439
01:28:04,500 --> 01:28:05,667
Good. Good.

1440
01:28:16,167 --> 01:28:18,458
- Where do I change?
- Right here.

1441
01:28:19,167 --> 01:28:20,375
In the sight of God.

1442
01:28:24,625 --> 01:28:26,542
We all promise not to look, hmm?

1443
01:28:29,708 --> 01:28:31,708
[all laughing]

1444
01:28:34,458 --> 01:28:37,875
Yes, I suppose
all schoolteachers are prigs.

1445
01:28:38,333 --> 01:28:39,500
I suppose...

1446
01:28:40,250 --> 01:28:42,125
Prigs or... faggots.

1447
01:28:42,458 --> 01:28:46,792
- Now, now, Mr. Hannaford.
- Now, now, Dr. Burroughs!

1448
01:28:46,958 --> 01:28:48,250
[chuckles]

1449
01:28:48,750 --> 01:28:50,750
[chuckles nervously]

1450
01:28:57,000 --> 01:28:58,250
We were conned, Mother.

1451
01:28:59,792 --> 01:29:00,792
He was a fake.

1452
01:29:01,417 --> 01:29:03,042
[Billy] She knows the way they met.

1453
01:29:03,125 --> 01:29:06,042
When Mr. John Dale was pulled
out of the water,

1454
01:29:06,125 --> 01:29:08,125
the famous would-be suicide.

1455
01:29:08,208 --> 01:29:09,542
"Would-be suicide"?

1456
01:29:09,917 --> 01:29:12,333
I'm bored with the whole story. [sighs]

1457
01:29:12,708 --> 01:29:16,000
Would-be suicides
ought to be treated like drunks.

1458
01:29:18,625 --> 01:29:20,542
Turns out he doesn't belong to you.

1459
01:29:20,625 --> 01:29:21,625
[Maggie] "Belong"?

1460
01:29:21,667 --> 01:29:23,750
The old Chinese business, remember?

1461
01:29:25,042 --> 01:29:27,958
You save a life, you own that life.

1462
01:29:28,417 --> 01:29:30,917
- Finders keepers?
- [Maggie] Jake isn't a Chinaman.

1463
01:29:31,208 --> 01:29:32,958
And Dale wasn't no suicide.

1464
01:29:33,042 --> 01:29:34,542
No, he was an actor.

1465
01:29:34,625 --> 01:29:36,750
And he wasn't drowning,
he was auditioning.

1466
01:29:37,042 --> 01:29:39,500
Jake, that boy didn't run away.

1467
01:29:39,917 --> 01:29:41,125
He was thrown away.

1468
01:29:41,500 --> 01:29:45,000
Yes, Mother. And sweet, Holy Jesus,
what a relief that was.

1469
01:29:45,083 --> 01:29:48,542
Like getting rid of an aching tooth
or the monkey off your back.

1470
01:29:49,333 --> 01:29:51,542
A drug habit's something
you've gotta kick.

1471
01:29:51,625 --> 01:29:53,750
[Jake] Yes, and my foot was getting sore.

1472
01:29:54,875 --> 01:29:56,625
[sighs] How are you going to finish it?

1473
01:29:56,708 --> 01:29:59,625
That boy is all washed up, Ms. Valeska.

1474
01:29:59,708 --> 01:30:01,708
The picture. Isn't that what matters?

1475
01:30:02,375 --> 01:30:06,875
Well, we've got that footage
of him bringing the clothes to her

1476
01:30:06,958 --> 01:30:09,083
and all that wind. Right, Maggie?

1477
01:30:09,250 --> 01:30:11,917
To the girl. What then?

1478
01:30:12,083 --> 01:30:14,208
The girl. What about her?

1479
01:30:14,500 --> 01:30:15,958
Yes, what about her?

1480
01:30:16,292 --> 01:30:18,917
- We're all interested.
- Dale wasn't.

1481
01:30:19,625 --> 01:30:22,917
And neither is Mr. Hannaford.
That's funny, isn't it?

1482
01:30:23,750 --> 01:30:24,750
A scream.

1483
01:30:24,833 --> 01:30:26,667
I'd just like to ask Mr. Hannaford

1484
01:30:26,750 --> 01:30:29,833
if things wouldn't have been
very different if Dale had been her lover?

1485
01:30:30,750 --> 01:30:34,458
If they weren't lovers,
doesn't that sort of spoil the pattern?

1486
01:30:35,417 --> 01:30:37,167
- Ms. Rich?
- [Billy] She's on again.

1487
01:30:38,250 --> 01:30:39,250
You ask him.

1488
01:30:44,417 --> 01:30:48,333
- Why don't you get lost?
- Tonight, it's all on the record.

1489
01:30:49,250 --> 01:30:52,167
It's all hanging out.
That's how Zarah wants it.

1490
01:30:52,250 --> 01:30:55,208
- [Pat] Here's a present for you.
- The truth shall set us free.

1491
01:30:55,292 --> 01:30:57,625
- Not from me, from Zimmie.
- Zimmie?

1492
01:30:57,958 --> 01:31:00,667
- There's a card with it.
- We ought to have a drink with Zimmie.

1493
01:31:00,792 --> 01:31:01,792
You fired him.

1494
01:31:02,458 --> 01:31:05,208
I always fire Zimmie.
I fire Zimmie constantly.

1495
01:31:05,708 --> 01:31:09,542
Anyway, it's my birthday.
I always give the presents.

1496
01:31:09,833 --> 01:31:12,250
- [Maggie] That's some kind of a gag.
- We know.

1497
01:31:13,083 --> 01:31:14,833
He makes the gags, too.

