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MossMoon3

Moss Moon and the Lunar Spring, Part 19

Oct 8th, 2015
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  1. >You are Moss Moon, and you are alone
  2. >You watch as Anja spirals upward, her snowy body wreathed in smoke
  3. >Her wings are strangely beautiful as they catch the firelight
  4. >Your heart is still in your throat by the time she vanishes
  5. >“Your friend in danger,” she’d said, in her thick Northern accent. “Go back!”
  6. >Every fiber of your being pushes you toward that impulse
  7. >You want to find him, help him, protect him
  8. >But you know that your responsibility lies here
  9. >You have to get these foals out of the Stronghold, take them to Hollow Shades if you must
  10. >Anon can take care of himself
  11. >That is what you tell yourself, when you turn away from the road and walk back into the orphanage
  12. >You feel sick to your stomach, but the pain is alleviated somewhat when you see that Hex, Nightstone, and the others are safe and sound
  13. >In your mind, though, you can still see the face of the man you killed
  14. >The single yelp he’d made when you’d struck him
  15. >The simple, almost perfunctory way he’d fallen to the ground
  16. >His death had come so effortlessly, so quickly
  17. >You had never realized how easy it was to take a life
  18. >Just standing there, holding that stone over his corpse, had been enough to paralyze you for who knows how long
  19. >You had lost all conception of time, until Anja had appeared and asked you about the explosion
  20. >It was true, what you’d told her; you did not understand why the concoction of sunroot resin and lunar spring water was so volatile
  21. >Certainly it must be some property of the goddess, some investment of her power that made the substance so explosive
  22. >But you had never come upon any reference to such a substance, not in any of Grandmother’s old texts
  23. >It is a mystery that you probably will never solve
  24. >“Moss Moon, what’re we gonna do?”
  25. >You look down into the wide eyes of Hex, her brother Nightstone right beside her
  26. >You can feel the foals trembling as they cling to you
  27. >They’ve gotten bigger in your absence, but they are still only children
  28. “Okay everypony,” you say, in the brightest voice you can muster. “We’re all going on a little trip. There are going to be some rules, so listen carefully, okay?”
  29. >There is silence as you go on
  30. >Some of the orphans have crowded around you, while others remain apart; detached, or sullen
  31. >This is not the first time they have had to run
  32. “The first rule is that everypony needs to be very quiet. If you can be quieter than I am, you’ll get a prize once we get where we’re going.”
  33. >“What kind of prize –” Nightstone asks, before Hex shushes him
  34. “The second rule is that you have to stay close to me. No wandering off on your own. If you wander off, you could get lost, and then I’d have to come find you.”
  35. >They nod along, wide-eyed
  36. “The third rule is that everypony needs to have a buddy. Stick close to your buddy, make sure your buddy follows me and stays quiet, and most importantly – if you don’t know where your buddy is, tell me right away!”
  37. >You quickly help them pair off, and then scour the orphanage for supplies
  38. >Some food is available - with some pride you recognize some dried melon from one of the hidden orchards around the Stronghold
  39. >Blankets make for makeshift satchels, which the bigger foals carry in their mouths
  40. >You direct them all to the back window, and one by one they fly through
  41. >It will be safer to hug the outskirts of the Stronghold, rather than going through the streets
  42. >Once all the orphans have gotten out, you climb through after them, your hooves alighting softly on the rocky ground
  43. >You take a moment to get your bearings, mapping out the best route in your head
  44. >There’s a small orchard just a short distance from here, with a hole to the outside
  45. >You can’t reach it, but the foals could fly up and get out that way
  46. >It will be easier to get them out through there, instead of trying to sneak them out one of the main exits
  47. >Once they’re through, you can find a way out on your own
  48. “All right, let’s get going,” you say. “Remember everypony, be very quiet!”
  49. >Obediently the foals keep their mouths shut, following suit as you steal through the shadows
  50. >Their eyes dart fearfully toward the rising smoke and the distant glow of the great fire, but they say nothing
  51. >You keep low, hugging the many rock formations that jut out of the ground
  52. >Praying that no human – or pony – will see you
  53. >Even though you’d forged some kind of battlefield kinship with Anja, you still do not trust Hunter Killer and his band
  54. >You’d rather these foals get some small chance to live in Hollow Shades than have them suffer whatever aftermath the Stronghold is about to face
  55. >Soon enough you reach the orchard, a small grove hidden in a cleft of rock by the far wall
  56. >The fruit trees have been mostly picked clean, though a few small melons remain on the upper branches amid pink and white blossoms
  57. >Dark purple light glows softly through the opening in the ceiling, high above
  58. >Nervously you stand at attention, ushering the orphans into the small space
  59. “Okay everypony,” you say. “I need you all to fly up one by one and go outside. Once we’re all out, I want you to wait for me out there, okay?”
