Advertisement
Not_Polybius

ATannie-Life with Anon-Chapter 1/7

Jan 9th, 2018
1,886
0
Never
Not a member of Pastebin yet? Sign Up, it unlocks many cool features!
text 39.11 KB | None | 0 0
  1. >knock-knock-knock
  2. >pissed off at everything and everyone, you head downstairs and prepare to scream at anyone who dared interrupt you on your day off
  3. >oh, hello Mrs. Evans
  4. anon dear, I hope I'm not disturbing you, am I?
  5. >ahh, no I was up.. reading the paper actually
  6. I have to ask a favor, you know I am trying to get rid of my husband's old things now that he's gone, but I could use a little help with the garage, could you help an old woman, and I'll give you some dollars for your help?
  7. >augh, sure Mrs. Evans
  8. >this woman most likely predates the invention of the wheel, and could use a hand
  9. >you spend a good three hours helping her clean out the garage, she does what she can, but you do the heavy lifting
  10. Anon, there is an old iron pipe in there, can you move it to the waste pile?
  11. >That's not a pipe...that's a barrel, like 3 feet of barrel
  12. >wait a second, the silly long gas tube, the fuck hueg muzzle brake...
  13. >that's a fucking PTRS barrel
  14. >you dive in and look for the rest of it
  15. >it's just next to it, so that op got completed quickly
  16. >Mrs. Evans, that pipe was actually a barrel to a rifle and-
  17. Then it definitely is going in the trash pile!
  18. >actually, mind if I just take this instead of anything you pay me?
  19. You are crazy, little one, but if that is what your heart desires, so be it
  20. >just as you are finished, you run home
  21. >well, as much running as a 50lbs, almost 7' rifle allows
  22. >well at home, you figure out how to get the thing assembled, fuck, that's a big rifle
  23. >"ohh, my beautiful rifle, image she was going to throw you away? Well I won't!" you say loudly to no one at all as you embrace the still steel and wooden gun
  24. >but for now some damn food, the woman had a battalions worth of shit in the garage and you carried most of it
  25. >milk and cereal? well why the fuck not
  26. >your eating is interrupted by noises from the living room
  27. >you listen for a second
  28. >nothing
  29. >you return to eating
  30. >actually, this is a good point to return to bed, you really need some sleeping after last night
  31. >the rifle can't stand on the kitchen table and brought it along
  32. after all that work, sleep comes easy
  33. >you wake up some time later by having someone half lying on you
  34. >"W-wait what? Who are you?"
  35. >a pair of big blue eyes stare back at you
  36. I am your rifle! You saved me from going to the trash! I love you! W-what's your name?
  37. >you try to get up to create some distance, but this does not achieve very much, she's heavy
  38. >did I bring home a fucking landwhale?
  39. >"Uhh, this is a little creepy..."
  40. >she gets up quickly, sitting on the side of the bed
  41. >her hair is a long and coal black..and you are starting to see where that weight is coming from
  42. >she's not fat, her figure is actually really good, she has two very large and round things going for her, but she appears to just be very tall
  43. >even just sitting on the bedside, she has an inch or two over you, and you are just on the right side of 6'
  44. "Do you have a name?"
  45. >"sure, I'm anon"
  46. Hello anon! And thanks again! I've been in there for a long time, and now there are so many things I want to do! B-but if you're tired, we can rest first
  47. >"uh, I'm not gonna get any more sleep now anyways, do you have anything planned?"
  48. >her eyes light up, glimmering, almost staring into the deepest being of your soul
  49. Everything!
  50. >"that sounds great, but you can't do everything in one afternoon, you have to start at one thing, and then do one thing later you know, so you have to start...somewhere"
  51. B-but there is so much! I want to shoot, I want to get real food, like you eat, I want to be loved, I want to be cleaned, and and cleaned like you as well! Shower, right? I want to do that too!
  52. >"Well, suppose we could start with eating, I might get a chance to know you a bit."
  53. >Yes! And same for me!
  54. >"Gonna have to get some groceries, first though, I could make you some-
  55. What? You? Nonono, you are man and owner, I am woman and rifle, I make the food. That has always been roles. I can't look like I cannot handle myself in kitchen on first day like this! It would be shameful!
  56. >"Okay...uhh, I got precious little here though, so we still have to go buy something.
  57. Together?
  58. >Yeah, sure, just you know, be like you are now and all will be cool, alright?