1498
01:31:16,000 --> 01:31:17,750
Did he tell you where I should stick it?

1499
01:31:18,000 --> 01:31:19,625
Oh, Zimmie's jokes.

1500
01:31:20,250 --> 01:31:24,833
[Pat] Just in case you want to use it
on those dummy John Dales he made for you.

1501
01:31:25,250 --> 01:31:28,958
Speaking of presents...
have I got a present!

1502
01:31:29,792 --> 01:31:34,083
"Have a go at the dummies, Jake.
They break even more easily than people."

1503
01:31:41,375 --> 01:31:43,792
- [guests chattering and laughing]
- Gentlemen!

1504
01:31:43,958 --> 01:31:45,958
[cameras rolling]

1505
01:31:46,917 --> 01:31:47,917
Ladies.

1506
01:31:49,167 --> 01:31:50,875
We are presenting an award

1507
01:31:51,167 --> 01:31:54,125
to the other half
of The Other Side of the Wind.

1508
01:31:54,708 --> 01:31:56,458
The, um, better half.

1509
01:31:56,875 --> 01:31:58,125
A bone...

1510
01:31:58,792 --> 01:31:59,792
for Pocahontas.

1511
01:32:00,583 --> 01:32:03,167
A little curio we picked up somewhere.

1512
01:32:04,083 --> 01:32:07,833
A bit of our own pale-faced craftsmanship.

1513
01:32:08,792 --> 01:32:10,125
Indian bone.

1514
01:32:11,458 --> 01:32:16,125
The inscription goes back
to before all this was movie country.

1515
01:32:16,917 --> 01:32:19,667
Just after... gold was found,

1516
01:32:19,875 --> 01:32:22,333
the Indian population dropped
pretty quickly.

1517
01:32:22,708 --> 01:32:26,875
And in ten years, about 90,000 of them...

1518
01:32:26,958 --> 01:32:28,708
just, uh, disappeared.

1519
01:32:29,333 --> 01:32:34,833
Well, in those good old days,
our gallant honky pioneers

1520
01:32:35,042 --> 01:32:41,167
uh, used to cut off Indian ears
and pickle them in whiskey for souvenirs.

1521
01:32:42,167 --> 01:32:45,333
And on pieces of bone, like this,

1522
01:32:45,708 --> 01:32:48,542
they'd, um, write funny little jokes.

1523
01:32:49,000 --> 01:32:51,500
"I am off the reservation...

1524
01:32:51,708 --> 01:32:53,000
at last."

1525
01:32:55,500 --> 01:32:56,917
And so are you, my dear.

1526
01:32:58,125 --> 01:33:00,958
Perhaps you'd like to present this
to our leading man.

1527
01:33:01,875 --> 01:33:03,667
Right up his ass.

1528
01:33:04,500 --> 01:33:06,333
[guests murmuring]

1529
01:33:10,667 --> 01:33:12,667
[male guest 12]
The old man is a destroyer.

1530
01:33:12,750 --> 01:33:15,083
What he creates, he has to wreck.
It's a compulsion.

1531
01:33:15,208 --> 01:33:18,458
Then, we must wait, my dear,
for him to eat us alive.

1532
01:33:19,000 --> 01:33:21,250
Unless, perhaps, you are a critic.

1533
01:33:21,792 --> 01:33:24,500
He does rather tend to push them
to the side of his plate.

1534
01:33:25,792 --> 01:33:26,792
But others...

1535
01:33:27,625 --> 01:33:30,250
we who glow a little in his lights,

1536
01:33:31,083 --> 01:33:34,375
- the fireflies...
- Fireflies. I'll drink to that!

1537
01:33:34,458 --> 01:33:37,125
...he does quite often swallow whole.

1538
01:33:38,458 --> 01:33:39,583
It is a fact...

1539
01:33:40,333 --> 01:33:44,000
that some of us,
he chews on rather slowly.

1540
01:33:44,542 --> 01:33:47,125
[man 10]
And you wouldn't call him a destroyer?

1541
01:33:47,208 --> 01:33:48,625
[Baron] I withdraw the aphorism,

1542
01:33:48,708 --> 01:33:50,125
and give you, in its place,

1543
01:33:50,208 --> 01:33:52,417
a simple law of physics.

1544
01:33:54,125 --> 01:33:56,583
"No machine ever produces

1545
01:33:56,667 --> 01:33:59,042
as much as it consumes."

1546
01:33:59,333 --> 01:34:02,476
[Jake, on recording] Everybody was happy
until they found him one Sunday morning

1547
01:34:02,500 --> 01:34:04,667
in his suite in the old Hollywood Hotel,

1548
01:34:05,292 --> 01:34:07,083
hanging from a chandelier.

1549
01:34:41,375 --> 01:34:42,625
[slurring] Early morning,

1550
01:34:43,875 --> 01:34:45,042
just before dawn.

1551
01:34:46,583 --> 01:34:47,667
Not yet.

1552
01:34:48,708 --> 01:34:50,125
Flashback, Mavis.

1553
01:34:51,250 --> 01:34:53,750
An old-fashioned flashback.

1554
01:34:55,000 --> 01:34:56,167
We're out on the boat.

1555
01:34:57,208 --> 01:35:00,208
And we just happened
to notice somebody drowning.

1556
01:35:00,958 --> 01:35:04,208
Trying to.
A young punk nobody ever heard of.

1557
01:35:05,167 --> 01:35:06,167
John Dale.

1558
01:35:07,625 --> 01:35:09,000
They've heard of him now.

1559
01:35:09,583 --> 01:35:10,625
Yes.

