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  1. 1
  2. 00:00:07,050 --> 00:00:09,580
  3. What's going on here?
  4.  
  5. 2
  6. 00:00:09,580 --> 00:00:11,670
  7. This is the labyrinth ARIBISU.
  8.  
  9. 3
  10. 00:00:13,440 --> 00:00:15,990
  11. There's a Gate of Destruction somewhere in here.
  12.  
  13. 4
  14. 00:00:22,440 --> 00:00:24,580
  15. Staying here won't solve anything.
  16.  
  17. 5
  18. 00:00:24,580 --> 00:00:26,020
  19. Let's go ahead.
  20.  
  21. 6
  22. 00:00:26,020 --> 00:00:28,730
  23. what is this?
  24.  
  25. 7
  26. 00:00:36,270 --> 00:00:36,940
  27. KOYORI.
  28.  
  29. 8
  30. 00:00:40,510 --> 00:00:42,050
  31. SOUMA, RYUGA.
  32.  
  33. 9
  34. 00:01:07,720 --> 00:01:08,820
  35. let's go.
  36.  
  37. 10
  38. 00:01:21,890 --> 00:01:23,330
  39. SOUMA.
  40.  
  41. 11
  42. 00:01:23,330 --> 00:01:24,860
  43. RYUGA, what's wrong?
  44.  
  45. 12
  46. 00:01:28,930 --> 00:01:30,010
  47. what is this?
  48.  
  49. 13
  50. 00:01:30,010 --> 00:01:32,450
  51. The layout of the walls here is different from when I passed by earlier.
  52.  
  53. 14
  54. 00:01:34,010 --> 00:01:36,990
  55. I think the walls are moving and the path is changing.
  56.  
  57. 15
  58. 00:01:53,630 --> 00:01:56,850
  59. Original work by KEITA AMEMIYA.
  60.  
  61. 16
  62. 00:02:01,790 --> 00:02:04,140
  63. Produced by TOHOKUSHINSHA.
  64.  
  65. 17
  66. 00:02:04,140 --> 00:02:05,440
  67. Executive producer, KIYOTAKA NINOMIYA.
  68.  
  69. 18
  70. 00:02:07,030 --> 00:02:12,330
  71. GARO:Heir To Steel Armor.
  72.  
  73. 19
  74. 00:02:12,330 --> 00:02:14,890
  75. WATARU KURIYAMA.
  76.  
  77. 20
  78. 00:02:14,890 --> 00:02:17,680
  79. ON NAKANO.
  80.  
  81. 21
  82. 00:02:17,680 --> 00:02:20,360
  83. MIKO NAKAZAWA.
  84.  
  85. 22
  86. 00:02:20,360 --> 00:02:23,040
  87. TOMOKA KUROTANI.
  88.  
  89. 23
  90. 00:02:23,040 --> 00:02:25,770
  91. MASATO HAGIWARA.
  92.  
  93. 24
  94. 00:02:25,770 --> 00:02:26,960
  95. HIRONOBU KAGEYAMA.
  96.  
  97. 25
  98. 00:02:28,400 --> 00:02:30,930
  99. KENTETSU ASAKA, AKIHIRO YAMAMOTO, SHUN NISHIME.
  100.  
  101. 26
  102. 00:02:30,930 --> 00:02:33,650
  103. Planning producer, Tanaka Aya. Producer, Higa Ichiro, SHUHEI OKABAYASHI.
  104.  
  105. 27
  106. 00:02:33,650 --> 00:02:36,400
  107. Screenplay, RIUJI YOSHIZAKI. Screenplay cooperation: YOSHIKATSU KIMURA.
  108.  
  109. 28
  110. 00:02:46,220 --> 00:02:49,780
  111. Stunt director, MASAKI SUZUMURA.
  112.  
  113. 29
  114. 00:02:49,780 --> 00:02:53,060
  115. Director, YASUHIRO MATSUDA.
  116.  
  117. 30
  118. 00:02:53,820 --> 00:02:58,890
  119. flash.
  120.  
  121. 31
  122. 00:03:12,670 --> 00:03:14,020
  123. RYUGA.
  124.  
  125. 32
  126. 00:03:19,490 --> 00:03:22,330
  127. What did you think after cutting HORROR yesterday?
  128.  
  129. 33
  130. 00:03:40,580 --> 00:03:46,750
  131. There were times when my father would make the same face as you after he killed a HORROR.
  132.  
  133. 34
  134. 00:03:50,270 --> 00:03:54,750
  135. It's an expression that seems to be mourning the HORROR that was killed.
  136.  