  59. Okay anon! Let's go!
  60. >When she got dressed again, it is painfully obvious that she is at least two inches taller than you
  61. >probably three or something
  62. >she seemed shocked to the fact that you had your own car, even if it was a 20 yo shitbox
  63. >her eyes light up as you get to the store
  64. s-so many things
  65. >"What, this isn't even a big store"
  66. >her eyes, however, do not cease to sparkle
  67. >She takes her time, and inspects what feels like every god damn item in the entire store asking what everything is, even if half of what you say and show her is completely new
  68. >it's touching seeing her getting some kind of all new experience
  69. >she is also completely oblivious that both baskets that she refuses to let you carry are filled to the brim and most likely very heavy
  70. >you show her how to put the items on the "track without tank" pay for everything, put it in three bags and head for the car
  71. >she took so much time it's actually dark outside
  72. >so much for doing everything
  73. >just around the corner to the parking lot, a melanin enriched gentleman is standing, some pistol half drawn
  74. >you honkey, why don you-
  75. >this is as far as he gets
  76. >before you have even started thinking about reaching for your pistol, his face is approached by a very fast right jab
  77. >very soon afterwards, he's on the ground, with two hands grabbing his collar, a knee on his stomach, and a very angry woman screaming very angry sounding things in Russian two inches from his face
  78. >he tries to move, but faces just the same weight issues you did, but under very much more unpleasant conditions
  79. >the pistol wasn't even a real one, and is quickly destroyed with a swift stomp
  80. >you are still in shock
  81. Sorry anon, but that man was not nice at all, i-it's okay, right?
  82. >"T-that was very fast"
  83. You should never point toy gun at someone. I'm sorry if I got a little upset
  84. >"you know what, I'm completely fine with that"
  85. Okay anon, good! Let's go home so I can make you some food!
  86. >"you know, as much as I'd love you to cook for me, I can make food myself"
  87. Of course you can, you are man, no? You can, but you also have a woman in house who can, so you don't have to!
  88. >"Well, if you say so, let's go"
  89. >you get home, she gets in an apron and starts cooking
  90. >she makes a massive casserole of...something, but it does smell delicious
  91. >"so, thanks, for the food...actually, you never told me your name"
  92. Don't worry, it is my duty, no? And I...well, my first soldier who should have done that...only called me bad things, because I couldn't cycle when I was dirty, and then there was storage, and then the other man, that died now, and he only shot me once. I never showed myself to him, he, fought in Korea, and I was afraid that...But that is all over now, because you have me now anon! And you will treat me better, because you said I was beautiful! And that you wouldn't throw me away!
  93. >"Yeah, no, I would never do that"
  94. >she just smiles and looks really happy
  95. >this makes you happy
  96. >you fill yourself to the brim with food, and yet most of it is left
  97. >"So, what's more on your list of things to do?"
  98. >she ponders this for a second
  99. I want to be clean now!
  100. >"I'd have to look up how to properly clean a PTRS I suppose"
  101. Maybe I can shower instead?
  102. ***
  103. There is a few minutes of silence from the bathroom
  104. >"uhh, are you alright in there?"
  105. a-anon, could you help me, I've never showered before, and I don't know how they work
  106. >is she serious?
  107. >"uhh, I'll come in then?"
  108. Yes
  109. >she is standing in the shower booth and looks at the shower head as if it was a mystery
  110. >she also has absolutely no clothes on, and your presence does not seem to bother her the slightest
  111. >"right, use this lever to get the right temperature for the water, and use this-"
  112. You have warm water as well?
  113. >"yeah, of course"
  114. Can I use it to shower in?
  115. >"Yes, what else?"
  116. Thank you anon!
  117. >you are pulled into a tight hug
  118. >her obvious height advantage and generous bust makes this a very interesting experience
  119. >you try to say "no problem" or something similar, but your voice is muffled, to her great amusement, and she's blushing slightly as she lets go
  120. >"No problem. The soap is that one, careful not to get it in your eyes, you'll figure out the rest yourself"
  121. Thank you Anon!
  122. >this girl really isn't the shy one
  123. >and never showered?
  124. >maybe give her a good cleanup as well, I mean she is basically a bigger SKS. Should be some internet guide for those, right?
  125. >the time she is taking in the shower, feeling a dozen different temperatures of water at her own will, you spend looking up what it would cost to feed her. And to no surprise to anyone, 14.5x114 is fucking expensive, but you say goodbye to that vidya you were planning on and place an order
  126. >the noise from the shower stops and it all goes silent for a while
  127. >she exits after a while, having done her best to wrap herself in a towel
  128. >well, she tried at least
  129. >"I'm afraid I have to get some more sleep now, I have to work early in the morning"
  130. Okay! It is good that you work.
  131. >she stops and thinks for a moment
  132. Where can I sleep? B-because I am too large to fit in the safe unless you take off my...
  133. >"you sleep where you want to, really"
  134. Thanks Anon! I'll just dry myself up first!
  135. >she removes the towel she tried to wrap herself in, and starts to drag it over her body to get dry, once again showing off pretty much all of her again.
  136. >she really isn't the shy one
  137. >you decide to admire the scene unfolding in front of you, and she has quite the body
  138. >not only is she like 6'3", but she is borderline muscular as well, but not in a "going to the gym a lot" kind of way, but rather a natural strength, like someone who has had a hard job for many years. This is especially apparent in her legs and upper arms. And it's not like she's under fed either.
