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FMA Anon in Equestria: C2

Jul 10th, 2013
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  1. >you are Anon
  2. >the Twy creature seems to be worried after reading the paper which was produced by her lizard
  3. >this is all a little much to take in all at once
  4. >sighing, you sit down
  5. >forgetting how fragile your intended seat is, you snap the legs off and crush it beneath your rear
  6. >the orange mule smirks as you groan
  7. >the purple one canters over, talking to you then to the orange one
  8. >you've stop trying to pay attention to them, it's not like you can understand what they're saying
  9. >taking off a glove, you lightly trace a circle around the destroyed seat, your finger ever so slightly etching the floor
  10. >both comically small horses and the lizard seem to gasp and talk amongst themselves in curious, inquisitive tones
  11. >the sofa is simple enough, wood, steel springs, cotton stuffed cushions
  12. >alchemic energy flashes and crackles
  13. >within moments, the chair is exactly as it was before
  14. >hearing surprised gasps and snorts, you look over, putting your glove back on
  15. >it's your turn to be surprised; were they not capable of alchemy, or more?
  16. >the Twy had performed unexplainable feats stranger than this
  17. >they seem to be completely awestruck at your simple alchemy, yet take no notice of the Twy levitating a quill and parchment once more, writing and scribbling madly, watching you with curiosity and excitement
  18. >a translucent, purple aura wraps around your hand
  19. >you hold it out, wary, not knowing what to do
  20. >it seems to be coming from Twy's horn
  21. >you turn your eyes to it, staring with a mix of fear and confusion at the mystical hue wrapped around your glove
  22. >the aura pulls your glove off
  23. >eyes wide in surprise, you snatch it back from the air and start to put it back on
  24. >the apple-branded one whinnies at you, and then makes gentler noises towards Twy
  25. >the latter seems to be afraid, but mostly you get the distinct impression that the Twy feels it has done something wrong
  26. >you sigh
  27. >is it just the automail they’re interested in?
  28. >you take your gloves off and show them the finely crafted steel hands, flexing and wiggling your fingers
  29. >the three strange creatures are wide-eyed and they would have lost their jaws if they had not been attached
  30. >again, a bit of the Twy's strange power extends from its horn and clings to your blue shirt's cuff
  31. >the cuff lifts and reveals your automail forearm
  32. >Twy's quill continues scribbling madly
  33. >it looks at you with more curiosity than you could have thought possible
  34. >suddenly, the translucent, pinkish aura wraps around your shirt and pulls it off
  35. "What's the big idea?" you growl
  36. >the orange one looks back and forth between you and the Twy, yelping weakly, looking very unsure of what's going to happen next
  37. >the Twy's eyes are filled with intense wonder as it seems to absent-mindedly reply to the other straw-maned mule
  38. >you stare at it with intense animosity as your shirtcoat floats off
  39. >your undershirt starts lifting itself from your chest
  40. >you grab it when it rises above your belly button
  41. "HEY!" you loudly bark, with your shirt now up your armpits
  42. >the unexplained aura stops and the Twy seems to back off, making some sound that could have probably sounded like "uh oh..."
  43. >you feel your pants drop
  44. >you are happy that you wear boxers, even when you don’t really have genitals anymore
  45. >teeth now bared, you pull your pants back up
  46. >your face has gone from "pink tinge of frustration" to "deep purple"
  47. >scowl level approaching critical limits
  48. >you catch your shirt coat as it floats down and put it back on hurriedly
  49. >this is getting you nowhere
  50. >you glare some more at the two quadrupeds, seeing them step back makes you feel a little better
  51. >they exchange short neighs, snickers, and snorts
  52. >you head for the door
  53. >no use wasting any more time in a library of books that you can't read with creatures you can't communicate with
  54. >before you reach the knob, the door bursts open
  55. >the miniature pink horse you have seen at the pastry store earlier today bounces in
  56. >it immediately starts conversing in high pitched, gleeful tones, smiling, and jumping up and down
  57. >you were unaware that horses could jump like that
  58. >the others yelp at it, agitated
  59. >the pink one doesn't pay that much attention to them
  60. >instead it starts to jump in circles around you, speaking its incomprehensible language in the same high-pitched, grating voice
  61. >it hasn't been in here more than ten seconds and on a scale of 1 to 10, where perfectly at ease is 1 and 10 is "being at the end of a month's worth of Chinese water torture"-level of annoyed, you're skyrocketing into high the 17s
  62. >your purple tinge is taking a somber shade of blue and that only serves to bring the pink one closer
  63. >your left eye has started to twitch
  64. >it is probably illegal to destroy these things; although they could help you, they had not hurt you or intentionally obstructed you so it would be wrong to harm them
  65. >you step outside and close the door behind yourself before the pink hell has a chance to follow you
  66. >the doorknob rattles
  67. >you hold it closed and draw an alchemy diagram around it
  68. >you flip it, the inside knob was now the outside knob
  69. >you turn the switch lock the knob
  70. >with a sigh of relief, you step back
  71. >no longer in danger of dying from a brain aneurism, you start to walk away
  72. >suddenly, the loathsome mule's pink head just drops down from the top of your vision. It’s as if it was hanging upside down in mid-air
  73. >talking
  74. >without pause for breath
  75. "No... NO NO NOOO!" you yell as it seems to vanish before you could look at how it was flying and reappear behind you
  76. >still babbling on at an insane pace
  77. "No more..." you moan
  78. >you just need some peace and a way to signal headquarters
  79. >you trace another alchemy circle on the dirt ground and wait until the horrible bubblegum abomination is right in front of you before transmuting two rock hands
  80. >one to cover her mouth, the other to hold her in place
  81. "Mmpmmhmphm, mmmmmph. Mmmmphmpmhmpmh, hhhhmmphmphphhh!"