  137. 35
  138. 00:03:56,960 --> 00:04:00,540
  139. I thought that the Makai Knight should be strong.
  140.  
  141. 36
  142. 00:04:04,260 --> 00:04:10,590
  143. There's something I'm missing.
  144.  
  145. 37
  146. 00:04:20,480 --> 00:04:23,470
  147. Let me tell you GODOU's words.
  148.  
  149. 38
  150. 00:05:08,200 --> 00:05:09,700
  151. You are KOUZAN KNIGHT ZANGO.
  152.  
  153. 39
  154. 00:06:03,030 --> 00:06:03,940
  155. GODOU.
  156.  
  157. 40
  158. 00:06:06,000 --> 00:06:08,000
  159. A customer is waiting for you.
  160.  
  161. 41
  162. 00:06:12,650 --> 00:06:14,720
  163. who are you?
  164.  
  165. 42
  166. 00:06:14,720 --> 00:06:16,890
  167. I am Ryuuga Dogai.
  168.  
  169. 43
  170. 00:06:17,830 --> 00:06:19,830
  171. Are you a Golden Knight?
  172.  
  173. 44
  174. 00:06:21,960 --> 00:06:23,810
  175. I'm GODOU.
  176.  
  177. 45
  178. 00:06:23,810 --> 00:06:25,310
  179. nice to meet you.
  180.  
  181. 46
  182. 00:06:27,110 --> 00:06:32,380
  183. By the way, why is the Golden Knight here?
  184.  
  185. 47
  186. 00:06:32,380 --> 00:06:36,060
  187. I came here to retrain myself.
  188.  
  189. 48
  190. 00:06:36,060 --> 00:06:39,440
  191. Have you ever wanted to become stronger?
  192.  
  193. 49
  194. 00:06:43,190 --> 00:06:47,110
  195. The Golden Knight is still on the road to finding strength.
  196.  
  197. 50
  198. 00:06:47,110 --> 00:06:50,280
  199. What special move did you use to kill HORROR?
  200.  
  201. 51
  202. 00:06:52,320 --> 00:06:56,680
  203. That technique is the SENKOUKENBU.
  204.  
  205. 52
  206. 00:06:56,680 --> 00:06:58,920
  207. Please teach me the SENKOUKENBU.
  208.  
  209. 53
  210. 00:07:02,340 --> 00:07:07,440
  211. That special move is not something that can be taught easily.
  212.  
  213. 54
  214. 00:07:10,180 --> 00:07:17,790
  215. The secret of SENKOUKENBU is to use the darkness to acquire a stronger light.
  216.  
  217. 55
  218. 00:07:17,790 --> 00:07:18,840
  219. SENKOUKENBU is a sword of light.
  220.  
  221. 56
  222. 00:07:21,010 --> 00:07:27,750
  223. If you don't have the heart to overcome the darkness, you will be eroded by the darkness and lose your sense of self.
  224.  
  225. 57
  226. 00:07:51,840 --> 00:07:55,570
  227. I will overcome the darkness, I have overcome the trials of darkness.
  228.  
  229. 58
  230. 00:08:04,190 --> 00:08:06,150
  231. If you have conquered the darkness, you will be able to learn the SENKOUKENBU.
  232.  
  233. 59
  234. 00:08:07,710 --> 00:08:09,600
  235. GODOU, please teach me that special move.
  236.  
  237. 60
  238. 00:08:13,240 --> 00:08:15,640
  239. I understand, you can follow me.
  240.  
  241. 61
  242. 00:08:36,920 --> 00:08:38,580
  243. what is this?
  244.  
  245. 62
  246. 00:08:38,580 --> 00:08:41,660
  247. I traveled all over the place to solve the mystery of the Gate of Destruction.
  248.  
  249. 63
  250. 00:08:42,830 --> 00:08:44,100
  251. This is one of the pieces I got there.
  252.  
  253. 64
  254. 00:09:00,590 --> 00:09:06,370
  255. The first step in SENKOUKENBU is to connect with SOUL METAL through heart-to-heart communication.
  256.  
  257. 65
  258. 00:09:07,220 --> 00:09:09,540
  259. Please control the evil spirit that resides in the sword.
  260.  
  261. 66
  262. 00:09:24,670 --> 00:09:27,870
  263. RYUGA, please turn darkness into light.
  264.  
  265. 67
  266. 00:09:49,770 --> 00:09:51,720
  267. This is exactly what I thought.
  268.  
  269. 68
  270. 00:09:51,720 --> 00:09:53,200
  271. you have the talent.