  139. Do you really think I'm beautiful? Actually, you said so when you carried me in, and the eyes you are looking at me now tells me all I need to know!
  140. >you are caught staring. This does however seem to make her happy
  141. No one has ever looked at me like that. Actually, you are the first person who has been nice to me. B-but you have to sleep for work tomorrow, sorry if I'm keeping you up.
  142. >"...it's no problem at all. Decide where you want to sleep yet?"
  143. C-can I sleep here?
  144. >"If you want to, sure"
  145. >she lies down next to you, and in a very strange reversal of moves, you end up being the little spoon
  146. >you admit to yourself, quite shamefully why someone would like to be the little spoon. There is an amazing feeling of safety. The arm your head is resting on, the chest in your back slowly contracting and expanding with every breath, and the arm wrapped around your side and stomach. It feels...safe.
  147. >However, she is the one that is supposed to feel this
  148. Anon, I've been happy all day. It's the first time in my life that happened. I love you anon. Good night.
  149. >one would think it would be hard to fall asleep if someone just said that, but right now, it's the easiest thing in the world. Until that god damn alarm wakes you up. Fuck you, alarm
  150. >"could you er...let me go? I gotta hit work"
  151. Oh, I'm sorry, I will not hinder you to get to work
  152. >"So, I'll leave you alone for now, the house is yours, watch TV, read a book, get something to eat, whatever you want. I'll be back in the afternoon, alright?"
  153. >"And you really need a name. Think of something out while I'm out if you want to"
  154. But that is job of first soldier. A-and I don't want to be named what he called me. You should do it Anon!
  155. >"uhh, I'll think, alright? But I have to go now, okay?"
  156. See you in the afternoon, yes?
  157.  
  158. >The day at work is mostly spend being a bit confused
  159. >this woman is...one of the strangest people you've ever met. Very kind though, and the whole thing with her liking me? she's not playing
  160. >Well, in any case, a load of 14.5mm is on the way, and I should be able to pick them up at the LGS before heading off to the range on Friday
  161. >actually, maybe they are not very happy about bringing an AT rifle there. Fuck. Well, worth a try at least
  162. >As you approach the driveway, something is immediately different. Strangely, a good different
  163. >you open the front door
  164. >once again, it's somehow a good different in here
  165. >"Hello?"
  166. Anon!
  167. >she rushes down the stairs
  168. >wearing an apron, her sleeves are rolled up and she is in fact a little dirty
  169. >"Hey, the-hmmpf"
  170. >talking is difficult when you are being a bit squashed
  171. >you try to hug back, and this makes her somewhat ease up her grip
  172. >this is a nice place to be
  173. >"Wait a second, have you been cleaning?"
  174. Yes!
  175. >"Wait, even the front lawn looked better, did you...?"
  176. Yes! I cut the grass and cleaned up a bit outside, and inside I've swept and mopped the floor, wiped inside all cupboards and cabinets, and-
  177. >"Whoa, you don't owe me anything, you shouldn't have to heave cleaned...the entire house?"
  178. Don't say that! Look, you go to work, and I do things at home, today I cleaned. Because I can't sit inside all day and not do anything, while you go to work!
  179. >"Well, you kinda can you know"
  180. >"Anyway, you don't have to do anything as long as I am here, because now it's time to get you ready for the range
  181. Range?
  182. >"Come on, the shooting range! You want to be shot, right?"
  183. >If her eyes lit up when you showed her the store, it wasn't even a tenth of this
  184. Y-you found ammo...
  185. >"Sure I did. Can't have a rifle and not shoot it, can I?
  186. I love you Anon!
  187. >You manage to brace yourself slightly before being almost squashed again, but it seems to do no good. Then again, this isn't exactly an uncomfortable position to be in. Very soft, little hard to breathe perhaps, but it's definitely worth it.
  188. Whenarewegoingwhenarewegoingwhenarewegoing
  189. >"Tomorrow, I'll pick you up after work, we head and pick up the ammo together and then go to the range, sounds good?"
  190. YES! Ehem. Yes, that sounds great.
  191. >"But first off, you've been in a garage for a long time, and I'll have to clean you up before we go there. Wouldn't want a dirty rifle, or a jamming one?
  192. C-cleaning...
  193. >"That's not gonna be a problem, is it?"
  194. No. No, it will not be Anon. B-but it was some time ago, so I'm sorry if-
  195. >"Whoa, rifle maintenance is not your job. I have a rough idea on how to do it as well."
  196. Rough idea?
  197. >"Well, truth be told, I looked up cleaning guides for the SKS, and I figured..."
  198. Y-you looked up how to clean me...
  199. >"Yeah, of course. You said you had some issues with cycling if you were dirty? Well, I don't want that to happen, range day tomorrow, you know."
  200.  