  82. >it seems completely unhampered by the hands that hold her head in place and retain her mouth
  83. >this is an improvement though
  84. >you walk away and the ever present muffled babbling of the pink one become faint as you get farther away
  85. >your relief is palpable
  86. >now what
  87. >pulling the map out, you observe it closely and hope to find a large city
  88. >the bigger the city, the better the chance of you finding some form of help
  89. >there’s a scale indicator, but you didn't know their units so you could only guess
  90. >one town seemed larger than the others
  91. >it’s probably far away, but you had to try
  92. >a larger town could be equipped with some form of long distance communication
  93. >you start walking away from the tree-library
  94. >you're but ten paces from all this madness when you hear the door burst open. From the sound of it, you assume that the orange one has become kick-happy once more
  95. >not even bothering with a glance to see what hubbub they are cooking up, you set a good running pace
  96. >your knee is still squeaking, but you'll worry about it when there is time
  97. >frustration pushes you faster
  98. >seconds are precious when lives were on the line
  99. >making good time is a priority now, even if you get damaged in the process
  100. >you hear the sounds of hooves pounding hard earth
  101. >behind you was the Twy, making a valiant effort to catch up
  102. >what does it want now?
  103. >you roll your eyes and sprint faster
  104. >hearing only the rush of air going past your head, the whining and whirring of actuators and artificial muscles, your face relaxes a little for the first time in days
  105. >you could keep this up pretty much indefinitely
  106. >the silly, purple animal was losing a lot of ground
  107. >you blink a few times when it vanishes in a puff of pink sparks
  108. >then reappears in front of you
  109. >damned thing and its sorcery
  110. >stopping, you cross your arms
  111. >it clearly wanted something, looking at your with determination and caution
  112. >its horn glows and you feel like you've been thrown in the middle of a lump of flash powder
  113. >you blink the brightness out of your eyes once again, springing into a defensive stance
  114. >an attack?
  115. >why was it atta-
  116. >wait, why are you back at the treehouse?
  117. >the magical, small purple horse points at the pink one you
  118. >it brought you back for this?
  119. >you fume
  120. >fine
  121. >you would release the horrible magenta annoyance
  122. >the circle is still inscribed in the dirt, you just set your hands against the ground and the earth swallows the hands your alchemy crafted
  123. "Happy now?" you snarl, turning towards the road once more
  124. >you go back to your running pace, ignoring the brays and whinnies behind you
  125. >weren't they glad now that you'd freed the pink horror?
  126. >regardless of what sounded like discontent behind you, these ridiculous creatures have nothing here that can help you
  127. >you’re making good ground when
  128. ZAP!
  129. >you’re back to the library
  130. “Aw hell,” you curse
  131. >this silences even the pink donkey’s snickers and hee-haws; it isn’t smiling anymore
  132. >now this is going over the line
  133. >Twy tries to communicate with you, but apart from hearing an agitated fear and maybe something along the lines of a question in its voice, you have no idea what it could be talking about
  134. “I am leaving. Do NOT bring me back,”
  135. >the way you said “not” makes them all jump back
  136. >as you turn, you start to and pray
  137. >”Don’t bring me back to that library. Don’t bring me back to that library,”
  138. >the more time you wasted, the more likely it was for that surprise attack to succeed
  139. >if a real civil war erupted again, millions would die
  140. >you just had to do something about it
  141. >anything
  142. >moments pass and you get farther away
  143. >you almost feel a smile creep on your face as relief spreads through your chest
  144. >relief that they weren’t going to magic you back once more
  145. >that you’d be able to keep searching for a way to communicate
  146. >you’d be able to do this without further dela-
  147. ZAP!
  148. >you slap your face with both of your cold, metal hands
  149. >this was going to be a very, very long day
  150.  
  151.  