  272.  
  273. 69
  274. 00:10:05,020 --> 00:10:12,360
  275. RYUGA, please concentrate your mind and put your feelings into the light.
  276.  
  277. 70
  278. 00:10:29,730 --> 00:10:31,520
  279. let's start.
  280.  
  281. 71
  282. 00:11:26,210 --> 00:11:27,230
  283. RYUGA, you are amazing.
  284.  
  285. 72
  286. 00:11:28,380 --> 00:11:30,140
  287. It's a great SENKOUKENBU.
  288.  
  289. 73
  290. 00:11:31,700 --> 00:11:35,040
  291. My armor suddenly disappeared.
  292.  
  293. 74
  294. 00:11:35,040 --> 00:11:38,300
  295. SENKOUKENBU involves heavy damage to the mind and body.
  296.  
  297. 75
  298. 00:11:39,640 --> 00:11:44,800
  299. Loaded armor will be forced back to avoid damage.
  300.  
  301. 76
  302. 00:11:48,860 --> 00:11:51,140
  303. Everyone starts out like you.
  304.  
  305. 77
  306. 00:11:51,140 --> 00:11:52,540
  307. You'll get used to it eventually.
  308.  
  309. 78
  310. 00:11:59,500 --> 00:12:01,310
  311. RYUGA.
  312.  
  313. 79
  314. 00:12:02,160 --> 00:12:05,340
  315. SENKOUKENBU has a pair of special moves.
  316.  
  317. 80
  318. 00:12:09,050 --> 00:12:14,350
  319. It turns light into jet-black darkness, and its special move is a sword of darkness that covers that darkness.
  320.  
  321. 81
  322. 00:12:14,350 --> 00:12:16,530
  323. Do those who use its skills wear darkness?
  324.  
  325. 82
  326. 00:12:17,380 --> 00:12:21,300
  327. The name of his special move is SENEIKENBU.
  328.  
  329. 83
  330. 00:12:21,300 --> 00:12:23,510
  331. SENEIKENBU.
  332.  
  333. 84
  334. 00:12:23,510 --> 00:12:27,270
  335. SENKOUKENBU and SENEIKENBU are closely connected.
  336.  
  337. 85
  338. 00:12:27,270 --> 00:12:34,090
  339. Since you have overcome the trials of darkness, you will definitely be able to master SENEIKENBU someday.
  340.  
  341. 86
  342. 00:12:34,090 --> 00:12:37,110
  343. You keep training and don't slack off.
  344.  
  345. 87
  346. 00:12:38,840 --> 00:12:40,050
  347. I understand.
  348.  
  349. 88
  350. 00:12:48,190 --> 00:12:53,980
  351. I taught the Golden Knight the SENKOUKENBU before my son.
  352.  
  353. 89
  354. 00:12:55,550 --> 00:12:57,310
  355. do you have a son?
  356.  
  357. 90
  358. 00:12:59,690 --> 00:13:02,210
  359. My son is competitive and it's hard for me.
  360.  
  361. 91
  362. 00:13:03,480 --> 00:13:05,600
  363. It's hard to take care of my son.
  364.  
  365. 92
  366. 00:13:07,430 --> 00:13:10,110
  367. I don't seem to think you're having a hard time.
  368.  
  369. 93
  370. 00:13:10,110 --> 00:13:12,320
  371. Does it seem like that to you?
  372.  
  373. 94
  374. 00:13:12,320 --> 00:13:13,950
  375. I guess every father is like that.
  376.  
  377. 95
  378. 00:13:16,640 --> 00:13:17,890
  379. I understand.
  380.  
  381. 96
  382. 00:13:23,950 --> 00:13:24,770
  383. RYUGA.
  384.  
  385. 97
  386. 00:13:26,500 --> 00:13:30,080
  387. For me, my son and GARO are the same.
  388.  
  389. 98
  390. 00:13:32,020 --> 00:13:33,490
  391. It means hope, right?
  392.  
  393. 99
  394. 00:13:36,740 --> 00:13:38,360
  395. That's hope.
  396.  
  397. 100
  398. 00:13:41,550 --> 00:13:43,180
  399. My son is my hope.
  400.  
  401. 101
  402. 00:13:57,670 --> 00:14:00,740
  403. Thank you for teaching me special techniques.
  404.  
  405. 102
  406. 00:14:00,740 --> 00:14:06,270
  407. Please use SENKOUKENBU after assessing the battle situation.
  408.  