  201. >and so it started
  202. >on the kitchen table, no less
  203. >she was carefully stripped, carefully cleaned in every last corner
  204. >the black painted metal was once again shiny, and it's moisture glimmered in the light from the chandelier
  205. >Once that was done, all moving parts were carefully oiled in with lubricant
  206. >then the gun was reassembled
  207. >the woman is lying on your kitchen table, now blushing like mad and breathing heavily
  208. >it almost seems her hair has changed in appearance after that, going from a matte coal black color to a more glossy, glistening tone
  209. >It was really beautiful before, but it is borderline magic now
  210. >between her breaths she manages to get out
  211. That should...only be...done in bedroom...
  212. >"I'm not sure, I really don't want too much gun oil in my bed
  213. That was bad. I am clean, but it was way to erotic for only maintenance. I don't understand why it happened.
  214. >"I thought you liked me?"
  215. Yes! That's it!
  216. But I would still be more comfortable if I was like that in a bedroom. Tomorrow after shooting, da?
  217. >"That's...very straight forward"
  218. I am only honest! I will never lie to you, Anon
  219. >"That's good to know"
  220. Are you hungry? We have lot of stew left! And you can make it better the next day, if you add in some meat in it! But I couldn't find any in the fridge, so I cleaned that as well.
  221. >"You don't have to do this, you know"
  222. It is my duty.
  223. >"It really isn't. I mean you are doing all kinds of stuff here and-"
  224. Anon, stop. I have been useless since 1941 when I could no longer engage tanks. Since then, I have been tossed around, looked down upon, been put into storage, shot once with 50 year old dust still in me, and then put back into storage again. I've not been like this in many years. I am very grateful, not only that I can talk, and move and sing and cook and walk, but because I feel like someone likes me. No one ever has. I am just happy I can be happy. And if I can clean a little to help you, I'll do it a hundred times. Do you understand?
  225. >"Wow, that was a bit serious"
  226. Yes, it is not good for the mood, but it is good for the soul. But now, a little for stomach. I've prepared dinner!
  227. >you once again fill yourself to the brim with delicious stew, while happily chatting away to your still un-named friend
  228. >"Wow, that was good. I could hit the bed right now"
  229. ...ookay!
  230. >She comes over to you, standing behind
  231. >she places her right arm under yours, and then her left under your legs, wait...?
  232. >she exhales and lifts
  233. >you are now being carried in her arms, and heading to your own bed
  234. >once again, a little shamefully you admit why someone would like to be carried like this
  235. >there is some shame in your eyes as you look up on her big blue ones, but she is having none of it and just smiles at you
  236. >not even the stairs slow her down noticeably
  237. >she sets you down carefully on what is now your half of the bed
  238. >turning the carry into a hug, she whispers
  239. Good night Anon!
  240. >and then lets go
  241. I will take care of the kitchen now, I'll come sleep a little later!
  242. >before you are even given an opportunity to respond, you are alone in the room
  243. >this girl is...amazing
  244. >you get rid of your clothes, and return to your deliciously soft bed
  245. >she comes up 20 minutes later, very carefully sneaking into the room
  246. >this is where I pretend to sleep
  247. >to your slight disappointment, she makes absolutely no fuss, undresses and slips down next to you, but she still wants you to be the little spoon
  248. >yes, you tell yourself, the roles are reversed here. I'm supposed to make her feel safe and comfy at night, and make bad thoughts and things go away. But here I am. In front. Resting my head in her left arm, and having her right holding me, making sure I don't go anywhere
  249. >the front of her thighs is against the back of mine
  250. >this should feel wrong
  251. >you also notice that the cleaning has had at least one other effect on her
  252. >just before she falls asleep, she tightens the grip with her right arm, pulling you a little closer
  253. I love you Anon.
  254. >A man can get used to falling asleep like this.
  255. >the alarm rings
  256. >you immediately feel hatred towards it, because it reminds you that you can't lie in bed and cuddle all day
  257. Is it time to get up now?
  258. >"Well, I have to go to work, you can lie down in bed all day if you want. Just remember to be ready for this afternoon, alright?"
  259. I know! We're going shooting! Right?
  260. >"Yep, I'll pick up the ammo on the way home, and then head straight here, or do you want to come along and get the ammo?"
  261. Yes! Can I come along? B-but I'll get ready for today, find my clips and all that.
  262. >"Oh, they should be in the box with the cleaning tools. But I have to go now."
  263. >at work, you think about the range
  264. >it's criminally underpopulated, bit pricey perhaps, but the guy running it is pretty cool
  265. >but will they be okay with an AT rifle?
  266. >and she needs a name as well
  267. >after doodling for some minutes with a pun on 'PTRS' you decide Annie is a good as name as any
  268. >you leave work and drive home
  269. >hang on, my garage didn't look like that
  270. >"Hello, you there?"