  152. >you are Twilight
  153. “Hey! Wait, come back!” you call
  154. >Anon pays no heed to you
  155. >after freeing Pinkie Pie, he just turned around and ran off
  156. “Ah don’t know about that Twayh, an ugly beast like that, maybe y’all should just let ‘im go. It done freed Pinkie just fine,”
  157. >you hoof at the ground, deep in thought
  158. >you sigh, replying
  159. “Listen, I just don’t like all of this. I assumed that it looked angry all the time; that it was just what its face looked like, but the more I think about it, the more agitated and… Well… The more panicked it looks. There’s something really wrong here, and it can’t tell us what’s going on. It hasn’t hurt any of us, but it’s clearly in distress, we have to help it, Applejack…”
  160. >your cowpony friend just huffs and looks at the ground
  161. “Ah guess yer right, Twahlight… Ah just can’t get over how it looks. Half machine, angry, scary-lookin’ thaing… T’ain’t raight,”
  162. >you charge your horn and in a flash, the Anon creature is back before you
  163. >slowly, it turns around and a chill runs down your backs
  164. >the one running down Pinkie’s is visible from where you’re standing, and her smile vanishes
  165. >it speaks, low and deep
  166. >if it wasn’t so commanding, it would almost be a plea
  167. >there’s a sharp rise in volume during a short word and the three of you jump in its suddenness
  168. >it turns and runs off again
  169. “See, Ah told y’all it was a bad idea, now its runnin’ away agin’,” whispers a scared Applejack, shaking in her hooves
  170. >you’re torn
  171. >you really do think that this creature needs help
  172. >you’ve never seen anything so utterly driven
  173. >its face reminded you of Spike’s when Rarity was taken by Diamond Dogs
  174. >it had the face of someone utterly helpless, and aware of something horrible
  175. >but what could you do?
  176. >there was no spell to translate its language
  177. >there was obviously no time to learn its language
  178. “So what do you think has it so upset? It has to be really serious, or else it wouldn’t be so grumpy… I’ve never seen something so grumpy, even Gilda wasn’t that grumpy. Hay, even Cranky Doodle Donkey wasn’t that cranky, remember when I tried to throw him a party? I’ll never forget his face,”
  179. >Pinkie’s continued monologue wasn’t letting you think very well
  180. “Pinkie,”
  181. “He looked so unimpressed, it’s always motivated me to make better parties, you kno-
  182. “Pinkie!”
  183. >she stops, looking over innocently
  184. “What is it?”
  185. >there’s a thought just floating outside of your grasp
  186. >you didn’t have time to learn its language
  187. >you didn’t have time to teach it…
  188. >the realization goes off in your head like a bomb
  189. >you swear that your eyeballs almost popped out
  190. “Pinkie! I love you, you know that right?”
  191. >Pinkie’s face bursts into a smile
  192. “Me too, Twilight!”
  193. >memories! That’s it!
  194. >you didn’t have time to teach it Equestrian, but you should have time to give him the memories of you being taught Equestrian!
  195. “Twahlight? Yer makin’ that face you get when y’all got an idea… Care ta fill us in?”
  196. >with a smile, you start
  197. “Well I thought about how I could help Anon understand us, and us it. Remember that spell I used to give you my memories of our friendship when Discord had made you all forget? I think I can give him my memories of learning Equestrian, from my foal years,”
  198. >Applejack looks at you, raising an eyebrow
  199. “Ya think that’ll work?”
  200. >you nod
  201. “How’d ya even remember all that from yer foalhood?”
  202. >you shrug
  203. “Good memory, I guess?”
  204. >your horn glows once more
  205. >you have a smile on your face; you’d finally be able to help this creature
  206. >the tall, lean figure appears once more
  207. >you’re about to approach it and try to get it to calm down so you can perform the spell
  208. >Anon just crouches, makes one more strange circle in the ground and raises a wall between it and you
  209. >you hear the heavy, clinking footsteps as it runs away again
  210. “Darn it, I just want to help!” you groan, teleporting past the wall
  211. >it’s already quite far away
  212. >by Celestia can it run fast
  213. >you give chase, teleporting in front of it. You’ll never be able to catch up otherwise, even on four hooves
  214. >Anon sidesteps you with impressive agility
  215. >you teleport again
  216. “I just,”
  217. >he dodges, not skipping a beat
  218. >you teleport again
  219. “Want to,”
  220. >this time you feel the cold metal hands whisk you to the side
  221. >you’re still in mid-flight when you teleport again, frustrated
  222. >you end up right in front of the Anon’s face
  223. “HELP YOU!”
  224. >finally, it skids to a stop before you two connect noggins
  225. >it can’t understand you, but you have to try and stop it just for a second
  226. >long enough for you to do the spell
  227. >yelping in the short fall from being head level with a creature twice your height, you give it a determined look when you’re back on solid ground
  228. >Anon crosses its arms and looks at you with enough fury that you fear your fur might singe off
  229. >you point at it, then point at the ground
  230. >the alien being crouches, rolling its little eyes before going back to staring at you
  231. >you rear back a little, out of some primal reflex
  232. >you don’t know if it’s out of fear or surprise
  233. >fighting over it, you lean in
  234. “Whtreh doijkhaf yi ajkncf?”
  235. >you have no idea what it just tried to say, but from the tone, it is not impressed or happy
  236. >you assume it’s something like “get out of the way”, but you hear a questioning tone
  237. >maybe “why aren’t you leaving me alone?”