  409. 103
  410. 00:14:07,550 --> 00:14:11,140
  411. I will train and master the SENKOUKENBU.
  412.  
  413. 104
  414. 00:14:13,070 --> 00:14:15,600
  415. I'm encouraged by you.
  416.  
  417. 105
  418. 00:14:20,250 --> 00:14:27,610
  419. I will teach my son SENKOUKENBU someday.
  420.  
  421. 106
  422. 00:14:27,610 --> 00:14:31,100
  423. Your son will become a fine Makai Realm Knight like you.
  424.  
  425. 107
  426. 00:14:42,960 --> 00:14:44,380
  427. RYUGA.
  428.  
  429. 108
  430. 00:14:46,900 --> 00:14:51,880
  431. When you meet my son, I will entrust him to you.
  432.  
  433. 109
  434. 00:15:02,810 --> 00:15:07,070
  435. GODOU was planning to teach you the SENKOUKENBU.
  436.  
  437. 110
  438. 00:15:10,060 --> 00:15:12,640
  439. GODOU was thinking.
  440.  
  441. 111
  442. 00:15:17,980 --> 00:15:19,580
  443. GODOU was hesitant about teaching you techniques.
  444.  
  445. 112
  446. 00:15:19,580 --> 00:15:22,240
  447. It was no surprise that he was hesitant about teaching me special moves.
  448.  
  449. 113
  450. 00:15:25,660 --> 00:15:26,720
  451. SOUMA.
  452.  
  453. 114
  454. 00:15:38,550 --> 00:15:40,190
  455. Keep your willpower strong.
  456.  
  457. 115
  458. 00:15:41,570 --> 00:15:44,020
  459. SOUMA, please return your consciousness to normal.
  460.  
  461. 116
  462. 00:15:53,610 --> 00:15:54,530
  463. I'm a failure.
  464.  
  465. 117
  466. 00:16:10,850 --> 00:16:13,310
  467. All phenomena exist at the origin.
  468.  
  469. 118
  470. 00:16:18,290 --> 00:16:22,360
  471. GODOU taught me these words, saying, ``Please remember these words when you are lost.''
  472.  
  473. 119
  474. 00:16:24,820 --> 00:16:28,960
  475. How about thinking back to when you decided to become a knight?
  476.  
  477. 120
  478. 00:16:30,180 --> 00:16:32,480
  479. You may find what you are missing.
  480.  
  481. 121
  482. 00:16:42,340 --> 00:16:43,750
  483. origin.
  484.  
  485. 122
  486. 00:16:50,670 --> 00:16:51,870
  487. SOUMA.
  488.  
  489. 123
  490. 00:16:55,110 --> 00:16:56,380
  491. KOYORI.
  492.  
  493. 124
  494. 00:16:56,380 --> 00:16:58,190
  495. How do you know this place?
  496.  
  497. 125
  498. 00:16:58,190 --> 00:17:00,260
  499. This is all thanks to MUTSUGI.
  500.  
  501. 126
  502. 00:17:01,760 --> 00:17:04,440
  503. Everyone please hurry.
  504.  
  505. 127
  506. 00:17:04,440 --> 00:17:06,220
  507. wait a minute.
  508.  
  509. 128
  510. 00:17:06,220 --> 00:17:08,480
  511. KOYORI.
  512.  
  513. 129
  514. 00:17:08,480 --> 00:17:10,890
  515. What are the words carved on the stone monument?
  516.  
  517. 130
  518. 00:17:14,580 --> 00:17:21,450
  519. A person with light desires blood, not the end.
  520.  
  521. 131
  522. 00:17:42,250 --> 00:17:45,150
  523. All phenomena have their origin.
  524.  
  525. 132
  526. 00:17:46,740 --> 00:17:50,050
  527. A person with light desires blood, not the end.
  528.  
  529. 133
  530. 00:17:53,840 --> 00:17:56,620
  531. I now know how to get to the Gate of Destruction.
  532.  
  533. 134
  534. 00:18:01,410 --> 00:18:07,660
  535. The words "without seeking an end" written on the stone monument may refer to the place of the beginning.
  536.  
  537. 135
  538. 00:18:11,190 --> 00:18:12,030
  539. "It wants blood."
  540.  
  541. 136
  542. 00:18:20,060 --> 00:18:22,620
  543. This is the answer.
  544.  
  545. 137
  546. 00:18:34,400 --> 00:18:36,640
  547. what is this?
  548.  
  549. 138
  550. 00:18:36,640 --> 00:18:39,270
  551. This is the entrance to the Gate of Destruction.
  552.  