  271. Hello Anon!
  272. >she has entered maid-mode again, with the apron and rolled up sleeves
  273. >she happily bounces down the stairs
  274. >bouncy-bouncy-bou...
  275. >dammit don't stare
  276. >"Hey there, I think I've come up with a name for you. Do you like Annie?"
  277. ...yes! Are we going to go shooting now?
  278. >"Sure, but...have you cleaned out the garage?"
  279. >Yes I did! And I cleaned the windows!
  280. >"That's sweet of you, but you don't have to do all of this"
  281. Nope! But for you, I'll do it anyway.
  282. >This girl is amazing
  283. >"So...you ready?"
  284. Yes!
  285. >she gets rid of her apron in a second, and follows you out to the car
  286. >oh yeah...
  287. >"this is a not-horrible little car, but I don't think I'm gonna be able to fit a 7' rifle in it, you just go like you are now, alright?"
  288. Okay!
  289. >you squeeze into the little Toyota, and she even manages to find a somewhat decent sitting position after the seat has been slammed to the floor and moved all the way back
  290. >Annie gets a bit nervous at the LGS and decides to stay in the car while you go inside and get the ammo
  291. >a few paper boxes of 14.5, and holy fucking shit are they expensive
  292. >Annie is exited beyond words as you approach the range
  293. >You're in a spot of luck, there is only 4 cars here, meaning less people to get pissed at potentially going deaf
  294. >you go speak to the RO, who seems rather uninterested in doing his job
  295. >not that it really is an issue, there are only 4 people here, taking up only 3 lanes, and they all seem to know what they are doing
  296. >"Excuse me, do you have any...sort of caliber restrictions for guns here?"
  297. >the RO looks up from his magazine, with a rather bored gaze
  298. >he looks up at Annie, and folds and puts the magazine aside
  299. >"Well we usually say .50 max, but I'm guessing what you've brought along is a bit bigger. And it seems like a first time thing, so don't mind, but you should check in with the others, alright?"
  300. >"Of course, and thank you"
  301. >None of the shooters or their WGs seem to have an issue with you or Annie, so it's all good
  302. >Annie does a very bad job of hiding her excitement as you load up the three clips you have, each with 5 rounds each. One might think they are not very much bigger than what a .50 is, but the case is both longer and has a much larger diameter than the .50, so it has about 50% more muzzle energy
  303. >everyone is back in their stalls, and you prepare yourself as the range is about to go hot
  304. >as she changes, you quickly realize that shouldering a 70lbs rifle is going to get weary pretty quickly
  305. >the bipod is deployed and you use the stool, very kindly provided
  306. >the range goes hot, you pull back the massive bold, and it locks open
  307. >it's not loaded like an SKS, from the top, but rather through a large door in the bottom of the magazine
  308. >a silly large 5 round clip is carefully inserted
  309. >the front hinged mag door, however, does not close easily, and requires a lot more force to close than what you are really comfortable with
  310. >when all of that is done, that massive bolt is pulled back and released
  311. >due to the immense weight, the entire rifle jerks backwards
  312. >you line up the sights
  313. >they are maybe not the best ones around, but the sight radius is over 4 feet, so there's that
  314. >you take aim
  315. >slow your breathing
  316. >your finger is moved to the bottom hinged trigger
  317. >it goes in slowly, and delicately
  318. >a little more...
  319. BOOM
  320. >you are punched hard in the shoulder, as the 1000 grain projectile is hurled towards the paper at 3000fps
  321. >"Fuck that hurt"
  322. >..."I need more"
  323. BOOM
  324. >you are completely out of breath
  325. >you get yourself a little distance from the rifle, to help yourself recover a little
  326. >but the kick in your shoulder, the deafening sound, even through the earpro, the brutal feeling of it all and the surge of adrenaline
  327. >you need more of this
  328. >the sights are realigned on the paper
  329. >you try to calm your breath, but it's futile
  330. >your finger is once again positioned on the trigger, pulling in teasingly slowly, and you are rewarded by a thunderous boom and a kick in the shoulder
  331. >need
  332. >more
  333. >the entire process is repeated, and you try to be even slower with the trigger
  334. >this time, however, you just try to point it in the general area of the target and snap off the last round follows the fourth with a very short delay
  335. >you set the rifle aside and the range goes cold
  336. >Annie changes back, lying on the bench in front of you, with her head towards the targets
  337. >her entire body is relaxed, and almost sloppy, her breathing is heavy, her face is rosy, and a solemn tear runs down from her eye
  338. T-that...
  339. >"hehe, you're liking it?"