  238. >little do you know, he’s asking you what the heck you want from him
  239. >and is currently suppressing urges to wring your little pony neck
  240. >regardless, you stare back and narrow your eyes
  241. “Just hold still!” you wheeze, exasperated
  242. >trying to waste as little of Anon’s obviously precious time, you take a half second to prepare the spell
  243. >you collect your memories
  244. >everything in your childhood directly related to Equestrian language
  245. >the dictionaries you’ve flipped through to define words you’d never heard of before
  246. >the classes on Equestrian, the advanced Equestrian programs you took just to be able to understand the books you needed to read on magic
  247. >your memories have always been organized
  248. >like a library
  249. >with everything in place, your horn charges up with magical energy
  250. >a second has gone by
  251. >Anon is looking at you, a shadow of curiosity seeping into its flat, beige face
  252. >you notice how many scars it bears for the first time, biggest ones running under its shirt
  253. >in one quick movement, you press your horn to Anon’s forehead
  254. Zap!
  255.  
  256.  
  257. >you are Anon
  258. >this stupid horse just would not give up
  259. >whatever it damn well wanted better be important
  260. >it points at you, then the floor
  261. >using every iota of self-control you have left, you take a knee and try to stare it hard enough to make it go away
  262. “What the hell do want from me?” you growl
  263. >it recoils, but keeps its ground
  264. “Jwejeheihenn srulilahsh swehashil,” it replies
  265. >whatever that was supposed to mean
  266. >you can almost feel your steel rattling in an effort to not wring this thing’s little neck
  267. >the Twy creature just closes its absurdly large eyes and leans closer and closer, horn lighting up like a phosphorous torch
  268. >you’re about to lose patience and get up when the horn dips down in a quick movement and touches your forehead
  269. Zap!
  270. >you go blind
  271. >oh hell, what’s going on?
  272. >what did it do to you?
  273. >you think you’ve fallen back onto your rump
  274. >no, you could not afford to go blind now
  275. >instantly, you’re furious
  276. >this couldn’t be bloody well happening
  277. >you’re about to reach out to slap that damned sorcerer’s lights out when the darkness in your vision is replaced by everything
  278. >not a bunch of things
  279. >simply everything
  280. >too much
  281. >you’d take being blind over this
  282. >Twilight?
  283. >her name was Twilight, and she was a pony of Equestria
  284. >years of memories jackhammer their way into your skull, moments and feelings slamming without limit
  285. >every word and emotion, every moment just stacks
  286. >it has to stop
  287. >it hurts
  288. >you can’t hear your own voice over the noise of every conversation and every sound this damned unicorn is blasting in your ears
  289. >you can’t even tell if you’re screaming, even if you think you are
  290. >as if your prayers were answered, the images and words suddenly cut off to “Zygodactylic: having the toes disposed in pairs”
  291. >a word she looked up after her friend Fluttershy had asked her how to define some of her birds’ feet
  292. >who the hell was Fluttershy?
  293. >you open your eyes
  294. >they had shut tightly
  295. >you wipe some tears from them and look at the clear, blue sky
  296. “What the hell just happened?” you groan
  297. >your head hurts
  298. “What was that?” you hear
  299. >you sit up
  300. “What did you do to me?”
  301. >Twilight looks at you, puzzled
  302. “I thought it would know Equestrian… Did my spell fail?”
  303. >she what now?
  304. >you could understand her…
  305. >she taught you her language?
  306. >you rub your forehead
  307. >switching to Equestrian, you try it out for the first time
  308. >even if it feels like you’ve spoken it most of your life
  309. >in your mind, at least
  310. “Wait, you did this to teach me Equestrian?” you ask
  311. >Twilight winces, then smiles
  312. “Ha! It did work! The accent could be better, but it’ll have to do,” she says, smugly
  313. >the words rolled awkwardly out of your mouth; your lips and throat weren’t used to making them
  314. >you sit up
  315. “I need to find a radio, or a telegraph. Anything that can communicate quickly over long distances,”
  316. >you have no time to waste
  317. “Well nice to meet you too,” she replies, sarcastically
  318. >you get up
  319. >if she didn’t have information that could help, you just had to move on
  320. >regardless of how completely messed up that just was
  321. >rubbing your face some more, you get up and start walking
  322. “Hey! You’ve been giving us a whole lot of trouble today, what’s the rush? Why are you acting like this?”
  323. “Long story. No time to explain,” you bark
  324. “Maybe I can help. Just tell me what’s wrong,”
  325. >you take a few deep breaths, trying to stop your teeth from grinding themselves to dust
  326. >you don’t really know how to react to Twilight’s “method” of teaching you her language
  327. >albeit effective, it wasn’t really pleasant and you felt like you had emotional biases from her memories being pushed in with yours
  328. >you’d have to be careful and not let anything cloud your judgment
  329. “Okay, but we keep moving,”
  330. >Twilight nods and trots as you walk
  331. “Long story short, my country is in a precarious sociopolitical situation. There’s a dangerous man that’s planning to send the country into a civil war with a surprise attack using a powerful weapon; I was trying to stop him or warn my commanding officers when I arrived here, somehow,”
  332. >you pick up the pace when you see the purple unicorn stop, taken aback by your reply
  333. >talking quickly in this language was difficult, the sounds would come out wrong
  334. >she understood you, at least
  335. “Civil war?”