1560
01:35:11,500 --> 01:35:13,292
How's this? After we dried him out,

1561
01:35:13,375 --> 01:35:16,083
we tried to get him interested
in staying dry. But no.

1562
01:35:16,500 --> 01:35:18,125
Oh, we know the story.

1563
01:35:18,625 --> 01:35:19,625
Backwards.

1564
01:35:20,958 --> 01:35:23,292
I just can't get him interested
in anything.

1565
01:35:23,833 --> 01:35:26,917
Put me in a movie, make me a movie star.

1566
01:35:27,042 --> 01:35:28,417
What does that prove?

1567
01:35:32,042 --> 01:35:33,625
What does it prove, Mavis?

1568
01:35:35,708 --> 01:35:37,042
Bores him to death.

1569
01:35:37,125 --> 01:35:38,583
[slurps loudly]

1570
01:35:39,667 --> 01:35:42,167
But he stops trying to die.
I cured him of that.

1571
01:35:42,708 --> 01:35:44,958
Master Johnny just...

1572
01:35:45,042 --> 01:35:47,917
kicks me sharply in the groin

1573
01:35:48,000 --> 01:35:50,500
and walks away.

1574
01:35:52,333 --> 01:35:54,250
[sniffles] Suicide.

1575
01:35:55,375 --> 01:35:58,083
We were speaking of suicides.

1576
01:36:09,125 --> 01:36:10,958
Want me to bring you another scotch?

1577
01:36:11,458 --> 01:36:12,667
[slams]

1578
01:36:19,958 --> 01:36:21,250
[huffs]

1579
01:36:21,667 --> 01:36:22,787
- [grunts]
- [glass shatters]

1580
01:36:24,125 --> 01:36:25,125
[Rich] Well?

1581
01:36:27,875 --> 01:36:29,792
What can I do for you, Ms. Rich?

1582
01:36:29,958 --> 01:36:32,250
[Rich chuckles]
You could tell me what's going on here.

1583
01:36:32,333 --> 01:36:33,375
Or why.

1584
01:36:33,458 --> 01:36:35,583
I wouldn't even begin to try.

1585
01:36:36,833 --> 01:36:39,500
After Monday,
I won't have to worry about it.

1586
01:36:39,958 --> 01:36:41,167
What does that mean?

1587
01:36:42,083 --> 01:36:43,083
Guess.

1588
01:36:43,875 --> 01:36:44,875
I don't want to.

1589
01:36:45,750 --> 01:36:47,542
It sounds like you are quitting.

1590
01:36:50,042 --> 01:36:51,333
You wouldn't do that.

1591
01:36:52,083 --> 01:36:53,500
It's Chapter 11.

1592
01:36:54,542 --> 01:36:55,583
We're finished.

1593
01:36:56,792 --> 01:36:58,000
See you around.

1594
01:36:58,708 --> 01:36:59,625
[Maggie] Where's Matt?

1595
01:36:59,708 --> 01:37:02,292
He's got that meeting
with the bankers in New York,

1596
01:37:02,375 --> 01:37:04,208
so he's going straight to the airport.

1597
01:37:04,292 --> 01:37:06,667
He was supposed to fix it
with the drive-in theater.

1598
01:37:06,792 --> 01:37:09,375
For the screening?
Yeah, he's stopping there first.

1599
01:37:09,792 --> 01:37:13,042
Good. But, Jake said we shouldn't tell
too many people.

1600
01:37:13,625 --> 01:37:14,500
I won't.

1601
01:37:14,625 --> 01:37:17,250
There ain't much left of this party
as it is.

1602
01:37:21,208 --> 01:37:22,208
Jesus.

1603
01:37:22,750 --> 01:37:24,833
Up the fireflies, eh, Billy?

1604
01:37:24,917 --> 01:37:25,917
Right on!

1605
01:37:26,750 --> 01:37:28,500
♪ Shine, little glowworm ♪

1606
01:37:28,583 --> 01:37:29,917
♪ Glimmer, glimmer ♪

1607
01:37:30,000 --> 01:37:31,958
♪ Shine, little glowworm ♪

1608
01:37:32,042 --> 01:37:33,375
[all singing]
♪ Glimmer, glimmer ♪

1609
01:37:33,500 --> 01:37:36,458
♪ Lead us
Lest too far we wander ♪

1610
01:37:36,542 --> 01:37:39,542
♪ Love's sweet voice
Is calling yonder ♪

1611
01:37:39,708 --> 01:37:41,458
♪ Shine, little glowworm ♪

1612
01:37:41,542 --> 01:37:43,000
♪ Glimmer, glimmer ♪

1613
01:37:43,083 --> 01:37:44,833
- ♪ Shine, little glowworm ♪
- [Baron] Um...

1614
01:37:44,917 --> 01:37:46,557
- Uh...
- [guests] ♪ Glimmer, glimmer... ♪

1615
01:37:46,583 --> 01:37:49,417
I'm sorry, J.J.
It's almost time to go to the drive-in

1616
01:37:49,500 --> 01:37:51,292
to screen the rest of the picture.

1617
01:37:51,792 --> 01:37:53,083
[Jake grunts]

1618
01:37:53,167 --> 01:37:56,292
♪ Shine, little glowworm
Glimmer, glimmer ♪

1619
01:37:56,375 --> 01:37:59,750
♪ Shine, little glowworm
Glimmer, glimmer ♪

1620
01:38:03,083 --> 01:38:05,583
♪ And lead us on to love ♪

1621
01:38:05,917 --> 01:38:07,625
[guests laugh]

1622
01:38:07,708 --> 01:38:09,250
[upbeat music playing]

1623
01:38:09,375 --> 01:38:11,375
- [gunshot]
- [loads rifle]

1624
01:38:16,125 --> 01:38:17,208
Sounds like shooting.