  340. T-that...
  341. >she gets up, her strong legs barely supporting her
  342. >she almost collapses in your lap, wrapping her arms around you
  343. >when she hugged you while standing up, you could rest your head without bending your knees too much
  344. >now, because she sits on your lap, you are practically being forced into it
  345. >there are worse things to be choked to death by, mind
  346. W-we're doing that again, right?
  347. >"Oh hell yes"
  348. >the range is cold, so you decide to stroll over and see how you shot
  349. >not too bad actually, nothing to show off about either, but definitely tight enough group to hit a Panzer II
  350. >however, that does not matter today
  351. >Annie has regained her composure when you have returned, even if she is still just a bit sweaty
  352. That was amazing!
  353. >she hushes her voice rapidly
  354. B-but it is indecent behavior, and it is not good in public
  355. >"ehh, you're doing okay", you say and point over to the driveling, sweating, blushing, and cross eyed mess that just went trough an entire 100 round belt in under 15 seconds
  356. >"and besides, it's not like anyone cares here, everyone minds their own business"
  357. >Annie looks over. And she is in much better condition than the other girl is, since she can't even sit up
  358. Okay anon. But we're going to shoot more?
  359. >"I'm not gonna go to the range and fire five rounds. See that box? I plan to burn through most of that before I go home
  360.  
  361. >and so you did
  362. >you even managed to shoulder the rifle for some shooting, but your shoulder was never going to feel happy today, so most of it is done from prone or sitting
  363. >the sun is starting to hand low on the horizon before you head off home, after Annie not wanting to shoot off the last 10 rounds "in case something bad happens at home"
  364. >you decide against arguing with her
  365. >she does however get concerned on the way home
  366. Anon, the way you are moving your arm-
  367. >"I have to change gear at some point"
  368. No, h-have I hurt you Anon?
  369. >"No, I'm fine, I promise"
  370. >you say this as your shoulder hurts like a bitch
  371. >you bite hard as you change gear,s you don't want her to know that you are hurt
  372. >you manage to hide it to some degree until you get home
  373. >you manage to get the keys, but the door handle didn't move like you expected, and you let out an audible yelp as you fail to open the door
  374. You are hurt Anon, I-I'm sorry I didn't want to hurt you
  375. >"Aww, come on, it only hurts a little, I promise"
  376. C-can I make it up to you, Anon?
  377. >"You don't hav-"
  378. Enough. Be silent please.
  379. >she sounded strangely determined
  380. >she takes the keys from your hand and unlocks the door
  381. >she also takes your gym bag, and places it on the kitchen table
  382. >"What ar-"
  383. Stop. No more talking. You lie anyway to make me happy. I will make it up to you. Stay there.
  384. >"..."
  385. >she picks you up, once again princess carrying you up to the bedroom
  386. Take your shirt off.
  387. >"What? Why?"
  388. Do it.
  389. >you are just a tiny bit scared at this point
  390. I knew it! Anon, I'm so sorry!
  391. >she refers to your right shoulder, that is mostly purple and beaten to shit
  392. Don't worry Anon, I'll make things right! And don't move!
  393. >you sit on the bed, waiting for her to come back
  394. >she returns with a glass bottle containing a clear liquid
  395. >she sits down beside you, and puts you in her lap
  396. >her right arm supports your back, and holds the back of your head still
  397. >her left is pushing the now opened bottle into your mouth
  398. Don't worry, Anon, just swallow
  399. >this is most likely vodka
  400. >the vodka does probably not have a very high alcohol percentage
  401. >this matters little, as the bottle is being forced deep into your throat, and your only options are swallow or choke
  402. >Annie looks just a little concerned, yet somewhat satisfied as the panic is building up in your eyes
  403. >when about half of it is gone, she removes it from your mouth, swirls the liquid around in the bottle two times
  404. >then, she sighs and chugs the rest of the bottle
  405. >you are still sitting in her lap, somewhat surprised, somewhat terrified
  406. Don't worry, it will stop hurting soon
  407. >she sits down on the edge of the bed, looking at you, and then your bare chest and battered shoulder
  408. It's my turn now, Anon!
  409. >as her arms get rid of her rather ill-fitting shirt, you can see that she is strong, and during these specific movements, her large muscles just hint on her arms
  410. >the bottom of the shirt stretches just a little bit as it starches over her large, round breasts
  411. >they are so beautiful it brings a tear to your eye
  412. Hehe, I love when you look at me like that Anon...
  413. >she draws you closer, and you find yourself sitting on her thighs, with one leg on each side of her waist
  414. >her left hand holds you around your waist, making sure you don't go anywhere
  415. >her right arm holds you higher up, around your back, and her hand is still on the back of your head, making sure you're looking straight into her eyes
  416. >they are an absolutely amazing deep blue, like an ice cold ocean rather than the warm sky
  417. >for the first time, you look down into those eyes
  418. >Annie is not trying to point her head towards yours
  419. >she is rather just pointing her eyes up, giving her a look of innocence
  420. >As the alcohol mixes with adrenaline, the mental barriers you have built up are crushed like a little wooden barrier being rolled over by a T-55
  421. >her black hair looks absolutely magical in the dimmed light of the bedroom, her skin pale and soft
  422. >must. not. lewd. raifu...