  336. “Yes, you do know what that is right? You’ve read about it, and it would happen to my people if I don’t get home in time. Millions could die, you damned horse… Now I need to look for anything I can use!” you growl
  337. >you start running
  338. >you hear hoofsteps behind you
  339. “Anon… I’m sorry, I didn’t know!”
  340. >Twilight has a hard time keeping up, but she manages to talk during her sprint
  341. >you feel a little sorry for calling her a stupid horse…
  342. >pushing away the odd conflicting emotions of being very annoyed at a pony that is suddenly like an old friend to you, you keep running, knee squeaking away
  343. “I think I can help, just slow down,”
  344. >you hesitate as the voice becomes more distant
  345. >she could help you?
  346. >she did know a “Princess Celestia”
  347. >the memories and images were still crowding your mind
  348. >it was like looking at multiple films being displayed too fast
  349. >made your head spin
  350. >you’re a little confused with the memories surrounding the Princess
  351. >there’s a lot, swirling around
  352. >is she a teacher or a Princess?
  353. >both?
  354. >you slow down
  355. “I… Can’t… Keep up…” she huffs and puffs, completely winded
  356. >you scoop the little creature up and hold it on your shoulder like a bag of potatoes
  357. “Hey, what are you doIIINNNGGG!?”
  358. >she wants to help? She can do it without slowing you down
  359. >you start running as fast as your legs can carry you
  360. “Oooh my gosh!”
  361. >you feel Twilight’s little limbs skitter over your clothed metal shell trying to find purchase
  362. >not that you’d drop her, as much as you’d like to at this point
  363. “No time to waste. If you don’t like this, I can set you down,” you growl
  364. “Oh no, this is fine -ohgoshwe’regoingsofast- so what’s this radio thing you’re looking for?”
  365. >she didn’t know what a radio was, that’s right
  366. >this does not bode well
  367. “I’m hoping I’ll find one in a large city… Manehattan is it? It transmits information through the air using electromagnetic signals,”
  368. >you had a rough understanding of how radios worked; alchemists had to study as scientists, first and foremost
  369. >you come to a realization that you know a lot of what Twilight knows
  370. >you wonder why you even need her anymore, now that you’ve gotten her language and a bit of what was attached to that knowledge
  371. >you missed large gaps, however
  372. >you really only knew what was directly related to language
  373. >most of it was of her foalhood
  374. >it was odd; usually memories ended up being linked somehow
  375. >all you had were patchy, language-filled bits with small strands of memories that clung along
  376. >the taste of hay during a snack between study sessions
  377. >getting the wrong book between classes
  378. >names, faces
  379. >you focus once more, finishing your sentence
  380. “So I’m heading there. I’m hoping a large city will have some level of superior technical knowledge over a small village,”
  381. “Manehattan? I don’t think they’d have anything like that, but regardless… You’re going in the wrong direction,”
  382. >bloody hell
  383. >you skid, driving marks through the dry dirt
  384. >a harsh string of epithets follows your halt
  385. >you start running before your mouth has finished catching up with your emotions
  386. >after you’re done spitting out curses that would have made a sailor wince, you hear
  387. “We should just get back to the library,”
  388. “Why would I do that? I’ve already lost more time than I probably have,”
  389. “Because the Princess is coming to my library; if there’s anyone that can help you, it’s her,”
  390. >you have a few glimpses of Twilight’s princess
  391. >mostly words, moments of her teaching
  392. “Your mentor, right? A Princess...” you reply, pondering
  393. “Princess of all Equestria, Anon! If there’s anyone that can help, it’s her,”
  394. >you grumble as you start to head back to the library
  395. >you keep your temper in check, regardless of how much you feel like you’re not making any progress
  396. >an uncomfortable silence settles despite the thumping of leather-soled metal, the ululating whine of artificial muscles, the hissing pistons, and whirring gears
  397. >they aren’t loud sounds but they’re audible over the rushing wind
  398. >you used to worry about how it might make it hard to sneak around or be subtle, but then you stopped after realizing something during your first assignments
  399. >your face relaxes a little when thinking back on those moments
  400. >those moments when you learned how much walls and floors were overrated
  401. >but mostly, you learned that a skull sitting on half a thousand pounds of automail didn’t exactly require that much subtlety or stealth
  402. “So…”
  403. >as soon as you cool down a little, your small passenger chimes in to ruin your reminiscing
  404. “What is it, little pony?” you reply flatly
  405. >you feel her shift a little against your neck, having a hard time holding on
  406. “I was just curious… Forget it,”
  407. >you realize that your reply had been more of a growl than anything
  408. >they had a weird “L” sound mixed in with an “R” that had to be done with the back of the throat and with the front of the mouth at the same time
  409. >you had no idea how to replicate it, so you’d opted for a rhombic sound
  410. >probably made it sound a little harsh
  411. “Didn’t mean to sound upset; your language isn’t very easy to speak, and I don’t have a whole lot of teeth left. What’s your question?”