1625
01:38:17,792 --> 01:38:19,375
Baron, I'm surprised at you.

1626
01:38:20,167 --> 01:38:22,625
That's a lousy line of dialogue,
and you know it.

1627
01:38:23,208 --> 01:38:27,000
[continues firing]

1628
01:38:27,542 --> 01:38:29,250
Fastest gun in the West, folks.

1629
01:38:30,125 --> 01:38:32,625
Jake? What the hell are we doing?

1630
01:38:32,708 --> 01:38:34,208
We're having a party!

1631
01:38:38,583 --> 01:38:40,542
[man 11] Hey, you! Pocahontas.

1632
01:38:49,500 --> 01:38:52,917
From your boss.
He says you'll know what to do with it.

1633
01:39:00,542 --> 01:39:02,250
[gun firing]

1634
01:39:02,375 --> 01:39:04,917
[man 9] By God, there's reinforcements.
Minnehaha!

1635
01:39:05,000 --> 01:39:06,680
- [man 12] What?
- Princess Laughing Water.

1636
01:39:07,000 --> 01:39:09,083
She's sure as hell
off the reservation tonight.

1637
01:39:10,000 --> 01:39:12,917
But what I want to know is
who the hell she's aiming at.

1638
01:39:13,583 --> 01:39:14,583
[shoots]

1639
01:39:15,292 --> 01:39:17,125
If I know anything about Ol' Master Jake,

1640
01:39:17,208 --> 01:39:20,417
that red-skinned lady is supposed
to be aiming at the dummies.

1641
01:39:20,500 --> 01:39:23,000
- [male guest] Why?
- Why not?

1642
01:39:23,083 --> 01:39:26,333
[firing continues]

1643
01:39:42,958 --> 01:39:45,500
[fireworks bursting]

1644
01:39:45,875 --> 01:39:47,875
[laughter]

1645
01:39:50,125 --> 01:39:51,458
[young woman] What's going on?

1646
01:39:52,375 --> 01:39:54,375
[fireworks whooshing,
bursting, and whistling]

1647
01:39:59,583 --> 01:40:01,583
[guests chattering]

1648
01:40:02,667 --> 01:40:06,375
- That's... Billy, have you seen this?
- [Billy] Seen what?

1649
01:40:06,458 --> 01:40:08,434
[Otterlake, in feigned accent]
There are little men up there.

1650
01:40:08,458 --> 01:40:11,208
They're shooting Roman candles
on the roof.

1651
01:40:11,292 --> 01:40:13,292
[Billy spits]

1652
01:40:14,208 --> 01:40:16,625
[imitating John Wayne]
Veteran troops, pilgrim.

1653
01:40:17,167 --> 01:40:18,542
Neorealists.

1654
01:40:19,208 --> 01:40:21,083
And the grand old new wave, sir.

1655
01:40:21,458 --> 01:40:24,083
They'll never give up! [laughs]

1656
01:40:24,250 --> 01:40:27,833
- What's all that about?
- I thought you knew about the midgets.

1657
01:40:28,000 --> 01:40:29,958
What's there to know about midgets?

1658
01:40:30,208 --> 01:40:32,000
Ah, they broke into the wine cellar,

1659
01:40:32,083 --> 01:40:34,750
now they got
their tiny little hands on the fireworks.

1660
01:40:34,917 --> 01:40:38,167
- They are going to spoil the party.
- Jake's done that already.

1661
01:40:38,250 --> 01:40:41,292
Goddard has just set up
a government in exile. Just a minute.

1662
01:40:41,375 --> 01:40:42,958
[Billy] Will you let him tell his joke?

1663
01:40:43,042 --> 01:40:44,722
See, I told you, it wasn't much of a joke.

1664
01:40:44,792 --> 01:40:46,559
- [loud boom]
- [Billy] What the hell is that?

1665
01:40:46,583 --> 01:40:48,583
- [fireworks bursting]
- [people on roof whooping]

1666
01:40:50,708 --> 01:40:51,708
Artillery.

1667
01:40:52,208 --> 01:40:53,125
The heavy stuff.

1668
01:40:53,208 --> 01:40:55,625
Is the children and womenfolk safe?

1669
01:40:55,792 --> 01:40:58,375
Safe? Someone's shooting at me.

1670
01:40:58,458 --> 01:40:59,893
- They're in the stockade?
- Stockade?

1671
01:40:59,917 --> 01:41:01,375
- What?
- Stockade?

1672
01:41:01,458 --> 01:41:02,458
That's what I said.

1673
01:41:03,292 --> 01:41:05,292
All right now, attention, everybody.

1674
01:41:05,375 --> 01:41:08,167
Mr. Hannaford's motion picture
will continue projection

1675
01:41:08,292 --> 01:41:11,792
in the Magnolia Gardens
drive-in movie theater,

1676
01:41:11,875 --> 01:41:14,333
which has been specially hired
for the occasion,

1677
01:41:14,417 --> 01:41:16,792
at the corner of El Dorado and Getty.

1678
01:41:16,875 --> 01:41:19,333
Just one block south of the freeway.

1679
01:41:19,417 --> 01:41:20,875
No tickets required.

1680
01:41:21,083 --> 01:41:22,208
Another Hannaford shot?

1681
01:41:22,292 --> 01:41:24,212
[Pat] The drive-in is just a short ways
from here

1682
01:41:24,292 --> 01:41:26,000
on the route to Los Angeles.