  423. >but your raifu is holding her right hand behind your head, and she is pushing it towards her face
  424. >she is beautiful, and so strong, and...
  425. >the cocktails of chemicals in your system, that being alcohol, adrenaline, her scent, whatever, finally takes their toll, the last barrier breaks, your tired neck muscles give in to her hand, and you close your eyes
  426. >you feel her warm breath against your chin for a few seconds, and it is driving you mad
  427. >your lips meet hers only a second later
  428. >they are warm and moist
  429. >soon, your lips are forced apart by a tongue
  430. >it just teases you a little, barely pushing your upper lip a little from below, left to right, and then back
  431. >you shift your head ever so slightly, and meet her tongue with yours, and it quickly retreats
  432. >out of a conscious decision, or pure change, you repeat her move, but push against her lower lip
  433. >your heart has gone wild
  434. >some distance is suddenly created between you, and a thin line of saliva connects your now parted lips
  435. >as you open your eyes, hers are staring straight into you
  436. >those deep blue eyes
  437. >it could be your heartbeat, or something else, but it almost seems like they are pulsating
  438. >but they want something, they want to say something
  439. >yes
  440. >they say yes
  441. >your time for an initiative
  442. >you lean forwards, pushing your chest against her soft breasts
  443. >this in itself was never going to be enough for her to fall over
  444. >she falls over on her back because that is the what the flaming ball of lust, called a pair, wants
  445. >for a second, all her domination ideas are gone
  446. >she lies on her back, drooling slightly, and bare from the waist up, her chest moving rhythmically with her breath
  447. >all of your ideas of not going any further are shattered as Annie bites her lower lip, and eyes pretty much begging at this point
  448. >there is no going back now
  449. >for a total of about five seconds, your brain focuses clearly and you form an idea
  450. >she IS going to beg for it
  451. >you're now sitting on her lower waist, left hand supporting your upper body, just next to her head
  452. >your head is slowly moving down towards hers, until your forehead touches hers
  453. >there is little friction due to the sweat
  454. >your eyes are now two inches apart and they want to say something
  455. >your right hand fondles her left breast, moving with gentle squeezing, and slowly moving towards the pink nipple
  456. >she inhales sharply as you reach it
  457. >her open mouth invites to another wet kiss, much deeper this time
  458. >and much longer
  459. >your hand then leaves her breast, and moves down slowly along her waistline
  460. >you keep teasing, and it is having a profound effect on her
  461. >your lips are not even an inch from hers, but there is still that just little bit of distance, you have to make her beg, just once, then you will do everything
  462. >your finger is slowly circling around her breast, and then moving along her waistline
  463. >it soon finds the top of her kind of ill-fitting pants, and it lifts them away from her hip bone, and then slowly moving towards the middle, where a little button is found
  464. >it's removed with force and luck more than anything
  465. >her arms that had previously just been laid on the bed, with the palms facing up, like a surrendering soldier, one who's given up
  466. >in an amazing feat of agility, still lying on her back, both her strong legs are bent straight up, at a 90 degree angle, pushing you a little higher up her body
  467. >her pants are slowly being pulled upwards, towards her knees, and when the now intercepting piece of cloth has gone that far, she bends her knees, and lets gravity do the rest
  468. >your hand as not moved far and is only a little bit, going to per plain white panties
  469. >you are greatly pleased to see they have a wet spot between her legs
  470. >your hand slowly forces its way inside, and it seems that cleaning has had some interesting effects
  471. >a finger on each side of her slit, slowly moving down, converging as they are almost at the top
  472. >she lets out a little yelp
  473. >"sure...you want this?"
  474. Anon...
  475. >"Beg for it."
  476. >something happens in her eyes
  477. >something new
  478. >those three words did something to her
  479. >she draws a big grin
  480. Maybe don't ask me to beg...
  481. >there is something new in her voice as well. Some sort of cold, calculated ferocity, but it sounds nothing like it has any bad intentions
  482. ...if you cannot make me
  483. >in a series of moves, all done while she is exploring the inside of your mouth with her tongue, you now lie down on top of her, face down, legs together, with hers outside yours
  484. >her long, strong legs suddenly wrap around your waist, there is absolutely nothing you can do to get out of her grip
  485. I love you, Anon
  486. >same calm ferocity again
  487. with you still in her grip, she spins around, now being able to fit her entire length on the bed
  488. >she does an attempt to undo your trousers, and manages to unbutton them, but can't quite get them off