  412. >you become aware of how much it felt like you’d been in class since your early childhood with this creature
  413. >it was very strange
  414. >akin to remembering a childhood friend you completely forgot about for years
  415. “I hope I didn’t upset you too much when I gave you my memories of learning Equestrian. You just looked really distressed and that’s the only way I could think of to help,”
  416. >you swallow with some difficulty
  417. >the air was hot, dusty and baked dry under the afternoon sun
  418. >wrestling over some conflicting emotions for a few seconds, you opt for a diplomatic reply
  419. “It’s fine. At this point, I’m glad you kept trying even when I wasn’t being very compliant. Sorry about scaring your village folk and flipping your doorknob around,”
  420. >you pause, thinking bitterly about the fluffy pink horror
  421. “I also hope I didn’t hurt the pink one,”
  422. >regardless of how half-hearted that last bit was, you could assume your accent would cover up the your tone of voice
  423. “Pinkie? She’s fine, but please don’t do that again. How did you do that anyway? What exactly are you?”
  424. “State Alchemist Anon, soldier of Amestris, special response unit. They call me…”
  425. >you sigh, left eye twitching a little
  426. “The Steelhead Alchemist,”
  427. >the Admiral that gave you your title had a particularly vile sense of humor
  428. >perhaps he expected you to get a helmet at one point
  429. >it probably would have saved you quite a few teeth, but you stopped looking like “just another soldier” if you had a helmet on
  430. >that would be missing pretty much the whole point of an almost completely automail unit
  431. “Alchemy? Isn’t that only –
  432. “Potions, right? For you, maybe. Where I’m from, alchemy is the science of equivalent exchange. We can transform things using their basic compositions and the energy from the earth, but only when the change is even. When something is taken, something of equal value must be given,”
  433. “Fascinating, you’ll have to tell me more! Are all alchemists like that?”
  434. “Like what?”
  435. >she taps on your chest with a hoof, saying
  436. “Made of metal?”
  437. >the automail?
  438. “It’s called automail, and no. We’re usually flesh and blood,”
  439. >you see the library in the distance
  440. >hopefully this Princess of hers would be able to do something
  441. “So you’re different from the other alchemists?”
  442. “Well I’m not completely made of it, and some people have it like I do. It’s usually done when they lose a limb or two from an accident or something, but it’s not exactly a popular procedure. Even some that lose a leg or an arm choose to stick with a wooden stump or a hook. The surgery can’t be done with anesthetics; they cut into you, clamping the metal in place, and drill into your bones to screw in the supports. They have to cut your nerves open to link up the automail. If you survive all that, it can take two or three years to recover with extremely painful rehabilitation,”
  443. >there’s a small pause
  444. “You mean you lost all your limbs? That’s… That’s beyond terrible, Anon, I’m so sorry…”
  445. >she sounds horrified
  446. >as you enter the grass-covered clearing leading to the library, you take a breath before replying
  447. “No,”
  448. >a few steps later, you’re before the strange carved out tree
  449. >putting her down, you continue
  450. “I asked for this,”
  451. >the little unicorn recoils as if struck
  452. “You wha—
  453. “Twahlight! Where in tarnation have ya been? Did that weird lookin’, angry, ugly THING hurt ya?”
  454. >oh wonderful, your favorite orange-colored kicker was back with a bouncing pink bundle of annoying in tow
  455. “Twilight, are you okay? I was so worried when you ran off after him like that, well more teleported off… Would it be teleporting on and off or just off? It would probably be teleporting off and on, really, unless you mmfmmhmhhmhmffff—
  456. >the hyperactive cotton-candy equine is cut off by the apple-branded one’s hoof
  457. >you figure this is the reason why Twilight wasn’t that mad at you for restraining the pink one earlier
  458. “Whut Pinkie’s trying to say is that we’re happy to see yer lookin’ okay,”
  459. “I’m fine, girls, Anon was just telling me that he has a pretty big problem and he needs Celestia’s help,”
  460. >you see the hat-wearing one swallow nervously
  461. “Whadda ya mean he told you…”
  462. >you can hear the gears turning in her fuzzy little head
  463. “Ya mean it can understand…”
  464. >her accent-tinged voice trails off
  465. “Yes, Applejack, the spell worked. Anon can speak Equestrian, mostly,”
  466. >you ignore the comment from this Applejack pony
  467. “Is the Princess here?” you ask
  468. >Applejack and Pinkie wince as if your voice was made of bags of cats thrown in a fire
  469. “It… Ah mean… Anon sounds perfectly fine tah me, right Pinkie?”
  470. >her large, nervous smile makes your eyes roll and you get a kick out of seeing Pinkie try to nod with a hoof in her mouth
  471. “I’m sure she’ll be here soon, Anon. Why don’t we just go inside and sit down, maybe try to relax a little?”