1683
01:41:26,083 --> 01:41:30,000
So, all you that missed the closing reels
can now view this material

1684
01:41:30,208 --> 01:41:32,125
from the comfort of your own cars.

1685
01:41:32,625 --> 01:41:34,208
Thank you and goodnight.

1686
01:41:34,625 --> 01:41:37,042
Well, if Bastolucci doesn't surrender
now...

1687
01:41:37,125 --> 01:41:38,167
Bertolucci.

1688
01:41:38,583 --> 01:41:40,000
Slice him how you want to,

1689
01:41:40,458 --> 01:41:43,875
he's-a gonna be one a-spicy meatball.
[laughs]

1690
01:41:45,208 --> 01:41:47,328
[imitating Jimmy Stewart]
You see that old lady there,

1691
01:41:47,667 --> 01:41:50,917
the one with the blue tennis shoes?
You see her?

1692
01:41:51,042 --> 01:41:53,083
- Where?
- [Otterlake] No, you mean, "Who?"

1693
01:41:53,292 --> 01:41:54,667
[Billy] All right, who?

1694
01:41:55,542 --> 01:41:56,542
It's Governor Reegan.

1695
01:41:56,625 --> 01:41:57,833
- Reagan.
- That's who, Reegan.

1696
01:41:58,042 --> 01:41:59,250
- Reagan.
- Reegan.

1697
01:41:59,333 --> 01:42:00,667
- Reagan.
- Reegan, Reagan.

1698
01:42:01,375 --> 01:42:03,375
[both laugh]

1699
01:42:04,125 --> 01:42:07,208
Approached by a video-freak
with an indecent suggestion,

1700
01:42:07,875 --> 01:42:10,167
just as he was sneaking
across the state line,

1701
01:42:10,250 --> 01:42:12,375
Ronnie's wig... flipped.

1702
01:42:12,833 --> 01:42:14,875
Is he still governor? Governor?

1703
01:42:15,208 --> 01:42:17,500
Yep. He has decreed a state of emergency

1704
01:42:17,583 --> 01:42:20,125
and thrown himself on the mercy
of central casting.

1705
01:42:20,208 --> 01:42:21,333
[scissors snipping]

1706
01:42:21,417 --> 01:42:22,417
[muttering]

1707
01:42:23,708 --> 01:42:26,750
- [grunts]
- [laughs]

1708
01:42:26,833 --> 01:42:29,667
[Otterlake] Wayne himself,
now a barefoot friar,

1709
01:42:29,792 --> 01:42:33,208
has been arrested
for denigrating all over a daughter

1710
01:42:33,292 --> 01:42:35,083
of the American Revolution.

1711
01:42:35,750 --> 01:42:38,208
Jessel is demanding equal time.
Here, catch.

1712
01:42:38,292 --> 01:42:39,292
[Billy grunts]

1713
01:42:39,708 --> 01:42:42,917
Five of our best biographers
have just gone over to Preminger.

1714
01:42:43,417 --> 01:42:45,042
[Otterlake] Antonion-ioni-o...

1715
01:42:45,125 --> 01:42:46,125
What?

1716
01:42:46,167 --> 01:42:47,768
[Otterlake]
They're dropping over Burbank...

1717
01:42:47,792 --> 01:42:51,125
[man 6]
Will the owner of the '74 blue Impala

1718
01:42:51,208 --> 01:42:53,208
please come down and move it?

1719
01:42:57,917 --> 01:43:00,542
I wonder if our leader has any idea
who that belongs to?

1720
01:43:01,458 --> 01:43:02,833
No, but he paid for it.

1721
01:43:02,958 --> 01:43:05,000
- What?
- It was supposed to be Dale's.

1722
01:43:05,125 --> 01:43:07,667
- Wow.
- We weren't giving him much of a salary.

1723
01:43:07,750 --> 01:43:10,230
He would have got that as a bonus
when he finished the picture.

1724
01:43:10,792 --> 01:43:12,458
He didn't, so he doesn't. Hmm?

1725
01:43:12,542 --> 01:43:13,708
[man in car] Whoo-hoo!

1726
01:43:14,750 --> 01:43:16,750
[Billy] Now, here's a late bulletin...

1727
01:43:17,083 --> 01:43:18,250
Marlon Brando,

1728
01:43:18,542 --> 01:43:21,208
who, by the way folks, is not pregnant,

1729
01:43:21,792 --> 01:43:25,875
has gone underground
and is doing splendid work for all of us,

1730
01:43:26,167 --> 01:43:28,708
under the name of Tokyo Rose.

1731
01:43:29,417 --> 01:43:31,875
Chin up, Brooksie!
They haven't got us yet.

1732
01:43:35,125 --> 01:43:38,083
Here's a lady tells us we've got to stick
together, Jake and I.

1733
01:43:38,208 --> 01:43:41,208
The farther you're apart,
the harder it will always be to hide.

1734
01:43:41,292 --> 01:43:44,875
- What would we be hiding, lady?
- How much you really hate each other.

1735
01:43:46,625 --> 01:43:48,208
You've got it slightly wrong.

1736
01:43:49,083 --> 01:43:50,083
Yes?

1737
01:43:50,500 --> 01:43:52,500
[footsteps fading]

1738
01:43:52,667 --> 01:43:54,667
[upbeat music playing]

1739
01:44:04,625 --> 01:44:06,625
[guests chattering]

1740
01:44:08,917 --> 01:44:10,837
[young woman] We made it.
We're over on the left.

1741
01:44:12,292 --> 01:44:14,125
[man] There's a spot over here.

1742
01:44:18,875 --> 01:44:20,417
[camera rolling]

1743
01:44:23,167 --> 01:44:24,833
[Baron] Hot coffee? Over here.