  60.  
  61. >Hex shuffles her hooves. “But... how will you get out?”
  62. “Don’t worry, sweetheart,” you say. “I have my own way of getting out. This is the safest way for you all to go. I’ll come around and meet up with you again very soon.”
  63. >Nightstone and some of the other foals begin to cry. “Moss Moon, I’m scared...”
  64. >“That’s okay,” you say, doing your best to embrace them all. “It’s going to be okay. I know it’s scary, and you’re all being very brave. I just need you to be brave for a little while longer.”
  65. >They sniffle as you hug them, and you wish that you were a better comfort, a stronger mare, someone who could give them strength when they needed it
  66. >The truth is that you are afraid, too
  67. >Slowly they begin to ascend, flying up to the exit
  68. >Some are more reluctant than others, with Hex finally having to pry Nightstone away
  69. >Her eyes are wet as she says goodbye
  70. > “Wait for me, okay?” you call, as they fly away. “I’ll be up there before you know it.”
  71. >The last to leave is one of the older fillies
  72. >She hasn’t cried, hasn’t hugged you
  73. >Has only bit her lip so hard that it bled
  74. >“You’re not going to come back,” she says flatly, once the others are out of earshot. “Those humans are going to kill you.”
  75. >You look down at her, and for a moment feel utterly lost
  76. >Then you realize that there is no need to bandy words
  77. “If humans come, take the foals and fly away,” you say. “Only approach other ponies. But don’t trust them.”
  78. >“And what do we do if all the ponies die?”
  79. “There’s a village a few days away, to the southwest. Hollow Shades, it’s called. Very old and very traditional, but they will accept you. Follow the blue moss – that is the secret way.”
  80. >Without a word, the filly gives a slow, resigned nod, before picking up the last satchel and flying up
  81. >“Wait for me,” you say. “I’m not going to abandon you. I promise.”
  82. >When at last they have all gotten out, you let out a deep breath
  83. >They’re safe, for now
  84. >Now all you need to do is sneak out alone, and you can get them far away from this place
  85. >You’d snuck out before; surely you can do it again, even amid the chaos
  86. >You wonder how Anon is doing
  87. >Will he be able to find you, if you leave?
  88. >He doesn’t know about the moss, but he did follow you to Hollow Shades
  89. >You will just have to hope that he can find the way again
  90. >As you step out of the orchard, you realize too late that you are not alone
  91. >You are not a warrior, and your mind isn’t clear
  92. >How easy it is for the two humans hiding in the shadows to jump at you from both sides
  93. “Shit!”
  94. >One pins you beneath his weight, digging his hands into your neck to push your head into the ground
  95. >The other kicks you in the stomach, making you gasp
  96. >"These things are always so weak," he says. "It's pathetic."
  97. >“What’re you doing back here, love?” the other asks. “Hiding something?”
  98. >The one pinning you shifts his weight, granting access to your saddlebag. “Open this up.”
  99. >You grimace as the man rummages through your supplies
  100. >You curse yourself, screaming inside your mind, wishing that you were smarter, stronger, faster
  101. >Wishing that you were anypony but yourself
  102. >“Ah, what’s this?” The man draws something from your bag. “What in blazes...”
  103. >Out of the corner of your eye, you can see the soft white glow of the object in his hand
  104. >The last vial of lunar spring water
  105. >He kneels down to wiggle it in front of your face
  106. >“What’s this, then? Care to share?”
  107. “Asperi piss,” you spit. “I know you love the taste.”
  108. >The man holding you shakes you by the scruff, while the other just laughs
  109. >“You’re funny. I like that.” He stands. “You can have your fun with her, Rolf. Don’t kill her yet. I’ll just have me a quick look in here.”