  472. >you don’t have much of a choice, regardless of how much you try to will this Princess into getting here faster
  473. >once inside, you sit on a stump to avoid needing to fix another chair
  474. >you wonder how a stump can exist within a tree for a while but force your concentration elsewhere before it gives you a headache
  475. >Applesack, or whatever her name is, has taken to staring at you from the corner of the room
  476. >her eyes full of suspicion and fear
  477. >she’s keeping the pink one behind her, away from you, so you don’t mind it either way
  478. >even when you catch her whispering to Pinkie
  479. “Look at ‘im, with them beady little eyes. Ah’m sure he’s up ta no good,”
  480. >Twilight clears her throat, eyes narrowed at her cautious friends
  481. >the orange one plants both front hooves in the floor, trying to steel herself
  482. “Well what’s his big problem anyways, bargin’ into everyp0ny’s house and scarin’ us all half to death?”
  483. >at least she’s not beating around the bush
  484. “Applejack, you’re being unreasonable, I think anyone would be agitated in Anon’s situation. He was trying to prevent a civil war back in his country and he got transported here… Somehow... Wouldn’t you be a little agitated if the lives of everyp0ny in P0nyville rested on your withers? Come to think of it, I should send another letter to Celestia, to tell her the matter is pretty urgent…”
  485. >Twilight trots off, leaving Applejack to stare at her hooves
  486. >you hear the purple unicorn calling for a “Spike”. It was probably the name of that little lizard you saw earlier
  487. >the three of you sit in silence until Applejack clears her throat and speaks, her tone less inflamed than before
  488. “Anon, is it? Listen. Ah guess Ah’ve been actin’ like a foal, an’ that was wrong. We ain’t seen anythin’ like ya before an’ Ah was just afraid for mah friends. If ya promise not ta never hurt anyp0ny, Ah’ll apologize. That sound fair ta y’all?”
  489. >you were used to all kinds of loathing from citizens
  490. >most of your own people called you a dog of the military, so at least these creatures knew how to be polite on some level
  491. “I promise to never lay a hand on any of you ponies,”
  492. “Even them strange dirt-paws… Errr, “hands” ya conjured up on Pinkie earlier?”
  493. “Yes, I promise,”
  494. “AJ, he should do a Pinkie promise, nop0ny ever breaks those,” chimes in the fuzzy menace
  495. >you are then forced to imitate a silly ritual, complete with rhyme and dance
  496. “Whell that settles it. Anon, Ah am sorry fer treatin’ ya like that,”
  497. >her accent doesn’t change the fact that her tone is sincere and solemn
  498. >she holds out a hoof and you awkwardly shake it, hoping it was the correct gesture while replying
  499. >you feel her front leg tense up under your grip, even if you were gentle
  500. >it probably wasn’t often that they had an articulated metal appendage grasp theirs
  501. “I accept your apology, thank you for your understanding,”
  502. “Ah’m just glad we could come to one,”
  503. >there’s a gasp
  504. “Pinkie, what’s wrong?” inquires Applejack
  505. >as if electrocuted by her name being called, the energetic one shoots out of one of the windows yelling “OH NO! The pies are going to burn!”
  506. >the orange one chuckles and shakes her head
  507. “Whell since it don’t look like Ah got that much ta worry about here, ah should probably git goin’—
  508. >the library’s doors open with a gentle whoosh, and the room brightens considerably
  509. >it was the Alicorn from the little purple student’s memories
  510. “Princess Celestia,” breathes Applejack, dropping a knee and bowing
  511. >the creature canters in regally, wings fluttering out in an impressive span
  512. “Applejack, are you alright? Please, stand and come forward,” she says, her voice calm
  513. >you felt a deep concern behind the collected and gentle tone
  514. “Of course yer majesty, what can Ah do fer ya?”
  515. “Princess Celestia! Thank goodness you’re here. Have you gotten my letters?” asks Twilight, trotting in
  516. “Yes, Twilight, I came as quickly as I could. Are you all unhurt? I feared the worst when I received your last message. The human has not injured anyp0ny?”
  517. >Twilight cocks her head to the side when her mentor’s words seem to sink in
  518. “No, not at all, we’re all fine… I’m sorry I didn’t have the chance to tell you more in my letter. Anon is the one that needs our help, actually,”
  519. >Celestia beckons Twilight to come closer
  520. >when both ponies are beneath the Princess’ wings and away from you, she slowly replies
  521. “We’ll see,”
  522. >you swallow nervously
  523. >her eyes haven’t left you since she walked in
  524. >compared to the gentle, comforting figure in the memories, she sounded like a wary mother
  525. >something you were familiar with back in Amestris
  526. >that same face when you were close to their children
  527. >they’d put an arm around their child, moving between you and them
  528. “Princess Celestia? Everything okay?” asks Twilight
  529. “I hope so, my faithful student. It’s a long story, but let me just say that humans have never been a welcomed sight,”
  530. “You’ve seen us before?”
  531. >her eyes widen with surprise
  532. “The human can speak Equestrian?”