  489. Take them off. Now.
  490. >there was a commanding tone in her voice now, and you waste no time complying
  491. >so far, she's been on her back, but now she's rotating her entire body, but mostly those muscular arms, turn the two of you around, and placing you firmly on your back, Annie straddling you, sitting on your hips
  492. >two hands are put on your shoulders, forcefully pushing them down
  493. >she leans her upper body down to you
  494. >another wet kiss
  495. >her hands are moved from your shoulders, and grab your wrists, and places both your hands on her cleavage
  496. You did that well, Anon. Keep doing it
  497. >this is something you happily comply with. Soft large, warm, and good work was rewarded with a yelp
  498. >she savors the moment, her breathing is increasing, her breasts being fondled, her being love. That alcohol and some under the radar threats being used bothers her little, as she is starting to feel the effect of the drink as well
  499. >normal breathing and the occasional yelp slowly moves over to a hushed moaning
  500. >her back arches, and she starts to slowly rub herself against you
  501. >two layers of cloth can no longer hold back the moisture she is producing, and your most honest member starts to just peek out from the top of the top of your underwear
  502. >Annie is still kneeling, with you underneath her, and realizes that getting her panties off would require not only a lot of moving, but letting go of her grip on you, so they are instead torn off
  503. >you move your hands to get rid of your boxers, but you are immediately gripped by the wrists. Hard.
  504. Did I tell you to stop?
  505. >Annie says from through her teeth, and between moans, still rubbing her now bare slit on you
  506. Don't. Move. Your. Hands. If they are coming off, I will do it
  507. >just as she is finished with this sentence, she leans in towards you, a blue fire in her eyes having turned into a bonfire
  508. >her vicious grin is accented by a lot of lust, and a little bit of spite
  509. I will...if you beg me
  510. >her face is inches off yours, her thick, velvet black hair looks as if it was poured of her head, her eyes piercing you like nothing else
  511. >the force on your shoulders...you can't get out
  512. >only one option left
  513. >"P-please"
  514. >she is visibly affected by all action, both her own hip movements, and the work you are doing with your hands
  515. >her face is getting more rosy, she is sweating a bit and while the moaning is still light, her breaths are getting deeper
  516. >the front of your underwear is getting soaked
  517. Just...keep...working
  518. >you have no intention of stopping, even if your brain isn't really working at this point
  519. >her grinding stops for a second, as she sits up, revealing all of her
  520. >she arches her back as much as she can, protruding her chest even more
  521. >your hands are still not going anywhere, to her great pleasure
  522. >her hands grab the last bit of cloth separating you from her, and pulling it down your legs and throwing them away
  523. >there is very little friction between you now, but she keeps slowly grinding the underside of your member with her slit
  524. Beg me.
  525. >"Please"
  526. >she lifts her hips upwards, and slightly backwards
  527. >your dick is as hard as it will ever be, and standing right up
  528. >she is very lightly rubbing its tip, ready to be entered at any second
  529. You can do better, beg
  530. >"I need you, all of you, please"
  531. >this satisfies her as an answer, and you are finally united, and you're not parting for a long time. A flurry of heavy breathing, lust, ecstasy, and various body fluids
  532.  
  533. >what happened?
  534. >many things. Specifically?
  535. >no idea
  536. >How long did it last?
  537. >no idea
  538. >What time is it now?
  539. >no idea
  540. >where is Annie?
  541. >...not beside you
  542. >awwww, fuck what have you done?
  543. >She isn't next to you
  544. >she's slept next to you every night since you met
  545. >or you next to her maybe
  546. >has she left you?
  547. >is she going to stay as a rifle now?
  548. >does she hate me?
  549. >what am I lying in?
  550. >your head feels like a beehive
  551. >your throat is on fire
  552. >if you had a little bruised shoulder yesterday, you are really battered now
  553. >and have a bruised shoulder
  554. >you are starting to wonder if this has been the best few days in your life
  555. >are they over now
  556. >actually...
  557. >there is noise coming from downstairs
  558. >and steps on the stairs
  559. >Annie opens the door
  560. >she is holding something in her hands
  561. >is that a tray?
  562. Good morning, Anon!
  563. >"H-have you made me breakfast?"
  564. Yes! B-but first, let's move you a little
  565. >she puts the tray on the floor and a towel on the bed
  566. >she gently picks you up, as if you were the most expensive thing in the world, and puts you on the towel, your back leaning against the headboard. The sheet sticks to your back a little
  567. >she picks up the tray, revealing she is wearing nothing but the apron, puts it in your lap, and then snuggles up next to you
  568. >she has made you a cup of coffee and a toast
  569. >she is just the sweetest girl
  570. E-everything is okay?
  571. >"Things are even better than okay. Well, I might have to wake up a bit, but otherwise, yes"
  572. >she giggles a bit
  573. >"What about you? You alright?"
  574. I feel loved. But I am also dirty. And I think you should do it.
  575. >"I'll happily do that"
  576. You are fun to drink with Anon. We should do it again.
  577. >"My head still hurts"
  578. Don't worry Anon, I'm here.
  579.  
  580.  
  581.  
  582.  
  583.  
  584. >tfw this got narrated
Advertisement
Add Comment
Please, Sign In to add comment
Advertisement