1744
01:44:27,125 --> 01:44:28,958
[waiter] I'd say another case.

1745
01:44:29,708 --> 01:44:31,208
[Otterlake] Black coffee.

1746
01:44:32,583 --> 01:44:34,583
I hope Jake's one of your customers.

1747
01:44:35,000 --> 01:44:36,000
That's the idea.

1748
01:44:38,000 --> 01:44:39,000
Of course.

1749
01:44:40,625 --> 01:44:44,250
I wouldn't give much for the rest of them.
But he... Lucky he's got you, Baron.

1750
01:44:44,667 --> 01:44:46,292
Oh, he'll get along without me.

1751
01:44:48,833 --> 01:44:49,833
What does that mean?

1752
01:44:50,083 --> 01:44:53,042
[Baron] There's a time for all things
under the sun, Mr. Otterlake.

1753
01:44:53,583 --> 01:44:55,667
I'm getting much too old for my job.

1754
01:44:56,292 --> 01:44:57,500
If you can call it that.

1755
01:44:58,208 --> 01:44:59,208
Nonsense.

1756
01:44:59,375 --> 01:45:01,625
What I wouldn't give
for somebody like you.

1757
01:45:01,875 --> 01:45:03,250
I'm not on the market.

1758
01:45:04,208 --> 01:45:05,333
You never were.

1759
01:45:05,917 --> 01:45:08,708
Even for the neutral observer,
there is a price.

1760
01:45:09,708 --> 01:45:11,167
Not worth it for you, though.

1761
01:45:11,750 --> 01:45:13,750
You're not quite tough enough for that.

1762
01:45:14,292 --> 01:45:15,292
Not yet.

1763
01:45:16,625 --> 01:45:19,167
But who knows, Mr. Otterlake?
Perhaps you will be.

1764
01:45:19,333 --> 01:45:20,500
[sighs]

1765
01:45:20,625 --> 01:45:23,375
And where will that put me, Baron,
in your estimation?

1766
01:45:23,958 --> 01:45:25,167
Where do you want to be?

1767
01:45:26,958 --> 01:45:29,250
No, what you need, now and always...

1768
01:45:29,500 --> 01:45:30,667
are the soldiers,

1769
01:45:31,375 --> 01:45:32,708
the good soldiers.

1770
01:45:34,125 --> 01:45:35,458
Men like Billy.

1771
01:45:36,708 --> 01:45:39,000
They followed Hannibal and Napoleon,

1772
01:45:40,125 --> 01:45:41,667
they really crossed the Alps.

1773
01:45:43,208 --> 01:45:45,500
They are the heroes in any story.

1774
01:45:48,208 --> 01:45:49,542
Is there a movie in it?

1775
01:45:51,667 --> 01:45:52,833
[chuckles]

1776
01:45:53,000 --> 01:45:55,000
[jazz playing]

1777
01:46:06,417 --> 01:46:09,500
[wind blowing loudly]

1778
01:46:35,667 --> 01:46:37,125
[projector whirring]

1779
01:46:37,208 --> 01:46:40,208
[Baron] Excuse me.
I'm afraid we're getting out of sequence.

1780
01:46:40,750 --> 01:46:42,458
Someone must have given you
the wrong reel.

1781
01:46:42,542 --> 01:46:44,375
[projectionist] Does it matter?

1782
01:46:48,333 --> 01:46:51,333
[Baron] Maggie ought to be here,
keeping the reels in order.

1783
01:46:51,875 --> 01:46:53,000
[projectionist] Who?

1784
01:46:54,792 --> 01:46:57,500
- She's the film editor.
- [projectionist] I haven't seen her.

1785
01:46:59,500 --> 01:47:00,500
Well...

1786
01:47:06,583 --> 01:47:07,625
Well...

1787
01:47:09,125 --> 01:47:10,375
You're right, I suppose.

1788
01:47:11,750 --> 01:47:13,125
It doesn't matter at all.

1789
01:47:17,875 --> 01:47:20,333
"But this rough magic he here abjures.

1790
01:47:21,083 --> 01:47:22,958
Take back that last, it doesn't fit."

1791
01:47:24,208 --> 01:47:26,000
[Jake] What does "abjure" mean?

1792
01:47:26,958 --> 01:47:29,083
- You went to Harvard.
- Give up.

1793
01:47:31,375 --> 01:47:32,542
Is that a suggestion?

1794
01:47:33,542 --> 01:47:35,458
"Abjure," he knows what it means.

1795
01:47:36,250 --> 01:47:38,750
I gave up in the seventh grade.

1796
01:47:39,542 --> 01:47:40,542
How about you?

1797
01:47:44,125 --> 01:47:45,125
Never.

1798
01:47:46,083 --> 01:47:47,083
Not even now.

1799
01:47:51,458 --> 01:47:53,708
And I didn't learn my Shakespeare
at Harvard.

1800
01:47:54,625 --> 01:47:56,500
Mr. Otterfield here...

1801
01:47:57,208 --> 01:47:58,542
wanted to be an actor,

1802
01:47:58,625 --> 01:48:00,458
then he saw one of my films.

1803
01:48:00,708 --> 01:48:02,500
We all read the interview.

1804
01:48:03,792 --> 01:48:05,792
He is a rough magician, isn't he?

1805
01:48:08,125 --> 01:48:09,750
You can kiss my sweet ass.

1806
01:48:11,000 --> 01:48:12,583
What did I do wrong, Daddy?

1807
01:48:17,958 --> 01:48:18,958
"Our revels...

1808
01:48:20,208 --> 01:48:21,292
now are ended."