  533. >Celestia seemed increasingly worried, eyes darting as she seemed to search her mind in many ways at once
  534. “I taught him, in a way, I guess,”
  535. >the Princess flares her wings, rearing back ever so slightly, asking
  536. “How?”
  537. >Twilight looks increasingly worried and seems to be scared that she’s done something wrong
  538. “Well I just couldn’t leave Anon to run around, he looked so panicked, I just had to do something. I kinda… Gave him my knowledge of Equestrian,”
  539. >the purple unicorn shrinks down as if expecting to be struck in the forehead with a rolled up newspaper
  540. >Celestia only narrows her eyes and mutters
  541. “Does he know everything, then?”
  542. >Twilight coughs up a little, stifling a surprised giggle, seeming a little oblivious to the tense air between the Princess and you
  543. “Oh, no, just Equestrian. It was a selective memory spell, he only knows what I learned of our language when I was a foal,”
  544. >this seems to relax the royal guest
  545. >even if you try to put aside your impatience, you can’t ignore the direction where this seems to be going
  546. >the ruler of this land doesn’t seem to like or trust you in any way, and that bodes poorly
  547. “Princess, if I may,” you say
  548. >her head tilts up at you
  549. “Speak,”
  550. >you bet that you have to choose your words carefully
  551. “I do need help, and time is of the essence. My people need me, but I can’t find a way to reach them. The lives of many depend on it,”
  552. >Celestia takes a few moments to think about what you’ve said, her expression impassible
  553. >Twilight, Applejack, and their princess turn from you and exchange whispers for a few minutes
  554. >you sit there a little awkwardly
  555. >there’s a short silence
  556. “Anon, is it?”
  557. >you nod
  558. “Twilight’s told me what she knows of your troubles. I then looked into your world; it seems that whatever you fear has not happened yet—
  559. >you feel relief for the first time in a long time
  560. >unable to restrain yourself, you cut her off
  561. “So there’s still time!”
  562. >the two ponies tense up at the interruption but the Princess doesn’t skip a beat
  563. “Indeed there is, as far as I’m able to tell,”
  564. “Princess… You said you could see into my world. How? Could I see as well?”
  565. >Celestia seems to ponder hard
  566. “My magic allows me to see into other worlds, I will show you,”
  567. >her horn glows, and before you appears a cloudy haze
  568. >light shining in the center of its misty wisps
  569. “Look into the light, and ask me what you need to see,”
  570. >Applejack and Twilight look on quietly
  571. “I need to see the Central military station in Amestris. I need to see if our leaders are still unharmed… More importantly, if there are any hostile forces massing near them,”
  572. >Princess Celestia concentrates, brow furrowing
  573. “I believe I can do that,”
  574. >you look in awe as the cloudy mass dissipates to show a city below
  575. >like a bird looking down, you see the buildings of your city
  576. >the image drops with dizzying speed
  577. >before you feel like you’ll hit the structures, the rooftops vanish as if transformed into glass
  578. >floor after floor, the layers peel until you see the presidential office
  579. >below you sits the President himself, squaring away paperwork and preparing a schedule for a meeting
  580. >you notice the locations and dates
  581. >general meeting set for tomorrow
  582. >Celestia’s gaze locks into yours through the image
  583. “Satisfied? I think I can feel these foes you speak of,”
  584. >before you can say anything, the image drops again
  585. >down to the ground floor
  586. >down to the basements
  587. >down to the sewers
  588. >even further
  589. >forward now, to the roads leading to the central station into a cavern
  590. >not a natural one
  591. >in the hollowed out base was a small army
  592. >waiting, preparing
  593. >one man seems to glow with a fiery passion that hid behind his red eyes
  594. >crimson jeweled staff in one hand, balled fist raised, he barks commands and encouragements at his men
  595. >you begin to connect the dots
  596. >with the President leaving a fortified building tomorrow, and a Philosopher’s Stone-wielding enemy underneath…
  597. >it was a perfect ambush to overwhelm and destroy the presidency in one fell swoop
  598. >with the Stone, they would probably be able to destroy most of the State’s forces before leading the extremist Ishbalans into a genocidal campaign
  599. >the image vanishes in a puff of smoke
  600. “It seems the old enemies in your country will be sent back into yet another conflict…” slowly states Celestia
  601. “I hope it doesn’t come to that. It’s why I need your help; with this information, I can warn my people and we can stop the death of countless innocents,”
  602. >the Princess takes a deep breath
  603. “I’ve let you ensure that your government is safe, and nothing is to happen before tomorrow. Now I need to know if any of this is going to put Equestria in danger,”
  604. >you look at her with incredulity
  605. “How could it? Please, you must help me; hundreds of thousands could die,”
  606. >her large, white wings settle as she raises her snout
  607. >her eyes wander deeply into what seems to be old, painful memories
  608. “I’m afraid it’s not that simple,”
  609. >she slowly, sadly sighs and begins
  610. “Let me tell you a story about humans…”
  611.  
  612. End chapter 2
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