  110. >The man pockets the vial and walks off, into the orchard, leaving you alone with Rolf
  111. >Disgusting Rolf, who draws a knife and slides it against the side of your face
  112. >“I’m gonna cut your eyeballs out,” he says, stupidly
  113. >It feels so unreal, as if you aren’t here right now, as if it isn’t happening
  114. >But you know that it is
  115. >You know that you are helpless, trapped, too weak to save yourself
  116. >Again
  117. >Always
  118. >“Moss Moon? Are you okay?”
  119. >Nightstone is calling faintly
  120. >You feel Rolf jerk the knife way, turning his body toward the noise
  121. >Not enough to free you, though
  122. >“Stay up there!” you scream. “Don’t come down!”
  123. >You hear the unnamed man laughing
  124. >“Oh, this is touching,” he says. “Here I thought you were hiding some gold. Bring her in here, Rolf.”
  125. >Fingers close in your mane, wrenching you up
  126. >You swing wildly with a hoof, but connect with nothing, before you are thrown bodily into the orchard
  127. >You crash into one of the trees, a blow that might’ve snapped a smaller pony’s spine
  128. >But yours is a body well-used to punishment, and it does not break
  129. >Disoriented, you stagger up, but a boot connects with your ribcage
  130. >You feel like throwing up
  131. >The two men seize you and once again shove you to the ground
  132. >You can hear them laughing
  133. >The foals are screaming
  134. >In your mind, you call out to her – Goddess, help me!
  135. >If your prayers are heard, they go unanswered.
  136. >Rolf is holding a knife up again, arcing it toward your scarred face
  137. >His friend is guffawing like a madman
  138. >Their faces blur, so much like a dream
  139. >You remember the hands of the torturer, holding you down, cutting, sawing -
  140. > - telling you that you deserved it -
  141. >You throw your cheek into the blade, letting the steel carve your flesh
  142. >Rolf’s wrist is unarmored, exposed, soft
  143. >He screeches when you bite it, recoiling out of reflex
  144. >It's enough
  145. >You kick as hard as you can with your hind legs, legs that have borne you through this life of suffering, and scramble out from underneath
  146. >Vaguely you are aware of the flash of his knife, the numb sensation in your shoulder
  147. >It's nothing
  148. >Pain can't stop you
  149. >His high-pitched scream turns into a gurgle as your fangs rip into his throat
  150. >Delicious blood floods your mouth
  151. >Human blood always was the sweetest
  152. >You cling to him, rending the cords of his neck
  153. >Something slams into your back, throwing you to the dirt
  154. >The wind is knocked from your lungs
  155. >Doesn’t matter
  156. >You roll away from another blow, the clang of metal ringing in your ears
  157. >You have no oxygen, no breath, blood drips from your mouth
  158. >Berserk, you twist to face the second man
  159. >Though he towers over you, the instincts of your ancestors see in him a wretched, fearful boy, clinging to a paltry sword
  160. >You lunge, a suicidal maneuver, leaping toward his open stance
  161. >Fate could kill you here, as it has killed thousands of your brethren
  162. >End your life like all the others
  163. >Just another skewered casualty in some backwater hellhole
  164. >Instead, his sword shaves off some piece of you, and your hoof slams into his groin
  165. >He staggers, and crumples to the ground when you kick his ankles
  166. >Immediately you stomp on his head, over and over and over again
  167. >Until his redness has soaked into the earth, to nourish the roots of the melon tree
  168. >You gasp for air, and vomit, and gasp for air again
  169. >Panting in the faint moonlight
  170. >The two bodies lie still on the ground
  171. >For an instant you hate them, all of them; all of humanity
  172. >All those that tortured you and ripped your life apart
  173. >And for what? Why?
  174. >You'd lived in fear of them since foalhood, but this was different - this was blind, burning hatred
  175. >Hatred for all mankind
  176. >Even Anon
  177. >You hate him for his kindness, hate yourself for being drawn to him, hate yourself for being an ugly monster
  178. >All of them - you want all of them to die
  179. >Your entire body trembles with rage, your heart pounding in your chest
  180. >And then you feel the tears streaming down your cheeks, stinging the fresh wound
  181. >The bloodlust fades as you stare down at your stained hooves
  182. >Anon...
  183. >...please come back to me.
  184. >You look up, struggling to contain your emotions
  185. >The foals are watching through the opening
  186. >Their worried faces look down at you, their bodies framed by the moon
  187. >“I’m okay,” you say, gently,
  188. >“Everything will be okay.”
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