1809
01:48:23,625 --> 01:48:25,083
You bet your sweet cheeks.

1810
01:48:32,333 --> 01:48:33,833
[Baron] I thoughtyou had left.

1811
01:48:33,917 --> 01:48:36,042
We had to hire this drive-in
for the whole night.

1812
01:48:36,125 --> 01:48:38,667
Somebody had to make the arrangements,
didn't they?

1813
01:48:38,792 --> 01:48:40,417
It's on the way back to town.

1814
01:48:40,792 --> 01:48:43,333
- Monday, I'll have an office at Universal.
- [engine starts]

1815
01:48:43,417 --> 01:48:44,417
Give me a ring.

1816
01:48:44,917 --> 01:48:46,708
- This station wagon.
- What about it?

1817
01:48:47,000 --> 01:48:48,125
It belongs to Jake.

1818
01:48:48,833 --> 01:48:51,000
Where shall I pick it up? At Universal?

1819
01:48:51,167 --> 01:48:52,708
It goes back to the dealer.

1820
01:48:53,375 --> 01:48:54,375
Yes.

1821
01:48:54,917 --> 01:48:58,292
[Baron] Like the sports car, I suppose.
The one Jake is driving.

1822
01:48:58,375 --> 01:49:02,167
[Matt] Oh, that one's paid for.
That was gonna be a present, remember?

1823
01:49:02,875 --> 01:49:03,917
For John Dale.

1824
01:49:04,417 --> 01:49:05,875
When he finished the picture.

1825
01:49:10,458 --> 01:49:12,958
Wait a minute. Wait a minute!

1826
01:49:15,000 --> 01:49:16,208
What's with Billy?

1827
01:49:16,292 --> 01:49:17,875
He ran out of gumdrops.

1828
01:49:18,667 --> 01:49:20,667
[engine roars]

1829
01:49:25,917 --> 01:49:27,917
[grunts]

1830
01:49:30,000 --> 01:49:31,000
[sighs]

1831
01:49:44,292 --> 01:49:45,542
Going, so soon, honey?

1832
01:49:46,500 --> 01:49:47,500
Yes.

1833
01:49:47,708 --> 01:49:49,417
Wasn't much fun for you, was it?

1834
01:49:50,125 --> 01:49:51,125
Goddamn midgets.

1835
01:49:51,750 --> 01:49:52,750
Friends of yours?

1836
01:49:53,250 --> 01:49:57,292
[Otterlake] So sorry, Zarah.
I'm afraid our leader's a little pissed.

1837
01:49:57,625 --> 01:50:00,542
She doesn't like you, kid.
That's why she gave the party.

1838
01:50:00,625 --> 01:50:03,375
She figures I don't relate enough
to the younger generation.

1839
01:50:04,083 --> 01:50:05,333
Just through you.

1840
01:50:05,583 --> 01:50:06,583
But I do, you know.

1841
01:50:06,958 --> 01:50:08,542
I relate all I need to relate.

1842
01:50:19,583 --> 01:50:20,458
Hey, beautiful.

1843
01:50:20,583 --> 01:50:24,833
Couldn't we fix it to see each other
just a little bit less seldom?

1844
01:50:26,042 --> 01:50:27,250
With an old friend...

1845
01:50:28,583 --> 01:50:30,417
It's quite enough to know he's there.

1846
01:50:31,917 --> 01:50:34,125
Like Gibraltar, the Eiffel Tower...

1847
01:50:35,917 --> 01:50:36,917
Durability.

1848
01:50:38,458 --> 01:50:39,750
It can be rather fragile.

1849
01:50:41,875 --> 01:50:44,417
Sometimes, to keep that feeling,

1850
01:50:45,167 --> 01:50:47,042
we need to keep our distance.

1851
01:50:48,792 --> 01:50:51,875
The bad thing is to find out
that a friendship was

1852
01:50:51,958 --> 01:50:53,625
between a couple of other people.

1853
01:50:55,292 --> 01:50:56,375
Thanks, Mother.

1854
01:50:57,583 --> 01:50:59,333
[chanting over speakers]

1855
01:50:59,458 --> 01:51:02,375
You hear that?
That's old Manolito, remember?

1856
01:51:13,708 --> 01:51:16,167
We found him together. In Spain.

1857
01:51:17,500 --> 01:51:20,792
- [Rich] Where is he now?
- Back there, with our hostess,

1858
01:51:21,333 --> 01:51:22,333
by the limo.

1859
01:51:22,375 --> 01:51:25,292
- [Rich] Valeska. Is she leaving?
- [guest] Looks that way.

1860
01:51:26,917 --> 01:51:29,417
Well, she'll have to answer
a few questions first.

1861
01:51:34,625 --> 01:51:36,542
Say goodnight for me to your actress.

1862
01:51:37,167 --> 01:51:39,292
She was pretty good in there
with that gun.

1863
01:51:39,375 --> 01:51:40,917
[Rich] She wasn't shooting at dummies.

1864
01:51:42,833 --> 01:51:45,708
The preferred target, I suppose,
would have been me.

1865
01:51:46,542 --> 01:51:49,500
Preferred by whom, Mr. Hannaford?
You gave her the gun.

1866
01:51:49,833 --> 01:51:53,167
Now, what does that mean?
What's it supposed to mean?

1867
01:51:53,583 --> 01:51:57,333
Don't worry.
Even if she doesn't know, she'll tell us.

1868
01:51:58,167 --> 01:51:59,375
[Rich] Ms. Valeska,

1869
01:52:00,000 --> 01:52:02,417
you made just one film
with Mr. Hannaford.