  553. 139
  554. 00:18:39,270 --> 00:18:42,990
  555. let's go.
  556.  
  557. 140
  558. 00:18:48,390 --> 00:18:49,390
  559. be careful!
  560.  
  561. 141
  562. 00:18:51,530 --> 00:18:53,220
  563. KOYORI.
  564.  
  565. 142
  566. 00:18:59,290 --> 00:19:00,840
  567. Let's go ahead.
  568.  
  569. 143
  570. 00:19:02,970 --> 00:19:04,830
  571. MUTSUGI.
  572.  
  573. 144
  574. 00:19:04,830 --> 00:19:06,920
  575. SOUMA.
  576.  
  577. 145
  578. 00:19:06,920 --> 00:19:08,620
  579. Don't forget what you came here for.
  580.  
  581. 146
  582. 00:19:54,180 --> 00:19:59,300
  583. That is the Gate of Destruction.
  584.  
  585. 147
  586. 00:20:19,090 --> 00:20:20,740
  587. No way.
  588.  
  589. 148
  590. 00:20:24,710 --> 00:20:26,150
  591. That's true?
  592.  
  593. 149
  594. 00:20:31,730 --> 00:20:32,950
  595. That's my father.
  596.  
  597. 150
  598. 00:20:35,920 --> 00:20:37,260
  599. No way.
  600.  
  601. 151
  602. 00:20:56,560 --> 00:21:03,050
  603. DOUGAI RYUGA, WATARU KURIYAMA.
  604.  
  605. 152
  606. 00:21:03,050 --> 00:21:10,850
  607. SHIRAHANE SOUMA, ON NAKANO. KOYORI, MIKO NAKAZAWA.
  608.  
  609. 153
  610. 00:21:10,850 --> 00:21:18,240
  611. KOUZAN KNIGHT ZANGO, YUGO FUJII. JIGARUSU, KOHEI MATSUOKA. IRUBUA, YUKA SUZUMURA.
  612.  
  613. 154
  614. 00:21:18,240 --> 00:21:25,000
  615. MUTSUGI, TOMOKA KUROTANI. SHIRAHANE GODOU, MASATO OGIWARA.
  616.  
  617. 155
  618. 00:21:25,000 --> 00:21:30,000
  619. Original work by KEITA AMEMIYA.
  620.  
  621. 156
  622. 00:21:30,000 --> 00:21:35,840
  623. Executive producer, KIYOTAKA NINOMIYA.
  624.  
  625. 157
  626. 00:21:35,840 --> 00:21:42,020
  627. Planning and producer, Tanaka Aya. Producer, Higa Ichiro, SHUHEI OKABAYASHI.
  628.  
  629. 158
  630. 00:21:42,020 --> 00:21:48,010
  631. Photography by JUNYA HOSHI and AKIRA NISHIOKA.
  632.  
  633. 159
  634. 00:21:48,010 --> 00:21:53,490
  635. Stylist, MASAHIKO KURODA.
  636.  
  637. 160
  638. 00:21:53,490 --> 00:21:59,660
  639. Assistant director, JUNPEI SHIOKAWA, SHUHEI OKUMURA.
  640.  
  641. 161
  642. 00:22:56,350 --> 00:23:02,030
  643. Special cooperation, SANSEI R&D.
  644.  
  645. 162
  646. 00:23:02,030 --> 00:23:07,860
  647. Produced by TOHOKUSHINSHA.
  648.  
  649. 163
  650. 00:23:07,860 --> 00:23:13,680
  651. Screenplay, RIUJI YOSHIZAKI. Screenplay cooperation: YASUHIRO MATSUDA.
  652.  
  653. 164
  654. 00:23:13,680 --> 00:23:19,600
  655. Action director, MASAKI SUZUMURA.
  656.  
  657. 165
  658. 00:23:19,600 --> 00:23:25,480
  659. Director, YASUHIRO MATSUDA.
  660.  
  661. 166
  662. 00:23:25,480 --> 00:23:30,120
  663. This story is a fiction. It has no relation to any real person, organization, or incident.
  664.  
  665. 167
  666. 00:23:30,120 --> 00:23:31,990
  667. Did MUTSUGI move us intentionally?
  668.  
  669. 168
  670. 00:23:31,990 --> 00:23:35,970
  671. Have you ever imagined a world without HORROR?
  672.  
  673. 169
  674. 00:23:35,970 --> 00:23:38,810
  675. I can't let this gate open.
  676.  
  677. 170
  678. 00:23:38,810 --> 00:23:40,180
  679. gate.
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