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Sep 18th, 2018
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  4. Lost In Space Full Movie Hd 720p Free Download
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  44. In the year 2058, the Earth will soon be uninhabitable after the irreversible effects of pollution and global warming! Professor John Robinson, lead scientist of the Jupiter 2 Mission, will lead his family to the habitable planet Alpha Prime to prep it for colonization. The Jupiter 2 is equipped with a hyperdrive that allows faster-than-light travel, which will eventually be employed to evacuate the citizens of Earth. However hypergates must be constructed on Earth and Alpha Prime to provide stable points of departure and arrival. Dr. Zachary Smith is bribed by a terrorist organization to sabotage the mission, and ends up an unwilling stowaway as the ship blasts off.
  45. The year is 2058. Most of the Earth's natural resources are virtually exhausted and will no longer support human life. The government decides that another planet shall be the human race's new home and the government begins construction of two "Hypergates" that will allow the human race to travel across space to the distant planet Alpha Prime. Government scientist Professor John Robinson, decides to set up a vital space mission. Along with his family: His wife Maureen, their children, oldest daughter, medical officer Judy, troubled teenage daughter, video technician Penny and their youngest son, gifted robotics expert Will and joined by heroic military fighter pilot Major Don West, John and his crew travels to Alpha Prime on-board the spaceship "Jupiter 2". But the traitorous Dr. Zachary Smith, working for terrorists known as the Seditions, uses the ship's robot and sabotages the mission and sends "Jupiter 2" off-course. But as Jupiter 2 is caught in the gravitational pull of the sun, John uses the ship's hyper-drive to escape. But John, his family and Major West learns that they've entered a uncharted part of the galaxy and they are lost in space.
  46. So he can't monkey out any more lousy scripts. The very fact that even the worst of the campiest episodes of this magically wonderful old series are better than this movie says how badly the Hollywood re-hash-re-make-puke factory messed this one up. Oh how I loved this old series as a kid (and love them even now as an adult who owns them all on DVD) and oh how I longed for a LiS movie when I first heard that one was in the works. At one point in time, even Bill Mumy had a script, but sadly they wouldn't let him do it (Irwin Allen's fault at the time I believe). If they'd have gotten this show off the ground at an early enough stage ALL of the original cast with the exception of the late, great Guy Williams could have reprised their roles. It would have been far better to have a story that continued on from the Robinsons having been lost in space for decades, which would explain why they'd all aged. We could even have had the (also late, great) incomparable Jonathan Harris as Dr. Smith, as from all reports he really wanted to do it. Never has a film with such great potential to be awesome been screwed up so badly by the hacks who were in charge when this was finally made. Who in the world thought that clown from "Friends" was a good pick for major Don West? I will admit that this film started out with promise as it seemed like it was going to follow the pattern of the series - they actually took great elements from the first couple of episodes with the finding of the derelict alien spaceship and then the crash landing on the alien planet - but from there on it spiraled into an awful mess. And to have an older Will Robinson character and NOT use Bill Mumy to play the role was the single biggest transgression of all - if they had used Billy, I would at least have been able to forgive them for all the rest of the ham-fisted hammering they gave this film. Let's do it again folks, this time with feeling! And talent. And brains. And respect for the old cast and series.
  47. As with many others commenting here, I thought that the special effects were great, but this movie only reinforced my feeling that great special effects do not save a hopeless script. Some agree with this as well, while others don&#39;t. Let me try to explain.<br/><br/>As a musician, I would compare the plot of a literary creation to the form of a musical composition. In both cases they serve a skeletal function. They are not necessarily what the work of art is about. But they should be as solid as the piers and girders of a large building should be. Their existence is a matter of workmanship. A building deficient in its structural components is not one I want to inhabit. It surely will not stand long. And if it is my building, I would be ashamed to have been duped into purchasing it. This aspect is just as necessary in any major artistic creation, whether an extended musical composition or any full-length, big-budget film. In the latter case, it is particularly inexcusable to heap latterly so much expense and expertise of one sort onto a foundation which one can see beforehand is so lacking in expertise of another.<br/><br/>This goes double for science fiction movies. Good science fiction is not about the science. It is about the changeless in human nature; and the environment greatly differing from our own which the scientific knowledge envisions is meant to point that up. But this is not to say that it works when the science, or the other aspects of the plot, are sloppy or implausible.<br/><br/>In &quot;Lost in Space&quot; we have not only the most dabbling and dilettantish excuse for science, but such meager script-writing and characterization that one can&#39;t like even the characters one is meant or inclined to like. I seem to have a pretty low threshold for acting, not tending to notice mediocre acting unless it&#39;s *really* bad. But in this film my disbelief was suspended repeatedly by the vacuity of the acting-- although in the cast&#39;s defence it must be remembered that they had very little to work with.<br/><br/>For instance: Will resorts to the extreme measure of holographics to aid his presumably beloved robot threatened in battle. He nevertheless fails to save it. The only response we see to this loss is a quick &quot;Goodbye, Robot,&quot; a line delivered with about as much emotion as if it were spoken to someone who would return in an hour. One doesn&#39;t know whom to blame-- and I always want to give a child actor the benefit of the doubt. He might not have been allowed time for so much as a quiver in his voice. He certainly didn&#39;t have much dialogue to work with.<br/><br/>It is his sister Penny, however, who has really developed the blase and casually outre to a fine art. How old is she supposed to be, anyway? She looks about twelve, acts like twelve-going- on-thirty, but has the bust of a Mae West-- as well as the hairstyle of some other species. It is not surprising that the alien monkey-girl takes to her so well. There is a distinct resemblance.<br/><br/>William Hurt is an actor whom I respect, but his understated, subtle style was quite lost here, where there is nothing to be subtle about. Unfortunately, he usually came off as formulaic as everyone else.<br/><br/>So this is the future. Earth threatens to stop sustaining human life. And characters like this are the human life which it wants to stop sustaining. Smart earth.
  48. Director Stephen Hopkins (Nightmare on Elm Street 5: The Dream Child) and writer Akiva Goldsman (Batman and Robin) layer a ridiculous time-travel tale with the story of a dysfunctional family Robinson, impressive special effects, and IKEA does Star Wars production design.
  49. SImple answer - it&#39;s not Matt Le Blanc under the helmet. Because the actor was also busy filming the TV series &quot;Friends&quot; at the same time as making this movie, a double was used for this sequence to allow for some flexibility in the actor&#39;s schedule.<br/><br/>Also, because he&#39;s a military officer, his helmet is more advanced and protective than the ones used by the Robinsons. a5c7b9f00b
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