1870
01:52:02,625 --> 01:52:03,542
Yes.

1871
01:52:03,625 --> 01:52:05,917
That Garvey...
Glen Garvey was your leading man.

1872
01:52:06,000 --> 01:52:08,958
It is true, isn't it,
that during the shooting of that film,

1873
01:52:09,042 --> 01:52:11,375
Mr. Hannaford had an affair
with Garvey's wife?

1874
01:52:12,375 --> 01:52:16,375
Men are the subject of his films.
And whoever the man is,

1875
01:52:16,458 --> 01:52:18,417
naturally, he's got a girl, right?

1876
01:52:18,667 --> 01:52:23,083
And whoever she is, somehow,
finally, Hannaford seduces her.

1877
01:52:24,250 --> 01:52:26,125
He must. He has to possess her,

1878
01:52:26,208 --> 01:52:28,417
because it's the only way
that he can possess him.

1879
01:52:28,500 --> 01:52:30,000
We'll have to stop this, you know?

1880
01:52:30,708 --> 01:52:32,667
[Billy shouts]
Okay, okay, cut it, you guys.

1881
01:52:32,792 --> 01:52:36,500
Expensive vice, isn't it?
After he's had his actor's girl,

1882
01:52:36,583 --> 01:52:37,583
he throws her away.

1883
01:52:37,625 --> 01:52:40,583
And then he's thrown his actor away,
and destroyed him in the process.

1884
01:52:41,333 --> 01:52:43,042
Maybe that's what you really want.

1885
01:52:43,125 --> 01:52:45,125
[Rich gasps]

1886
01:52:45,500 --> 01:52:47,333
- [people gasp]
- [murmurs]

1887
01:52:47,875 --> 01:52:50,667
[shouting] You son of a bitch,
you belong in a B-movie!

1888
01:52:50,917 --> 01:52:53,167
Pick on someone your own size,
motherfucker.

1889
01:52:53,250 --> 01:52:56,333
- [cameras clicking]
- I'm all right. Would you let go of me?

1890
01:52:56,542 --> 01:52:58,417
[Billy] All right! Go home!

1891
01:52:58,542 --> 01:53:00,643
[Otterlake] They're getting all this
on film, you know?

1892
01:53:00,667 --> 01:53:02,208
Who gives a shit?

1893
01:53:02,292 --> 01:53:03,768
- [guests shouting]
- [engines starting]

1894
01:53:03,792 --> 01:53:06,083
[shouting]
Where's your public, for Chrissake?

1895
01:53:06,583 --> 01:53:09,958
Before any of you creeps
could put this stuff together,

1896
01:53:10,042 --> 01:53:11,583
we'll have our own movie!

1897
01:53:12,000 --> 01:53:13,833
A real movie!

1898
01:53:18,167 --> 01:53:19,750
[horn honks]

1899
01:53:20,000 --> 01:53:21,875
[Otterlake]
What happened to the critic lady?

1900
01:53:21,958 --> 01:53:23,083
She'll live.

1901
01:53:23,875 --> 01:53:25,708
Yeah, she'll live to write about it.

1902
01:53:29,625 --> 01:53:32,375
- [Billy] Don't let him get you down.
- Do you?

1903
01:53:33,292 --> 01:53:34,292
Not yet.

1904
01:53:47,417 --> 01:53:49,417
[snoring]

1905
01:53:56,000 --> 01:53:58,143
[Jake, on recording] Remember
those Berbers in the Atlas?

1906
01:53:58,167 --> 01:54:00,083
They wouldn't let us
point a camera at them.

1907
01:54:00,625 --> 01:54:02,833
They're certain
that it dries up something.

1908
01:54:02,958 --> 01:54:04,375
[birds chirping]

1909
01:54:04,625 --> 01:54:08,250
[Jake] The old eye, you know...
behind the magic box.

1910
01:54:09,292 --> 01:54:12,583
Could be it's an evil eye, at that.
Medusa's.

1911
01:54:30,208 --> 01:54:31,208
Johnny?

1912
01:54:32,917 --> 01:54:33,917
So...

1913
01:54:34,208 --> 01:54:35,958
you came to my party after all.

1914
01:54:39,542 --> 01:54:41,250
Get in, I'll drive you.

1915
01:54:46,958 --> 01:54:47,958
Chicken?

1916
01:54:53,500 --> 01:54:55,500
[engine roars]

1917
01:54:55,625 --> 01:54:57,625
[tires squeal]

1918
01:55:09,125 --> 01:55:12,750
[drumming]

1919
01:55:47,708 --> 01:55:49,708
[wind whipping]

1920
01:55:50,000 --> 01:55:54,250
- [fluttering]
- [man chanting]

1921
01:56:16,583 --> 01:56:18,208
[wooden beams creak]

1922
01:56:26,917 --> 01:56:28,917
[wind blowing loudly]

1923
01:56:58,208 --> 01:57:00,792
[grunts and yells]

1924
01:57:29,625 --> 01:57:30,625
[Jake] Who knows,

1925
01:57:31,208 --> 01:57:33,875
maybe you can stare too hard at something,
huh?

1926
01:57:34,583 --> 01:57:38,417
Drain out the virtue,
suck out the living juice.

1927
01:57:40,375 --> 01:57:43,375
You shoot the great places
and the pretty people.

1928
01:57:44,875 --> 01:57:47,625
All those girls and boys.

1929
01:57:49,167 --> 01:57:52,000
Shoot them dead. [echoes]

1930
01:57:58,625 --> 01:58:00,625
[orchestra music playing]

1931
02:02:17,458 --> 02:02:18,458
[Jake] Cut.